Browse content similar to Ingenuity. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:04 | |
With the World Cup and Olympics on the way, | 0:00:04 | 0:00:06 | |
the whole planet is looking to one city. | 0:00:06 | 0:00:08 | |
Welcome to Rio. | 0:00:08 | 0:00:11 | |
One in five of us live in parts of the city you tourists | 0:00:15 | 0:00:18 | |
will never know. | 0:00:18 | 0:00:20 | |
Rio's famous favelas. | 0:00:20 | 0:00:22 | |
These gang-run shanty towns are dotted | 0:00:26 | 0:00:28 | |
all across our marvellous city. | 0:00:28 | 0:00:30 | |
What our favelas lack in law and order and government services | 0:00:32 | 0:00:36 | |
we make up for with close-knit communities | 0:00:36 | 0:00:39 | |
and great resourcefulness. | 0:00:39 | 0:00:41 | |
We're experts at making something from nothing. | 0:00:41 | 0:00:43 | |
THEY SPEAK IN PORTUGUESE THROUGHOUT | 0:00:45 | 0:00:50 | |
Surviving on our wits. | 0:00:50 | 0:00:52 | |
Moving with the times and keeping our eye on the prize. | 0:00:57 | 0:01:00 | |
Now many of us find our livelihoods under threat | 0:01:05 | 0:01:07 | |
as the government tries to clean up our city for your arrival. | 0:01:07 | 0:01:11 | |
But whatever they do, we'll find a way to get what we want. | 0:01:15 | 0:01:19 | |
THEY CHEER | 0:01:19 | 0:01:21 | |
Come into a world no tourist has ever seen. | 0:01:21 | 0:01:25 | |
Meet a new breed of entrepreneurs that can only be made in Brazil. | 0:01:26 | 0:01:31 | |
Rio is a city of extremes. | 0:01:47 | 0:01:50 | |
The very rich live alongside the very poor. | 0:01:50 | 0:01:53 | |
We're famously sexy, yet deeply religious. | 0:01:53 | 0:01:57 | |
Even our climate swings between glorious sun and torrential rain. | 0:01:57 | 0:02:02 | |
But one thing is constant. We're wonderful hosts, and in honour of | 0:02:02 | 0:02:07 | |
your World Cup and Olympic visits, we're having a little tidy-up. | 0:02:07 | 0:02:11 | |
We're building new stadiums, new roads, | 0:02:14 | 0:02:17 | |
and chasing drug traffickers out of the favelas near your hotels. | 0:02:17 | 0:02:21 | |
But just outside our beautiful city | 0:02:22 | 0:02:24 | |
lies one of the world's greatest eyesores. | 0:02:24 | 0:02:28 | |
The region's rubbish dump. | 0:02:28 | 0:02:30 | |
14 million square feet of rotting garbage, | 0:02:33 | 0:02:36 | |
the largest landfill site in the world. | 0:02:36 | 0:02:40 | |
A whole community of rubbish pickers, or 'catadors', | 0:02:44 | 0:02:47 | |
have built a favela alongside the dump. | 0:02:47 | 0:02:50 | |
But Rio's clean-up operation knows no mercy. The dump is shutting down, | 0:02:52 | 0:02:57 | |
and all the catadors have lost their jobs. | 0:02:57 | 0:03:01 | |
People like Rosie here, and her husband Marcos. | 0:03:01 | 0:03:04 | |
Rosie and Marcos have seven children to feed, | 0:03:16 | 0:03:19 | |
so when they first heard rumours the landfill was going to close, | 0:03:19 | 0:03:23 | |
they decided to start their own business, | 0:03:23 | 0:03:26 | |
a recycling centre in their own back yard. | 0:03:26 | 0:03:29 | |
Rosie and Marcos spent every penny they had on an old truck, | 0:03:54 | 0:03:58 | |
so they could collect rubbish from restaurants and shopping malls. | 0:03:58 | 0:04:02 | |
It's not quite top of the range. | 0:04:04 | 0:04:06 | |
Wherever Marcos spies a bin bag, he sees a potential pot of gold. | 0:05:37 | 0:05:42 | |
Once the rubbish is back at the yard, nothing goes to waste. | 0:05:53 | 0:05:57 | |
As well as sorting and recycling plastics, cardboard, cans | 0:05:57 | 0:06:01 | |
and scrap metal, Rosie and Marcos also recycle food waste. | 0:06:01 | 0:06:05 | |
And it's not just pigs, chickens or dogs that get the spoils. | 0:06:08 | 0:06:12 | |
Rosie and Marcos live in the yard in a wooden shack, | 0:06:43 | 0:06:46 | |
which they share with five of their seven kids. | 0:06:46 | 0:06:50 | |
It's got everything a family needs, but it isn't waterproof. | 0:06:50 | 0:06:54 | |
And with winter rains only a few months away, | 0:06:54 | 0:06:56 | |
Rosie has started work on a dream. | 0:06:56 | 0:06:59 | |
A proper brick house for her family. | 0:06:59 | 0:07:02 | |
Rosie's favela, Gramacho Gardens, has been devastated | 0:07:31 | 0:07:35 | |
by the closure of the dump. | 0:07:35 | 0:07:36 | |
Dump workers have been promised thousands of pounds | 0:07:39 | 0:07:42 | |
of government compensation, | 0:07:42 | 0:07:43 | |
but so far lots of them, Rosie included, haven't seen a penny. | 0:07:43 | 0:07:48 | |
The dump isn't the only victim of Rio's clean-up operation. | 0:07:52 | 0:07:55 | |
There are around 1,000 favelas, dotted throughout the city, | 0:07:55 | 0:08:00 | |
most run by drug-trafficking gangs. | 0:08:00 | 0:08:02 | |
One by one, the government are driving out the gangs | 0:08:05 | 0:08:08 | |
and installing new favela police. | 0:08:08 | 0:08:10 | |
So far they have reduced guns and crime on the street, | 0:08:11 | 0:08:16 | |
but Rio's police are real party poopers. | 0:08:16 | 0:08:19 | |
One of the most popular freedoms of our gang-controlled favelas | 0:08:28 | 0:08:32 | |
are our all-night parties. | 0:08:32 | 0:08:34 | |
We call them 'bailes'. We even have our own style of music. | 0:08:34 | 0:08:39 | |
It's called baile funk. It's not for the faint-hearted. | 0:08:39 | 0:08:44 | |
CHEERING | 0:08:44 | 0:08:46 | |
On stage is one of funk's first female stars, Juliana Forgosa, | 0:08:54 | 0:08:59 | |
famous for her special brand of feisty favela feminism. | 0:08:59 | 0:09:03 | |
In the audience is Thamy Delicia, a rising star in the baile funk scene. | 0:09:14 | 0:09:19 | |
These explicit baile funk singers are aiming to empower women, | 0:09:35 | 0:09:39 | |
favela style. | 0:09:39 | 0:09:41 | |
Though they are not to everyone's taste. | 0:09:41 | 0:09:43 | |
Thamy lives in a favela called Rio Das Pedras, near her parents. | 0:09:49 | 0:09:54 | |
They're deeply traditional, | 0:09:54 | 0:09:56 | |
and don't approve of her career | 0:09:56 | 0:09:58 | |
as a raunchy funk singer of funkeira. | 0:09:58 | 0:10:00 | |
Most mother-daughter relationships have moments of tension, | 0:10:06 | 0:10:10 | |
but being the evangelical mother of a funkeira | 0:10:10 | 0:10:13 | |
presents a special challenge. | 0:10:13 | 0:10:15 | |
Approve or not, there's a lot of work goes into Thamy Delicia. | 0:11:14 | 0:11:18 | |
As well as her hair and nail extensions, there's her physique, | 0:11:20 | 0:11:24 | |
which for funkeiras is all about big bums and big legs. | 0:11:24 | 0:11:28 | |
All the dance routines for Thamy's shows are designed | 0:11:42 | 0:11:45 | |
to show off her perfect funkeira physique. | 0:11:45 | 0:11:48 | |
To you, all this bottom shaking may look a bit one-note, | 0:11:58 | 0:12:02 | |
but if you're young and from the favelas, that's the style. | 0:12:02 | 0:12:05 | |
Thamy's mum comes to work every day at this bus station | 0:12:24 | 0:12:27 | |
selling home-made sandwiches and drinks. | 0:12:27 | 0:12:29 | |
Thamy doesn't intend to follow in her mum's footsteps in any way. | 0:12:31 | 0:12:35 | |
Like Thamy's family, nearly all of us practice some sort of religion. | 0:13:02 | 0:13:07 | |
Catholicism and Evangelical Christianity rub shoulders | 0:13:07 | 0:13:11 | |
with Afro-Brazilian religions like Candomble and Umbanda, | 0:13:11 | 0:13:14 | |
so there's a religious festival of some kind every other week. | 0:13:14 | 0:13:18 | |
One of our favourites in Rio is St George's Day. | 0:13:18 | 0:13:22 | |
Patron saint of Portugal and England, | 0:13:22 | 0:13:24 | |
Rio's Sao Jorge day puts our European cousins to shame. | 0:13:24 | 0:13:30 | |
And perhaps the best thing about having faith is just that, | 0:13:46 | 0:13:51 | |
it gives us faith. | 0:13:51 | 0:13:52 | |
Faith that tomorrow will be a beautiful day, | 0:13:54 | 0:13:57 | |
that we'll sell more snacks to the tourists, | 0:13:57 | 0:14:00 | |
that the sea will give up her treasure | 0:14:00 | 0:14:02 | |
if we ask her nicely enough. | 0:14:02 | 0:14:04 | |
Jorge rakes the sand on Rio's beaches for gold jewellery, | 0:14:25 | 0:14:28 | |
lost by decades of tourists. | 0:14:28 | 0:14:30 | |
He was bitten by the gold rush bug 30 years ago, and has raised | 0:14:32 | 0:14:36 | |
a family on the proceeds. He still loves every minute of it. | 0:14:36 | 0:14:40 | |
OK, so there isn't a jackpot every day. | 0:15:38 | 0:15:41 | |
But the important thing is to keep the faith. | 0:15:41 | 0:15:44 | |
HE SINGS | 0:16:19 | 0:16:27 | |
Jorge is a favela entrepreneur. | 0:16:49 | 0:16:51 | |
He works the hours he chooses, | 0:16:51 | 0:16:53 | |
and supports his family without taking orders from anyone. | 0:16:53 | 0:16:56 | |
There are favela entrepreneurs everywhere you look in Rio. | 0:16:59 | 0:17:03 | |
Selling bikinis on the beach, cutting hair in the favelas, | 0:17:03 | 0:17:06 | |
or slaking thirsts in the traffic jams. | 0:17:06 | 0:17:09 | |
It's another one of our favela freedoms. | 0:17:10 | 0:17:13 | |
Beyond government regulation, favela entrepreneurs don't have | 0:17:14 | 0:17:18 | |
to fill out any forms, or get permits. | 0:17:18 | 0:17:21 | |
They can just get on with making a profit. | 0:17:21 | 0:17:24 | |
Rosie and Marcos are very successful favela entrepreneurs. | 0:17:29 | 0:17:33 | |
They're giving the orders now. | 0:17:33 | 0:17:35 | |
Well, Rosie is, anyway... | 0:17:35 | 0:17:37 | |
Rosie's business is a lifeline to her workers, | 0:17:46 | 0:17:48 | |
and their jobs come with all sorts of benefits. | 0:17:48 | 0:17:52 | |
But right now, money's tight, winter's coming | 0:18:12 | 0:18:16 | |
and construction on the new house has halted. | 0:18:16 | 0:18:18 | |
They urgently need to sell some recycling. | 0:18:18 | 0:18:21 | |
Rosie's buyers are all men, and it's traditional for them | 0:19:23 | 0:19:27 | |
to deal with another man. In this case, Marcos. | 0:19:27 | 0:19:30 | |
But working that way is a bit like having one hand | 0:19:33 | 0:19:36 | |
tied behind her back. | 0:19:36 | 0:19:37 | |
Rosie may moan about Marcos, | 0:20:02 | 0:20:04 | |
but it was his gentle nature that first attracted her to him. | 0:20:04 | 0:20:08 | |
Five of Rosie's seven children are from her previous husband, | 0:20:08 | 0:20:12 | |
a very different kind of man. | 0:20:12 | 0:20:14 | |
At first glance, | 0:20:39 | 0:20:40 | |
Gramacho may not look like the ideal place to raise your family, | 0:20:40 | 0:20:44 | |
but if Rosie's kids want for anything, they don't realise it. | 0:20:44 | 0:20:48 | |
And no childhood is complete without an ice cream van. | 0:21:06 | 0:21:10 | |
When it comes to the big celebrations, | 0:21:59 | 0:22:02 | |
Rosie and Marcos love to pull out all the stops. | 0:22:02 | 0:22:05 | |
It may be life on a landfill, but Rosie feels blessed | 0:23:18 | 0:23:22 | |
that she is able to provide all this for her family. | 0:23:22 | 0:23:25 | |
Until Rosie can get her house finished, | 0:24:05 | 0:24:08 | |
there are seven of them squashed together in the shack. | 0:24:08 | 0:24:11 | |
It may not be dry, but it is warm. | 0:24:12 | 0:24:15 | |
There are winners and losers in our World Cup and Olympic preparations. | 0:24:58 | 0:25:03 | |
For every job lost at the dump, | 0:25:04 | 0:25:06 | |
there will be more tourist dollars to chase on the beaches. | 0:25:06 | 0:25:09 | |
And people are coming to Rio from all over Brazil | 0:25:11 | 0:25:14 | |
determined to cash in. | 0:25:14 | 0:25:16 | |
Is it a bird? | 0:25:56 | 0:25:58 | |
Is it a plane? | 0:25:58 | 0:26:00 | |
No, it's a...pineapple salesman. | 0:26:00 | 0:26:03 | |
HE SINGS | 0:26:18 | 0:26:25 | |
Assis is from a town in the north-east, almost 3,000 miles away. | 0:27:10 | 0:27:15 | |
He left his wife and four children to come here. | 0:27:15 | 0:27:19 | |
It's a big sacrifice to make. | 0:27:19 | 0:27:21 | |
From pineapple salesmen to sun hat hawkers, | 0:27:50 | 0:27:53 | |
the beach is our place of work. | 0:27:53 | 0:27:55 | |
Even funkeiras don't relax on the sand. | 0:28:02 | 0:28:05 | |
Thamy's tireless pursuit of her career means even her tanning | 0:28:15 | 0:28:19 | |
is approached in a business-like way. | 0:28:19 | 0:28:21 | |
You guys may have caught on to the benefits of a Brazilian wax, | 0:28:49 | 0:28:53 | |
but Thamy goes much further with her body hair management. | 0:28:53 | 0:28:56 | |
Thamy may not be famous outside the favelas, | 0:29:12 | 0:29:15 | |
but to the young women from the favelas she's a star. | 0:29:15 | 0:29:19 | |
-Tchau. -Tchau. | 0:29:24 | 0:29:25 | |
Thamy's got a gig tonight in a favela called Complexo Do Mare. | 0:29:27 | 0:29:31 | |
It's rumoured to be next on the list for police invasion, | 0:29:31 | 0:29:35 | |
which means every baile here could be their last. | 0:29:35 | 0:29:38 | |
The hottest funk music is called 'Probidao' - prohibited - | 0:29:52 | 0:29:55 | |
because its lyrics are full of sex and swear words, and gang-controlled | 0:29:55 | 0:29:59 | |
favelas are the only place it's allowed to be played. | 0:29:59 | 0:30:02 | |
In case the men haven't spotted who's in charge, | 0:30:32 | 0:30:34 | |
funkeiras traditionally pull someone out of the audience | 0:30:34 | 0:30:38 | |
to play a little game they call 'brinka dera', joking around. | 0:30:38 | 0:30:41 | |
If Thamy is to make it big beyond the favelas she is going to have | 0:30:54 | 0:30:58 | |
to cross over to the mainstream, which means cleaning up her act. | 0:30:58 | 0:31:02 | |
Sometimes the people closest to us can feel the furthest away. | 0:32:02 | 0:32:06 | |
But we're tied to our loved ones. | 0:32:09 | 0:32:11 | |
Across generations, across great distances. | 0:32:11 | 0:32:15 | |
Not even death can pull us apart. | 0:32:17 | 0:32:19 | |
HE BLOWS WHISTLE | 0:32:30 | 0:32:32 | |
Jorge is no stranger to life's riptides. | 0:32:47 | 0:32:51 | |
He has his own reasons for wanting to stop anyone else going under. | 0:32:51 | 0:32:55 | |
In Rio, it never rains. But it pours. | 0:35:06 | 0:35:11 | |
Our favelas are vulnerable to the rain. | 0:35:25 | 0:35:28 | |
Our corrugated roofs leak, our steep streets become streams, | 0:35:28 | 0:35:34 | |
our open sewers overflow, | 0:35:34 | 0:35:37 | |
and heaven help those of us still living in wooden shacks. | 0:35:37 | 0:35:40 | |
The rains are starting | 0:36:36 | 0:36:38 | |
and Rosie's new house still isn't finished. | 0:36:38 | 0:36:41 | |
But there is a ray of hope. | 0:36:41 | 0:36:43 | |
The buyer for the fine plastic has finally turned up. | 0:36:43 | 0:36:46 | |
And if they get a good price for it, Rosie's house can have a roof. | 0:36:46 | 0:36:51 | |
As usual, Rosie has no choice but to let Marcos do the talking. | 0:37:13 | 0:37:18 | |
It doesn't take long, but it's not good news. | 0:37:44 | 0:37:48 | |
Rosie will have to find another way to pay for the roof on her house. | 0:38:41 | 0:38:45 | |
In theory, she should be due a windfall | 0:38:47 | 0:38:50 | |
from the government compensation scheme, | 0:38:50 | 0:38:52 | |
but she's not holding her breath. | 0:38:52 | 0:38:55 | |
Her friend Nevinha has been waiting over a year for her money. | 0:38:55 | 0:38:59 | |
Rosie decides to sell a pig | 0:39:24 | 0:39:26 | |
so she can at least afford the materials to build the roof. | 0:39:26 | 0:39:30 | |
And this time she's taking no chances with the negotiations. | 0:39:30 | 0:39:35 | |
It's not just the weather getting Assis down today. | 0:42:43 | 0:42:46 | |
It's his birthday, and he's miles away from friends and family. | 0:42:46 | 0:42:50 | |
You have to be tough in business. | 0:43:17 | 0:43:19 | |
You have to see which way the wind is blowing and act accordingly. | 0:43:19 | 0:43:23 | |
Thamy has work to do if she's going to cross over to the mainstream. | 0:43:25 | 0:43:29 | |
She's recorded a song with toned-down lyrics, | 0:43:29 | 0:43:32 | |
and today she's shooting the video. | 0:43:32 | 0:43:34 | |
There's a lot riding on its success, and Thamy's giving it her all. | 0:43:47 | 0:43:52 | |
But even this new, toned-down funk is too much for Thamy's mum. | 0:44:09 | 0:44:14 | |
She's hatched a plan to persuade Thamy back to the righteous path. | 0:44:14 | 0:44:18 | |
A visit to her grandmother. | 0:44:18 | 0:44:20 | |
Sometimes it takes the wisdom of age to see things clearly. | 0:45:34 | 0:45:38 | |
With her grandma's blessing, Thamy can get back to pursuing her dream, | 0:45:40 | 0:45:44 | |
and perhaps her mum will start to see Thamy's courage as a virtue. | 0:45:44 | 0:45:48 | |
Over at Rosie's, the weather is still putting a dampener on things. | 0:45:57 | 0:46:01 | |
It's affecting her core business, recycling water bottles. | 0:46:01 | 0:46:05 | |
Even with one less wage to pay, Rosie still can't finish the roof. | 0:48:09 | 0:48:13 | |
Now would be a really good time for that compensation payment | 0:48:15 | 0:48:18 | |
to materialise. | 0:48:18 | 0:48:21 | |
But with the workings of Brazilian bureaucracy at best opaque, | 0:48:21 | 0:48:25 | |
Rosie's turning to the gods of an Afro-Brazilian religion | 0:48:25 | 0:48:29 | |
called Candomble. | 0:48:29 | 0:48:30 | |
Never one to rest on her laurels, Rosie sets to work. | 0:49:48 | 0:49:52 | |
She has all the materials for the roof from selling the pig. | 0:49:52 | 0:49:56 | |
But she still needs to find labour. | 0:49:56 | 0:49:58 | |
Luckily, she lives in a favela. | 0:50:00 | 0:50:02 | |
Favelas are built by their communities | 0:50:23 | 0:50:26 | |
and the word is spreading that Rosie needs help. | 0:50:26 | 0:50:29 | |
Sweetened by the promise of a hog roast... | 0:50:29 | 0:50:31 | |
Rosie and Marcos may have started just a little too early though. | 0:52:11 | 0:52:15 | |
It's Sunday, which means most people were at the baile last night. | 0:52:15 | 0:52:19 | |
Sure enough, people do start turning up. | 0:52:55 | 0:52:58 | |
And to the victors, the spoils. | 0:54:20 | 0:54:22 | |
Roast pork and cold beer. | 0:54:22 | 0:54:23 | |
That's the greatest thing about favela life. | 0:55:06 | 0:55:09 | |
Being 'gente', one of us. | 0:55:09 | 0:55:11 | |
We'll feed you when you're hungry, shelter you when it rains, | 0:55:12 | 0:55:17 | |
and celebrate your good fortune with beer and song. | 0:55:17 | 0:55:20 | |
Family is at the heart of being gente. | 0:55:27 | 0:55:30 | |
Thamy's got a lot riding on her mainstream video launch, but since | 0:55:32 | 0:55:36 | |
the visit to her grandmother, she's had a lot more support from her mum. | 0:55:36 | 0:55:40 | |
Assis is back home in the north-east, | 0:56:22 | 0:56:24 | |
playing with his children, | 0:56:24 | 0:56:25 | |
vowing Pineapple Man will return to Rio some day. | 0:56:25 | 0:56:30 | |
And family life for Rosie is about to be transformed. | 0:56:50 | 0:56:54 | |
With her compensation money, she can finish her dream house. | 0:56:54 | 0:56:58 | |
Finally, Jorge's faith is always rewarded in the end. | 0:57:27 | 0:57:31 | |
Our favela communities have a saying that sums it up. | 0:57:44 | 0:57:48 | |
'Estamos juntos', we are together. | 0:57:48 | 0:57:51 | |
THEY CHEER | 0:57:51 | 0:57:53 | |
That's why, given the choice, so many of us | 0:57:53 | 0:57:57 | |
wouldn't live anywhere else. | 0:57:57 | 0:57:58 |