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Contains some strong language. | 0:00:02 | 0:00:03 | |
With the World Cup and Olympics on the way, | 0:00:03 | 0:00:05 | |
the whole planet is looking to one city. | 0:00:05 | 0:00:07 | |
Welcome to Rio! | 0:00:07 | 0:00:10 | |
CHEERING AND WHISTLES BLOWING | 0:00:10 | 0:00:13 | |
But you tourists only know one half of our marvellous city. | 0:00:13 | 0:00:17 | |
Ipanema, Copacabana, caipirinhas and perfectly waxed bodies on the beach. | 0:00:17 | 0:00:23 | |
We call it the Asphalt, after its neatly-paved roads. | 0:00:24 | 0:00:28 | |
But the real beating heart of our city is here... | 0:00:30 | 0:00:34 | |
Rio's famous favelas. | 0:00:34 | 0:00:36 | |
One in five of us call these shanty towns home and for years | 0:00:39 | 0:00:43 | |
they've been ruled by drug trafficking gangs. | 0:00:43 | 0:00:45 | |
Now the government are trying to take the favelas over | 0:00:46 | 0:00:49 | |
in time for our international guests. | 0:00:49 | 0:00:52 | |
But the favelas belong to us. | 0:00:55 | 0:00:57 | |
We've created our own way of life, free from government interference, | 0:00:58 | 0:01:03 | |
where opportunities can be seized and people dare to be different. | 0:01:03 | 0:01:07 | |
Now, we're locked in a battle to preserve our way of life. | 0:01:12 | 0:01:16 | |
Let us take you to favelas where no tour guide has ever been... | 0:01:22 | 0:01:26 | |
into this hidden world of the hippest culture | 0:01:26 | 0:01:29 | |
and the greatest parties on the planet. | 0:01:29 | 0:01:32 | |
The crucible of all that is hot about Rio. | 0:01:32 | 0:01:36 | |
Rio has more than 1,000 favelas. | 0:01:45 | 0:01:47 | |
They spring up between cracks in the Asphalt, | 0:01:50 | 0:01:53 | |
clinging to the hillsides, or sprawling along the motorway. | 0:01:53 | 0:01:57 | |
Most of our favelas are controlled not by the government, | 0:01:59 | 0:02:02 | |
but by these guys...the drug traffickers. | 0:02:02 | 0:02:06 | |
Favelas like this one, Complexo do Alemao. | 0:02:08 | 0:02:11 | |
The guide books will tell you it's a dangerous, no-go area, | 0:02:13 | 0:02:16 | |
but that's only part of the story. | 0:02:16 | 0:02:18 | |
130,000 people live here, raising families, holding down jobs, | 0:02:20 | 0:02:25 | |
and for a dangerous, no-go area it's surprisingly well-organised. | 0:02:25 | 0:02:30 | |
At the top of the food chain of course are those drug traffickers. | 0:02:33 | 0:02:36 | |
They make the rules and they punish anyone who breaks them. | 0:02:36 | 0:02:40 | |
But for just about everything else, | 0:02:41 | 0:02:43 | |
from family disputes to power supplies, | 0:02:43 | 0:02:46 | |
there's Carlos. | 0:02:46 | 0:02:48 | |
You'll find him at the bright green Resident's Association. | 0:02:48 | 0:02:51 | |
From funerals to sewage, Carlos sorts it out, | 0:03:07 | 0:03:12 | |
ably assisted by his wife Adriana...when she turns up. | 0:03:12 | 0:03:16 | |
Carlos is the perfect man for this job. | 0:03:36 | 0:03:39 | |
He was born in this part of Mare, knows everyone, | 0:03:39 | 0:03:42 | |
and until a few years ago, | 0:03:42 | 0:03:44 | |
was a high-ranking drug trafficker himself. | 0:03:44 | 0:03:47 | |
So he brings all aspects of the favela together. | 0:03:47 | 0:03:50 | |
And to top it all off, he's brilliant at it. | 0:03:52 | 0:03:55 | |
DOGS BARKING | 0:04:08 | 0:04:10 | |
But living in drug trafficker territory means our days | 0:04:27 | 0:04:30 | |
are plagued by interruptions. | 0:04:30 | 0:04:32 | |
LOUD BANG | 0:04:41 | 0:04:43 | |
Those aren't gunshots you can hear, | 0:04:52 | 0:04:54 | |
they're fireworks released by our lookouts, warning residents | 0:04:54 | 0:04:58 | |
and drug traffickers that the police are about. | 0:04:58 | 0:05:00 | |
Carlos and Adriana have three young children and the constant police | 0:05:21 | 0:05:25 | |
raids make the favela a pretty stressful place to raise them. | 0:05:25 | 0:05:28 | |
But the favela isn't going to get more peaceful anytime soon. | 0:06:09 | 0:06:12 | |
The government plan to take control of Mare, | 0:06:14 | 0:06:16 | |
chasing out the drug traffickers. | 0:06:16 | 0:06:18 | |
It's a process they call pacification. | 0:06:19 | 0:06:22 | |
In the months leading up to pacification, the police put | 0:06:25 | 0:06:29 | |
drug traffickers under pressure with more and more frequent raids. | 0:06:29 | 0:06:33 | |
You may think no amount of police raids could be worse than | 0:06:44 | 0:06:48 | |
being ruled by drug traffickers, but it's not that simple. | 0:06:48 | 0:06:53 | |
Un-pacified favela life may not be ideal, but it's ours | 0:06:53 | 0:06:57 | |
and we're used to it. | 0:06:57 | 0:06:58 | |
So while we do have drug dealers on the corner, selling | 0:07:00 | 0:07:03 | |
from little stalls we call bocas, we've grown kind of used to them. | 0:07:03 | 0:07:08 | |
After all, they're just people with an unusual job. | 0:07:08 | 0:07:13 | |
But young people round here aren't all into drugs and guns. | 0:07:39 | 0:07:43 | |
Our anti-establishment favela vibe encourages kids to invent new | 0:07:43 | 0:07:47 | |
styles and start new trends. | 0:07:47 | 0:07:50 | |
It makes the favela the epicentre of Rio's street culture. | 0:07:50 | 0:07:53 | |
This is Breguete. | 0:08:05 | 0:08:07 | |
He's one of the city's hottest young street dancers. | 0:08:07 | 0:08:11 | |
He lives in an un-pacified favela called Complexo do Lins. | 0:08:11 | 0:08:15 | |
CHANTING AND SINGING | 0:08:38 | 0:08:41 | |
Breguete's 22 and a young dad. | 0:08:42 | 0:08:45 | |
He has two daughters with his girlfriend, Carol. | 0:08:46 | 0:08:48 | |
But there's no room for Carol and the girls to | 0:08:50 | 0:08:52 | |
live in Breguete's family's shack. | 0:08:52 | 0:08:54 | |
They can only pop round, like today. | 0:08:56 | 0:08:58 | |
Breguete has a plan. | 0:09:27 | 0:09:29 | |
He's entered a big dance competition and he's made it into the finals. | 0:09:29 | 0:09:33 | |
If he wins, the prize money would be enough to build | 0:09:33 | 0:09:36 | |
his own favela house. | 0:09:36 | 0:09:39 | |
But preparation for the competition is taking up a lot of his time. | 0:09:39 | 0:09:43 | |
Although the dance competition finals are in the Asphalt, | 0:10:01 | 0:10:04 | |
all 16 finalists are from Rio's favelas. | 0:10:04 | 0:10:07 | |
And there's a perfectly good reason for that. | 0:10:07 | 0:10:10 | |
In the kingdom of the drug traffickers, there are no | 0:10:13 | 0:10:16 | |
licensing laws, no noise pollution inspectors, and no curfews. | 0:10:16 | 0:10:21 | |
Every weekend there are massive illegal street parties, | 0:10:21 | 0:10:24 | |
where we dance all night, until dawn...and beyond. | 0:10:24 | 0:10:28 | |
We call them bailes. | 0:10:29 | 0:10:31 | |
MUSIC | 0:10:33 | 0:10:35 | |
If Brazil is the party capital of the world, | 0:10:39 | 0:10:42 | |
the favelas' bailes are its beating heart. | 0:10:42 | 0:10:45 | |
Forget Copacabana, the favela is the place to be on a Saturday night. | 0:10:48 | 0:10:52 | |
Samba was born in the favela. | 0:10:55 | 0:10:58 | |
And bailes gave us twerking | 0:10:58 | 0:11:00 | |
and new dance styles are springing up here all the time. | 0:11:00 | 0:11:03 | |
The baile where Breguete lives is one of the greatest in Rio. | 0:11:05 | 0:11:08 | |
The speakers are piled high. | 0:11:37 | 0:11:40 | |
The drinks are on ice. | 0:11:40 | 0:11:42 | |
And the local entrepreneurs are setting out their wares. | 0:11:42 | 0:11:45 | |
Drug dealers included. | 0:11:45 | 0:11:47 | |
For once, the drug traffickers' weapons are mostly for show. | 0:11:59 | 0:12:03 | |
Baile night is sacred, the police will never raid the favela | 0:12:04 | 0:12:08 | |
when the party's in full swing. | 0:12:08 | 0:12:09 | |
The baile is a chance for people to hang out with their mates | 0:12:11 | 0:12:14 | |
and dance till they drop. | 0:12:14 | 0:12:15 | |
Unless of course, like Breguete's girlfriend, | 0:12:17 | 0:12:20 | |
you're left at home holding the babies. | 0:12:20 | 0:12:22 | |
HIGH TEMPO MUSIC PLAYING | 0:12:57 | 0:13:01 | |
The latest dance craze to sweep the baile is called passinho... | 0:13:08 | 0:13:12 | |
little step. | 0:13:12 | 0:13:14 | |
It's a kind of freestyle breakdancing. | 0:13:14 | 0:13:16 | |
The boys who dance passinho are baile superstars | 0:13:18 | 0:13:22 | |
and in Lins, Breguete is the undisputed John Travolta. | 0:13:22 | 0:13:26 | |
Like all the best parties, the bailes last all night | 0:13:41 | 0:13:44 | |
and well into the next day. | 0:13:44 | 0:13:46 | |
And it's not just the drug dealers who profit from them. | 0:13:46 | 0:13:49 | |
The streets are lined with family businesses. | 0:13:49 | 0:13:51 | |
COCKEREL CROWS | 0:14:17 | 0:14:19 | |
Next morning, the police are interrupting again, | 0:14:22 | 0:14:26 | |
charging into the favela in their armoured tanks, | 0:14:26 | 0:14:28 | |
which we call "caveirao"...big skull. | 0:14:28 | 0:14:31 | |
Perhaps they're aiming to catch the drug dealers at the boca | 0:14:33 | 0:14:36 | |
while they're hung-over? | 0:14:36 | 0:14:37 | |
Guns have only one purpose - firing bullets - | 0:14:59 | 0:15:03 | |
and bullets don't always find their target. | 0:15:03 | 0:15:06 | |
Everyone knows someone who's been hit by a bala perdida - | 0:15:06 | 0:15:09 | |
a stray bullet. | 0:15:09 | 0:15:11 | |
And of course the traffickers see the police coming | 0:15:24 | 0:15:27 | |
a mile off, and just shut up shop till they've gone. | 0:15:27 | 0:15:30 | |
You think you have a stressful school run... | 0:15:36 | 0:15:39 | |
It's what keeps Carlos and Adriana awake at night. | 0:15:39 | 0:15:42 | |
Of all the hats he wears, the one Carlos takes most seriously | 0:16:05 | 0:16:08 | |
is being a dad. | 0:16:08 | 0:16:10 | |
But he has to squeeze it in between a very demanding job | 0:16:11 | 0:16:14 | |
and studying for a business degree. | 0:16:14 | 0:16:16 | |
Rio needs our favelas like a body needs a heart. | 0:17:44 | 0:17:48 | |
Just take a closer look, you don't know our names | 0:17:49 | 0:17:52 | |
but we're the porters at the airport, | 0:17:52 | 0:17:54 | |
the bellboys in your hotel, the sun hat seller on the beach. | 0:17:54 | 0:17:58 | |
Wherever there's a wealthy area, | 0:18:00 | 0:18:02 | |
there's a favela next door doing the laundry. | 0:18:02 | 0:18:05 | |
Breguete has just finished his day job as a cleaner | 0:18:07 | 0:18:10 | |
in the hospital next to his favela. | 0:18:10 | 0:18:12 | |
But he can't go home or see his daughters - | 0:18:30 | 0:18:33 | |
he's got a competition to prepare for. | 0:18:33 | 0:18:35 | |
It's got a big money sponsor, and a win could change his life. | 0:18:35 | 0:18:39 | |
The whole favela is rooting for him. | 0:18:40 | 0:18:42 | |
CHEERING AND APPLAUSE | 0:18:50 | 0:18:52 | |
Every week, Breguete teaches these kids how to dance passinho, | 0:19:33 | 0:19:38 | |
but it's not just a dance style, it's a dance-off. | 0:19:38 | 0:19:41 | |
MUSIC | 0:20:54 | 0:20:57 | |
Breguete is proof that inside every cleaner could be a star | 0:21:29 | 0:21:33 | |
waiting to shine. | 0:21:33 | 0:21:34 | |
If Breguete's dreams can come true, then maybe all of us | 0:21:36 | 0:21:39 | |
can reach for more. | 0:21:39 | 0:21:40 | |
He's not just dancing for himself, for his family, for his new home, | 0:21:42 | 0:21:47 | |
he's carrying the hopes of the whole favela. | 0:21:47 | 0:21:50 | |
Through all the years the city has been trying to keep us down, | 0:22:31 | 0:22:35 | |
we've just grown tougher and smarter. | 0:22:35 | 0:22:38 | |
The Asphaltos are always moaning about their traffic jams. | 0:22:48 | 0:22:52 | |
But where they see inconvenience, we see opportunity. | 0:22:52 | 0:22:56 | |
Vinicius has been working this stretch of motorway for 20 years. | 0:23:14 | 0:23:18 | |
And he wouldn't like to work anywhere else. | 0:23:18 | 0:23:21 | |
Now, you could live most of your life | 0:24:15 | 0:24:16 | |
without ever leaving the favela. | 0:24:16 | 0:24:18 | |
Say your prayers, do your nails, relax with a beer and barbecue. | 0:24:19 | 0:24:25 | |
But you have to admit, the Asphalt gives good beach. | 0:24:25 | 0:24:28 | |
This weekend, Carlos and Adriana are taking the kids to Ipanema beach | 0:24:34 | 0:24:38 | |
in the tourist area of the Asphalt. | 0:24:38 | 0:24:41 | |
Adriana used to live in a favela near here called Vidigal. | 0:24:45 | 0:24:50 | |
It was one of the first favelas to be pacified, | 0:24:50 | 0:24:53 | |
and life under government rule is a lot quieter than their home in Mare. | 0:24:53 | 0:24:57 | |
But Carlos isn't interested in moving to Vidigal. | 0:25:11 | 0:25:14 | |
He's got deep roots in his corner of Mare, Parque Uniao. | 0:25:14 | 0:25:18 | |
But Carlos has made one small concession to Adriana's wish to get out of Mare... | 0:25:45 | 0:25:50 | |
he's bought a car. | 0:25:50 | 0:25:51 | |
But he hasn't passed his test yet. | 0:25:53 | 0:25:55 | |
MUSIC: "Tequila" by The Champs | 0:26:26 | 0:26:29 | |
No parent would choose to raise their children | 0:26:34 | 0:26:37 | |
surrounded by armed police. | 0:26:37 | 0:26:39 | |
And in a problem not exactly unique to Brazil, | 0:26:39 | 0:26:43 | |
young black men are often a target. | 0:26:43 | 0:26:45 | |
And in the favela, police weapons certainly aren't for show. | 0:26:51 | 0:26:54 | |
When we see our sons staring down the barrel of a policeman's gun, | 0:27:05 | 0:27:09 | |
our hearts stand still. | 0:27:09 | 0:27:11 | |
Heaven knows it's hard being a teenager, wherever you live. | 0:28:11 | 0:28:15 | |
But for our young men especially, caught between police raids | 0:28:15 | 0:28:18 | |
and pressure from the drug traffickers, | 0:28:18 | 0:28:20 | |
a little headspace can be a life saver. | 0:28:20 | 0:28:23 | |
For such a young man, Breguete's seen a lot. | 0:28:44 | 0:28:48 | |
His brother was a drug trafficker and was shot dead at 15. | 0:28:48 | 0:28:51 | |
And a bala perdida, a stray bullet, took his father. | 0:28:53 | 0:28:56 | |
Breguete's trying his hardest to keep everyone happy. | 0:30:03 | 0:30:06 | |
He's barely seen Carol recently, so tonight he's taking her out. | 0:30:07 | 0:30:12 | |
He's saved enough money to take her to McDonalds on the Asphalt. | 0:30:18 | 0:30:23 | |
But he's just heard about an event for the Passinho finalists later tonight. | 0:30:23 | 0:30:27 | |
Rio has tried everything to try and fix what they see as the problem | 0:32:28 | 0:32:32 | |
of the favelas. | 0:32:32 | 0:32:34 | |
They knocked down our houses, tried fencing us in. | 0:32:36 | 0:32:39 | |
They tried placating us with concrete paths and football pitches. | 0:32:39 | 0:32:44 | |
And it's not as though we don't need any help. | 0:32:48 | 0:32:50 | |
Most of us won't see our 50th birthday, | 0:32:50 | 0:32:53 | |
thanks to bullets, disease or drugs. | 0:32:53 | 0:32:56 | |
But the government's approach to help | 0:32:58 | 0:33:01 | |
is often a little heavy-handed, | 0:33:01 | 0:33:03 | |
and they end up back where they started - sending in the troops. | 0:33:03 | 0:33:07 | |
Mare's police operation seem to be stepping up another gear | 0:33:14 | 0:33:17 | |
and we're all feeling a little jumpy. | 0:33:17 | 0:33:20 | |
And Adriana's getting closer to convincing Carlos | 0:33:21 | 0:33:24 | |
to get their family out of there. | 0:33:24 | 0:33:26 | |
GUNSHOT | 0:34:21 | 0:34:23 | |
SPORADIC GUNFIRE | 0:34:41 | 0:34:43 | |
The frequent police raids mean Carlos's kids | 0:35:23 | 0:35:26 | |
start to feel pretty cooped up. | 0:35:26 | 0:35:28 | |
Carlos's boys are growing up. | 0:35:50 | 0:35:53 | |
They're not far off the age when all children get a bit rebellious | 0:35:53 | 0:35:56 | |
and start responding to peer pressure. | 0:35:56 | 0:35:59 | |
But for favela teenagers, | 0:35:59 | 0:36:02 | |
there's a lot more on offer than piercings and cider. | 0:36:02 | 0:36:06 | |
People from the Asphalt will tell you about the drug traffickers' | 0:37:27 | 0:37:30 | |
reign of terror. | 0:37:30 | 0:37:32 | |
But what they don't understand is that these guys are our sons, | 0:37:32 | 0:37:36 | |
our brothers and our neighbours. | 0:37:36 | 0:37:38 | |
They'll tell you they're making the most of their | 0:37:40 | 0:37:43 | |
employment opportunities, | 0:37:43 | 0:37:45 | |
and regular shoot-outs means promotion can be pretty sudden. | 0:37:45 | 0:37:49 | |
With long hours, hired help as young as 12 or 13, | 0:38:13 | 0:38:16 | |
heavily armed bosses and a very low life expectancy, | 0:38:16 | 0:38:20 | |
tempers can start to fray. | 0:38:20 | 0:38:22 | |
And after a tough week at the office, | 0:38:49 | 0:38:53 | |
everyone needs a way to relax. | 0:38:53 | 0:38:55 | |
CHEERING | 0:39:45 | 0:39:47 | |
There are precious moments of tranquillity in the favela | 0:39:58 | 0:40:01 | |
that you won't find in the hustle of the city outside. | 0:40:01 | 0:40:06 | |
Its steep narrow streets mean there are few cars. | 0:40:06 | 0:40:09 | |
And within our small communities, 100 friendly eyes | 0:40:11 | 0:40:15 | |
watch our children play on the streets. | 0:40:15 | 0:40:18 | |
We don't even need to lock our houses. | 0:40:18 | 0:40:21 | |
No-one dares to steal in the favela | 0:40:21 | 0:40:22 | |
for fear of being punished by the traffickers. | 0:40:22 | 0:40:25 | |
But perhaps the central tenet of favela life is, | 0:40:25 | 0:40:29 | |
"Estamos juntos" - we stick together. | 0:40:29 | 0:40:33 | |
Vinicius is the godfather of the Mare motorway hawkers. | 0:40:37 | 0:40:42 | |
He doesn't just look after them on the road, | 0:40:42 | 0:40:44 | |
he looks out for them inside the favela, too. | 0:40:44 | 0:40:47 | |
And Vinicius believes no-one should muck about on the motorway | 0:41:12 | 0:41:16 | |
on an empty stomach. | 0:41:16 | 0:41:18 | |
EXCITED SHOUTING | 0:41:37 | 0:41:39 | |
But Vinicius can't shelter his gang from everything. | 0:41:47 | 0:41:51 | |
The papers say Mare's pacification operation will start any day, | 0:41:51 | 0:41:56 | |
and that will probably mean an end to their illegal motorway market. | 0:41:56 | 0:42:00 | |
# The wind of change... | 0:42:23 | 0:42:28 | |
# Is blowing. # | 0:42:28 | 0:42:31 | |
But sometimes, even the rhythm of the favela can miss a beat. | 0:42:31 | 0:42:34 | |
# Got to keep going | 0:42:34 | 0:42:39 | |
# Through this wind of... # | 0:42:39 | 0:42:41 | |
It's Friday, baile night in Mare, | 0:42:41 | 0:42:44 | |
but the police have launched an unofficial raid, | 0:42:44 | 0:42:47 | |
flying in the face of baile night etiquette. | 0:42:47 | 0:42:51 | |
They're shooting it out with the traffickers in the streets. | 0:42:51 | 0:42:55 | |
GUNFIRE | 0:42:55 | 0:42:57 | |
GUNFIRE CONTINUES | 0:43:00 | 0:43:03 | |
And after a sleepless night, fearing for his family, | 0:43:30 | 0:43:34 | |
surrounded by gunfire, Carlos is coping on his own today. | 0:43:34 | 0:43:38 | |
His wife is out of town. | 0:43:38 | 0:43:39 | |
# The wind of change | 0:44:19 | 0:44:24 | |
# Is blowing. # | 0:44:24 | 0:44:28 | |
We might be fighting to protect our world, | 0:44:28 | 0:44:31 | |
but that doesn't mean we're afraid to move with the times. | 0:44:31 | 0:44:35 | |
While Rio's rich imprison themselves with tradition, | 0:44:35 | 0:44:38 | |
we embrace change and the opportunities it offers us. | 0:44:38 | 0:44:42 | |
We have satellite TV, the internet, mobile phones | 0:44:42 | 0:44:46 | |
and millions of us are on Facebook. | 0:44:46 | 0:44:49 | |
Passinho spreads across the city on YouTube with dancers posting | 0:44:49 | 0:44:54 | |
videos of their latest moves. | 0:44:54 | 0:44:56 | |
Breguete has done everything he can do to prepare. | 0:45:00 | 0:45:03 | |
He's heading out of the favela | 0:45:03 | 0:45:05 | |
to prepare for the competition finals on the Asphalt. | 0:45:05 | 0:45:09 | |
The 16 finalists will perform their dance-offs | 0:45:12 | 0:45:16 | |
in front of a crowd of 20,000 people, | 0:45:16 | 0:45:19 | |
and the show will feature on Brazil's biggest channels. | 0:45:19 | 0:45:22 | |
It's a long way from the practice hall | 0:45:23 | 0:45:25 | |
in the backstreets of Breguete's favela. | 0:45:25 | 0:45:29 | |
EXCITED SHOUTING | 0:47:10 | 0:47:13 | |
The finalists will all dance knockout one-on-one battles | 0:47:55 | 0:47:58 | |
in front of the three judges. | 0:47:58 | 0:48:01 | |
The winners of those battles will dance against each other | 0:48:01 | 0:48:04 | |
until a single winner remains. | 0:48:04 | 0:48:06 | |
WOMEN SCREAM | 0:48:11 | 0:48:13 | |
Breguete has only one shot. | 0:48:34 | 0:48:37 | |
If he loses his first-round battle, he's out of the competition. | 0:48:37 | 0:48:41 | |
WOMEN SCREAM | 0:48:45 | 0:48:47 | |
Has he done enough to wow the judges? | 0:49:02 | 0:49:04 | |
Now he can only watch as his opponent dances. | 0:49:04 | 0:49:08 | |
CHEERING | 0:49:41 | 0:49:43 | |
As our government pours billions into our World Cup and Olympics, | 0:50:50 | 0:50:54 | |
ordinary families all over Brazil are feeling the pinch. | 0:50:54 | 0:50:58 | |
People are starting to ask if it's worth it. | 0:50:59 | 0:51:02 | |
CHANTING AND CLAPPING | 0:51:02 | 0:51:05 | |
In Rio, demonstrations sweep the Asphalt, | 0:51:07 | 0:51:10 | |
and a corner of Mare gets caught up in the violence around the protests. | 0:51:10 | 0:51:15 | |
But where, in the Asphalt, the police have been fighting the crowds | 0:51:23 | 0:51:26 | |
with rubber bullets and tear gas, | 0:51:26 | 0:51:28 | |
as they cross into the favela, | 0:51:28 | 0:51:30 | |
the heavy artillery comes out. | 0:51:30 | 0:51:33 | |
Nine Mare residents are shot and killed that night. | 0:51:36 | 0:51:39 | |
Even in the run-up to pacification, it's a shocking death toll. | 0:51:42 | 0:51:46 | |
Carlos and Adriana decide it's time for a change. | 0:52:06 | 0:52:10 | |
Carlos can't abandon his community. | 0:52:19 | 0:52:21 | |
The change must be for the whole favela. | 0:52:21 | 0:52:24 | |
Carlos has come up with an ambitious plan to occupy the motorway | 0:52:40 | 0:52:44 | |
next to Mare, where the trouble started. | 0:52:44 | 0:52:48 | |
It's never been done before and Adriana's nervous. | 0:52:48 | 0:52:52 | |
Despite the rain, more than a thousand people turn up | 0:53:25 | 0:53:30 | |
and face hundreds of armed police waiting on the border | 0:53:30 | 0:53:34 | |
between the favela and the Asphalt. | 0:53:34 | 0:53:36 | |
No-one knows what the police will do. | 0:53:36 | 0:53:39 | |
# Sad deserted shore... | 0:53:56 | 0:53:59 | |
# Your fickle friends are leaving. # | 0:54:01 | 0:54:05 | |
In one of the most peaceful protests of the year, | 0:54:05 | 0:54:09 | |
the people of Mare march out onto the Asphalt | 0:54:09 | 0:54:12 | |
and the police stand by and watch. | 0:54:12 | 0:54:14 | |
# It's time for them to go... # | 0:54:17 | 0:54:21 | |
Our demand is simple - that we be allowed to find our own solutions | 0:54:24 | 0:54:29 | |
to our own problems, without living in fear of the police. | 0:54:29 | 0:54:33 | |
People call the favela the shadow side of the city, | 0:54:57 | 0:55:02 | |
but actually it's the Asphalt that lives in OUR shadow. | 0:55:02 | 0:55:05 | |
We've grown to be the most inspiring and resourceful people in Rio. | 0:55:07 | 0:55:12 | |
We've created our own way of life, our own rules, | 0:55:12 | 0:55:15 | |
our own well-run communities. | 0:55:15 | 0:55:18 | |
And our pride is starting to show. | 0:55:18 | 0:55:22 | |
We're walking out onto the Asphalt with our heads held high. | 0:55:22 | 0:55:26 | |
Breguete's been chosen from hundreds of Passinho dancers | 0:55:45 | 0:55:47 | |
for free classical dance lessons on the Asphalt. | 0:55:47 | 0:55:51 | |
A new little step towards his dream. | 0:55:54 | 0:55:57 | |
Carlos is persisting with his driving lessons, | 0:56:42 | 0:56:45 | |
but, if he ever passes his test, | 0:56:45 | 0:56:47 | |
Adriana knows the best she can hope for is a day trip. | 0:56:47 | 0:56:50 | |
And if one day real peace does come to the favela, | 0:57:09 | 0:57:12 | |
who knows? Perhaps even drug traffickers' dreams could come true. | 0:57:12 | 0:57:16 | |
Next time on Welcome To Rio, | 0:57:52 | 0:57:55 | |
watch our city fall apart when the rains come. | 0:57:55 | 0:57:57 | |
And meet the feisty Funcheria women | 0:58:04 | 0:58:06 | |
whose lyrics are banned on the Asphalt. | 0:58:06 | 0:58:09 |