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$:/STARTFEED. This programme contains very strong language. | :00:13. | :00:19. | |
North of Manchester there is a little known sue bush. They say the | :00:19. | :00:24. | |
area is full of rough families, I don't think it is that bad. | :00:24. | :00:29. | |
Government branded it the most deprived area in Britain. Things | :00:29. | :00:36. | |
have got better than 12 years ago, but life around here is no bed of | :00:36. | :00:41. | |
roses. There is an expression, "they will steal the shit out your | :00:41. | :00:46. | |
arse", not because they want it, but just sow don't have it. Anti- | :00:46. | :00:50. | |
social behaviour is rife. People round here might not be the poshest, | :00:50. | :00:54. | |
but they are not lack anything spirit. We call ourselves | :00:54. | :00:58. | |
dysfuntionals. They are trying to get on with life, be themselves. | :00:58. | :01:05. | |
And follow their dreams. I'm a different person while acting. | :01:05. | :01:10. | |
true a good play needs no epilogue. For one summer the people here let | :01:10. | :01:20. | |
:01:20. | :01:23. | ||
us into their secret world. Sheeb sharing the good times and the bad. | :01:23. | :01:30. | |
Go find another street to terrorise. This is how it is to grow up the | :01:30. | :01:40. | |
:01:40. | :01:40. | ||
hard way. You don't know nothing yet. | :01:40. | :01:46. | |
This week, market trader Jamie is dreaming of pom stardom, his mum | :01:46. | :01:52. | |
sun happy about his unlikely mentor. I don't give a shit who or what she | :01:52. | :01:59. | |
is, ask Belinda what do you get out of it. At the Wish Washy | :01:59. | :02:04. | |
launderette, burglars broke in through the roof. And the local | :02:04. | :02:08. | |
Dance School is putting on a show. It is hard work for the teacher, | :02:08. | :02:18. | |
:02:18. | :02:23. | ||
Kelly. I'm so stressed out. It is market day in Harpurhey. Bargain- | :02:23. | :02:28. | |
hunting locals four days a week. 19-year-old ladies man Jamie is | :02:28. | :02:34. | |
well known on the market. A weekend of it. Weekend bender. Get a few | :02:34. | :02:37. | |
birds, bang them and go home. works here under the strict | :02:37. | :02:45. | |
supervision of mum, Donna. �35, I need it back today. Jamie hustles a | :02:45. | :02:48. | |
living buying and selling secondhand goods. I will sell | :02:48. | :02:51. | |
anything, I sold a woman three irons once, just because they were | :02:51. | :02:56. | |
different colours. About �50, I sell it for a tenner, come on love, | :02:57. | :03:02. | |
you are having a bargain for Christmas. Watch. | :03:02. | :03:08. | |
Jamie could go and buy �20 worth of DVDs, and sell them for �60, | :03:08. | :03:18. | |
:03:18. | :03:21. | ||
ducking and diving Jamie. Conman of the year. | :03:21. | :03:26. | |
All the things I buy are legit, you have to buy them and find out for | :03:26. | :03:31. | |
yourself. But Jamie doesn't see himself on | :03:31. | :03:36. | |
the market for the rest of his life. He dreams of becoming a | :03:36. | :03:41. | |
professional singer. Trying to make myself a career in music, but it's | :03:41. | :03:47. | |
not going too well. I love my music, I would be lost without it. All my | :03:47. | :03:56. | |
CDs, my promos, all that, done, Bosch, stuck it in. My Take That | :03:56. | :03:59. | |
autographs, I was always a fan of Robbie Williams, I said have you | :03:59. | :04:04. | |
heard his earlier stuff, and people said Take That, and I liked them | :04:04. | :04:11. | |
since. I have a tattoo done. He's dead proud of his tattoo, I was | :04:11. | :04:15. | |
dead proud when he had it done, because he screamed like a little | :04:15. | :04:20. | |
girl! I could listen to Robbie Williams's albums all day. He went | :04:20. | :04:24. | |
through a phase where he thought he didn't have a good voice or he | :04:24. | :04:27. | |
couldn't dance, he could. That is what I go through. But he can put | :04:27. | :04:32. | |
on a show when he goes for it. I went to see it, I was screaming it, | :04:32. | :04:42. | |
:04:42. | :04:43. | ||
I was like a girl, on my own, I was I was like a girl, on my own, I was | :04:43. | :04:46. | |
like whaaaay. North of Harpurhey Market is Moston | :04:46. | :04:51. | |
Lane, known locally as a crime hot spot. It is also home to the Wish | :04:51. | :04:59. | |
Washy launderette. Run by Amber Wakefield's family. Mum, Karen, | :04:59. | :05:03. | |
step-dad Paul, and sister, Maddie. What is 50 Shades of Grey? A book. | :05:03. | :05:09. | |
I know, but what's it about? your sister, she's the one reading | :05:09. | :05:17. | |
it. It is rude. If it is rude, why the hell would she want to read it? | :05:17. | :05:23. | |
That's what I thought. Awakenings have to deal with | :05:23. | :05:26. | |
bizarre behaviour from their customers, all of which gets | :05:26. | :05:32. | |
recorded on CCTV. The third person we have caught weeing in the shop. | :05:32. | :05:36. | |
There has been a few times someone has weeed in one, I don't know why, | :05:37. | :05:42. | |
they have just come in to wee in the bottle. We will put it back on | :05:42. | :05:46. | |
the side and someone has swilled their washing out with wee. We | :05:46. | :05:51. | |
laugh about it on the camera, but you won't won't be too happy if you | :05:51. | :05:55. | |
found out. You wouldn't believe the stuff that happens in here. I laugh | :05:55. | :06:00. | |
at it really. People come in here and nicked our pictures, I was | :06:00. | :06:06. | |
disgusted. Off goes my pictures, yeah. | :06:06. | :06:09. | |
You get some really weird people in the launderette. Someone once came | :06:09. | :06:16. | |
in and had a fight with the machine, didn't kick it, didn't touch it, | :06:16. | :06:19. | |
just shouted at it. We have had people coming in, taking their old | :06:19. | :06:24. | |
clothes off, putting them in the washing machines, and putting | :06:24. | :06:34. | |
:06:34. | :06:36. | ||
underwear on from the lost property basket. Down the road is the Boby | :06:36. | :06:40. | |
Matrix gym, where appearances can be disreceiving. | :06:40. | :06:44. | |
It is -- disreceiving. It is not just where lads pump iron, but | :06:44. | :06:54. | |
:06:54. | :06:56. | ||
where local kids come to dance. Kelly Smart has always dreamed of | :06:56. | :07:01. | |
dancing. When I'm not dancing I'm Kelly Smart. When I am dancing I'm | :07:01. | :07:05. | |
someone completely different. Kelly has never had a full-time job. | :07:05. | :07:11. | |
She has just been taken on for a trial period at Jodie's Dance | :07:11. | :07:17. | |
School. Whack in. Kelly's an old friend from school, we hung out on | :07:17. | :07:22. | |
the streets and get up to naughty things, and misbehave. Then we grew | :07:22. | :07:27. | |
up and lost contact. But I messaged her, and said I have got an opening | :07:27. | :07:32. | |
for another teacher to be tutored, would you like to do it. She was | :07:32. | :07:37. | |
like, yeah. If Jodie wasn't doing what she is doing, what will the | :07:37. | :07:41. | |
young children be doing. They could be on the street, drinking, getting | :07:41. | :07:47. | |
into trouble, so it is good. She's keeping kids off the street. | :07:47. | :07:53. | |
Attitude. Once a year, the school puts on a summer show, where all 50 | :07:53. | :07:55. | |
pupils perform. They have been rehearsing for six months, the show | :07:55. | :08:01. | |
is now only weeks away. For Jodie it has to be perfect. What's up | :08:01. | :08:05. | |
with you today, what's going on. Go out that door, I don't know what's | :08:05. | :08:09. | |
going on with you that day. Kelly handles the pressure of the | :08:09. | :08:14. | |
show, Jodie will take her on full- time and pay her a wage. I have | :08:14. | :08:18. | |
never done one of these shows before, this is my first one. Jodie | :08:18. | :08:23. | |
says it is hectic, and some of the children get on late, and some | :08:23. | :08:27. | |
don't get on the stage. I have to be back stage to make sure | :08:27. | :08:32. | |
everything is under control and make sure everything is fine. | :08:32. | :08:37. | |
you teach Tyler. You are going to go like this. We have been doing | :08:37. | :08:40. | |
rehearsals all week and it looks really, really good. There is still | :08:40. | :08:44. | |
a few children that are nervous, and keep forget ago few of their | :08:44. | :08:48. | |
lines and stuff like that. It is going -- forgetting a few of their | :08:48. | :08:53. | |
lines, and stuff like that. I want my full-time job to be a qualified | :08:53. | :08:56. | |
dance teacher. I don't want one job here and there, I want to be a | :08:56. | :09:06. | |
:09:06. | :09:18. | ||
dance teacher, this is what I'm Jamie's taken some time off from | :09:18. | :09:24. | |
the market to pursue his singing career. Nice to be famous, yeah. I | :09:24. | :09:28. | |
don't think I would be arrogant if I was famous, I think I would be | :09:28. | :09:33. | |
cheeky. He has found an unlikely mentor. Hello Belinda. How are you? | :09:33. | :09:38. | |
I'm fine. In the form of singer and drag Queen, Belinda Scandal. | :09:38. | :09:43. | |
you ready, flower? I am. Right then. # Call me good | :09:43. | :09:49. | |
# Call me bad # Call me anything you want to baby | :09:49. | :09:52. | |
# But I know # That you're sad | :09:52. | :09:57. | |
# And I know I made you happy # With the one thing that you never | :09:57. | :10:04. | |
# Baby # I'm your man | :10:04. | :10:10. | |
I met Belinda going into a nightclub for a beer. I saw this | :10:10. | :10:17. | |
drag person on the door, come in free booze, that is the worst thing | :10:17. | :10:23. | |
to say to us, we're in there straight away. We just got chatting | :10:23. | :10:27. | |
about how she could help me, in baby steps into bigger steps. Yeah, | :10:27. | :10:33. | |
it is working for me so far. Let's listen back to it. It will | :10:33. | :10:40. | |
sound awful. # If you want me | :10:40. | :10:49. | |
# I'm you're man Jamie's musical tastes are quite | :10:49. | :10:58. | |
similar to mine. They are campy 80s sort of tunes. It is unusual taste | :10:58. | :11:05. | |
I would say for such a straight, stocky fellow! How did you feel it | :11:05. | :11:09. | |
went? I don't know, it is weird hearing my voice back again. I | :11:09. | :11:14. | |
enjoyed it. Really enjoyed it, yeah. Probably sound like a fucking cat | :11:14. | :11:24. | |
:11:24. | :11:25. | ||
being strangled. No you don't. But Jamie's mum isn't convinced | :11:25. | :11:30. | |
that Belinda's intentions towards Jamie are good. Listen, he's | :11:30. | :11:34. | |
working for a transvestite. could be want to go do him over. | :11:34. | :11:38. | |
I'm telling you, enough is enough. Jamie is back at work, it is time | :11:38. | :11:43. | |
to face the music. I would like to speak to her first and see what | :11:43. | :11:46. | |
this entails? It is my fucking business. It is my business and all, | :11:46. | :11:53. | |
when it is my son. I'm not fucking with her. That word don't mean that, | :11:53. | :11:57. | |
going off with her, you know going off with her. I would give my life | :11:57. | :12:01. | |
for him. If he needed a kidney I would give him a kidney. If he | :12:01. | :12:05. | |
needed my blood to keep him alive, I would do anything for Jamie. You | :12:05. | :12:09. | |
are a young lad, I want to see where it goes. Mam you are not, it | :12:09. | :12:14. | |
is my business. We will discuss it another time. We won't, it is | :12:14. | :12:18. | |
discussed. I want to know what purposes she wants you for? | :12:18. | :12:24. | |
work. To get myself noticed, she's helping me. Whatever. My mam always | :12:24. | :12:29. | |
thinks she's right, she's not all the time. Sometimes she's wrong but | :12:29. | :12:33. | |
she don't admit to it. She's a good mum. That's what she is. She's a | :12:33. | :12:40. | |
good mum. Half a mile away on Moston Lane | :12:40. | :12:43. | |
there has been a burglary at the Wish Washy launderette. There it is, | :12:43. | :12:47. | |
that is the first tile. It is disgusting. You wouldn't think they | :12:47. | :12:54. | |
would do it here. I never dreamt of someone coming through the ceiling. | :12:54. | :12:58. | |
All smashed through, we couldn't see any of the machines through | :12:58. | :13:01. | |
rubble. All over. One minute you were locking the shop and they must | :13:01. | :13:07. | |
have been up there, ready for breaking through. It must have been | :13:07. | :13:11. | |
obviously planned. It must have been planned. As soon as I left | :13:11. | :13:15. | |
here, Ash said, there are three lads outside, two lads there and | :13:15. | :13:23. | |
one on the corner, shouting over to each other. The thieves stole cash | :13:23. | :13:25. | |
and property, leaving The Awakenings thousands out of pocket. | :13:25. | :13:29. | |
They went through everything, and emptied all the service washes, and | :13:29. | :13:35. | |
took the customers' bags as well. It was totally different when I was | :13:35. | :13:40. | |
a child, then suddenly kids got given more rights from adults. When | :13:40. | :13:43. | |
authority was taken away from police, teachers and parents, the | :13:43. | :13:47. | |
world went crap. We used to get strapped, I did personally, we had | :13:47. | :13:51. | |
the strap, it was legal in schools. I always say, bring the strap back. | :13:51. | :13:56. | |
It has become downhill now any way. It is hanging, Moston has got a | :13:56. | :14:03. | |
really bad lane, it is a mess. crime has just gone up. Well Karma, | :14:03. | :14:06. | |
what goes around comes around, they will get their comeuppance, won't | :14:06. | :14:12. | |
they. With Harpurhey classed as a high- | :14:12. | :14:16. | |
crime, high-poverty area, everyone has their own interpretation of the | :14:16. | :14:24. | |
law. Dodgy is where you buy a tele, and you plug it in and it goes boom, | :14:24. | :14:29. | |
that is dodgy. Dodgy notes are they pay you with dodgy notes, and the | :14:29. | :14:32. | |
Queen's head isn't on it, that is dodgey. You have to do what you do | :14:32. | :14:38. | |
to get by. If I was running the country, I would stop crime by 80%. | :14:38. | :14:41. | |
Robberies, really bad ones would have their hands chopped off f they | :14:41. | :14:44. | |
did it again they would have the other hand chopped off. They can't | :14:44. | :14:48. | |
do it a third time, they wouldn't be able to nick anything. I would | :14:48. | :14:52. | |
be horrible. I would be assassinated! I think because some | :14:52. | :14:56. | |
areas look rough, I think just the way it looks people go, I don't | :14:56. | :14:59. | |
like the look of that. But you can't judge a book by its cover. | :14:59. | :15:04. | |
You have to get to know people in there. There will be rough people | :15:04. | :15:08. | |
and scumy people everywhere you go. It is not just our area, you get it | :15:08. | :15:18. | |
:15:18. | :15:20. | ||
in posh areas. Kelly has lived in Harpurhey all her life. Growing up | :15:20. | :15:25. | |
wasn't always easy. You have to learn how to fend for yourself, and | :15:25. | :15:29. | |
what not. I got a big chip on my shoulder. I had a really bad | :15:29. | :15:34. | |
attitude. I was getting into trouble all the time. I just was | :15:34. | :15:41. | |
with the wrong people who were always stood on street corners. | :15:41. | :15:46. | |
Under-age drinking and smoking, and young guys would rob car, we would | :15:46. | :15:55. | |
joy ride round estates in cars. Stuff like that. Kelly still lives | :15:55. | :15:58. | |
on the estate, just ten minutes walk from the house she grew up in. | :15:58. | :16:03. | |
This up here is my mum. And this is my dad, when he was in the Fire | :16:03. | :16:09. | |
Service. That means a lot to me that. My mum died 12 years ago. You | :16:09. | :16:13. | |
know it has been hard, it has been hard for me without her. My dad has | :16:13. | :16:18. | |
had to be my mum and dad, you know. It was just basically me and Kelly | :16:18. | :16:23. | |
since her mam died. Everything that her mam used to do, I had had to | :16:23. | :16:29. | |
take it on. So there is a special bond, I think, between me and Kelly. | :16:29. | :16:33. | |
She had cervical cancer, she fought it for years as well. One year she | :16:33. | :16:38. | |
would find out she was in the clear, a few months later it would come | :16:38. | :16:42. | |
back. Then she was clear for a few more months, then a year later she | :16:42. | :16:46. | |
found out it came back. When I got to the age of nine or ten, it got | :16:46. | :16:50. | |
worse and worse from then. My mum was just getting really | :16:50. | :16:54. | |
tired of all these operations and medication, in and out of hospital. | :16:54. | :17:04. | |
:17:04. | :17:06. | ||
She just wanted to be left. She died when I was 12. The only that | :17:06. | :17:10. | |
upsets me now is I don't remember the sound of her voice, at all, at | :17:10. | :17:20. | |
:17:20. | :17:26. | ||
all, I try to think of it and I can't. I'm getting emotional. I'm | :17:26. | :17:36. | |
:17:36. | :17:36. | ||
OK. I know that she had a tough time with her mum passing away. And | :17:36. | :17:40. | |
she kind of got into bad crowds and things, when she first started with | :17:40. | :17:44. | |
me, she was one of those people that would get up and it didn't | :17:44. | :17:48. | |
really matter what she did for the rest of the day. I think her coming | :17:48. | :17:58. | |
:17:58. | :17:58. | ||
to us has kind of helped her have a purpose. | :17:58. | :18:03. | |
As night falls on Harpurhey Market, the stalls are packed away and the | :18:03. | :18:08. | |
area is deserted. But three miles away in Manchester's gay district, | :18:08. | :18:18. | |
:18:18. | :18:22. | ||
the fun is only just beginning. Despite his mum's concerns, Jamie | :18:22. | :18:26. | |
is spending even more time in the gay village with his mentor, | :18:26. | :18:33. | |
Belinda. Come on girls, free shots, free entry girls. She runs a busy | :18:33. | :18:41. | |
cabaret bar, and Jamie has come to pick up some performing tips. | :18:41. | :18:45. | |
# It's me not you # You told me not to love | :18:45. | :18:51. | |
# Rain on my parade For straight people who don't like | :18:51. | :18:55. | |
all this thing, they have the idea that all these faggots and poofs | :18:55. | :19:00. | |
and gays are going to try it on you, they couldn't be further from the | :19:00. | :19:09. | |
truth. It's killing my bollocks. Scream if you want me to go faster! | :19:09. | :19:14. | |
If you want to be surrounded by knob sheds and dickheads trying to | :19:14. | :19:20. | |
make a name for -- knobheads and dickheads trying to make a name for | :19:20. | :19:25. | |
themselves, then go elsewhere, but if you want a good laugh, go to the | :19:25. | :19:28. | |
village. # You got to have boobs | :19:28. | :19:34. | |
# You need boobs # To fill out a sweater | :19:34. | :19:38. | |
# You need two # But three might be better | :19:38. | :19:42. | |
Some of the transvestites and transsexuals look a lot more | :19:42. | :19:49. | |
natural. I have made a point every time I do anything, not looking | :19:49. | :19:59. | |
natural! Nothing worse than a builder in drag! | :19:59. | :20:06. | |
M tes fun to stay at the -- # It's fun to stay at the YMCA | :20:06. | :20:12. | |
I was rat-arsed and I was fucked, so I went in. And yeah, I started | :20:12. | :20:18. | |
going in again after that bit, that's how I got to nobel Linda. | :20:18. | :20:21. | |
She's a very trusting kind of person, willing to help you in | :20:21. | :20:26. | |
every way she can. So many young people want to be | :20:27. | :20:30. | |
famous these days, because they see the celebrity side of it, not the | :20:30. | :20:33. | |
work side of it. They think celebrity is the answer. I don't | :20:33. | :20:39. | |
know why they come to me, because I'm just a drag Queen in the middle | :20:39. | :20:49. | |
:20:49. | :20:58. | ||
What we need to do is this Jamie. We need to see what you want to do | :20:58. | :21:04. | |
with your life. I want to be on the stage. Jamie's convinced with | :21:04. | :21:12. | |
Belinda's help, he will get his 15- minutes of fame. But mum, Donna, is | :21:12. | :21:16. | |
suspicious about Belinda's motivation. How can she help you? | :21:16. | :21:22. | |
To get me the first step on the stool. I'm not saying I will be a | :21:22. | :21:26. | |
big-named pop star, but I want to be good enough to keep doing it. | :21:26. | :21:30. | |
What does she get out of it? percentage of what I make. | :21:30. | :21:37. | |
wants to be your manager. I don't give a shit of who or what she is, | :21:37. | :21:41. | |
I'm not bothered about that what she chooses to do with her time. | :21:41. | :21:45. | |
You're always the fucking hard man. Let me speak, you need to ask | :21:45. | :21:50. | |
Belinda what do you get out of this and what do I get out of it? Will | :21:50. | :21:55. | |
it be Belinda and Jamie, or Jamie and Belinda. You are not letting me | :21:55. | :21:59. | |
fucking speak. It is a simple question I asked. I'm trying to | :21:59. | :22:02. | |
answer it, if you let me speak, you ask one question and ten fucking | :22:02. | :22:07. | |
others after it. Go on. We're not saying what is she going to make, | :22:07. | :22:11. | |
we don't know anything yet. Who says she is even going to promote | :22:11. | :22:16. | |
me, I do know how it works. If you raise your voice you won't have tea. | :22:16. | :22:20. | |
You are tormenting me, you are not understanding my point. I will see | :22:20. | :22:24. | |
Belinda next week. Don't kick off like you do. I'm not going to kick | :22:24. | :22:33. | |
off, Jamie. I'm just telling you, so you know. My mam is a tosser at | :22:33. | :22:43. | |
:22:43. | :22:52. | ||
times, for fuck's sake I'm 20 years A mile down the road lives 24-year- | :22:52. | :22:54. | |
old Anthony and his girlfriend Renika. | :22:54. | :23:01. | |
Are you coming with daddy? Anthony has three kid, Lenaya, step-Bonn | :23:01. | :23:11. | |
:23:11. | :23:18. | ||
Levion, and Lezayga. I did always want to be a dad. I don't know, I | :23:18. | :23:22. | |
just think, because of my accident and stuff, I when I was a kid and | :23:22. | :23:26. | |
that, I didn't think I would ever have any kids. Now I have them, I | :23:26. | :23:32. | |
wouldn't change them for the world. Unemployed Anthony does the | :23:32. | :23:38. | |
majority of the childcare. I found it pretty hard to get a job. I | :23:38. | :23:43. | |
wanted to do kitchen fitting, I have level 2 in carpentry and level | :23:43. | :23:52. | |
2 in kitchen fitting. Every time I have gone for a job or interview. | :23:52. | :24:00. | |
It has never gone too good. I think because I have only half an arm | :24:00. | :24:04. | |
they think it won't be good. Since he was 20 months old, Anthony has | :24:04. | :24:09. | |
had over 20 operations. My mum thought I was downstairs with my | :24:09. | :24:14. | |
nana, and my nana thought I was upstairs with my mum. I was in the | :24:14. | :24:18. | |
hallway, and near the electric fire, and I was mad for the colour red, | :24:18. | :24:26. | |
and I pressed the red button on, and when the bars went red hot, I | :24:26. | :24:33. | |
grabbed hold of it with my left hand, and I was left-handed. I fell | :24:33. | :24:39. | |
in inbetween the metal and the wood and burned my feet. My left hand | :24:39. | :24:42. | |
has been amputated, because it was so badly burned. I don't remember | :24:42. | :24:51. | |
nothing of it or anything. Are these the only nappies you have | :24:51. | :24:57. | |
got? Yes. �2.80. With less than �100 benefit as week, money is | :24:57. | :25:07. | |
tight. Anthony has an idea about how to save for the children's | :25:07. | :25:12. | |
futures. Someone said to put them in for modelling. I got in touch | :25:12. | :25:16. | |
with a modelling agency recently and they said take some pictures | :25:16. | :25:20. | |
and send them in. We are going to Harpurhey to get a camera. We are | :25:20. | :25:23. | |
hoping something comes out of it, so I can give my kids a better life. | :25:23. | :25:27. | |
If they ask for anything, at least they can get it and I don't have to | :25:27. | :25:37. | |
:25:37. | :25:39. | ||
say no because I haven't got it. Down at the Wish Washy, The | :25:39. | :25:44. | |
Awakenings are repairing the damage from the burglary -- the Wakefields | :25:44. | :25:47. | |
are retairg the damage from the burglary. Since break-in, the | :25:47. | :25:51. | |
family are on the look out for crime in the area. Maddie is like | :25:51. | :25:55. | |
an investigator, she takes after my mum. She went out with a phone and | :25:55. | :25:59. | |
filmed these three guys peeing up the entry. They stood there, in | :25:59. | :26:03. | |
broad daylight, in front of absolutely everybody, just there, | :26:03. | :26:12. | |
blatantly. They aren't just using the alleyway | :26:12. | :26:16. | |
during daylight hours, Karen has caught them at night. I don't know | :26:16. | :26:22. | |
if they had a watch-out, there was a little black kid shouting out the | :26:22. | :26:30. | |
door going "enemy"! "enemy! Therapying, dirty, dirty ones. | :26:30. | :26:35. | |
Karen is so insensed she has gone to the police, who have agreed to | :26:36. | :26:39. | |
stake out the alleyway later that day. It is crime, it is a proper | :26:39. | :26:43. | |
bad crime to pee on the street. They get away with it, it is just | :26:43. | :26:47. | |
annoying me. It is hanging, it is horrible. It is disgraceful. It | :26:47. | :26:54. | |
looks like the Bronx round here! Evans has been fighting crime in | :26:54. | :26:58. | |
Harpurhey for the past two-and-a- half years. So we will head up to | :26:58. | :27:05. | |
Moston Lane. Park outside Wish Washy and we will see if there is | :27:05. | :27:10. | |
any gentlemen urinating in the street. On the face of things you | :27:10. | :27:14. | |
think it is not crime of the century, but if that's making her | :27:14. | :27:18. | |
life a bit of a misery, or that's affecting her life to the point | :27:18. | :27:21. | |
that she has had to speak to the police about it, then, you know, we | :27:21. | :27:31. | |
:27:31. | :27:59. | ||
In, in, get in. There's not been much. Nothing at all, not even been | :27:59. | :28:05. | |
outside have they? You could be more discreet! I wouldn't say | :28:05. | :28:15. | |
:28:15. | :28:16. | ||
that's a police van, would you? I got the smallest car I could! | :28:16. | :28:20. | |
it prevent them from doing, as long as they know there is a police | :28:20. | :28:22. | |
presence now. It is a good feeling if you have | :28:22. | :28:26. | |
had a good day and you can get home and think I have made a bit of a | :28:26. | :28:29. | |
difference today. It is not a huge difference, but I have done | :28:29. | :28:38. | |
something to help the area. Three miles north of Harpurhey, it | :28:38. | :28:43. | |
is the final rehearsal of the dance show. All the tickets have been | :28:43. | :28:50. | |
sold, and in only two days time, 100 friends and family will watch | :28:50. | :28:53. | |
the kids perform. Kelly knows she will have to impress, if she will | :28:53. | :28:57. | |
turn a volunteer job into a paid one. For me it is all about | :28:57. | :29:01. | |
responsibility. If I get the responsibility I can prove to Jodie | :29:01. | :29:07. | |
I can do it. If you are a Pink Lady go up the stairs. I care about all | :29:07. | :29:11. | |
the kids and love them dearly. I look after them, and the fact that | :29:11. | :29:19. | |
they get the opportunity to come to the class and to be out of being on | :29:19. | :29:24. | |
the streets, it makes me feel good. You need to be where Sam is back | :29:24. | :29:29. | |
stage looking after the children. When Sam comes to you and says I | :29:29. | :29:32. | |
need Sweet, it is your responsibility to get it ready. | :29:32. | :29:37. | |
don't want to mess it up and get shouted at. I have never done one | :29:37. | :29:40. | |
of these shows before, this will be my first one. It will be a bit | :29:40. | :29:44. | |
crazy. But as a newcomer to working life, | :29:44. | :29:53. | |
it will be a tough day ahead for Kelly. This is going to be a long | :29:53. | :30:01. | |
night, I can feel it. Denise, get on stage, you are the ones that | :30:01. | :30:09. | |
will look silly, not me, you should know this. Back stage, the heat is | :30:09. | :30:13. | |
on, and rehearsals are running late. The pressure finally gets too much | :30:13. | :30:19. | |
for Kelly and she walks out. I was livid, I was annoyed that she just | :30:19. | :30:24. | |
kind of buckled under the pressure, and then rather than staying around | :30:24. | :30:27. | |
and helping and doing what she should have done, she got off and | :30:27. | :30:33. | |
went. It was just so unprofessional. With Jodie and the kids left in the | :30:33. | :30:37. | |
lurch, Kelly only has two days to get her act together for the big | :30:37. | :30:41. | |
show. My head isn't fully screwed on, I know it's not, you know. I | :30:41. | :30:49. | |
can still do stupid things, I can still say stupid things and act in | :30:49. | :30:59. | |
:30:59. | :31:02. | ||
stupid ways, but I hope dance plays We're going outside and take a few | :31:02. | :31:05. | |
pictures with you while you are playing with toys and stuff. | :31:05. | :31:09. | |
Anthony is taking some photos of his kids that he hopes will get | :31:09. | :31:18. | |
them signed up to a modelling agency. | :31:18. | :31:28. | |
:31:28. | :31:28. | ||
Shy cheese, you can't have it. is not too spicy is it? No, I have | :31:28. | :31:34. | |
only put milk in it. Anthony's mum, Maria, lives ten minutes down the | :31:34. | :31:37. | |
road, and often comes down for lunch. | :31:37. | :31:42. | |
That was in our first flat. Before he had the accident, Maria tried to | :31:42. | :31:50. | |
get Anthony into modelling. I think it was Littlewoods, and they took | :31:50. | :31:52. | |
the picture if you won you went through to modelling. Another | :31:52. | :31:59. | |
picture. He is good looking. still are, aren't you son. That is | :31:59. | :32:03. | |
what all the neighbours used to saying, still good looking, isn't | :32:03. | :32:12. | |
he. There, wouldn't cut it! We used to call him the Mad Professor. | :32:12. | :32:17. | |
stuck a combover on me. There was one night you did a combover. | :32:17. | :32:22. | |
was about three week before you got burned. Maria and Renika have never | :32:22. | :32:25. | |
spoken about the details surrounding Anthony's accident. | :32:25. | :32:30. | |
What happened to Anthony on the day he got burnt. I I put boiled eggs | :32:31. | :32:35. | |
on for me and him, I went to wash my hair. The time you shoom pooed | :32:35. | :32:42. | |
your hair and rinsing it, -- shampooed your hair and rinsing it, | :32:42. | :32:47. | |
he burnt himself, I smelt it, I thought it was the panhandle, I | :32:47. | :32:54. | |
shouted to mum to take the panhandle off. And then she | :32:54. | :33:04. | |
:33:04. | :33:05. | ||
screamed (cries) and then I come down and she had him in her arms, | :33:05. | :33:12. | |
but he was like zonked out. So you didn't notice anything at first, | :33:12. | :33:17. | |
then she turned him over and nose was a bit burned there, like | :33:17. | :33:23. | |
charred, but his face wasn't. His face just had two white lines. When | :33:23. | :33:30. | |
you looked at his hand, you could see where he had basically grabbed | :33:30. | :33:34. | |
the bar, it was burnt in. It was one of those days you wish you | :33:34. | :33:41. | |
could turn the clock back. But you always had a smile on your face, | :33:41. | :33:45. | |
didn't you. You just always got on with things. Just as a little kid, | :33:45. | :33:49. | |
it never bothered him. He didn't have a complex about himself. It | :33:49. | :33:53. | |
wasn't an issue his burns. You knew he was scarred, but it wasn't an | :33:53. | :33:57. | |
issue for him. He always had a smile on his face. Always joined in, | :33:57. | :34:02. | |
he done swimming, he done sports. He never let anything trouble him. | :34:02. | :34:08. | |
Not when he was young. But when Anthony got into his teens, his | :34:08. | :34:12. | |
attitude changed and he started to feel angry. On his 19th birthday he | :34:12. | :34:16. | |
made a terrible decision that would change his life forever. | :34:16. | :34:23. | |
I had been out all day drinking, it was like 12.00 that night. As I was | :34:23. | :34:33. | |
:34:33. | :34:33. | ||
riding back home, I come past two lads and they have said, give | :34:33. | :34:39. | |
Freddie Kruger back his mass. I jumped off the bike, and -- mask. I | :34:39. | :34:47. | |
jumped off the bike and had a fight, I came home and winding myself. I | :34:47. | :34:52. | |
got a knife, come back and ended up stabbing him. For Anthony to be | :34:52. | :34:55. | |
arrested for stabbing somebody, it was not him. I couldn't believe he | :34:55. | :34:59. | |
would do something like that. I thought surely he has not got to | :34:59. | :35:04. | |
the point of this now. To find out he stabbed the lad four times, and | :35:04. | :35:08. | |
the lad would never walk again. Because Anthony spent his life in | :35:08. | :35:14. | |
hospitals. So now this lad is going to spend his life in a wheelchair, | :35:14. | :35:21. | |
so it just didn't make sense. I ended up getting six-and-a-half | :35:21. | :35:26. | |
years for grievous bodliy harm. Which I done three years three | :35:26. | :35:31. | |
months in jail for. I do feel guilty about it. Obviously I went | :35:31. | :35:36. | |
over the top. Anyone calls me names now I just let it blow over my head, | :35:36. | :35:46. | |
:35:46. | :35:55. | ||
really. I have got too much to lose if I it did go back to jail. | :35:55. | :35:58. | |
Concerned about Belinda's intentions towards Jamie, mum, | :35:58. | :36:03. | |
Donna, has insisted on meeting the new woman in her son's life. | :36:03. | :36:08. | |
Jamie's a good lad. I know lots of people that like Jamie, of both | :36:09. | :36:12. | |
genders. I was a bit like did she want Jamie, because of his voice | :36:13. | :36:16. | |
and his looks? I'm his mother at the end of the day, I'm going to | :36:16. | :36:21. | |
think these things. Hiya, are you all right? Yeah. Nice to meet you. | :36:21. | :36:30. | |
Nice to meet you too. I'm Belinda. I'm Donna, Jamie's mum. Before I | :36:30. | :36:33. | |
start Belinda, I wanted to thank you for already dealing with Jamie. | :36:33. | :36:39. | |
And not a lot, but it is my way of saying thank you. Well I have only | :36:39. | :36:42. | |
looked after him and pursued his little dream a little bit more. | :36:42. | :36:46. | |
That is why I want to speak to you, not to be disrespectful to you | :36:46. | :36:52. | |
Belinda, I found it a bit strange him coming here. The gay village is | :36:52. | :36:57. | |
Jamie's night out, but to actually get attached to someone that is | :36:57. | :37:00. | |
associated. That is just even in the gay village we don't judge | :37:00. | :37:03. | |
nobody for nothing. I don't ask that of anybody. I don't know if | :37:03. | :37:07. | |
Jamie has told you, he has had so many people use him for what he's | :37:07. | :37:10. | |
good at. You believe in his singing? I believe in my son very | :37:10. | :37:16. | |
much. Good. He can do anything. I'm not kidding you, he could do Mr | :37:16. | :37:22. | |
Bean at three years old. Really. But I know he has something. He has, | :37:22. | :37:26. | |
without a doubt. I wouldn't be spending my time if I didn't think | :37:26. | :37:30. | |
he did. The one thing the two women in his life agree on, is Jamie | :37:30. | :37:34. | |
isn't reaching his full potential. To get further on he has to start | :37:34. | :37:39. | |
pushing himself more. We need to push him I can push him as much as | :37:39. | :37:45. | |
you can, and you can push him, he has to pull his socks up. It is | :37:45. | :37:49. | |
time to grow up, there is only so much you and I can do, that is | :37:49. | :37:57. | |
being honest. He has to do it himself. That's lovely. Thank you | :37:57. | :38:02. | |
so very much, if you want my number, get it off Jamie. I appreciate 100%, | :38:02. | :38:07. | |
on my mum's life what you have done. I will keep doing t I believe in | :38:07. | :38:14. | |
him. I believe in him. With two of us he can't go wrong. He's in shit | :38:14. | :38:18. | |
now, isn't he. There is a lot of mothering go on, some would say | :38:18. | :38:22. | |
smoothering, I think he just wants to be loved and liked, I think he | :38:22. | :38:32. | |
:38:32. | :38:35. | ||
has problems. I think he has been too smothered, and needs to go for | :38:35. | :38:42. | |
his pursue his dreams. I did think, transvestite, with a club, what is | :38:42. | :38:46. | |
going on. I thought did she want a young Jamie to bring it up, fresh | :38:46. | :38:53. | |
meat in the club. I'm quite happy with Belinda now. She's lovely. And | :38:53. | :38:59. | |
I took her chocolates. I expected all the diva bit, and it's nothing | :38:59. | :39:07. | |
like that. She's absolutely lovely. She's got a lot of confidence in | :39:07. | :39:17. | |
yer. She has a lot of faith in yer. I haven't. Listen. You have got to | :39:17. | :39:20. | |
start helping yourself for her to help yer, she really wants to help | :39:20. | :39:24. | |
yer. Jo what is doing my head in, it is my business, it needs to stay | :39:24. | :39:28. | |
my business until I'm comfortable with everything, you know what I | :39:28. | :39:38. | |
:39:38. | :39:41. | ||
mean. Yeah. She fucks dives in too Today Anthony and Renika are taking | :39:41. | :39:51. | |
:39:51. | :39:57. | ||
the kids to a model agency for a test photo shoot. Hello, I'm Julie. | :39:57. | :40:01. | |
So today what we are going to do is just do a little bit of a mini- | :40:01. | :40:06. | |
shoot with him. And just maybe see how they perform in front of the | :40:06. | :40:12. | |
camera. Hiya. If they photograph well, Anthony | :40:12. | :40:16. | |
hopes it may lead to paid work and a career in modelling for the kids. | :40:16. | :40:26. | |
:40:26. | :40:31. | ||
Good lad. Show me your teeth! 1-2-3 jump. | :40:31. | :40:37. | |
Look at your pictures. Who is that? Me. Look how cool you look. I have | :40:37. | :40:43. | |
just put them in for it, because obviously when they get older it | :40:43. | :40:46. | |
might be something they want to do. Not only that, in the meantime | :40:46. | :40:49. | |
while they are doing it they get paid for it. You can save that | :40:49. | :40:56. | |
money up for them as well. Look at the man. Say cheese to the man, | :40:57. | :41:06. | |
:41:07. | :41:15. | ||
cheese. Smile. Do what he's doing. Smile. Keep your face straight. | :41:16. | :41:22. | |
wouldn't really push them into any job particularly meself. I hope | :41:22. | :41:26. | |
they get a good job with a good income, so that they can have a | :41:26. | :41:36. | |
:41:36. | :41:39. | ||
good way of living, really. Squeeze in, squeeze in. Thank you, see you | :41:39. | :41:43. | |
later. The family now have to wait and see if the agency want to take | :41:43. | :41:53. | |
:41:53. | :41:56. | ||
the kids on to their books. Back at the Wish Washy there has been a | :41:56. | :42:00. | |
breakthrough in catching the lads who burgled the launderette. When | :42:00. | :42:05. | |
they broke in, turned the cameras round, to face the wall, yeah, | :42:05. | :42:12. | |
clear footage of them doing it. We actually got their faces on the | :42:12. | :42:16. | |
camera, fucking knobheads. One of the lads I actually knew, I have | :42:16. | :42:20. | |
known him since 1997. The lads are local to the area, and a couple of | :42:20. | :42:26. | |
weeks ago Karen came face-to-face with the burglars. When I saw him I | :42:26. | :42:31. | |
wanted to kill him. He was like Paul, Paul, we didn't mean to do | :42:31. | :42:36. | |
the shop, we only meant to do the flat. I said you have taken food | :42:36. | :42:43. | |
out of my kids' mouths. I'm not violent but I wanted to throttle | :42:43. | :42:49. | |
him. It has affected the shop. really affected my mum, I remember | :42:49. | :42:52. | |
her going to work and as soon as they pulled the shutters up | :42:52. | :42:56. | |
everything smashed in. My mum cried. It was a really hard time, I | :42:56. | :42:59. | |
remember her thinking, what the hell is she going to do. | :42:59. | :43:04. | |
With the help of the CCTV evidence, the police brought a case against | :43:04. | :43:11. | |
one of the men and today the Wakefields are getting their day in | :43:11. | :43:15. | |
court. These are people who sit behind desks pushing pens all day. | :43:15. | :43:25. | |
:43:25. | :43:27. | ||
They haven't got a clue what crime is all about. Yeah! Yeah! Brilliant | :43:27. | :43:32. | |
weren't it. We thought he would be out in two weeks, he got two years. | :43:32. | :43:36. | |
Two years, he will only serve half of that. Out next year, sounds | :43:36. | :43:41. | |
better saying that. I was expecting him to be out in two-to-three week. | :43:41. | :43:47. | |
Jiefs proud of that judge today, I thought he would be a soft touch. I | :43:47. | :43:52. | |
did. Two days later the Wakefields received a letter saying the judge | :43:52. | :43:56. | |
had reconsidered his decision, and the robber had his sentence reduced | :43:56. | :44:06. | |
:44:06. | :44:09. | ||
from two years to 14 months. Sit, Snoopy sit. Since walking out | :44:09. | :44:15. | |
of the dress rehearsal, Kelly only has one chance left to prove she | :44:15. | :44:19. | |
can do it. At the show itself. When she needs a pep talk, she always | :44:19. | :44:25. | |
turns to dad Sam. My dad has had to be me mum and dad for the past 14 | :44:25. | :44:29. | |
years. He was there with a cuddle within I needed it and to reassure | :44:29. | :44:34. | |
-- when I needed it, and reassure me it was going to be all right. | :44:34. | :44:38. | |
And now, today, me and my dad have the most open conversations, and | :44:38. | :44:42. | |
people look at us and think, are you having that conversation with | :44:42. | :44:48. | |
your dad, really? That is why he's my best friend, I love him to | :44:49. | :44:52. | |
pieces and I don't know what I would do without him. It is about | :44:52. | :44:57. | |
time at 25 you got something there. I know. I want to. It is just you | :44:57. | :45:04. | |
know what I'm like sometimes. your mam had been here she would be | :45:04. | :45:08. | |
on you a lot more than me, all the time. You have your own flat now | :45:08. | :45:13. | |
and independent, you can't keep relying on me. I know, I know I | :45:13. | :45:17. | |
rely on you sometimes and I shouldn't do. You always do Kelly | :45:18. | :45:21. | |
because you're my little girl innit. Kelly's mannerisms are very much | :45:21. | :45:26. | |
like her mam's. In fact the other day she did something her man did | :45:26. | :45:30. | |
and I burst out laughing. She ask what I was laughing about it, | :45:30. | :45:35. | |
before I even said it, she said, don't tell me my mam did that, and | :45:35. | :45:39. | |
I say just like it. Health and happiness is all I wanted for kel | :45:39. | :45:49. | |
hey. If she make me a granddad on the way, fair enough. | :45:49. | :45:52. | |
If there is anybody doing gymnastics you need to get ready | :45:52. | :45:59. | |
now. Quick, quick, quick. Molly, why have you got a pink thing in | :45:59. | :46:03. | |
your hair, you are a boy. It is the day of the dance show, the parents | :46:03. | :46:07. | |
are arriving, and the curtain will go up in less than an hour. Jodie | :46:07. | :46:12. | |
is giving Kelly one last chance to prove she's up to the job. Back in | :46:12. | :46:15. | |
the room, everybody back in the room. Over the past few months she | :46:15. | :46:19. | |
has tested Jodie's patience to the limits. There are only so many | :46:19. | :46:26. | |
chances I would give someone before it would be a waste of my time. | :46:26. | :46:30. | |
main thing I have to think about what I'm doing, and take my time | :46:30. | :46:33. | |
and try my best. All you can do is try your best. Rome weren't built | :46:33. | :46:38. | |
in a day. I think it will be a success, we have been working on it | :46:38. | :46:45. | |
for six months now. What time is it? We need to start. Cue music, | :46:45. | :46:55. | |
:46:55. | :47:03. | ||
It is going well, but it is children, not putting the right | :47:03. | :47:07. | |
outfits on, and children going missing. So I'm stood at the other | :47:07. | :47:10. | |
side, I'm like I need this person and this person, and everyone's all | :47:10. | :47:17. | |
over it at the moment, it is a bit crazy. I don't even know. | :47:17. | :47:20. | |
There is people missing, there is children missing, there is people | :47:20. | :47:23. | |
who don't know where they are supposed to be. I don't know where | :47:24. | :47:31. | |
I'm supposed to be now. It is a lot of pressure to be under to do a | :47:31. | :47:36. | |
show like that. I thought, God, no wonder Jodie stresses so much. | :47:36. | :47:40. | |
Because it is just, she's just a legend being able to do something | :47:40. | :47:50. | |
:47:50. | :47:55. | ||
like that, because I couldn't do it. So I take my hat off to her. It was | :47:55. | :47:58. | |
really good. When you have worked with kids for so long and you see | :47:58. | :48:04. | |
them perform, you just want to cry, because it is so good. It is like | :48:04. | :48:07. | |
how you would be proud of your child. It makes you feel proud that | :48:07. | :48:12. | |
you have taught them what they know. The Dance School is giving me an | :48:12. | :48:17. | |
opportunity to do what I want to do. Be a qualified dance teacher, be | :48:17. | :48:20. | |
successful, and it is actually helping to keep children off the | :48:20. | :48:30. | |
:48:30. | :48:31. | ||
streets. Some parents were still crying, everybody was saying how | :48:32. | :48:37. | |
fantastic it was, amazing, awesome, brilliant. It really paid off. | :48:37. | :48:41. | |
show has been a triumph, but the success is bitter sweet for Kelly, | :48:41. | :48:44. | |
Jodie feels she is not quite ready to take on the responsibility of a | :48:44. | :48:48. | |
teaching job, but she will try again at the next school show in | :48:48. | :48:58. | |
:48:58. | :49:05. | ||
six months time. It has been two weeks since Anthony's children did | :49:05. | :49:11. | |
their modelling test shoot. He has had some good news. The modelling | :49:11. | :49:15. | |
agency have given me a ring and said the kids are up on the website. | :49:15. | :49:23. | |
I'm going to go and have a look on the website. | :49:23. | :49:33. | |
:49:33. | :49:33. | ||
Is it all right if I jump on a computer, mate, yeah? That's a nice | :49:33. | :49:37. | |
one, that is a really nice picture that one. The children are now | :49:37. | :49:41. | |
licensed to work, and ready to take on their first professional | :49:41. | :49:49. | |
assignment. Definitely feel proud. She got some really nice pictures. | :49:49. | :49:56. | |
Got to be from me with the good looks, can't be Renika. If I didn't | :49:56. | :50:02. | |
have my scars that a lot of people that I have met through my life I | :50:02. | :50:04. | |
probably wouldn't have met. Just because something has happened to | :50:04. | :50:08. | |
you, it doesn't mean that is the end of your world. You can go on | :50:08. | :50:14. | |
and live your life, or sit in your bedroom and dwell what if I didn't | :50:14. | :50:19. | |
have scars and what if this and that? I suppose if I did do that I | :50:19. | :50:24. | |
wouldn't have my kids that I have today, really. I wouldn't change | :50:24. | :50:34. | |
:50:34. | :50:37. | ||
them for the world. There are big changes on the estate where Jamie | :50:38. | :50:43. | |
spent his entire life. It is not what we grew up in. | :50:44. | :50:48. | |
a ghost town. You knew everything everybody in the maisonettes. | :50:48. | :50:53. | |
I ever leave the estate I have grown up on? No, I don't think I | :50:53. | :51:01. | |
could. It is home. There is also change in Jamie's life, in just a | :51:01. | :51:05. | |
few hours he will perform his first professional gig at Belinda | :51:05. | :51:12. | |
Scandal's cabaret bar. I know you can do it, I don't need to say | :51:12. | :51:18. | |
anything else, I know you can do it, nothing tells me that you can't. I | :51:18. | :51:22. | |
wish you the best of luck. Everybody wants to be famous and | :51:22. | :51:29. | |
the 15-minutes. As long as I get lots of fandangle, loads of girls, | :51:29. | :51:39. | |
:51:39. | :51:39. | ||
we love you, on your boobs, fucking pleasure! How are you feeling? | :51:39. | :51:47. | |
Nervous, excite. Are you very scared -- Extriteed. Are you | :51:47. | :51:52. | |
scared? My arse is fucking on fire. Thanks for telling me. Are you | :51:52. | :51:56. | |
warmed up, give me a scream. Look me in the eyes and scream in my | :51:57. | :52:06. | |
face. I can't do that. Scream at me. Ahhhh. Louder. Ahhhh. That's the | :52:07. | :52:11. | |
shizzle. Despite her doubts, Donna has overcome her reservations about | :52:11. | :52:17. | |
Belinda and has gone to the gay village to support her son. He just | :52:17. | :52:22. | |
wants something to grab hold of in life, he cherishes what he has got, | :52:22. | :52:25. | |
he cherishes his family. He has been a brilliant kid, I would have | :52:25. | :52:31. | |
another kid like Jamie. He's coming your way in just a few seconds time, | :52:31. | :52:35. | |
before we do that, because it is nervous tonight, I want each of you | :52:35. | :52:42. | |
to look at me and scream your face to have. 1-2-3 scream! Please | :52:42. | :52:52. | |
:52:52. | :52:55. | ||
welcome to the stage, the sensationally fantastic, Mr Jamie. | :52:55. | :53:05. | |
:53:05. | :53:20. | ||
How are we doing everybody. # She's taking me places | :53:20. | :53:27. | |
# I should never have been # She's showing me faces | :53:27. | :53:37. | |
# I should never have seen When I go to my grave, I would like | :53:37. | :53:45. | |
on my gravestone, "went with a smile", and a picture of me on that | :53:45. | :53:55. | |
:53:55. | :53:56. | ||
with the cheesiest grin I can do. # Oh Lord when he shook his head | :53:56. | :54:02. | |
# I could swear I could hear someone | :54:02. | :54:11. | |
I felt so proud of him. And that boy can sing. | :54:11. | :54:21. | |
:54:21. | :54:22. | ||
# That's Mr Bojangles # We call him Mr Bojangles | :54:22. | :54:32. | |
:54:32. | :54:35. | ||
Mr Bojangles # Come back to me | :54:35. | :54:45. | |
:54:45. | :54:51. | ||
Sensational Jamie. Very, very good, did you enjoy it? It was a new | :54:51. | :54:57. | |
experience for me, yeah, yeah. Come on in. We have a new fan, I | :54:57. | :55:04. | |
have never seen you before. That were brilliant. Give a hug for your | :55:04. | :55:08. | |
mother. Well done. You made me proud. Thank you Belinda. Thank you | :55:08. | :55:15. | |
for coming. Thank you. He did good. Seeing the chance that Belinda has | :55:15. | :55:20. | |
given Jamie has finally allayed her fears. She has surprised me, she's | :55:20. | :55:25. | |
down to earth and genuine. I'm happy for Jamie to be with Belinda, | :55:25. | :55:33. | |
in a career way. She's now the best person for Jamie. You what know, | :55:33. | :55:39. | |
you kicked his arse, nobody else has done that. Some arses need | :55:39. | :55:44. | |
kicking, don't they flower. Do a Christmas CD and I will buy it. | :55:44. | :55:48. | |
is Jamie's first taste of the high life, now the sky is the limit. | :55:48. | :55:53. | |
know I said I didn't want you there, but I'm glad to see you. You know I | :55:53. | :56:03. | |
:56:03. | :56:04. | ||
love you, don't you Jamie. Yeah. Next week, the Wakefields have to | :56:04. | :56:07. | |
contend with an unwelcome house guest. If you don't like us then | :56:07. | :56:13. | |
get out of our house. She said, no! Likely lads Arron and Mikey, are | :56:13. | :56:17. | |
trying not to let partying get in the way of their new business plans. | :56:17. | :56:20. |