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This programme contains strong language. | 0:00:02 | 0:00:04 | |
North of the city centre is a Manchester suburb called Harpurhey. | 0:00:04 | 0:00:07 | |
They say the area's full of rough families. | 0:00:07 | 0:00:11 | |
I don't think it's such a bad place. | 0:00:11 | 0:00:13 | |
Ten years ago a government report branded it the most deprived neighbourhood in England. | 0:00:13 | 0:00:17 | |
-It's a simple question I asked. -Yeah, and I'm trying to answer it. | 0:00:17 | 0:00:20 | |
Things have got a bit better since then | 0:00:20 | 0:00:22 | |
but life round here is still no bed of roses. | 0:00:22 | 0:00:25 | |
There's a local expression - | 0:00:25 | 0:00:26 | |
they'd steal the shit out of your arse. | 0:00:26 | 0:00:28 | |
Not cos they want it, just so that you haven't got it. | 0:00:28 | 0:00:31 | |
Half the people have no qualifications | 0:00:31 | 0:00:33 | |
and antisocial behaviour is rife. | 0:00:33 | 0:00:36 | |
-Are you the neighbour from hell? -Probably, yeah. | 0:00:36 | 0:00:40 | |
People round here might not be the poshest | 0:00:40 | 0:00:42 | |
but they're not lacking in spirit. | 0:00:42 | 0:00:44 | |
That's why we call ourselves the dysfunctionals. | 0:00:44 | 0:00:47 | |
They're just trying to get on with life, be themselves... | 0:00:47 | 0:00:50 | |
I ain't driving the van like this. | 0:00:50 | 0:00:52 | |
..and follow their dreams. | 0:00:52 | 0:00:54 | |
I could be, like, a different person when I'm acting. | 0:00:54 | 0:00:56 | |
Tis true that a good play needs no epilogue. | 0:00:56 | 0:00:59 | |
For one long summer, the young people of Harpurhey let us | 0:00:59 | 0:01:02 | |
into their secret world. | 0:01:02 | 0:01:04 | |
ALL: # I have a penis I shake it in the morning... # | 0:01:04 | 0:01:07 | |
Sharing the good times... | 0:01:07 | 0:01:09 | |
Megan Fox eat your heart out. | 0:01:09 | 0:01:11 | |
..and the bad. | 0:01:11 | 0:01:12 | |
Hello! Go and find another street to go and terrorise. | 0:01:12 | 0:01:15 | |
This is how it really feels growing up the hard way. | 0:01:15 | 0:01:18 | |
Youse might think you know people like us | 0:01:18 | 0:01:20 | |
but you don't know nothing yet! | 0:01:20 | 0:01:22 | |
This week we meet likely lads Aaron and Mikee, who are trying not | 0:01:31 | 0:01:35 | |
to let partying get in the way of them building a new business. | 0:01:35 | 0:01:39 | |
It will work, there's no alternative. It's this or not. | 0:01:39 | 0:01:43 | |
Best mates Jazmine and Kelsea are enjoying their last summer | 0:01:43 | 0:01:47 | |
together, before one of them moves out of the area. | 0:01:47 | 0:01:50 | |
I'm going to the park that everyone calls a park | 0:01:50 | 0:01:52 | |
but it's got chickens on it, it's called | 0:01:52 | 0:01:54 | |
a chicken park but I call it a park anyway. | 0:01:54 | 0:01:56 | |
So we're going there. | 0:01:56 | 0:01:57 | |
Exercise guru Javeno | 0:01:57 | 0:01:59 | |
is planning a mass workout day to get the locals fit. | 0:01:59 | 0:02:01 | |
It's supposed to hurt. It's not supposed to feel good. | 0:02:01 | 0:02:04 | |
Dogs are acting really weird tonight. | 0:02:04 | 0:02:06 | |
And the Wakefields feel the time has come to deal | 0:02:06 | 0:02:08 | |
with their resident poltergeist, Malcolm. | 0:02:08 | 0:02:11 | |
If you don't like us, then get out of our house. | 0:02:11 | 0:02:13 | |
Do something, will you, for God's sake, you old fart? | 0:02:13 | 0:02:16 | |
On the high street is the Wishy Washy launderette. | 0:02:24 | 0:02:27 | |
It's been run by Paul and Karen for six years. | 0:02:29 | 0:02:32 | |
Get me money back out of the machine or else I'll never see that again. | 0:02:32 | 0:02:36 | |
Daughters Amber and Maddy are not impressed. | 0:02:38 | 0:02:40 | |
Me mum's been working in the launderette for years | 0:02:40 | 0:02:43 | |
and, to be honest, I think she's just bored senseless. | 0:02:43 | 0:02:46 | |
Going to the hospital next week, Paul. | 0:02:46 | 0:02:49 | |
Today, mum Karen is passing the time teasing Paul about having | 0:02:49 | 0:02:53 | |
colonic irrigation. | 0:02:53 | 0:02:55 | |
50 quid to get a tube put up your arse. | 0:02:55 | 0:02:56 | |
Are you having a fricking laugh? | 0:02:56 | 0:02:58 | |
It is my hobby, winding Paul up. | 0:02:58 | 0:03:02 | |
I buzz off it, I do, I love it. Seriously. | 0:03:02 | 0:03:06 | |
Amber said she's seen it on Geordie Shore. | 0:03:06 | 0:03:09 | |
As long as she's fricking paying for hers. | 0:03:09 | 0:03:11 | |
Or I'll do it for 25. | 0:03:11 | 0:03:13 | |
No, you get, you get cleaned out proper. | 0:03:13 | 0:03:16 | |
All the toxins out of your body. | 0:03:16 | 0:03:18 | |
It's good for weight loss and that and it, it, | 0:03:18 | 0:03:20 | |
it's good for your skin, Amber's definitely getting it done, | 0:03:20 | 0:03:23 | |
she said, "Why don't you come with us, Mum?" What more can you ask for? | 0:03:23 | 0:03:26 | |
Day out with your daughter to have a tube put up your ring piece. | 0:03:26 | 0:03:31 | |
Do you want to come with us? | 0:03:31 | 0:03:33 | |
Me mum's that bored, she's just looking for a bit of spice | 0:03:33 | 0:03:36 | |
in her life and she gets that a lot with Malcolm. | 0:03:36 | 0:03:39 | |
For the last three years, the Wakefields believe their family | 0:03:39 | 0:03:43 | |
home has been haunted by Malcolm, their resident poltergeist. | 0:03:43 | 0:03:46 | |
Malcolm is apparently this guy who lives in the house. | 0:03:47 | 0:03:52 | |
He's very mischievous, like, he does stuff, like, he hides stuff from ya. | 0:03:52 | 0:03:58 | |
Apparently, he won't leave the house cos he likes to torment us. | 0:03:58 | 0:04:01 | |
Malcolm has become such a nuisance, | 0:04:03 | 0:04:05 | |
the Wakefields have asked some ghost-hunters to | 0:04:05 | 0:04:07 | |
visit their house and have it out with the mischievous spirit. | 0:04:07 | 0:04:11 | |
Malcolm's been around us for that long, yeah, | 0:04:11 | 0:04:14 | |
he might as well be a, be a part of the family. | 0:04:14 | 0:04:17 | |
I'm thinking of starting to charge him rent, you know. | 0:04:17 | 0:04:20 | |
Lives there, cough up. | 0:04:20 | 0:04:22 | |
I won't go downstairs on me own but er... | 0:04:22 | 0:04:25 | |
-She won't go for piss on her own. -No, won't do that. | 0:04:25 | 0:04:27 | |
That's why I stay upstairs, I feel safe upstairs | 0:04:27 | 0:04:30 | |
but I don't like it downstairs. | 0:04:30 | 0:04:32 | |
Ghost-hunters Bob and Pete have tried to contact Malcolm before, | 0:04:33 | 0:04:37 | |
via Ouija board but with little success. | 0:04:37 | 0:04:40 | |
When you get Malcolm on the Ouija board, he's, um... | 0:04:40 | 0:04:44 | |
He's a twat. To be blunt. | 0:04:44 | 0:04:46 | |
Because he won't communicate, | 0:04:46 | 0:04:48 | |
he won't tell you what you want to know. | 0:04:48 | 0:04:50 | |
Karen's so spooked by the unusual events in the house, | 0:04:50 | 0:04:52 | |
that the investigators have agreed to try and contact Malcolm again | 0:04:52 | 0:04:56 | |
and reason with him. | 0:04:56 | 0:04:58 | |
The first job is to confirm they're talking to the right spirit. | 0:04:58 | 0:05:02 | |
Can you please give us the first initial, | 0:05:02 | 0:05:06 | |
the first letter of your first name? | 0:05:06 | 0:05:08 | |
Malcolm's real, he's there, so it's not, | 0:05:13 | 0:05:15 | |
it's not like an imaginary friend, cos he's there. | 0:05:15 | 0:05:17 | |
He's actually in the house. | 0:05:17 | 0:05:19 | |
Is your name Malcolm? | 0:05:19 | 0:05:20 | |
-What?! -Oh, it's made me stomach go. | 0:05:24 | 0:05:26 | |
It's all right, don't worry, just put your finger back on the glass. | 0:05:26 | 0:05:29 | |
But did you, did you...? Please tell me you heard that. I've got goose pimples. | 0:05:29 | 0:05:32 | |
People that say we're cranks... Well, fair enough, that's their... | 0:05:32 | 0:05:35 | |
They want to believe in what they want to believe in. | 0:05:35 | 0:05:38 | |
Oh, flipping heck. | 0:05:38 | 0:05:40 | |
Yeah, but we know different, you know, | 0:05:41 | 0:05:43 | |
until you've experienced it, don't open your mouth about it. | 0:05:43 | 0:05:46 | |
Do you mean to scare them, Malcolm? | 0:05:46 | 0:05:49 | |
Does he pick on anyone in particular? | 0:05:52 | 0:05:55 | |
Put the glass towards who. | 0:05:55 | 0:05:57 | |
Send the glass to the person we think... | 0:05:57 | 0:06:00 | |
-OK. -You, Kaz. | 0:06:00 | 0:06:01 | |
It is, he always gets me the most. | 0:06:01 | 0:06:03 | |
Apparently Malcolm's out to just get me mum because he knows he don't | 0:06:03 | 0:06:07 | |
get a reaction off me and Paul, and I think my mum secretly loves it. | 0:06:07 | 0:06:11 | |
See ya later, Malcolm. | 0:06:11 | 0:06:13 | |
Bye. | 0:06:13 | 0:06:14 | |
Aah! See, he listened to you then. | 0:06:16 | 0:06:19 | |
With many questions left unanswered, | 0:06:19 | 0:06:21 | |
the family's pursuit of Malcolm is not over yet. | 0:06:21 | 0:06:24 | |
At a precinct north of Harpurhey, 20-year-old best mates, | 0:06:30 | 0:06:34 | |
Aaron and Mikee, are trying to drum up interest in their new | 0:06:34 | 0:06:37 | |
painting and decorating business. | 0:06:37 | 0:06:39 | |
Are we moving in? Are you moving in for the kill? | 0:06:39 | 0:06:42 | |
But the offers of work are not exactly flooding in. | 0:06:42 | 0:06:44 | |
Excuse me, love. | 0:06:46 | 0:06:47 | |
Oh, fair enough. Chopped! It's fine, don't worry about it. | 0:06:47 | 0:06:51 | |
Both the lads left school at 16 and have been sacked from low-paid jobs. | 0:06:52 | 0:06:56 | |
I got just like little crappy jobs here and there, working at Currys, | 0:06:56 | 0:06:59 | |
working at Next, working at Sainsbury's and none of 'em I liked. | 0:06:59 | 0:07:02 | |
We've just started up a painting and decorating business. | 0:07:02 | 0:07:06 | |
We do joinery, tiling, electrics. | 0:07:06 | 0:07:08 | |
I've always wanted to work for me-self. | 0:07:08 | 0:07:10 | |
I've never really been a big fan of the whole having someone | 0:07:10 | 0:07:13 | |
on your back, telling ya, sort of, do this, do that, do this, do that. | 0:07:13 | 0:07:16 | |
-All right, love? Are we all right to leave you with a flyer? -Yeah. | 0:07:16 | 0:07:19 | |
Basically, we've just started our own painting and decorating business | 0:07:19 | 0:07:23 | |
and nobody else is as young and strapping as us two. | 0:07:23 | 0:07:26 | |
So, in all fairness, nobody kind of... | 0:07:26 | 0:07:28 | |
-That just totally failed. -Is as good as us. So take a flyer, | 0:07:28 | 0:07:32 | |
Keep us in mind. Tiling, joinery, electrics, painting and decorating. | 0:07:32 | 0:07:36 | |
-Come and do your house, nice and cheap. -All right, thanks. -You rescued me. -See ya later. | 0:07:36 | 0:07:40 | |
You rescued me on that one. I flopped it. | 0:07:40 | 0:07:42 | |
Yeah, Mikee can be a bit of a knob, I guess. | 0:07:42 | 0:07:44 | |
That was like a proper cheeky opportunity | 0:07:44 | 0:07:46 | |
and I just ruined it, totally ruined it. | 0:07:46 | 0:07:49 | |
I've known him for a long time. He's my knob, no-one else's knob. | 0:07:49 | 0:07:53 | |
The boys are desperate to be their own bosses | 0:07:53 | 0:07:56 | |
but if they don't start earning in the next two months, | 0:07:56 | 0:07:59 | |
they'll have to kiss goodbye their dreams of running their own business. | 0:07:59 | 0:08:02 | |
This is the only plan. | 0:08:02 | 0:08:05 | |
This is Plan A, there is no Plan B, like, it has to work. | 0:08:05 | 0:08:08 | |
Shall we pitch it to the dog? | 0:08:08 | 0:08:11 | |
And just give the dog a flyer to chew on. | 0:08:11 | 0:08:13 | |
Hold me up. | 0:08:17 | 0:08:18 | |
A couple of miles down the road, in the centre of Harpurhey, | 0:08:18 | 0:08:21 | |
best mates Jazmine and Kelsea are making use of the local leisure facilities. | 0:08:21 | 0:08:25 | |
When people want to know where I'm going, | 0:08:25 | 0:08:27 | |
I say, "I'm going to the park that everyone calls a park | 0:08:27 | 0:08:30 | |
"but it's got chickens on it, it's called | 0:08:30 | 0:08:33 | |
"a chicken park but it's not really a park but I call it a park anyway. | 0:08:33 | 0:08:36 | |
"So we're going there." That's where we're going. | 0:08:36 | 0:08:39 | |
This is the chicken park. See, can you see the chickens? | 0:08:39 | 0:08:43 | |
This is the chicken park. | 0:08:43 | 0:08:45 | |
14-year-old Jazmine and 15-year-old Kelsea live a minute | 0:08:45 | 0:08:49 | |
away from each other and have been friends for four years. | 0:08:49 | 0:08:52 | |
My nickname is Jazzy-shay and hers is Kelco. | 0:08:52 | 0:08:55 | |
She's really clever, she's beautiful, she's funny, | 0:08:55 | 0:08:59 | |
she's just out there and amazing. | 0:08:59 | 0:09:02 | |
Dunno what that is, ladybird, caterpillar, I'm guessing, and a monkey. | 0:09:02 | 0:09:06 | |
-What the heck is that? -A tiger. | 0:09:06 | 0:09:08 | |
Er, it's meant to be a little kids park | 0:09:08 | 0:09:11 | |
but this is how it turned out to be. | 0:09:11 | 0:09:15 | |
As you can see on the floor, it's not a place for little kids | 0:09:15 | 0:09:18 | |
to be cos of all the glass and a brick and plastic and yeah, so... | 0:09:18 | 0:09:23 | |
The two friends have a great time hanging out in Harpurhey, although | 0:09:23 | 0:09:26 | |
recently a few racist incidents have spoiled Jazmine's experience. | 0:09:26 | 0:09:30 | |
I was sat here with my friend | 0:09:30 | 0:09:33 | |
and then these little kids were shouting "lesbians" and all that. | 0:09:33 | 0:09:36 | |
So we was like "whatever". | 0:09:36 | 0:09:38 | |
And then these small kids were coming up to us, | 0:09:38 | 0:09:40 | |
spitting at us and throwing glass at us, so we stood up | 0:09:40 | 0:09:43 | |
and walked away and then one of them punched me in the back | 0:09:43 | 0:09:45 | |
of the head and then, yeah, | 0:09:45 | 0:09:47 | |
and they were calling us, like, you know, black bitches and niggers | 0:09:47 | 0:09:51 | |
and they just kept saying it over and over again. | 0:09:51 | 0:09:54 | |
So we got frustrated and then walked home. | 0:09:54 | 0:09:57 | |
These racist incidents have forced Jazmine's mum Jaki | 0:09:57 | 0:10:00 | |
to consider drastic action. | 0:10:00 | 0:10:03 | |
The area's got so bad and, like, my mum is making us, you know, | 0:10:03 | 0:10:08 | |
move away and it is, like, devastating. | 0:10:08 | 0:10:11 | |
I'm absolutely sick of | 0:10:11 | 0:10:13 | |
the chaos, the street violence, the antisocial behaviour, | 0:10:13 | 0:10:16 | |
the threats, the intimidation, | 0:10:16 | 0:10:18 | |
harassment that my children have had, | 0:10:18 | 0:10:20 | |
and it's my duty as their parent to take them somewhere safe. | 0:10:20 | 0:10:23 | |
It's been a difficult decision for Jaki who, despite Jazmine's | 0:10:23 | 0:10:26 | |
experiences, believes there's a strong community spirit in the area. | 0:10:26 | 0:10:30 | |
Apart from it being, you know, really scary at times, | 0:10:30 | 0:10:34 | |
there's the other side of it. | 0:10:34 | 0:10:36 | |
Some of the people are just absolutely lovely. | 0:10:37 | 0:10:40 | |
It's that friendliness | 0:10:40 | 0:10:42 | |
and that very down to earth sort of place where there's not much | 0:10:42 | 0:10:46 | |
airs and graces as such and people don't generally fake it too much. | 0:10:46 | 0:10:52 | |
With a move on the cards, this could be Jazmine | 0:10:52 | 0:10:54 | |
and Kelsea's last summer together. | 0:10:54 | 0:10:56 | |
When I first found out that we're moving I was quite shocked | 0:10:56 | 0:11:01 | |
and I remember crying for a little bit in my room. | 0:11:01 | 0:11:04 | |
I can't believe it's actually coming down to this. | 0:11:04 | 0:11:07 | |
See, you can do it now and I'm practically not holding ya. | 0:11:07 | 0:11:11 | |
Aaron and Mikee's flyering campaign has not been successful and | 0:11:15 | 0:11:19 | |
the wannabe painter-decorators are still no closer to getting a job. | 0:11:19 | 0:11:22 | |
-You what, mate? -£5. | 0:11:22 | 0:11:24 | |
With barely enough cash for essential purchases, | 0:11:25 | 0:11:28 | |
it's time for the lads to rethink their tactics. | 0:11:28 | 0:11:31 | |
We can't be fussy about what kind | 0:11:32 | 0:11:34 | |
of work we're taking at the moment, | 0:11:34 | 0:11:36 | |
whether it's a dingy little bathroom somewhere | 0:11:36 | 0:11:38 | |
or a full apartment paint. | 0:11:38 | 0:11:39 | |
At the end of the day, we've got to take everything to progress | 0:11:39 | 0:11:42 | |
a bit further and make our money and do what we're doing. | 0:11:42 | 0:11:45 | |
Our competition are, like, middle-aged, balding fat guys, | 0:11:45 | 0:11:48 | |
who can barely climb a ladder without dislocating a hip. | 0:11:48 | 0:11:51 | |
I'll bring the roller, you bring your boyish charm and Justin Bieber looks. | 0:11:51 | 0:11:55 | |
Justin Bieber? | 0:11:55 | 0:11:57 | |
We've both got a lot riding on it, we've got a lot of money in it | 0:11:57 | 0:12:00 | |
and we have to succeed with it cos we can't afford not to. | 0:12:00 | 0:12:04 | |
Cos if we fail, then we're fucked. | 0:12:04 | 0:12:06 | |
People try and sugar coat everything and say... Slag! | 0:12:06 | 0:12:09 | |
..you don't have to make a fortune to be successful or all that | 0:12:09 | 0:12:13 | |
kind of bollocks that they come out with. | 0:12:13 | 0:12:16 | |
Slag! | 0:12:16 | 0:12:17 | |
Mikee's dad left when he was three | 0:12:17 | 0:12:19 | |
and they only had sporadic contact as he was growing up. | 0:12:19 | 0:12:22 | |
I remember not seeing him for ages and I got a letter off him | 0:12:23 | 0:12:29 | |
or something through the post and, er, it was a letter | 0:12:29 | 0:12:31 | |
saying something like, "Sorry I've not been in touch, I've been in prison for the last two years," | 0:12:31 | 0:12:35 | |
or something. I was like, "Fair enough." | 0:12:35 | 0:12:37 | |
Mikee's determined to stay on the straight and narrow | 0:12:37 | 0:12:40 | |
and make a go of his business, especially now he's a father. | 0:12:40 | 0:12:44 | |
I'd just left school, er, I turned 16 and then me little boy was born. | 0:12:44 | 0:12:48 | |
Er, me and his mum split up not too long after that. | 0:12:48 | 0:12:52 | |
My experiences with my dad when I was growing up | 0:12:52 | 0:12:54 | |
definitely make me want to be a better dad. | 0:12:54 | 0:12:56 | |
You need to succeed for him to be able to look up to ya. | 0:12:56 | 0:12:59 | |
He's not going to look up to you if you're just some bum who's doing nothing with your life. | 0:12:59 | 0:13:03 | |
As long as you work hard for it, there's going to be something to hand down to your kids, | 0:13:03 | 0:13:07 | |
there's going to be something else but... | 0:13:07 | 0:13:09 | |
Slag! | 0:13:09 | 0:13:10 | |
The Wakefields believe their house is haunted by a poltergeist called Malcolm. | 0:13:15 | 0:13:20 | |
The team of paranormal investigators have been hard at work, | 0:13:21 | 0:13:24 | |
collecting what they think is further evidence of his existence. | 0:13:24 | 0:13:28 | |
That's Bob and that's Peter. | 0:13:30 | 0:13:32 | |
The result of the investigation have been uploaded onto YouTube. | 0:13:32 | 0:13:36 | |
Oh, there's a series of photographs of the stairs. | 0:13:37 | 0:13:41 | |
Karen is convinced there is now photographic evidence | 0:13:41 | 0:13:44 | |
of paranormal activity in her house. | 0:13:44 | 0:13:46 | |
-Oh, yeah. -It's weird, that. | 0:13:46 | 0:13:48 | |
And then these shadows here | 0:13:48 | 0:13:50 | |
are like the ones what, like, someone walking up the stairs. | 0:13:50 | 0:13:52 | |
Yeah, but I thought he was walking down. | 0:13:52 | 0:13:55 | |
-Oh, yeah. -That's weird, that. | 0:13:55 | 0:13:57 | |
I was just taking some random pictures of the stairs, | 0:13:57 | 0:14:00 | |
where you can see what appears to be a shadow emerging from the wall | 0:14:00 | 0:14:04 | |
and it looks like it's moving up the stairs. | 0:14:04 | 0:14:06 | |
Look, that, that looks like it's feet and then it, then it goes up. | 0:14:07 | 0:14:11 | |
Look at it, it's disappearing up. | 0:14:11 | 0:14:13 | |
Yeah, it's going up now, in't it? | 0:14:13 | 0:14:15 | |
We've never had that before, so this was extremely weird. | 0:14:15 | 0:14:19 | |
Me mum is like 100% sure that that is Malcolm on the stairs. | 0:14:20 | 0:14:25 | |
I'm not quite sure, I can't really put my finger on it. | 0:14:25 | 0:14:27 | |
There is definitely something walking down the stairs | 0:14:27 | 0:14:31 | |
and disappearing back up the stairs, but if it's Malcolm, I don't know. | 0:14:31 | 0:14:34 | |
Whilst recording an interview with the family, Bob and Pete's | 0:14:34 | 0:14:37 | |
specialist audio equipment captured an unexplained sound. | 0:14:37 | 0:14:42 | |
'But I don't notice him. MOANING | 0:14:42 | 0:14:45 | |
'What's that?' | 0:14:45 | 0:14:47 | |
It's funny how all our heads go... All of us. | 0:14:47 | 0:14:51 | |
-'Was that music? -Is the telly on upstairs?' | 0:14:51 | 0:14:53 | |
'I thought it was a bit of a queer,' | 0:14:53 | 0:14:55 | |
you know, bit of a queer spook, | 0:14:55 | 0:14:56 | |
yeah, cos it sounded girlyfied sort of thing, you know. | 0:14:56 | 0:14:59 | |
Every single one of us heard that and you can tell we did. | 0:14:59 | 0:15:02 | |
Oooh! That sort of thing like, but challengingly. | 0:15:02 | 0:15:05 | |
Finally, | 0:15:05 | 0:15:06 | |
Karen believes she accidentally captured an image of Malcolm | 0:15:06 | 0:15:10 | |
while photographing the exterior of the house. | 0:15:10 | 0:15:12 | |
I was clicking and clicking and clicking, didn't I, with my phone? | 0:15:12 | 0:15:15 | |
Clicking and clicking and that's the outcome. We was only parked outside here. | 0:15:15 | 0:15:19 | |
But you didn't see it on your phone, did you, much? | 0:15:19 | 0:15:21 | |
No, I didn't see much, could tell something was there though. | 0:15:21 | 0:15:24 | |
Said to Paul, look at this picture, weird! | 0:15:24 | 0:15:26 | |
-That is definitely Malcolm. -Looks like he's got a fag. | 0:15:26 | 0:15:28 | |
Somebody said it's Paul but Paul was sat next to me in the car. | 0:15:28 | 0:15:31 | |
He was sat next to me, it wasn't Paul. | 0:15:31 | 0:15:34 | |
Look there, don't that look like a tash? | 0:15:34 | 0:15:35 | |
Personally, I thought it looked like Fred Mercury, yeah, | 0:15:35 | 0:15:38 | |
cos he's got a fucking tash, a big, thick tash. | 0:15:38 | 0:15:41 | |
But he doesn't really frighten me. | 0:15:41 | 0:15:43 | |
I wouldn't sit in me bedroom, like, couldn't get to sleep | 0:15:43 | 0:15:45 | |
cos I think someone's there, just, I mean, I'm more intrigued. | 0:15:45 | 0:15:49 | |
The Wakefields are more convinced than ever they're being haunted, | 0:15:49 | 0:15:53 | |
so they've asked ghost-hunters Bob and Pete to return to | 0:15:53 | 0:15:57 | |
the house soon for one final showdown with Malcolm. | 0:15:57 | 0:15:59 | |
Javeno is a fitness instructor | 0:16:02 | 0:16:04 | |
on a one-man mission to get Harpurhey fit. | 0:16:04 | 0:16:07 | |
Going to make 'em hate me. Going to make 'em hate me. | 0:16:07 | 0:16:11 | |
If they don't hate me now they won't get any results. | 0:16:11 | 0:16:14 | |
So if they hate me, that means they're really pushing themselves. | 0:16:14 | 0:16:17 | |
Health is a major issue in Harpurhey | 0:16:17 | 0:16:18 | |
and life expectancy is seven years lower than the national average. | 0:16:18 | 0:16:23 | |
Forward with your hands. Hey, girls, let's go. Go for a walk, girls. | 0:16:23 | 0:16:26 | |
Javeno is known for his no-nonsense attitude when leading his classes. | 0:16:26 | 0:16:31 | |
Pick a heavy one, pick a challenging one. Is that challenging? | 0:16:31 | 0:16:34 | |
Is that challenging? | 0:16:34 | 0:16:35 | |
-OK, stand up with it, up towards your, is that too much? -No. | 0:16:35 | 0:16:38 | |
So you was lying, weren't ya? Liar! | 0:16:38 | 0:16:40 | |
I don't believe any of 'em, they're all liars. | 0:16:40 | 0:16:43 | |
I don't believe what they say, so you could train here but if your | 0:16:43 | 0:16:46 | |
weight isn't going down, you're not being dedicated when I'm not there. | 0:16:46 | 0:16:49 | |
Give me a squat jump at the top, there we go. | 0:16:49 | 0:16:51 | |
There you go, but you've got to jump from that low position. | 0:16:51 | 0:16:53 | |
'Kim trains with me five times a week. | 0:16:53 | 0:16:55 | |
'If I see Kim coming out of a chippy,' | 0:16:55 | 0:16:57 | |
I'll go over and rip that thing out of her hand. | 0:16:57 | 0:17:00 | |
Keep going, keep going, keep going. | 0:17:00 | 0:17:01 | |
Moving on, moving on, nice. | 0:17:01 | 0:17:04 | |
A lot of the country is obese, a lot of Manchester is obese, | 0:17:04 | 0:17:06 | |
over here, I'm not saying everyone's massive, | 0:17:06 | 0:17:08 | |
but a lot of the people in North Manchester are very unfit. | 0:17:08 | 0:17:11 | |
Come across your body with your knee, beautiful, there you go. | 0:17:11 | 0:17:13 | |
I wouldn't be doing my job if I lie to people and say, | 0:17:13 | 0:17:16 | |
"Yeah, you're fit, you look great, you look great," when you don't. | 0:17:16 | 0:17:19 | |
Squat hold for the last 30. | 0:17:19 | 0:17:20 | |
Get your arse down. Four, three, two... | 0:17:20 | 0:17:24 | |
Javeno has a plan to spread his message of fitness in the area - | 0:17:24 | 0:17:28 | |
a free mass workout day for the locals. | 0:17:28 | 0:17:30 | |
So I'm going to do a big event. | 0:17:30 | 0:17:32 | |
I'm not sure what park yet. I'm going to pick a park, | 0:17:32 | 0:17:34 | |
do big outdoor event, like an exhibition. | 0:17:34 | 0:17:37 | |
It costs money if you've got to go to an expensive class or you've | 0:17:37 | 0:17:40 | |
got to join an expensive gym. The park's free. | 0:17:40 | 0:17:42 | |
For Javeno, the time has come to challenge those | 0:17:44 | 0:17:47 | |
in his community with an unhealthy lifestyle to change their ways. | 0:17:47 | 0:17:51 | |
When you go into most of these shops, the first thing that | 0:17:51 | 0:17:54 | |
you see is the bad stuff, it's all the sweets and the chocolate. | 0:17:54 | 0:17:59 | |
Straightaway. | 0:17:59 | 0:18:01 | |
This is one of the worst culprits of... | 0:18:01 | 0:18:04 | |
of people gaining weight as regards to the obesity levels. | 0:18:04 | 0:18:08 | |
That's it there, baby, that's the one, that, that's a star. | 0:18:08 | 0:18:11 | |
This is frigging... This is Robbie Williams, | 0:18:11 | 0:18:13 | |
the rest of them are Gary Barlow, this is Robbie Williams, this. | 0:18:13 | 0:18:16 | |
No-one's got a gun to your head saying, "Eat this, argh, eat it now!" | 0:18:16 | 0:18:20 | |
No-one's... No-one's doing that, | 0:18:20 | 0:18:22 | |
so why do you feel like you have to eat it? | 0:18:22 | 0:18:24 | |
It's a bit annoying actually. | 0:18:24 | 0:18:25 | |
Javeno has big plans for his fitness day | 0:18:25 | 0:18:28 | |
but he's only got two weeks to prepare. | 0:18:28 | 0:18:31 | |
This event should hopefully give a lot of people in the community | 0:18:31 | 0:18:34 | |
that little kick up the arse. Boo! | 0:18:34 | 0:18:36 | |
Just to say, you know what, let me get up and do something. | 0:18:36 | 0:18:40 | |
Can't afford to go to the gym. So what! | 0:18:40 | 0:18:42 | |
I can go in my park and I can do something. | 0:18:42 | 0:18:45 | |
14-year-old Jazmine's mum has made the difficult decision to | 0:18:53 | 0:18:56 | |
take her away from Harpurhey, after she became the target of racism. | 0:18:56 | 0:19:00 | |
Like, they'll call out Paki and it's, like, I'm not really Asian, | 0:19:00 | 0:19:06 | |
so obviously do you know, like, you're obviously wrong? | 0:19:06 | 0:19:09 | |
But they become, like, they just call me, like, nigger and just, like, | 0:19:09 | 0:19:14 | |
all sorts of just horrible stuff and it's just, like, well, whatever. | 0:19:14 | 0:19:18 | |
And I say whatever to it sometimes but sometimes | 0:19:18 | 0:19:21 | |
I get like really angry with it and I do kind of lose it sometimes. | 0:19:21 | 0:19:26 | |
Yeah. | 0:19:26 | 0:19:28 | |
Jazmine lives with her mum Jaki and younger sister J'anaie. | 0:19:31 | 0:19:35 | |
Jazmine's father left when she was a baby | 0:19:38 | 0:19:40 | |
and it was left to Jaki to bring her up alone. | 0:19:40 | 0:19:44 | |
Jazmine's behaviour did change, | 0:19:44 | 0:19:46 | |
as I recognised that she was becoming a very angry girl. | 0:19:46 | 0:19:49 | |
Just very moody and angry and it was very difficult to pinpoint. | 0:19:49 | 0:19:54 | |
Was it becoming a teenager, just rebelling | 0:19:54 | 0:19:57 | |
or is there something else going on? | 0:19:57 | 0:20:01 | |
After the racist attacks, Jazmine would retreat to her bedroom. | 0:20:01 | 0:20:04 | |
I'd basically punch the wall, I'd punch the bed, I'd just, just... | 0:20:07 | 0:20:13 | |
throw everything about, then I'd get my pillow and just start screaming | 0:20:13 | 0:20:17 | |
cos I didn't obviously want me mum to hear I was screaming | 0:20:17 | 0:20:21 | |
and then I used to grab my notebook | 0:20:21 | 0:20:23 | |
and then start writing my feelings down. | 0:20:23 | 0:20:26 | |
Nothing really prepares ya to deal with your children being | 0:20:26 | 0:20:29 | |
assaulted and abused because of the colour of their skin. | 0:20:29 | 0:20:33 | |
I don't think anything could prepare you for that. | 0:20:33 | 0:20:35 | |
Despite the racist incidents, Jazmine's family has enjoyed | 0:20:35 | 0:20:38 | |
living in the area, but feel the time has now come to move on. | 0:20:38 | 0:20:41 | |
Jaki has applied for them to move to a housing co-operative | 0:20:41 | 0:20:44 | |
on the other side of Manchester. | 0:20:44 | 0:20:46 | |
-Do you want to see some pictures of it, Kelsea? -Oh, right. | 0:20:46 | 0:20:49 | |
You have your own little garden space | 0:20:49 | 0:20:51 | |
and they've got a communal bit. | 0:20:51 | 0:20:53 | |
-Where is it? -Not far from Trafford, as well. | 0:20:53 | 0:20:56 | |
That's far away! | 0:20:56 | 0:20:57 | |
What, why do you want to leave me, though? | 0:20:59 | 0:21:01 | |
-It's not leaving you, we're never going to leave you. -But you're leaving the area! | 0:21:01 | 0:21:05 | |
Yeah. We can live a better way. | 0:21:05 | 0:21:07 | |
-When people have a problem round here, what do they do? -They just want to beat each other up. | 0:21:07 | 0:21:11 | |
The norm there is to actually sit down and have a discussion | 0:21:11 | 0:21:14 | |
and see if anyone needs any support, | 0:21:14 | 0:21:17 | |
and that way we can thrive as a community. | 0:21:17 | 0:21:19 | |
As opposed to disintegrate, | 0:21:19 | 0:21:21 | |
-which is how it appears to be round here these days. -LOL! | 0:21:21 | 0:21:26 | |
That was putting it politely, disintegrate, weren't it? | 0:21:26 | 0:21:29 | |
-It's bedlam! -LOL! | 0:21:29 | 0:21:31 | |
What are you going to miss most about me? | 0:21:31 | 0:21:34 | |
-Your craziness. -Booming! | 0:21:34 | 0:21:36 | |
Your good sense of humour. | 0:21:37 | 0:21:38 | |
Like, just how you're so caring and that you're there for everyone. | 0:21:40 | 0:21:44 | |
I'm a bit sad because my partner's leaving me, | 0:21:44 | 0:21:48 | |
my partner in crime and she's going and, yeah, it's just sad times. | 0:21:48 | 0:21:53 | |
Don't know if this one's long enough, might have to use that fucking dopey one. | 0:22:02 | 0:22:05 | |
With still no paid work on the horizon for Aaron and Mikee... | 0:22:05 | 0:22:08 | |
Pull it in a bit. | 0:22:08 | 0:22:09 | |
..the lads are lending a hand, | 0:22:09 | 0:22:11 | |
building a ramp for Aaron's wheelchair-bound nana. | 0:22:11 | 0:22:14 | |
6'10" roughly. | 0:22:14 | 0:22:16 | |
I fucking hate these old tape measures. | 0:22:16 | 0:22:18 | |
Not planning to get paid for it at all, it's just helping my nana out. | 0:22:18 | 0:22:21 | |
Four weeks ago, Aaron's nana had her leg amputated | 0:22:23 | 0:22:26 | |
and has not been able to leave the house since. | 0:22:26 | 0:22:29 | |
You just feel as if you're cooped up like a prisoner. | 0:22:30 | 0:22:33 | |
But I don't know where I would want to go, I just want to have | 0:22:33 | 0:22:38 | |
a little whizz along the path and breathe fresh air. | 0:22:38 | 0:22:43 | |
It's frustrating for me as well cos she's my nana | 0:22:43 | 0:22:45 | |
and I want her to go out and just let her do whatever she wants to do. | 0:22:45 | 0:22:49 | |
She can't be stuck in every day, she's not an animal, | 0:22:49 | 0:22:51 | |
do you know what I mean? | 0:22:51 | 0:22:53 | |
Is that three and a half precisely? | 0:22:53 | 0:22:55 | |
There or there abouts. Call it four foot. | 0:22:55 | 0:22:57 | |
Having measured up, | 0:22:57 | 0:22:59 | |
it's off to the DIY store to pick up supplies. | 0:22:59 | 0:23:01 | |
There's no point in coming back. | 0:23:01 | 0:23:03 | |
But now they've bought their timber, the lads haven't quite worked out how to get it home. | 0:23:03 | 0:23:07 | |
Delivery's not till Wednesday, we can't get it delivered | 0:23:07 | 0:23:10 | |
till Wednesday, so, er, we need to get a van or a taxi | 0:23:10 | 0:23:14 | |
because we can't get the timber cut down. | 0:23:14 | 0:23:17 | |
There's been a little slight fuck-up. | 0:23:17 | 0:23:20 | |
Not really much else to say but we're dicks. | 0:23:20 | 0:23:23 | |
Is this the right number? I phoned for a taxi. | 0:23:23 | 0:23:26 | |
Ambitious but useless. That's kind of the way it goes. | 0:23:26 | 0:23:29 | |
I take it this is not a taxi service? | 0:23:29 | 0:23:31 | |
Er, we needed one urgently really. Not at the moment. | 0:23:31 | 0:23:34 | |
Have you got anything available then? Nothing. | 0:23:34 | 0:23:37 | |
I told him to get it delivered about three days ago | 0:23:37 | 0:23:39 | |
and it kind of would have been here by now but someone thought "No, | 0:23:39 | 0:23:42 | |
"we won't do that, we'll just go and pick it up." | 0:23:42 | 0:23:44 | |
Now we're wandering around B&Q car park like a pair of lost souls. | 0:23:44 | 0:23:48 | |
Fucking hell! Urgh! | 0:23:48 | 0:23:51 | |
At last, the lads have found a taxi. | 0:23:53 | 0:23:55 | |
The moment of truth. It's going to be a squeeze. | 0:23:55 | 0:23:57 | |
But it's an added expense they don't need, | 0:23:57 | 0:23:59 | |
particularly as they're doing this job for free. | 0:23:59 | 0:24:02 | |
That's a squeeze and a half. | 0:24:02 | 0:24:03 | |
Mate, you have no idea how much I love you right now. Jabba! | 0:24:05 | 0:24:09 | |
We're normally quite organised with stuff like this. | 0:24:09 | 0:24:13 | |
Didn't all go to plan but we got there in the end. | 0:24:13 | 0:24:17 | |
-Hallelujah! -Come on, chop, chop! | 0:24:17 | 0:24:21 | |
Back at Nana's, the two-hour delay at the DIY store has knocked the lads' schedule. | 0:24:21 | 0:24:26 | |
Right, we've already decided that it's pointless fucking starting today. | 0:24:26 | 0:24:30 | |
-No, we can still start it today. -It is pointless starting today because it just is. | 0:24:30 | 0:24:34 | |
I want to get it done. | 0:24:34 | 0:24:36 | |
It was getting late, it was pretty cold, there was no way we were going to finish it that night. | 0:24:36 | 0:24:40 | |
I don't think it's smart to start it today. I just don't think it's worth doing. | 0:24:40 | 0:24:43 | |
What's the harm in trying? | 0:24:43 | 0:24:44 | |
If it's not finished, it's not finished | 0:24:44 | 0:24:46 | |
but we're not doing anything all day. | 0:24:46 | 0:24:49 | |
I just wanted my nana to be able to come out as soon as, and the fact | 0:24:49 | 0:24:52 | |
that he was like, "Nah, fuck that, I'm not working till late," | 0:24:52 | 0:24:55 | |
I thought that was very fucking selfish of him, do you know what I mean? | 0:24:55 | 0:24:58 | |
In respect of like what I think, I want my nana | 0:24:58 | 0:25:01 | |
out of the house as soon as I can, so I don't want to leave it like... | 0:25:01 | 0:25:04 | |
-It's fucking pointless waiting... -Yeah, but it will get done... | 0:25:04 | 0:25:07 | |
-Doing it to wait for the sake of another day. -It can get done, it will get done. | 0:25:07 | 0:25:10 | |
Kind of like a married couple, I guess. | 0:25:10 | 0:25:12 | |
I'm not fucking about, doing it at night. | 0:25:12 | 0:25:14 | |
Well, fuck you then, mate, I'm doing it. | 0:25:14 | 0:25:15 | |
-Cos there's just no point. -I don't give a fuck, mate. | 0:25:15 | 0:25:18 | |
You're supposed to be fucking helping me out. | 0:25:18 | 0:25:20 | |
Aaron's definitely the bitch. | 0:25:20 | 0:25:21 | |
See what I've got to put up with. | 0:25:21 | 0:25:23 | |
It'll get done tonight, whether I've got to do it by myself or not. | 0:25:25 | 0:25:31 | |
I'm the daddy, I wear the trousers and he's my bitch. | 0:25:31 | 0:25:35 | |
Well, if possible, I'm going to try and stay as late as I can tonight. | 0:25:35 | 0:25:39 | |
The Wakefields believe their house is haunted by a poltergeist called Malcolm. | 0:25:45 | 0:25:49 | |
And Amber is getting into the spirit of things | 0:25:51 | 0:25:54 | |
by transforming Karen into one of the undead. | 0:25:54 | 0:25:57 | |
Going for a zombie look with a shot-in-the-head bullet wound. | 0:25:57 | 0:26:01 | |
This summer, Amber won a place at drama school down south. | 0:26:04 | 0:26:08 | |
Go on, have a sniff first. There you go. | 0:26:08 | 0:26:10 | |
My good girl. | 0:26:10 | 0:26:12 | |
But leaving home was a step she didn't feel quite ready to take. | 0:26:12 | 0:26:16 | |
My mum's really happy I didn't go to London cos, I mean, | 0:26:16 | 0:26:20 | |
we're like best friends. | 0:26:20 | 0:26:22 | |
I couldn't imagine my life without my mum | 0:26:22 | 0:26:24 | |
and I think it's the same, she couldn't imagine me not being here. | 0:26:24 | 0:26:28 | |
Right, let's try and put some of this on ya. | 0:26:28 | 0:26:30 | |
It's horrible, this stuff. | 0:26:30 | 0:26:32 | |
Amber has deferred her uni entry but is taking advantage of her | 0:26:32 | 0:26:35 | |
year out to study stage make-up at the local college. | 0:26:35 | 0:26:39 | |
I'm practising on me mum cos it's sort of part of the course. | 0:26:39 | 0:26:42 | |
Is that going to be red? | 0:26:42 | 0:26:43 | |
What colour do you think it's going to be, if you're shot in the head?! | 0:26:43 | 0:26:47 | |
It's good that you've got some kind of career, ain't it? | 0:26:47 | 0:26:49 | |
What can you see yourself doing in, say, when you're 25? | 0:26:49 | 0:26:53 | |
-Not running the laundrette, that's for sure. -Oh, obviously. | 0:26:53 | 0:26:56 | |
That's why my kids are never ever going to do what I did in life. | 0:26:56 | 0:27:01 | |
A bloody laundrette! | 0:27:02 | 0:27:03 | |
So I always drummed it into Amber's head - do well, | 0:27:03 | 0:27:06 | |
do well at school, don't be like me. | 0:27:06 | 0:27:08 | |
Can you see yourself being like Dot Cotton of Moston?! | 0:27:08 | 0:27:11 | |
Can you really see Amber working in a laundrette? Never. | 0:27:11 | 0:27:14 | |
I want me kids to have ambition. | 0:27:14 | 0:27:16 | |
I want them to become really successful. | 0:27:16 | 0:27:18 | |
The world's your oyster, you can do anything you want | 0:27:19 | 0:27:22 | |
if you've got a good job. | 0:27:22 | 0:27:24 | |
Travel. Nice house. Nice car. | 0:27:24 | 0:27:29 | |
No worries about where the next bill's coming from. | 0:27:29 | 0:27:33 | |
I don't think my mum is content with this life. | 0:27:33 | 0:27:36 | |
I think she's just used to just owning the laundrette now. | 0:27:36 | 0:27:39 | |
She think that's what it's going to be forever. | 0:27:39 | 0:27:41 | |
Everybody says money's not important but it flipping is, ain't it? | 0:27:41 | 0:27:44 | |
-Yeah. -Wouldn't say it makes you happy. | 0:27:44 | 0:27:47 | |
No, but why do you think I go to college and stuff? To earn money. | 0:27:47 | 0:27:50 | |
All the world's just about living, it's about money. | 0:27:50 | 0:27:52 | |
-Yeah, of course it is. -Everything's about money. -Everything. | 0:27:52 | 0:27:56 | |
-Have you done me bullet hole? -Yeah. | 0:27:56 | 0:27:58 | |
Does it look good? | 0:27:58 | 0:28:00 | |
Malcolm, knock if you think I look sexy and nice for you. | 0:28:00 | 0:28:04 | |
You're up it, you. | 0:28:04 | 0:28:05 | |
Think Malcolm'd like me now? | 0:28:05 | 0:28:08 | |
Mum, just cos he's dead doesn't mean he's going to date a zombie. | 0:28:08 | 0:28:12 | |
Up the road, Mikee and Aaron | 0:28:20 | 0:28:22 | |
are working into the night to get Nana's ramp built. | 0:28:22 | 0:28:25 | |
It's 7:35 and we're, er, probably going to be | 0:28:29 | 0:28:32 | |
here for about another fucking 12 hours, if Aaron gets his own way. | 0:28:32 | 0:28:37 | |
Aaron's wheelchair-bound nana has been | 0:28:37 | 0:28:39 | |
trapped in the house for the last month, and the ramp will | 0:28:39 | 0:28:41 | |
allow her to get out and enjoy her local community once more. | 0:28:41 | 0:28:45 | |
We're not just going to sort of leave her. | 0:28:45 | 0:28:48 | |
I've not been able to get out for almost a month now. | 0:28:48 | 0:28:52 | |
I've lived in this area for 40 years and, gosh, | 0:28:52 | 0:28:55 | |
I don't half miss just looking over the park. | 0:28:55 | 0:28:59 | |
She does mean a lot to me | 0:28:59 | 0:29:01 | |
because she's pretty much brought me up from about 12 years old. | 0:29:01 | 0:29:05 | |
But it don't feel like a chore or anything like that, | 0:29:05 | 0:29:07 | |
I mean, I'm doing it because I want to, not cos I have to. | 0:29:07 | 0:29:10 | |
'We all love Aaron's nana. | 0:29:10 | 0:29:12 | |
'It was a bit weird, to be honest, because back in the day' | 0:29:12 | 0:29:14 | |
she used to really hate me and I think I was just like the loud | 0:29:14 | 0:29:18 | |
knobhead, the irritating kid who just never fucked off but I think | 0:29:18 | 0:29:22 | |
she kind of always knew like I had a good heart deep down, somewhere. | 0:29:22 | 0:29:26 | |
We all know how much this has meant to you, Nana. | 0:29:26 | 0:29:30 | |
Oh, yeah. But this is going to change things again, ain't it? | 0:29:30 | 0:29:34 | |
-For the better. -Cheers to the better. | 0:29:34 | 0:29:38 | |
Cheers to the better. Yeah. | 0:29:38 | 0:29:41 | |
18 hours since work on the ramp began, | 0:29:42 | 0:29:45 | |
Nana prepares for her maiden voyage. | 0:29:45 | 0:29:47 | |
Your go, Nan. | 0:29:47 | 0:29:49 | |
-Do you want me to push ya or do you want to do it yourself? -I'll do it myself. -OK. | 0:29:51 | 0:29:55 | |
Whee! | 0:29:55 | 0:29:56 | |
-You won't see her now for days. -Yeah, I know. | 0:29:56 | 0:29:59 | |
Whee! | 0:29:59 | 0:30:00 | |
Just the look on her face when she came out for the first time, | 0:30:00 | 0:30:03 | |
after god knows how many months, was like... | 0:30:03 | 0:30:06 | |
That pays for itself, so. | 0:30:06 | 0:30:08 | |
-Yeah, I'm well happy. -Let go, let go, I'm doing a 360. | 0:30:09 | 0:30:13 | |
I'm overwhelmed, absolutely overwhelmed. | 0:30:16 | 0:30:19 | |
Words fail me, to be honest. | 0:30:23 | 0:30:26 | |
Come on. | 0:30:26 | 0:30:27 | |
Me nana's reaction was far better than getting paid, like the... | 0:30:29 | 0:30:33 | |
You can't put a price on that. | 0:30:33 | 0:30:35 | |
Just to see her sort of get out and smile, | 0:30:35 | 0:30:37 | |
have a little bit of a cry, it was like... it was mint. | 0:30:37 | 0:30:40 | |
I am so grateful to the boys. | 0:30:43 | 0:30:44 | |
Young lads giving up this time, trying their best to try | 0:30:46 | 0:30:50 | |
and get a little business going themselves, | 0:30:50 | 0:30:53 | |
but giving up time to do this for me. | 0:30:53 | 0:30:56 | |
In the centre of Harpurhey, Kelsea is preparing for a special party. | 0:31:13 | 0:31:18 | |
Mum's birthday. | 0:31:18 | 0:31:19 | |
SHE MOUTHS SILENTLY | 0:31:22 | 0:31:24 | |
Happy Birthday! | 0:31:24 | 0:31:25 | |
We're making jerk chicken for my mum's and Jaki's party, | 0:31:28 | 0:31:32 | |
so we have to wash it, so it's not all manky. | 0:31:32 | 0:31:34 | |
Ew, I don't like it. | 0:31:34 | 0:31:38 | |
Kelsea lives with her mum, Tracy, and half sisters, | 0:31:38 | 0:31:41 | |
Tameka and NayNay. | 0:31:41 | 0:31:45 | |
Me and my two sisters got two different dads. | 0:31:45 | 0:31:49 | |
I've got a white dad, they've got a coloured dad. | 0:31:49 | 0:31:51 | |
Hi, NayNay, you sitting down? | 0:31:51 | 0:31:54 | |
I've just been brought up like that, it's normal for me | 0:31:54 | 0:31:57 | |
to have two mixed race sisters and a brown dad. | 0:31:57 | 0:32:00 | |
I've got used to having my stepdad as a dad, | 0:32:00 | 0:32:03 | |
so it's just pretty normal. | 0:32:03 | 0:32:05 | |
Ew! Ew! | 0:32:05 | 0:32:08 | |
Get your thumb right deep inside. | 0:32:08 | 0:32:10 | |
Ew, what's that? | 0:32:12 | 0:32:13 | |
That's the heart. | 0:32:13 | 0:32:15 | |
Oh, no, is it? Oh no! | 0:32:15 | 0:32:19 | |
Jazmine and Kelsea's mums' birthdays are separated by a day, | 0:32:19 | 0:32:22 | |
and for the last three years, they've held a joint party. | 0:32:22 | 0:32:27 | |
That's my Jerk Chicken. | 0:32:27 | 0:32:29 | |
Me and Tracy, we're not your kind of sausage roll | 0:32:29 | 0:32:32 | |
and cucumber sandwich party girls anyway. | 0:32:32 | 0:32:35 | |
Celebrating both women's love of afro-Caribbean food, music and men. | 0:32:36 | 0:32:42 | |
I like my West Indian man and that's how it is. | 0:32:42 | 0:32:47 | |
Black don't crack. | 0:32:47 | 0:32:49 | |
I blame Bob Marley. I do, I blame Bob Marley. | 0:32:51 | 0:32:55 | |
One, two, three, four... | 0:32:57 | 0:32:59 | |
If we have a party, we have a dance off, that is simple as. | 0:32:59 | 0:33:04 | |
It's just a thing that we do. | 0:33:05 | 0:33:07 | |
We just know how to party. | 0:33:09 | 0:33:10 | |
Once it's going off, it's going off. | 0:33:17 | 0:33:19 | |
Jazmine gets all her moves from her mum. | 0:33:21 | 0:33:24 | |
I've got moves! | 0:33:24 | 0:33:26 | |
I did have. Now I need a bit of WD40. | 0:33:28 | 0:33:31 | |
I don't understand what it is that's at stake, | 0:33:36 | 0:33:38 | |
cos it's like, I'm going to do this and I'm going to do that | 0:33:38 | 0:33:40 | |
and you do this and I'll do that. | 0:33:40 | 0:33:42 | |
I don't understand what's at stake, | 0:33:42 | 0:33:44 | |
cos they're not winning any prizes for it. | 0:33:44 | 0:33:46 | |
Whoever said white girls can't dance, I'm sorry, | 0:33:51 | 0:33:55 | |
but you've got to come to one of mine and Jazmine's dance offs | 0:33:55 | 0:33:57 | |
and watch that white girls can dance. | 0:33:57 | 0:34:00 | |
Because Jazmine's family is leaving the area, | 0:34:05 | 0:34:08 | |
this could be the girls' last party together in Harpurhey. | 0:34:08 | 0:34:11 | |
I feel really angry about it, cos we've got to move | 0:34:13 | 0:34:16 | |
because of like you know, idiots. | 0:34:16 | 0:34:18 | |
This is my home, like, I should be able to stay here. | 0:34:21 | 0:34:25 | |
It's like it's my neighbourhood, this is like, you know, everything | 0:34:25 | 0:34:29 | |
that I have right now, is like based in that house and in the area. | 0:34:29 | 0:34:32 | |
There's just one week to go until Javeno's big fitness event | 0:34:46 | 0:34:50 | |
and he's hoping to drum up support at his pensioners' exercise class. | 0:34:50 | 0:34:54 | |
My favourite class. | 0:34:54 | 0:34:55 | |
Time for a workout, guys, real workout today. | 0:34:57 | 0:35:01 | |
Lovely. | 0:35:02 | 0:35:03 | |
I've got to take it easy, | 0:35:03 | 0:35:05 | |
cos I've just had a heart bypass. | 0:35:05 | 0:35:08 | |
Most of Javeno's clients may be over 60, | 0:35:08 | 0:35:10 | |
but that doesn't mean he'll go easy on them. | 0:35:10 | 0:35:12 | |
It's supposed to hurt, it's not supposed to feel good. | 0:35:12 | 0:35:15 | |
Skivers, that's what you are. | 0:35:15 | 0:35:16 | |
At Christmas time, it's like Ibiza, | 0:35:16 | 0:35:18 | |
in here it's like Ibiza, they're all in here dancing, boogying. | 0:35:18 | 0:35:22 | |
Five, four, three, two... | 0:35:25 | 0:35:29 | |
WHISTLE BLOWS | 0:35:29 | 0:35:30 | |
-We've lost weight. -We've lost half a stone. | 0:35:30 | 0:35:32 | |
Cos we do what we're told. | 0:35:32 | 0:35:35 | |
They've been very well behaved. | 0:35:35 | 0:35:36 | |
There's been no penis jokes or nothing, there's been no... | 0:35:36 | 0:35:39 | |
-They've been good. -We enjoy it though, don't we? | 0:35:39 | 0:35:42 | |
Oh, we do enjoy it. It's great and he's great, Jay, isn't he? | 0:35:42 | 0:35:44 | |
-He's fabulous. -Yeah. -Thank you. | 0:35:44 | 0:35:47 | |
The centrepiece of Javeno's fitness day, | 0:35:47 | 0:35:49 | |
will be a mass workout at a local park. | 0:35:49 | 0:35:51 | |
The exercise guru has come to a mate's studio to record | 0:35:51 | 0:35:54 | |
some motivational music for the event. | 0:35:54 | 0:35:58 | |
The Beatles have recorded here. | 0:35:58 | 0:36:00 | |
Lady Gaga, she comes in here every day, as well. | 0:36:00 | 0:36:02 | |
Yeah, mate, yeah. | 0:36:06 | 0:36:08 | |
I want this song to basically represent people that don't | 0:36:08 | 0:36:11 | |
think they can, to get 'em to stretch that mentality | 0:36:11 | 0:36:14 | |
and start thinking that they can. | 0:36:14 | 0:36:16 | |
You need that something that's just going to ugh, argh! Argh! | 0:36:16 | 0:36:21 | |
I want to go to the gym right now! | 0:36:21 | 0:36:23 | |
-That's what I mean, I need something like that. -Get on the treadmill. | 0:36:23 | 0:36:26 | |
RAPS: # Feel I could beat any man Doing 12 on the clock | 0:36:26 | 0:36:28 | |
# Tick tock, and you see that line Go harder... # | 0:36:28 | 0:36:30 | |
-RAPS: -# Time to go hard | 0:36:30 | 0:36:32 | |
# Push your body to the limit Get into it | 0:36:32 | 0:36:33 | |
# Be harsh To the system | 0:36:33 | 0:36:35 | |
# Push, breath Push, breath | 0:36:35 | 0:36:38 | |
# Clench up your whole body Let it sweat then release. # | 0:36:38 | 0:36:42 | |
A mile down the road at the market, | 0:36:42 | 0:36:44 | |
Doreen, from the oldies fitness class, | 0:36:44 | 0:36:46 | |
is on a mission to promote Javeno's event. | 0:36:46 | 0:36:50 | |
Hiya. | 0:36:50 | 0:36:51 | |
He is the instructor. | 0:36:51 | 0:36:53 | |
-You're not into it, no? -I'm too old now. | 0:36:55 | 0:36:58 | |
Javeno. | 0:36:58 | 0:37:00 | |
I'd like to go to it, but I can't. | 0:37:00 | 0:37:03 | |
Well I go to two of his classes. | 0:37:03 | 0:37:06 | |
You've got to start somewhere, even if you've not done anything | 0:37:06 | 0:37:09 | |
for a while. | 0:37:09 | 0:37:11 | |
Don't take your body for granted. | 0:37:11 | 0:37:12 | |
A lot of my clients, a lot of people that say, | 0:37:12 | 0:37:14 | |
"I'll start my diet on Monday, I'm going to start training on Monday, | 0:37:14 | 0:37:17 | |
"Thursday today, why not start on Friday?" | 0:37:17 | 0:37:20 | |
Get tired running up the stairs. | 0:37:20 | 0:37:22 | |
-RAPS: -# Breathe, we're back again Burpees, lunges, packs again | 0:37:22 | 0:37:25 | |
# Compete with yourself as one again | 0:37:25 | 0:37:26 | |
# Putting health and fit on the map again | 0:37:26 | 0:37:28 | |
# Believe in yourself You're a champion | 0:37:28 | 0:37:30 | |
# No negative force Don't answer them | 0:37:30 | 0:37:31 | |
# If you think that you can't Just hold it in | 0:37:31 | 0:37:32 | |
# You're the shining star You're supposed to win. # | 0:37:32 | 0:37:34 | |
HE SINGS WORDLESSLY | 0:37:34 | 0:37:36 | |
I'm happy with it. | 0:37:41 | 0:37:42 | |
I found myself a beat, it makes people do this. | 0:37:42 | 0:37:47 | |
So, hopefully, this time next week, we'll be jamming. | 0:37:47 | 0:37:50 | |
At the Wishy Washy laundrette, | 0:37:53 | 0:37:55 | |
the Wakefields are taking refuge from their haunted house, | 0:37:55 | 0:38:00 | |
with entertainment from local character, Margaret. | 0:38:00 | 0:38:03 | |
# Those blue suede shoes | 0:38:03 | 0:38:06 | |
# Oh, you can do anything But lay off those blue suede shoes | 0:38:06 | 0:38:10 | |
# Blue, blue, blue suede shoes! Ooh! # | 0:38:10 | 0:38:13 | |
Most funniest thing, ever! | 0:38:13 | 0:38:16 | |
All sent to try us, so they say, don't they? | 0:38:16 | 0:38:19 | |
Absolutely amazing, Margaret. | 0:38:19 | 0:38:21 | |
Yeah. | 0:38:21 | 0:38:22 | |
Karen takes the opportunity to canvas opinion on the ghostly | 0:38:22 | 0:38:25 | |
goings on at her house. | 0:38:25 | 0:38:27 | |
Did you believe in like these ghostly things? | 0:38:27 | 0:38:29 | |
Well, me mother died | 0:38:29 | 0:38:32 | |
and when she was dead, I'd seen her at the bottom of me bed. | 0:38:32 | 0:38:36 | |
What did she look like? How's she did in...? | 0:38:36 | 0:38:38 | |
She just sat at the bottom of the, the bed, as if she wasn't dead. | 0:38:38 | 0:38:42 | |
Was she wearing the same clothes, or...? | 0:38:42 | 0:38:44 | |
She was just sat there. | 0:38:44 | 0:38:46 | |
And was she looking at ya? | 0:38:46 | 0:38:47 | |
She was, you know, breathing a bit heavy like, you know what I mean? | 0:38:47 | 0:38:51 | |
Was you scared or...? | 0:38:51 | 0:38:53 | |
-Not really, no. -No? -No. | 0:38:53 | 0:38:55 | |
There must be some... something then, when you die. | 0:38:55 | 0:38:58 | |
-Yeah. -Got to be something, ain't there? -Yeah. | 0:38:58 | 0:39:01 | |
That's me done. | 0:39:01 | 0:39:03 | |
-Have a nice day. -See ya, love. | 0:39:03 | 0:39:05 | |
Your family who you're with now, you're connected with them | 0:39:09 | 0:39:12 | |
for eternity, even if you come down again, | 0:39:12 | 0:39:15 | |
you know like if you come down as another life, you're always... | 0:39:15 | 0:39:18 | |
Excuse me, you're always connected with the people | 0:39:18 | 0:39:21 | |
you're connected with now, so me and my dear family, | 0:39:21 | 0:39:24 | |
in our next life, if there's such a thing, | 0:39:24 | 0:39:26 | |
will be connected again in our next life. | 0:39:26 | 0:39:29 | |
It's nice to know that you're not just...you've not just died | 0:39:29 | 0:39:32 | |
and you're just then forgotten about... | 0:39:32 | 0:39:34 | |
You've just, you're just not there anymore, | 0:39:34 | 0:39:36 | |
it's nice to believe that, I don't know, that you do meet up | 0:39:36 | 0:39:39 | |
with your family when you, when you've gone and stuff like that. | 0:39:39 | 0:39:43 | |
I've always said to my mum, I said, | 0:39:43 | 0:39:45 | |
"When you die, would you be able to come down and see me | 0:39:45 | 0:39:48 | |
"and sit at my bed at night?" | 0:39:48 | 0:39:50 | |
Like my mum, for instance, like, she obviously wouldn't | 0:39:50 | 0:39:53 | |
come down with a gun and shoot me or anything, | 0:39:53 | 0:39:56 | |
cos like that'd just be sick, like it would just be really mad. | 0:39:56 | 0:40:00 | |
She would obviously come down to see how I am, to care about me | 0:40:00 | 0:40:03 | |
and like, to give me hugs and say, "Hi." | 0:40:03 | 0:40:07 | |
Karen has a personal reason for a belief in the afterlife. | 0:40:09 | 0:40:13 | |
I think everybody's got to believe in something, | 0:40:16 | 0:40:19 | |
like, cos I've lost children, um, two, like, miscarriage and one | 0:40:19 | 0:40:24 | |
that I had to have terminated, which was, oh, it was horrible, | 0:40:24 | 0:40:28 | |
because it was killing me, | 0:40:28 | 0:40:30 | |
being, being pregnant was actually killing me | 0:40:30 | 0:40:33 | |
and they said if you carry on with the pregnancy, you're going to die. | 0:40:33 | 0:40:37 | |
That was one of the worst things that ever happened to me really, | 0:40:37 | 0:40:40 | |
because it was a decision, either I go on with the pregnancy and die, | 0:40:40 | 0:40:46 | |
and then leave Madison and Amber. | 0:40:46 | 0:40:48 | |
So that was like a proper goodbye that I had to say, um, | 0:40:51 | 0:40:54 | |
to this child. | 0:40:54 | 0:40:56 | |
I like to believe that there is something there, | 0:40:58 | 0:41:01 | |
just so I could probably see the kids again | 0:41:01 | 0:41:05 | |
in...do you know, in another life. | 0:41:05 | 0:41:08 | |
Work has totally dried up for aspiring painter-decorators | 0:41:23 | 0:41:26 | |
Aaron and Mikee. | 0:41:26 | 0:41:28 | |
It's been nearly two months since they last had a job, | 0:41:28 | 0:41:31 | |
and Aaron is feeling the strain. | 0:41:31 | 0:41:33 | |
Even when we started, we've never been this dry. | 0:41:36 | 0:41:40 | |
But we've not had any proper work in a good while. | 0:41:40 | 0:41:44 | |
We've just had little... little bits and bobs. | 0:41:44 | 0:41:46 | |
Aaron has taken to advertising the business on Facebook, | 0:41:46 | 0:41:50 | |
but with little success. | 0:41:50 | 0:41:52 | |
I had a couple of messages the other day, | 0:41:53 | 0:41:55 | |
for some wallpapering. | 0:41:55 | 0:41:56 | |
We said 100 quid, just to sort of make sure we definitely get it. | 0:41:56 | 0:42:00 | |
She didn't say nothing. | 0:42:00 | 0:42:01 | |
Still not heard from her, that was like probably about a week ago. | 0:42:01 | 0:42:04 | |
It's not really great being skint, to be honest. | 0:42:04 | 0:42:07 | |
You're a lot more aware of money that's going out, | 0:42:07 | 0:42:10 | |
as opposed to money that's coming in. | 0:42:10 | 0:42:12 | |
Like, I'm pretty much done. | 0:42:14 | 0:42:16 | |
I've got probably just enough money left | 0:42:16 | 0:42:19 | |
for maybe another week or two, | 0:42:19 | 0:42:22 | |
and then after that I don't... I don't really know. | 0:42:22 | 0:42:25 | |
It makes you feel a bit of a failure, I guess. | 0:42:25 | 0:42:28 | |
It's pretty shitty when you're on your arse, | 0:42:28 | 0:42:30 | |
like I feel like I couldn't afford any food, | 0:42:30 | 0:42:33 | |
even for the house on, like... I couldn't afford to even go out | 0:42:33 | 0:42:36 | |
and just to get out for a little bit. | 0:42:36 | 0:42:38 | |
I don't want to go back to just being in a dead-end job | 0:42:38 | 0:42:41 | |
and having to work your way up and just people telling you what to do. | 0:42:41 | 0:42:44 | |
Like, I've done it, and I know I'm only like 20 | 0:42:44 | 0:42:47 | |
and people do that all their lives | 0:42:47 | 0:42:48 | |
and it's not as bad as what I'm making out, | 0:42:48 | 0:42:50 | |
but we've got to sort it out ourselves. | 0:42:50 | 0:42:53 | |
And it will get sorted, just don't know when. | 0:42:53 | 0:42:56 | |
It's the day of Javeno's fitness event and he's woken up | 0:42:58 | 0:43:01 | |
inspired to improve the health and happiness of the area. | 0:43:01 | 0:43:05 | |
Exercise makes you feel good, it makes you feel happy | 0:43:05 | 0:43:07 | |
and if you feel happy you'll treat people good. | 0:43:07 | 0:43:10 | |
I'm not always happy. | 0:43:10 | 0:43:11 | |
I'm telling a lie, I kind of am. | 0:43:12 | 0:43:14 | |
Sometimes see miserable people with faces on them. | 0:43:14 | 0:43:16 | |
I just want to go and just scrunch up their faces | 0:43:16 | 0:43:20 | |
and physically make them smile cos fricking life ain't that bad. | 0:43:20 | 0:43:23 | |
Workout season, baby! | 0:43:24 | 0:43:26 | |
Time to go work out. | 0:43:27 | 0:43:29 | |
Presente miento. | 0:43:29 | 0:43:31 | |
That's Portuguese, that. | 0:43:31 | 0:43:33 | |
What does it mean? | 0:43:34 | 0:43:35 | |
Don't know, I just made it up. | 0:43:35 | 0:43:37 | |
Javeno's fitness day is designed to get locals exercising, | 0:43:37 | 0:43:40 | |
whatever their age or ability. | 0:43:40 | 0:43:42 | |
He hopes it can trigger an improvement in the physical | 0:43:42 | 0:43:45 | |
and psychological health of the community. | 0:43:45 | 0:43:47 | |
I think the community is very lost. | 0:43:47 | 0:43:50 | |
How many times I see people around here | 0:43:50 | 0:43:52 | |
who can't even pick up their kids. | 0:43:52 | 0:43:54 | |
They can't do anything apart from sit down and drink lager, | 0:43:54 | 0:43:58 | |
and do this and do that and eat this and eat that, | 0:43:58 | 0:44:00 | |
and moaning about "Oh, I've got this, I've got diabetes, | 0:44:00 | 0:44:03 | |
"got high blood pressure, I'm obese, I'm this, I'm that." | 0:44:03 | 0:44:06 | |
If you're going to whinge about something, be proactive, | 0:44:06 | 0:44:08 | |
get up off your arse and go and do something | 0:44:08 | 0:44:10 | |
to help sort that problem out. | 0:44:10 | 0:44:12 | |
They're my lot coming over here now. Carole, you're late. | 0:44:14 | 0:44:17 | |
Ali. | 0:44:17 | 0:44:18 | |
Frigging hell! | 0:44:18 | 0:44:20 | |
The fitness day is free and is taking place in a local park. | 0:44:20 | 0:44:23 | |
The weather has stayed dry | 0:44:23 | 0:44:24 | |
and nearly 50 locals have turned up, aged from eight to 87. | 0:44:24 | 0:44:29 | |
You got one more walk to do, yeah? | 0:44:29 | 0:44:30 | |
30 seconds. 30 sec. | 0:44:30 | 0:44:33 | |
Two, one. It's a lovely day for it though, ain't it? | 0:44:34 | 0:44:37 | |
Keep walking, guys. As you're walking, | 0:44:39 | 0:44:41 | |
just press your arms forward for me. | 0:44:41 | 0:44:42 | |
Nice and straight. Yeah, perfect. | 0:44:42 | 0:44:45 | |
# Hey, hey Nothing's going to get in my way | 0:44:46 | 0:44:50 | |
# Feels like I been here waiting all day... # | 0:44:50 | 0:44:52 | |
RECORDING: # Now it's my time, tell me what you gon' say? # | 0:44:52 | 0:44:56 | |
One minute. | 0:44:56 | 0:44:57 | |
Get your booty up there. | 0:44:58 | 0:45:00 | |
Just spreading the message that you don't need equipment, | 0:45:00 | 0:45:03 | |
you don't need to be in a gym, | 0:45:03 | 0:45:05 | |
you don't need to be anywhere special, you can do it anywhere | 0:45:05 | 0:45:08 | |
and don't take your health and fitness for granted. | 0:45:08 | 0:45:11 | |
We'll live to be 100 at this rate. | 0:45:11 | 0:45:14 | |
'There's no better feeling than seeing somebody develop | 0:45:14 | 0:45:18 | |
'and grow and become healthier.' | 0:45:18 | 0:45:20 | |
It's the best thing in the world to me, and whether you're, | 0:45:20 | 0:45:22 | |
you're 85 or whether you're 17, 18, 19, 20, | 0:45:22 | 0:45:25 | |
if I can help you in some way achieve some kind of better health. | 0:45:25 | 0:45:29 | |
OK, squat hold. Squat hold, OK. | 0:45:29 | 0:45:31 | |
'It's the best job in the world to me.' | 0:45:31 | 0:45:33 | |
And I'm in the job because I like getting them results | 0:45:33 | 0:45:36 | |
and I can't explain it, like, there's no better feeling. | 0:45:36 | 0:45:39 | |
Good. Three, two, one. | 0:45:39 | 0:45:41 | |
Give yourselves a clap, guys. Well done. Well done, guys. | 0:45:41 | 0:45:44 | |
Well done, darling, thank you for that. You're welcome. | 0:45:44 | 0:45:47 | |
On the other side of Manchester, Jazmine and her family are visiting | 0:45:57 | 0:46:00 | |
the housing co-op they'll be moving to, | 0:46:00 | 0:46:02 | |
and they've taken Kelsea along. | 0:46:02 | 0:46:05 | |
And that's the children area. | 0:46:05 | 0:46:07 | |
They are first on the waiting list for a house, | 0:46:08 | 0:46:10 | |
which means they could be moving at any time. | 0:46:10 | 0:46:13 | |
I'm looking forward to a new start. It's going to be good. | 0:46:15 | 0:46:19 | |
Because it's a co-operative, everybody knows each other, | 0:46:19 | 0:46:22 | |
so we know our neighbours. | 0:46:22 | 0:46:23 | |
We didn't want to be a gated community... | 0:46:23 | 0:46:26 | |
Mm-hm. | 0:46:26 | 0:46:27 | |
But we have got gates. | 0:46:27 | 0:46:29 | |
It just feels a much nicer environment to bring up the girls. | 0:46:29 | 0:46:33 | |
Eat...eat one first. | 0:46:33 | 0:46:34 | |
Keen as, I can't wait, I cannot wait, | 0:46:34 | 0:46:38 | |
when I think about the changes that it should bring to our lives. | 0:46:38 | 0:46:41 | |
But the move does mean that | 0:46:42 | 0:46:44 | |
Jazmine and Kelsea will no longer be neighbours. | 0:46:44 | 0:46:47 | |
Jazzy-shay, Kelco, no more. Sad times. | 0:46:47 | 0:46:52 | |
I am quite sad she's leaving and I'm angry for the reasons why. | 0:46:52 | 0:46:57 | |
Titanic, are you ready for this? | 0:46:57 | 0:46:58 | |
Like I said, it is a boat, so we've gotta do Titanic. | 0:46:58 | 0:47:00 | |
-Come on. -Are you ready, Jazmine? | 0:47:00 | 0:47:02 | |
-Yeah. -Ready? | 0:47:02 | 0:47:03 | |
Ohhhh! | 0:47:03 | 0:47:06 | |
This is not the end of Jazzy-shay and Kelco. | 0:47:06 | 0:47:08 | |
# Men in black | 0:47:08 | 0:47:09 | |
# Men in black... # | 0:47:09 | 0:47:11 | |
Me and Kelsea are like just, we're just too strong. | 0:47:11 | 0:47:15 | |
We're never going to part. | 0:47:15 | 0:47:16 | |
# Here come the men in black | 0:47:16 | 0:47:18 | |
# Men in black | 0:47:18 | 0:47:20 | |
# They won't let you remember | 0:47:20 | 0:47:22 | |
# Men in black... # | 0:47:22 | 0:47:24 | |
THEY LAUGH | 0:47:24 | 0:47:25 | |
We're just tight. | 0:47:25 | 0:47:27 | |
It's Saturday night, and all over the area, | 0:47:31 | 0:47:34 | |
people are getting ready for a big night out, | 0:47:34 | 0:47:36 | |
but the Wakefield family are planning a night in... | 0:47:36 | 0:47:39 | |
Dogs are acting really weird tonight. | 0:47:39 | 0:47:41 | |
..with their mischievous houseguest, Malcolm the poltergeist. | 0:47:41 | 0:47:44 | |
Where's Malcolm? | 0:47:44 | 0:47:46 | |
This is just so typical of my family, | 0:47:46 | 0:47:48 | |
just to do a ghost hunt, | 0:47:48 | 0:47:50 | |
because other families sit and watch TV, | 0:47:50 | 0:47:53 | |
get settled down for the night, and we're doing a ghost hunt. | 0:47:53 | 0:47:56 | |
It's not normal. | 0:47:56 | 0:47:58 | |
Ghostbusters Bob and Pete are back, | 0:47:58 | 0:48:00 | |
hoping to reason with Malcolm and put an end to the years of taunts | 0:48:00 | 0:48:04 | |
the Wakefields claim to have endured. | 0:48:04 | 0:48:06 | |
# I put a spell on you... # | 0:48:06 | 0:48:09 | |
Get in, dog! | 0:48:09 | 0:48:10 | |
For these paranormal investigators, | 0:48:10 | 0:48:12 | |
it's another chance to settle scores with their most stubborn spook. | 0:48:12 | 0:48:16 | |
He's like a curmudgeon. | 0:48:16 | 0:48:18 | |
He's like an old grump, you know, ain't he? | 0:48:18 | 0:48:20 | |
Really. That's... | 0:48:20 | 0:48:22 | |
He did try, er, killing Paul once, didn't he? | 0:48:22 | 0:48:25 | |
Yeah. Yeah. | 0:48:25 | 0:48:26 | |
The loft hatch, he was underneath it. | 0:48:26 | 0:48:29 | |
Paul said it was locked, we've only got to take his word for it, | 0:48:29 | 0:48:32 | |
but it come down and smacked him on the head. | 0:48:32 | 0:48:34 | |
Malcolm, he's a wanker. | 0:48:34 | 0:48:36 | |
He tries his best to wind me up, but he can't, no. | 0:48:36 | 0:48:38 | |
I think I get to him more than he gets to me. | 0:48:38 | 0:48:40 | |
He don't worry me none, it's Kaz. | 0:48:40 | 0:48:42 | |
He likes the way she reacts to him, you know. | 0:48:42 | 0:48:45 | |
He loves fucking about with her head so much. | 0:48:45 | 0:48:48 | |
Bob and Pete will use cutting edge technology, | 0:48:49 | 0:48:51 | |
as well as the traditional Ouija board, | 0:48:51 | 0:48:53 | |
to try to contact the other side, | 0:48:53 | 0:48:55 | |
and their strict code of practice rules out Maddy's participation. | 0:48:55 | 0:48:59 | |
As far as your involvement with the Ouija board, there's none, OK? | 0:49:00 | 0:49:03 | |
You're too young, they said it's dangerous for you. | 0:49:03 | 0:49:05 | |
-You're way, way, way too young. -He could latch on to you. | 0:49:05 | 0:49:08 | |
Cos you forget, don't you, that if he gets somebody, | 0:49:08 | 0:49:10 | |
poltergeists and that latch onto people at puberty, | 0:49:10 | 0:49:13 | |
and she's just started high school, you see, | 0:49:13 | 0:49:16 | |
so she's at that puberty age. Like me. | 0:49:16 | 0:49:18 | |
With the equipment set up, | 0:49:18 | 0:49:19 | |
the family wait to see if their feud with Malcolm | 0:49:19 | 0:49:22 | |
can finally be settled tonight. | 0:49:22 | 0:49:24 | |
Just down the road, Aaron's celebrating his 21st birthday | 0:49:27 | 0:49:31 | |
and the lads are gathering for a few pre-party drinks. | 0:49:31 | 0:49:34 | |
We're just going to get stupid drunk and make a mint fool of ourselves. | 0:49:34 | 0:49:37 | |
ALL: # Happy Birthday... # | 0:49:38 | 0:49:40 | |
Aaron and Mikee's business may not have taken off yet, | 0:49:40 | 0:49:42 | |
but a lack of cash isn't going to get in the way of a party. | 0:49:42 | 0:49:45 | |
# Happy birthday, dear Aaron... # | 0:49:45 | 0:49:47 | |
I can't stand chocolate, so why have you got me | 0:49:47 | 0:49:49 | |
a fucking double, double, double chocolate cake? | 0:49:49 | 0:49:52 | |
Blow this shit out. | 0:49:52 | 0:49:53 | |
Blow this shit out, it was for us, man. | 0:49:53 | 0:49:55 | |
Drink! Let's get fucked. | 0:49:55 | 0:49:56 | |
Right, where's everyone's fucking drinks? Let's go. | 0:49:56 | 0:49:58 | |
Despite the lack of paid work, | 0:49:58 | 0:50:00 | |
Aaron's still fixed on making a go of the business. | 0:50:00 | 0:50:03 | |
So many people that put you down and, like...and say, | 0:50:03 | 0:50:07 | |
"Oh, it's not going to work" or "No, no, it's not going to happen". | 0:50:07 | 0:50:11 | |
You little bastard! | 0:50:12 | 0:50:13 | |
Just that in itself that'll drive us to, like, prove them wrong. | 0:50:13 | 0:50:16 | |
Ugh! Ugh! | 0:50:16 | 0:50:19 | |
Hopefully tonight's just going to be fucking mucky. | 0:50:21 | 0:50:24 | |
THEY LAUGH | 0:50:24 | 0:50:27 | |
Taxi! Taxi! Taxi! | 0:50:28 | 0:50:31 | |
Get some fucking tunes on. | 0:50:34 | 0:50:36 | |
Yeah! Turn this shit up. | 0:50:36 | 0:50:40 | |
Over at the Wakefields', | 0:50:43 | 0:50:44 | |
the time has come to try and make contact with Malcolm. | 0:50:44 | 0:50:48 | |
I'm doing lights out. | 0:50:49 | 0:50:50 | |
Lights out, all out. | 0:50:50 | 0:50:52 | |
Do you want to sit down before...? | 0:50:52 | 0:50:54 | |
If there's any spirit person in this room | 0:50:54 | 0:50:56 | |
who wishes to communicate with us... | 0:50:56 | 0:50:58 | |
..could you please do so by moving the glass around the board, please? | 0:51:00 | 0:51:04 | |
Give us the first letter of your first name. | 0:51:06 | 0:51:08 | |
M. Now the second one. | 0:51:09 | 0:51:11 | |
Spell out your name. | 0:51:11 | 0:51:12 | |
-Name. -Is it M-A, what you are spelling? | 0:51:12 | 0:51:14 | |
-Yes. -OK. Now the third letter. | 0:51:14 | 0:51:17 | |
Evidence of Malcolm's existence is far from conclusive, | 0:51:17 | 0:51:21 | |
but the Wakefields strongly believe their poltergeist is in the room | 0:51:21 | 0:51:24 | |
and he's giving them the run-around as usual. | 0:51:24 | 0:51:27 | |
-No. -Won't give us the fifth letter, will he? | 0:51:28 | 0:51:31 | |
No-one's seen anything yet. | 0:51:31 | 0:51:33 | |
Like, even on the board he give us Malc, but he didn't finish it off. | 0:51:33 | 0:51:37 | |
Who was it? | 0:51:37 | 0:51:38 | |
Malc. | 0:51:38 | 0:51:39 | |
-No, that was... -Wouldn't finish his name off. | 0:51:39 | 0:51:41 | |
Nah, he wouldn't finish it. | 0:51:41 | 0:51:43 | |
Is it him or is it someone just pretending to be him? | 0:51:43 | 0:51:46 | |
Can you read? | 0:51:46 | 0:51:48 | |
Cos you can't fucking spell. | 0:51:48 | 0:51:50 | |
He always comes as somebody else when you're...when they come here. | 0:51:50 | 0:51:53 | |
Just winding everybody up. | 0:51:53 | 0:51:55 | |
Malcolm, please come forward if you're with us. | 0:51:55 | 0:51:58 | |
Is it possible you could whistle? | 0:51:58 | 0:52:00 | |
Do something, will you? For God's sake, you old fart. | 0:52:02 | 0:52:05 | |
Well, he's being an arsewipe. | 0:52:07 | 0:52:08 | |
Are you playing games with us? | 0:52:08 | 0:52:10 | |
-Yes. -Yeah. | 0:52:10 | 0:52:11 | |
So you're a tit. | 0:52:11 | 0:52:12 | |
Yes. | 0:52:12 | 0:52:13 | |
-Seriously? -Yeah. | 0:52:14 | 0:52:16 | |
Are you Malcolm? | 0:52:16 | 0:52:17 | |
Yeah, he'll piss off. No? | 0:52:17 | 0:52:20 | |
Yes. It's... it's going stupid now, mate. | 0:52:20 | 0:52:24 | |
It's someone playing silly buggers. | 0:52:24 | 0:52:25 | |
It's not who it claims to be. | 0:52:25 | 0:52:27 | |
Even though communication with Malcolm hasn't been confirmed, | 0:52:27 | 0:52:31 | |
as far as the Wakefields are concerned, | 0:52:31 | 0:52:33 | |
their poltergeist is real | 0:52:33 | 0:52:34 | |
and he seems to have become a permanent fixture at their house. | 0:52:34 | 0:52:38 | |
Ooh, wow! | 0:52:38 | 0:52:39 | |
Oh, there's some weird stuff going on on the stairs. | 0:52:39 | 0:52:43 | |
Even if Malcolm wasn't around, this house would never be quiet. | 0:52:43 | 0:52:46 | |
If it's not Malcolm causing trouble, | 0:52:46 | 0:52:48 | |
then it's my dysfunctional family, and to be honest, | 0:52:48 | 0:52:51 | |
I wouldn't have it any other way. | 0:52:51 | 0:52:53 | |
# I woke up with the rising sun | 0:52:53 | 0:52:56 | |
# I was blinded by the light | 0:52:56 | 0:52:58 | |
# Jump up and put on my jeans | 0:53:00 | 0:53:03 | |
# It feels good They're a little tight | 0:53:03 | 0:53:06 | |
# Step out in a crazy world | 0:53:07 | 0:53:11 | |
# But then the sun resets your mind | 0:53:11 | 0:53:14 | |
# Feel the weight of it All just drift off | 0:53:15 | 0:53:18 | |
# On a cloud to another time | 0:53:18 | 0:53:21 | |
# Oooh... # | 0:53:21 | 0:53:22 | |
It's early morning in Harpurhey, | 0:53:22 | 0:53:25 | |
and Jazmine and Kelsea are making the most | 0:53:25 | 0:53:27 | |
of their remaining time together. | 0:53:27 | 0:53:29 | |
Don't drop me. | 0:53:29 | 0:53:30 | |
I'm not going to drop you. | 0:53:30 | 0:53:32 | |
I know you're not, but you know. | 0:53:32 | 0:53:33 | |
It does make me feel upset and sad and stuff, yeah. | 0:53:38 | 0:53:41 | |
I'll miss Jazmine loads cos she's one of my close mates, | 0:53:41 | 0:53:44 | |
so yeah, I'll miss her quite a bit. | 0:53:44 | 0:53:48 | |
My shadow's so cool. | 0:53:48 | 0:53:49 | |
Aargh! | 0:53:49 | 0:53:51 | |
Aaron and Mikee are braving their hangovers | 0:53:52 | 0:53:55 | |
to go to their first paid job in weeks. | 0:53:55 | 0:53:57 | |
So fun! | 0:53:57 | 0:53:59 | |
Assembling some furniture for the landlady of their local. | 0:53:59 | 0:54:02 | |
We get paid 50 quid for this, which is about a day's work. | 0:54:04 | 0:54:08 | |
Obviously we split everything down the middle anyway, | 0:54:08 | 0:54:11 | |
so it works out like 25 quid each for a day's work, | 0:54:11 | 0:54:13 | |
which, to be fair... | 0:54:13 | 0:54:15 | |
It's not brilliant, is it? | 0:54:16 | 0:54:17 | |
Hard workers, when they're not drunk. | 0:54:17 | 0:54:20 | |
Hard workers when drunk! | 0:54:23 | 0:54:24 | |
And at the Wishy Washy laundrette, it's business as usual. | 0:54:27 | 0:54:31 | |
Now, do you think George Bush had anything to do with the Twin Towers? | 0:54:33 | 0:54:37 | |
I don't know, I'm not... I remembered it... | 0:54:37 | 0:54:40 | |
100 billion million percent. | 0:54:40 | 0:54:41 | |
I've studied it, I've researched it, I've done everything, | 0:54:41 | 0:54:44 | |
he had something to do with that Twin Towers. | 0:54:44 | 0:54:46 | |
That is my opinion. | 0:54:46 | 0:54:47 | |
I think maybe that's a stretch too far, to be honest. | 0:54:47 | 0:54:50 | |
Oh no, definitely! | 0:54:50 | 0:54:51 | |
Do you think the Royals had anything to do with Diana's death? | 0:54:51 | 0:54:55 | |
Like, I've said it loads of times, | 0:55:06 | 0:55:07 | |
I actually love where I'm from anyway. | 0:55:07 | 0:55:10 | |
Just like it, I just, | 0:55:10 | 0:55:12 | |
I feel like if I'm away too much, you just miss home. | 0:55:12 | 0:55:15 | |
I mean, the best thing about it is everyone knows each other, | 0:55:16 | 0:55:18 | |
it's the community, you're all within walking distance of each other | 0:55:18 | 0:55:21 | |
and walking distance between you and your family | 0:55:21 | 0:55:23 | |
and your mates and... do you know what I mean? | 0:55:23 | 0:55:26 | |
Everything's there. | 0:55:26 | 0:55:27 | |
Everyone does know everyone, everyone gets on and it's, | 0:55:27 | 0:55:30 | |
it is a laugh, like seeing everyone absolutely smashed, | 0:55:30 | 0:55:34 | |
singing away to Oasis, thinking they... | 0:55:34 | 0:55:36 | |
everyone thinking they're on Britain's Got Talent | 0:55:36 | 0:55:38 | |
or something like that, really going for it. | 0:55:38 | 0:55:41 | |
I don't...I don't think you get stuff like that in other places. | 0:55:41 | 0:55:44 | |
I definitely want to see more of the world, | 0:55:46 | 0:55:48 | |
but, I mean, I couldn't go abroad and live there | 0:55:48 | 0:55:51 | |
for the rest of my life. Like, I know I can always come back here, | 0:55:51 | 0:55:54 | |
even if it's months, years at a time, | 0:55:54 | 0:55:57 | |
I can always come back to where I grew up. | 0:55:57 | 0:56:00 | |
MUSIC: "Young Blood" by The Naked And Famous | 0:56:00 | 0:56:02 | |
# We're only young and naive still | 0:56:02 | 0:56:06 | |
# We require certain skills | 0:56:07 | 0:56:10 | |
# The mood it changes like the wind | 0:56:12 | 0:56:15 | |
# Hard to control when it begins | 0:56:16 | 0:56:19 | |
# The bittersweet between my teeth... # | 0:56:21 | 0:56:24 | |
Subtitles by Red Bee Media Ltd | 0:56:24 | 0:56:27 |