Browse content similar to 1960. Check below for episodes and series from the same categories and more!
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The family. | 0:00:02 | 0:00:04 | |
It's where we love, laugh, shout and cry. | 0:00:04 | 0:00:08 | |
-Oh! -Don't fall off. | 0:00:08 | 0:00:09 | |
It makes us who we are. | 0:00:11 | 0:00:13 | |
But it hasn't always been the cherished institution it is today. | 0:00:14 | 0:00:18 | |
To find out how the modern family came to be, | 0:00:18 | 0:00:21 | |
a group of parents and kids | 0:00:21 | 0:00:23 | |
from across Britain are turning back time, | 0:00:23 | 0:00:26 | |
to face the same ordeals as millions of others over the past 100 years. | 0:00:26 | 0:00:31 | |
In the northern seaside town of Morecambe, the past is coming alive. | 0:00:31 | 0:00:36 | |
A row of terraced houses has been turned into time machines, | 0:00:38 | 0:00:42 | |
to transport our families | 0:00:42 | 0:00:44 | |
through the twist and turns of the 20th century. | 0:00:44 | 0:00:47 | |
From the age of masters and servants. | 0:00:47 | 0:00:49 | |
I felt a bit emotional, | 0:00:51 | 0:00:52 | |
because I knew she was there to take the children away. | 0:00:52 | 0:00:55 | |
Which is quite difficult. | 0:00:55 | 0:00:58 | |
Through the roaring '20s, to the Depression. | 0:00:58 | 0:01:01 | |
Anything else of value will need to be sold. | 0:01:01 | 0:01:03 | |
The fact it was in front of the family, I felt really useless. | 0:01:03 | 0:01:07 | |
From life on the Home Front. | 0:01:08 | 0:01:12 | |
Another era, another separation. | 0:01:12 | 0:01:14 | |
To the swinging '60s. | 0:01:14 | 0:01:16 | |
I'm slightly concerned about the length of their skirts. | 0:01:16 | 0:01:19 | |
We're starting the rebellion right now. | 0:01:19 | 0:01:22 | |
And on to the groovy '70s. | 0:01:22 | 0:01:24 | |
I couldn't give a damn about material things. | 0:01:24 | 0:01:25 | |
For me, family is the most important thing. | 0:01:25 | 0:01:28 | |
And the past is about to get personal. | 0:01:30 | 0:01:32 | |
Rather than just living in a museum, we're living an ancestor's life. | 0:01:34 | 0:01:38 | |
She died of TB, consumption. | 0:01:38 | 0:01:41 | |
Sorry, I'm quite emotional. | 0:01:41 | 0:01:43 | |
We take so much for granted, I think. | 0:01:44 | 0:01:46 | |
We're turning back time, | 0:01:46 | 0:01:48 | |
to find out how history made the family what it is today. | 0:01:48 | 0:01:53 | |
Albert Road, Morecambe. | 0:02:02 | 0:02:04 | |
An ordinary British street | 0:02:04 | 0:02:06 | |
where three houses are being transformed again | 0:02:06 | 0:02:08 | |
into family homes of the 1960s. | 0:02:08 | 0:02:12 | |
Our families will arrive into an economic boom, | 0:02:13 | 0:02:16 | |
with full employment and an explosion of consumer goods. | 0:02:16 | 0:02:20 | |
But there's also revolution in the air | 0:02:20 | 0:02:23 | |
and cracks are appearing in the family unit. | 0:02:23 | 0:02:26 | |
Our two families are heading to Albert Road. | 0:02:26 | 0:02:31 | |
The Meadows, from Royal Berkshire. | 0:02:31 | 0:02:33 | |
For the last three eras, they have toiled in the working class house, | 0:02:33 | 0:02:38 | |
living just above the poverty line. | 0:02:38 | 0:02:40 | |
-That's not washed. -Yes, it is. | 0:02:40 | 0:02:42 | |
-It's got stains on it. -Where? I washed it. | 0:02:42 | 0:02:46 | |
Now, they are hoping things may be looking up. | 0:02:48 | 0:02:51 | |
It's all feeling very exciting this time. The girls are looking stunning. | 0:02:53 | 0:02:57 | |
All three of them look so different to anything we've done before. | 0:02:57 | 0:03:00 | |
Just because we have a car and are wearing nicer clothes, | 0:03:00 | 0:03:03 | |
I daren't get my hopes up. | 0:03:03 | 0:03:05 | |
We might be living in an absolute pig sty. | 0:03:05 | 0:03:07 | |
They're joined by the Taylor family from Norfolk. | 0:03:08 | 0:03:12 | |
So far, they've lived in the formal, upper middle class house, | 0:03:13 | 0:03:18 | |
separated from their children. | 0:03:18 | 0:03:20 | |
You wouldn't know your family. | 0:03:20 | 0:03:22 | |
You wouldn't know your kids, because you never see them. | 0:03:22 | 0:03:25 | |
Michael and Adele are looking forward to what the '60s might have to offer. | 0:03:25 | 0:03:29 | |
The '60s was cool fashion, good music. | 0:03:29 | 0:03:35 | |
More family time. | 0:03:35 | 0:03:37 | |
Get to go out together, and go and do something really fun. | 0:03:37 | 0:03:41 | |
I don't know. Some sort of trip out, where we're all out together | 0:03:41 | 0:03:46 | |
and enjoying yourself together. | 0:03:46 | 0:03:48 | |
Journalist and mother, Susannah Reid will be guiding the families through the era. | 0:03:50 | 0:03:55 | |
The '60s was a treacherous time for the traditional family unit, | 0:03:55 | 0:03:59 | |
with teenage rebellion threatening to split the nuclear family apart. | 0:03:59 | 0:04:03 | |
It's an exciting time to be a teenager. | 0:04:03 | 0:04:06 | |
Perhaps not so much for the parents! | 0:04:06 | 0:04:09 | |
Joining her will be social historian Juliet Gardiner, | 0:04:11 | 0:04:15 | |
and antique gadget enthusiast Joe Crowley. | 0:04:15 | 0:04:18 | |
The families are in for a surprise upheaval. | 0:04:20 | 0:04:24 | |
Families, welcome back to Albert Road, and it's all change. | 0:04:24 | 0:04:29 | |
It is now the swinging '60s. | 0:04:29 | 0:04:31 | |
We have taken another look back at your genealogy, | 0:04:31 | 0:04:36 | |
and we have placed you in houses which directly relate | 0:04:36 | 0:04:40 | |
to where your families would have lived at the beginning of the 1960s. | 0:04:40 | 0:04:44 | |
Meadows. | 0:04:45 | 0:04:46 | |
Phil, by 1953, your maternal grandfather, Reg Turney, | 0:04:46 | 0:04:52 | |
was no longer a chauffeur, he was a businessman. | 0:04:52 | 0:04:55 | |
So you're now living in the middle class house. | 0:04:55 | 0:04:58 | |
Yes! Thank you. | 0:04:58 | 0:05:02 | |
Taylors. | 0:05:02 | 0:05:04 | |
Michael, your grandfather was a motor mechanic, | 0:05:04 | 0:05:06 | |
so resolutely working class. | 0:05:06 | 0:05:08 | |
So Taylors, you'll be in the working class house. | 0:05:08 | 0:05:12 | |
Oh gosh, no! | 0:05:12 | 0:05:15 | |
I've go to work? | 0:05:15 | 0:05:16 | |
Teenagers, this was your era. | 0:05:16 | 0:05:19 | |
There was a shift in power relations within the family. | 0:05:19 | 0:05:23 | |
Teenagers were no longer so dependent on their parents. | 0:05:23 | 0:05:26 | |
It was a youth quake. | 0:05:26 | 0:05:28 | |
Once again, the family unit is going to be under pressure. | 0:05:28 | 0:05:32 | |
As you can see, the big house has long gone. | 0:05:32 | 0:05:37 | |
It's been carved into flats, so you may have some new neighbours. | 0:05:37 | 0:05:43 | |
All right, families, it's time to go and look at your new homes. | 0:05:43 | 0:05:46 | |
At number 2 Albert Road, it's a step up for the Meadows. | 0:05:49 | 0:05:54 | |
Lordy. Carpet! | 0:05:54 | 0:05:56 | |
Unlike the past three eras, they are surrounded with comfort, | 0:05:56 | 0:06:00 | |
and the latest technology. | 0:06:00 | 0:06:02 | |
Oh, wow! | 0:06:02 | 0:06:04 | |
We've got a television. | 0:06:04 | 0:06:07 | |
In the 1960s... | 0:06:07 | 0:06:10 | |
This looks like my parents' house. | 0:06:10 | 0:06:12 | |
..consumer goods produced en masse transformed family life. | 0:06:12 | 0:06:17 | |
-I wouldn't mind moving in here permanently. -Neither would I! | 0:06:17 | 0:06:19 | |
God, these are comfy. | 0:06:19 | 0:06:21 | |
I think it's so wicked. | 0:06:21 | 0:06:23 | |
We have a TV, record player, drinks cabinet. | 0:06:23 | 0:06:27 | |
Hoovers, fridges, washing machines and irons | 0:06:28 | 0:06:30 | |
appeared in homes across the country, | 0:06:30 | 0:06:33 | |
creating a domestic haven for housewives. | 0:06:33 | 0:06:37 | |
I've got a kitchen. | 0:06:37 | 0:06:39 | |
I am just so happy. | 0:06:39 | 0:06:41 | |
Next door at number 3, | 0:06:43 | 0:06:46 | |
the Taylors will have to adjust to a working class lifestyle, | 0:06:46 | 0:06:49 | |
after previously experiencing the high life with staff. | 0:06:49 | 0:06:53 | |
Luckily for them, there were jobs for all | 0:06:53 | 0:06:56 | |
and 130% rise in wages over the decade. | 0:06:56 | 0:07:00 | |
The working classes really have never had it so good. | 0:07:00 | 0:07:04 | |
We have a TV. Yay! | 0:07:04 | 0:07:08 | |
-It's not bad. It's all right. -It's lovely, isn't it? -We've got a fridge. | 0:07:08 | 0:07:12 | |
Let's have a look. | 0:07:12 | 0:07:14 | |
Wow, this is a nice kitchen. | 0:07:14 | 0:07:15 | |
Despite falling down the pecking order, | 0:07:15 | 0:07:18 | |
the Taylors are taking the move well. | 0:07:18 | 0:07:20 | |
It's all right. | 0:07:20 | 0:07:22 | |
In comparison what it was, like in the 1900s, this house, | 0:07:22 | 0:07:26 | |
in the poor house, I think it's actually OK. | 0:07:26 | 0:07:30 | |
-It's homely. -More relaxed. | 0:07:30 | 0:07:34 | |
But Adele, who will have to work in this era, | 0:07:34 | 0:07:36 | |
has concerns about how being working parents will affect the family. | 0:07:36 | 0:07:40 | |
I think we'll see less of each other again, | 0:07:40 | 0:07:42 | |
and that's what is bothering me. | 0:07:42 | 0:07:46 | |
A new family are arriving on Albert Road, | 0:07:48 | 0:07:51 | |
with high expectations for a new life. | 0:07:51 | 0:07:54 | |
Brother and sister Jonathan and Rachel Hawkes have come | 0:07:54 | 0:07:58 | |
to sample the life of a Caribbean immigrant family. | 0:07:58 | 0:08:01 | |
By the end of the '60s, nearly 500,000 people from the Caribbean | 0:08:01 | 0:08:05 | |
had emigrated to the UK. | 0:08:05 | 0:08:07 | |
Why do they come to this country? | 0:08:07 | 0:08:10 | |
To find jobs and better opportunities, | 0:08:10 | 0:08:12 | |
and because, as British subjects, | 0:08:12 | 0:08:14 | |
they look on Britain as their second home. | 0:08:14 | 0:08:16 | |
In parts of the Caribbean, there was 40% unemployment, | 0:08:16 | 0:08:20 | |
but in booming Britain, there was a severe labour shortage, | 0:08:20 | 0:08:23 | |
and Commonwealth subjects were encouraged to come over to the mother country to work. | 0:08:23 | 0:08:28 | |
London Transport has a highly successful scheme, | 0:08:28 | 0:08:31 | |
which recruits bus conductors from Barbados. | 0:08:31 | 0:08:34 | |
Usually, the men came first, with the aim of earning enough money | 0:08:35 | 0:08:39 | |
to be able to bring the rest of the family over. | 0:08:39 | 0:08:41 | |
This was known as chain migration. | 0:08:41 | 0:08:44 | |
The Hawkes from Dulwich, South London, are so close | 0:08:47 | 0:08:52 | |
they even have their own family band. | 0:08:52 | 0:08:55 | |
Student Rachel and music teacher Jonathan's grandparents | 0:08:55 | 0:09:00 | |
migrated from Jamaica in the late '50s. | 0:09:00 | 0:09:03 | |
Sadly, both have since died. | 0:09:03 | 0:09:04 | |
It would be great to get a virtual feel of stepping into | 0:09:04 | 0:09:07 | |
my granddad's footsteps, and trying to understand what he was going through. | 0:09:07 | 0:09:13 | |
Really, get a sense of what the atmosphere was like. | 0:09:13 | 0:09:18 | |
Initially, they will be travelling to Albert Road on their own, | 0:09:18 | 0:09:21 | |
without younger sister Hayley and mum Sandra. | 0:09:21 | 0:09:25 | |
I can't tell you how nice this is, Mum. Thank you so much. | 0:09:25 | 0:09:27 | |
The grandparents are not here to relive and to share experiences. | 0:09:27 | 0:09:32 | |
I think that's important. | 0:09:32 | 0:09:34 | |
Knowing who you are, | 0:09:34 | 0:09:36 | |
and that's why important going back into the '60s, wow. | 0:09:36 | 0:09:39 | |
They're going to get who they are. | 0:09:39 | 0:09:41 | |
I wish I was a teenager in the '60s. | 0:09:41 | 0:09:44 | |
Probably wouldn't have been the same for a black girl | 0:09:44 | 0:09:47 | |
as a white girl, but at the same time, | 0:09:47 | 0:09:49 | |
the culture, the creativity, the music, the fashion. | 0:09:49 | 0:09:54 | |
That was the best period, in my opinion. | 0:09:54 | 0:09:57 | |
Their grandparents, Hazel Adams and Ralph Lawne Morgan, | 0:09:58 | 0:10:02 | |
came to Britain when they were in their 20s. | 0:10:02 | 0:10:05 | |
Back on Albert Road, | 0:10:07 | 0:10:08 | |
Jonathan and Rachel need to find a flat to rent, | 0:10:08 | 0:10:11 | |
like their grandfather did. | 0:10:11 | 0:10:13 | |
-BLEEP -off | 0:10:20 | 0:10:23 | |
No way. | 0:10:23 | 0:10:24 | |
-They said... -No Irish, no dogs, no coloureds. | 0:10:24 | 0:10:28 | |
Despite the fact they were invited to the UK, | 0:10:29 | 0:10:32 | |
Caribbean families often faced a very hostile reception. | 0:10:32 | 0:10:36 | |
-I can't let you in. -Beg your pardon? | 0:10:36 | 0:10:39 | |
I can't let you in. | 0:10:39 | 0:10:40 | |
Coloured people, you can get them out of the country. | 0:10:40 | 0:10:43 | |
The soonest you can get them out, the better I'll be pleased, | 0:10:43 | 0:10:46 | |
I'll tell you that. | 0:10:46 | 0:10:49 | |
For many immigrants, this open racism meant it was a real struggle | 0:10:49 | 0:10:54 | |
to find a decent place to live. | 0:10:54 | 0:10:56 | |
If I had a house to let in a terrace, | 0:10:56 | 0:10:58 | |
I should think twice about letting it to a coloured person. | 0:10:58 | 0:11:02 | |
How you would like if it a house next door to you | 0:11:02 | 0:11:05 | |
was taken by a coloured person? | 0:11:05 | 0:11:07 | |
On Albert Road, there is only one option for the Hawkes. | 0:11:07 | 0:11:11 | |
Room to let. | 0:11:11 | 0:11:13 | |
Yay! | 0:11:13 | 0:11:15 | |
Jonathan and Rachel are moving into number one, the big house, | 0:11:15 | 0:11:19 | |
where the Taylors once lived. | 0:11:19 | 0:11:21 | |
In this era, many big properties were split up into flats, | 0:11:21 | 0:11:24 | |
due to high taxation for the wealthy. | 0:11:24 | 0:11:27 | |
I can't believe someone would rent a place out like this, | 0:11:37 | 0:11:40 | |
because I wouldn't. | 0:11:40 | 0:11:41 | |
The amount of dust in this place. | 0:11:44 | 0:11:47 | |
I can't sleep in this. | 0:11:47 | 0:11:48 | |
It's not the way I've been brought up. | 0:11:48 | 0:11:51 | |
As so many landlords refused to rent their properties to immigrants, | 0:11:51 | 0:11:56 | |
those that did often exploited them. | 0:11:56 | 0:11:58 | |
Charging them high rent for little more than dives. | 0:11:58 | 0:12:01 | |
I can't have my mum, my mother coming to stay in a place like this. | 0:12:02 | 0:12:06 | |
It's dirty. I'll have to clean it for her. We'll have to. | 0:12:06 | 0:12:09 | |
I don't know how they did it. | 0:12:12 | 0:12:15 | |
I can imagine them on the ship, | 0:12:15 | 0:12:16 | |
just, you know, leaving their lives behind | 0:12:16 | 0:12:19 | |
and then walking into this country, where there's banners saying, | 0:12:19 | 0:12:22 | |
"Go back to where you came from" and "No coloureds here." | 0:12:22 | 0:12:26 | |
I think some people would have come here | 0:12:26 | 0:12:28 | |
and completely regretting coming over, | 0:12:28 | 0:12:31 | |
because they were led on to maybe believe that they were wanted here | 0:12:31 | 0:12:35 | |
and then the reality was that | 0:12:35 | 0:12:37 | |
actually, this was quite, for some, an unwelcoming place. | 0:12:37 | 0:12:41 | |
Hi, guys. | 0:12:44 | 0:12:46 | |
Next door, Joe Crowley has arrived | 0:12:46 | 0:12:48 | |
with news that will shake up the Meadows family. | 0:12:48 | 0:12:51 | |
It is a time of change, particularly looking at you two. | 0:12:51 | 0:12:54 | |
-Young people are asserting themselves. There's more freedom, more independence. -Brilliant. | 0:12:54 | 0:12:59 | |
You're now going to be working in a boutique in Morecambe, | 0:12:59 | 0:13:02 | |
so you'll be earning a wage, OK? | 0:13:02 | 0:13:04 | |
And with that new-found freedom | 0:13:04 | 0:13:07 | |
comes this - | 0:13:07 | 0:13:09 | |
your own flat. | 0:13:09 | 0:13:11 | |
-No! -What, with me as well? | 0:13:11 | 0:13:12 | |
-Yeah. -Oh! | 0:13:12 | 0:13:14 | |
It's time... | 0:13:14 | 0:13:15 | |
-Yes! -To spread your wings, exactly. How does that feel? | 0:13:15 | 0:13:18 | |
-Oh, no! -I've got my own place! -You're breaking free. | 0:13:18 | 0:13:21 | |
-Sex, drink, rock 'n' roll, drugs... -Could you stop it? | 0:13:21 | 0:13:25 | |
I'm not encouraging them, I'm just saying how it was. | 0:13:25 | 0:13:28 | |
For 60 years, | 0:13:29 | 0:13:31 | |
the Meadows have overcome everything history had to throw at them. | 0:13:31 | 0:13:34 | |
Right, dig deep, team, family. | 0:13:34 | 0:13:37 | |
They got through it by working as a close family team. | 0:13:37 | 0:13:41 | |
# Oh, my, what a rotten song | 0:13:41 | 0:13:44 | |
# What a rotten singer too! # | 0:13:44 | 0:13:47 | |
The girls move out tomorrow. They're breaking down that family unit, | 0:13:47 | 0:13:50 | |
which me and Susie may struggle with a bit. | 0:13:50 | 0:13:52 | |
The concept of the teenager had only just been invented. | 0:13:54 | 0:13:58 | |
With full employment pulling everyone into the economic boom, | 0:13:58 | 0:14:02 | |
most teens had jobs, | 0:14:02 | 0:14:04 | |
earning an average of £150 a week in today's money. | 0:14:04 | 0:14:07 | |
70% of their wages was disposable income, | 0:14:08 | 0:14:11 | |
giving them freedom that today's teens can only dream of. | 0:14:11 | 0:14:15 | |
Saskia and Genevieve are heading off to work at the local boutique. | 0:14:15 | 0:14:19 | |
With the school leaving age at 15, | 0:14:19 | 0:14:21 | |
even Genevieve could have worked full-time. | 0:14:21 | 0:14:24 | |
Now teenagers had money to burn, | 0:14:24 | 0:14:26 | |
fashion was created explicitly for them. | 0:14:26 | 0:14:30 | |
But before they can start selling the clothes, | 0:14:30 | 0:14:33 | |
the girls have to look the part. | 0:14:33 | 0:14:35 | |
Genevieve Meadows, featuring the 1960s cocktail dress. | 0:14:35 | 0:14:39 | |
That looks really pretty. | 0:14:44 | 0:14:46 | |
For the past six decades, Saskia and Genevieve | 0:14:46 | 0:14:48 | |
have been wearing the same clothes as their mum. | 0:14:48 | 0:14:51 | |
Now boutique owner Amanda wants to help them get the look. | 0:14:51 | 0:14:55 | |
-It's very short. -Yeah. | 0:14:55 | 0:14:56 | |
They were, though. They were very short. The shorter the better. | 0:14:56 | 0:15:00 | |
So they would try and, like, | 0:15:00 | 0:15:03 | |
not wear what your mother wanted to wear in those days? | 0:15:03 | 0:15:05 | |
It was a chance for teenagers to get their own identity. | 0:15:05 | 0:15:10 | |
We've just come out to work. | 0:15:10 | 0:15:12 | |
Now we're going back with tart make-up on and short tight dresses. | 0:15:12 | 0:15:16 | |
Dad is not going to be impressed. | 0:15:16 | 0:15:18 | |
Aw, I just stuck that in my eye! | 0:15:18 | 0:15:21 | |
I feel like I've got more freedom | 0:15:21 | 0:15:23 | |
by having my own job, getting my own money. | 0:15:23 | 0:15:25 | |
I don't need to rely on my mum and dad to do that for me. | 0:15:25 | 0:15:28 | |
MUSIC: "You Really Got Me" by The Kinks | 0:15:28 | 0:15:33 | |
Back on Albert Road, | 0:15:33 | 0:15:35 | |
the Taylor children are also enjoying a new-found freedom | 0:15:35 | 0:15:38 | |
that their working-class status brings. | 0:15:38 | 0:15:40 | |
The children have been used to severe formality - | 0:15:41 | 0:15:44 | |
schooled by nannies. | 0:15:44 | 0:15:46 | |
Remember that children should be seen and not heard. | 0:15:46 | 0:15:50 | |
You do not disturb Mama and Papa downstairs... | 0:15:50 | 0:15:53 | |
MUSIC CONTINUES | 0:15:53 | 0:15:56 | |
Now, they are making the most of having the run of the house. | 0:15:58 | 0:16:01 | |
Can we not jump on the furniture, please? | 0:16:01 | 0:16:04 | |
-This era gives the kids freedom to play. -Exterminate! Exterminate! | 0:16:06 | 0:16:10 | |
I almost feel like, | 0:16:10 | 0:16:12 | |
because we're working class, no-one's expecting anything. | 0:16:12 | 0:16:15 | |
Exterminate! | 0:16:15 | 0:16:17 | |
Everybody's allowed to talk to each other and stuff, it's not as strict. | 0:16:17 | 0:16:21 | |
I like getting more freedom. | 0:16:21 | 0:16:23 | |
It's a family that I recognise, the hubbub and the chaos. | 0:16:23 | 0:16:27 | |
Psshow! | 0:16:27 | 0:16:28 | |
Two doors down, the newcomers, Rachel and Jonathan, | 0:16:33 | 0:16:37 | |
haven't spoken to anyone else all day. | 0:16:37 | 0:16:40 | |
And with their family separated, | 0:16:40 | 0:16:42 | |
Rachel has no choice but to take on her mother's role. | 0:16:42 | 0:16:45 | |
Rachel doesn't have the experience | 0:16:45 | 0:16:47 | |
because my mum does do pretty much all of the cooking. | 0:16:47 | 0:16:50 | |
This is a garlic, isn't it? This is garlic. | 0:16:50 | 0:16:54 | |
I know this is garlic. | 0:16:56 | 0:16:58 | |
I like cooking but I've been told that it's not very good, | 0:16:58 | 0:17:02 | |
so, you know, I usually let other people cook. | 0:17:02 | 0:17:05 | |
Hopefully, I'll eat tonight. | 0:17:05 | 0:17:08 | |
Fingers crossed. | 0:17:08 | 0:17:09 | |
OK, I think that'll be enough garlic. | 0:17:09 | 0:17:12 | |
The Meadows girls are back from work, | 0:17:14 | 0:17:16 | |
and are ready to show off their new youthful looks. | 0:17:16 | 0:17:19 | |
-Hello! -Hello! | 0:17:21 | 0:17:23 | |
Hi! | 0:17:23 | 0:17:24 | |
Oh! My God! | 0:17:26 | 0:17:27 | |
That smells lovely, Mummy. | 0:17:29 | 0:17:31 | |
Oh, my word! You went out looking perfectly sober, | 0:17:31 | 0:17:35 | |
and you've come home looking absolutely amazing. | 0:17:35 | 0:17:38 | |
Aren't you slightly concerned about the length of their skirts? | 0:17:38 | 0:17:42 | |
Well, they are a tad short. | 0:17:42 | 0:17:43 | |
-I don't mind it being that short. -OK. | 0:17:43 | 0:17:46 | |
OK, well, go and put your long dresses on now | 0:17:46 | 0:17:48 | |
-and sort your hair out. -We don't have any. | 0:17:48 | 0:17:50 | |
-This is what we wear now, Dad. -This is our new outfit. | 0:17:50 | 0:17:53 | |
We're starting the rebellion right now. | 0:17:53 | 0:17:55 | |
I'm sorry, but I've got cooking. | 0:17:55 | 0:17:57 | |
RECORD PLAYS: "It's Not Unusual" by Tom Jones | 0:17:59 | 0:18:03 | |
Not too loud, Genevieve! Not too loud! | 0:18:03 | 0:18:06 | |
I actually can imagine the parents of teenage children in the '60s | 0:18:06 | 0:18:11 | |
would have been absolutely aghast at what their kids were wearing | 0:18:11 | 0:18:15 | |
and their behaviour. It would have been so alien. | 0:18:15 | 0:18:17 | |
The one and only, The Rolling Schtones! | 0:18:17 | 0:18:20 | |
And here they come right now. | 0:18:20 | 0:18:22 | |
# Let's spend the night together... # | 0:18:22 | 0:18:26 | |
It's their last night together before the girls move out. | 0:18:26 | 0:18:30 | |
It's been really a bit of a head-twister, this one, | 0:18:30 | 0:18:34 | |
because we're comfortable with it and want to encourage them to be away | 0:18:34 | 0:18:38 | |
and it's good that they're being independent | 0:18:38 | 0:18:40 | |
and we're proud of them that they're making that step away, | 0:18:40 | 0:18:44 | |
but on the other hand, we don't really want them to go. | 0:18:44 | 0:18:47 | |
I'm not sure that Genevieve's ready. | 0:18:47 | 0:18:49 | |
-That's better. -It is the Worzel Gummidge man. | 0:18:51 | 0:18:54 | |
Next door at the Taylors', | 0:18:55 | 0:18:57 | |
it's their first family night in together for 60 years. | 0:18:57 | 0:19:01 | |
THEY LAUGH | 0:19:01 | 0:19:04 | |
By the end of the '60s, nearly everyone had a black-and-white TV | 0:19:04 | 0:19:07 | |
but the fact that most people only had one | 0:19:07 | 0:19:10 | |
meant that all the family watched the same thing. | 0:19:10 | 0:19:13 | |
Look at the faces and their hair! | 0:19:14 | 0:19:16 | |
It's a big thing for us. | 0:19:16 | 0:19:19 | |
Throughout history so far, we've been separated out, | 0:19:19 | 0:19:23 | |
we've all gone off, you know, either to war or been evacuated | 0:19:23 | 0:19:27 | |
or they were upstairs with the nanny, and so it is a big deal for us, | 0:19:27 | 0:19:31 | |
it's been a big deal for us to have tea together, | 0:19:31 | 0:19:33 | |
it's been a big deal for us to sit here. | 0:19:33 | 0:19:35 | |
Whoa... | 0:19:35 | 0:19:38 | |
-Were you scared of Mr Fluffy? -No, he looked funny. | 0:19:38 | 0:19:41 | |
No, it's still not cooked through. It's still red. | 0:19:45 | 0:19:48 | |
Right. Oh, OK. | 0:19:48 | 0:19:50 | |
Back at the Hawkes', their night in alone is getting worse. | 0:19:51 | 0:19:55 | |
'We either have light or electricity.' | 0:19:56 | 0:19:59 | |
Can you turn on the hob, | 0:19:59 | 0:20:01 | |
-and then I'll let you know which ones have blown. -OK. | 0:20:01 | 0:20:04 | |
Nothing works properly in their rundown flat | 0:20:04 | 0:20:07 | |
-and dinner is starting to look unlikely. -Yeah? | 0:20:07 | 0:20:10 | |
-Right, that's back on. Turn on another one. -That's fine. | 0:20:10 | 0:20:13 | |
Oh! Jon! | 0:20:13 | 0:20:16 | |
The one that was fine has gone off. | 0:20:16 | 0:20:19 | |
At the moment, I'm feeling quite isolated. | 0:20:21 | 0:20:25 | |
Obviously, it's just Jonathan and I | 0:20:25 | 0:20:27 | |
so we haven't really spoken to anyone else in the neighbourhood, | 0:20:27 | 0:20:30 | |
haven't really seen anyone. | 0:20:30 | 0:20:32 | |
All right, so, let's just make a small one. We... | 0:20:33 | 0:20:36 | |
What? | 0:20:36 | 0:20:37 | |
Yeah, that's fine. | 0:20:37 | 0:20:39 | |
-Yeah, for now(!) -For now. | 0:20:39 | 0:20:41 | |
I'm feeling really homesick, | 0:20:42 | 0:20:44 | |
so I can't even imagine how homesick my grandparents would have felt, | 0:20:44 | 0:20:48 | |
you know, knowing their family is so far away | 0:20:48 | 0:20:50 | |
in a completely different country. | 0:20:50 | 0:20:52 | |
This is so comfortable! | 0:20:52 | 0:20:55 | |
It's been harsh for the new arrivals | 0:20:55 | 0:20:57 | |
and something's been playing on Jonathan's mind all day. | 0:20:57 | 0:21:01 | |
'Seeing the sign, "No blacks, no coloureds, no dogs," all that stuff, | 0:21:01 | 0:21:05 | |
'I honestly didn't think it would affect me as much as it did' | 0:21:05 | 0:21:09 | |
but it really got to me, made me quite angry. | 0:21:09 | 0:21:11 | |
Thinking about somebody actually having to come over here | 0:21:11 | 0:21:15 | |
and seeing a sign like that, | 0:21:15 | 0:21:17 | |
feeling absolutely disgusted, | 0:21:17 | 0:21:19 | |
yet still having to pick themselves up and carry on. | 0:21:19 | 0:21:23 | |
Next day on Albert Road, | 0:21:33 | 0:21:35 | |
and the girls are about to move into their new flat. | 0:21:35 | 0:21:38 | |
I'm excited, but yeah, | 0:21:38 | 0:21:40 | |
I'm upset that I have to, like, part from you two | 0:21:40 | 0:21:45 | |
because you're my mum and my dad and I love you, so... | 0:21:45 | 0:21:48 | |
I mean, we're so used to living as a family. | 0:21:48 | 0:21:52 | |
Now, all of a sudden, I've got my own place | 0:21:53 | 0:21:56 | |
-and I am excited, because it's, like, exciting. -New. -New. | 0:21:56 | 0:21:59 | |
I love you and I don't want you to go. | 0:21:59 | 0:22:03 | |
Saskia! | 0:22:03 | 0:22:04 | |
Just two things - don't go over the top | 0:22:04 | 0:22:08 | |
with your new freedom and being able to drink and go to parties | 0:22:08 | 0:22:12 | |
and not have to come in and worry with your parents going, | 0:22:12 | 0:22:15 | |
-"What time do you call this?" Don't go over the top with this. -OK. | 0:22:15 | 0:22:18 | |
The other thing is, you are going to have to look after Genevieve. | 0:22:18 | 0:22:21 | |
-I know. -She needs looking after. You know what she's like. | 0:22:21 | 0:22:24 | |
All right, baby? But not too hard on the partying. | 0:22:24 | 0:22:26 | |
-I won't, I promise. -I love you so much. -I love you too, Daddy. | 0:22:26 | 0:22:30 | |
-I love you. -Let's go. | 0:22:31 | 0:22:34 | |
-Good luck. -Bye! I love you! | 0:22:34 | 0:22:35 | |
Good luck, guys. GENEVIEVE: Bye, guys. | 0:22:35 | 0:22:38 | |
-Oh, no! -No! | 0:22:38 | 0:22:40 | |
The girls aren't going far. | 0:22:42 | 0:22:44 | |
They're moving next door, to a bedsit directly below the Hawkes. | 0:22:44 | 0:22:48 | |
Yes! | 0:22:51 | 0:22:53 | |
SHE CACKLES | 0:22:53 | 0:22:55 | |
-You don't mean that. Come on. -No, I don't mean that. | 0:22:55 | 0:22:58 | |
I don't mean that. | 0:22:58 | 0:23:01 | |
Wow, a long walk, guys. | 0:23:04 | 0:23:07 | |
Do I just open the door? | 0:23:07 | 0:23:09 | |
It's almost unthinkable | 0:23:12 | 0:23:14 | |
that a 15-year-old would move out of home today, | 0:23:14 | 0:23:16 | |
but it was surprisingly common in the 1960s, | 0:23:16 | 0:23:19 | |
when teenagers moved to the cities to take up jobs and apprenticeships. | 0:23:19 | 0:23:24 | |
Homely! | 0:23:25 | 0:23:27 | |
SASKIA LAUGHS | 0:23:27 | 0:23:28 | |
-Why are there holes in the walls? -Well, this is lovely. | 0:23:28 | 0:23:32 | |
For middle-class youth of the '60s, | 0:23:32 | 0:23:34 | |
the bohemian nature of bedsits is exactly what appealed. | 0:23:34 | 0:23:37 | |
It was a world away from the stuffy confines of the parental home. | 0:23:37 | 0:23:42 | |
I think I prefer our house. | 0:23:42 | 0:23:45 | |
-Don't you, Sask? -Just a bit. | 0:23:45 | 0:23:48 | |
This is horrible! | 0:23:48 | 0:23:50 | |
This is dirty and... Urgh! | 0:23:50 | 0:23:53 | |
And the girls will have to share the bathroom with the other tenants. | 0:23:53 | 0:23:57 | |
Oh, you're kidding me. | 0:23:57 | 0:23:59 | |
This is disgusting. | 0:24:00 | 0:24:03 | |
I'm so desperate for a wee, Genna. | 0:24:03 | 0:24:06 | |
I can't go in there. Look at it. Urgh! | 0:24:06 | 0:24:10 | |
This is not good. | 0:24:10 | 0:24:11 | |
That means we have to go to Mum and Dad's every time we need a wee. | 0:24:11 | 0:24:15 | |
-We can't do that. -Well, I'm not going to the toilet here. | 0:24:15 | 0:24:19 | |
Otherwise our egos go down, because we want to be independent. | 0:24:19 | 0:24:22 | |
I don't care. I don't want to be that independent. | 0:24:22 | 0:24:25 | |
It was a little bit cold, last night. | 0:24:31 | 0:24:33 | |
This is not home. | 0:24:35 | 0:24:37 | |
I'm starting to miss my mum and sister as well. | 0:24:37 | 0:24:40 | |
It's like, "when are they coming"? | 0:24:40 | 0:24:41 | |
Upstairs, Jonathan and Rachel have the added pressure | 0:24:43 | 0:24:46 | |
of having to earn enough money | 0:24:46 | 0:24:48 | |
not only to pay the rent, but also to save up to reunite the family. | 0:24:48 | 0:24:52 | |
NEWSREADER: West Indians also help to keep the transport services moving. | 0:24:54 | 0:24:57 | |
So Jonathan is following in the footsteps of many immigrants | 0:24:57 | 0:25:01 | |
recruited to work on Britain's transport systems. | 0:25:01 | 0:25:04 | |
Hello, sir. Can I help with your bag? Is that all right? Thank you. | 0:25:06 | 0:25:09 | |
Some immigrants, like school teacher Jonathan, were professionals | 0:25:09 | 0:25:13 | |
but in order to survive, had to accept jobs | 0:25:13 | 0:25:16 | |
for which they were overqualified. | 0:25:16 | 0:25:18 | |
-Can I help with your bags? -Yes, please. -Is that all right? -Fine. | 0:25:18 | 0:25:21 | |
It doesn't take long for Jonathan to feel their frustration. | 0:25:21 | 0:25:25 | |
For me, it kind of feels like my head is going to explode | 0:25:25 | 0:25:28 | |
because I know that I could be doing | 0:25:28 | 0:25:30 | |
something which I've worked so hard on. | 0:25:30 | 0:25:32 | |
-Thank you for your help. -OK, have a lovely trip. Take care. | 0:25:32 | 0:25:38 | |
Very frustrating, the fact that you are more of a skilled worker, | 0:25:38 | 0:25:41 | |
and you have much more to offer this country. | 0:25:41 | 0:25:44 | |
Rachel is working as a cleaner at the local council offices. | 0:25:50 | 0:25:53 | |
Because of the necessity of making money quickly, | 0:25:57 | 0:25:59 | |
many immigrants couldn't afford to study or train | 0:25:59 | 0:26:02 | |
and were often forced to accept low-paid, unskilled jobs. | 0:26:02 | 0:26:05 | |
'Immigrants generally seem to start a lot lower than others, | 0:26:05 | 0:26:09 | |
'because they have to kind of' | 0:26:09 | 0:26:11 | |
go through this test of... of endurance. | 0:26:11 | 0:26:15 | |
For Rachel, the reality of life | 0:26:15 | 0:26:18 | |
as a new immigrant in the '60s is hitting home. | 0:26:18 | 0:26:22 | |
Being in the same circumstance for a long time | 0:26:22 | 0:26:24 | |
would be quite soul-destroying | 0:26:24 | 0:26:27 | |
and really, I think, crippling on self-esteem. | 0:26:27 | 0:26:32 | |
The Meadows girls' only concern is making their bedsit more swinging. | 0:26:34 | 0:26:39 | |
I do like doing things up and, you know, making it my own | 0:26:40 | 0:26:43 | |
and, you know, Mum can't go, | 0:26:43 | 0:26:45 | |
"Oh, Genna, you can't put that there, | 0:26:45 | 0:26:47 | |
or "Genna, that doesn't go there," or something like that | 0:26:47 | 0:26:50 | |
because I can just put it wherever I want, because it's mine. | 0:26:50 | 0:26:53 | |
No, no, no, no. Move... | 0:26:55 | 0:26:56 | |
I think it's quite cool. It's just a bit cramped, a bit small. | 0:26:58 | 0:27:01 | |
Since we've got the posters up | 0:27:01 | 0:27:03 | |
and I've been a bit more proactive, I've had a change of heart. | 0:27:03 | 0:27:06 | |
I'm enjoying it now. | 0:27:06 | 0:27:08 | |
Phil Meadows is following in the footsteps | 0:27:11 | 0:27:15 | |
of his businessman grandfather, Reginald Turney. | 0:27:15 | 0:27:18 | |
It's very powerful, 4.2 litre engine. It goes 150 miles an hour... | 0:27:18 | 0:27:24 | |
In an era when car ownership more than doubled, | 0:27:24 | 0:27:26 | |
he is running a car showroom. | 0:27:26 | 0:27:28 | |
It goes 0-60 in 7.9 seconds, I think it is, | 0:27:28 | 0:27:31 | |
I can show you on the brochure. So it flies. | 0:27:31 | 0:27:33 | |
But racy cars can't distract him | 0:27:33 | 0:27:35 | |
from his worries about his racy teenagers. | 0:27:35 | 0:27:39 | |
-Don't drive it off without me. -No, no. | 0:27:39 | 0:27:41 | |
I can relate to what was going on in the '60s. | 0:27:41 | 0:27:44 | |
If you had parents from the war that were so marked by that experience, | 0:27:44 | 0:27:48 | |
and the youth wanted to go out and party | 0:27:48 | 0:27:50 | |
and spend their money they had and wear those clothes they can buy, | 0:27:50 | 0:27:54 | |
would just be so frustrated | 0:27:54 | 0:27:56 | |
by the way their parents were pulling them down. | 0:27:56 | 0:27:58 | |
You know, "Did you know it used to be rationing just five years ago?" | 0:27:58 | 0:28:02 | |
Just all that, no wonder the kids wanted to get away from it. | 0:28:02 | 0:28:05 | |
Make sure it's on properly. That's it. | 0:28:05 | 0:28:08 | |
Phil's next-door neighbour Michael Taylor | 0:28:08 | 0:28:11 | |
is also doing his grandfather's job, working as a motor mechanic. | 0:28:11 | 0:28:16 | |
In previous eras, the Taylors lived | 0:28:16 | 0:28:18 | |
the upper middle-class life of their relative, | 0:28:18 | 0:28:21 | |
mill manager William Bennett. | 0:28:21 | 0:28:23 | |
Now, they are following a different line, | 0:28:25 | 0:28:27 | |
that of grandfather John Joseph Taylor. | 0:28:27 | 0:28:31 | |
You should be able to take it out and undo it with your fingers. | 0:28:31 | 0:28:34 | |
'Unfortunately, I didn't know my grandfather well | 0:28:34 | 0:28:36 | |
'but to know that he did a job like this' | 0:28:36 | 0:28:39 | |
and worked and earned to live and keep his family going | 0:28:39 | 0:28:42 | |
and that's what I do. | 0:28:42 | 0:28:43 | |
You have to do... That's what I'm doing at the moment. | 0:28:43 | 0:28:46 | |
'The 1900 mill manager, I couldn't connect with that man at all.' | 0:28:46 | 0:28:50 | |
I couldn't connect with the idea of sitting around | 0:28:50 | 0:28:53 | |
and being waited on and being looked after. | 0:28:53 | 0:28:55 | |
Michael's grandad John Joseph Taylor | 0:28:56 | 0:28:59 | |
was a skilled worker who would have earned a good wage. | 0:28:59 | 0:29:02 | |
In the 1960s, the pay gap between the middle and working classes | 0:29:02 | 0:29:05 | |
was smaller than ever before. | 0:29:05 | 0:29:07 | |
Usually it would be like, one there, one there, one there, one there. | 0:29:09 | 0:29:13 | |
'I see myself as working class' | 0:29:13 | 0:29:14 | |
so in the 1960s, I feel at home here. | 0:29:14 | 0:29:17 | |
Oh, gosh. This rice isn't rice any more. It's pasta. | 0:29:26 | 0:29:30 | |
Back at 1 Albert Road, | 0:29:35 | 0:29:36 | |
historian Juliet has arrived with Charlie Phillips, | 0:29:36 | 0:29:39 | |
a family friend of the Hawkes, | 0:29:39 | 0:29:41 | |
to share his experiences as a first-generation immigrant. | 0:29:41 | 0:29:46 | |
-Charlie! -Oh, my gosh! Oh, my gosh! | 0:29:46 | 0:29:49 | |
-How are you doing? -Not too bad. -Good to see you, man. -Yeah. | 0:29:49 | 0:29:52 | |
This brings flashbacks. | 0:29:52 | 0:29:54 | |
When I first came here, this is what we used to live on, | 0:29:54 | 0:29:57 | |
a family of four used to live in a room like this, you know? | 0:29:57 | 0:30:00 | |
And, erm, never imagine, | 0:30:00 | 0:30:03 | |
that, erm, really brings flashbacks. Yeah. | 0:30:03 | 0:30:07 | |
-Why don't...? -This is part of my history, you know? Part of my life. | 0:30:07 | 0:30:11 | |
Charlie arrived from Jamaica at the age of ten, in the late '50s. | 0:30:12 | 0:30:16 | |
He grew up in Notting Hill, London, | 0:30:19 | 0:30:21 | |
and became a photographer, documenting immigrant life. | 0:30:21 | 0:30:25 | |
Your parents must have had such a struggle coming over here as immigrants? | 0:30:26 | 0:30:29 | |
It was a big cultural shock. | 0:30:29 | 0:30:32 | |
All the other kids on my street were very curious of me. | 0:30:32 | 0:30:36 | |
They'd come up and touch your hair and say, "Oh, you got hair like steel wool!" | 0:30:36 | 0:30:40 | |
Some of the kids thought we were from the jungle. | 0:30:40 | 0:30:42 | |
We used to get called, like, "Sambo," or, "Golliwog," | 0:30:42 | 0:30:45 | |
and sometimes I had to get in fights | 0:30:45 | 0:30:47 | |
and we had to fight my way out of certain situations as well, yeah? | 0:30:47 | 0:30:50 | |
Unfortunately, some of us became demoralised, like myself. | 0:30:50 | 0:30:54 | |
Which is dreadful. I mean, Britain has a lot to be ashamed of. | 0:30:54 | 0:30:58 | |
-How did you react to that? -We had to overcome it. | 0:30:58 | 0:31:01 | |
The only thing that could unite the family was listening to, | 0:31:01 | 0:31:04 | |
you know, music. | 0:31:04 | 0:31:06 | |
Most of the radio stations you couldn't get music that we liked. | 0:31:06 | 0:31:09 | |
We were into Fats Domino, The Platters, Little Richard - | 0:31:09 | 0:31:12 | |
and we used to play them that these house parties as well. | 0:31:12 | 0:31:16 | |
We never had access to clubs or entertainment. | 0:31:16 | 0:31:18 | |
That was the only thing that brought us socially together as well, you know? | 0:31:18 | 0:31:23 | |
Music is the soul of life. | 0:31:23 | 0:31:25 | |
Oh, I see, take care, take care. | 0:31:25 | 0:31:28 | |
-Take care, see you soon. -Yeah, sorry I've got to go, yeah? | 0:31:28 | 0:31:30 | |
'I'm in awe of the fact that, despite this experience, | 0:31:30 | 0:31:33 | |
'you know, they just...' | 0:31:33 | 0:31:34 | |
-They kept going... -They went on. -..kept going. | 0:31:34 | 0:31:36 | |
You know, it shaped who they were as people. | 0:31:36 | 0:31:39 | |
It shaped Granddad to be so strong. | 0:31:39 | 0:31:42 | |
Inspired by Charlie and in the hope of lifting their spirits, | 0:31:44 | 0:31:48 | |
the Hawkes are on the hunt for the music. | 0:31:48 | 0:31:51 | |
-Hello. -Hello! Do you have any record players here? | 0:31:51 | 0:31:54 | |
Yeah, we have one just down there... | 0:31:54 | 0:31:58 | |
-by the window. -This one here? | 0:31:58 | 0:31:59 | |
-Yeah, yeah. -Oh, wow! | 0:31:59 | 0:32:01 | |
We'll take the record player and records! | 0:32:01 | 0:32:04 | |
-Thank you. -Bye. -Bye. | 0:32:04 | 0:32:06 | |
SLOW VIOLIN AND BRASS MUSIC PLAYING | 0:32:18 | 0:32:20 | |
Oh, that's really nice! | 0:32:21 | 0:32:23 | |
# Only you | 0:32:26 | 0:32:31 | |
# Can make all this world seem right... # | 0:32:31 | 0:32:36 | |
This would have made life bearable. | 0:32:36 | 0:32:38 | |
# Only you | 0:32:38 | 0:32:41 | |
# You are my destiny. # | 0:32:41 | 0:32:47 | |
-It doesn't matter if the house looks crap now because... -Couldn't give a shit. | 0:32:47 | 0:32:50 | |
-Not right now. -No, I don't notice the wall so much. | 0:32:50 | 0:32:52 | |
That's fine, yeah, that'll be fine. | 0:32:52 | 0:32:55 | |
-Beautiful. -Oh, this is beautiful. | 0:32:55 | 0:32:57 | |
-I'm so happy right now! -Same! | 0:32:57 | 0:33:00 | |
-There is always one sock, ain't there, goes wandering? -Always, yeah. | 0:33:06 | 0:33:10 | |
-Thank you very much. -No problem. | 0:33:10 | 0:33:12 | |
Adele is working at the local launderette. | 0:33:13 | 0:33:15 | |
It's the first time she's had a job since she came to Albert Road. | 0:33:15 | 0:33:19 | |
# For goodness sake | 0:33:19 | 0:33:22 | |
# I've got the hippie hippie shakes... # | 0:33:22 | 0:33:25 | |
This time I've got a purpose. | 0:33:25 | 0:33:27 | |
I'm working and bringing money into the house. | 0:33:27 | 0:33:30 | |
My biggest issue has always been being still. | 0:33:30 | 0:33:32 | |
I hate sitting around thinking about things. | 0:33:32 | 0:33:35 | |
I'd rather be busy and occupied. | 0:33:35 | 0:33:37 | |
The first launderette opened in 1949 | 0:33:42 | 0:33:45 | |
and by the '60s they were hugely popular. | 0:33:45 | 0:33:48 | |
With the cost of a washing machine beyond many working class families, | 0:33:48 | 0:33:52 | |
launderettes became important social centres. | 0:33:52 | 0:33:56 | |
So, Adele has brought the kids with her. | 0:33:56 | 0:33:59 | |
Yeah, just whack it on. | 0:33:59 | 0:34:01 | |
Brilliant, put the lid down. The scoop's got to go back. | 0:34:02 | 0:34:06 | |
Adele may be happy that this is more akin to her modern day life | 0:34:06 | 0:34:09 | |
but this wasn't what 1960s women aspired to. | 0:34:09 | 0:34:12 | |
I don't have to employ anybody to look after them. | 0:34:14 | 0:34:16 | |
Not a stuffy place where they would just have to sit. | 0:34:16 | 0:34:20 | |
I mean, they're charging around like mad fools today! | 0:34:20 | 0:34:23 | |
So, yeah, it feels really nice having them at work. | 0:34:23 | 0:34:25 | |
# The hippie hippie shakes. # | 0:34:25 | 0:34:29 | |
Being a domestic goddess, or whatever term you want to use, | 0:34:38 | 0:34:42 | |
it's not rewarding enough. | 0:34:42 | 0:34:44 | |
In the '60s, if I'd been a woman around then, | 0:34:46 | 0:34:49 | |
I would not have been happy. | 0:34:49 | 0:34:52 | |
Susie may not be enjoying it | 0:34:53 | 0:34:54 | |
but being the perfect housewife was seen as immensely desirable. | 0:34:54 | 0:34:59 | |
'Considering how much time every housewife spends there, | 0:35:00 | 0:35:04 | |
'the kitchen is the most important room in the house.' | 0:35:04 | 0:35:07 | |
Keeping yourself and your house beautiful were what most | 0:35:07 | 0:35:11 | |
middle-class housewives were expected to dream of. | 0:35:11 | 0:35:14 | |
I've struggled with 1960s woman. I am not that person. | 0:35:14 | 0:35:20 | |
I, actually, was happier, bizarrely, as a woman in the 1940s | 0:35:20 | 0:35:25 | |
because I had a job. You know, I had a purpose. | 0:35:25 | 0:35:29 | |
SHE BLOWS A WHISTLE | 0:35:29 | 0:35:30 | |
Get all your stuff! Come on, guys! Get all your stuff together! | 0:35:30 | 0:35:34 | |
Susie has the added pressure of hosting a dinner party tonight | 0:35:37 | 0:35:40 | |
for her neighbours, the Taylors. | 0:35:40 | 0:35:42 | |
Pint of milk. | 0:35:42 | 0:35:44 | |
Susie, do you think you'll manage to get your hair done? | 0:35:44 | 0:35:46 | |
No, Phil, do you know what, | 0:35:46 | 0:35:48 | |
hair done is the least of my aggravations at the moment. | 0:35:48 | 0:35:51 | |
I'm struggling with the souffle, sweetie...cos I've done it wrong. | 0:35:51 | 0:35:55 | |
Despite her desire to impress, | 0:35:57 | 0:36:00 | |
-the preparations are running behind schedule. -Might be OK. | 0:36:00 | 0:36:03 | |
-So, you don't think the hair is going to happen? -Probably not. | 0:36:03 | 0:36:05 | |
Unless you want to come down and do my hair right now, as we're speaking? | 0:36:05 | 0:36:09 | |
Do you know what? I'm starting again. | 0:36:09 | 0:36:11 | |
I think that tells him, doesn't it? | 0:36:11 | 0:36:13 | |
While Mum is stressed over the dinner party, | 0:36:16 | 0:36:19 | |
Saskia is making her own plans for the evening. | 0:36:19 | 0:36:23 | |
-Hello! -Hi. | 0:36:23 | 0:36:24 | |
Hello, I'm Saskia, Genevieve's my sister. | 0:36:24 | 0:36:26 | |
-Nice to meet you! -Nice to meet you. -Nice to meet you. | 0:36:26 | 0:36:29 | |
-Jonathan. -Rachel. -Awesome. | 0:36:29 | 0:36:31 | |
Erm, we're going to a club this evening, | 0:36:31 | 0:36:33 | |
we wondered if you'd like to join us? | 0:36:33 | 0:36:35 | |
-Yeah! -Yeah, why not, we'll come! OK, cool. -Yeah? | 0:36:35 | 0:36:38 | |
-We'll see you in a bit. -See you later! All right. | 0:36:38 | 0:36:40 | |
-See you in a bit, bye. -See you, bye. -Bye. | 0:36:40 | 0:36:43 | |
The teenagers are planning their first visit to a nightclub - | 0:36:45 | 0:36:49 | |
free from parental influence. | 0:36:49 | 0:36:52 | |
They're are rebelling from what they're being allowed to do | 0:36:52 | 0:36:55 | |
and they would have not just rebelled a little bit, | 0:36:55 | 0:36:57 | |
they would have wanted to go over the top, | 0:36:57 | 0:36:59 | |
to shove it in everyone else's faces. | 0:36:59 | 0:37:02 | |
Saskia has asked 15-year-old Megan Taylor | 0:37:07 | 0:37:11 | |
to join them on their night out on the town. | 0:37:11 | 0:37:13 | |
Hiya! | 0:37:13 | 0:37:15 | |
-Straight up the stairs. -Thank you very much. | 0:37:15 | 0:37:17 | |
-Very nice. -Thank you. -Straight up the stairs. | 0:37:17 | 0:37:20 | |
The '60s saw the opening of the first nightclubs, | 0:37:20 | 0:37:24 | |
where DJs replaced live bands, | 0:37:24 | 0:37:26 | |
creating a totally different vibe to traditional dance halls. | 0:37:26 | 0:37:30 | |
'Perhaps some of us are just getting old and crusty, | 0:37:32 | 0:37:35 | |
'and forgetting what it meant to be young and active - | 0:37:35 | 0:37:37 | |
'in every sort of way!' | 0:37:37 | 0:37:39 | |
HE MOUTHS | 0:37:40 | 0:37:42 | |
# Come on let's twist again | 0:37:43 | 0:37:46 | |
# Like we did last summer | 0:37:46 | 0:37:49 | |
# Yeah, let's twist again... # | 0:37:49 | 0:37:51 | |
In the 21st-century, their parents can get in touch whenever they want | 0:37:51 | 0:37:55 | |
but in a time without mobiles no-one can keep tabs on them. | 0:37:55 | 0:38:00 | |
'It feels nice to be out here without our parents' | 0:38:00 | 0:38:04 | |
having a good time dancing, | 0:38:04 | 0:38:06 | |
having a taste of real life and freedom, | 0:38:06 | 0:38:09 | |
and, you know, independence. | 0:38:09 | 0:38:12 | |
It's given me in excitement of being an adult for the future. | 0:38:12 | 0:38:15 | |
Yeah, shake it, shake it, baby! | 0:38:15 | 0:38:18 | |
THEY CHEER AND APPLAUD | 0:38:20 | 0:38:22 | |
That's very kind of you. Thank you, darling. | 0:38:22 | 0:38:24 | |
Don't look under there! | 0:38:24 | 0:38:26 | |
-Go through to the right. -Thank you. -Thank you. | 0:38:26 | 0:38:29 | |
-Hello! -Hello! Ooh! | 0:38:29 | 0:38:31 | |
-Quite right. -Look at this! It looks very grand! | 0:38:31 | 0:38:35 | |
-This is the wine of the moment. -Right? | 0:38:35 | 0:38:38 | |
Apparently it's going to be the rage. | 0:38:38 | 0:38:41 | |
Well, thank you. | 0:38:41 | 0:38:43 | |
-I'm impressed. It does look very, very good. -Yeah, it looks good. | 0:38:43 | 0:38:47 | |
-Right thing to say! -And your orange matches your orange. -Yeah, do you like that? -Yeah! | 0:38:47 | 0:38:50 | |
Coordination of the old colours there! | 0:38:50 | 0:38:52 | |
Did you get a man in for that or did you do it yourself? | 0:38:52 | 0:38:55 | |
We did a lot of jobs ourselves actually. | 0:38:55 | 0:38:56 | |
We like to be in keeping with modern times so we, we're going around getting everything updated. | 0:38:56 | 0:39:01 | |
Dinner's served, chaps, dinner's served! | 0:39:01 | 0:39:04 | |
This is French onion soup. | 0:39:05 | 0:39:07 | |
-Mmm, lovely. -Yeah, honestly. | 0:39:07 | 0:39:09 | |
Susie's dinner party is going swimmingly | 0:39:09 | 0:39:12 | |
but thoughts soon turn to their teenagers out on the town. | 0:39:12 | 0:39:16 | |
I must admit, I do feel that Saskia | 0:39:16 | 0:39:18 | |
is actually leading our daughter astray. | 0:39:18 | 0:39:20 | |
Do you? Do you? | 0:39:20 | 0:39:22 | |
Actually, my daughter's skirt was near her knees. | 0:39:22 | 0:39:25 | |
-Genevieve's, however, is now... -Is now a belt? | 0:39:25 | 0:39:29 | |
There's no bum cheek showing, quite, but we are, kind of, mid-thigh level. | 0:39:29 | 0:39:33 | |
Oh, no! Phil, get that chastity belt out! | 0:39:33 | 0:39:36 | |
You do know where they've gone tonight, don't you? | 0:39:36 | 0:39:38 | |
-I think they've gone out dancing. -Right. | 0:39:38 | 0:39:42 | |
Erm, that's all I know because I have been away from them today. | 0:39:42 | 0:39:47 | |
-I have no idea what they are doing. -I don't know who else they're with. | 0:39:47 | 0:39:51 | |
At the nightclub, the 15-year-olds are getting acquainted with the locals. | 0:39:51 | 0:39:57 | |
-Hello, how are you? -Not so bad, you? -Good, thank you. | 0:39:59 | 0:40:02 | |
She's hanging out at the bar. | 0:40:02 | 0:40:04 | |
I've never really seen my sister in a club! It's a bit weird. | 0:40:04 | 0:40:07 | |
Yeah, and you can come to Dotty's Vintage any time. | 0:40:07 | 0:40:10 | |
She's such a minx! | 0:40:10 | 0:40:12 | |
'You're, kind of, going to bed you think, "What are the girls doing now?" ' | 0:40:13 | 0:40:16 | |
You know, "Where are they?" Erm, "Who are they with?" | 0:40:16 | 0:40:20 | |
And you can't, you can't know. | 0:40:20 | 0:40:22 | |
I can't ring them on their mobiles because we don't have mobiles. | 0:40:22 | 0:40:25 | |
So, there is some, | 0:40:25 | 0:40:26 | |
some real twisted emotions going on in my head at the moment, | 0:40:26 | 0:40:29 | |
as to what my true emotions are. | 0:40:29 | 0:40:32 | |
I just can't work it out. I cannot work it out in my own head. | 0:40:32 | 0:40:35 | |
Next morning, Phil and Susie have put their concerns about the teens aside | 0:40:46 | 0:40:50 | |
and are planning to spend the day out together. | 0:40:50 | 0:40:54 | |
I think they're coping. | 0:40:54 | 0:40:56 | |
They're not asking us for food or moaning about their conditions. | 0:40:56 | 0:41:00 | |
So, you know, they're going for it | 0:41:00 | 0:41:03 | |
and the fact they've got their own pad, I mean, it's just, | 0:41:03 | 0:41:06 | |
as I would be when I was their age, very excited about it. | 0:41:06 | 0:41:09 | |
However, after two nights in their bedsit, | 0:41:11 | 0:41:13 | |
the Meadows girls are losing the spirit of teenage rebellion. | 0:41:13 | 0:41:17 | |
I'd quite like to go home really. I don't want to be a rebel. | 0:41:17 | 0:41:21 | |
-Do you want to be a rebel, Saskia? -I think it's a great idea | 0:41:21 | 0:41:25 | |
and you get all excited about it until you actually move out. | 0:41:25 | 0:41:29 | |
And then it all becomes very realistic | 0:41:29 | 0:41:31 | |
when I'm having to sleep in here. | 0:41:31 | 0:41:34 | |
I don't want to be completely free | 0:41:34 | 0:41:36 | |
cos then who's going to look after us? | 0:41:36 | 0:41:38 | |
I am the world's worst rebellious teenager! | 0:41:38 | 0:41:41 | |
It is quite funny. | 0:41:42 | 0:41:44 | |
Teenagers back then probably didn't have much of a relationship with their parents. | 0:41:44 | 0:41:48 | |
They might not have been so, like, laid-back. | 0:41:48 | 0:41:51 | |
# I got you babe I got you babe... # | 0:41:54 | 0:41:58 | |
Believing the girls are now happily independent, | 0:41:58 | 0:42:01 | |
Phil and Susie are off to do their own thing. | 0:42:01 | 0:42:03 | |
It's a really nice day for a picnic. I'm glad we decided to come. | 0:42:08 | 0:42:12 | |
I mean, this is a real treat for us | 0:42:16 | 0:42:17 | |
because, actually, we've got a bit of time to ourselves. | 0:42:17 | 0:42:22 | |
-I mean, this type of thing, we just didn't do. -I know. | 0:42:22 | 0:42:25 | |
-In any of the previous eras. -No, we've just had too much work to do. | 0:42:25 | 0:42:31 | |
-We've been too busy... -Surviving... -..but this is quite nice to... | 0:42:31 | 0:42:34 | |
-..and a war. -Hmm. | 0:42:34 | 0:42:36 | |
The Taylors also have leisure time to fill. | 0:42:38 | 0:42:41 | |
After a night at the Meadows' they're keeping up with the neighbours | 0:42:41 | 0:42:44 | |
by indulging in the latest 1960s fad - DIY. | 0:42:44 | 0:42:48 | |
-Ooh, don't fall, I'll break my neck! -You take pride in your home, don't you? | 0:42:50 | 0:42:54 | |
You want it to be the best it can be for your family. | 0:42:54 | 0:42:59 | |
With a boom in home ownership and a rise in disposable income, | 0:42:59 | 0:43:03 | |
everyone wanted to stamp their own identity on their homes. | 0:43:03 | 0:43:08 | |
We find we can be a little more individual if we do it ourselves. | 0:43:08 | 0:43:12 | |
You've hung it upside down! Roses grow like that... | 0:43:12 | 0:43:16 | |
and ours are growing that way. | 0:43:16 | 0:43:18 | |
Never mind about the flowers - it's just the round bits! | 0:43:18 | 0:43:21 | |
This is why divorce started to happen from the 1960s onwards! | 0:43:21 | 0:43:25 | |
Next door, Phil and Susie have returned from their picnic | 0:43:25 | 0:43:29 | |
to a surprise. | 0:43:29 | 0:43:30 | |
Phil, the children are home. | 0:43:30 | 0:43:33 | |
I'm very pleased to see you in there. | 0:43:33 | 0:43:35 | |
-Are you? -Yes, as long as you don't make a mess of my kitchen. | 0:43:35 | 0:43:38 | |
You know you're welcome any time. | 0:43:38 | 0:43:40 | |
-How much are you paying for that then? -No, we're staying home now. | 0:43:40 | 0:43:44 | |
-No, no, you can't stay home! -Yeah, we are, yeah. We didn't like it! | 0:43:44 | 0:43:47 | |
I thought you wanted to move out and be independent? | 0:43:47 | 0:43:50 | |
Mum, stop throwing us away! | 0:43:50 | 0:43:52 | |
I can't believe this conversation is going on! | 0:43:52 | 0:43:56 | |
-I was so excited to come home. -Oh, no, we would be. | 0:43:56 | 0:43:59 | |
The thing is, Saskia, we don't want you to miss an opportunity | 0:43:59 | 0:44:02 | |
of having some fun and being independent. | 0:44:02 | 0:44:05 | |
Let's go through and see, re-look at it later on today. | 0:44:05 | 0:44:08 | |
We have two wash up in a toilet! | 0:44:08 | 0:44:11 | |
PHIL LAUGHS | 0:44:11 | 0:44:13 | |
-SHARED toilet. -A shared toilet with the rest of the flat! | 0:44:13 | 0:44:15 | |
You guys have really offended us. You do know that, don't you? | 0:44:15 | 0:44:19 | |
Whilst parents and teens clash at the Meadows', | 0:44:24 | 0:44:26 | |
Rachel and Jonathan are bringing a little bit of Jamaica to Morecambe | 0:44:26 | 0:44:31 | |
by hosting a house party. | 0:44:31 | 0:44:33 | |
Always good to have a party! | 0:44:33 | 0:44:34 | |
We thought we'd invite them round and introduce them to our world, | 0:44:34 | 0:44:38 | |
erm, and a bit of our culture. | 0:44:38 | 0:44:39 | |
We've got the Guinness punch. | 0:44:39 | 0:44:41 | |
New arrivals from the Caribbean were often excluded from clubs and pubs | 0:44:41 | 0:44:46 | |
so they made their own entertainment at home. | 0:44:46 | 0:44:49 | |
# Thank you for the days... # | 0:44:51 | 0:44:55 | |
The Taylors continue to have it good. | 0:44:56 | 0:44:59 | |
They're going on their first family holiday. | 0:45:01 | 0:45:03 | |
Oh, this'll be lovely! | 0:45:03 | 0:45:06 | |
During this era of prosperity, holiday entitlement doubled, | 0:45:07 | 0:45:11 | |
so many families could enjoy the luxury of three weeks off a year. | 0:45:11 | 0:45:15 | |
-Get it, Dad, get it! -That view is gorgeous. -It is incredible. | 0:45:16 | 0:45:21 | |
I love it. | 0:45:21 | 0:45:22 | |
Life is good. | 0:45:23 | 0:45:24 | |
'Caravan camping is the do-it-yourself holiday made easy.' | 0:45:25 | 0:45:30 | |
Caravanning was one of the unheralded success stories of the '60s. | 0:45:30 | 0:45:33 | |
By the end of the decade, | 0:45:33 | 0:45:35 | |
more than half the population had been on a caravanning holiday. | 0:45:35 | 0:45:39 | |
Oh, he's taken it! | 0:45:40 | 0:45:42 | |
You're working hard but you're working hard to get, actually, | 0:45:43 | 0:45:48 | |
something quite nice at the end of it. | 0:45:48 | 0:45:50 | |
So that, at the weekend, you can go and have a good time with your family | 0:45:50 | 0:45:54 | |
and you save up hard so you can go away | 0:45:54 | 0:45:57 | |
and have a holiday with your family, | 0:45:57 | 0:45:58 | |
and time out from your normal mundane, sort of, existence. | 0:45:58 | 0:46:01 | |
So, I think, for a family like ours, | 0:46:01 | 0:46:04 | |
a caravan would have been the ideal answer. | 0:46:04 | 0:46:06 | |
The idea is about everybody being happy, having some free time, | 0:46:10 | 0:46:15 | |
spending it together and actually enjoying yourself. | 0:46:15 | 0:46:18 | |
It is beautiful. It really is beautiful here. | 0:46:18 | 0:46:21 | |
# Happy family holiday! # | 0:46:21 | 0:46:23 | |
-Cheers, welcome to the neighbourhood. -Cheers. | 0:46:24 | 0:46:27 | |
-I don't need to wear a belt! -Where's the rest of your skirt?! | 0:46:27 | 0:46:31 | |
Back at the Hawkes', the party is in full swing. | 0:46:31 | 0:46:34 | |
So, how are you finding it over here? Do you all live here? | 0:46:34 | 0:46:38 | |
THEY ALL LAUGH | 0:46:38 | 0:46:40 | |
Well, you never know what to expect nowadays. | 0:46:40 | 0:46:42 | |
However, there is a surprise in store. | 0:46:44 | 0:46:47 | |
Mum Sandra and sister Hayley have arrived in Morecambe. | 0:46:47 | 0:46:51 | |
We're really close as a family and we've been away from them for a while | 0:46:53 | 0:46:56 | |
so I just want to make sure that they're OK. | 0:46:56 | 0:46:58 | |
Once immigrants were established in the UK, | 0:47:00 | 0:47:02 | |
they could send for the rest of the family. | 0:47:02 | 0:47:04 | |
By the end of the 1960s women and children made up 75% | 0:47:04 | 0:47:09 | |
of new immigrants. | 0:47:09 | 0:47:11 | |
Mum Sandra has high hopes of where she is heading to. | 0:47:11 | 0:47:15 | |
I expect the place to be in a way that I wouldn't be ashamed | 0:47:15 | 0:47:19 | |
if anybody came around to visit us. | 0:47:19 | 0:47:20 | |
So, I'd like... They know I like my place to be nice and clean. | 0:47:20 | 0:47:24 | |
I hope, you know, they've made it homely | 0:47:24 | 0:47:26 | |
because they know what I'm like. | 0:47:26 | 0:47:28 | |
So, yeah, it better be good! | 0:47:28 | 0:47:31 | |
-RACHEL: -# Won't get you into his arms | 0:47:31 | 0:47:35 | |
# So if you're looking for love that you can say | 0:47:35 | 0:47:43 | |
# All you've got to do is hold him and kiss him and squeeze him | 0:47:43 | 0:47:47 | |
# And love him | 0:47:47 | 0:47:49 | |
# Yeah, just do it and after you do you will be his. # | 0:47:49 | 0:47:55 | |
Is this it? | 0:48:03 | 0:48:05 | |
OK. | 0:48:06 | 0:48:08 | |
Oh, my God, the place is so dirty! | 0:48:12 | 0:48:15 | |
Oh, wow. | 0:48:15 | 0:48:17 | |
Is this where they're living? | 0:48:17 | 0:48:19 | |
No carpet on the floor. | 0:48:19 | 0:48:21 | |
Oh, God, they could sweep the place! | 0:48:21 | 0:48:23 | |
# You will be his. # | 0:48:25 | 0:48:32 | |
THEY CHEER AND APPLAUD | 0:48:32 | 0:48:34 | |
KNOCK ON DOOR | 0:48:35 | 0:48:36 | |
#..Crazy | 0:48:40 | 0:48:43 | |
# Can I talk to you? | 0:48:43 | 0:48:45 | |
# I know you can speak babe | 0:48:45 | 0:48:47 | |
# I really don't know... # | 0:48:47 | 0:48:50 | |
-Hi, Guys! -Oh, my God! | 0:48:50 | 0:48:53 | |
RACHEL LAUGHS | 0:48:53 | 0:48:55 | |
-Oh, look at you! -Oh, my gosh! | 0:48:55 | 0:48:59 | |
-Oh, my gosh! Mum, you look so beautiful! -Are you OK? | 0:49:02 | 0:49:07 | |
Oh, my God. Are you all right? Is this where you've been living? | 0:49:07 | 0:49:10 | |
Oh, Jesus. | 0:49:10 | 0:49:12 | |
-Don't start crying! -I know, it's a shit hole, isn't it? | 0:49:12 | 0:49:15 | |
-This is our mum by the way, yeah! -This is our mum. | 0:49:15 | 0:49:18 | |
These are some friends we've made. | 0:49:18 | 0:49:20 | |
-Hi. -Hello. -Yeah. | 0:49:20 | 0:49:22 | |
You're sleeping in here? | 0:49:22 | 0:49:24 | |
-You've been living and sleeping in here? -Mm. -The two of you?! | 0:49:25 | 0:49:28 | |
It's been really hard. | 0:49:28 | 0:49:31 | |
-Am I going to be staying here? -I know, yeah. -Am I?! -Yeah. | 0:49:33 | 0:49:37 | |
-All you going to...? -What?! | 0:49:37 | 0:49:40 | |
Not in this room? | 0:49:40 | 0:49:41 | |
-I'm going to be staying in this room? -Is there no bedrooms or...? | 0:49:43 | 0:49:46 | |
This is it plus the kitchen. | 0:49:46 | 0:49:48 | |
It was all right for us camping out but now you've come here it's like, | 0:49:48 | 0:49:51 | |
"Oh, my gosh, you realise how crap this is." | 0:49:51 | 0:49:54 | |
Sorry, it's not good enough for you at all. | 0:49:55 | 0:49:57 | |
Oh, my gosh. | 0:50:00 | 0:50:01 | |
Was it this bad for black people in the '60s? | 0:50:01 | 0:50:05 | |
For a lot of people it was this bad. | 0:50:05 | 0:50:08 | |
-Really?! -Yeah. | 0:50:08 | 0:50:10 | |
-Wow, I'm shocked. -Hard. | 0:50:10 | 0:50:12 | |
'You want to be with your family, you want to be together | 0:50:12 | 0:50:16 | |
'but I think it would have been a big shock.' | 0:50:16 | 0:50:18 | |
You have this big massive expectation about, | 0:50:18 | 0:50:20 | |
"Oh, you're coming to England, the motherland," | 0:50:20 | 0:50:23 | |
and then when you actually get to the home where you're staying, | 0:50:23 | 0:50:26 | |
and then you think, "Oh, my God. | 0:50:26 | 0:50:29 | |
"Oh, my goodness, is this how bad it is? Wow, why did I come?" | 0:50:29 | 0:50:33 | |
The Meadows' have retreated downstairs to the bedsit. | 0:50:37 | 0:50:41 | |
-Wow, that was a bit of a buzz kill. -Yeah. -It was just getting going. | 0:50:41 | 0:50:45 | |
I found that quite shocking. | 0:50:45 | 0:50:46 | |
I wanted to, kind of, go up to her and say, "It's going to be OK," | 0:50:46 | 0:50:50 | |
as soon as she walked in the door cos that was so, real raw emotion. | 0:50:50 | 0:50:54 | |
Would have never changed places with the daughter. | 0:50:54 | 0:50:57 | |
I felt so sorry for her cos her mum's come over, she would want | 0:50:57 | 0:51:00 | |
her mum, as I would, to walk in and be proud of where she is. | 0:51:00 | 0:51:03 | |
I feel so embarrassed now, like, I'm so sorry! | 0:51:03 | 0:51:06 | |
You could've done it up a bit. | 0:51:06 | 0:51:08 | |
Anyway, what can we do? | 0:51:08 | 0:51:11 | |
-Better you're here now. -Family hug. | 0:51:12 | 0:51:16 | |
It does feel as though you haven't really given it a proper shot. | 0:51:20 | 0:51:23 | |
Just gone, "Oh, no, we don't like this, we'll go home | 0:51:23 | 0:51:25 | |
"because it's warmer at home, it's cleaner at home." | 0:51:25 | 0:51:28 | |
The Meadows have called a family meeting | 0:51:28 | 0:51:30 | |
to discuss if the girls should move back. | 0:51:30 | 0:51:32 | |
It's not the reason that it's disgusting | 0:51:32 | 0:51:35 | |
and it's only one toilet to share. | 0:51:35 | 0:51:37 | |
It's not that at all. | 0:51:37 | 0:51:39 | |
It's just the fact that we want to be here with you guys. | 0:51:39 | 0:51:42 | |
That's the only reason we're back. | 0:51:42 | 0:51:44 | |
I think, in the '60s, | 0:51:44 | 0:51:46 | |
Dad and I would have been...far less easy company. | 0:51:46 | 0:51:50 | |
With my mum and dad I felt like I was so different. | 0:51:50 | 0:51:52 | |
You know when you feel like you must have been adopted? | 0:51:52 | 0:51:55 | |
That's how I felt about my parents when I was their age. | 0:51:55 | 0:51:58 | |
They're not in that situation. | 0:51:58 | 0:51:59 | |
The idea of me moving out right now, | 0:51:59 | 0:52:01 | |
as an 18-year-old in the 21st-century, | 0:52:01 | 0:52:04 | |
would not be an option. | 0:52:04 | 0:52:06 | |
-If you're not ready to move out... -Yeah. | 0:52:06 | 0:52:09 | |
..which it seems you're not, you don't have to move out. | 0:52:09 | 0:52:12 | |
-I can still be rebellious at home. -No, you can't! -Yes, I can. -No, no, no! | 0:52:12 | 0:52:17 | |
-I'm so happy to be home! -Oh, yeah. -We're happy to have you, guys! | 0:52:17 | 0:52:22 | |
Go and get your things then. | 0:52:22 | 0:52:23 | |
# I just don't know what to do... # | 0:52:23 | 0:52:28 | |
Home time! | 0:52:28 | 0:52:29 | |
# ..like a summer rose... # | 0:52:29 | 0:52:30 | |
I am quite disappointed in myself | 0:52:30 | 0:52:32 | |
but now I feel like I'm not really ready to leave home, | 0:52:32 | 0:52:35 | |
move out and, kind of, live my own individual life. | 0:52:35 | 0:52:39 | |
I think it's just the idea of having to move out and fend for yourself | 0:52:39 | 0:52:42 | |
that frightens you. | 0:52:42 | 0:52:45 | |
'I'm not ready for them to move out. | 0:52:45 | 0:52:46 | |
'I'm just quite happy that they're coming home' | 0:52:46 | 0:52:48 | |
and we can have a little bit of control for a little bit longer. | 0:52:48 | 0:52:51 | |
I think that the '60s would have been a very difficult time | 0:52:53 | 0:52:58 | |
if your kids were rebelling and wanting to be independent, | 0:52:58 | 0:53:01 | |
and you had to say goodbye to them. | 0:53:01 | 0:53:03 | |
It must have been very difficult for those parents. | 0:53:03 | 0:53:06 | |
We're home! | 0:53:06 | 0:53:08 | |
Hello, girls! | 0:53:08 | 0:53:10 | |
-Hello. -Hello, babies. | 0:53:10 | 0:53:12 | |
Yeah, this is the job! No, no, no! | 0:53:14 | 0:53:18 | |
I've got the children fighting in the bathroom as we speak, | 0:53:18 | 0:53:20 | |
which is fabulous(!) | 0:53:20 | 0:53:22 | |
Erm... | 0:53:22 | 0:53:24 | |
(Oh, my God.) One moment. | 0:53:24 | 0:53:26 | |
GUYS! | 0:53:26 | 0:53:28 | |
SHUT UP! | 0:53:28 | 0:53:30 | |
# It's been a long... # | 0:53:30 | 0:53:32 | |
'It's like living like students!' | 0:53:32 | 0:53:33 | |
The place has got to be cleaned before you cook. | 0:53:35 | 0:53:39 | |
Next-door, Rachel and Jonathan are relieved | 0:53:39 | 0:53:41 | |
that their family are also reunited. | 0:53:41 | 0:53:44 | |
Not having our mum and sister there, it was like, | 0:53:44 | 0:53:47 | |
"How are we going to do this?", you know? And then to see them, | 0:53:47 | 0:53:50 | |
it was like this massive load had, kind of, been shoved off from my shoulders. | 0:53:50 | 0:53:54 | |
Can we sweep up this? Sorry. | 0:53:54 | 0:53:55 | |
Family brings, erm, a sense of security. | 0:53:55 | 0:54:01 | |
Family's everything | 0:54:01 | 0:54:02 | |
and it's a heritage that I really want to honour in the 21st century. | 0:54:02 | 0:54:07 | |
# But I know a change goin' come | 0:54:07 | 0:54:12 | |
# Oh, yes it is... # | 0:54:13 | 0:54:17 | |
Next day, and it's a momentous one for Albert Road. | 0:54:22 | 0:54:26 | |
To celebrate their girls' homecoming, | 0:54:26 | 0:54:28 | |
the middle-class Meadows are inviting all the neighbours over | 0:54:28 | 0:54:31 | |
to watch the most important match of English football ever... | 0:54:31 | 0:54:35 | |
Hey, that's great, Mum! | 0:54:35 | 0:54:36 | |
..the 1966 World Cup final. | 0:54:39 | 0:54:43 | |
I'm really excited, actually. | 0:54:43 | 0:54:45 | |
I've made a bet with the local betting club | 0:54:45 | 0:54:47 | |
that England are going to win. | 0:54:47 | 0:54:49 | |
Put a million pounds on it, Mum! | 0:54:49 | 0:54:51 | |
Just hold it down and I'll hold it up. | 0:54:52 | 0:54:54 | |
The families are coming together... | 0:54:56 | 0:54:58 | |
-ALL: -Hello! | 0:54:59 | 0:55:01 | |
..just like many did on the afternoon of the final. | 0:55:01 | 0:55:04 | |
-Would you like a drink? -Guinness, please! | 0:55:06 | 0:55:08 | |
-Ah, welcome! -Hi! | 0:55:08 | 0:55:10 | |
-Shall we take them through? -OK. -Thanks very much. | 0:55:10 | 0:55:13 | |
-Hi, there, darling, nice to see you again. -Are you all right? -Yeah! | 0:55:13 | 0:55:16 | |
Oh, I love the set-up! This is beautiful. | 0:55:16 | 0:55:18 | |
Come on England! | 0:55:18 | 0:55:20 | |
32-and-a-half million people, a British record, | 0:55:20 | 0:55:24 | |
watched the events unfold. | 0:55:24 | 0:55:26 | |
-It's starting! -Oh, my God, woo! | 0:55:26 | 0:55:29 | |
'Bobby Moore is fouled by Overath.' | 0:55:35 | 0:55:38 | |
Oh! What was that?! | 0:55:38 | 0:55:40 | |
Ooh! | 0:55:40 | 0:55:41 | |
FOOTBALL CROWD CHEER | 0:55:42 | 0:55:45 | |
-'Geoff Hurst puts England level!' -Yeah! -Yeah! -Woo! | 0:55:45 | 0:55:48 | |
As the era draws to a close, how has it been for our families? | 0:55:48 | 0:55:52 | |
Has your family survived the '60s? | 0:55:52 | 0:55:54 | |
It has! | 0:55:54 | 0:55:56 | |
It's been about family time. | 0:55:56 | 0:55:58 | |
We've had lots and lots of time to spend as a family. | 0:55:58 | 0:56:01 | |
It's been quite good for the Taylor family, | 0:56:01 | 0:56:03 | |
considering we've moved down in the world. | 0:56:03 | 0:56:05 | |
It meant that we were all together and enjoying life together, | 0:56:05 | 0:56:08 | |
which is what family is about. | 0:56:08 | 0:56:10 | |
Everything about it, it just seems ideal. | 0:56:10 | 0:56:13 | |
This is what I would aspire to, as a modern mum, to live like this. | 0:56:13 | 0:56:18 | |
'With that superb shot England are in the lead!' | 0:56:21 | 0:56:24 | |
'Whilst we know that at some point the kids will be moving out' | 0:56:24 | 0:56:28 | |
because, obviously, they're getting older, they'll want to fly the nest | 0:56:28 | 0:56:31 | |
and I can't imagine them just saying, "OK, then, bye," | 0:56:31 | 0:56:35 | |
and us not seeing them for months, and months, and months. | 0:56:35 | 0:56:39 | |
When they do go I'm probably going to be bereft, actually, | 0:56:39 | 0:56:43 | |
because I will... | 0:56:43 | 0:56:44 | |
..I'll have so much less to do. | 0:56:47 | 0:56:48 | |
'With the final whistle only seconds away England get the ball upfield | 0:56:51 | 0:56:54 | |
'and Hurst goes through on his own.' | 0:56:54 | 0:56:56 | |
-Yes! That went in! -No, it didn't. | 0:56:58 | 0:57:00 | |
They thought it was all over. | 0:57:00 | 0:57:02 | |
It is now! | 0:57:02 | 0:57:04 | |
THEY ALL CHEER | 0:57:06 | 0:57:08 | |
'I thought we were going to experience the swinging '60s | 0:57:15 | 0:57:17 | |
'and it wasn't swinging at all.' | 0:57:17 | 0:57:20 | |
It's definitely hit home the realism of struggle, erm... | 0:57:20 | 0:57:23 | |
and I think I'll definitely go back to the 21st century | 0:57:23 | 0:57:25 | |
appreciating that heritage. | 0:57:25 | 0:57:27 | |
It must have been a really painful time to have to revisit, in a sense, | 0:57:30 | 0:57:34 | |
what the immigrant experience could have been like in the '60s. | 0:57:34 | 0:57:37 | |
As soon as I walked in and, erm, absorbed the atmosphere | 0:57:37 | 0:57:40 | |
I really could appreciate the fact that Afro-Caribbeans | 0:57:40 | 0:57:43 | |
would have felt a tremendous weight on their shoulders | 0:57:43 | 0:57:46 | |
and a tremendous amount of responsibility. | 0:57:46 | 0:57:48 | |
I just have complete respect for people | 0:57:48 | 0:57:52 | |
who make the most out of their circumstances | 0:57:52 | 0:57:54 | |
and as a result, and over time, | 0:57:54 | 0:57:56 | |
show that they have progressed. | 0:57:56 | 0:57:59 | |
Whether it is as a people or as a family. | 0:57:59 | 0:58:02 | |
Next time, it's the groovy 1970s... | 0:58:04 | 0:58:06 | |
..but there are shocks in store for new arrivals on Albert Road. | 0:58:08 | 0:58:11 | |
I mean, look at that, you don't want that outside your house, it's disgusting! | 0:58:11 | 0:58:15 | |
# Looking for some hot stuff baby this evening... # | 0:58:15 | 0:58:18 | |
The men have to learn to cope with women's lib... | 0:58:18 | 0:58:20 | |
What do you reckon, Megan? | 0:58:20 | 0:58:21 | |
-SHE WOLF WHISTLES -Thank you. | 0:58:21 | 0:58:23 | |
..whilst power cuts and strikes cause mayhem for everyone. | 0:58:23 | 0:58:27 | |
It's like being back in the 1900s with better clothes. | 0:58:27 | 0:58:31 | |
# Thank you for the days | 0:58:31 | 0:58:36 | |
# Those endless days those sacred days you gave me | 0:58:36 | 0:58:40 | |
# I'm thinking of the days | 0:58:40 | 0:58:45 | |
# I won't forget a single day believe me | 0:58:45 | 0:58:50 | |
# I bless the light I bless the light that... # | 0:58:50 | 0:58:54 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:56 |