Browse content similar to 1940. Check below for episodes and series from the same categories and more!
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The family. It's where we love, laugh, shout and cry. | 0:00:02 | 0:00:07 | |
Oh! Don't fall off! | 0:00:07 | 0:00:09 | |
Higher! | 0:00:09 | 0:00:10 | |
It makes us who we are. | 0:00:10 | 0:00:11 | |
But it hasn't always been the cherished institution it is today. | 0:00:13 | 0:00:16 | |
To find out how the modern family came to be, a group of parents | 0:00:18 | 0:00:21 | |
and kids from across Britain are turning back time, | 0:00:21 | 0:00:25 | |
to face the same ordeals as millions of others over the past 100 years. | 0:00:25 | 0:00:31 | |
In the northern seaside town of Morecambe, the past is coming alive. | 0:00:31 | 0:00:35 | |
A row of terraced houses has been turned into time machines, | 0:00:37 | 0:00:41 | |
to transport our families through the twists | 0:00:41 | 0:00:43 | |
and turns of the 20th century. | 0:00:43 | 0:00:46 | |
From the age of masters and servants... | 0:00:46 | 0:00:48 | |
Aaah! | 0:00:48 | 0:00:50 | |
I felt a bit emotional, | 0:00:50 | 0:00:51 | |
because I knew she was there to take the children away. | 0:00:51 | 0:00:54 | |
Which is quite difficult. | 0:00:54 | 0:00:57 | |
..through the Roaring Twenties to the Depression. | 0:00:57 | 0:01:00 | |
Anything else of value will need to be sold. | 0:01:00 | 0:01:02 | |
The fact that it was in front of the family, I felt really useless. | 0:01:02 | 0:01:06 | |
From life on the Home Front... | 0:01:06 | 0:01:08 | |
Another era, another separation. | 0:01:11 | 0:01:13 | |
..to the Swinging Sixties. | 0:01:13 | 0:01:14 | |
I'm slightly concerned about the length of their skirts. | 0:01:14 | 0:01:17 | |
We're starting the rebellion right now. | 0:01:17 | 0:01:21 | |
And on to the groovy '70s. | 0:01:21 | 0:01:23 | |
I couldn't give a damn about material things. | 0:01:23 | 0:01:26 | |
For me, family is most important. | 0:01:26 | 0:01:27 | |
And the past is about to get personal. | 0:01:29 | 0:01:31 | |
Rather than just living in a museum, | 0:01:33 | 0:01:36 | |
we're actually living an ancestor's life. | 0:01:36 | 0:01:37 | |
She died of TB, consumption. | 0:01:37 | 0:01:40 | |
I'm starting to feel quite emotional! | 0:01:40 | 0:01:42 | |
We take so much for granted, I think. | 0:01:43 | 0:01:45 | |
We're turning back time to find out how history made the family | 0:01:45 | 0:01:50 | |
what it is today. | 0:01:50 | 0:01:52 | |
The family's extraordinary adventure through time is set to continue... | 0:02:01 | 0:02:06 | |
..as they return to Albert Road to experience family life | 0:02:07 | 0:02:11 | |
in the Second World War. | 0:02:11 | 0:02:13 | |
VOICEOVER: The time for words is over. The time for action has come. | 0:02:16 | 0:02:19 | |
Between 1939 and 1945, | 0:02:21 | 0:02:23 | |
the whole country faced a desperate battle for survival. | 0:02:23 | 0:02:26 | |
It was a conflict that would tear ordinary families apart | 0:02:28 | 0:02:32 | |
and change British family life for ever. | 0:02:32 | 0:02:35 | |
War today involves not only the fighting services, | 0:02:37 | 0:02:40 | |
but the whole population. | 0:02:40 | 0:02:42 | |
On hand to guide the time travellers through their unique | 0:02:42 | 0:02:46 | |
historical experience are historical gadget expert Joe Crowley, | 0:02:46 | 0:02:52 | |
working mum and queen of the breakfast sofa Susanna Reid | 0:02:52 | 0:02:56 | |
and social historian Juliet Gardiner, | 0:02:56 | 0:02:58 | |
who will ensure that the constraints of wartime are strictly enforced. | 0:02:58 | 0:03:02 | |
Welcome back to Albert Road. It is now 1940, and Britain is at war. | 0:03:02 | 0:03:08 | |
Of course, we can't recreate the danger and fear of wartime, | 0:03:09 | 0:03:13 | |
and nor would we want to, | 0:03:13 | 0:03:15 | |
but you will be experiencing some of the privations and restrictions | 0:03:15 | 0:03:19 | |
that British families endured during the Second World War. | 0:03:19 | 0:03:22 | |
Men, women, children. | 0:03:22 | 0:03:23 | |
The whole country was mobilised as part of the war effort. | 0:03:23 | 0:03:27 | |
It was a terrifying time, but also a time of great change, and really, | 0:03:27 | 0:03:31 | |
in many ways, the recognisable beginnings of modern Britain. | 0:03:31 | 0:03:35 | |
Your challenge in this era is to face up to the ordeal of fighting the war | 0:03:35 | 0:03:39 | |
on the Home Front. | 0:03:39 | 0:03:41 | |
You'll be expected to pull together, show Blitz spirit, | 0:03:41 | 0:03:44 | |
and some good old British stiff upper lip. | 0:03:44 | 0:03:47 | |
As the families head home, big changes await. | 0:03:52 | 0:03:56 | |
The houses are now fully prepared for war. | 0:03:56 | 0:03:59 | |
All taped up. | 0:03:59 | 0:04:01 | |
It's taped up, and there's blackout blinds. | 0:04:01 | 0:04:03 | |
Why is there tape on the window? | 0:04:03 | 0:04:05 | |
So that if there was an explosion, it would hold all the glass in place. | 0:04:05 | 0:04:08 | |
That's why they tape the windows up, so it wouldn't blow the glass through. | 0:04:08 | 0:04:12 | |
At home in Norfolk, Michael Taylor | 0:04:15 | 0:04:16 | |
and wife Adele lead a down-to-earth life. | 0:04:16 | 0:04:19 | |
But thanks to Michael's wealthy mill-running ancestor, | 0:04:19 | 0:04:22 | |
they've been members of the upper-middle class. | 0:04:22 | 0:04:25 | |
Might hire servants when we get home! | 0:04:25 | 0:04:27 | |
But posh was far from perfect. | 0:04:27 | 0:04:30 | |
-Bye, Mum. -I'm gutted. I want to go out as well. | 0:04:30 | 0:04:33 | |
Adele Taylor struggled with an opulent lifestyle that | 0:04:33 | 0:04:36 | |
separated her from her family. | 0:04:36 | 0:04:39 | |
I'm not the mother of these children. | 0:04:39 | 0:04:40 | |
The nanny has been the mother of the children. | 0:04:40 | 0:04:42 | |
With the country at war, the servants are a thing of the past. | 0:04:44 | 0:04:47 | |
Yeah, look, no staff. | 0:04:47 | 0:04:49 | |
We've got to ring the bell! | 0:04:49 | 0:04:51 | |
Adele has finally got what she wants - a chance to run the family home. | 0:04:51 | 0:04:57 | |
Oh, it's fantastic. | 0:04:57 | 0:04:58 | |
No staff. | 0:04:58 | 0:04:59 | |
Really pleased. There's nobody, so we can just walk wherever we want now. Fantastic. | 0:04:59 | 0:05:03 | |
It's our own little place, isn't it? | 0:05:03 | 0:05:05 | |
-Would you hang my hat up, please? -I'm not doing chores! | 0:05:05 | 0:05:07 | |
What are you going to do? | 0:05:07 | 0:05:09 | |
You're going to have to learn some independence, girl. There's a war on! | 0:05:09 | 0:05:13 | |
The Taylors' old scullery has been transformed into Albert Road's | 0:05:15 | 0:05:19 | |
air raid shelter. | 0:05:19 | 0:05:21 | |
Everything has been taken over, hasn't it? | 0:05:21 | 0:05:23 | |
This looks quite grim down here, actually. | 0:05:23 | 0:05:25 | |
I'm sleeping in the top bunk. | 0:05:25 | 0:05:27 | |
I think, as a family, we are very lucky to have a shelter here, | 0:05:27 | 0:05:31 | |
whereas I think other families that live down the street | 0:05:31 | 0:05:34 | |
would have to go out of the house, so I don't think we can whinge | 0:05:34 | 0:05:37 | |
-and moan, actually, about our shelter. -No. -I think, in fact, it's a very good shelter. | 0:05:37 | 0:05:41 | |
-Right, come on. Shall we have a look upstairs? -Shall we look upstairs? | 0:05:41 | 0:05:44 | |
To the nursery. | 0:05:44 | 0:05:46 | |
-Loads of war toys. -That's what the kids would want to play with, isn't it? | 0:05:46 | 0:05:50 | |
# Da-da-da! # | 0:05:50 | 0:05:51 | |
You couldn't put your head down and forget about it, could you? | 0:05:51 | 0:05:54 | |
There's not a room in the house, as yet, | 0:05:54 | 0:05:56 | |
that we aren't being reminded that we're in wartime. | 0:05:56 | 0:05:59 | |
Hey, we're home! | 0:06:01 | 0:06:03 | |
Hey, you've just walked straight past something. | 0:06:03 | 0:06:06 | |
Oh, rabbits! | 0:06:06 | 0:06:09 | |
In the 21st century, Ian and Naomi Golding believe in modern, hands-on parenting. | 0:06:09 | 0:06:14 | |
I want to stroke one, I want to stroke one! | 0:06:14 | 0:06:18 | |
The close-knit family spent the previous era living the middle-class dream. | 0:06:20 | 0:06:24 | |
Just to be together as a family. | 0:06:24 | 0:06:26 | |
Yeah. 1900s, we didn't see each other at all. | 0:06:26 | 0:06:29 | |
Have you spotted this? | 0:06:30 | 0:06:33 | |
But war has brought the Goldings' golden age to an end. | 0:06:33 | 0:06:36 | |
Oh, no. | 0:06:36 | 0:06:38 | |
What, what? | 0:06:38 | 0:06:40 | |
-Rabbit pie. -We have to kill the rabbit. | 0:06:40 | 0:06:42 | |
Oh, no. | 0:06:42 | 0:06:44 | |
Can I stroke one? | 0:06:44 | 0:06:45 | |
For the first time, everyone on Albert Road is going to be | 0:06:45 | 0:06:48 | |
undergoing the same ordeal - living with a limited food supply. | 0:06:48 | 0:06:52 | |
Dried skimmed milk. | 0:06:52 | 0:06:54 | |
Dried eggs! | 0:06:54 | 0:06:55 | |
Ugh! | 0:06:55 | 0:06:56 | |
How can you fit an egg in there? | 0:06:56 | 0:06:58 | |
There's nothing, look. | 0:06:58 | 0:06:59 | |
We're going to have to be pretty frugal this week. | 0:06:59 | 0:07:02 | |
VOICEOVER: From the very beginning of the war, | 0:07:02 | 0:07:05 | |
one of Germany's principle aims has been Britain's starvation. | 0:07:05 | 0:07:08 | |
Introduced four months into the war, | 0:07:08 | 0:07:09 | |
rationing meant mums of all classes struggled to put food on the table. | 0:07:09 | 0:07:15 | |
Even fresh eggs were scarce. | 0:07:17 | 0:07:19 | |
I don't think we've had a huge amount of food since we've been here, | 0:07:20 | 0:07:24 | |
not when you compare it to five courses a day next door. | 0:07:24 | 0:07:27 | |
I can't kill a rabbit. I couldn't. | 0:07:28 | 0:07:31 | |
We'll be fine, even without the rabbit. | 0:07:31 | 0:07:33 | |
We will manage. | 0:07:33 | 0:07:35 | |
Mum, I don't mind if you kill one. | 0:07:35 | 0:07:37 | |
I've already said I'm not killing a rabbit. They are so cute. | 0:07:37 | 0:07:40 | |
Returning home to their working-class abode, | 0:07:42 | 0:07:45 | |
the Meadows are also in for a big surprise. | 0:07:45 | 0:07:48 | |
Oh! | 0:07:48 | 0:07:50 | |
Oh, my God! | 0:07:50 | 0:07:51 | |
Meat rationing meant that a pig suddenly became a valuable asset. | 0:07:52 | 0:07:56 | |
-There is no way I'm... -Aaaah! | 0:07:57 | 0:08:00 | |
-BLEEP -Hell! | 0:08:02 | 0:08:04 | |
Many families banded together, and nearly 7,000 pig clubs | 0:08:04 | 0:08:08 | |
were formed to raise livestock across the country. | 0:08:08 | 0:08:11 | |
PIG SNORTS | 0:08:11 | 0:08:13 | |
I'm not eating that. I'd rather starve than kill that. | 0:08:13 | 0:08:15 | |
Yeah, same. | 0:08:15 | 0:08:16 | |
Yeah, me too. | 0:08:16 | 0:08:18 | |
No. I'll eat it. | 0:08:18 | 0:08:19 | |
-It's just a pig! -Dad, she can hear you! | 0:08:19 | 0:08:21 | |
They won't kill you, I promise. | 0:08:21 | 0:08:23 | |
From Berkshire, | 0:08:23 | 0:08:25 | |
the Meadows run their own successful family business - a polo school. | 0:08:25 | 0:08:29 | |
But life at the bottom of Albert Road's social pile | 0:08:29 | 0:08:32 | |
has been a constant struggle. | 0:08:32 | 0:08:34 | |
Soul-destroying. Completely soul-destroying. | 0:08:34 | 0:08:37 | |
The family have been forced to live hand-to-mouth in order to survive. | 0:08:37 | 0:08:41 | |
All you do is think about food and tea and warmth. | 0:08:42 | 0:08:45 | |
Food, tea, warmth. That's all you care about. | 0:08:45 | 0:08:49 | |
-Oh, wow! -We've got some veggies on the go here. | 0:08:50 | 0:08:52 | |
Brilliant! | 0:08:52 | 0:08:54 | |
Finally, things are looking up for the Meadows. | 0:08:54 | 0:08:56 | |
What are these? Are these cabbages? | 0:08:56 | 0:08:58 | |
Cabbages. | 0:08:58 | 0:08:59 | |
These'll be runner beans. | 0:08:59 | 0:09:01 | |
As well as raising animals for meat, | 0:09:01 | 0:09:03 | |
households were encouraged to dig for victory, | 0:09:03 | 0:09:06 | |
and grow their own vegetables to supplement their meagre rations. | 0:09:06 | 0:09:09 | |
That is rhubarb. | 0:09:09 | 0:09:10 | |
Oh, rhubarb, that'll be lovely! | 0:09:10 | 0:09:13 | |
While rations were seen as a hardship by well-off families, | 0:09:13 | 0:09:16 | |
the poorest actually improved their diets, due to a lower sugar intake. | 0:09:16 | 0:09:20 | |
Before the war, two thirds of poor households were considered to be under-nourished. | 0:09:20 | 0:09:24 | |
This is going to make a big difference to us. | 0:09:24 | 0:09:27 | |
Before, it's been a question of, | 0:09:27 | 0:09:29 | |
"Well, can we find a potato, or can we afford to buy some mince?" | 0:09:29 | 0:09:34 | |
So, now, I think it's possibly going to be better for us, | 0:09:34 | 0:09:36 | |
as a working-class household. | 0:09:36 | 0:09:39 | |
Times are changing for the inhabitants of number three, | 0:09:39 | 0:09:42 | |
and Joe Crowley has important news for one member of the family. | 0:09:42 | 0:09:47 | |
Come with me. I've got some extra duties for you you might be interested in. | 0:09:47 | 0:09:51 | |
Do you know what this is, on the corner? | 0:09:51 | 0:09:53 | |
An air raid shelter. | 0:09:53 | 0:09:55 | |
Close. This is the local ARP warden's base. | 0:09:55 | 0:10:00 | |
So, we need an ARP this week. | 0:10:00 | 0:10:03 | |
That'll be you, then, Phil. | 0:10:03 | 0:10:05 | |
I would like to proudly bestow this helmet on Suzie. | 0:10:05 | 0:10:09 | |
One sixth of all air raid precaution wardens were women. | 0:10:13 | 0:10:16 | |
It was one of the first times that women performed a uniformed civic defence role on Britain's streets. | 0:10:18 | 0:10:23 | |
You won't actually be sounding the siren. | 0:10:23 | 0:10:26 | |
That's done from the police station locally. | 0:10:26 | 0:10:28 | |
But, just so we can tune our ears, come with me. | 0:10:28 | 0:10:32 | |
Here is an air raid siren. | 0:10:32 | 0:10:34 | |
Righty-ho. | 0:10:34 | 0:10:35 | |
So, give it some welly, and let's see what it sounds like. | 0:10:35 | 0:10:38 | |
Are you ready? | 0:10:38 | 0:10:39 | |
AIR RAID SIREN WAILS | 0:10:39 | 0:10:45 | |
-I'm sorry to tell you that was a false alarm this time round. -A false alarm? | 0:10:54 | 0:10:58 | |
That's good, we're here, we're organised. | 0:10:58 | 0:11:00 | |
-It's good. -It's good to practice. | 0:11:00 | 0:11:01 | |
This is what the ARP warden wants to see. | 0:11:01 | 0:11:04 | |
We'll go back now. Thank you. Come on, guys. | 0:11:04 | 0:11:06 | |
-Have a good week. -Thank you. | 0:11:06 | 0:11:07 | |
It's going to be a tough one, but stay safe. | 0:11:07 | 0:11:09 | |
Thank you, bye. | 0:11:09 | 0:11:10 | |
Look after that pig. | 0:11:10 | 0:11:11 | |
After the horrors of the First World War, | 0:11:12 | 0:11:16 | |
it was feared that the Germans would again use poison gas. | 0:11:16 | 0:11:19 | |
Fearing that, this time, civilians would be targeted, | 0:11:22 | 0:11:25 | |
gas masks were issued to every man, woman and child. | 0:11:25 | 0:11:29 | |
Good afternoon, Mrs Taylor. I've come to fit you with your gas masks. | 0:11:30 | 0:11:34 | |
As ARP warden, it's Suzie's responsibility to keep the neighbours safe. | 0:11:34 | 0:11:39 | |
Beautifully done. Perfect. | 0:11:39 | 0:11:42 | |
It suddenly makes it all more serious, doesn't it, | 0:11:42 | 0:11:44 | |
-putting these on? -I know. | 0:11:44 | 0:11:47 | |
And that this is a one-stop shop. You get it wrong... | 0:11:47 | 0:11:50 | |
-And we die. -And you're gassed. | 0:11:50 | 0:11:52 | |
It must have been really freaky, standing in a room full of gas, | 0:11:53 | 0:11:56 | |
and all you've got to protect you is this. | 0:11:56 | 0:11:59 | |
So, basically, you have to rely on this for your survival. | 0:11:59 | 0:12:02 | |
Quite scary, actually, because they look like monsters in it. | 0:12:02 | 0:12:07 | |
Breathe in and out. Make a noise. That's it. | 0:12:07 | 0:12:10 | |
It feels really strange putting little children in gas masks. | 0:12:13 | 0:12:17 | |
I think that these are things that could happen to anybody, | 0:12:17 | 0:12:20 | |
big or small. | 0:12:20 | 0:12:22 | |
It just gives you the creeps, really, | 0:12:22 | 0:12:25 | |
because you realise that they're really at risk. | 0:12:25 | 0:12:28 | |
By June 1940, after the British Army's retreat from Dunkirk, | 0:12:28 | 0:12:32 | |
much of northern Europe was occupied by the Nazis. | 0:12:32 | 0:12:35 | |
With German forces poised across the Channel, | 0:12:35 | 0:12:38 | |
Britain and its dominions stood alone. | 0:12:38 | 0:12:41 | |
RADIO: We are going to ask you to help us. | 0:12:41 | 0:12:43 | |
Here, then, is the opportunity for which | 0:12:43 | 0:12:45 | |
so many of you have been waiting. | 0:12:45 | 0:12:48 | |
The government appealed for all able-bodied men to join the LDV, | 0:12:48 | 0:12:51 | |
or Local Defence Volunteers, later to be renamed the Home Guard. | 0:12:51 | 0:12:55 | |
You have already got your motto. And your motto is "Kill the Boche!" | 0:12:55 | 0:12:59 | |
With the ceiling for conscription set at the age of 27, | 0:12:59 | 0:13:03 | |
the LDV gave older dads across the land the opportunity | 0:13:03 | 0:13:06 | |
to protect their families in the event of a Nazi invasion. | 0:13:06 | 0:13:08 | |
Michael Taylor is a former member of the RAF, | 0:13:10 | 0:13:13 | |
with 16 years' service behind him. | 0:13:13 | 0:13:16 | |
Feel like Dad's Army. | 0:13:16 | 0:13:17 | |
We are Dad's Army, yes. | 0:13:17 | 0:13:19 | |
Oh, so you're not really in any danger, are you? You're just... | 0:13:19 | 0:13:21 | |
I've got more chance of shooting my foot, I think, | 0:13:21 | 0:13:24 | |
than shooting anything else! | 0:13:24 | 0:13:25 | |
When I joined up, it was more about a job, really, | 0:13:25 | 0:13:27 | |
and a different environment for my life. | 0:13:27 | 0:13:30 | |
It was never about fighting, or anything else. | 0:13:30 | 0:13:33 | |
I have full respect for anybody who stands up and joins up, | 0:13:33 | 0:13:36 | |
whatever, police, whatever, you know what I mean. | 0:13:36 | 0:13:39 | |
I've always said that about people who stand up and be counted. | 0:13:39 | 0:13:42 | |
You know. It's important. | 0:13:42 | 0:13:43 | |
-Enjoy yourself. -Continue cooking! | 0:13:43 | 0:13:47 | |
Oh, is that his weapon?! | 0:13:47 | 0:13:49 | |
SHE LAUGHS | 0:13:49 | 0:13:51 | |
She's evil, she is. Absolutely evil! | 0:13:51 | 0:13:54 | |
You're not supposed to laugh! | 0:13:55 | 0:13:57 | |
-Oh, my gosh! -What do you think of that? | 0:13:57 | 0:13:59 | |
That's scary. | 0:13:59 | 0:14:01 | |
With real weapons in short supply, | 0:14:01 | 0:14:03 | |
due to the needs of the regular army, | 0:14:03 | 0:14:05 | |
volunteers had to make do with whatever came to hand. | 0:14:05 | 0:14:09 | |
Have you stolen that from my kitchen? | 0:14:09 | 0:14:12 | |
Careful of yourself. | 0:14:12 | 0:14:14 | |
Look at that. | 0:14:14 | 0:14:15 | |
I'll tell you what, if the Germans saw us coming, they'll run a mile. | 0:14:15 | 0:14:18 | |
Armed to the teeth with their makeshift weapons, the men | 0:14:21 | 0:14:24 | |
are off to the seafront to join some local Home Guard enthusiasts. | 0:14:24 | 0:14:28 | |
Section in single file. Fall in! | 0:14:28 | 0:14:32 | |
One of the vital roles of the Home Guard was to patrol Britain's shoreline. | 0:14:34 | 0:14:39 | |
I think we're a dog's hind leg here, aren't we? | 0:14:39 | 0:14:41 | |
Get it straight, this time. | 0:14:41 | 0:14:43 | |
In Morecambe, many of the eligible men in the town volunteered. | 0:14:43 | 0:14:46 | |
By the left, quick march! | 0:14:46 | 0:14:48 | |
# Who do you think you are kidding, Mr Hitler...? # | 0:14:48 | 0:14:52 | |
Halt! | 0:14:52 | 0:14:54 | |
# If you think we're on the run... # | 0:14:54 | 0:14:56 | |
Something funny? | 0:14:56 | 0:14:58 | |
He's learning how to walk! | 0:14:58 | 0:15:00 | |
That's not bad, that wasn't bad! | 0:15:01 | 0:15:05 | |
Arms straight. | 0:15:05 | 0:15:07 | |
In defence of the realm... | 0:15:08 | 0:15:11 | |
I don't get it. What am I doing? | 0:15:11 | 0:15:13 | |
..all the social classes have been thrown together. | 0:15:13 | 0:15:16 | |
Despite living side-by-side on Albert Road... | 0:15:23 | 0:15:27 | |
-Good evening, Mrs Taylor. -Good evening, Phil. | 0:15:27 | 0:15:29 | |
..the three families have spent the last 40 years separated by class. | 0:15:29 | 0:15:33 | |
Phil, the car is expensive to keep. We can no longer keep you employed. | 0:15:33 | 0:15:38 | |
Left, right, left! | 0:15:39 | 0:15:40 | |
Now the dads of Albert Road are forced to work together | 0:15:40 | 0:15:43 | |
to protect their families. | 0:15:43 | 0:15:46 | |
About turn! | 0:15:46 | 0:15:48 | |
Quick march! | 0:15:50 | 0:15:52 | |
Look at Dad! He does get a gun. | 0:15:52 | 0:15:55 | |
Oh, bless him! He's got a wooden gun and a girl guide's hat. | 0:15:55 | 0:15:59 | |
He's looking really mean(!) | 0:15:59 | 0:16:01 | |
Are you proud of Daddy? | 0:16:01 | 0:16:04 | |
He looks great, doesn't he? | 0:16:04 | 0:16:06 | |
Just like an army, a family marches on its stomach. | 0:16:06 | 0:16:09 | |
"Carefully selected pure cod liver oil." | 0:16:09 | 0:16:13 | |
Oh, no, that's repulsive! | 0:16:13 | 0:16:16 | |
Right, line up in a queue. | 0:16:16 | 0:16:19 | |
To supplement a wartime diet short on fresh meat, fish and veg, | 0:16:19 | 0:16:22 | |
a daily dose of cod liver oil was thought to keep kids | 0:16:22 | 0:16:25 | |
rickets-free and fighting fit. | 0:16:25 | 0:16:26 | |
-Nice? Not nice? -Tastes like fish. | 0:16:26 | 0:16:29 | |
Next! | 0:16:31 | 0:16:32 | |
Ready? | 0:16:32 | 0:16:34 | |
Mess about and you get double. | 0:16:34 | 0:16:35 | |
Good children. Well done. | 0:16:38 | 0:16:39 | |
If you mess about, you get double. | 0:16:44 | 0:16:47 | |
Oh, no. That is rank. | 0:16:48 | 0:16:51 | |
No longer a lady of leisure, Adele Taylor is now chef, | 0:16:51 | 0:16:54 | |
nanny and mother combined. | 0:16:54 | 0:16:57 | |
Don't give it if you can't take it! | 0:16:57 | 0:16:59 | |
It feels fantastic being back. | 0:16:59 | 0:17:01 | |
This is where I wanted to be all along, busy and doing something, | 0:17:01 | 0:17:05 | |
and the kids are running around as they would at home, | 0:17:05 | 0:17:08 | |
and it just feels more like a home again. | 0:17:08 | 0:17:10 | |
With a hungry house to feed, but with the cupboards bare, | 0:17:10 | 0:17:14 | |
Adele is following government advice to make the most of her limited rations. | 0:17:14 | 0:17:18 | |
VOICEOVER: There's lots of potatoes about now. | 0:17:18 | 0:17:21 | |
That's the boy, have a second helping. Good health to you. | 0:17:21 | 0:17:24 | |
There was a drive to take advantage of the nation's vegetable supply, | 0:17:24 | 0:17:28 | |
as it was one of the few foods not subject to ration. | 0:17:28 | 0:17:31 | |
One dish that mums across the land were encouraged to make | 0:17:31 | 0:17:35 | |
was Woolton pie. | 0:17:35 | 0:17:36 | |
It's just severely lacking in meat. | 0:17:36 | 0:17:38 | |
I wouldn't normally just do a vegetarian pie. | 0:17:38 | 0:17:41 | |
Named after the Minister for Food, Lord Woolton, | 0:17:41 | 0:17:44 | |
the pie made use of root vegetables, as meat was in such scarce supply. | 0:17:44 | 0:17:47 | |
That is actually really nice. | 0:17:49 | 0:17:51 | |
But it had its drawbacks. | 0:17:51 | 0:17:53 | |
I can imagine it might be quite smelly! | 0:17:53 | 0:17:55 | |
Dad, we do not talk about these things at the table! | 0:17:56 | 0:17:59 | |
Just because we're out of Edwardian times and in the war | 0:17:59 | 0:18:01 | |
doesn't give you permission to talk about rude things at the table. | 0:18:01 | 0:18:04 | |
Good job we've got gas masks, eh? | 0:18:04 | 0:18:06 | |
I reckon we've come down a peg or two since the 1900s, don't you? | 0:18:07 | 0:18:11 | |
Well, we're eating together. | 0:18:11 | 0:18:13 | |
Yeah, that's really good. | 0:18:13 | 0:18:14 | |
This food is actually nice. | 0:18:14 | 0:18:16 | |
It's the first time we've actually sat down all together. | 0:18:16 | 0:18:20 | |
-So things are looking up. -Mmm. | 0:18:20 | 0:18:22 | |
I'm a washer. | 0:18:22 | 0:18:23 | |
Where's that tea towel? | 0:18:23 | 0:18:25 | |
AIR RAID SIRENS WAIL | 0:18:25 | 0:18:28 | |
Quick, guys. Grab your things. | 0:18:28 | 0:18:30 | |
An air raid warning could come at any time. | 0:18:30 | 0:18:33 | |
Come on, Jack. Right, coats on. | 0:18:33 | 0:18:36 | |
Once the siren sounded, people often had just minutes | 0:18:36 | 0:18:39 | |
to get to the nearest shelter before the bombs began to fall. | 0:18:39 | 0:18:42 | |
Goldings! | 0:18:42 | 0:18:43 | |
WHISTLE | 0:18:43 | 0:18:45 | |
Get all your stuff! | 0:18:45 | 0:18:46 | |
The Second World War placed the British family right on the front line. | 0:18:46 | 0:18:49 | |
In an attempt to bring Britain to its knees, the Germans dropped | 0:18:51 | 0:18:54 | |
tens of thousands of bombs on ports, factories, but also on family homes. | 0:18:54 | 0:18:59 | |
Right, quick, down you go. | 0:18:59 | 0:19:01 | |
We hope we've made it comfy enough. | 0:19:01 | 0:19:04 | |
-It'll do. We're all together, aren't we? -We're all together. | 0:19:04 | 0:19:08 | |
From the south coast to the Liverpool docks, | 0:19:12 | 0:19:15 | |
no city was spared from attack. | 0:19:15 | 0:19:17 | |
VOICEOVER: Every town is a target. Any town is a target. | 0:19:18 | 0:19:22 | |
In total, over the duration of the war, more than two million homes were destroyed. | 0:19:22 | 0:19:25 | |
Can you hear the aeroplanes? Listen. | 0:19:26 | 0:19:28 | |
Sssh. | 0:19:28 | 0:19:30 | |
It's really close. | 0:19:31 | 0:19:33 | |
It's a bit frightening being down here, | 0:19:34 | 0:19:36 | |
because even though I know it's not real, | 0:19:36 | 0:19:39 | |
you can feel what they must have felt | 0:19:39 | 0:19:42 | |
in those days, when the war was going on, | 0:19:42 | 0:19:46 | |
and it must have been absolutely horrible for them, | 0:19:46 | 0:19:48 | |
and they wouldn't have been able to sleep down here, no way. | 0:19:48 | 0:19:52 | |
Not at all. | 0:19:52 | 0:19:53 | |
Where is our comfort and reassurance? We're fragile beings. | 0:19:53 | 0:19:58 | |
We're safe down here. | 0:19:58 | 0:20:00 | |
-We're safe down here. -You're gambling. | 0:20:00 | 0:20:03 | |
You two just, you know. | 0:20:03 | 0:20:04 | |
You'll be all right. | 0:20:04 | 0:20:06 | |
EXPLOSION Oh, gosh! | 0:20:06 | 0:20:09 | |
This is what we'd have done. We'd just carry on. | 0:20:10 | 0:20:13 | |
-Stiff upper lip. -Try and block it out and just get on with it. | 0:20:13 | 0:20:17 | |
You'd want to give an exterior to everybody else that you're | 0:20:17 | 0:20:20 | |
just carrying on, and that everything is all right, | 0:20:20 | 0:20:22 | |
because you want to keep everything calm. | 0:20:22 | 0:20:24 | |
You don't want to scare everybody. Do you know what I mean? | 0:20:24 | 0:20:27 | |
When they're coming over. | 0:20:27 | 0:20:28 | |
Can we please get our mother in here? | 0:20:28 | 0:20:31 | |
I think I'd be happy if Suzie were down here. | 0:20:31 | 0:20:33 | |
Even with the families safe in the shelter, | 0:20:35 | 0:20:37 | |
the dangerous job of the ARP warden was far from over. | 0:20:37 | 0:20:41 | |
Many were killed or injured serving their communities. | 0:20:43 | 0:20:46 | |
I do feel slightly vulnerable. | 0:20:47 | 0:20:48 | |
Surrounded by sandbags on my own, while there's mayhem all around me, | 0:20:50 | 0:20:57 | |
and anyone I know and love is down in the basement in a lovely house. | 0:20:57 | 0:21:01 | |
I'm not sure I would have signed up for this. | 0:21:01 | 0:21:03 | |
I don't know whether I've got what it takes. | 0:21:03 | 0:21:05 | |
I think we should go and get her, to be honest. | 0:21:05 | 0:21:07 | |
Everyone else feels the same, | 0:21:07 | 0:21:09 | |
and you're sat there playing a card game. | 0:21:09 | 0:21:12 | |
If I go out there, and something happens to me, | 0:21:12 | 0:21:14 | |
they then have to come and look for me. | 0:21:14 | 0:21:16 | |
-She knows what she's doing. She's the warden. -Yeah. | 0:21:16 | 0:21:20 | |
That's her job. | 0:21:20 | 0:21:21 | |
BELL RINGS | 0:21:21 | 0:21:22 | |
Here we go. | 0:21:22 | 0:21:24 | |
CHEERING | 0:21:24 | 0:21:26 | |
There has been some bomb damage. | 0:21:29 | 0:21:31 | |
I've got to take you with the torch. There's been a power cut. | 0:21:31 | 0:21:34 | |
And so we need just to err on the side of caution. | 0:21:34 | 0:21:39 | |
During the nine months of the Blitz alone, | 0:21:48 | 0:21:50 | |
nearly 45,000 British civilians lost their lives. | 0:21:50 | 0:21:54 | |
So we'll be clearing up tomorrow, OK, guys? | 0:21:55 | 0:21:58 | |
Yeah, we'll sort it out. Come on, let's just get in the house, guys. | 0:21:58 | 0:22:01 | |
Get in the house, go to bed. I'll see you in the morning. | 0:22:01 | 0:22:04 | |
Often, families returned to homes without electricity or gas, | 0:22:04 | 0:22:08 | |
with cables and pipes having been damaged by falling bombs. | 0:22:08 | 0:22:11 | |
Right. | 0:22:11 | 0:22:13 | |
Who's up for tea, anyone? | 0:22:13 | 0:22:14 | |
Yeah. | 0:22:14 | 0:22:15 | |
For once, living in a working-class house powered by coal has its benefits. | 0:22:15 | 0:22:20 | |
The great British fix, isn't it? Having a cup of tea. | 0:22:20 | 0:22:23 | |
Five minutes' time, we'll be in the right. | 0:22:23 | 0:22:26 | |
For the Golding children, | 0:22:30 | 0:22:31 | |
the reality of life in wartime is sinking in. | 0:22:31 | 0:22:34 | |
It's all right, you're all safe now, OK? | 0:22:34 | 0:22:38 | |
It's surreal. | 0:22:38 | 0:22:39 | |
So, from being a very comical, fun day, suddenly, | 0:22:39 | 0:22:43 | |
the reality of what actually happened hit us, | 0:22:43 | 0:22:46 | |
and that's when, for the first time, the children got really spooked. | 0:22:46 | 0:22:50 | |
I don't want it to happen again. | 0:22:50 | 0:22:52 | |
And it just makes you think what children would have felt, | 0:22:55 | 0:22:58 | |
the first time that happened for real. | 0:22:58 | 0:23:01 | |
You know, in 1939, 1940. | 0:23:01 | 0:23:04 | |
They must have been absolutely scared out of their wits. | 0:23:04 | 0:23:08 | |
We have quite significant damage through the hallway. | 0:23:24 | 0:23:27 | |
Besides that, the rest of the drawing room got on OK. | 0:23:27 | 0:23:30 | |
The picture of great-aunt Marge was all right. | 0:23:30 | 0:23:33 | |
And then, through to the kitchen, | 0:23:33 | 0:23:35 | |
which Adele's now busy clearing up and getting ready for breakfast. | 0:23:35 | 0:23:38 | |
It's going to take a little while until we're ready, guys, because it's filthy. | 0:23:38 | 0:23:42 | |
The gas is still off, so we haven't got a cup of tea. | 0:23:42 | 0:23:44 | |
The Taylors are in need of a helping hand from their less well-to-do neighbours. | 0:23:44 | 0:23:48 | |
A bit of cake we've got left over. | 0:23:48 | 0:23:50 | |
We're going to take a couple of slices down to the Meadows, | 0:23:50 | 0:23:52 | |
and say to them, "Would you like some cake?" | 0:23:52 | 0:23:55 | |
"And would you be able to fill the flask up with some boiling water, | 0:23:55 | 0:23:58 | |
"so we can have a nice cup of tea, as we've got no gas." | 0:23:58 | 0:24:00 | |
So, yeah, how the worm has turned. | 0:24:00 | 0:24:02 | |
It has, certainly turned. | 0:24:02 | 0:24:04 | |
So we're the ones in need. | 0:24:04 | 0:24:05 | |
Do you know what is ironic? | 0:24:07 | 0:24:09 | |
That now you're the ones where we all want to be! | 0:24:09 | 0:24:11 | |
What a twist of fate. | 0:24:11 | 0:24:13 | |
The Germans hoped that an intense bombing campaign would destroy | 0:24:14 | 0:24:18 | |
the morale of the British public. | 0:24:18 | 0:24:21 | |
-Some serious damage outside yours. -I know. | 0:24:21 | 0:24:24 | |
Come on, Mr Taylor! | 0:24:24 | 0:24:26 | |
If you didn't have such a big house, you wouldn't have so much rubbish! | 0:24:32 | 0:24:36 | |
But amongst the debris, new bonds are being formed. | 0:24:36 | 0:24:39 | |
30 years ago, I wouldn't even look him in the eye. | 0:24:39 | 0:24:43 | |
You know, I'd keep my head down, like this, and he'd walk past, | 0:24:43 | 0:24:45 | |
in case I upset him, or did something wrong, | 0:24:45 | 0:24:47 | |
and I got sacked, or whatever. | 0:24:47 | 0:24:49 | |
So it is amazing, now, the two of us are out clearing up your house. | 0:24:49 | 0:24:52 | |
It was a rubbish time, wasn't it? | 0:24:52 | 0:24:54 | |
Still clearing up his house! | 0:24:54 | 0:24:56 | |
It's amazing what a war does, isn't it? | 0:24:56 | 0:24:57 | |
I really like the sense of community that is building. | 0:25:00 | 0:25:04 | |
Yeah, they're all working together outside, aren't they? | 0:25:04 | 0:25:07 | |
Everyone's hands-on. | 0:25:07 | 0:25:09 | |
And we're whisking. | 0:25:10 | 0:25:11 | |
And we're whisking and beating together. | 0:25:11 | 0:25:14 | |
We are very housewifely, aren't we? | 0:25:14 | 0:25:16 | |
And what's Adele's excuse for not being here? | 0:25:17 | 0:25:19 | |
I'm not quite sure. She's so excited to have a kitchen, I think. | 0:25:19 | 0:25:23 | |
We'll have this looking cleaner than when I started. | 0:25:23 | 0:25:26 | |
Albert Road might have taken a pasting, | 0:25:26 | 0:25:28 | |
but a new fighting spirit has emerged. | 0:25:28 | 0:25:32 | |
I'm now thinking, "Go and bomb them bloody Germans, finish them off! | 0:25:32 | 0:25:35 | |
"You're not coming in my kitchen and wrecking it." | 0:25:35 | 0:25:37 | |
So I can see how it, kind of... | 0:25:37 | 0:25:40 | |
I don't know whether bombing civilians was counter-productive, | 0:25:40 | 0:25:43 | |
because you suddenly get this uprise of people, really angry, | 0:25:43 | 0:25:47 | |
and I'm a bit fed up that they've come and done this! | 0:25:47 | 0:25:51 | |
TRUMPET PLAYS | 0:25:51 | 0:25:54 | |
As the war raged on, | 0:25:56 | 0:25:58 | |
the army needed ever more soldiers to swell its ranks. | 0:25:58 | 0:26:02 | |
Your country calls upon you for your own protection, | 0:26:02 | 0:26:07 | |
and the protection of your families and your friends. | 0:26:07 | 0:26:10 | |
By June 1941, conscription was extended | 0:26:10 | 0:26:14 | |
to all men up to 41 years of age. | 0:26:14 | 0:26:16 | |
In total, over 4.5 million men were called up. | 0:26:18 | 0:26:21 | |
I've come to give you some news you must have been half expecting. | 0:26:23 | 0:26:26 | |
You two, Michael and Ian, you're both under 41, | 0:26:26 | 0:26:29 | |
so I've got your conscription papers. | 0:26:29 | 0:26:32 | |
You're going to war. Mr Golding, Mr Taylor. | 0:26:32 | 0:26:35 | |
I've just got my family back, and we're being ripped apart again. | 0:26:35 | 0:26:38 | |
At 50, Phil Meadows is too old to be conscripted. | 0:26:38 | 0:26:43 | |
You're going to keep in the Home Guard. | 0:26:43 | 0:26:45 | |
Your contribution is going to be just as important as these guys to the battlefield. | 0:26:45 | 0:26:48 | |
How do you feel? | 0:26:48 | 0:26:50 | |
You want to go and do your bit, especially when your mates are going. | 0:26:50 | 0:26:54 | |
Yeah, that's true. | 0:26:54 | 0:26:56 | |
As a mate, that's really nice, that is. I'm touched. | 0:26:57 | 0:27:00 | |
Good luck. Really good luck, OK? | 0:27:00 | 0:27:02 | |
Thank you very much. | 0:27:02 | 0:27:04 | |
Come on, let's go and say goodbye. | 0:27:04 | 0:27:06 | |
Oh, no. Daddy's leaving us. | 0:27:12 | 0:27:14 | |
Is this now? You're going now? | 0:27:16 | 0:27:17 | |
I haven't got much time is all I've been told. | 0:27:17 | 0:27:20 | |
Where are you going? | 0:27:20 | 0:27:22 | |
I'm going to war, Katie. | 0:27:22 | 0:27:23 | |
Great. | 0:27:24 | 0:27:26 | |
-Now? -Yes, today, we're off. | 0:27:26 | 0:27:28 | |
You're going to be the only one in the house. | 0:27:28 | 0:27:30 | |
-Yeah, and Megan. -There's a surprise(!) | 0:27:30 | 0:27:32 | |
So is that all it does? It says you've got to go? | 0:27:32 | 0:27:34 | |
Yeah, that's it. | 0:27:34 | 0:27:35 | |
Right, OK. | 0:27:35 | 0:27:37 | |
To be able to go and have the opportunity to go to war is good. | 0:27:42 | 0:27:45 | |
You know, I'll be doing something that's vital to my family | 0:27:45 | 0:27:49 | |
and to families all over the country, so I'm ready for it, now. | 0:27:49 | 0:27:54 | |
And I'm sure Naomi'll get on with it here. | 0:27:54 | 0:27:56 | |
We'll be fine, won't we? | 0:27:56 | 0:27:59 | |
We'll be fine. | 0:27:59 | 0:28:01 | |
I can shoot a gun better than them, ride a horse better than them, | 0:28:03 | 0:28:06 | |
drive a car better than them, so why should I be stuck at home? | 0:28:06 | 0:28:09 | |
It's an age thing, a fitness thing, yeah? | 0:28:09 | 0:28:11 | |
And I could probably out-fitness them. | 0:28:11 | 0:28:13 | |
It's probably something to do with being old. | 0:28:13 | 0:28:16 | |
I don't think people like being old. | 0:28:16 | 0:28:17 | |
And it's kind of reconfirmed the fact that you're not good enough to go and fight for your country. | 0:28:17 | 0:28:21 | |
Next door, before Ian Golding leaves for war, Juliet has come to reveal | 0:28:33 | 0:28:37 | |
how the conflict changed some of his family's lives for ever. | 0:28:37 | 0:28:41 | |
Ian's great-aunt Minnie was married to Nathan Cassler. | 0:28:42 | 0:28:46 | |
Together, they had three daughters, Edith, Brenda and Natalie. | 0:28:46 | 0:28:51 | |
-You know that they're a London family. -Yes. | 0:28:51 | 0:28:54 | |
Nathan, in particular, was very anxious about the bombing coming, | 0:28:54 | 0:28:57 | |
and so he moved his family to Brighton. | 0:28:57 | 0:29:02 | |
Now, that is a picture of the three girls, the oldest one, Edith, | 0:29:02 | 0:29:07 | |
then Brenda, and then little Natalie there. | 0:29:07 | 0:29:11 | |
-Oh, wow. -But, of course, as we know, there's no safety in the Second World War. -No. | 0:29:11 | 0:29:16 | |
Brighton was badly bombed. | 0:29:16 | 0:29:17 | |
On 9th April, 1941, a moonlit raid was to devastate Brighton. | 0:29:17 | 0:29:23 | |
What happened, unfortunately, in that moonlit raid, | 0:29:26 | 0:29:29 | |
was that a bomb fell on Norfolk Square, | 0:29:29 | 0:29:33 | |
-where Nathan, Minnie and the three children were living. -Oh. | 0:29:33 | 0:29:39 | |
If you have a look here. | 0:29:39 | 0:29:41 | |
So, Brenda, she was only 11. | 0:29:41 | 0:29:43 | |
"Died due to war operations. | 0:29:43 | 0:29:46 | |
"Edith Cassler, 16 years. | 0:29:46 | 0:29:50 | |
"Natalie Cassler, female of five." | 0:29:51 | 0:29:53 | |
Blimey. So, five, 11 and 16. | 0:29:55 | 0:29:57 | |
A day later, their father's body was found. | 0:29:59 | 0:30:02 | |
Miraculously, Ian's great-aunt Minnie survived the blast. | 0:30:03 | 0:30:07 | |
I mean, to live the rest of your life with that, | 0:30:07 | 0:30:11 | |
to have been the one that survived, you'd almost, probably, | 0:30:11 | 0:30:14 | |
preferred to have died as well. | 0:30:14 | 0:30:17 | |
Well, it's interesting, | 0:30:17 | 0:30:20 | |
when you think about where to send your children. | 0:30:20 | 0:30:22 | |
I mean, obviously, they chose to go to Brighton, which, maybe, | 0:30:22 | 0:30:27 | |
that makes it all the worse. | 0:30:27 | 0:30:28 | |
-Can you imagine if that was our three children? -Mmm. | 0:30:28 | 0:30:32 | |
She thought she was keeping her family together | 0:30:32 | 0:30:34 | |
by doing what she did, and then she didn't. | 0:30:34 | 0:30:37 | |
Ultimately, she didn't end up with the children. | 0:30:37 | 0:30:40 | |
We should never forget, and we should talk about it more, | 0:30:43 | 0:30:46 | |
and I think it's important that we don't forget, going forward. | 0:30:46 | 0:30:50 | |
Almost 8,000 British children lost their lives during the war. | 0:30:56 | 0:31:00 | |
NEWSREEL: From cities and towns, children in their thousands | 0:31:00 | 0:31:03 | |
have left their parents and been drafted off to safety zones. | 0:31:03 | 0:31:06 | |
Evacuation out of the cities was agreed by all | 0:31:07 | 0:31:10 | |
to be the best way to keep children safe. | 0:31:10 | 0:31:13 | |
In total, over two million kids were sent away by their parents | 0:31:14 | 0:31:19 | |
to the perceived safety of the countryside. | 0:31:19 | 0:31:22 | |
Right, what you need in your suitcases are your pyjamas. | 0:31:22 | 0:31:27 | |
The women of Albert Road aren't just losing their husbands. | 0:31:27 | 0:31:31 | |
-Jack. -Yeah? | 0:31:33 | 0:31:34 | |
Would you like a new cardigan to take? | 0:31:34 | 0:31:37 | |
I think, in the modern day, | 0:31:37 | 0:31:40 | |
you try and prepare your children for everything. | 0:31:40 | 0:31:43 | |
I think they'll all be fine, as long as they're together. | 0:31:43 | 0:31:46 | |
I'm sad and happy. | 0:31:46 | 0:31:49 | |
Sad because Mum's on her own, and happy because I'm going | 0:31:49 | 0:31:54 | |
with my friends and we're going to have a really nice time. | 0:31:54 | 0:31:59 | |
It must have been tough for mums. It's hard to be without your family. | 0:31:59 | 0:32:02 | |
But you know you've done your best for them. | 0:32:02 | 0:32:05 | |
Just keep them safe, and I think it's your duty, as a mum. | 0:32:07 | 0:32:10 | |
To keep them safe, and it's your duty as a wife to carry on. | 0:32:11 | 0:32:15 | |
I'm trying to keep positive about it. | 0:32:15 | 0:32:18 | |
This must have been heartbreaking for the mums, | 0:32:18 | 0:32:21 | |
having to pack all the cases up with their belongings in. | 0:32:21 | 0:32:27 | |
I think it would be really hard for the children. | 0:32:27 | 0:32:31 | |
Yeah, because they're leaving their mum, for weeks, maybe. | 0:32:31 | 0:32:34 | |
And it would be hard for mums, as well, wouldn't it? | 0:32:36 | 0:32:39 | |
Yeah, because they'll have to stay at home. | 0:32:39 | 0:32:43 | |
-On their own. -All the time. | 0:32:43 | 0:32:44 | |
We're all together, and then we just have to leave each other, don't we? | 0:32:44 | 0:32:51 | |
One happy day. | 0:32:51 | 0:32:53 | |
Yeah, just one. | 0:32:53 | 0:32:55 | |
And then it's like the Edwardian times. | 0:32:55 | 0:32:58 | |
Yeah. | 0:32:58 | 0:32:59 | |
MUSIC: "We'll Meet Again" by Vera Lynn | 0:33:05 | 0:33:07 | |
# Let's say goodbye With a smile, dear | 0:33:07 | 0:33:09 | |
# Just for a while, dear | 0:33:09 | 0:33:12 | |
# We must part... # | 0:33:12 | 0:33:14 | |
Wartime parents said goodbye, | 0:33:14 | 0:33:15 | |
not knowing when it would be safe for their children to return. | 0:33:15 | 0:33:19 | |
Or how long it would be until they saw them again. | 0:33:19 | 0:33:23 | |
Will you be a good boy? | 0:33:24 | 0:33:26 | |
That's ours. | 0:33:27 | 0:33:28 | |
You're very excited, aren't you? | 0:33:28 | 0:33:30 | |
# We'll meet again | 0:33:30 | 0:33:33 | |
# Don't know where, don't know when | 0:33:33 | 0:33:38 | |
# But I know we'll meet again Some sunny day... # | 0:33:38 | 0:33:45 | |
Thank you. | 0:33:45 | 0:33:47 | |
You have to smile for them, don't you? | 0:33:52 | 0:33:54 | |
-Yes. -Smile for them. | 0:33:54 | 0:33:55 | |
# Till the blue skies chase those dark clouds far away... # | 0:33:59 | 0:34:07 | |
# We'll meet again | 0:34:07 | 0:34:12 | |
# Don't know where, don't know when | 0:34:12 | 0:34:19 | |
# But I know we'll meet again Some sunny day. # | 0:34:19 | 0:34:33 | |
Another era, another separation. | 0:34:33 | 0:34:36 | |
Yeah, it's really difficult. | 0:34:38 | 0:34:40 | |
I suppose you just try to imagine what women must have been going through. | 0:34:40 | 0:34:43 | |
It must have been hell. Absolute hell. | 0:34:43 | 0:34:46 | |
Yeah, because you didn't have any idea when they'd be back. | 0:34:46 | 0:34:49 | |
Some of the time, you don't even know where they're going. | 0:34:49 | 0:34:51 | |
And by now, I'd already have rang the other end to check that | 0:34:51 | 0:34:55 | |
they're there, on the other end, waiting to receive them, | 0:34:55 | 0:34:57 | |
and there would have to be another phone call this evening to check | 0:34:57 | 0:35:00 | |
that they'd eaten, and another one to check that they were in bed. | 0:35:00 | 0:35:03 | |
Come on, let's go home. | 0:35:03 | 0:35:05 | |
Teenagers Genevieve, Saskia and Megan | 0:35:09 | 0:35:12 | |
are old enough not to face being evacuated. | 0:35:12 | 0:35:14 | |
Oh. | 0:35:14 | 0:35:16 | |
I hate chickens with a passion. | 0:35:16 | 0:35:18 | |
Instead, they are going to be making up for the shortage | 0:35:18 | 0:35:21 | |
of agricultural labourers by joining the Women's Land Army. | 0:35:21 | 0:35:25 | |
Aaah! Oh, my god! | 0:35:25 | 0:35:28 | |
Are there any more in there? | 0:35:31 | 0:35:32 | |
NEWSREEL: Ladies and gentlemen. | 0:35:32 | 0:35:35 | |
We cows are in a very serious predicament. | 0:35:35 | 0:35:38 | |
There are not enough people to milk us. | 0:35:38 | 0:35:41 | |
What? | 0:35:41 | 0:35:42 | |
Has anybody ever milked a cow? | 0:35:42 | 0:35:44 | |
-No. -No. -What's that smell? | 0:35:44 | 0:35:46 | |
COW MOOS | 0:35:46 | 0:35:48 | |
One third of all Land Girls came from the cities, | 0:35:48 | 0:35:51 | |
and had almost no experience of life on the farm. | 0:35:51 | 0:35:55 | |
Do you know which end you milk a cow? | 0:35:55 | 0:35:56 | |
-Yeah. -That. | 0:35:56 | 0:35:58 | |
Ugh. | 0:35:58 | 0:36:00 | |
Well done, Saskia. | 0:36:00 | 0:36:01 | |
-Have you got some? -Yeah. -I can hear it. | 0:36:01 | 0:36:04 | |
I'm not going to lie, this isn't pleasant. | 0:36:04 | 0:36:07 | |
It looks a bit like it's semi-skimmed. | 0:36:07 | 0:36:09 | |
No, it's not semi-skimmed. | 0:36:09 | 0:36:11 | |
-I'll try now. -Right, off you go. | 0:36:12 | 0:36:15 | |
I just wanted to see someone do it. | 0:36:15 | 0:36:16 | |
Ah. Come on. | 0:36:16 | 0:36:18 | |
Ugh! I can't do it! | 0:36:18 | 0:36:21 | |
Being able to work with Saskia and Genevieve is really good, | 0:36:21 | 0:36:24 | |
because before, being upper-class and being working-class meant that | 0:36:24 | 0:36:28 | |
with the class divisions, we couldn't actually talk to each other. | 0:36:28 | 0:36:31 | |
This era, it just seems like everybody's brought together. | 0:36:31 | 0:36:34 | |
So it's really nice to get out of your family group, and out | 0:36:34 | 0:36:37 | |
of all the class restrictions, and just mixing with everybody. | 0:36:37 | 0:36:41 | |
Ugh! | 0:36:41 | 0:36:43 | |
That's what happens as well! | 0:36:43 | 0:36:47 | |
I don't really want to get back over there, now! | 0:36:47 | 0:36:50 | |
Get in! | 0:36:50 | 0:36:54 | |
It does have a bit of a waft going on! | 0:36:54 | 0:36:56 | |
The war has separated Naomi Golding from her entire family. | 0:37:01 | 0:37:06 | |
I think they'll be absolutely fine. | 0:37:06 | 0:37:08 | |
They didn't seem bothered at all, actually! | 0:37:08 | 0:37:10 | |
They were really happy. | 0:37:10 | 0:37:13 | |
I'm lucky, but women in the '40s wouldn't have been so lucky in the war, | 0:37:13 | 0:37:18 | |
because I know it's only a finite time. | 0:37:18 | 0:37:20 | |
The only sad thing, I suppose, was I'd got my basket ready | 0:37:21 | 0:37:27 | |
to take to the shelter later, and I had to take four mugs out. | 0:37:27 | 0:37:31 | |
I thought, "I don't need those." | 0:37:31 | 0:37:32 | |
So that was sad. | 0:37:32 | 0:37:33 | |
I think that'll be weird, tonight, if there's an air raid siren, | 0:37:39 | 0:37:43 | |
to go next door and just be on my own. | 0:37:43 | 0:37:46 | |
That would be weird. | 0:37:46 | 0:37:47 | |
Very hard, because all the pictures and paintings and everything | 0:37:52 | 0:37:55 | |
tell you to keep a stiff upper lip. | 0:37:55 | 0:37:57 | |
I guess, in these quiet times, is when women did have their emotions. | 0:37:57 | 0:38:01 | |
And all the pictures you see and all the propaganda you see is that we | 0:38:03 | 0:38:07 | |
all got on with it, and I'm sure we did when we left the house. | 0:38:07 | 0:38:11 | |
But when you're on your own, and you've got quiet time, | 0:38:14 | 0:38:16 | |
that's when it hits you that it's very quiet. | 0:38:16 | 0:38:19 | |
It's very lonely. I don't like being on my own. | 0:38:19 | 0:38:22 | |
Waving the kids off was really difficult. | 0:38:24 | 0:38:27 | |
I've got Megan, which is lovely, to have somebody, | 0:38:27 | 0:38:30 | |
and she'll be my kind of rock now, to keep me going. | 0:38:30 | 0:38:33 | |
What would be the alternative? Sitting here blubbing into my hanky? | 0:38:33 | 0:38:38 | |
Who's that going to help? It's helping nobody. | 0:38:38 | 0:38:41 | |
The only thing that I can do, now, to help, | 0:38:41 | 0:38:43 | |
is to get the street together, make sure everybody's fed and warm | 0:38:43 | 0:38:46 | |
and ready for what the next disaster might be, | 0:38:46 | 0:38:49 | |
so yeah, I can kind of see how this Blitz spirit gets everybody driven. | 0:38:49 | 0:38:56 | |
So that Naomi isn't left alone, | 0:38:58 | 0:39:00 | |
the whole street has come together at Adele's house. | 0:39:00 | 0:39:02 | |
Hello, everybody. | 0:39:02 | 0:39:03 | |
And they are pooling their rations to make them go that little bit further. | 0:39:03 | 0:39:07 | |
This is Suzie's offering of beef stew, | 0:39:07 | 0:39:10 | |
which looks absolutely cracking, actually. | 0:39:10 | 0:39:12 | |
To some absent comrades. Good luck to the boys, is what we can say. | 0:39:12 | 0:39:17 | |
-Drink, drink. -And the children. | 0:39:17 | 0:39:19 | |
And the kids, yeah, absolutely. | 0:39:19 | 0:39:21 | |
And Suzie. | 0:39:21 | 0:39:22 | |
AIR RAIN SIREN WAILS | 0:39:22 | 0:39:24 | |
Another night, another air raid. | 0:39:26 | 0:39:28 | |
One more mouthful! | 0:39:28 | 0:39:31 | |
Londoners suffered 57 consecutive nights of bombing... | 0:39:31 | 0:39:35 | |
..and the Blitz raged for nine gruelling months. | 0:39:37 | 0:39:39 | |
Look, look! | 0:39:39 | 0:39:42 | |
Well, what a homely scene this is. | 0:39:43 | 0:39:46 | |
Everyone tucking in. Seven, six women and me. Joy. | 0:39:46 | 0:39:50 | |
Here they come. | 0:39:50 | 0:39:51 | |
AIRCRAFT ENGINES OVERHEAD | 0:39:51 | 0:39:53 | |
That is loud! | 0:39:53 | 0:39:55 | |
I'm not sleeping if it's like that all night. | 0:39:55 | 0:39:57 | |
Oh! | 0:39:58 | 0:40:00 | |
With the kids not here, I'm actually more relaxed, | 0:40:00 | 0:40:02 | |
because I worry about them. | 0:40:02 | 0:40:03 | |
It's nice to know they're out there, having fun, | 0:40:03 | 0:40:06 | |
even if we're stuck down here. | 0:40:06 | 0:40:09 | |
And they've experienced one night, and that's quite plenty. | 0:40:09 | 0:40:11 | |
-THUD -Oh! | 0:40:11 | 0:40:14 | |
For the families on Albert Road, there is no let-up either. | 0:40:14 | 0:40:17 | |
The remaining residents are forced to stay overnight in the shelter. | 0:40:17 | 0:40:20 | |
The dawn brings a shock for the remaining resident | 0:40:24 | 0:40:27 | |
of number two, Albert Road. | 0:40:27 | 0:40:29 | |
Oh, my gosh. | 0:40:32 | 0:40:33 | |
Around 2.25 million Britons were made homeless | 0:40:33 | 0:40:36 | |
as a result of German bombs. | 0:40:36 | 0:40:38 | |
It was strange to come in and see it. I suspected that might happen. | 0:40:41 | 0:40:45 | |
I suspected it might have been bombed, | 0:40:45 | 0:40:47 | |
so it wasn't a total surprise. | 0:40:47 | 0:40:50 | |
You just want to make it right. | 0:40:52 | 0:40:54 | |
Just want to make it better, just come in, clear up and get on with it. | 0:40:54 | 0:40:58 | |
Meanwhile, Suzie Meadows is reeling from seeing | 0:40:59 | 0:41:01 | |
the luxury of the Taylor house for the first time. | 0:41:01 | 0:41:05 | |
They have it so much better than we do. | 0:41:05 | 0:41:08 | |
I mean, I come home, and already I'm covered in soot. | 0:41:08 | 0:41:12 | |
It's horrible, and there's no bathroom, | 0:41:15 | 0:41:16 | |
and I really, really, really, really want a bathroom. | 0:41:16 | 0:41:21 | |
Mum, no, we're in good moods this morning. | 0:41:21 | 0:41:24 | |
It's because of people like Suzie that we won the war. | 0:41:24 | 0:41:27 | |
30 miles away, in the Yorkshire Dales, new conscripts Michael | 0:41:30 | 0:41:34 | |
and Ian are being put through basic army training. | 0:41:34 | 0:41:37 | |
-Are you suffering, Mr Golding? -No, sir. | 0:41:37 | 0:41:40 | |
-Are you suffering? -No, sir. | 0:41:40 | 0:41:41 | |
Come on, the enemy's firing at you! Let's get up there! | 0:41:41 | 0:41:44 | |
This is where you have to dig deep, find something else inside you. | 0:41:44 | 0:41:48 | |
I'm not as fit as I used to be. | 0:41:48 | 0:41:50 | |
I mean, running up hills is all right when you're 18, 19, | 0:41:50 | 0:41:53 | |
but at 39 it's not much fun any more. | 0:41:53 | 0:41:56 | |
Come on, John. We'll get through this. | 0:41:56 | 0:41:58 | |
With the men away at war, | 0:41:58 | 0:42:00 | |
a revolution is under way on the Home Front. | 0:42:00 | 0:42:03 | |
By 1943, the majority of married women | 0:42:04 | 0:42:07 | |
were working for the war effort. | 0:42:07 | 0:42:08 | |
For many, it was the first time they'd worked outside the home, | 0:42:10 | 0:42:14 | |
doing jobs that had always been the sole preserve of men. | 0:42:14 | 0:42:17 | |
I can't see! | 0:42:17 | 0:42:19 | |
Adele and Naomi are learning the skills their 1940s counterparts used | 0:42:19 | 0:42:24 | |
to build planes and bombs for the war effort. | 0:42:24 | 0:42:27 | |
Michael would die if he saw me. He doesn't trust me with a kettle. | 0:42:27 | 0:42:33 | |
Look what you've done! Brilliant! | 0:42:33 | 0:42:37 | |
I love it. I'm thinking of a career change. | 0:42:37 | 0:42:40 | |
This time of war gave women the opportunity to work. | 0:42:42 | 0:42:46 | |
In the '30s, it was not seen the right thing to be done, | 0:42:46 | 0:42:49 | |
for a married woman to work, | 0:42:49 | 0:42:50 | |
so I think this is the start of women being able to have the choice, | 0:42:50 | 0:42:54 | |
so I think the war has started to enable women to have even more of a voice | 0:42:54 | 0:42:59 | |
than they had in the inter-war years, especially when it comes to working. | 0:42:59 | 0:43:03 | |
I really enjoyed that. So good. | 0:43:04 | 0:43:06 | |
I just wonder, after a period of time, | 0:43:06 | 0:43:10 | |
though, whether this becomes your new life, | 0:43:10 | 0:43:12 | |
and are you so keen to give it up when everybody comes home? | 0:43:12 | 0:43:16 | |
During the six long years of war, the Ministry of Food encouraged | 0:43:17 | 0:43:21 | |
people to think more creatively when putting food on the table. | 0:43:21 | 0:43:26 | |
Joe Crowley's sent the Meadows one type of meat that Britain wasn't short of. | 0:43:26 | 0:43:31 | |
Aaah! | 0:43:31 | 0:43:32 | |
Squirrel. | 0:43:32 | 0:43:33 | |
Ready? | 0:43:33 | 0:43:35 | |
-Ugh! -Is it hairy? | 0:43:35 | 0:43:37 | |
-Yeah. -Oh, god! | 0:43:37 | 0:43:39 | |
I don't believe it. | 0:43:39 | 0:43:40 | |
We've got a cookbook and a couple of recipes. | 0:43:40 | 0:43:42 | |
Squirrel pie? | 0:43:42 | 0:43:44 | |
It's squirrel pie, squirrel soup and roast squirrel, but I am sorry. | 0:43:44 | 0:43:48 | |
Even if you cook it, I can't eat it. | 0:43:48 | 0:43:50 | |
For those who couldn't stomach changing their eating habits, | 0:43:51 | 0:43:54 | |
and were prepared to put their conscience to one side, | 0:43:54 | 0:43:57 | |
the illegal black market made the pain of rationing easier to swallow. | 0:43:57 | 0:44:02 | |
Can I ask who you are, sorry, if you're walking into my kitchen? | 0:44:02 | 0:44:05 | |
I'm just door-to-door. | 0:44:05 | 0:44:07 | |
Oh, right, OK. | 0:44:07 | 0:44:08 | |
Anything I can interest you in? | 0:44:08 | 0:44:10 | |
Some coffee? Flour? Sugar? Chocolate? | 0:44:10 | 0:44:12 | |
Oh. I'm tempted by the coffee. | 0:44:12 | 0:44:15 | |
The coffee. Tell you what, I'll do the coffee at two shillings. | 0:44:15 | 0:44:19 | |
That's a bargain. | 0:44:19 | 0:44:20 | |
Where has all this come from? | 0:44:20 | 0:44:21 | |
I've got my sources. I can't tell you that. | 0:44:21 | 0:44:23 | |
-Don't have a conscience about it. You need coffee. -I do have a conscience! | 0:44:23 | 0:44:26 | |
-You want oranges. -There's a war on. | 0:44:26 | 0:44:29 | |
I'm going to say no on this occasion. | 0:44:29 | 0:44:31 | |
No? I'll tell you what. Last price, one shilling. | 0:44:31 | 0:44:33 | |
No. I'm going to stick to my principles and say no. | 0:44:33 | 0:44:37 | |
Right. | 0:44:37 | 0:44:39 | |
Coffee. I love coffee. | 0:44:39 | 0:44:42 | |
I don't know what people would have done, | 0:44:42 | 0:44:43 | |
but I felt really uncomfortable taking it | 0:44:43 | 0:44:45 | |
if I'm thinking it's coming off somebody else. | 0:44:45 | 0:44:48 | |
Then I'm going to be gutted if everybody else has bought it | 0:44:48 | 0:44:52 | |
and I haven't! | 0:44:52 | 0:44:54 | |
-Morning. -Hi, there. How are you? | 0:44:55 | 0:44:57 | |
-Loads of goodies for you today. -Oh, yeah? What have we got in there? -All sorts. | 0:44:57 | 0:45:00 | |
-Oh, we've not seen some of this for a while. -I bet you ain't. | 0:45:00 | 0:45:03 | |
Chocolate. Don't let my kids see that. | 0:45:03 | 0:45:05 | |
What are you interested in? | 0:45:05 | 0:45:06 | |
Coffee for me and the wife, bit of chocolate, | 0:45:06 | 0:45:08 | |
just the treat stuff would be good. | 0:45:08 | 0:45:10 | |
We're not doing too bad for the others at the moment. | 0:45:10 | 0:45:12 | |
-What about eggs? -Oh, we could do with some eggs. | 0:45:12 | 0:45:15 | |
What about a little deal? | 0:45:15 | 0:45:16 | |
What about five shillings plus two fresh squirrels? | 0:45:16 | 0:45:21 | |
Done. | 0:45:22 | 0:45:23 | |
Deal. Excellent, OK. | 0:45:23 | 0:45:25 | |
-See you next time. -Cheers. | 0:45:25 | 0:45:26 | |
This would have been the way that they survived. It's not excessive. | 0:45:26 | 0:45:31 | |
If he was turning up in a truck going, | 0:45:31 | 0:45:33 | |
"Right, here's your bully beef that should be at the front, | 0:45:33 | 0:45:36 | |
"feeding soldiers," I don't think anyone would take it. | 0:45:36 | 0:45:39 | |
I do feel as though I'm putting enough in | 0:45:39 | 0:45:41 | |
that a little treat like this works in the positive. | 0:45:41 | 0:45:44 | |
I would do it again, if I'm honest. I bet everyone did. | 0:45:44 | 0:45:47 | |
As ever, Juliet Gardiner is on hand to underline the rules of history. | 0:45:47 | 0:45:52 | |
Selling on the black market was punishable by prison | 0:45:53 | 0:45:57 | |
or a fine equivalent to five times the average weekly wage. | 0:45:57 | 0:45:59 | |
Phil, how could you? | 0:46:01 | 0:46:02 | |
Caught red-handed. I couldn't resist a little treat for my family. | 0:46:02 | 0:46:05 | |
Do you know who got eggs? | 0:46:05 | 0:46:07 | |
-Normally, your family would be getting something like an egg a fortnight. -Yes. | 0:46:07 | 0:46:10 | |
Extra eggs are for expectant mothers, nursing mothers. | 0:46:10 | 0:46:14 | |
What do you think rationing's for, Phil? Rationing is to give fair shares to everyone. | 0:46:14 | 0:46:18 | |
I mean, nobody wanted to be rationed, of course they didn't, | 0:46:18 | 0:46:21 | |
but they recognised the fairness of it, the justice of it. This has been stolen. | 0:46:21 | 0:46:26 | |
I'd definitely go to prison! I've had some horrible things happen to me. | 0:46:26 | 0:46:31 | |
I don't want to go to prison now, please! | 0:46:31 | 0:46:34 | |
Consider yourself reprimanded. | 0:46:34 | 0:46:35 | |
Bye! | 0:46:35 | 0:46:37 | |
I felt like I was back at school. | 0:46:37 | 0:46:39 | |
As the war drew to a close and the risk of bombing receded, | 0:46:43 | 0:46:48 | |
thousands of kids began heading home, | 0:46:48 | 0:46:51 | |
as mums started to rebuild their families. | 0:46:51 | 0:46:55 | |
Ah, Mummy! | 0:47:00 | 0:47:01 | |
Hello! | 0:47:03 | 0:47:05 | |
Have you had a good time? Hello! | 0:47:07 | 0:47:10 | |
How have you been? | 0:47:12 | 0:47:13 | |
How perfect is this? | 0:47:16 | 0:47:17 | |
Jack, are you ready for some dinner? | 0:47:19 | 0:47:21 | |
Adele's declared an open house, and the whole street is invited. | 0:47:22 | 0:47:26 | |
This looks spectacular. | 0:47:26 | 0:47:29 | |
It's just like one big, happy family, all here together, | 0:47:29 | 0:47:33 | |
and in half an hour, they'll all be fighting and squabbling. | 0:47:33 | 0:47:37 | |
But it's lovely. Full house. | 0:47:38 | 0:47:40 | |
Today, Michael and Ian are expected to return | 0:47:50 | 0:47:54 | |
from their military service. | 0:47:54 | 0:47:56 | |
It's a bit of a sad statistic that Ian and I | 0:47:56 | 0:47:59 | |
have lived together for 18 years, and we've only not spoken | 0:47:59 | 0:48:04 | |
for one night in the whole of that time, in 18 years. | 0:48:04 | 0:48:07 | |
And now it's been two nights, so thanks to this experience, | 0:48:07 | 0:48:11 | |
we're breaking a new record. | 0:48:11 | 0:48:13 | |
Naomi and Adele want to doll themselves up for their men. | 0:48:13 | 0:48:18 | |
But with simple beauty products in short supply... | 0:48:18 | 0:48:21 | |
It looks like a little chemistry session. | 0:48:21 | 0:48:23 | |
..they're going to have to improvise. | 0:48:23 | 0:48:26 | |
I'm putting beetroot on my face. | 0:48:27 | 0:48:29 | |
That's all right, actually, isn't it? | 0:48:31 | 0:48:33 | |
And it's got a nicer taste than the normal lipstick. | 0:48:35 | 0:48:38 | |
To recreate the allure of a pair of stockings, | 0:48:38 | 0:48:41 | |
an anti-fungal treatment, potassium permanganate, was applied to bare legs. | 0:48:41 | 0:48:46 | |
Oh, my gosh. | 0:48:47 | 0:48:49 | |
I've got a dodgy fake tan! | 0:48:49 | 0:48:51 | |
I've got to do the whole leg now! | 0:48:51 | 0:48:53 | |
Oh, no. That's not attractive, is it? And it smells. | 0:48:53 | 0:48:57 | |
Oh! | 0:48:57 | 0:48:59 | |
My hands are all brown, as well. | 0:48:59 | 0:49:03 | |
I think I'd have been happy just with white legs, really. | 0:49:03 | 0:49:07 | |
It must have been really weird when their husbands came back. | 0:49:08 | 0:49:11 | |
Michael's done four-month tours, and you kind of get very independent, | 0:49:11 | 0:49:15 | |
you get used to managing your own stuff, and then when he came home, | 0:49:15 | 0:49:18 | |
although I was glad to see him come home, | 0:49:18 | 0:49:20 | |
I was a little bit resentful as well, | 0:49:20 | 0:49:22 | |
because I thought, "I've got this ship running really well, | 0:49:22 | 0:49:25 | |
"and then you're coming in," and it's a lot of conflicts. | 0:49:25 | 0:49:29 | |
Eyeliner is used to create a stocking seam, | 0:49:29 | 0:49:32 | |
a look that few men could resist. | 0:49:32 | 0:49:35 | |
So, which look's more realistic? | 0:49:35 | 0:49:37 | |
The leg with the patchy brown stains? | 0:49:37 | 0:49:39 | |
Or the line? | 0:49:39 | 0:49:41 | |
The line looks really good. | 0:49:43 | 0:49:45 | |
I think, maybe, I might get a pair of trousers. | 0:49:47 | 0:49:50 | |
Wartime dads could have been away from home for years. | 0:49:52 | 0:49:56 | |
Unlike Michael and Ian, nearly 300,000 British men | 0:50:03 | 0:50:07 | |
never returned to see their families again. | 0:50:07 | 0:50:09 | |
-Wahey! -Give us a kiss. | 0:50:14 | 0:50:16 | |
One of those who didn't come home, as Susanna Reid has discovered, | 0:50:17 | 0:50:21 | |
was Michael Taylor's great-uncle, Thomas Henry Worthington. | 0:50:21 | 0:50:25 | |
He was in the First Battalion of the Manchester Regiment. | 0:50:28 | 0:50:31 | |
He was posted to Singapore, and we know that from his military records. | 0:50:32 | 0:50:37 | |
These are his enlistment papers, when he first joined the war. | 0:50:37 | 0:50:42 | |
On 8th February 1942, Japanese forces invaded Singapore. | 0:50:43 | 0:50:48 | |
The battle lasted just seven days, and on 15th February, the island fell. | 0:50:50 | 0:50:56 | |
It was described as the worst defeat | 0:50:57 | 0:51:01 | |
and largest capitulation in British history by Churchill himself. | 0:51:01 | 0:51:06 | |
Yeah. | 0:51:06 | 0:51:07 | |
So it was hugely significant. | 0:51:07 | 0:51:10 | |
80,000 Allied soldiers were taken as prisoners of war. | 0:51:10 | 0:51:15 | |
That's a lot. | 0:51:15 | 0:51:17 | |
And we know that your great-uncle, Thomas Henry Worthington, | 0:51:17 | 0:51:23 | |
was taken as a prisoner of war after that battle. | 0:51:23 | 0:51:26 | |
Crikey. | 0:51:26 | 0:51:28 | |
He was taken to Thailand, | 0:51:28 | 0:51:31 | |
and taken to work on the Thailand-Burma railway. | 0:51:31 | 0:51:33 | |
Right. | 0:51:33 | 0:51:35 | |
And it was one of the most notorious and brutal places to work, | 0:51:35 | 0:51:40 | |
so it didn't get much better. | 0:51:40 | 0:51:42 | |
What a rubbish time he had, you know what I mean? | 0:51:42 | 0:51:44 | |
Yeah. | 0:51:44 | 0:51:45 | |
Ends up like that, you think, crikey. Bless him. | 0:51:45 | 0:51:48 | |
We have here a photograph of some of the survivors. | 0:51:48 | 0:51:52 | |
-Bless them. -Look at the state of them. | 0:51:53 | 0:51:56 | |
Now, they look thrilled to be liberated. | 0:51:56 | 0:51:58 | |
But they've got no meat on their bones at all, have they? | 0:51:58 | 0:52:01 | |
Skin and bones, aren't they? | 0:52:01 | 0:52:03 | |
All so young, as well. Kids. | 0:52:03 | 0:52:05 | |
I don't know how they managed the treatment of them. It was awful. | 0:52:05 | 0:52:09 | |
-We have his prisoner of war record card here. -Oh, right, crikey. | 0:52:09 | 0:52:15 | |
And from his prisoner of war record, we also know what happened to him, | 0:52:15 | 0:52:20 | |
because a red line was drawn through the card. | 0:52:20 | 0:52:23 | |
Right. | 0:52:23 | 0:52:25 | |
-Meaning someone died. You can see from... -The red line. | 0:52:25 | 0:52:28 | |
Denied basic medical treatment by his captors, on 1st June, 1943, | 0:52:28 | 0:52:33 | |
Thomas Worthington died of cholera. | 0:52:33 | 0:52:36 | |
He was 32 years old, and left behind a widow, Gwendolen. | 0:52:36 | 0:52:40 | |
They must have been terrified, | 0:52:41 | 0:52:42 | |
absolutely terrified to go away, and they all still did it, | 0:52:42 | 0:52:46 | |
and they still got up, and still went across and still fought, | 0:52:46 | 0:52:49 | |
and got captured and still carried on as best they could. | 0:52:49 | 0:52:52 | |
We've experienced a taster, | 0:52:52 | 0:52:55 | |
but all along, you can't recreate that element of real danger | 0:52:55 | 0:53:01 | |
and real fear and real loss that these people are going through. | 0:53:01 | 0:53:04 | |
It's just... | 0:53:04 | 0:53:06 | |
War brings out the best and the worst in human nature, doesn't it? | 0:53:06 | 0:53:10 | |
We've seen the best. | 0:53:10 | 0:53:12 | |
You know, if this was my street now, | 0:53:12 | 0:53:15 | |
I would be so proud of it that we've all pulled together, | 0:53:15 | 0:53:18 | |
but that's awful. | 0:53:18 | 0:53:20 | |
It truly is. | 0:53:22 | 0:53:23 | |
CHURCHILL: The German war is at an end. | 0:53:27 | 0:53:30 | |
Today is Victory in Europe Day. | 0:53:30 | 0:53:33 | |
On 8th May, 1945, Germany surrendered. | 0:53:35 | 0:53:39 | |
MUSIC: "Roll Out The Barrel" by the Andrews Sisters | 0:53:39 | 0:53:41 | |
# Roll out the barrel | 0:53:41 | 0:53:42 | |
# We'll have a barrel of fun... # | 0:53:42 | 0:53:46 | |
The war in Europe was over, and for the first time in six years, | 0:53:46 | 0:53:50 | |
British families had something to celebrate. | 0:53:50 | 0:53:53 | |
Advance Britannia! | 0:53:55 | 0:53:56 | |
CHEERING | 0:53:56 | 0:53:57 | |
ANNOUNCER: Hip hip! CROWD: Hooray! | 0:53:57 | 0:53:59 | |
ANNOUNCER: Hip hip! CROWD: Hooray! | 0:53:59 | 0:54:01 | |
ANNOUNCER: Hip hip! CROWD: Hooray! | 0:54:01 | 0:54:03 | |
As their wartime experience draws to a close, the families | 0:54:03 | 0:54:09 | |
on Albert Road are throwing their own VE Day party for the locals. | 0:54:09 | 0:54:12 | |
I think the highlight has been us coming together as three families. | 0:54:17 | 0:54:20 | |
We're all different people from different walks of life, | 0:54:20 | 0:54:23 | |
but we all came together, and that was wonderful. | 0:54:23 | 0:54:26 | |
For me, this has been fantastic. | 0:54:31 | 0:54:32 | |
The best decade yet, and I kind of do it with a guilty edge, | 0:54:32 | 0:54:37 | |
because I'm aware there's a serious side to it, | 0:54:37 | 0:54:40 | |
but I've loved every minute. | 0:54:40 | 0:54:41 | |
Why, Adele? Why, in particular? | 0:54:41 | 0:54:44 | |
Because when we're together, we are truly together. | 0:54:44 | 0:54:47 | |
When the kids are at home we are all chipping in, | 0:54:47 | 0:54:50 | |
and this has just been wonderful. | 0:54:50 | 0:54:52 | |
The hardships of the Second World War, | 0:54:52 | 0:54:55 | |
that changed things for women, and for you, in a good way. | 0:54:55 | 0:54:58 | |
I can make decisions, I can do stuff, | 0:54:58 | 0:55:00 | |
and in the last two eras, I've just felt that I've been | 0:55:00 | 0:55:03 | |
locked in this cage, and this has been let's cook together, | 0:55:03 | 0:55:06 | |
eat together, you know, sleep together is wrong, but... | 0:55:06 | 0:55:10 | |
but share my cellar with you. | 0:55:10 | 0:55:12 | |
Wait till the '60s, come on! | 0:55:12 | 0:55:15 | |
How about you, then? What's been the decade you'd choose? | 0:55:17 | 0:55:20 | |
Oh, this one. We all mucked in, we all had tea together. | 0:55:20 | 0:55:24 | |
The little things. Like family. | 0:55:24 | 0:55:25 | |
# Bless 'em all | 0:55:25 | 0:55:27 | |
# Bless 'em all | 0:55:27 | 0:55:30 | |
# The long and the short and tall | 0:55:30 | 0:55:32 | |
# Bless all the sergeants and WO1's | 0:55:33 | 0:55:37 | |
# Bless all those corporals And their blinkin' sons | 0:55:37 | 0:55:40 | |
# Cos we're saying goodbye to them all... # | 0:55:40 | 0:55:44 | |
How about you, Suzie? What did you think about the '40s? | 0:55:44 | 0:55:47 | |
I've had a few big roles, so, you know, I was the ARP, | 0:55:47 | 0:55:51 | |
which meant that I was in a position of authority, | 0:55:51 | 0:55:54 | |
which I actually quite like, | 0:55:54 | 0:55:57 | |
so I've liked the job, I've liked the fact that women are taking | 0:55:57 | 0:56:00 | |
control a bit of stuff going on back home. | 0:56:00 | 0:56:04 | |
The respect that I have now for the generation | 0:56:04 | 0:56:07 | |
that lived through the war is as high as it could possibly be, | 0:56:07 | 0:56:10 | |
because I am not sure that we would cope. | 0:56:10 | 0:56:13 | |
Being the softies from the 21st century, | 0:56:15 | 0:56:17 | |
I actually don't think we would survive it. | 0:56:17 | 0:56:20 | |
They were amazing, on every single level. | 0:56:20 | 0:56:24 | |
With a new Britain emerging after the war, | 0:56:27 | 0:56:29 | |
middle-class families sought a fresh start, | 0:56:29 | 0:56:33 | |
and new suburbs and towns were being built to accommodate them. | 0:56:33 | 0:56:36 | |
Ian's grandparents moved to the suburbs, | 0:56:36 | 0:56:39 | |
and therefore, the Goldings will be following them, | 0:56:39 | 0:56:42 | |
marking the end of Ian and Naomi's time on Albert Road. | 0:56:42 | 0:56:45 | |
Amazing experience. | 0:56:45 | 0:56:46 | |
It's something you can't learn from a history book, | 0:56:46 | 0:56:50 | |
to actually live it, you feel the emotion behind it as well. | 0:56:50 | 0:56:55 | |
It's been, I think, one of the most amazing experiences of my life, | 0:56:55 | 0:56:58 | |
and I don't regret for a second doing it. | 0:56:58 | 0:57:02 | |
But the other thing that hasn't amazed me | 0:57:02 | 0:57:05 | |
is how amazing Naomi's been. | 0:57:05 | 0:57:07 | |
Oh, don't say that as well! | 0:57:07 | 0:57:08 | |
But it's true! | 0:57:08 | 0:57:10 | |
I think men, even today, think they've got it tough, | 0:57:10 | 0:57:12 | |
but the men have never had the hard job. | 0:57:12 | 0:57:15 | |
It's the woman that keeps the family together, and always has been. | 0:57:15 | 0:57:19 | |
And Naomi has shown, I think, through all three periods, | 0:57:19 | 0:57:23 | |
what an amazing woman she is. | 0:57:23 | 0:57:25 | |
Oh, stop it. | 0:57:25 | 0:57:27 | |
The war years have changed things for ever on Albert Road. | 0:57:32 | 0:57:36 | |
It's time to say goodbye to the Golding family. | 0:57:40 | 0:57:45 | |
You're going to be leaving us here at Albert Road, | 0:57:45 | 0:57:48 | |
and we're going to miss you. | 0:57:48 | 0:57:49 | |
Next time, the swinging '60s hit Albert Road. | 0:57:53 | 0:57:58 | |
-It's not bad. It's all right. -Lordy! | 0:57:58 | 0:58:00 | |
For the Meadows, life is sweet... | 0:58:00 | 0:58:02 | |
Oh, wow! | 0:58:02 | 0:58:03 | |
We've got a television! | 0:58:03 | 0:58:06 | |
I mean, I'm just so happy. | 0:58:06 | 0:58:08 | |
..until rebellious teens threaten to spoil the party. | 0:58:08 | 0:58:11 | |
You guys have really offended us. You do know that, don't you? | 0:58:11 | 0:58:15 | |
It's back to work for the Taylors. | 0:58:15 | 0:58:17 | |
I hate sitting around thinking about things. | 0:58:17 | 0:58:20 | |
I'd rather be busy and occupied. | 0:58:20 | 0:58:22 | |
And it's a rude awakening for the new arrivals on the street. | 0:58:22 | 0:58:26 | |
Can't sleep in this. It's not the way I've been brought up. | 0:58:28 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:57 |