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The family. It's where we love, laugh, shout and cry. | 0:00:02 | 0:00:08 | |
-Ooh! -Don't fall off! -Higher! | 0:00:08 | 0:00:11 | |
It makes us who we are. | 0:00:11 | 0:00:14 | |
But it hasn't always been the cherished institution it is today. | 0:00:14 | 0:00:18 | |
To find out how the modern family came to be, | 0:00:18 | 0:00:22 | |
a group of parents and kids from across Britain | 0:00:22 | 0:00:24 | |
are turning back time to face the same ordeals as millions of others | 0:00:24 | 0:00:29 | |
over the past 100 years. | 0:00:29 | 0:00:31 | |
In the northern seaside town of Morecambe, | 0:00:31 | 0:00:34 | |
the past is coming alive. | 0:00:34 | 0:00:36 | |
A row of terraced houses has been turned into time machines, | 0:00:38 | 0:00:42 | |
to transport our families | 0:00:42 | 0:00:44 | |
through the twists and turns of the 20th century. | 0:00:44 | 0:00:47 | |
From the age of masters and servants... | 0:00:47 | 0:00:49 | |
SCREAMS | 0:00:49 | 0:00:51 | |
I felt a bit emotional, because I knew she was there | 0:00:51 | 0:00:53 | |
to take the children away. | 0:00:53 | 0:00:55 | |
She's quite difficult. | 0:00:55 | 0:00:58 | |
..through the Roaring '20s, to The Depression. | 0:00:58 | 0:01:01 | |
Anything else of value will need to be sold. | 0:01:01 | 0:01:03 | |
The fact that it was in front of the family, I felt really useless. | 0:01:03 | 0:01:07 | |
-Goldings! -From life on the home front... | 0:01:07 | 0:01:09 | |
WHISTLE | 0:01:09 | 0:01:11 | |
They're here, they'll never separate. | 0:01:11 | 0:01:14 | |
..to the swinging '60s... | 0:01:14 | 0:01:15 | |
Aren't you slightly concerned about the length of their skirts? | 0:01:15 | 0:01:18 | |
We're starting the rebellion right now. | 0:01:18 | 0:01:22 | |
..and on to the groovy '70s. | 0:01:22 | 0:01:24 | |
I couldn't give a damn about material things. | 0:01:24 | 0:01:25 | |
For me, family IS the most important thing. | 0:01:25 | 0:01:28 | |
And the past is about to get personal. | 0:01:28 | 0:01:32 | |
Rather than just living in a museum, | 0:01:32 | 0:01:35 | |
we're actually living an ancestor's life. | 0:01:35 | 0:01:38 | |
She died of TB, consumption. | 0:01:38 | 0:01:41 | |
I'm so...quite emotional. | 0:01:41 | 0:01:44 | |
We take so much for granted, I think. | 0:01:44 | 0:01:46 | |
We're turning back time | 0:01:46 | 0:01:48 | |
to find out how history made the family what it is today. | 0:01:48 | 0:01:53 | |
Albert Road in Morecambe is undergoing a transformation. | 0:02:01 | 0:02:05 | |
Last week, these were Edwardian homes. | 0:02:05 | 0:02:09 | |
But now, they're being updated with fixtures and fittings | 0:02:09 | 0:02:12 | |
that adorned working-class, middle-class | 0:02:12 | 0:02:15 | |
and upper middle-class family homes of the 1920s and '30s. | 0:02:15 | 0:02:19 | |
Moving back into Albert Road are polo-playing family | 0:02:19 | 0:02:24 | |
Suzie and Phil Meadows and their two daughters. | 0:02:24 | 0:02:27 | |
Joining them will be Ian Golding, | 0:02:27 | 0:02:30 | |
a customer service consultant, his wife Naomi | 0:02:30 | 0:02:32 | |
and their three children. | 0:02:32 | 0:02:35 | |
And finally, the Taylors, A&E nurse Adele, | 0:02:35 | 0:02:38 | |
electrician Michael and their four kids. | 0:02:38 | 0:02:42 | |
Social historian Juliet Gardiner | 0:02:42 | 0:02:44 | |
will be guiding the families on their time travels, | 0:02:44 | 0:02:47 | |
along with antique gadget enthusiast, Joe Crowley, | 0:02:47 | 0:02:50 | |
and journalist, Susanna Reid. | 0:02:50 | 0:02:52 | |
As the families gather, | 0:02:54 | 0:02:56 | |
they are about to enter a crucial time in Britain's history. | 0:02:56 | 0:02:59 | |
The 1920s were shaped by The Great War that began in 1914. | 0:03:01 | 0:03:07 | |
It was a war of unprecedented destruction, | 0:03:07 | 0:03:10 | |
resulting in the death of over 15 million people. | 0:03:10 | 0:03:13 | |
Nearly 750,000 of those who died | 0:03:13 | 0:03:16 | |
were British fathers, husbands and sons. | 0:03:16 | 0:03:20 | |
Welcome back, families, | 0:03:21 | 0:03:23 | |
and things have changed a lot since you've been away. | 0:03:23 | 0:03:26 | |
You're going to be living through the interwar era, the 1920s and 1930s, | 0:03:26 | 0:03:31 | |
and we're starting here at Morecambe's War Memorial, | 0:03:31 | 0:03:35 | |
because the First World War had had a devastating effect on family life. | 0:03:35 | 0:03:39 | |
And among OUR families, | 0:03:39 | 0:03:41 | |
I'm sorry to say that Suzie's grandfather was wounded in Palestine | 0:03:41 | 0:03:46 | |
and Michael's great-grandfather, Alfred, was killed in the trenches. | 0:03:46 | 0:03:50 | |
The era you're going to be living through was one | 0:03:50 | 0:03:53 | |
of remembrance and rebuilding the family life. | 0:03:53 | 0:03:57 | |
The family became particularly valued. | 0:03:57 | 0:03:59 | |
Children were no longer seen just as workers | 0:03:59 | 0:04:03 | |
or people to be seen and not heard | 0:04:03 | 0:04:05 | |
and childhood was seen as a time of enjoyment. | 0:04:05 | 0:04:08 | |
You may find life a little bit more comfortable, but be warned, | 0:04:08 | 0:04:12 | |
as life in Britain at this time was a financial roller coaster. | 0:04:12 | 0:04:16 | |
Now it's back to Albert Road to see how your homes have changed. | 0:04:16 | 0:04:21 | |
Where the families live, and the social status that comes with it, | 0:04:23 | 0:04:27 | |
depends on their ancestry. | 0:04:27 | 0:04:28 | |
-Do you think we've got an upstairs? -We've got the same curtains... | 0:04:28 | 0:04:32 | |
Dating back to the 1900s, Phil Meadows' great-grandfather | 0:04:32 | 0:04:36 | |
was a general labourer, called James Meadows, | 0:04:36 | 0:04:39 | |
which put his family in number 3, the working-class house. | 0:04:39 | 0:04:44 | |
-Here we go. -Wow! What a transformation. | 0:04:44 | 0:04:47 | |
-We've got furniture, a radio. -Hey, this is good. | 0:04:47 | 0:04:51 | |
This is so much better. | 0:04:51 | 0:04:52 | |
I'm going to cope with this actually quite easily. | 0:04:52 | 0:04:55 | |
Last week, the family endured a two-room dwelling. | 0:04:55 | 0:04:58 | |
One bedroom, where all four slept... | 0:04:58 | 0:05:01 | |
-Ooh... -Da-da! | 0:05:01 | 0:05:03 | |
I'm not peeing in that after you've peed in it. | 0:05:03 | 0:05:06 | |
LAUGHTER | 0:05:06 | 0:05:07 | |
..and nothing but an open fire to cook on. | 0:05:07 | 0:05:10 | |
Ah, ooh. | 0:05:10 | 0:05:12 | |
Oh, my God, we've actually got a kitchen! | 0:05:12 | 0:05:14 | |
LAUGHTER | 0:05:14 | 0:05:15 | |
The family now have two bedrooms, | 0:05:15 | 0:05:18 | |
a 100% improvement on the Edwardian era. | 0:05:18 | 0:05:22 | |
Oh, wow. | 0:05:22 | 0:05:23 | |
Oh, this is lovely. | 0:05:23 | 0:05:24 | |
-Oh, how cute is this? -Bagsy this bed. | 0:05:24 | 0:05:26 | |
Ah, now this actually, this looks very civilised. | 0:05:26 | 0:05:30 | |
Less civilised is the lack of indoor plumbing. | 0:05:30 | 0:05:32 | |
The toilet is still in the back yard. | 0:05:32 | 0:05:34 | |
I can't believe in 30 years | 0:05:34 | 0:05:37 | |
there wasn't any upgrade for poor families. | 0:05:37 | 0:05:39 | |
Same loo paper? | 0:05:39 | 0:05:40 | |
Do you know the technique? There's a technique. | 0:05:40 | 0:05:42 | |
Wipe yourself down. | 0:05:46 | 0:05:49 | |
The Goldings are returning to their middle-class existence | 0:05:49 | 0:05:53 | |
at number 2, Albert Road. | 0:05:53 | 0:05:54 | |
Ian Golding's great-great-grandfather was Nathan Ludsky, | 0:05:54 | 0:05:59 | |
an Edwardian middle-class Taylor, | 0:05:59 | 0:06:00 | |
which is why the Golding's have the middle-class house. | 0:06:00 | 0:06:04 | |
Oh, my God, look at that fireplace! | 0:06:04 | 0:06:07 | |
How much more comfortable is this? | 0:06:07 | 0:06:09 | |
-Oh, this is certainly more cosy. -Oh, yes. -Less formal. | 0:06:09 | 0:06:13 | |
-Look at the light. How is it? Electricity! -Look at that. | 0:06:13 | 0:06:17 | |
-Oh, my word. -Oh, my God! -HE LAUGHS | 0:06:17 | 0:06:21 | |
-Gas. -Gas cooker. Hot and cold water, look. | 0:06:21 | 0:06:24 | |
During the inter-war years, | 0:06:24 | 0:06:26 | |
there was an explosion of packaged and branded consumer goods, | 0:06:26 | 0:06:30 | |
many of which are still in existence today. | 0:06:30 | 0:06:32 | |
-My mum said you'll have Oxo cubes, remember? -We've got so much more stuff. | 0:06:32 | 0:06:36 | |
Social historian Juliet Gardiner | 0:06:36 | 0:06:39 | |
has provided each family with a manual, | 0:06:39 | 0:06:41 | |
telling them how they'll be living. | 0:06:41 | 0:06:43 | |
"Ian is working as an estate agent", | 0:06:43 | 0:06:45 | |
like his grandfather?! | 0:06:45 | 0:06:47 | |
I'm really surprised he was an estate agent. | 0:06:47 | 0:06:50 | |
-What's an estate agent? -A person that not many people like. | 0:06:50 | 0:06:53 | |
It's all right, selling houses, isn't it? | 0:06:53 | 0:06:55 | |
"The inter-war years were a boom time for house-building. | 0:06:55 | 0:06:57 | |
"The suburbs spread out from the cities | 0:06:57 | 0:06:59 | |
"and the middle classes moved out for a better life." | 0:06:59 | 0:07:02 | |
-Oh, yes! -I can't believe I'm an estate agent. | 0:07:02 | 0:07:06 | |
-It looks more comfortable. -That looks good, doesn't it? | 0:07:06 | 0:07:08 | |
Yes, it does. | 0:07:08 | 0:07:10 | |
DOORBELL RINGS | 0:07:10 | 0:07:13 | |
House number 1 is home to the Taylors, | 0:07:13 | 0:07:16 | |
where again, they'll be waited on by servants. | 0:07:16 | 0:07:19 | |
Good morning, sir and madam. | 0:07:19 | 0:07:21 | |
I'm your maid and this is your cook. | 0:07:21 | 0:07:24 | |
Michael Taylor is the descendant | 0:07:24 | 0:07:26 | |
of successful mill manager, William Bennett, | 0:07:26 | 0:07:28 | |
a man at the heart of Britain's thriving cotton industry | 0:07:28 | 0:07:31 | |
in the 19th century. | 0:07:31 | 0:07:33 | |
-How is it? -Ooh, wow! -Wow! -We've got a radio. | 0:07:33 | 0:07:36 | |
-We have a telephone. -Radio! -Oh, we've got a booze cabinet. | 0:07:36 | 0:07:40 | |
-Look at all the CDs at the bottom. -CDs? | 0:07:40 | 0:07:43 | |
Do you not know what these are? | 0:07:43 | 0:07:44 | |
-Discs... -Vinyl. You won't have seen a record player before, | 0:07:44 | 0:07:47 | |
that's brand new to you. | 0:07:47 | 0:07:49 | |
But last week, the Taylors discovered | 0:07:49 | 0:07:52 | |
the life of the idle rich had its drawbacks. | 0:07:52 | 0:07:55 | |
The children were raised by a strict nanny... | 0:07:55 | 0:07:59 | |
Remember that children should be seen and not heard. | 0:07:59 | 0:08:02 | |
..while mum and dad lived virtually separate lives. | 0:08:02 | 0:08:06 | |
I'm here on my own, | 0:08:06 | 0:08:08 | |
which is a horrible feeling, knowing that Adele | 0:08:08 | 0:08:10 | |
and the children are home. It's horrid. | 0:08:10 | 0:08:14 | |
(It is horrid.) | 0:08:14 | 0:08:16 | |
It would be nice if we could get the music going, wouldn't it? | 0:08:18 | 0:08:22 | |
This is more what we're used to, | 0:08:22 | 0:08:23 | |
there's going to be music playing and noise | 0:08:23 | 0:08:26 | |
and it's just going to feel a heck of a lot better than that silence. | 0:08:26 | 0:08:30 | |
And it's not just Adele who has reason to feel optimistic. | 0:08:30 | 0:08:35 | |
Oh, we've got a train set! | 0:08:35 | 0:08:36 | |
The children, no longer viewed by society as mini adults, | 0:08:36 | 0:08:40 | |
get to enjoy proper playtime, | 0:08:40 | 0:08:41 | |
with toys made purely for their enjoyment. | 0:08:41 | 0:08:45 | |
Hornby, Meccano and Dinky toys. | 0:08:45 | 0:08:49 | |
-This is a play room, isn't it? -Yes. -Not a schoolroom. | 0:08:49 | 0:08:51 | |
I want to be a kid again! | 0:08:51 | 0:08:53 | |
I'm now not going to get bored. | 0:08:53 | 0:08:55 | |
"You may not be quite as wealthy as you were in the Edwardian period, | 0:08:55 | 0:08:58 | |
"but for now, money is still not a worry for you." | 0:08:58 | 0:09:01 | |
-We can spend away! -Spend. | 0:09:01 | 0:09:03 | |
"None of you will need to work." | 0:09:03 | 0:09:06 | |
"Father is a man of independent means. | 0:09:06 | 0:09:09 | |
"He has shares in the big four - | 0:09:09 | 0:09:10 | |
"cotton, coal, steel and shipbuilding. | 0:09:10 | 0:09:13 | |
"You're accustomed to good living. | 0:09:13 | 0:09:14 | |
"You will want to keep up appearances. | 0:09:14 | 0:09:17 | |
"It's the roaring '20s, so go and live life to the full." | 0:09:17 | 0:09:20 | |
From a happy family to an apprehensive one. | 0:09:21 | 0:09:25 | |
The Meadows are about to find out what jobs they'll be doing. | 0:09:25 | 0:09:29 | |
As Edwardians, they lived a hand-to-mouth existence, | 0:09:29 | 0:09:32 | |
working long hours for little money. | 0:09:32 | 0:09:34 | |
So will life just 20 years later be any easier? | 0:09:34 | 0:09:39 | |
OK, "your family are still working class, | 0:09:39 | 0:09:41 | |
"but thankfully, things have improved greatly. | 0:09:41 | 0:09:43 | |
"You are all employed in domestic service. | 0:09:43 | 0:09:46 | |
"You work for your neighbours, Saskia..." | 0:09:46 | 0:09:48 | |
Oh... "You're employed as first housemaid in the Taylor household, | 0:09:48 | 0:09:53 | |
"and the responsibility for keeping it clean and running smoothly is yours." | 0:09:53 | 0:09:56 | |
"Genevieve, junior housemaid. | 0:09:56 | 0:09:59 | |
"You are joining your sister in service as a junior housemaid. | 0:09:59 | 0:10:02 | |
"As the newcomer, you are subordinate to your sister | 0:10:02 | 0:10:05 | |
"as she teaches you the ropes." | 0:10:05 | 0:10:07 | |
LAUGHS > | 0:10:07 | 0:10:09 | |
Oh, my God, I'm going to be so mean. | 0:10:09 | 0:10:11 | |
-At least you're together. -I don't want to see this. | 0:10:11 | 0:10:14 | |
I don't want to open this page. "Phil, chauffeur." | 0:10:14 | 0:10:17 | |
-Hey! -"You're working as a chauffeur, | 0:10:17 | 0:10:19 | |
"so you're also going to work for the Taylors." | 0:10:19 | 0:10:22 | |
We're all going to work for the Taylors. Suzie. | 0:10:22 | 0:10:25 | |
"You'll be working as a part-time general domestic | 0:10:25 | 0:10:28 | |
"for the Goldings next door, | 0:10:28 | 0:10:29 | |
"cooking and cleaning for a few hours a week." | 0:10:29 | 0:10:32 | |
That's not too bad. | 0:10:32 | 0:10:33 | |
It could've been worse, guys. It could have been a lot worse. | 0:10:33 | 0:10:35 | |
Says he, sitting there as a chauffeur, | 0:10:35 | 0:10:38 | |
that does nothing all day | 0:10:38 | 0:10:40 | |
-except wait for the family to come out. -And you get to drive that car. | 0:10:40 | 0:10:43 | |
So get your arm off my shoulder immediately. | 0:10:43 | 0:10:46 | |
You're ganging up on me. | 0:10:46 | 0:10:47 | |
-Phil, how are you? -Joe, how are you doing? Nice to see you again. -Good to see you. | 0:10:49 | 0:10:54 | |
Joe Crowley's here to explain | 0:10:54 | 0:10:56 | |
why Phil's been given the job of chauffeur. | 0:10:56 | 0:10:58 | |
Time to look at the Meadows' maternal family tree. | 0:10:58 | 0:11:01 | |
Phil knows little of his family history | 0:11:01 | 0:11:05 | |
beyond his grandfather, Reginald Turney. | 0:11:05 | 0:11:08 | |
But Joe has traced back two further generations | 0:11:08 | 0:11:11 | |
to his great-grandfather, William Turney | 0:11:11 | 0:11:14 | |
and his great-great-grandfather, John Turney. | 0:11:14 | 0:11:18 | |
So, let's have a look at the census. Here, we can see | 0:11:18 | 0:11:21 | |
William, a grown-up, 35, this is your great-grandfather, | 0:11:21 | 0:11:26 | |
-and there's a name you'll recognise. -Oh, God. That would be Reg. | 0:11:26 | 0:11:29 | |
And he's five. | 0:11:29 | 0:11:30 | |
This is where Reginald first pops up. | 0:11:30 | 0:11:32 | |
Phil knew his grandfather Reginald well, | 0:11:32 | 0:11:35 | |
but he didn't know what he'd done for a living. | 0:11:35 | 0:11:38 | |
So Reginald's father William is a groom, | 0:11:39 | 0:11:41 | |
and his father before him was a groom | 0:11:41 | 0:11:43 | |
and Reginald, he's the one who makes the transition, | 0:11:43 | 0:11:45 | |
-and this is so exciting, because here we have your family... -Yes? | 0:11:45 | 0:11:50 | |
..reflecting and mapping this huge change in British society, | 0:11:50 | 0:11:53 | |
which is the rise of the motor car. | 0:11:53 | 0:11:55 | |
This is Reginald's marriage certificate. | 0:11:55 | 0:11:58 | |
The thing I want to draw your attention to | 0:11:58 | 0:12:00 | |
-is if we spool across here - profession, chauffeur. -OK. | 0:12:00 | 0:12:04 | |
-How does it feel to see that? -Yes, amazing. Amazing. | 0:12:04 | 0:12:07 | |
-Look where he's working. -Wow, look at that place. | 0:12:07 | 0:12:09 | |
-Cor. -This was the home of Sir Frederick Ponsonby and his wife. | 0:12:09 | 0:12:14 | |
As only it could be. Frederick Ponsonby? | 0:12:14 | 0:12:18 | |
He's a very established gentleman. | 0:12:18 | 0:12:20 | |
He worked for the Royal Family for many years | 0:12:20 | 0:12:22 | |
-and royalty stayed at this house. -Amazing. -How does it feel | 0:12:22 | 0:12:25 | |
that you'll be doing the same thing? | 0:12:25 | 0:12:27 | |
Great, very excited actually. And then to live it will be fantastic. | 0:12:27 | 0:12:31 | |
MUSIC AND WHISTLING | 0:12:31 | 0:12:35 | |
# Whistle while you work... # | 0:12:35 | 0:12:37 | |
I'm really looking forward | 0:12:37 | 0:12:40 | |
to being a chauffeur this week. One, because I get to drive | 0:12:40 | 0:12:43 | |
this great car. | 0:12:43 | 0:12:44 | |
One of my concerns is that we are quite reliant | 0:12:44 | 0:12:48 | |
on the Taylor household for our family income. | 0:12:48 | 0:12:52 | |
You've all your eggs in one basket, but the fact that we've got work | 0:12:52 | 0:12:55 | |
and we're getting paid, we can't complain, | 0:12:55 | 0:12:57 | |
but we're vulnerable. If anything happens to the Taylors, | 0:12:57 | 0:12:59 | |
it's going to drastically affect my household. | 0:12:59 | 0:13:03 | |
-Afternoon, sir. -Good afternoon, how are you? | 0:13:03 | 0:13:06 | |
-Usual club, sir? -Yes, please. | 0:13:06 | 0:13:08 | |
# Come on, get smart | 0:13:08 | 0:13:09 | |
# Tune up and start to whistle while you work... # | 0:13:09 | 0:13:15 | |
Thank you. | 0:13:17 | 0:13:18 | |
While Phil Meadows' job gets him out and about, | 0:13:18 | 0:13:22 | |
his daughters Saskia, 18, and Genevieve, 15, | 0:13:22 | 0:13:26 | |
are behind closed doors. | 0:13:26 | 0:13:27 | |
Last era, privileged teen Genevieve worked for her mum. | 0:13:29 | 0:13:34 | |
This time, she's expected to knuckle down on her own. | 0:13:34 | 0:13:37 | |
Pretty basic. But hard work though. | 0:13:37 | 0:13:41 | |
In the post-war era, | 0:13:41 | 0:13:43 | |
there were job options beyond domestic service for young women. | 0:13:43 | 0:13:46 | |
So, wealthy families made the work as attractive as possible, | 0:13:46 | 0:13:49 | |
with better pay and the latest domestic appliances. | 0:13:49 | 0:13:55 | |
It's a completely different, like, environment to be in. | 0:13:55 | 0:14:00 | |
The Taylors have spent the equivalent of £157 | 0:14:00 | 0:14:03 | |
on a vacuum cleaner, £11,000 on a fancy motor car | 0:14:03 | 0:14:09 | |
and are now the proud owners of the latest gadget for their scullery. | 0:14:09 | 0:14:13 | |
Joe arrives to show Genevieve how to use it. | 0:14:13 | 0:14:17 | |
This is an inter-war washing machine. | 0:14:17 | 0:14:20 | |
This cost your employers £100. | 0:14:20 | 0:14:23 | |
In today's money, that's over £5,000. | 0:14:23 | 0:14:27 | |
-Oh, my God! -So, how does it work? | 0:14:27 | 0:14:30 | |
Despite being cutting edge, it's still a little bit basic. | 0:14:30 | 0:14:33 | |
-You see this thing? -Yes. -It's called the agitator, | 0:14:33 | 0:14:36 | |
that's basically just going to move around to mimic hand washing. | 0:14:36 | 0:14:39 | |
Here's your water heater. | 0:14:39 | 0:14:41 | |
This, just be careful, no fingers, knuckles going in. | 0:14:41 | 0:14:44 | |
One more thing, this is cutting edge, | 0:14:44 | 0:14:46 | |
because it's got a electric motor on it, which is fantastic. | 0:14:46 | 0:14:49 | |
But the way it's designed, you've got quite a lot of water | 0:14:49 | 0:14:51 | |
above an electric motor. Just be careful. | 0:14:51 | 0:14:53 | |
Those two shouldn't really meet. | 0:14:53 | 0:14:56 | |
Oh, no, I'm really clumsy though. Oh, no. | 0:14:57 | 0:15:00 | |
Take your time, it will be fine. | 0:15:00 | 0:15:02 | |
-All right. I'll leave you to it. Good luck. -Thank you. | 0:15:02 | 0:15:05 | |
At home, I probably do... | 0:15:05 | 0:15:07 | |
I do close to no washing at all. | 0:15:07 | 0:15:11 | |
And it is a pretty big basket. | 0:15:11 | 0:15:14 | |
And a pretty big pile of clothes, so it's going to take forever. | 0:15:14 | 0:15:20 | |
SHE GIGGLES | 0:15:25 | 0:15:27 | |
-Oh, good morning, Mrs Meadows. -Good morning. -Come in. | 0:15:29 | 0:15:33 | |
Suzie's joined the growing workforce | 0:15:33 | 0:15:35 | |
of women working part-time as domestics. | 0:15:35 | 0:15:37 | |
But not for the upper classes. | 0:15:37 | 0:15:40 | |
The middle classes were employing staff too. | 0:15:40 | 0:15:43 | |
Right, so we're going to do mushrooms, | 0:15:43 | 0:15:47 | |
tomatoes and sausages. | 0:15:47 | 0:15:49 | |
-Sausages. -Yeah. -That'd be lovely. | 0:15:49 | 0:15:51 | |
And is it possible to have some scrambled eggs with that? | 0:15:51 | 0:15:55 | |
-Yes, it is. -The children requested scrambled eggs. -No problemo. | 0:15:55 | 0:15:58 | |
-You have quite an abundance of eggs. -We do have several. | 0:15:58 | 0:16:01 | |
Yeah, so that's fine. | 0:16:01 | 0:16:03 | |
It's a joy to be cooking on gas. SHE LAUGHS | 0:16:03 | 0:16:08 | |
I have definitely gone up a notch. | 0:16:08 | 0:16:10 | |
As it stands at the moment, I feel quite relaxed about cooking today. | 0:16:10 | 0:16:14 | |
By the time I get home and have to cook for my own family, | 0:16:14 | 0:16:17 | |
I think I might be a bit more ratty about the whole thing. | 0:16:17 | 0:16:20 | |
Suzie isn't the only member of the Meadows family waiting on someone else. | 0:16:24 | 0:16:28 | |
-Thank you, that's lovely. -Salmon with capers. | 0:16:30 | 0:16:33 | |
Saskia also has to manage the new scullery maid. | 0:16:33 | 0:16:37 | |
Hello. How's it going? | 0:16:37 | 0:16:39 | |
Is this your version of folding? | 0:16:39 | 0:16:42 | |
That's my to-do pile. | 0:16:42 | 0:16:44 | |
-Where's your washed pile? -I haven't got a washed pile! | 0:16:44 | 0:16:47 | |
What have you been doing? | 0:16:47 | 0:16:49 | |
In six hours, Genevieve has washed only one shirt. | 0:16:49 | 0:16:53 | |
-Are you telling me that you've just washed that? -Yeah. | 0:16:53 | 0:16:56 | |
-Gen, Come on. -I just did the washing and the mangle, | 0:16:56 | 0:17:00 | |
and now it's just come out dirtier. | 0:17:00 | 0:17:02 | |
Make it work. We need to earn money. | 0:17:02 | 0:17:04 | |
That is the best I can do. | 0:17:04 | 0:17:06 | |
I bet you you CAN do this. I bet you. | 0:17:06 | 0:17:09 | |
Just prove it, because if you do that, then you'll get an upgrade, | 0:17:11 | 0:17:14 | |
-I mean, a promotion. -To what, Saskia? | 0:17:14 | 0:17:17 | |
Maid. Assistant chef. | 0:17:17 | 0:17:21 | |
Today it's not just toys that are keeping the Taylor children happy. | 0:17:29 | 0:17:33 | |
Their new nanny is a hit too. | 0:17:33 | 0:17:35 | |
Then, if it hits one of these balls out, you get to keep that ball. | 0:17:35 | 0:17:38 | |
If it goes through one of the gaps, you don't. | 0:17:38 | 0:17:40 | |
GIRL LAUGHS | 0:17:43 | 0:17:46 | |
You can play the next turn. OK? | 0:17:46 | 0:17:47 | |
And, happy with the childcare, | 0:17:47 | 0:17:49 | |
Michael and Adele get their first chance for a social outing as a couple. | 0:17:49 | 0:17:54 | |
OK. | 0:17:54 | 0:17:56 | |
It might be a little bit bumpy here, madam. | 0:17:59 | 0:18:01 | |
It's a huge change, not only from their Edwardian experience, | 0:18:04 | 0:18:08 | |
but also their modern-day lives. | 0:18:08 | 0:18:10 | |
-We wouldn't normally get out. -No. -We just don't go. | 0:18:11 | 0:18:14 | |
Cos we don't have babysitters, we just don't go out very often. | 0:18:14 | 0:18:17 | |
-Yeah. -Not just the two of us, anyway. | 0:18:17 | 0:18:19 | |
Just tell me when you want me to blow the horn, sir. | 0:18:19 | 0:18:21 | |
-Any time now would be good. -HORN TOOTS | 0:18:21 | 0:18:24 | |
THEY LAUGH | 0:18:24 | 0:18:27 | |
A glamorous night at the Midland Hotel in Morecambe... | 0:18:29 | 0:18:32 | |
..which once played host to Coco Chanel and Wallis Simpson. | 0:18:33 | 0:18:37 | |
The new, fun-loving society wanted to live a life of pleasure | 0:18:39 | 0:18:43 | |
and indulgence after the privations of wartime. | 0:18:43 | 0:18:46 | |
Wealthy families like the Taylors revelled in novelties from America, | 0:18:48 | 0:18:52 | |
including jazz, cocktails and elaborate dance moves. | 0:18:52 | 0:18:56 | |
-INSTRUCTOR: -Five, six... Let's go! | 0:18:59 | 0:19:03 | |
You can see why they did it. You know, they had a shocking time in the war. | 0:19:09 | 0:19:13 | |
They survived, they're victorious. Get out and live life to the full, | 0:19:13 | 0:19:17 | |
cos they're young people who've seen people die, haven't they? | 0:19:17 | 0:19:21 | |
So they just want to grab life by the hands. | 0:19:21 | 0:19:23 | |
Lovely. Thank you. | 0:19:24 | 0:19:25 | |
It's not just Adele who's appreciating life | 0:19:27 | 0:19:30 | |
in the promising new era. | 0:19:30 | 0:19:32 | |
Yeah, that'd knock your head off, wouldn't it? | 0:19:32 | 0:19:35 | |
The fact that we've got, the whole family's got jobs, | 0:19:35 | 0:19:38 | |
and we can, you know, eat at night and we've got a nice, warm house. | 0:19:38 | 0:19:42 | |
That's a big bonus to us. | 0:19:42 | 0:19:44 | |
And it was only last week, we were really hungry, | 0:19:44 | 0:19:48 | |
cold half the time, filthy dirty all the time. | 0:19:48 | 0:19:51 | |
We've stepped up a gear from there. | 0:19:51 | 0:19:53 | |
Self-made man Phil is already eyeing the next rung on the social ladder. | 0:19:53 | 0:19:58 | |
I think I would naturally try and find to improve my lot. | 0:19:58 | 0:20:02 | |
I think I'm just like that. Suzie is as well. | 0:20:02 | 0:20:04 | |
And I literally would say, "What would I do? Oh, I know, | 0:20:04 | 0:20:07 | |
"probably start a chauffer school." You've got to tier up, haven't you? | 0:20:07 | 0:20:11 | |
And I think just naturally I would try and do that. | 0:20:11 | 0:20:14 | |
If you could make it happen, it might not be possible, | 0:20:14 | 0:20:16 | |
but I'd certainly look into doing it, if there is a way of making it happen. | 0:20:16 | 0:20:19 | |
JAZZ MUSIC PLAYS | 0:20:19 | 0:20:21 | |
For now, Phil's dreams will have to be put on hold, | 0:20:23 | 0:20:27 | |
as he waits for his employers to finish their night out. | 0:20:27 | 0:20:30 | |
I'm home! | 0:20:36 | 0:20:38 | |
-< Hello! -Hello. -Hello, family. | 0:20:38 | 0:20:41 | |
-We're in the kitchen. -It's been a very long day for me. | 0:20:41 | 0:20:44 | |
I'm freezing. I hope that fire's on. | 0:20:44 | 0:20:47 | |
How is everyone? | 0:20:47 | 0:20:49 | |
Oh, you're a star. They need a big pull. | 0:20:49 | 0:20:51 | |
Oh, that is good. Ah! | 0:20:51 | 0:20:54 | |
I tell you, this is nice. Cup of tea, fire, family. | 0:20:54 | 0:20:58 | |
All we need is some comfortable chairs. It would be like home. | 0:20:58 | 0:21:02 | |
Next morning, and all three families have settled happily | 0:21:10 | 0:21:14 | |
into the routine of their respective classes. | 0:21:14 | 0:21:18 | |
Dad, would you like to help Jack with his sugar? | 0:21:18 | 0:21:20 | |
Oh, yes, would you like some sugar, Jack? | 0:21:20 | 0:21:23 | |
-Is that nice and warm? -Yes, lovely and warm. | 0:21:25 | 0:21:28 | |
-Morning. -BOTH: Good morning. | 0:21:30 | 0:21:32 | |
-How are you this morning? -Very good, thank you. How was your evening? | 0:21:32 | 0:21:35 | |
-Very nice, thank you very much. -Lovely, thank you. -Enjoy your tea. | 0:21:35 | 0:21:38 | |
BOTH: Thank you very much. | 0:21:38 | 0:21:39 | |
As the Taylors take it easy, | 0:21:41 | 0:21:43 | |
across town, newly-appointed estate agent Ian Golding... | 0:21:43 | 0:21:48 | |
-Good morning. -Good morning. You must be Mr Robinson. | 0:21:48 | 0:21:50 | |
..is reaping the rewards of the housing boom. | 0:21:50 | 0:21:53 | |
That leaded window is certainly impressive. | 0:21:53 | 0:21:56 | |
It is. Another wonderful window. But I love the staircase as well. | 0:21:56 | 0:22:00 | |
In the inter-war years, | 0:22:00 | 0:22:01 | |
nearly four million new homes were built across Britain. | 0:22:01 | 0:22:05 | |
As the houses multiplied, so did the number of middle-class families, | 0:22:05 | 0:22:09 | |
all buying into the domestic ideal. | 0:22:09 | 0:22:11 | |
Wow! That is impressive. | 0:22:12 | 0:22:15 | |
The light hits you as soon as you walk into this room. | 0:22:15 | 0:22:18 | |
-And the open view. -Walk-in pantry. | 0:22:18 | 0:22:21 | |
-We'll be quite the talk of our friends and neighbours. -Absolutely. | 0:22:22 | 0:22:25 | |
Ian's wife Naomi is about to set to work too... | 0:22:25 | 0:22:29 | |
on her children... | 0:22:29 | 0:22:30 | |
OK. You guys keep playing. | 0:22:30 | 0:22:33 | |
..following the advice of Dr Watson, a middle-class favourite in child rearing. | 0:22:33 | 0:22:38 | |
In the 1900s, Ian struggled as a strict, Edwardian father. | 0:22:38 | 0:22:43 | |
-Hello, how are you? -What are you doing in here? | 0:22:43 | 0:22:46 | |
You're not allowed to be in the kitchen. Can you leave, please? | 0:22:46 | 0:22:48 | |
You do not come in this kitchen. | 0:22:48 | 0:22:51 | |
Leave the kitchen. | 0:22:51 | 0:22:53 | |
CHILD BEGINS TO CRY | 0:22:53 | 0:22:56 | |
He wants to see you when you come home from work. | 0:22:58 | 0:23:00 | |
-He needs to understand that this is the way it was. -I know. | 0:23:00 | 0:23:04 | |
Now it's Naomi's turn to be the disciplinarian. | 0:23:04 | 0:23:07 | |
"There is a sensible way of treating children. | 0:23:07 | 0:23:10 | |
"Never hug and kiss them. Never let them sit on your lap. | 0:23:10 | 0:23:13 | |
"If you must, kiss them once on the forehead when they say good night, | 0:23:14 | 0:23:18 | |
"and shake hands with them in the morning." | 0:23:18 | 0:23:21 | |
Good morning, Katie. How are you? | 0:23:21 | 0:23:23 | |
"Give them a pat on the head | 0:23:23 | 0:23:24 | |
"if they've made an extraordinarily good job of a difficult task." | 0:23:24 | 0:23:28 | |
Little pat on the head. | 0:23:28 | 0:23:30 | |
No kisses. A pat on... Night-night, Jack. | 0:23:30 | 0:23:32 | |
GIRL LAUGHS | 0:23:32 | 0:23:33 | |
So, guys... | 0:23:33 | 0:23:35 | |
This is the last time this week we'll be able to cuddle on the sofa together like this. | 0:23:35 | 0:23:39 | |
-Hey? -I'm quite pleased, because it's not for the whole year. | 0:23:39 | 0:23:43 | |
-NAOMI CHUCKLES It's not forever. -No. | 0:23:43 | 0:23:45 | |
So it's discipline for some, but not for others. | 0:23:48 | 0:23:51 | |
The Taylors' nanny is sending them out on a treasure hunt. | 0:23:51 | 0:23:55 | |
This is the map of where you are going to be going. | 0:23:55 | 0:23:58 | |
-How are we meant to see that big cross? -That's where the treasure is. | 0:23:58 | 0:24:02 | |
-I've got a compass. -You've got a compass, have you? | 0:24:02 | 0:24:05 | |
-At home. -THEY ALL SIGH | 0:24:05 | 0:24:07 | |
And if it's anything to do with chocolate, I'll find it. | 0:24:07 | 0:24:10 | |
In keeping with the times, | 0:24:10 | 0:24:12 | |
the Taylor children's adventure will be without any adult supervision. | 0:24:12 | 0:24:16 | |
It's a first for the kids and for Mum and Dad. | 0:24:16 | 0:24:19 | |
-Oh, I am so jealous. I want a cuddle. -Have a nice time. | 0:24:19 | 0:24:21 | |
-Find the treasure. -Bye, Mum! -Have a great time. | 0:24:21 | 0:24:24 | |
-Bye, Mum, bye, Dad. -Bye. | 0:24:24 | 0:24:26 | |
So we've got to hike all the way up there. Woo! | 0:24:26 | 0:24:30 | |
You're not meant to pull Lily's dress down. | 0:24:30 | 0:24:32 | |
There might be a monster! | 0:24:32 | 0:24:34 | |
Don't fall in! | 0:24:34 | 0:24:36 | |
This was the year when Swallows And Amazons and The Famous Five were bestsellers. | 0:24:36 | 0:24:41 | |
A time when children were encouraged to roam free, | 0:24:41 | 0:24:45 | |
giving them far more independence than they have today. | 0:24:45 | 0:24:47 | |
-We're probably on this black line somewhere. -There. | 0:24:50 | 0:24:53 | |
We're going to go along here, up here... | 0:24:53 | 0:24:56 | |
Like, without Mum and Dad, it's quite nice, | 0:24:56 | 0:24:59 | |
cos you've got a bit more freedom, which is good. | 0:24:59 | 0:25:02 | |
-Near the treasure. -Is there something there? | 0:25:03 | 0:25:07 | |
Something brown. Something squidgy! | 0:25:08 | 0:25:11 | |
THEY GASP | 0:25:11 | 0:25:13 | |
-Gold! -Chocolate money! -Share it all out! | 0:25:13 | 0:25:16 | |
It's not just the kids who are adapting to their new freedom. | 0:25:16 | 0:25:20 | |
"Alice," I said, "What's in your bag?" | 0:25:20 | 0:25:23 | |
She said, "I've got two cans of beans and five tennis balls!" | 0:25:23 | 0:25:26 | |
She was really excited that she's off out. | 0:25:26 | 0:25:30 | |
-Out doing adventure. -It might do them some good actually, | 0:25:30 | 0:25:33 | |
because if there's no adult disciplining them, | 0:25:33 | 0:25:35 | |
they'll have to beat each other to a pulp first, then sort it out, won't they? | 0:25:35 | 0:25:38 | |
I think we were pleasantly surprised with how... | 0:25:38 | 0:25:41 | |
Cos I think they're quite well-adjusted in that respect, | 0:25:41 | 0:25:43 | |
to be able to cope and get on with it. | 0:25:43 | 0:25:45 | |
I found the treasure! | 0:25:45 | 0:25:47 | |
-We're back. -Hi, guys. How'd you get on? | 0:25:47 | 0:25:49 | |
-We found treasure. -You found the treasure? -Fantastic. Let's have a look. | 0:25:49 | 0:25:53 | |
So did you fall out or did you all get on? | 0:25:53 | 0:25:56 | |
-We all got on. -Did you? | 0:25:56 | 0:25:58 | |
-It's nice without you there. -Is it? -Yeah. | 0:25:58 | 0:26:00 | |
Alice, you have to show me this treasure. What did you get? | 0:26:00 | 0:26:03 | |
-Wow! -Look, it's gold. | 0:26:03 | 0:26:07 | |
We got 71 chocolate coins! | 0:26:07 | 0:26:09 | |
Oh, look. | 0:26:09 | 0:26:12 | |
Mmm! | 0:26:12 | 0:26:13 | |
Back at 2 Albert Road, Naomi's new childcare regime is in full swing. | 0:26:16 | 0:26:22 | |
Pat on the head. Good job. | 0:26:22 | 0:26:24 | |
Good picture, Jack. | 0:26:26 | 0:26:28 | |
And when Ian returns home, he too is expected to make a contribution | 0:26:29 | 0:26:33 | |
to the new parenting plan. | 0:26:33 | 0:26:35 | |
-Oh, wow! Look at that. Who knows how to play this game? -Me! | 0:26:37 | 0:26:42 | |
After work, middle-class fathers were encouraged to spend half an hour with their children... | 0:26:42 | 0:26:47 | |
Oh, who's going to win? | 0:26:47 | 0:26:50 | |
..playing and communicating, instead of laying down the law. | 0:26:50 | 0:26:54 | |
-Oh, who's is that? Is that Katie's? -No, Jack wins. | 0:26:55 | 0:26:58 | |
Well done, Jack. | 0:26:58 | 0:27:01 | |
-Guys, do you like doing this? -ALL AT ONCE: Yeah! | 0:27:01 | 0:27:04 | |
Oh, I'm the red beauty. | 0:27:04 | 0:27:06 | |
-Yeah! -No, that was Daddy! | 0:27:08 | 0:27:10 | |
But as the good times roll, | 0:27:10 | 0:27:12 | |
an event is occurring 3,000 miles away | 0:27:12 | 0:27:15 | |
that's about to shatter Albert Road's blissful existence. | 0:27:15 | 0:27:19 | |
Forever immortalised as Black Tuesday, 29 October 1929 | 0:27:20 | 0:27:25 | |
saw 30 billion wiped off American share prices in a matter of days. | 0:27:25 | 0:27:30 | |
REPORTER: 'The tremendous crowds which you see gathered outside the Stock Exchange | 0:27:30 | 0:27:34 | |
'are due to the greatest crash in the history | 0:27:34 | 0:27:36 | |
'of the New York Stock Exchange in market prices.' | 0:27:36 | 0:27:40 | |
This drastically changed the terms of world trade, | 0:27:40 | 0:27:43 | |
heralding a prolonged global depression. | 0:27:43 | 0:27:46 | |
For families all over the UK, | 0:27:46 | 0:27:48 | |
it was a hammer blow to any dreams of economic advancement. | 0:27:48 | 0:27:52 | |
By the winter of 1932, | 0:27:52 | 0:27:55 | |
almost a quarter of the working population were laid off, | 0:27:55 | 0:27:59 | |
as mines, mills and shipyards fell silent. | 0:27:59 | 0:28:02 | |
Joe is visiting the wealthiest family on the road, | 0:28:03 | 0:28:06 | |
to reveal the impact of the crash on their finances. | 0:28:06 | 0:28:09 | |
Well, I have to say, I'm here as the bearer of bad news. | 0:28:10 | 0:28:13 | |
This is very definitely a down. Wall Street has crashed | 0:28:13 | 0:28:17 | |
and the world has entered into global recession. | 0:28:17 | 0:28:19 | |
You have many shares in the industries that are declining. | 0:28:19 | 0:28:23 | |
Shipbuilding, cotton, coal. | 0:28:23 | 0:28:25 | |
You are going to have to make severe savings. | 0:28:25 | 0:28:28 | |
-These are your household accounts. -Mm-hm. | 0:28:28 | 0:28:30 | |
Here's the breakdown on what you spend on staff, | 0:28:30 | 0:28:33 | |
your motor car, your mortgage, your tax. | 0:28:33 | 0:28:36 | |
Clearly there are some things you cannot do without, | 0:28:36 | 0:28:39 | |
because remember, you're upper class and have to keep up appearances. | 0:28:39 | 0:28:42 | |
-Right. -You've been accustomed to the best things in life. | 0:28:42 | 0:28:45 | |
I'll to leave that with you. | 0:28:45 | 0:28:47 | |
But do take it seriously, these are tough choices. | 0:28:47 | 0:28:49 | |
-Yeah. -And you're going to have to work out what you sacrifice. | 0:28:49 | 0:28:53 | |
Or should I say, even WHO you sacrifice. | 0:28:53 | 0:28:56 | |
I'll leave it with you. Good luck. | 0:28:56 | 0:28:59 | |
We're skint, darling. | 0:29:00 | 0:29:02 | |
-HE LAUGHS Great(!) -We've got no more money! | 0:29:02 | 0:29:04 | |
The Taylors have joined the growing band of Britain's wealthy | 0:29:04 | 0:29:09 | |
who, in the Depression, were forced to cut their outgoings | 0:29:09 | 0:29:11 | |
and face a new austerity. | 0:29:11 | 0:29:13 | |
-So that's your total of what they're telling us our essentials are. -Yes. | 0:29:13 | 0:29:18 | |
Right, we want a financial cushion which will be £100. | 0:29:18 | 0:29:22 | |
In modern-day life, you couldn't live without a car. | 0:29:22 | 0:29:25 | |
A car's freedom, isn't it? | 0:29:25 | 0:29:28 | |
The second housemaid is actually cheaper than the first housemaid. | 0:29:28 | 0:29:31 | |
-And as a compromise... -Yeah. -..you'd save yourself £5-a-year. | 0:29:31 | 0:29:35 | |
We've got to consider that there's three members of the same family | 0:29:35 | 0:29:39 | |
working for us. But if we sack all three, | 0:29:39 | 0:29:42 | |
that's their income into their house gone. | 0:29:42 | 0:29:46 | |
The next morning, and the Taylor household is running as normal. | 0:29:58 | 0:30:03 | |
-Thank you. -Enjoy. -I'm hoping elastic's invented soon. | 0:30:07 | 0:30:10 | |
THEY LAUGH | 0:30:10 | 0:30:13 | |
-Is Sir going out this afternoon? -I don't know. | 0:30:13 | 0:30:16 | |
The staff are still here working for us at the moment, | 0:30:18 | 0:30:21 | |
and we're about to do something that's really rotten and horrible. | 0:30:21 | 0:30:25 | |
-Everything OK? -Yeah, I'm done. Thank you. | 0:30:25 | 0:30:28 | |
When everybody's finished clearing up | 0:30:28 | 0:30:30 | |
from breakfast, could we have all staff in the drawing room, please? | 0:30:30 | 0:30:33 | |
-Yes, of course. -That would be lovely. Thank you. -Thank you very much. | 0:30:33 | 0:30:37 | |
You're heartless, you are. | 0:30:40 | 0:30:42 | |
HE LAUGHS | 0:30:42 | 0:30:44 | |
-I've got some interesting news. -What? | 0:30:44 | 0:30:47 | |
All the staff have been called to the drawing room. | 0:30:47 | 0:30:50 | |
HE GASPS | 0:30:50 | 0:30:52 | |
As soon as we've finished clearing up from breakfast, which is now. | 0:30:52 | 0:30:56 | |
So, whenever you're ready... | 0:30:56 | 0:30:59 | |
Adele and Michael have decided that Adele should be the one to break the bad news, | 0:30:59 | 0:31:03 | |
while Michael retreats to his study. | 0:31:03 | 0:31:06 | |
KNOCK ON DOOR Come in. | 0:31:07 | 0:31:09 | |
Hello, everybody. | 0:31:15 | 0:31:16 | |
I've had to call you together to tell you some bad news. | 0:31:16 | 0:31:22 | |
I'm sure you're all aware that the Depression has hit, | 0:31:22 | 0:31:26 | |
and we were told last night how badly that was going to affect this house, | 0:31:26 | 0:31:32 | |
which has left us with some really, really tough decisions to make. | 0:31:32 | 0:31:36 | |
Chef, I'm afraid we're going to have to ask you to take a pay cut. | 0:31:36 | 0:31:41 | |
Also, our food budget is to be cut by two-thirds. | 0:31:41 | 0:31:44 | |
Phil, the car is expensive to keep, | 0:31:44 | 0:31:48 | |
which unfortunately means we can no longer keep you employed. | 0:31:48 | 0:31:51 | |
We will keep Saskia employed on the wages that she is on now, | 0:31:51 | 0:31:56 | |
but sadly we have to lose Genevieve. | 0:31:56 | 0:31:58 | |
But I just hope the fact that we can keep one income in your house | 0:32:00 | 0:32:04 | |
helps just a little bit. | 0:32:04 | 0:32:06 | |
-Thank you very much. -Thank you. | 0:32:06 | 0:32:08 | |
Thank you very much. Thank you. | 0:32:08 | 0:32:10 | |
Not nice, is it? But if they know that we're really struggling, | 0:32:17 | 0:32:22 | |
that's the only way to do it, isn't it? There's no point pretending. | 0:32:22 | 0:32:25 | |
-Look at this face! -I'm not working if I get fired. | 0:32:25 | 0:32:29 | |
-I've never been sacked before! -I haven't either. | 0:32:29 | 0:32:33 | |
She did put it nicely, and they're great bosses. | 0:32:33 | 0:32:35 | |
You're very brave. | 0:32:35 | 0:32:37 | |
-It has to be done, doesn't it? -Yeah. | 0:32:39 | 0:32:41 | |
You do realise that this means that I'm going to have to do everything. | 0:32:41 | 0:32:44 | |
-You're going to have to be the scullery AND their maid. -I need to get out and find a job. | 0:32:44 | 0:32:49 | |
-I'm going to be washing, washing up... -I might join the army. | 0:32:49 | 0:32:53 | |
..cleaning the beds, serving breakfast. | 0:32:53 | 0:32:56 | |
Do you reckon I can get one last spin in the motor before it goes? | 0:32:56 | 0:33:00 | |
It represents a bit of my freedom, I suppose, | 0:33:02 | 0:33:06 | |
in the big scheme of things. | 0:33:06 | 0:33:07 | |
But moreover, I think it represents a job for Phil, | 0:33:07 | 0:33:11 | |
that car...which is harder still. | 0:33:11 | 0:33:14 | |
Really, it feels crap, basically. | 0:33:17 | 0:33:19 | |
I think anyone being rejected feels rubbish. | 0:33:19 | 0:33:23 | |
I can't help but think back to what a struggle it was | 0:33:26 | 0:33:29 | |
in our last period, a week ago, | 0:33:29 | 0:33:32 | |
when literally work was done on a day-to-day basis, | 0:33:32 | 0:33:36 | |
which it sounds like it's going to go back to. | 0:33:36 | 0:33:38 | |
Unless I can find something permanent, | 0:33:38 | 0:33:39 | |
but it'll be really difficult to find a permanent job. | 0:33:39 | 0:33:42 | |
You know, I've now got all the pressure of... | 0:33:46 | 0:33:49 | |
feeding my family. I mean, what Saskia earns and what Suzie earns, | 0:33:49 | 0:33:53 | |
if Suzie keeps her job next door, is not going to be enough. | 0:33:53 | 0:33:55 | |
We're going to go into more and more debt, | 0:33:55 | 0:33:57 | |
then we'll get into a really bad cycle. | 0:33:57 | 0:33:59 | |
Whilst unemployment hit nearly a third of unskilled workers | 0:33:59 | 0:34:03 | |
and those relying on shares lost much of the wealth, | 0:34:03 | 0:34:07 | |
most white-collar workers, like Ian Golding, held onto their jobs. | 0:34:07 | 0:34:10 | |
-Hello. -How are you? -How are you? | 0:34:10 | 0:34:14 | |
-Good day? -Very good. Very good. | 0:34:14 | 0:34:16 | |
-I sold a house. -Did you? -Yes. -Well done. | 0:34:16 | 0:34:19 | |
-So that's more money into the coffers, eh? -It is. | 0:34:19 | 0:34:22 | |
OK. | 0:34:22 | 0:34:24 | |
Unscathed by the Depression, | 0:34:24 | 0:34:27 | |
he's off with his family to enjoy the latest leisure craze. | 0:34:27 | 0:34:31 | |
# Oh, give me land... # | 0:34:31 | 0:34:33 | |
Are you going to come after me, Katie? Are you coming after me? | 0:34:33 | 0:34:37 | |
Cool stile. | 0:34:37 | 0:34:38 | |
RADIO: 'Let's take a walk and enjoy one of the cheapest, | 0:34:38 | 0:34:41 | |
'healthiest and most inexpensive pastimes never invented.' | 0:34:41 | 0:34:45 | |
After the First World War highlighted Britain's unhealthy and often undernourished nation, | 0:34:45 | 0:34:50 | |
the government launched initiatives to encourage families | 0:34:50 | 0:34:53 | |
to get fit and have fun whilst doing it. | 0:34:53 | 0:34:57 | |
Fresh air was all the rage, albeit mainly for the middle classes. | 0:34:57 | 0:35:01 | |
-Come on, Jacko. -Jacko. SHE LAUGHS | 0:35:01 | 0:35:07 | |
-It's a change for you, though, from last week! -Yeah, it's nice to be... | 0:35:07 | 0:35:11 | |
It's just nice to be outside, and not just the street. Just nice to be... | 0:35:11 | 0:35:15 | |
Oh, yeah, the views are stunning, and just be together as a family. | 0:35:15 | 0:35:19 | |
-Who's done all the poo-poos? -I think it's sheepies. | 0:35:19 | 0:35:22 | |
-Cows. -Cows? -Sheepies, up here. | 0:35:22 | 0:35:25 | |
THEY ALL LAUGH | 0:35:25 | 0:35:27 | |
Last week I was very jealous of Mr Taylor in the upper-class house. | 0:35:28 | 0:35:32 | |
But I think there's no doubt that we're the lucky family this week. | 0:35:32 | 0:35:37 | |
Three, two, one... | 0:35:37 | 0:35:40 | |
Yeah! | 0:35:40 | 0:35:41 | |
As the day draws to a close, | 0:35:44 | 0:35:47 | |
Phil Meadows has failed to find any employment. | 0:35:47 | 0:35:50 | |
You feel a lot more secure when you've got a full-time job. | 0:35:53 | 0:35:56 | |
You feel good about yourself, and you can bring something to the family. | 0:35:56 | 0:36:00 | |
You relax a little bit in the environment | 0:36:00 | 0:36:02 | |
when you've got a full-time job. | 0:36:02 | 0:36:04 | |
These last days has felt like stepping back to where we were. | 0:36:04 | 0:36:08 | |
Another day in Morecambe. | 0:36:19 | 0:36:21 | |
And with mum Suzie and daughter Saskia now the only wage-earners | 0:36:21 | 0:36:25 | |
in the Meadows household, the forecast is gloomy. | 0:36:25 | 0:36:29 | |
Even the upper-class Taylors are feeling the effects of the Depression. | 0:36:29 | 0:36:33 | |
-My(!) -Wow! HE LAUGHS | 0:36:34 | 0:36:36 | |
Meagre rations! | 0:36:36 | 0:36:38 | |
As the chef said, a scaled-down breakfast. | 0:36:38 | 0:36:40 | |
-Thank you. -That's lovely, thank you. I was expecting less, to be honest. | 0:36:40 | 0:36:44 | |
-Enjoy. -Thank you. The sad thing is, you can't even make... | 0:36:44 | 0:36:49 | |
..a smile out of your breakfast. | 0:36:50 | 0:36:52 | |
Look. It's missing an eye. | 0:36:52 | 0:36:55 | |
It's a Picasso. I think possibly it's a good thing for me. | 0:36:55 | 0:36:59 | |
If I carried on eating like we were eating, I'd be as big as a house. | 0:37:01 | 0:37:05 | |
I feel like I should take my time over it. | 0:37:05 | 0:37:08 | |
An egg would've been nice! | 0:37:08 | 0:37:10 | |
We have gone down in the world. | 0:37:10 | 0:37:13 | |
Oh, we have. Certainly. | 0:37:13 | 0:37:14 | |
The interesting thing is, we're kind of aware that actually | 0:37:14 | 0:37:19 | |
the middle-class family have got the car and they've got a cook | 0:37:19 | 0:37:22 | |
doing them a full English and some nice... | 0:37:22 | 0:37:25 | |
They're feeling like they're coming up in the world. | 0:37:25 | 0:37:28 | |
-I think this is the beginning of the levelling of the... -Mm. | 0:37:28 | 0:37:32 | |
..the classes, as such. I mean, at least financially. | 0:37:33 | 0:37:36 | |
-At least we get a silver tea set. -Mm. -Hey? When will that go? | 0:37:36 | 0:37:40 | |
HE LAUGHS | 0:37:40 | 0:37:41 | |
Is it real silver? Can we pawn it? | 0:37:41 | 0:37:44 | |
The Depression's had little impact on the Goldings next door. | 0:37:44 | 0:37:48 | |
But historian Juliette has uncovered something in Ian's ancestry | 0:37:48 | 0:37:52 | |
that tells a different story. | 0:37:52 | 0:37:54 | |
Ian, I've got a document here about your grandfather, | 0:37:54 | 0:37:57 | |
-which I think is really going to interest you. Look. -OK. | 0:37:57 | 0:38:01 | |
-Have a look at it. -It's an original. | 0:38:01 | 0:38:03 | |
In 1936, Ian's grandfather, Joseph Goldinsky, changed his identity. | 0:38:03 | 0:38:09 | |
Oh, this is Grandpa. Oh, my word. | 0:38:09 | 0:38:13 | |
"It is hereby declared, on behalf of myself and my wife | 0:38:13 | 0:38:17 | |
"and my children, I absolutely and entirely renounce, relinquish | 0:38:17 | 0:38:21 | |
"and abandon the use of my said former surname of Goldinsky | 0:38:21 | 0:38:25 | |
"and assume and adopt and determine to take and use from the date hereof | 0:38:25 | 0:38:29 | |
"the surname of Golding." | 0:38:29 | 0:38:31 | |
Obviously what it doesn't say is why. | 0:38:31 | 0:38:33 | |
I think we need to explore this further, | 0:38:33 | 0:38:36 | |
and I think the way to do it is going to be to take a trip | 0:38:36 | 0:38:39 | |
to the East End of London, and find out more. | 0:38:39 | 0:38:42 | |
Wow! Well, that would be amazing to be able to do that. | 0:38:42 | 0:38:45 | |
That would be fantastic. | 0:38:45 | 0:38:47 | |
Ian's about to find out | 0:38:54 | 0:38:56 | |
how the economic depression that was gripping Britain | 0:38:56 | 0:38:59 | |
had an insidious effect on his Jewish ancestors. | 0:38:59 | 0:39:02 | |
So far, his middle-class existence echoes that of Nathan Ludsky | 0:39:04 | 0:39:08 | |
on his maternal line. | 0:39:08 | 0:39:10 | |
But life for his paternal grandparents, Joseph and Pauline, | 0:39:10 | 0:39:13 | |
was very different. | 0:39:13 | 0:39:14 | |
In 1936, the British Union of Fascists attempted to march | 0:39:16 | 0:39:19 | |
in their thousands through the Jewish East End. | 0:39:19 | 0:39:22 | |
RADIO ANNOUNCER: 'Oswald Mosley, Blackshirt leader, arrives at Royal Mint Street to inspect his followers. | 0:39:22 | 0:39:28 | |
'Instead, thousands of East Enders prepare to resist the invasion, | 0:39:28 | 0:39:30 | |
'barricading the paths the fascists would take. | 0:39:30 | 0:39:33 | |
'Incensed by Blackshirt, anti-red, anti-Jew propaganda, | 0:39:33 | 0:39:36 | |
'the crowd take matters into their own hands.' | 0:39:36 | 0:39:38 | |
We're standing just off Cable Street. | 0:39:43 | 0:39:46 | |
What can have in front of us is a mural, | 0:39:46 | 0:39:48 | |
painted to commemorate the Battle of Cable Street, | 0:39:48 | 0:39:53 | |
that historic moment of resistance to fascism, | 0:39:53 | 0:39:57 | |
when the population of the East End of London - Jews, Communists, | 0:39:57 | 0:40:01 | |
members of the Labour Party, trade unionists - | 0:40:01 | 0:40:04 | |
turned out to resist the march of Oswald Mosley's 2,000 Blackshirts | 0:40:04 | 0:40:10 | |
through the heart of the Jewish East End. | 0:40:10 | 0:40:13 | |
Could I ask you to cover your head, please? | 0:40:18 | 0:40:20 | |
Yes, of course. It's been a long time since I put one of these on. | 0:40:20 | 0:40:25 | |
-Well, it suits you. -Thank you very much. | 0:40:25 | 0:40:27 | |
Right, shall we have a look inside? | 0:40:27 | 0:40:30 | |
The reason we've come here is because | 0:40:30 | 0:40:32 | |
your grandparents were married in a synagogue just round the corner. | 0:40:32 | 0:40:39 | |
It was really where, I think, | 0:40:39 | 0:40:41 | |
-more than 60% of the Jews in Britain at this period lived. -Really? | 0:40:41 | 0:40:45 | |
Yes, but that doesn't mean to say | 0:40:45 | 0:40:48 | |
-that it was a very easy life for the Jews. -No. | 0:40:48 | 0:40:50 | |
And now we come to something which is really pretty shocking. | 0:40:50 | 0:40:54 | |
This is an extract from the Daily Mirror | 0:40:54 | 0:40:57 | |
on the 5th of April 1939. | 0:40:57 | 0:40:59 | |
-The year your grandfather got married. -The year they got married, | 0:40:59 | 0:41:02 | |
"Pig's Head Nailed On A Synagogue." Hmm. | 0:41:02 | 0:41:04 | |
"An act of desecration of the Burma Road Synagogue, Stoke Newington, | 0:41:04 | 0:41:09 | |
"during the Jewish Passover observances was revealed yesterday." | 0:41:09 | 0:41:13 | |
Blimey. These guys were serious, they really did want to... | 0:41:13 | 0:41:16 | |
-Absolutely. -..scare them away. | 0:41:16 | 0:41:17 | |
There was fascism rising all over Europe, of course. | 0:41:17 | 0:41:20 | |
There was Hitler in Germany, Mussolini in Italy. | 0:41:20 | 0:41:23 | |
We had our own home-grown fascist, Sir Oswald Mosley, | 0:41:23 | 0:41:26 | |
founder and leader of the Blackshirts. | 0:41:26 | 0:41:28 | |
The '30s was a time when people felt that nothing much was happening. | 0:41:28 | 0:41:31 | |
The British government was limp, | 0:41:31 | 0:41:33 | |
they couldn't deal with unemployment, | 0:41:33 | 0:41:35 | |
they didn't seem to be able to deal with international tensions, | 0:41:35 | 0:41:39 | |
and here was action, a strong man. | 0:41:39 | 0:41:41 | |
And in times like that you look for a strong man. | 0:41:41 | 0:41:43 | |
And Mosley, tragically, seemed like the strong man. | 0:41:43 | 0:41:46 | |
I'm amazed. They look like Nazis. Jews are living in these buildings. | 0:41:46 | 0:41:50 | |
Seeing this walking past, I mean, it must have been flipping scary, | 0:41:50 | 0:41:54 | |
so I can understand why changing your name so you appear less Jewish | 0:41:54 | 0:42:00 | |
might have been the best thing you could do at the time. | 0:42:00 | 0:42:04 | |
Ian heads back to Albert Road to contemplate | 0:42:07 | 0:42:10 | |
the family history he knew nothing about. | 0:42:10 | 0:42:14 | |
Um, I've had a bit of a day today. | 0:42:14 | 0:42:17 | |
An amazing day, really. | 0:42:17 | 0:42:20 | |
And, you know, I'm here today because of their bravery | 0:42:20 | 0:42:23 | |
and because they dug their heels in, they lived through it, | 0:42:23 | 0:42:28 | |
they came through it and they came out the other side. | 0:42:28 | 0:42:32 | |
I think my family have a hell of a lot to be proud of. | 0:42:32 | 0:42:37 | |
The Meadows are starting their day | 0:42:46 | 0:42:48 | |
with a scheme that entrepreneur Phil has come up with | 0:42:48 | 0:42:51 | |
to improve his family's fortunes. | 0:42:51 | 0:42:53 | |
One and a half, one and a half! Oh, it smells amazing. | 0:42:53 | 0:42:57 | |
They're going into the confectionary business. | 0:42:57 | 0:43:00 | |
At the moment, we just need to get some money in | 0:43:00 | 0:43:03 | |
and we'll take it from there. I mean, seriously, | 0:43:03 | 0:43:05 | |
there's nothing else to do. There's nothing going on. | 0:43:05 | 0:43:08 | |
You know, this place is dead. | 0:43:08 | 0:43:10 | |
It's a smart move, as sugar at this time was both plentiful and cheap. | 0:43:11 | 0:43:17 | |
We've made some honeycomb this morning. And now it's set, | 0:43:17 | 0:43:21 | |
we're going to bash it so that it divides into pieces | 0:43:21 | 0:43:24 | |
and then we're going to package it and sell it from our front room | 0:43:24 | 0:43:28 | |
which is being converted into a sweet shop. | 0:43:28 | 0:43:31 | |
The one time you need people on the street, there's no-one around. | 0:43:31 | 0:43:35 | |
Honeycomb for sale! | 0:43:35 | 0:43:37 | |
Right, shall I go and knock on... D'you want some honeycomb? | 0:43:41 | 0:43:44 | |
-Honeycomb for sale! -Honeycomb for sale! No? Tesco's OK for you... | 0:43:44 | 0:43:49 | |
Girls, girls, upmarket honeycomb. OK, upmarket. | 0:43:49 | 0:43:53 | |
Upmarket honeycomb for sale! | 0:43:53 | 0:43:55 | |
-Honeycomb for sale! -Honeycomb for sale! | 0:43:55 | 0:43:58 | |
Phil's enterprise mirrors many grassroots businesses | 0:43:58 | 0:44:03 | |
started in the Depression era, | 0:44:03 | 0:44:04 | |
as families attempted to escape poverty. | 0:44:04 | 0:44:07 | |
-Hi there, d'you like honeycomb? No. -No, OK. | 0:44:07 | 0:44:10 | |
Put your hand in your pocket, get in there and buy some honeycomb. | 0:44:10 | 0:44:13 | |
-Come on. -Dad, you have to be nice. -I am being nice. | 0:44:13 | 0:44:16 | |
-Thank you very much. -Thank you. -Have a nice day. | 0:44:16 | 0:44:19 | |
Two pounds in the pot! Woo-hoo. | 0:44:19 | 0:44:21 | |
-There you go, did you enjoy that? -I did, yeah. -Tell all your friends. | 0:44:21 | 0:44:25 | |
Get them to come along. | 0:44:25 | 0:44:26 | |
-It's very, very tasty. Compliments to the cook. -Thank you. | 0:44:26 | 0:44:31 | |
Despite a few sales, the honeycomb doesn't prove | 0:44:31 | 0:44:34 | |
to be the financial saviour that Phil hoped it might be. | 0:44:34 | 0:44:38 | |
That's it, don't hold back. You can have a little sample first, | 0:44:38 | 0:44:41 | |
just in case you don't like it. But I'm sure you will. | 0:44:41 | 0:44:43 | |
We haven't lost a customer yet. There's one there! Go! | 0:44:43 | 0:44:46 | |
Go, Genevieve, go! Stop! | 0:44:46 | 0:44:48 | |
Definitely feel down in the dumps. | 0:44:48 | 0:44:50 | |
I was actually looking forward to life improving | 0:44:50 | 0:44:56 | |
and me not having to scrabble around trying to... | 0:44:56 | 0:45:00 | |
make the best of it, | 0:45:00 | 0:45:03 | |
which sounds really spoilt, doesn't it? It sounds really spoilt. | 0:45:03 | 0:45:07 | |
But it's really, really depressing. | 0:45:07 | 0:45:10 | |
Suzie has a lot on her plate, | 0:45:12 | 0:45:15 | |
what with cooking and cleaning at the Golding house, | 0:45:15 | 0:45:18 | |
and finding a way to feed her own family. | 0:45:18 | 0:45:21 | |
But a little light relief is on its way. | 0:45:23 | 0:45:26 | |
Ah. "Health and Beauty. Join the Women's League of Health and Beauty. | 0:45:27 | 0:45:32 | |
"Movement is life." | 0:45:32 | 0:45:33 | |
Founded in 1930, the Women's League of Health and Beauty | 0:45:33 | 0:45:37 | |
was a radical, forward-thinking organisation | 0:45:37 | 0:45:40 | |
aimed at encouraging women from all social classes | 0:45:40 | 0:45:44 | |
to exercise side-by-side. | 0:45:44 | 0:45:46 | |
NEWSREEL: 'Through three hours of showmanship, | 0:45:46 | 0:45:48 | |
'they demonstrate what the women of Britain are doing | 0:45:48 | 0:45:51 | |
'in pursuit of the supple muscle and the perfect figure.' | 0:45:51 | 0:45:54 | |
The Fitness League, as it's known today, encouraged women | 0:45:54 | 0:45:58 | |
to feel a sense of achievement and pride in themselves. | 0:45:58 | 0:46:02 | |
For Suzie, Naomi and Adele, this is the first time in 30 years | 0:46:02 | 0:46:07 | |
they're together on an equal footing. | 0:46:07 | 0:46:10 | |
It's very nice to be together, isn't it? Almost classless. | 0:46:10 | 0:46:13 | |
It's a change to be together. We don't see each other very often. | 0:46:13 | 0:46:16 | |
I work for Naomi here and I never, ever, ever see Adele, | 0:46:16 | 0:46:20 | |
so the class barriers are obviously breaking down a bit here, | 0:46:20 | 0:46:23 | |
for us to come to exercise together. | 0:46:23 | 0:46:25 | |
Over and bounce. Swing. | 0:46:25 | 0:46:29 | |
Over and bounce. | 0:46:30 | 0:46:33 | |
Welcome to the three new ladies. Lovely to see you. | 0:46:34 | 0:46:38 | |
In the 1930s, ten minutes of exercise | 0:46:38 | 0:46:41 | |
gave you poise, balance and worked the body, | 0:46:41 | 0:46:45 | |
made you feel absolutely wonderful. | 0:46:45 | 0:46:49 | |
So feet astride, hands on your hips, ready and... | 0:46:49 | 0:46:53 | |
over and bounce. | 0:46:53 | 0:46:55 | |
Over. Swing. Up. | 0:46:55 | 0:46:59 | |
Drop and bounce. | 0:46:59 | 0:47:01 | |
Feet closer. Lift, stretch, floor. | 0:47:03 | 0:47:08 | |
And relax there. Feet together and uncurl and up you come. | 0:47:10 | 0:47:15 | |
For somebody from my house, getting out and speaking to other women, | 0:47:15 | 0:47:19 | |
normally, without any pretentiousness, is just fantastic. | 0:47:19 | 0:47:25 | |
I don't feel guilty at all that I'm out having some leisure, some R&R. | 0:47:25 | 0:47:30 | |
I think it's something that, actually, I need to do | 0:47:30 | 0:47:34 | |
to keep me sane in a world where drudgery is the order of the day. | 0:47:34 | 0:47:40 | |
I think that exercise is a move forward for women | 0:47:40 | 0:47:44 | |
and I feel absolutely that I should be taking part in that. | 0:47:44 | 0:47:48 | |
Later that evening, and more social taboos are tumbling down. | 0:47:51 | 0:47:55 | |
BELL RINGS | 0:47:55 | 0:47:57 | |
-Hello! Come in, come in. -Thank you, Mr Taylor. After you, darling. | 0:47:59 | 0:48:03 | |
-Hello, how are you? Are you well? -Very well, thank you. And you? | 0:48:03 | 0:48:07 | |
I've met Naomi now. Hey, we've done straight-leg raises together, | 0:48:07 | 0:48:11 | |
so we're best of mates. | 0:48:11 | 0:48:12 | |
What a lovely house. Ever considered selling? | 0:48:12 | 0:48:15 | |
-Yeah! Would you be interested? -I'm your man, definitely. | 0:48:15 | 0:48:18 | |
For the Goldings, it's another step up the social ladder. | 0:48:18 | 0:48:22 | |
-ALL: Cheers. -Cheers, thank you so much. | 0:48:22 | 0:48:27 | |
The Meadows, however, are uninvited. | 0:48:27 | 0:48:30 | |
Stuck at the bottom of the pile, with no hope of social betterment. | 0:48:31 | 0:48:35 | |
It's going downhill. The car's been towed away, the staff have left. | 0:48:42 | 0:48:47 | |
-You sold the car? -The car's had to be sold, yeah. | 0:48:47 | 0:48:50 | |
They've made this rule where you can't actually drink and drive! | 0:48:50 | 0:48:53 | |
Have they really? | 0:48:53 | 0:48:54 | |
Yeah, so I thought to myself, "I can't possibly drive, then." | 0:48:54 | 0:48:57 | |
The Meadows family finances are in dire straits. | 0:48:57 | 0:49:01 | |
We have not a huge amount of food. We're eating leftovers tonight. | 0:49:01 | 0:49:06 | |
We're just going to have to eat everything out. | 0:49:06 | 0:49:10 | |
That's...we've got to make... the money that we have got, | 0:49:10 | 0:49:14 | |
we've got to make last as long as possible, | 0:49:14 | 0:49:16 | |
so all the good stuff's going to go. | 0:49:16 | 0:49:19 | |
By morning, Phil Meadows, a man who's never asked for help | 0:49:33 | 0:49:37 | |
to feed his family, has come to a difficult decision. | 0:49:37 | 0:49:41 | |
He and Suzie will apply for financial assistance from the state. | 0:49:41 | 0:49:45 | |
Millions of poverty-stricken families were in the same boat, | 0:49:45 | 0:49:50 | |
and further humiliated by having to prove they were destitute. | 0:49:50 | 0:49:54 | |
Eligibility for financial help was based on a means test, | 0:49:54 | 0:49:58 | |
carried out by a local assessor. | 0:49:58 | 0:50:00 | |
They have to decide how much they're going to give me, | 0:50:03 | 0:50:06 | |
and for them to decide that, Gen, they come round to the house | 0:50:06 | 0:50:10 | |
and they see how much money they think we need, | 0:50:10 | 0:50:14 | |
and they look at everything we've got and what we earn. | 0:50:14 | 0:50:18 | |
Are we going to hide our food? | 0:50:18 | 0:50:19 | |
We haven't got any. We've got a bit of old stale bread and a couple of eggs. | 0:50:19 | 0:50:23 | |
We have nothing to worry about. | 0:50:23 | 0:50:25 | |
They can't... Mind you, they'll probably find a few things. | 0:50:25 | 0:50:28 | |
Means test man from the Public Assistance Committee, | 0:50:32 | 0:50:36 | |
come to test your means! | 0:50:36 | 0:50:38 | |
Thank you. Now downstairs. | 0:50:43 | 0:50:46 | |
-What are you doing now? -Well, looking at this, | 0:50:53 | 0:50:56 | |
you're not eligible for any benefits. | 0:50:56 | 0:50:58 | |
What we'll need to do now is take the furniture out. | 0:50:58 | 0:51:01 | |
We'll give you a good price on it. | 0:51:01 | 0:51:03 | |
You can live off that for a while, then come back to us. | 0:51:03 | 0:51:05 | |
How many of you? Four. I'll leave you with four chairs, | 0:51:05 | 0:51:09 | |
but anything else of value will need to be sold. | 0:51:09 | 0:51:12 | |
Families could sell items themselves and then call the assessor back in. | 0:51:12 | 0:51:16 | |
But by letting the means test man take their belongings to sell on, | 0:51:16 | 0:51:21 | |
many were able to receive help straightaway. | 0:51:21 | 0:51:25 | |
I'll let you keep your table. Sideboard you don't need, your radio. | 0:51:25 | 0:51:29 | |
Are you taking the ornaments as well? | 0:51:29 | 0:51:31 | |
Yeah. Everything you don't need, basically. | 0:51:31 | 0:51:34 | |
If you'd like to sign there, sir. | 0:51:34 | 0:51:36 | |
Right, we'll get that sorted now. | 0:51:39 | 0:51:41 | |
He's pretty horrible, isn't he? | 0:51:44 | 0:51:46 | |
I felt quite humiliated | 0:51:54 | 0:51:56 | |
and the fact also that it was in front of the family, | 0:51:56 | 0:51:59 | |
I felt really useless. | 0:51:59 | 0:52:01 | |
And I tell you what, | 0:52:01 | 0:52:03 | |
I'm quite upset actually. | 0:52:03 | 0:52:05 | |
Anyway, but it isn't the same. | 0:52:05 | 0:52:08 | |
There's nothing stopping you from saying, | 0:52:09 | 0:52:11 | |
"Clear off, mate." But then you won't get your money out of the government. | 0:52:11 | 0:52:15 | |
This feels very unfair, that people can do this to you. | 0:52:25 | 0:52:30 | |
I think we're about done. Make sure I haven't missed nothing. | 0:52:30 | 0:52:33 | |
Could take the lamp. | 0:52:33 | 0:52:35 | |
Thank you. | 0:52:38 | 0:52:40 | |
Well... | 0:52:48 | 0:52:50 | |
-Basically, they've cleared our front parlour. -Yeah. | 0:52:50 | 0:52:53 | |
Oh. | 0:52:53 | 0:52:55 | |
And now we're back to where we were... | 0:52:55 | 0:52:59 | |
in 1910. | 0:52:59 | 0:53:01 | |
For many working-class families, like the Meadows, | 0:53:01 | 0:53:04 | |
it was back to square one, | 0:53:04 | 0:53:06 | |
with the poverty trap snapping at their heels. | 0:53:06 | 0:53:09 | |
But it's not just Albert Road that's having family problems. | 0:53:09 | 0:53:13 | |
The Royal Family were in turmoil too. | 0:53:15 | 0:53:18 | |
From Queen Victoria's idealised family unit four decades earlier, | 0:53:18 | 0:53:23 | |
to a scandal that rocked the nation. | 0:53:23 | 0:53:26 | |
King Edward VIII had fallen in love | 0:53:26 | 0:53:28 | |
with divorced American socialite Wallis Simpson. | 0:53:28 | 0:53:32 | |
'I have found it impossible | 0:53:32 | 0:53:34 | |
'to carry the heavy burden of responsibility, | 0:53:34 | 0:53:39 | |
'and to discharge my duties as King as I would wish to do, | 0:53:39 | 0:53:46 | |
'without the help and support of the woman I love.' | 0:53:46 | 0:53:53 | |
But after the abdication, | 0:53:53 | 0:53:56 | |
the Royal Family gave a boost to the nation's spirits, | 0:53:56 | 0:54:00 | |
with celebrations for the Coronation of the new king, George VI. | 0:54:00 | 0:54:04 | |
Albert Road's street party is one of many | 0:54:07 | 0:54:09 | |
that would have brought communities together across the country. | 0:54:09 | 0:54:13 | |
Long live the King! | 0:54:13 | 0:54:14 | |
That cake is so cool! | 0:54:14 | 0:54:17 | |
Oh, no! Aargh! | 0:54:17 | 0:54:19 | |
It's a wonderful community spirit, yes. | 0:54:19 | 0:54:21 | |
This is how it used to be and could be. | 0:54:21 | 0:54:24 | |
Let's hope it'll be like this again sometime. | 0:54:24 | 0:54:27 | |
Roll up, roll up, who wants to throw a damp sponge...? | 0:54:27 | 0:54:30 | |
-ALL: Me! Me! Me! -I say the word damp...! | 0:54:30 | 0:54:33 | |
Hooray! | 0:54:34 | 0:54:37 | |
Yeah, I'm really enjoying this cos I'm not the one in the stocks. | 0:54:37 | 0:54:40 | |
CHEERING AND LAUGHING | 0:54:40 | 0:54:41 | |
As their week draws to a close, it's time for the families | 0:54:41 | 0:54:45 | |
to reflect on their different experiences. | 0:54:45 | 0:54:48 | |
Susannah Reid and historian Juliet | 0:54:48 | 0:54:52 | |
are catching up with the middle-class Goldings. | 0:54:52 | 0:54:55 | |
We feel like a family in the 1930s. | 0:54:55 | 0:54:58 | |
We've evolved to a working, communicating unit, | 0:54:58 | 0:55:02 | |
and that's what has made this an enjoyable week. | 0:55:02 | 0:55:05 | |
'Ian has been able to have his father's half hour. | 0:55:08 | 0:55:11 | |
-'He's been far less strict.' -The champion is Jack...! | 0:55:11 | 0:55:14 | |
'Despite the fact that I've had the sort of, the tough mother love bit, | 0:55:14 | 0:55:18 | |
'I could still be kind to them, but I just couldn't give them' | 0:55:18 | 0:55:22 | |
a great deal of affection. | 0:55:22 | 0:55:23 | |
But I think they've been OK with that. | 0:55:23 | 0:55:26 | |
-Two, three! -CHEERING AND LAUGHING | 0:55:31 | 0:55:35 | |
How have you emerged from the inter-war years, the Taylors? | 0:55:35 | 0:55:39 | |
Not quite as well off as you were. How does that feel? | 0:55:39 | 0:55:43 | |
When I look at what we've got to think about losing, | 0:55:43 | 0:55:46 | |
we're looking at doctor's bills and education and food on the table. | 0:55:46 | 0:55:50 | |
And then, actually, this is serious stuff, | 0:55:50 | 0:55:54 | |
and I should feel guilty, the fact that we had to make | 0:55:54 | 0:55:57 | |
some of the Meadows unemployed, but actually it was down to them or us. | 0:55:57 | 0:56:00 | |
And even when we had Ian and Naomi round last night, | 0:56:00 | 0:56:04 | |
and they drank our bottle of cherry brandy | 0:56:04 | 0:56:06 | |
and told us their nice car was outside | 0:56:06 | 0:56:08 | |
and they were having a cook cook their fried breakfast, I was thinking, | 0:56:08 | 0:56:12 | |
"We ain't going to be able to afford another bottle of cherry brandy | 0:56:12 | 0:56:15 | |
"and you've just polished it off!" So I think | 0:56:15 | 0:56:18 | |
they're on the way up and we're coming down quite quickly. | 0:56:18 | 0:56:21 | |
-Thank you very much. -Here's to the end of the '30s. | 0:56:21 | 0:56:24 | |
Yeah, and roll on the '40s. | 0:56:24 | 0:56:26 | |
No, just go away the '30s, they were bloody awful! | 0:56:26 | 0:56:30 | |
The Meadows family, how do you feel that this era | 0:56:30 | 0:56:33 | |
and especially being close to destitution at the end of it, | 0:56:33 | 0:56:37 | |
has tested your family unit? | 0:56:37 | 0:56:39 | |
It has tested our family unit, but it has shown us one thing, | 0:56:39 | 0:56:43 | |
that we are strong as a family unit. | 0:56:43 | 0:56:45 | |
Over the last few days, we've actually got the idea of... | 0:56:45 | 0:56:49 | |
it's hopeless. You're in a hopeless situation, | 0:56:49 | 0:56:53 | |
and no matter how hard you want to try and fix it, | 0:56:53 | 0:56:56 | |
what do you do to do that? | 0:56:56 | 0:56:57 | |
I feel that, as a woman, I've got much more hope in this period. | 0:56:57 | 0:57:01 | |
What seems interesting is, historically, | 0:57:01 | 0:57:04 | |
that the women in the family feel that this has been a move forward, | 0:57:04 | 0:57:09 | |
whereas the man, the main breadwinner traditionally, | 0:57:09 | 0:57:12 | |
feels that this has been the period of hardest knocks. | 0:57:12 | 0:57:16 | |
Hardest knocks and the least amount of opportunity. | 0:57:16 | 0:57:19 | |
I feel deflated by that, to tell you the truth. | 0:57:19 | 0:57:21 | |
Yeah, I think men have been emasculated | 0:57:21 | 0:57:24 | |
and women have been empowered. | 0:57:24 | 0:57:25 | |
Mr Taylor, it's been a tough half a century for me! | 0:57:30 | 0:57:34 | |
It certainly has. I guess I'm going in the stocks. | 0:57:34 | 0:57:37 | |
You are definitely going in the stocks! | 0:57:37 | 0:57:40 | |
This moment of reckoning was always coming. | 0:57:40 | 0:57:43 | |
Meadows family, I've got a Taylor in the stocks. Let's get him, come on! | 0:57:43 | 0:57:47 | |
CHEERING AND LAUGHING | 0:57:47 | 0:57:50 | |
This is cos your wireless is bigger than mine! | 0:57:51 | 0:57:54 | |
That's for the clay pigeon shooting. | 0:57:54 | 0:57:55 | |
CHEERING | 0:57:55 | 0:57:58 | |
Next time, the families are rocked by the Second World War. | 0:57:59 | 0:58:04 | |
For the first time, the children got really spooked. | 0:58:04 | 0:58:07 | |
I don't want it to happen again. | 0:58:07 | 0:58:09 | |
It brings them closer together... | 0:58:09 | 0:58:11 | |
I'm not sleeping if it's like that all night. | 0:58:11 | 0:58:14 | |
Oh! | 0:58:14 | 0:58:15 | |
..but also tears them apart. | 0:58:15 | 0:58:18 | |
I've got your conscription papers. You're going to war. | 0:58:18 | 0:58:22 | |
Do our families have the Blitz spirit needed for the Home Front? | 0:58:22 | 0:58:26 | |
I'm now thinking, "Go and bomb them bloody Germans, finish 'em off!" | 0:58:26 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:31 | 0:58:33 |