Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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The family. It's where we love, | 0:00:02 | 0:00:04 | |
laugh, shout and cry. | 0:00:04 | 0:00:08 | |
Oh! Don't fall off! | 0:00:08 | 0:00:10 | |
Higher! | 0:00:10 | 0:00:11 | |
It makes us who we are. | 0:00:11 | 0:00:14 | |
But it hasn't always been the cherished institution it is today. | 0:00:14 | 0:00:19 | |
To find out how the modern family came to be, | 0:00:19 | 0:00:22 | |
a group of parents and kids from across Britain are turning back time | 0:00:22 | 0:00:26 | |
to face the same ordeals as millions of others over the past 100 years. | 0:00:26 | 0:00:32 | |
In the northern seaside town of Morecambe, the past is coming alive. | 0:00:32 | 0:00:36 | |
A row of terraced houses has been turned into time machines | 0:00:38 | 0:00:42 | |
to transport our families | 0:00:42 | 0:00:44 | |
through the twists and turns of the 20th century. | 0:00:44 | 0:00:47 | |
From the age of masters and servants... | 0:00:47 | 0:00:49 | |
A-agh! | 0:00:49 | 0:00:51 | |
I felt a bit emotional cos I knew she was there | 0:00:51 | 0:00:53 | |
to take the children away, | 0:00:53 | 0:00:55 | |
which is quite difficult. | 0:00:55 | 0:00:58 | |
..through the roaring '20s, to the Great Depression. | 0:00:58 | 0:01:01 | |
Anything else of value will need to be sold. | 0:01:01 | 0:01:03 | |
The fact that it was in front of the family, I felt really useless. | 0:01:03 | 0:01:07 | |
From life on the home front... | 0:01:08 | 0:01:11 | |
You and me, we're never separating. | 0:01:12 | 0:01:14 | |
..to the Swinging '60s! | 0:01:14 | 0:01:15 | |
Aren't you slightly concerned about the length of their skirts? | 0:01:15 | 0:01:18 | |
We're starting a rebellion right now. | 0:01:18 | 0:01:22 | |
And on to the groovy '70s. | 0:01:22 | 0:01:24 | |
I couldn't give a damn | 0:01:24 | 0:01:25 | |
about material things. For me, family is the most important thing. | 0:01:25 | 0:01:28 | |
And the past is going to get personal, | 0:01:28 | 0:01:30 | |
as they live the lives of their very own ancestors. | 0:01:30 | 0:01:33 | |
Rather than just living in a museum, | 0:01:33 | 0:01:35 | |
we are actually living an ancestor's life. | 0:01:35 | 0:01:38 | |
She died of TB, consumption. | 0:01:38 | 0:01:41 | |
I'm sorry, I feel quite emotional. | 0:01:41 | 0:01:43 | |
We take so much for granted, I think. | 0:01:44 | 0:01:46 | |
We're turning back time to find out | 0:01:46 | 0:01:49 | |
how history made the family what it is today. | 0:01:49 | 0:01:53 | |
There are dozens of Albert Roads in Britain, | 0:02:05 | 0:02:07 | |
all of which have been home to generations of families. | 0:02:07 | 0:02:10 | |
This one in Morecambe, Lancashire, | 0:02:11 | 0:02:14 | |
is about to be the setting for something extraordinary. | 0:02:14 | 0:02:17 | |
A row of terraced houses are being taken back to the early 1900s, | 0:02:17 | 0:02:23 | |
when they were first built. | 0:02:23 | 0:02:25 | |
For the next five weeks, the houses will become time machines, | 0:02:25 | 0:02:29 | |
transporting three modern families through 100 years of history. | 0:02:29 | 0:02:33 | |
Guiding the families on this incredible journey | 0:02:33 | 0:02:36 | |
will be working mum and queen of the breakfast sofa Suzanna Reid. | 0:02:36 | 0:02:40 | |
This is the story of three families, but it is also the story of us, | 0:02:40 | 0:02:44 | |
all of us and our families. | 0:02:44 | 0:02:47 | |
And understanding what our great-grandparents, | 0:02:47 | 0:02:49 | |
grandparents and parents went through and how that's shaped us today. | 0:02:49 | 0:02:53 | |
Social historian Juliette Gardiner will be making sure | 0:02:54 | 0:02:57 | |
the families stick to the rules of the past. | 0:02:57 | 0:03:01 | |
What we're trying to do here is very exciting. | 0:03:01 | 0:03:04 | |
We're charting the development of British family life | 0:03:04 | 0:03:08 | |
over 100 years of history. | 0:03:08 | 0:03:09 | |
And completing the team is antique gadget enthusiast Joe Crowley. | 0:03:09 | 0:03:14 | |
Wow! | 0:03:14 | 0:03:16 | |
Look at that. You wouldn't want your finger in the way of that one. | 0:03:16 | 0:03:20 | |
The adventure for our families is about to begin. | 0:03:21 | 0:03:25 | |
The Taylors are from Norfolk. | 0:03:25 | 0:03:27 | |
Hard-working nurse Adele and electrician Michael | 0:03:27 | 0:03:31 | |
have their hands full with four children. | 0:03:31 | 0:03:34 | |
We are a chaotic family. | 0:03:36 | 0:03:39 | |
It is just throwing all the balls in the air, seeing where they land. | 0:03:39 | 0:03:42 | |
We had four children cos we want a busy house | 0:03:42 | 0:03:45 | |
but I don't want to ever be in a house that's quiet. | 0:03:45 | 0:03:48 | |
I want to be in the thick of it with everybody there. | 0:03:48 | 0:03:51 | |
But for the Taylors, there just aren't enough hours in the day. | 0:03:53 | 0:03:57 | |
Mum wants us to do this because she wants us to, erm, | 0:03:57 | 0:04:01 | |
be together a bit more | 0:04:01 | 0:04:03 | |
and she wants to see what it was like in the olden days and stuff. | 0:04:03 | 0:04:08 | |
What? | 0:04:09 | 0:04:10 | |
Our second family are the Meadows from Royal Berkshire. | 0:04:13 | 0:04:16 | |
OK. Can you bring down the horses, please? | 0:04:19 | 0:04:22 | |
Self-made man Phil and his wife Suzie run a polo school | 0:04:23 | 0:04:27 | |
with the help of their teenage daughters, Saskia and Genevieve. | 0:04:27 | 0:04:31 | |
For the Meadows, family means being part of a team. | 0:04:33 | 0:04:37 | |
As a family, we probably spend more time together than most families, | 0:04:38 | 0:04:41 | |
because the nature of the business in that we all play the sport. | 0:04:41 | 0:04:45 | |
The world we live in is like a little cocoon. | 0:04:45 | 0:04:49 | |
We deal with some incredibly wealthy people. | 0:04:49 | 0:04:51 | |
Royalty from around the world. Everyone knows everybody. | 0:04:51 | 0:04:54 | |
It's very nice but it's quite limited. | 0:04:54 | 0:04:56 | |
The opportunity to actually do something as a family | 0:04:56 | 0:04:59 | |
that's outside of polo is quite exciting for me. | 0:04:59 | 0:05:04 | |
But Phil and Suzie are aware just how privileged their girls are. | 0:05:05 | 0:05:09 | |
We actually as modern-day children don't do much housework. | 0:05:09 | 0:05:13 | |
Me and Genevieve are lazy when it comes to that. | 0:05:13 | 0:05:16 | |
It's going to be great for Saskia and Genevieve | 0:05:16 | 0:05:18 | |
to understand how tough life was in the 1900s | 0:05:18 | 0:05:22 | |
and how they've got it so easy, quite frankly. | 0:05:22 | 0:05:26 | |
Our third family are the Goldings from Cheshire. | 0:05:27 | 0:05:30 | |
Customer-services manager Ian and part-time accountant Naomi have three kids. | 0:05:30 | 0:05:35 | |
For them, family is all about equality. | 0:05:38 | 0:05:42 | |
The children can see that Dad can do the washing. | 0:05:42 | 0:05:47 | |
He can put them to bed and bath them just as much as I can do | 0:05:47 | 0:05:50 | |
so it's a real modern, sharing, sharing family. | 0:05:50 | 0:05:53 | |
Even the kids get to have their say. | 0:05:54 | 0:05:57 | |
I like to have family meetings and get them to say what things they're not happy with. | 0:05:57 | 0:06:01 | |
Whilst Ian and Naomi agree on most things, | 0:06:01 | 0:06:04 | |
when it comes to child discipline, Ian would like to try something more old-fashioned. | 0:06:04 | 0:06:09 | |
I don't necessarily think that being firm is always such a bad thing. | 0:06:09 | 0:06:13 | |
I think he's going to quite like the idea of being in control. | 0:06:14 | 0:06:18 | |
I think he thinks he's going to be respected a lot more than possibly he is now. | 0:06:18 | 0:06:22 | |
I don't think he'll like it. | 0:06:22 | 0:06:24 | |
I think he thinks he'll like it | 0:06:24 | 0:06:26 | |
but I don't think he will like it that much. | 0:06:26 | 0:06:29 | |
Their journey will begin in the early 1900s when, | 0:06:29 | 0:06:32 | |
for the first time, the family itself was something to aspire to. | 0:06:32 | 0:06:36 | |
Queen Victoria had inspired Britons | 0:06:38 | 0:06:40 | |
to become lovers of hearth, home and domestic virtue, | 0:06:40 | 0:06:43 | |
introducing the idea of "family values". | 0:06:43 | 0:06:47 | |
But this was also an era of huge class division. | 0:06:47 | 0:06:50 | |
Some families lived like kings | 0:06:50 | 0:06:53 | |
but a third of the population were in grinding poverty. | 0:06:53 | 0:06:55 | |
The homes on Albert Road reflect this gulf. | 0:06:57 | 0:07:00 | |
Number one is the height of upper-middle-class luxury, | 0:07:02 | 0:07:05 | |
down to number three, a typical, working class dwelling. | 0:07:05 | 0:07:09 | |
None of the families have any idea | 0:07:09 | 0:07:12 | |
which house they'll be living in but it will be determined by the status | 0:07:12 | 0:07:16 | |
of their own Edwardian ancestors, | 0:07:16 | 0:07:19 | |
something they know little about. | 0:07:19 | 0:07:21 | |
-Which house would you like to be? -Rich! -The rich one. | 0:07:21 | 0:07:25 | |
I know not a lot about my family history | 0:07:27 | 0:07:30 | |
but I'm pretty sure there isn't some secret millionaire somewhere. | 0:07:30 | 0:07:33 | |
I definitely want to be in this house. | 0:07:34 | 0:07:37 | |
Welcome to the start of your adventure. | 0:07:41 | 0:07:44 | |
An exciting challenge lies ahead. | 0:07:44 | 0:07:47 | |
You're going to put Britain's family unit to the test | 0:07:47 | 0:07:49 | |
by living through five eras of the 20th century | 0:07:49 | 0:07:53 | |
and it is going to be tough. | 0:07:53 | 0:07:56 | |
You are going to have to cope with whatever history throws at you. | 0:07:56 | 0:08:00 | |
I am going to assist you in your challenge by bringing you some 1900s domestic technology | 0:08:00 | 0:08:05 | |
which may make your lives easier or it may not. | 0:08:05 | 0:08:10 | |
Now in this era, you've got to live | 0:08:10 | 0:08:12 | |
according to the rules and social conventions of the time. | 0:08:12 | 0:08:16 | |
All of you must live within the means available | 0:08:16 | 0:08:20 | |
to people of your class. | 0:08:20 | 0:08:22 | |
I know you are all dying to find out which house you're going to be in | 0:08:22 | 0:08:27 | |
and all is about to be revealed. | 0:08:27 | 0:08:29 | |
Taylors, please go to number one, Albert Road, the upper-class house. | 0:08:32 | 0:08:37 | |
Goldings, number two, the middle-class house. | 0:08:41 | 0:08:45 | |
Oh, no! | 0:08:45 | 0:08:47 | |
And Meadows, please go to number three, the working-class house. | 0:08:47 | 0:08:51 | |
Yes! | 0:08:51 | 0:08:52 | |
It's fine. We'll have fun, we'll have fun. | 0:08:54 | 0:08:56 | |
The Taylor family are stepping into a world of wealth and leisure. | 0:09:05 | 0:09:09 | |
-I'm your housekeeper, Mrs McMullen. -Hello, Mrs McMullen. -Hello. | 0:09:09 | 0:09:13 | |
May I introduce you to your staff. | 0:09:13 | 0:09:16 | |
This is Mr Dowding, your chef. | 0:09:16 | 0:09:18 | |
-Good day. -And Natasha, you housemaid. | 0:09:18 | 0:09:21 | |
-Hello. -Pleased to meet you. | 0:09:21 | 0:09:23 | |
-There are five of us altogether. -And what do we do with you? | 0:09:23 | 0:09:27 | |
THEY LAUGH | 0:09:27 | 0:09:29 | |
May I, may I take your coat, madam? | 0:09:29 | 0:09:31 | |
Guys, just don't break anything! | 0:09:34 | 0:09:36 | |
No. This is going to be very stressful. | 0:09:36 | 0:09:40 | |
On top of five servants, the Taylors have a vast, | 0:09:40 | 0:09:43 | |
four-storey house, complete with a nursery full of toys. | 0:09:43 | 0:09:47 | |
Dad Michael has his own private study where he can retreat to | 0:09:47 | 0:09:51 | |
-when things get too hectic. -I think this is me! I think this is where I belong. | 0:09:51 | 0:09:55 | |
I love this, I think this is brilliant. | 0:09:55 | 0:09:57 | |
Their home is state of the art, with electricity | 0:09:57 | 0:10:01 | |
and a boiler in the scullery, producing hot water on demand. | 0:10:01 | 0:10:04 | |
BELL RINGS | 0:10:04 | 0:10:07 | |
I'm just a bit shocked. We just expected we would be in the number three with the dirty windows. | 0:10:07 | 0:10:12 | |
That was... Cos there's no money in our family | 0:10:12 | 0:10:15 | |
so I don't quite know how we've ended up here at all. | 0:10:15 | 0:10:18 | |
Juliet has come to reveal just why they have landed | 0:10:18 | 0:10:20 | |
the most prestigious home on Albert Road. | 0:10:20 | 0:10:23 | |
-Hello, Taylor family. -Hello. | 0:10:23 | 0:10:26 | |
I've come to tell you why you are living in this rather grand house. | 0:10:26 | 0:10:31 | |
The reason is you've really got to thank one of your ancestors. | 0:10:31 | 0:10:34 | |
Michael's great-great-great-grandfather, | 0:10:34 | 0:10:36 | |
William Bennett, was at the heart of Britain's thriving cotton industry, | 0:10:36 | 0:10:41 | |
running a mill in Derbyshire. | 0:10:41 | 0:10:44 | |
That's the sort of mill he would have managed. | 0:10:44 | 0:10:47 | |
-Shocked. Really shocked. Yeah. -You didn't know anything about it? -No. | 0:10:47 | 0:10:50 | |
What I perceived as my ancestry were all very much working people. | 0:10:50 | 0:10:56 | |
OK, you've landed on your feet, here. | 0:10:56 | 0:10:58 | |
You've got a very comfortable lifestyle | 0:10:58 | 0:11:00 | |
but you're giving to have to obey the conventions | 0:11:00 | 0:11:03 | |
and the regulations that come with that lifestyle. | 0:11:03 | 0:11:06 | |
So will we liaise with any of the neighbours? Would we speak to them? | 0:11:06 | 0:11:09 | |
You would keep your distance, you know. | 0:11:09 | 0:11:12 | |
You would be very anxious to keep your status. | 0:11:12 | 0:11:15 | |
Just keep yourself separate from them. | 0:11:15 | 0:11:17 | |
I think that's going to be a real difficult challenge for us, | 0:11:17 | 0:11:22 | |
knowing how we like to interact with different people, | 0:11:22 | 0:11:25 | |
to be actually very stand-offish will be very, very difficult. | 0:11:25 | 0:11:29 | |
Things will be much tougher for the Meadows family at number three. | 0:11:31 | 0:11:35 | |
Look at this! | 0:11:35 | 0:11:38 | |
They'll be living in the most basic conditions, | 0:11:38 | 0:11:41 | |
cooking and heating their water on an open fire. | 0:11:41 | 0:11:45 | |
Where are we going to sit that's comfortable? | 0:11:45 | 0:11:47 | |
THEY LAUGH | 0:11:47 | 0:11:49 | |
Actually, we won't be sitting anywhere | 0:11:49 | 0:11:51 | |
cos there's no TV, is there? | 0:11:51 | 0:11:54 | |
Things are looking even worse in their only other room. | 0:11:54 | 0:11:59 | |
-What a bedroom this is! -This is the only bed! -Oh, God! | 0:12:01 | 0:12:04 | |
All four of them will be sleeping in this tiny space | 0:12:04 | 0:12:07 | |
with the girls sharing a mattress on the floor. | 0:12:07 | 0:12:10 | |
Guys, do you want me to worry you now? | 0:12:10 | 0:12:12 | |
-What? -Toilets. | 0:12:12 | 0:12:14 | |
Might be a bit of a problem. | 0:12:14 | 0:12:17 | |
We don't even have a pot to piss in! | 0:12:17 | 0:12:20 | |
With no bathroom, the Meadows will have to use the outside privy | 0:12:20 | 0:12:23 | |
or face the alternative. | 0:12:23 | 0:12:25 | |
# Ta-da! # | 0:12:27 | 0:12:29 | |
-I'm not peeing in that after you've peed in it. -Ah! | 0:12:29 | 0:12:33 | |
-Look! -Oh, my word! | 0:12:40 | 0:12:42 | |
-The Goldings are in the middle-class house. -Wow! | 0:12:42 | 0:12:45 | |
-I love it! -It's a modest but respectable home with seven rooms. | 0:12:46 | 0:12:52 | |
There's no electricity but plenty of options | 0:12:52 | 0:12:55 | |
for an evening's entertainment. | 0:12:55 | 0:12:57 | |
The Goldings will enjoy running water and the latest cooking range. | 0:12:59 | 0:13:04 | |
-I'm not sure how you're going to cook on there. -I'll manage. | 0:13:04 | 0:13:07 | |
Guys, I hope you're not very hungry. So what's in this book, guys? | 0:13:07 | 0:13:12 | |
Each family has been given a manual, | 0:13:12 | 0:13:14 | |
explaining the rules they're expected to live by. | 0:13:14 | 0:13:17 | |
"Father is the head of the house. His word is law." | 0:13:17 | 0:13:21 | |
I've been waiting for that for years. | 0:13:21 | 0:13:24 | |
"Children should speak only when spoken to." | 0:13:24 | 0:13:29 | |
-This is music to my ears! -THEY LAUGH | 0:13:29 | 0:13:32 | |
Before the Goldings settle in, | 0:13:33 | 0:13:36 | |
they must change into the appropriate clothing of the time. | 0:13:36 | 0:13:40 | |
It's not really very attractive, is it? | 0:13:40 | 0:13:43 | |
Ah, Jack! | 0:13:43 | 0:13:46 | |
He's my little Edwardian sailor. | 0:13:46 | 0:13:49 | |
Ah! You're as cute as a picture. | 0:13:49 | 0:13:52 | |
Susanna has come to explain to the Goldings | 0:13:53 | 0:13:55 | |
why they're living in the middle-class house. | 0:13:55 | 0:13:59 | |
We have tracked down your great-great-grandfather. | 0:13:59 | 0:14:05 | |
And here he is. His name was Nathan Ludsky. | 0:14:05 | 0:14:08 | |
He was a tailor in Cardiff. | 0:14:08 | 0:14:12 | |
Which puts you in the middle classes. | 0:14:12 | 0:14:15 | |
But he didn't originally come from Cardiff. | 0:14:15 | 0:14:18 | |
-Where is he from originally? -What does it say? Russia. | 0:14:18 | 0:14:24 | |
-I had no idea about any of that. -Never heard that name. | 0:14:24 | 0:14:27 | |
Like thousands of Russian Jews, Nathan Ludsky | 0:14:27 | 0:14:30 | |
emigrated to Britain around the turn of the century. | 0:14:30 | 0:14:33 | |
Unusually for an immigrant, he prospered from the start. | 0:14:33 | 0:14:37 | |
What this means is that you are going to avoid getting your hands dirty. | 0:14:37 | 0:14:42 | |
It means that you are going to have a white-collar job. | 0:14:42 | 0:14:46 | |
Next door, Joe Crowley has arrived to tell the polo-playing Meadows | 0:14:48 | 0:14:53 | |
why they're living in such humble circumstances. | 0:14:53 | 0:14:56 | |
This is the 1901 census. West Ham in London. | 0:14:56 | 0:15:01 | |
If we come down here, we see James Meadows. | 0:15:01 | 0:15:06 | |
James Meadows was Phil's great-grandfather | 0:15:06 | 0:15:10 | |
who worked in London's East End as a general labourer. | 0:15:10 | 0:15:13 | |
That's what you're going to be doing. | 0:15:13 | 0:15:15 | |
You're going to be out there doing manual jobs. | 0:15:15 | 0:15:18 | |
You're going to have to find jobs day to day and just get stuck in. | 0:15:18 | 0:15:22 | |
And Joe has a surprise for Saskia, too. | 0:15:22 | 0:15:25 | |
You're going to be working two doors down at the big house, OK? | 0:15:25 | 0:15:28 | |
You're going to be a scullery maid. Let me see your hands. | 0:15:28 | 0:15:31 | |
They're quite manly. | 0:15:31 | 0:15:33 | |
No, no. I think these beautiful nails might toughen up a little bit. | 0:15:33 | 0:15:36 | |
Thanks. | 0:15:36 | 0:15:38 | |
I'm just working out how much we need to earn. It's not going well. | 0:15:41 | 0:15:45 | |
In the Edwardian era, families who couldn't pay their rent | 0:15:45 | 0:15:48 | |
faced instant eviction. | 0:15:48 | 0:15:51 | |
We need to earn 22 shillings and tuppence, | 0:15:51 | 0:15:53 | |
a week, to pay our bills. | 0:15:53 | 0:15:56 | |
As a general labourer, Phil will have to find his own work | 0:15:57 | 0:16:00 | |
but at best, he'll earn two shillings a day. | 0:16:00 | 0:16:04 | |
So he'll have to rely on the others to make up the difference. | 0:16:04 | 0:16:08 | |
Dig deep, team. Family. | 0:16:09 | 0:16:11 | |
This is all about the family, remember. | 0:16:11 | 0:16:13 | |
Let's try and keep it together. | 0:16:13 | 0:16:15 | |
I clearly didn't marry very well! I should have known better! | 0:16:15 | 0:16:20 | |
We find ourselves impoverished | 0:16:20 | 0:16:22 | |
and it's going to be really hard, I think. | 0:16:22 | 0:16:25 | |
While the Taylors and the Goldings settle down | 0:16:32 | 0:16:35 | |
for a comfortable night's sleep, | 0:16:35 | 0:16:37 | |
the Meadows are facing a very different prospect. | 0:16:37 | 0:16:41 | |
Tomorrow, the hard work begins. | 0:16:51 | 0:16:54 | |
It's 6:00am and the working-class Meadows | 0:17:07 | 0:17:11 | |
are in for a rude awakening. | 0:17:11 | 0:17:13 | |
-KNOCKING -WAKE UP! | 0:17:13 | 0:17:15 | |
In Edwardian times, a knocker-upper was the alarm clock for the masses. | 0:17:17 | 0:17:22 | |
Morning. You all right? | 0:17:22 | 0:17:24 | |
-You have a good day, now. -Lovely. -See ya. | 0:17:24 | 0:17:27 | |
-CLAPPING -Up! -It's really inconvenient. | 0:17:29 | 0:17:31 | |
There's no room for anything so all, erm, I mean, | 0:17:31 | 0:17:34 | |
there's nowhere to put your clothes. | 0:17:34 | 0:17:36 | |
We sleep under anything that'll keep you warm at night | 0:17:36 | 0:17:39 | |
because it's freezing, there's no heating. | 0:17:39 | 0:17:42 | |
And then everyone's on top of each other, like this, all the time. | 0:17:42 | 0:17:46 | |
So it's incredibly inconvenient. | 0:17:46 | 0:17:48 | |
For the working classes, living in poverty meant life was a slog from the moment they got up. | 0:17:50 | 0:17:56 | |
Everything takes so long to do. | 0:17:58 | 0:18:00 | |
Everything is a major palaver. | 0:18:00 | 0:18:03 | |
And all you do is think about food and tea and warm. | 0:18:05 | 0:18:07 | |
Food, tea, warmth. That's all you care about. | 0:18:07 | 0:18:11 | |
For the Meadows to keep their heads above water, | 0:18:11 | 0:18:14 | |
17-year-old Saskia is forced to take up a role as a scullery maid. | 0:18:14 | 0:18:19 | |
Seeing as my dad's not got any work and my mum hasn't got any work, | 0:18:19 | 0:18:22 | |
I've got to go and spend my entire day scrubbing and cleaning. | 0:18:22 | 0:18:28 | |
A reluctant Saskia heads off to work for the Taylors | 0:18:34 | 0:18:37 | |
under the watchful eye of housekeeper Mrs McMullen. | 0:18:37 | 0:18:41 | |
I probably come across as a bit of a scary lady. | 0:18:42 | 0:18:45 | |
With the little glasses, and I'm short. I have very high standards. | 0:18:45 | 0:18:49 | |
I am very, very intimidating to work for. | 0:18:49 | 0:18:54 | |
-KNOCKING -Hello, I'm Saskia. -Hello, Saskia. | 0:18:54 | 0:18:58 | |
Now, normally you would not come in through the front entrance. | 0:18:58 | 0:19:01 | |
-This is not the servants' entrance. -OK. -But you can come in today. | 0:19:01 | 0:19:05 | |
In 1901, 40% of the adult female population | 0:19:07 | 0:19:11 | |
were employed as domestic servants. | 0:19:11 | 0:19:14 | |
Some as young as 13, they often worked a 16-hour day. | 0:19:14 | 0:19:19 | |
-As a scullery maid, you are the lowest of the low. -Yes. | 0:19:20 | 0:19:23 | |
-You girls are ten-a-penny. -Yes. | 0:19:23 | 0:19:26 | |
You will be chopping, filleting, gutting, | 0:19:26 | 0:19:29 | |
plucking and a lot of scrubbing. | 0:19:29 | 0:19:32 | |
Lovely. | 0:19:32 | 0:19:34 | |
What she won't be doing is ever fraternising with her | 0:19:37 | 0:19:39 | |
new employers, the Taylors, who are waking up | 0:19:39 | 0:19:43 | |
to the extravagance of upper-middle-class life. | 0:19:43 | 0:19:47 | |
-Thank you. -Thank you. | 0:19:47 | 0:19:50 | |
-Pleasant morning. -This is quite nice. | 0:19:52 | 0:19:54 | |
Might hire servants when we get home. THEY LAUGH | 0:19:54 | 0:19:57 | |
The upper classes had staff for even the most personal of chores. | 0:20:00 | 0:20:05 | |
The corsets feel really strange | 0:20:05 | 0:20:07 | |
because you can't actually breathe properly in them. | 0:20:07 | 0:20:11 | |
The richest families could have as many as five servants | 0:20:11 | 0:20:14 | |
for each family member. | 0:20:14 | 0:20:17 | |
In some respects, it feels like I've regressed back into childhood | 0:20:17 | 0:20:20 | |
where you have your mother | 0:20:20 | 0:20:22 | |
to dress you in the morning and tie your shoelaces. | 0:20:22 | 0:20:25 | |
Everything Michael and Adele are used to doing for themselves | 0:20:25 | 0:20:28 | |
is now done by someone else. | 0:20:28 | 0:20:30 | |
-Please come in. -Thank you. -Even looking after their kids. | 0:20:30 | 0:20:35 | |
-Nanny Hutchinson, sir, madam. -Good morning, madam. -Good morning. | 0:20:37 | 0:20:41 | |
Good morning, sir. Good morning, miss. | 0:20:41 | 0:20:44 | |
I shall endeavour to instruct the children academically, | 0:20:44 | 0:20:48 | |
morally and spiritually. | 0:20:48 | 0:20:51 | |
-Are they all in good health at the moment? -They are. -Excellent. | 0:20:54 | 0:20:58 | |
-Morning. -How are you, Joseph? -Very good, thank you. -Good. | 0:20:58 | 0:21:02 | |
You're looking very smart today. | 0:21:02 | 0:21:05 | |
-I am Nanny Hutchinson. -How do you do? | 0:21:05 | 0:21:08 | |
-And good morning, Miss Lily. -Morning. -Good morning, Nanny. | 0:21:08 | 0:21:12 | |
-Good morning, Nanny. -And good morning, Miss Alice. | 0:21:12 | 0:21:16 | |
(Good morning, Nanny.) | 0:21:16 | 0:21:18 | |
Come along then, children. | 0:21:18 | 0:21:20 | |
Give Mummy a kiss before you go with Nanny. | 0:21:20 | 0:21:23 | |
I'm redundant. | 0:21:31 | 0:21:34 | |
Ciara and Caitie, will you sit down, please? | 0:21:39 | 0:21:41 | |
-I'm getting confused, I'm sorry. -Ciara, will you not speak to me? | 0:21:41 | 0:21:45 | |
Next door, Ian Golding is relishing the opportunity | 0:21:45 | 0:21:48 | |
to get stuck in to his role as the family's authority figure. | 0:21:48 | 0:21:52 | |
Would you like to take your elbows off the table, please. Thank you. | 0:21:52 | 0:21:57 | |
Why are you crying, Jack? | 0:21:57 | 0:22:00 | |
Do you not like Daddy talking to you like this? No. | 0:22:03 | 0:22:07 | |
Always attempting to better themselves, the middle classes were | 0:22:07 | 0:22:11 | |
determined to keep up appearances, even behind closed doors. | 0:22:11 | 0:22:16 | |
Wash your hands, please. | 0:22:16 | 0:22:18 | |
I would like to think that they will appreciate | 0:22:20 | 0:22:23 | |
how important it was to behave properly 100 years ago | 0:22:23 | 0:22:27 | |
and that sometimes we don't really behave as politely | 0:22:27 | 0:22:32 | |
and as nicely as children used to. | 0:22:32 | 0:22:34 | |
Dad's being a meany. | 0:22:34 | 0:22:37 | |
Having some of the manners of their predecessors | 0:22:37 | 0:22:40 | |
actually is not such a bad thing. | 0:22:40 | 0:22:43 | |
Can I see if you've washed your hands properly? | 0:22:43 | 0:22:46 | |
They're wet, Ciara. | 0:22:46 | 0:22:48 | |
Can you dry them, please? Thank you. | 0:22:48 | 0:22:50 | |
Strict discipline was a cornerstone of Edwardian child-rearing. | 0:22:50 | 0:22:54 | |
But it's a foreign concept to the Golding children. | 0:22:54 | 0:22:57 | |
Edwardian dads used to be strict. | 0:22:57 | 0:23:01 | |
And horrible. | 0:23:02 | 0:23:05 | |
And we can put our elbows on the table at home. | 0:23:07 | 0:23:11 | |
Wealthy Edwardians were obsessed with formality... | 0:23:15 | 0:23:19 | |
..even at breakfast time. | 0:23:20 | 0:23:22 | |
This one's sausage, bacon... Oh, no, kidneys, bacon. | 0:23:22 | 0:23:25 | |
What's that? | 0:23:25 | 0:23:27 | |
This one's lobster. | 0:23:27 | 0:23:29 | |
I was expecting toast and jam. | 0:23:30 | 0:23:33 | |
Cornflakes? | 0:23:33 | 0:23:35 | |
Of the Taylor clan, the only child allowed to eat with the adults is 15-year-old Megan. | 0:23:35 | 0:23:41 | |
The other Taylor children must eat their meals in the nursery, | 0:23:41 | 0:23:45 | |
a very different routine from home. | 0:23:45 | 0:23:47 | |
We normally eat together. | 0:23:47 | 0:23:49 | |
Now we're not allowed to eat together, | 0:23:51 | 0:23:56 | |
which is quite weird. | 0:23:56 | 0:23:59 | |
Do it quite firmly. | 0:24:00 | 0:24:02 | |
Work your way down the toilet bowl. | 0:24:02 | 0:24:05 | |
It's just four hours into Saskia's day as a scullery maid. | 0:24:05 | 0:24:11 | |
What you're doing is taking off all the urine from inside the lavatory. | 0:24:11 | 0:24:16 | |
I wasn't expecting it to be such hard work. | 0:24:26 | 0:24:29 | |
I hate washing up, it smells of food. | 0:24:30 | 0:24:33 | |
I want to go home. | 0:24:33 | 0:24:35 | |
It may not be glamorous, but if she sticks at it, | 0:24:35 | 0:24:37 | |
she'll take home five shillings a week, nearly a quarter of what her family needs to stay afloat. | 0:24:37 | 0:24:43 | |
I want to find out what year they invented the dishwasher. | 0:24:43 | 0:24:47 | |
This sucks. | 0:24:48 | 0:24:49 | |
Edwardian toil may have come as a shock to Saskia, | 0:24:49 | 0:24:53 | |
but upstairs the Taylor children are also finding it hard to adjust. | 0:24:53 | 0:24:58 | |
Remember that children should be seen and not heard. | 0:24:58 | 0:25:02 | |
You do not disturb Mama and Papa downstairs. | 0:25:02 | 0:25:06 | |
At home, they're used to doing pretty much as they please. | 0:25:06 | 0:25:09 | |
But now adults are the unquestionable authority. | 0:25:09 | 0:25:13 | |
You're with your brother and your sister | 0:25:13 | 0:25:17 | |
who will also help to look after you and we really do not want any silly tears. | 0:25:17 | 0:25:22 | |
They're wobbling at the minute. Lily is anyway. | 0:25:22 | 0:25:24 | |
She's struggling with this. | 0:25:24 | 0:25:27 | |
She wants stories and play and fun. I've not heard them laugh at all this morning. | 0:25:27 | 0:25:32 | |
Don't concern yourself, madam, the children are fine. | 0:25:32 | 0:25:36 | |
I think when Nanny arrived, I felt a bit emotional | 0:25:39 | 0:25:42 | |
because I knew she was there to take the children away. | 0:25:42 | 0:25:45 | |
Which...is quite difficult. | 0:25:47 | 0:25:49 | |
As long as they go out and have a bit of fun, that'll be fine. | 0:25:52 | 0:25:56 | |
100 years ago, childhood was a different world | 0:25:56 | 0:25:59 | |
and no more so than for working-class kids. | 0:25:59 | 0:26:03 | |
With rent to pay, some children as young as ten were forced to miss school and work full-time. | 0:26:03 | 0:26:09 | |
15-year-old Genevieve is doing her first day of child labour. | 0:26:14 | 0:26:19 | |
She's working with mum, Suzie, who like many working-class women | 0:26:19 | 0:26:23 | |
has turned their family home into a laundry business. | 0:26:23 | 0:26:27 | |
-It's not washed. -Yes, it is. | 0:26:27 | 0:26:29 | |
-It's got stains on it. -Where? I washed it. | 0:26:29 | 0:26:32 | |
They're taking in washing from their neighbours. | 0:26:32 | 0:26:35 | |
A washerwoman could earn up to ten shillings a week, | 0:26:36 | 0:26:40 | |
almost half what the Meadows family need to survive. | 0:26:40 | 0:26:44 | |
But doing washing in this era is a laborious process. | 0:26:44 | 0:26:47 | |
Boiling the water... | 0:26:47 | 0:26:49 | |
I hope this hasn't got a leak in the bottom. | 0:26:49 | 0:26:51 | |
Hand scrubbing... | 0:26:51 | 0:26:53 | |
Oh, you're kidding me. | 0:26:53 | 0:26:54 | |
Using the cumbersome mangle to wring out laundry. | 0:26:56 | 0:27:00 | |
-It works. -It does work. | 0:27:00 | 0:27:02 | |
Making starch from potatoes. | 0:27:04 | 0:27:07 | |
You dip them in the starch. | 0:27:09 | 0:27:11 | |
And, finally, using the flat iron. | 0:27:13 | 0:27:16 | |
I do figure that this was an absolute labour of anything but love. | 0:27:16 | 0:27:23 | |
This was a necessity to just earn money. | 0:27:24 | 0:27:27 | |
They hurt. They're all wrinkly and horrible because of the water. | 0:27:30 | 0:27:34 | |
It's disgusting. My nails have chipped off. | 0:27:34 | 0:27:37 | |
But Suzie's fighting a losing battle. | 0:27:40 | 0:27:43 | |
-Mum? -What? -You need to wash this again. | 0:27:43 | 0:27:45 | |
-Let me see. -I just touched it with that. | 0:27:45 | 0:27:48 | |
Oh, for God's sake! | 0:27:48 | 0:27:51 | |
So you've got your white laundry being cleaned by the coal scuttle. | 0:27:51 | 0:27:56 | |
That isn't very sensible, thank you. Is it? | 0:27:58 | 0:28:01 | |
Ian Golding is heading to his job at the local council office. | 0:28:03 | 0:28:06 | |
Morning. | 0:28:06 | 0:28:07 | |
-Morning. -Morning, | 0:28:07 | 0:28:09 | |
Morning. | 0:28:09 | 0:28:10 | |
Before the age of computers and printers, | 0:28:10 | 0:28:13 | |
Edwardian businesses relied on a small army of clerks. | 0:28:13 | 0:28:17 | |
Today, Ian will be working as an envelope addresser | 0:28:18 | 0:28:22 | |
and he'll be doing nothing else for the next eight hours. | 0:28:22 | 0:28:26 | |
This is the kind of job that a very junior person | 0:28:26 | 0:28:30 | |
in an office might do in terms of stuffing envelopes. | 0:28:30 | 0:28:35 | |
For what I would imagine a middle-class office worker today, | 0:28:35 | 0:28:39 | |
this is not really the kind of job they would be used to doing. | 0:28:39 | 0:28:43 | |
It might be menial, but the job earns him a secured income | 0:28:43 | 0:28:46 | |
of 57 shillings a week, | 0:28:46 | 0:28:49 | |
something Phil Meadows can only dream of. | 0:28:49 | 0:28:51 | |
He's out looking for casual work, | 0:28:51 | 0:28:53 | |
walking in the footsteps of his great-grandfather, James Meadows. | 0:28:53 | 0:28:58 | |
Do you need anything with a man with a wheelbarrow? Moving rubble around? | 0:28:58 | 0:29:01 | |
Anything like that, you know where I live. | 0:29:01 | 0:29:04 | |
In Edwardian Britain, general labourers made up a great swathe of the workforce. | 0:29:04 | 0:29:09 | |
They could spend hours waiting at building sites, | 0:29:09 | 0:29:12 | |
docks or factories in the hope of being taken on. | 0:29:12 | 0:29:15 | |
If no work was to be had, their families would go hungry. | 0:29:15 | 0:29:20 | |
So you're all full up, you don't need any labourers? | 0:29:20 | 0:29:23 | |
A skilled man, tough hands. | 0:29:23 | 0:29:25 | |
Go and roll that Tarmac. | 0:29:25 | 0:29:27 | |
God, this thing's heavy! | 0:29:36 | 0:29:38 | |
I've a new respect for guys that do that now. | 0:29:39 | 0:29:43 | |
I tell you what, that's tough work. | 0:29:43 | 0:29:45 | |
4 pm.... | 0:29:51 | 0:29:53 | |
After seven hours of hard graft, | 0:29:53 | 0:29:55 | |
Suzie is ready to return her first load of washing. | 0:29:55 | 0:29:58 | |
-How are you today? -Very well, thank you. | 0:29:58 | 0:30:02 | |
-I owe you? -Five pennies there. | 0:30:02 | 0:30:05 | |
That's per item. | 0:30:05 | 0:30:06 | |
No, we said the whole price was five. | 0:30:06 | 0:30:10 | |
I think we said per item. | 0:30:10 | 0:30:11 | |
No, it's five pennies for the whole job. | 0:30:11 | 0:30:14 | |
-For the whole job? -Yes, it was. -OK. | 0:30:14 | 0:30:16 | |
Three, four, five. | 0:30:16 | 0:30:18 | |
Suzie is coming to terms with just how cheap her labour is in Edwardian Britain. | 0:30:18 | 0:30:24 | |
A sheet for two pence is absolutely ridiculous. | 0:30:25 | 0:30:30 | |
I'm mean, soul-destroying. | 0:30:30 | 0:30:34 | |
Completely soul-destroying. | 0:30:34 | 0:30:36 | |
It's nearly five o'clock. | 0:30:39 | 0:30:41 | |
The end of the day for office workers. | 0:30:43 | 0:30:45 | |
Boring, bored, boring. | 0:30:47 | 0:30:49 | |
The only words that come into my mind. | 0:30:49 | 0:30:51 | |
So far, I think, me doing this job absolutely sums up middle-class Edwardian life. | 0:30:51 | 0:30:59 | |
A little bit stuffy, a little bit boring. | 0:30:59 | 0:31:02 | |
Good afternoon. | 0:31:04 | 0:31:07 | |
I am now absolutely in Edwardian middle-class man mode. | 0:31:09 | 0:31:15 | |
I absolutely expect my dinner on the table | 0:31:15 | 0:31:17 | |
with a roaring fire in the kitchen and a cup of tea. | 0:31:17 | 0:31:20 | |
-Hello, how are you? -What are you doing in here? | 0:31:22 | 0:31:24 | |
You're not allowed to be in the kitchen, can you leave, please. | 0:31:24 | 0:31:27 | |
You do not come in this kitchen. | 0:31:27 | 0:31:30 | |
Leave the kitchen. | 0:31:30 | 0:31:33 | |
SHE CRIES | 0:31:33 | 0:31:35 | |
Mother, why are you letting them come in the kitchen? | 0:31:37 | 0:31:40 | |
-I thought they were OK in the kitchen. -No, they're not supposed to be in the kitchen. | 0:31:40 | 0:31:44 | |
-Why are the stairs still covered in dust? -I haven't had time to do that. | 0:31:44 | 0:31:48 | |
-What have you been doing? -I've been cooking your dinner and cleaning everywhere else. | 0:31:48 | 0:31:52 | |
-Please don't speak back to me. -I'm sorry, I thought you asked me a question. | 0:31:52 | 0:31:55 | |
Yeah, he wants to see you when you come home from work. | 0:31:57 | 0:32:00 | |
-He needs to understand that this is the way it was. -I know. | 0:32:00 | 0:32:03 | |
So, erm... | 0:32:03 | 0:32:05 | |
CHILD CRIES | 0:32:05 | 0:32:07 | |
I'm not meant to go and comfort them if they're crying. | 0:32:07 | 0:32:09 | |
There will be no emotional caring at all. | 0:32:09 | 0:32:12 | |
I don't know how... I'm trying to work out how Edwardian children comforted themselves, | 0:32:12 | 0:32:16 | |
I guess they just comforted each other. | 0:32:16 | 0:32:18 | |
They must have been a lot tougher than children today. | 0:32:18 | 0:32:23 | |
Caitie, would you mind getting Jack a tissue, please, for his nose. Something to wipe his nose, please. | 0:32:23 | 0:32:28 | |
'The reality of being an Edwardian family' | 0:32:28 | 0:32:31 | |
is actually not a lot of fun for the majority of the time. | 0:32:31 | 0:32:36 | |
All I seem to have done is made the children cry | 0:32:36 | 0:32:40 | |
because I just have to be very strict all the time. | 0:32:40 | 0:32:42 | |
Not a lot of fun at all. | 0:32:42 | 0:32:44 | |
I'm looking forward to actually being able to talk to my children whenever I fancy talking to my children. | 0:32:44 | 0:32:49 | |
Holding them whenever I want to hold them. | 0:32:49 | 0:32:52 | |
Cuddling them when they're sad | 0:32:52 | 0:32:54 | |
and just having a conversation, would be nice, | 0:32:54 | 0:32:57 | |
because we're not even allowed to do that! | 0:32:57 | 0:32:59 | |
Phil has been working on the streets all day, | 0:33:02 | 0:33:04 | |
for a wage of two shillings. | 0:33:04 | 0:33:06 | |
He'll need to do this every day to stand a chance of keeping a roof over his family. | 0:33:06 | 0:33:11 | |
I'm exhausted. | 0:33:13 | 0:33:15 | |
I mean, you need to just dig in, dig deep and get on with it | 0:33:15 | 0:33:20 | |
and the only way you can do that is by switching off. | 0:33:20 | 0:33:22 | |
Meanwhile, daughter Saskia is coming to the end of her first day as the Taylors' scullery maid. | 0:33:24 | 0:33:30 | |
I thought when we were on camera, we'd have to do the chores. | 0:33:30 | 0:33:34 | |
Then when it was like "cut", I thought we'd be able to go out, | 0:33:34 | 0:33:39 | |
get some food, have a chat amongst everyone. | 0:33:39 | 0:33:42 | |
I didn't realise we actually had to live like families did in the 1910s. | 0:33:42 | 0:33:47 | |
So it was a bit of a shocker. | 0:33:47 | 0:33:49 | |
After 12 hours of hard graft, Saskia's finally been allowed back home. | 0:33:55 | 0:34:00 | |
Hello, darling. | 0:34:00 | 0:34:03 | |
OK, listen to this, I need to sit down by the fire. | 0:34:03 | 0:34:06 | |
So you walk in and it's all heated and they've got chandeliers, | 0:34:06 | 0:34:11 | |
drawing rooms, pianos, nursery. | 0:34:11 | 0:34:13 | |
They've got a chef, | 0:34:13 | 0:34:16 | |
a housekeeper, a maid, another maid... | 0:34:16 | 0:34:20 | |
We're very proud of you out working, Sas. | 0:34:20 | 0:34:24 | |
-We are. -You're going to bring home five shillings. | 0:34:24 | 0:34:27 | |
It must have been really hard to think that they're only in this life | 0:34:27 | 0:34:33 | |
to earn money for their mum and dad. | 0:34:33 | 0:34:36 | |
You have kids to supplement your family income, | 0:34:38 | 0:34:41 | |
you don't really necessarily have kids to want to love and cherish like we do. | 0:34:41 | 0:34:47 | |
I'm so tired. | 0:34:52 | 0:34:54 | |
There's one big role and that is to put food on the table. | 0:34:56 | 0:34:59 | |
It's really tough to do that. | 0:35:00 | 0:35:02 | |
I've spent the whole day worrying that I can't provide food for them. | 0:35:02 | 0:35:05 | |
I was a useless parent, I can't look after my daughters. | 0:35:05 | 0:35:09 | |
They are all going to be really unhappy. | 0:35:09 | 0:35:10 | |
The pressure is hard. It's survival. | 0:35:10 | 0:35:13 | |
ENGINE STARTS | 0:35:21 | 0:35:22 | |
MUSIC: "The Entertainer" by Scott Joplin | 0:35:22 | 0:35:26 | |
As an upper middle-class man with an income almost 40 times greater than the Meadows', | 0:35:28 | 0:35:33 | |
and plenty of leisure time to spend, Michael's taking son Joseph | 0:35:33 | 0:35:38 | |
clay pigeon shooting at Leighton Hall, | 0:35:38 | 0:35:41 | |
a local stately home owned by Mrs Suzie Reynolds. | 0:35:41 | 0:35:46 | |
-Welcome. -Thank you. -Welcome. | 0:35:46 | 0:35:49 | |
Also on the grounds is Phil Meadows. | 0:35:49 | 0:35:52 | |
Unlike Michael, he's not here to enjoy himself. | 0:35:52 | 0:35:56 | |
He's been given a day's work shovelling manure. | 0:35:56 | 0:36:00 | |
Meadows... | 0:36:00 | 0:36:02 | |
I didn't like being called by my surname. | 0:36:05 | 0:36:07 | |
For some reason, I didn't want to raise my eyes to them. | 0:36:07 | 0:36:10 | |
I didn't want to look them in the eye. I definitely felt that. | 0:36:10 | 0:36:12 | |
Which is weird, I wasn't expecting it. | 0:36:12 | 0:36:16 | |
Fantastic. | 0:36:16 | 0:36:17 | |
It may well have been that you basically was so frightened of doing something wrong, | 0:36:17 | 0:36:21 | |
and getting the sack, that you did the minimum possible and just kept working. | 0:36:21 | 0:36:27 | |
Etiquette dictates that Michael could bring only his son with him to shoot, | 0:36:27 | 0:36:32 | |
leaving the rest of the family behind. | 0:36:32 | 0:36:35 | |
The advantage of this era for the gentleman | 0:36:35 | 0:36:38 | |
is that he does get to go out and do the things that are really exciting | 0:36:38 | 0:36:41 | |
but to the detriment of the relationship between myself and the family. | 0:36:41 | 0:36:46 | |
Also enjoying the great outdoors with their nanny | 0:36:48 | 0:36:52 | |
are the two youngest Taylor children, Lily and Alice. | 0:36:52 | 0:36:56 | |
Of course working with them so much you do get attached to them. | 0:36:57 | 0:37:02 | |
They are very delightful children. | 0:37:02 | 0:37:03 | |
And very well-behaved. | 0:37:03 | 0:37:06 | |
On the whole. | 0:37:08 | 0:37:09 | |
But for the remaining members of the Taylors, | 0:37:17 | 0:37:19 | |
Adele and eldest daughter Megan, there is little to fill their day. | 0:37:19 | 0:37:23 | |
I feel a bit resentful of Michael who's gone out living the life of Riley, | 0:37:23 | 0:37:28 | |
can't even be bothered to tell me where he's going or when he'll be back. | 0:37:28 | 0:37:32 | |
I feel like a prisoner in this house. | 0:37:32 | 0:37:36 | |
There's this illusion of this powerful woman with the status | 0:37:36 | 0:37:40 | |
and this fancy house and actually it's all lies. | 0:37:40 | 0:37:43 | |
Adele might feel she has things tough... | 0:37:43 | 0:37:46 | |
..but two doors down the grind of working-class life is getting to Suzie Meadows. | 0:37:48 | 0:37:53 | |
One shilling and eight pence. | 0:37:55 | 0:37:59 | |
The women of the 1900s must have been absolutely rock-like. | 0:38:00 | 0:38:06 | |
They would have eaten after the rest of their family, | 0:38:06 | 0:38:11 | |
especially their children. | 0:38:11 | 0:38:13 | |
They had to be up earlier than anyone else, go to bed later than everyone else. | 0:38:13 | 0:38:17 | |
It makes me quite emotional, actually. Oh, dear. | 0:38:17 | 0:38:20 | |
While the drudgery of life hits home for her mum, daughter Saskia | 0:38:27 | 0:38:32 | |
is starting to embrace hard work. | 0:38:32 | 0:38:34 | |
You've done very well so far, Saskia. | 0:38:34 | 0:38:37 | |
-I'll come and see you again shortly. -Thank you. | 0:38:37 | 0:38:40 | |
I just know that I have to get on with it now. | 0:38:42 | 0:38:45 | |
I might as well do it in a nice fashion | 0:38:45 | 0:38:49 | |
or I'm not going to get on with Mrs McMullen. | 0:38:49 | 0:38:52 | |
Tea? | 0:38:56 | 0:38:58 | |
Upstairs, it's the first time Adele has seen Michael all day. | 0:38:58 | 0:39:02 | |
And she's still waiting to see the children. | 0:39:03 | 0:39:07 | |
Good afternoon, Madam, Sir, may I present the children to you? | 0:39:10 | 0:39:13 | |
-Give that to Mama. -Wow! | 0:39:13 | 0:39:15 | |
Look at that, I like the feathers. Did you pluck the animal yourself? | 0:39:15 | 0:39:19 | |
-What have you been doing upstairs? -Had a game of chess. | 0:39:19 | 0:39:23 | |
-We've been for a walk. -Wow! | 0:39:23 | 0:39:25 | |
Was it nice? | 0:39:25 | 0:39:28 | |
You have been very busy. | 0:39:28 | 0:39:30 | |
Wealthy Edwardian women often spent little more than an hour with their children | 0:39:30 | 0:39:35 | |
before they were whisked back to the nursery by Nanny. | 0:39:35 | 0:39:38 | |
In Edwardian times, perhaps the women didn't know any better. | 0:39:39 | 0:39:44 | |
They had no expectations that spending time | 0:39:44 | 0:39:47 | |
with their children would perhaps be a nice thing. | 0:39:47 | 0:39:50 | |
It wasn't expected of them so they didn't think to ask. | 0:39:50 | 0:39:54 | |
Whereas that's the norm for me. | 0:39:54 | 0:39:56 | |
Initially when we was told we were coming into house number one | 0:39:57 | 0:40:01 | |
and you turned around to see the grandeur of it, I thought, | 0:40:01 | 0:40:05 | |
"Great, this is going to be a really good experience." | 0:40:05 | 0:40:07 | |
Then, the reality kicked in, that in fact, actually you wouldn't know your family. | 0:40:07 | 0:40:12 | |
You wouldn't know your kids because you never see them. | 0:40:12 | 0:40:15 | |
KNOCK AT DOOR | 0:40:15 | 0:40:17 | |
Evening. | 0:40:18 | 0:40:19 | |
Michael is leaving the family again for another social engagement. | 0:40:19 | 0:40:24 | |
Mr Taylor is attending the local music hall, where he'll have his own private box. | 0:40:28 | 0:40:34 | |
But he won't be the only resident of Albert Road there | 0:40:35 | 0:40:38 | |
as the Meadows have scraped up a few pennies for four tickets in the stalls. | 0:40:38 | 0:40:42 | |
We start our evening with Sarah Hicks! | 0:40:44 | 0:40:48 | |
CHEERING AND APPLAUSE | 0:40:48 | 0:40:49 | |
There was me and my old man, shoving things inside a van, | 0:40:53 | 0:40:56 | |
which we often done before, let me remark! | 0:40:56 | 0:41:02 | |
# My old man | 0:41:02 | 0:41:04 | |
# Said follow the van... # | 0:41:04 | 0:41:06 | |
They may be in the cheap seats but at least the Meadows get to spend the evening together as a family. | 0:41:06 | 0:41:11 | |
# The boy I love | 0:41:11 | 0:41:13 | |
# Is up in the gallery | 0:41:13 | 0:41:15 | |
# The boy I love... # | 0:41:15 | 0:41:18 | |
I'm here on my own, which is a horrible feeling, | 0:41:18 | 0:41:21 | |
knowing that Adele and the children are at home and they would love this show. | 0:41:21 | 0:41:25 | |
After seeing the Meadows downstairs, | 0:41:25 | 0:41:28 | |
all singing and clapping and enjoying themselves, | 0:41:28 | 0:41:32 | |
I just felt really lonely up there on my own. | 0:41:32 | 0:41:34 | |
# ..is up there in the gallery... # | 0:41:34 | 0:41:37 | |
I miss the kids and I miss being around the wife and stuff like that. | 0:41:37 | 0:41:40 | |
Sorry... | 0:41:40 | 0:41:43 | |
# ..As merry as a robin | 0:41:43 | 0:41:45 | |
# That sings... | 0:41:45 | 0:41:47 | |
# In the tree! # | 0:41:47 | 0:41:50 | |
It's horrid. | 0:41:50 | 0:41:52 | |
Just horrid. | 0:41:54 | 0:41:56 | |
Meanwhile Adele, home alone, is expected to be more concerned | 0:42:06 | 0:42:11 | |
with improving the family's social standing. | 0:42:11 | 0:42:14 | |
Right Honourable Bertram Catteral Maddocks. | 0:42:14 | 0:42:19 | |
So Juliet has tasked her with holding a lavish dinner party for some illustrious guests. | 0:42:19 | 0:42:25 | |
I don't think I'm posh enough to associate with people | 0:42:26 | 0:42:31 | |
with a law degree from Cambridge University. | 0:42:31 | 0:42:35 | |
I'd rather invite the working-class people from down the road | 0:42:35 | 0:42:39 | |
and we can have a jolly old knees-up in here. I don't think that's going to happen. | 0:42:39 | 0:42:43 | |
"Make-believe was so real to him... you could see him getting rounder!" | 0:42:47 | 0:42:52 | |
It's nearing the end of the week in the Edwardian era | 0:42:52 | 0:42:55 | |
and the Taylor children are becoming accustomed to the new family dynamic away from their parents. | 0:42:55 | 0:43:01 | |
I think it's fun being in the nursery because there's lots of toys | 0:43:01 | 0:43:06 | |
and things to do and downstairs there's sitting down... | 0:43:06 | 0:43:10 | |
and books. | 0:43:10 | 0:43:14 | |
I think they're missing us more than we're missing them, actually. | 0:43:16 | 0:43:21 | |
We're having quite a lot of fun | 0:43:21 | 0:43:24 | |
but Mum says it's a bit boring just sitting there doing sewing. | 0:43:24 | 0:43:28 | |
Yeah, I think they're missing us more. | 0:43:30 | 0:43:32 | |
After spending most of the week cooped up inside, | 0:43:35 | 0:43:37 | |
Adele has discovered one way for her and Megan to escape. | 0:43:37 | 0:43:41 | |
How do you get out? | 0:43:41 | 0:43:43 | |
Are we locked in? | 0:43:45 | 0:43:46 | |
Oh, you're kidding. | 0:43:47 | 0:43:50 | |
Bikes! | 0:43:50 | 0:43:52 | |
The safety bicycle had only recently become available. | 0:43:53 | 0:43:57 | |
With a hefty price tag, bikes were only for the wealthy | 0:43:57 | 0:44:00 | |
but they offered a new independence for women who had always been driven and chauffeured. | 0:44:00 | 0:44:05 | |
They now had the freedom to travel alone. | 0:44:09 | 0:44:11 | |
This bit of Edwardian life, I like. | 0:44:15 | 0:44:18 | |
It's strange after being locked in a house, you feel like you've got this | 0:44:18 | 0:44:23 | |
bit of freedom and want to run around the park going "Yeah, I'm free!" | 0:44:23 | 0:44:27 | |
And, er, I'm kind of not wanting to go back home. | 0:44:27 | 0:44:30 | |
-Did you eat anything last night? -No, we couldn't eat it. | 0:44:37 | 0:44:40 | |
Back on Albert Road, Ian Golding is comparing lifestyles with his lowly neighbour. | 0:44:40 | 0:44:45 | |
-So you've had bread this morning? -No, because there's nothing... | 0:44:45 | 0:44:48 | |
Unless you want to eat dry bread, there's nothing to put on it. | 0:44:48 | 0:44:51 | |
-What did you eat? -We haven't eaten. | 0:44:51 | 0:44:52 | |
We had a very nice pigeon pie last night | 0:44:52 | 0:44:55 | |
as we want to aspire to be like the poshies at the end, you see. | 0:44:55 | 0:44:59 | |
Historian Juliet has some news for the social-climbing Ian | 0:44:59 | 0:45:03 | |
that might bring him down to earth. | 0:45:03 | 0:45:05 | |
-You can aspire to join them, or you can join my revolution. -Ah... | 0:45:05 | 0:45:10 | |
It's entirely up to you. It depends if you want to live or not. | 0:45:10 | 0:45:13 | |
I have to tell you, actually, the divide between you | 0:45:14 | 0:45:17 | |
and the Meadows is much less than you think. | 0:45:17 | 0:45:21 | |
Ian is living the life of his great-great-grandfather, Nathan Ludsky. | 0:45:22 | 0:45:27 | |
But on the other branch of his family tree is another ancestor, | 0:45:27 | 0:45:30 | |
Abraham Weinstein, | 0:45:30 | 0:45:32 | |
whose life in Britain was very different to Nathan's. | 0:45:32 | 0:45:36 | |
They would have come over at the time of the pogroms, after the assassination of the Tsar. | 0:45:36 | 0:45:40 | |
Violent anti-Jewish attacks, dubbed "pogroms", were rife | 0:45:41 | 0:45:45 | |
in late 19th-century Russia. | 0:45:45 | 0:45:47 | |
Destroying 20,000 Jewish homes | 0:45:48 | 0:45:50 | |
and forcing thousands to flee the country, | 0:45:50 | 0:45:54 | |
many ended up in London's East End. | 0:45:54 | 0:45:56 | |
At one point, about 91% of the residents of Spitalfields | 0:45:56 | 0:46:01 | |
-in the East End of London were Jewish. -Is that right? Wow. | 0:46:01 | 0:46:04 | |
Now, your own family, the two parents and the four children - the six people, | 0:46:04 | 0:46:08 | |
were all living in two rooms. | 0:46:08 | 0:46:10 | |
Makes me feel very humble, because I think I... | 0:46:10 | 0:46:13 | |
I've ignored my family history completely and I don't know why. | 0:46:13 | 0:46:18 | |
It's just... It's never something I've shown any interest in. | 0:46:18 | 0:46:21 | |
Life was hard for the Weinsteins, and within ten years of arriving, | 0:46:21 | 0:46:25 | |
Abraham's wife Kate died at the age of only 39. | 0:46:25 | 0:46:30 | |
-She died in December... -At the same age as us. | 0:46:30 | 0:46:34 | |
She died of TB - consumption. | 0:46:34 | 0:46:36 | |
-I... I feel quite emotional. -Oh... | 0:46:36 | 0:46:39 | |
Mm. | 0:46:42 | 0:46:44 | |
Aww! | 0:46:44 | 0:46:46 | |
We're very spoilt. We take so much for granted, I think. | 0:46:47 | 0:46:52 | |
You wouldn't have been able to do that...100 years ago. | 0:46:52 | 0:46:55 | |
-You couldn't take anything for granted, really. -No. | 0:46:55 | 0:46:57 | |
We're bloody lucky. | 0:46:57 | 0:46:59 | |
Bloody lucky to be here | 0:46:59 | 0:47:01 | |
and we're lucky to be how we are | 0:47:01 | 0:47:05 | |
and we could be like the Meadows next door. | 0:47:05 | 0:47:08 | |
Next door at number one, the house is a hive of activity | 0:47:11 | 0:47:15 | |
preparing for tonight's grand dinner party. | 0:47:15 | 0:47:19 | |
Go right down, yes. | 0:47:19 | 0:47:20 | |
Mrs McMullen needs extra hands to make sure the evening | 0:47:20 | 0:47:23 | |
runs smoothly, so she's promoted Saskia to housemaid. | 0:47:23 | 0:47:27 | |
Transfer your weight, down, down, down, down, down, down, down. | 0:47:27 | 0:47:32 | |
Now, welcome to the scullery, Genevieve. | 0:47:34 | 0:47:36 | |
Downstairs, Genevieve has been taken on as Saskia's replacement in the scullery. | 0:47:36 | 0:47:42 | |
I am very pleased with the way that your sister has worked, | 0:47:42 | 0:47:46 | |
so you've got something to live up to. | 0:47:46 | 0:47:48 | |
With only one day left for the Meadows to make the 22 shillings | 0:47:48 | 0:47:51 | |
they need to avoid eviction, | 0:47:51 | 0:47:53 | |
Saskia and Genevieve are earning vital money for the family. | 0:47:53 | 0:47:56 | |
I don't even know if I'm doing this right. | 0:47:56 | 0:47:58 | |
Oh, my God... What the...? | 0:48:01 | 0:48:02 | |
Mrs McMullen said you must pluck this pigeon, please. | 0:48:02 | 0:48:06 | |
-How do you pluck it? -She said she'll be down soon, but...here. | 0:48:08 | 0:48:12 | |
-I don't know how to do it. -Just start plucking the feathers off, Gen. | 0:48:12 | 0:48:16 | |
Grab a feather, pluck it off. | 0:48:16 | 0:48:18 | |
Ergh! | 0:48:20 | 0:48:22 | |
Don't get any diseases, Gen! | 0:48:23 | 0:48:26 | |
Eurgh... | 0:48:26 | 0:48:27 | |
To make sure the Taylors's dinner party has the wow factor, | 0:48:28 | 0:48:32 | |
technology expert Joe has arrived to introduce Michael | 0:48:32 | 0:48:36 | |
to the very latest in home entertainment. | 0:48:36 | 0:48:39 | |
-Right, Michael - I have something to show you. -Fabulous. | 0:48:39 | 0:48:41 | |
-Do you know what this is? -It looks like a camera. -That's pretty good. | 0:48:41 | 0:48:44 | |
-It's a Magic Lantern. -Oh, right. | 0:48:44 | 0:48:46 | |
I want you to entertain your dinner party guests | 0:48:46 | 0:48:50 | |
with a Magic Lantern show. | 0:48:50 | 0:48:51 | |
OK, I'd love to. | 0:48:51 | 0:48:53 | |
This is it for entertainment - you don't have a TV - | 0:48:53 | 0:48:55 | |
-this is your Edwardian home cinema system. -Brilliant! | 0:48:55 | 0:48:58 | |
I wouldn't let too many of these slip into the collection(!) | 0:48:58 | 0:49:01 | |
Look at that! | 0:49:01 | 0:49:03 | |
THEY LAUGH | 0:49:03 | 0:49:05 | |
The Taylor ladies get dressed in their finery. | 0:49:06 | 0:49:09 | |
-Good evening. -Good evening. | 0:49:13 | 0:49:14 | |
Downstairs, the guests are starting to arrive. | 0:49:14 | 0:49:17 | |
Mrs Susan Reynolds. | 0:49:17 | 0:49:19 | |
-Hello, Mrs Reynolds. -How lovely to see you again! | 0:49:19 | 0:49:21 | |
Juliet Gardiner is here to see if the Taylors can entertain | 0:49:21 | 0:49:24 | |
like true Edwardians and do their wealthy ancestors proud. | 0:49:24 | 0:49:29 | |
How are you? | 0:49:29 | 0:49:30 | |
The right honourable Bertram Catteral Maddocks. | 0:49:31 | 0:49:34 | |
Good evening. It's very kind of you to ask me. | 0:49:34 | 0:49:37 | |
How would be best to address you? | 0:49:37 | 0:49:40 | |
-Oh, Bertie. -Thank you. -Thank you. -Please take a seat. | 0:49:40 | 0:49:44 | |
Right, are you ready? No, you're not. You haven't got this prepared. | 0:49:44 | 0:49:49 | |
Newly-promoted Saskia is doing her best to keep service on track. | 0:49:49 | 0:49:54 | |
Once you've washed them, on here, once it's all washed, dry. | 0:49:54 | 0:49:57 | |
I know. I know how to do it. | 0:49:57 | 0:49:59 | |
Don't drop anything, but we've got to do it quick time, cos we need it all again. | 0:49:59 | 0:50:02 | |
These slides are quite special. | 0:50:04 | 0:50:07 | |
Upstairs, the guests are enjoying the Magic Lantern show. | 0:50:08 | 0:50:12 | |
Oh, that's good. | 0:50:17 | 0:50:19 | |
Even the reluctant Adele is getting into the spirit of things. | 0:50:19 | 0:50:22 | |
Oh, golly! | 0:50:22 | 0:50:24 | |
Oh! | 0:50:24 | 0:50:27 | |
LAUGHTER | 0:50:27 | 0:50:28 | |
Sorry, my mistake! | 0:50:28 | 0:50:30 | |
Very, very good. | 0:50:33 | 0:50:35 | |
# Land of Hope and Glory... # | 0:50:35 | 0:50:39 | |
Next door, the middle-class Goldings are entertaining themselves. | 0:50:39 | 0:50:43 | |
You are singing brilliantly. | 0:50:43 | 0:50:45 | |
Ian has decided to abandon strict Edwardian discipline. | 0:50:45 | 0:50:49 | |
To be able to hold Jack... It's the first time I think I've held him, | 0:50:51 | 0:50:55 | |
it was lovely, really lovely. | 0:50:55 | 0:50:57 | |
It makes me feel more like a dad. | 0:50:57 | 0:51:00 | |
I'm a dad, not a father, | 0:51:00 | 0:51:02 | |
so to have the opportunity to hold him was lovely. | 0:51:02 | 0:51:06 | |
# ..Who are born of thee... # | 0:51:06 | 0:51:09 | |
-This is a very pretty centrepiece, isn't it? -Yes, we like it. | 0:51:13 | 0:51:16 | |
Very pretty. | 0:51:16 | 0:51:18 | |
We either need to be taller, I think, or our decorations smaller. | 0:51:18 | 0:51:22 | |
An evening like this one | 0:51:23 | 0:51:26 | |
could cost more than a poor family had to live on for two years. | 0:51:26 | 0:51:29 | |
-There she is, there she is! -Oh, there she is! | 0:51:34 | 0:51:38 | |
If there are no calamities, I will be absolutely amazed, | 0:51:38 | 0:51:42 | |
cos she's notoriously clumsy! | 0:51:42 | 0:51:45 | |
CROCKERY SMASHES | 0:51:45 | 0:51:47 | |
But it's not Saskia who's slipped up. | 0:51:47 | 0:51:49 | |
What?! Are you kidding? | 0:51:52 | 0:51:55 | |
-Genevieve, that's not funny, at all. -I didn't mean to do it, Saskia. | 0:51:57 | 0:52:00 | |
This is taken out of our wages. | 0:52:00 | 0:52:02 | |
On a serious note, | 0:52:02 | 0:52:03 | |
because that's the first thing Mrs McMullen said to me. | 0:52:03 | 0:52:06 | |
At nine pence, a bone china cup costs almost a day's pay. | 0:52:06 | 0:52:11 | |
(I'm very annoyed at my sister.) | 0:52:11 | 0:52:14 | |
(We're probably going to be back to nearly zero, | 0:52:14 | 0:52:17 | |
(so I'm not very happy, and my parents are going to be livid.) | 0:52:17 | 0:52:20 | |
I want to be honest, but I'm scared of Miss McMul...mulugh. | 0:52:20 | 0:52:23 | |
Something like that. I don't know her name! | 0:52:23 | 0:52:26 | |
Genevieve needs to pluck up the courage to confess to a busy Mrs McMullen. | 0:52:26 | 0:52:31 | |
Um... | 0:52:31 | 0:52:33 | |
-While I was washing up... -Right - open up the lid. | 0:52:33 | 0:52:36 | |
-Um... -No, they're not set. | 0:52:39 | 0:52:42 | |
Um... Miss McMullen... | 0:52:44 | 0:52:45 | |
While I was washing up, I bent to dry a cup and it fell off the table. | 0:52:45 | 0:52:51 | |
-Right. -And it smashed. -What colour was it? -It was one of the white ones. | 0:52:51 | 0:52:55 | |
All right. | 0:52:55 | 0:52:57 | |
-It happens. -I'm sorry. | 0:52:57 | 0:52:59 | |
Luckily, Mrs McMullen has her hands full and Genevieve's off the hook. | 0:53:00 | 0:53:05 | |
Dinner parties were all about excess and tonight, | 0:53:08 | 0:53:11 | |
Adele will have to see her way through eight sumptuous courses. | 0:53:11 | 0:53:16 | |
If the lady of the house actually knew how many courses there were, | 0:53:16 | 0:53:19 | |
maybe she adjusted her corset... appropriately! | 0:53:19 | 0:53:24 | |
First come the hors d'oeuvres. | 0:53:25 | 0:53:28 | |
No, thank you, thanks very much. | 0:53:28 | 0:53:29 | |
Followed by asparagus... | 0:53:31 | 0:53:34 | |
-You weren't in the Navy, Bertie... -Quite! | 0:53:34 | 0:53:36 | |
Two fish dishes... | 0:53:38 | 0:53:39 | |
One meat dish... | 0:53:39 | 0:53:41 | |
Genevieve's pigeons... | 0:53:42 | 0:53:44 | |
And vegetables - presented with typical Edwardian flamboyance. | 0:53:46 | 0:53:51 | |
But however grand the meal, for Adele, the evening | 0:53:53 | 0:53:57 | |
is meaningless without her family. | 0:53:57 | 0:53:59 | |
We've had the most wonderful food - | 0:53:59 | 0:54:02 | |
foods I've never tasted in my life before. | 0:54:02 | 0:54:06 | |
Like being in the fanciest restaurant I've ever been | 0:54:06 | 0:54:10 | |
and I haven't been able to enjoy it, because the family haven't been... | 0:54:10 | 0:54:14 | |
They haven't been... They haven't been with us while we ate it. | 0:54:14 | 0:54:19 | |
It's... Sorry. | 0:54:19 | 0:54:20 | |
The residents of Albert Road are preparing to leave | 0:54:30 | 0:54:34 | |
the lives of their Edwardian ancestors behind. | 0:54:34 | 0:54:37 | |
After living their life, I feel more detached from my ancestors. | 0:54:38 | 0:54:43 | |
It's nice to do all the great things, | 0:54:43 | 0:54:46 | |
but I don't want to do things on my own. | 0:54:46 | 0:54:49 | |
I really don't, I want to do things with my family. | 0:54:49 | 0:54:52 | |
My ancestors, I don't know how they must've lived like this. | 0:54:52 | 0:54:55 | |
My family's found it difficult when there's four of us | 0:54:55 | 0:54:59 | |
in this house and we're only here for five days. | 0:54:59 | 0:55:02 | |
For them to live like this for the rest of their life, must be very difficult | 0:55:02 | 0:55:05 | |
and it's quite...heartbreaking. | 0:55:05 | 0:55:07 | |
Susanna and Juliet are back to catch up with the families. | 0:55:11 | 0:55:14 | |
It's time to find out how the family unit has survived the Edwardian experience. | 0:55:16 | 0:55:21 | |
Have our families lived like true Edwardians, | 0:55:21 | 0:55:24 | |
within the rigid class structure? | 0:55:24 | 0:55:27 | |
How has it been for you, living in the posh house? | 0:55:30 | 0:55:33 | |
It's been horrible. Absolutely awful. | 0:55:33 | 0:55:37 | |
I didn't see the children, I didn't see my husband, | 0:55:37 | 0:55:41 | |
me and Megan were locked in this room 90% of the time, | 0:55:41 | 0:55:45 | |
with nothing to do - there's no purpose. | 0:55:45 | 0:55:47 | |
As a busy working mum, every minute of the day is looking forward | 0:55:47 | 0:55:51 | |
to family time, trying to catch that time with the children | 0:55:51 | 0:55:56 | |
and just having nothing to do - no purpose, nobody needs you. | 0:55:56 | 0:56:00 | |
You've got no say in anything as a woman in this era. | 0:56:00 | 0:56:05 | |
I could walk out this door | 0:56:05 | 0:56:06 | |
and nobody would notice that I wasn't here, probably for days. | 0:56:06 | 0:56:11 | |
What you think is most distinctive about the Edwardian family unit? | 0:56:11 | 0:56:16 | |
It seemed like a bunch of single people living in a big house. | 0:56:16 | 0:56:20 | |
I don't think there's any such word as the Edwardian "family". | 0:56:20 | 0:56:23 | |
Next door, the middle-class Goldings | 0:56:27 | 0:56:30 | |
are less disparaging of the early 1900s. | 0:56:30 | 0:56:33 | |
Evenings, you know, the way the family behaved | 0:56:33 | 0:56:35 | |
in the evenings - it is so easy just to turn on the TV. | 0:56:35 | 0:56:40 | |
I think it would be nice not to do that all the time. | 0:56:40 | 0:56:44 | |
Meanwhile, Ian, you've had to take on the role of the strict Edwardian father. | 0:56:44 | 0:56:48 | |
Your role sounded like the one that you might enjoy. | 0:56:48 | 0:56:52 | |
Strictness for an Edwardian father seems to be | 0:56:52 | 0:56:55 | |
just for the sake of being strict. | 0:56:55 | 0:56:57 | |
The Edwardian father needs to understand that it's not such | 0:56:57 | 0:57:00 | |
a bad thing sometimes to show a bit of emotion. | 0:57:00 | 0:57:03 | |
But trapped in the cycle of survival, | 0:57:09 | 0:57:11 | |
the working-class family had it hardest. | 0:57:11 | 0:57:14 | |
We really lived this and it was bloody awful. It really was. | 0:57:14 | 0:57:19 | |
The first few days, until we got our act together, was just awful. | 0:57:19 | 0:57:23 | |
Then we kicked in. We made it work. | 0:57:23 | 0:57:26 | |
But we could have easily gone the other way - well, just gone home, actually! | 0:57:26 | 0:57:29 | |
Well, Juliet - how have they done, financially? | 0:57:31 | 0:57:36 | |
I've got the budget here. | 0:57:36 | 0:57:38 | |
So, your total outgoings in your week | 0:57:38 | 0:57:41 | |
-were 21 shillings and tenpence. OK. -We haven't made it! | 0:57:41 | 0:57:45 | |
So now let's look at your income. | 0:57:45 | 0:57:47 | |
As a family, you have earned 28 shillings, 4½ pence. | 0:57:47 | 0:57:53 | |
So well done - pretty good. | 0:57:53 | 0:57:56 | |
You've lived within your budget and some. Well done. | 0:57:56 | 0:57:59 | |
I think it pushed us to the max. | 0:57:59 | 0:58:01 | |
As a family, I think we did really well. | 0:58:02 | 0:58:05 | |
The children's reaction to this has actually amazed me. | 0:58:07 | 0:58:11 | |
I cannot believe... | 0:58:11 | 0:58:12 | |
The girls have really had to change, because if anything, | 0:58:12 | 0:58:15 | |
they're probably a little bit more spoilt at home. | 0:58:15 | 0:58:19 | |
But I've been so proud of both of them. | 0:58:19 | 0:58:21 | |
For the families, it's the end of the Edwardian era. | 0:58:21 | 0:58:24 | |
Next time on Albert Road, | 0:58:26 | 0:58:28 | |
it's the Roaring Twenties. | 0:58:28 | 0:58:31 | |
Cheers! | 0:58:31 | 0:58:32 | |
-Might be a little bit bumpy here, madam. -That's OK! | 0:58:32 | 0:58:36 | |
But the Great Depression is just around the corner. | 0:58:36 | 0:58:40 | |
I'll leave you with four chairs, | 0:58:40 | 0:58:42 | |
but anything else of value will need to be sold. | 0:58:42 | 0:58:44 | |
-Who will ride the storm? -No, we haven't had to sell that yet! | 0:58:44 | 0:58:48 | |
We'll sell the kids first! | 0:58:48 | 0:58:50 | |
And who will see their fortunes slip away? | 0:58:50 | 0:58:53 | |
Subtitles by Red Bee Media Ltd | 0:59:20 | 0:59:23 |