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Susan Sarandon is one of America's most successful actresses, | 0:00:05 | 0:00:10 | |
with a career spanning more than 40 years. | 0:00:10 | 0:00:13 | |
She's appeared films as diverse as Thelma & Louise, and The Witches Of Eastwick. | 0:00:13 | 0:00:18 | |
In 1996, she won an Oscar for her part in Dead Man Walking. | 0:00:18 | 0:00:22 | |
She lives in New York City and has three children: | 0:00:22 | 0:00:27 | |
Jack, Eva and Miles. | 0:00:27 | 0:00:29 | |
Family's always been really important to me. I come from a big family and my immediate family | 0:00:29 | 0:00:35 | |
is really important but I've always been really curious about ancestors. | 0:00:35 | 0:00:39 | |
I've done a little digging around here and there. | 0:00:39 | 0:00:41 | |
But the two mysteries I've never been able to solve | 0:00:41 | 0:00:44 | |
are what happened to my grandmother Anita, and where her family's from. | 0:00:44 | 0:00:49 | |
We had lots of rumour but that's it. She seems to have just disappeared when my mom was two. | 0:00:49 | 0:00:55 | |
We've never been able to figure that out and...you know, keep coming up with dead ends so, | 0:00:55 | 0:01:03 | |
if we could figure that out it'll be a miracle. | 0:01:03 | 0:01:06 | |
Susan Sarandon was born in New York in 1946. | 0:01:25 | 0:01:29 | |
It's here she's raised her family, including youngest son, Miles. | 0:01:29 | 0:01:32 | |
What if you find out, like, your great-grandmother dominated the ping-pong parlours of New York? | 0:01:32 | 0:01:38 | |
-That'd be really cool, actually. -That'd be funny. | 0:01:38 | 0:01:43 | |
Susan has always been fascinated by her enigmatic grandmother. | 0:01:43 | 0:01:48 | |
Anita Rigali who she never knew. | 0:01:48 | 0:01:51 | |
-Wasn't she like...? -She was rumoured to be a bad girl. | 0:01:51 | 0:01:56 | |
Bad in the way Shaft was bad or bad in the way that Satan is bad? | 0:01:56 | 0:02:01 | |
More along the lines of, early teenage pregnancy, can't take care of your children bad. | 0:02:01 | 0:02:07 | |
We have one photo of her where you can actually see her face and | 0:02:07 | 0:02:10 | |
that's this laminated photo that was from a newspaper - I don't know why. | 0:02:10 | 0:02:14 | |
And she looks quite beautiful. | 0:02:14 | 0:02:17 | |
I heard somehow that she was, you know, a bad mother. | 0:02:17 | 0:02:21 | |
Then there were rumours about her running numbers, about her in | 0:02:21 | 0:02:24 | |
a jazz club, and there were rumours - you know, all these kind of things. | 0:02:24 | 0:02:27 | |
I'd like to know some tales about what kind of people, | 0:02:27 | 0:02:30 | |
what kind of stock I have in me and what I'm passing on to my kids. | 0:02:30 | 0:02:36 | |
So I'm on my way to Virginia to interview my mother and find out what she knows about her mother. | 0:02:43 | 0:02:50 | |
Pretty much everything that I had heard about Anita, my grandmother, | 0:02:50 | 0:02:55 | |
you know, she was presented as somebody who had abandoned her children. | 0:02:55 | 0:02:59 | |
So part of me is fearful for my mom. | 0:02:59 | 0:03:02 | |
At one point when we were trying to find out more about Anita, | 0:03:02 | 0:03:07 | |
she had very mixed feelings. | 0:03:07 | 0:03:09 | |
Kind of a push-pull thing, where she wanted to know, but didn't want to be a part of it. | 0:03:09 | 0:03:13 | |
So I'm not sure what her state is now in terms of how she feels about tracking her down. | 0:03:13 | 0:03:18 | |
I think it's, understandably, an emotionally-charged... | 0:03:18 | 0:03:21 | |
search for her. | 0:03:21 | 0:03:24 | |
It's such a strange thing to think that you could have children and then just never see them | 0:03:24 | 0:03:28 | |
for the rest of their lives, | 0:03:28 | 0:03:30 | |
that you wouldn't want to find out how your kids were, | 0:03:30 | 0:03:33 | |
so we thought, "Maybe she's dead." | 0:03:33 | 0:03:36 | |
So, Mom, here we are. | 0:03:38 | 0:03:39 | |
We're going to find out whatever we can about Anita. | 0:03:39 | 0:03:42 | |
I'm hoping you have some information. | 0:03:42 | 0:03:44 | |
Cos I don't have much of anything. | 0:03:44 | 0:03:47 | |
- I hope I can help. - I hope so too. | 0:03:47 | 0:03:49 | |
Are you excited about this little adventure we're on? | 0:03:49 | 0:03:52 | |
I'm a little apprehensive. | 0:03:52 | 0:03:53 | |
Yeah, well, I can see why. | 0:03:53 | 0:03:55 | |
I have one picture of her. | 0:03:55 | 0:03:57 | |
Mm-hmm. | 0:03:57 | 0:03:59 | |
Do you know anything about that? | 0:03:59 | 0:04:00 | |
I mean, she's... it was laminated for maybe a newspaper or something. | 0:04:00 | 0:04:05 | |
No, in those years, the nightclubs had photographers walking around tables. | 0:04:05 | 0:04:11 | |
Do you have any idea where it was taken? | 0:04:11 | 0:04:15 | |
It was either the Copacabana or another one of that type right at Times Square. | 0:04:15 | 0:04:22 | |
So she was a party gal? | 0:04:22 | 0:04:24 | |
-Yes. -Was she? -Sure. | 0:04:24 | 0:04:27 | |
I don't mean that as a euphemism for something else. I mean, what was she doing at the Copa? | 0:04:27 | 0:04:33 | |
I think in those days they called them showgirls. | 0:04:33 | 0:04:35 | |
-What do they call them now? -well, dancers. -Oh, dancers! | 0:04:35 | 0:04:38 | |
-She was, like, a dancer? -Yeah, but they called them... | 0:04:38 | 0:04:42 | |
-But not a stripper or something? -No. -OK. | 0:04:42 | 0:04:46 | |
Well, I'm glad that we're figuring out because I don't think any of us know, really. | 0:04:46 | 0:04:51 | |
It must have been really difficult, | 0:04:51 | 0:04:53 | |
to piece it all together later. | 0:04:53 | 0:04:56 | |
I mean, when you're younger, you're kind of... | 0:04:56 | 0:04:58 | |
Well, I always thought that you either had a father | 0:04:58 | 0:05:02 | |
or a mother, but if you had two, that was just a... | 0:05:02 | 0:05:06 | |
-Wellness. -Yeah. -Ah! | 0:05:06 | 0:05:08 | |
-So I had a dad, and some people had mothers. -Uh-huh. | 0:05:08 | 0:05:13 | |
But I only found out that she was still living when I was nine years old. | 0:05:13 | 0:05:21 | |
I had always thought she was dead. | 0:05:21 | 0:05:23 | |
-Really? -And then they told me... | 0:05:23 | 0:05:24 | |
Hey, I may cry! | 0:05:24 | 0:05:25 | |
I might cry too. | 0:05:25 | 0:05:27 | |
No, they told me that she had died, | 0:05:27 | 0:05:30 | |
then when I was about nine years old or ten, | 0:05:30 | 0:05:34 | |
someone let it slip that she really wasn't dead. | 0:05:34 | 0:05:37 | |
And...oh, good heavens, | 0:05:37 | 0:05:39 | |
I may... | 0:05:39 | 0:05:42 | |
We should get some tissues. | 0:05:42 | 0:05:43 | |
It would be another six years before Susan's mother saw Anita again. | 0:05:43 | 0:05:49 | |
In 1939, the year the World's Fair came to New York, Anita got in touch and they arranged to meet. | 0:05:49 | 0:05:56 | |
So what is this, this picture? | 0:05:56 | 0:06:01 | |
Lenora, right, Anita, left. At New York World Fair 1939. | 0:06:01 | 0:06:08 | |
What is it? | 0:06:08 | 0:06:11 | |
-That's me there. -Completely distorted. | 0:06:11 | 0:06:14 | |
What's happened to you? | 0:06:14 | 0:06:16 | |
Oh, you're in the fun house. | 0:06:16 | 0:06:17 | |
-In the... -Distorted mirror. | 0:06:17 | 0:06:20 | |
It was, like, a three-sided mirror. | 0:06:20 | 0:06:24 | |
-And Dad took the picture. -Oh! | 0:06:24 | 0:06:26 | |
-Grandfather took the picture? -Yeah. | 0:06:26 | 0:06:29 | |
So he must've been on OK speaking terms if he took the picture? | 0:06:29 | 0:06:32 | |
Well, he brought me to meet her. | 0:06:32 | 0:06:35 | |
-Oh! Your father brought you to meet... -We spent the whole day. | 0:06:35 | 0:06:37 | |
-Oh, all of you were together. -Yeah. | 0:06:37 | 0:06:41 | |
That's you and your mom and grandfather... | 0:06:41 | 0:06:46 | |
-Look at that, she's got your arm. -She's got my arm. | 0:06:46 | 0:06:50 | |
Yeah. | 0:06:50 | 0:06:53 | |
Oh, dear. | 0:07:00 | 0:07:02 | |
Don't like to go back, huh? | 0:07:08 | 0:07:10 | |
I don't know. | 0:07:10 | 0:07:13 | |
-So you just kind of lost contact? -Right. | 0:07:13 | 0:07:15 | |
It's so ironic that the one photo of my mother | 0:07:15 | 0:07:19 | |
with her mother, just like their relationship, | 0:07:19 | 0:07:23 | |
it's distorted in a mirror. | 0:07:23 | 0:07:26 | |
And that was it. | 0:07:26 | 0:07:28 | |
After that, she just disappeared. | 0:07:28 | 0:07:31 | |
That was really a revelation. | 0:07:31 | 0:07:33 | |
We found out so many things about Anita that I never heard before | 0:07:33 | 0:07:37 | |
and made me really excited about tracking down more bits and pieces. | 0:07:37 | 0:07:42 | |
And, I don't know, I'm starting to get a kind of picture. | 0:07:42 | 0:07:46 | |
Pretty interesting picture. | 0:07:46 | 0:07:49 | |
Uh, I don't think we're going to discover she had a knitting club | 0:07:49 | 0:07:53 | |
or anything. | 0:07:53 | 0:07:54 | |
I don't know what we're going to find out, but, um, I can't wait | 0:07:54 | 0:07:58 | |
to get back to New York and start looking. | 0:07:58 | 0:08:00 | |
According to Susan's mother, Anita was living in New York in 1939. | 0:08:00 | 0:08:05 | |
Susan's returned to Manhattan to look for any documentation of Anita's life there. | 0:08:05 | 0:08:12 | |
She's meeting genealogist and family historian Megan Smolenyak. | 0:08:12 | 0:08:15 | |
There's lots of really interesting tales about my grandmother Anita, but I don't know the facts. | 0:08:15 | 0:08:21 | |
What do we have here? | 0:08:21 | 0:08:23 | |
Well, when you're trying to find somebody who went missing, | 0:08:23 | 0:08:25 | |
it's kind of useful to step back in time and see what you can learn about their early days. | 0:08:25 | 0:08:29 | |
-Fortunately, your grandmother did leave a good paper trail. -Oh! | 0:08:29 | 0:08:33 | |
During the early part of her life, yeah. | 0:08:33 | 0:08:35 | |
Starting with her birth certificate. | 0:08:35 | 0:08:37 | |
Uh-huh. Anita Rigali. | 0:08:37 | 0:08:41 | |
-And she was born March 9, 1907. -Yeah. | 0:08:41 | 0:08:44 | |
And the fa... Oh, they don't put the dad? | 0:08:44 | 0:08:46 | |
-That's the dad right there. -Mansueto? And what does that mean? | 0:08:46 | 0:08:50 | |
-Statue? -That would be his occupation. | 0:08:50 | 0:08:53 | |
It's statues. It's badly spelled. | 0:08:53 | 0:08:55 | |
-Makes statues. -That could be useful going forward. | 0:08:55 | 0:08:58 | |
Her mother's name was Angelina. That's sweet. | 0:08:58 | 0:09:01 | |
-Actually, maiden name Angelina Bonturi. Very pretty name. -Yeah. | 0:09:01 | 0:09:05 | |
The father came from Italy. Probably the mother came from Italy. | 0:09:05 | 0:09:09 | |
But any indication where? | 0:09:09 | 0:09:11 | |
-No. Unfortunately, all this tells us is that they were from Italy. -Italy, Italy, Italy. | 0:09:11 | 0:09:15 | |
The number of previous children - what? | 0:09:15 | 0:09:18 | |
Nine? | 0:09:18 | 0:09:20 | |
We're saying now that Anita was one of nine? | 0:09:20 | 0:09:23 | |
-At least. -Oh, my God. -Yeah. | 0:09:23 | 0:09:26 | |
But now how many now living? | 0:09:26 | 0:09:29 | |
Three. | 0:09:29 | 0:09:31 | |
Really? | 0:09:31 | 0:09:32 | |
-Oh, my God. -Yeah. | 0:09:32 | 0:09:34 | |
So this is the 1920 census. | 0:09:36 | 0:09:38 | |
Oh, there's Rigali. | 0:09:38 | 0:09:40 | |
Rita and Anita and Joseph. | 0:09:40 | 0:09:43 | |
So there were three kids living. | 0:09:43 | 0:09:46 | |
So she was 12. | 0:09:46 | 0:09:47 | |
And the dad. Mansueto. | 0:09:47 | 0:09:50 | |
And what does that mean, "W"? | 0:09:50 | 0:09:53 | |
-Is that widowed? -Yeah, exactly. | 0:09:53 | 0:09:55 | |
-Oh, so the mother's gone now? -Yeah. | 0:09:55 | 0:09:58 | |
Oh, my God. | 0:09:58 | 0:10:01 | |
So Angelina was already dead by the time Anita was 12. | 0:10:01 | 0:10:06 | |
Yeah. See, that's another element of hardship in Anita's life. | 0:10:06 | 0:10:10 | |
She would have lost her mom probably when she was ten-ish, somewhere around there. | 0:10:10 | 0:10:14 | |
Oh, poor Anita. | 0:10:14 | 0:10:16 | |
So after her mother Angelina's death, all that Anita had left | 0:10:16 | 0:10:20 | |
was her father Mansueto, who worked full-time, | 0:10:20 | 0:10:23 | |
and an older sister and a younger brother. | 0:10:23 | 0:10:26 | |
This is my grandmother's marriage record. | 0:10:26 | 0:10:30 | |
-Right, so... -Oh, my God. | 0:10:30 | 0:10:33 | |
Does it say that my grandfather was 21 and she was 15 | 0:10:33 | 0:10:38 | |
when she got married? | 0:10:38 | 0:10:40 | |
Well, maybe. | 0:10:40 | 0:10:41 | |
Well, take a look here. This is the date of the marriage... | 0:10:41 | 0:10:44 | |
February 1st, 1921. | 0:10:44 | 0:10:47 | |
And we saw her birth date. | 0:10:47 | 0:10:50 | |
So, in fact, although she's claiming to be 15... | 0:10:50 | 0:10:53 | |
How old is she? | 0:10:53 | 0:10:55 | |
-13. -Oh, my God. | 0:10:55 | 0:10:57 | |
Yeah. | 0:10:57 | 0:10:58 | |
Ooh, that scoundrel. | 0:10:58 | 0:11:00 | |
So she was 13 when she got married. | 0:11:02 | 0:11:04 | |
Right. | 0:11:04 | 0:11:06 | |
-So she was already pregnant because my uncle Bob was born just three months after they were married. -Yeah. | 0:11:06 | 0:11:11 | |
My grandfather was six years older. | 0:11:11 | 0:11:14 | |
-Mm-hm. -He must have had a little bit more of a clue of what was going on. | 0:11:14 | 0:11:17 | |
-Yeah. -She was just a baby When she had a baby. Even in those days. | 0:11:17 | 0:11:21 | |
I felt really bad for Anita. | 0:11:21 | 0:11:25 | |
Her mom had died when she was so young, | 0:11:25 | 0:11:28 | |
and so she was really on her own when she got pregnant. | 0:11:28 | 0:11:31 | |
She didn't have a childhood. | 0:11:31 | 0:11:34 | |
I'm meeting with Mary Brown, an expert in Italian immigration in New York city. | 0:11:35 | 0:11:40 | |
I'm hoping she can tell me more about Anita's childhood | 0:11:40 | 0:11:43 | |
here on the Lower East Side and Anita's parents, | 0:11:43 | 0:11:46 | |
Angelina and Mansueto. | 0:11:46 | 0:11:48 | |
This would be your great-grandparents' marriage certificate. | 0:11:48 | 0:11:51 | |
They were married here, um, | 0:11:52 | 0:11:54 | |
the 10th of October, 1891. | 0:11:54 | 0:11:57 | |
Does it have where they lived down there? | 0:11:57 | 0:11:59 | |
Yes, the address where they first lived would be 35 Madison Street. | 0:11:59 | 0:12:04 | |
The building where they lived probably didn't come with running water so it would be very hard | 0:12:04 | 0:12:09 | |
for your great-grandmother to keep anything clean. | 0:12:09 | 0:12:13 | |
There was no refrigeration, no way to give them a cold drink. | 0:12:13 | 0:12:16 | |
It was a very crowded neighbourhood. | 0:12:16 | 0:12:18 | |
It was very hard to get any kind of peace and quiet and any kind of elbow room. | 0:12:18 | 0:12:23 | |
And it was very hard to isolate someone who was sick. | 0:12:23 | 0:12:26 | |
So that place was a death trap. | 0:12:26 | 0:12:28 | |
In the 1900s, Anita's family lived in a tenement-style neighbourhood on the Lower East Side of Manhattan. | 0:12:31 | 0:12:38 | |
In this working class, immigrant neighbourhood, | 0:12:38 | 0:12:40 | |
extreme poverty was rampant. | 0:12:40 | 0:12:42 | |
Living space was cramped and unsanitary | 0:12:42 | 0:12:45 | |
with dark and airless rooms and no running water. | 0:12:45 | 0:12:47 | |
Disease spread quickly from family to family. | 0:12:47 | 0:12:50 | |
Probably the reason so many of Anita's siblings, | 0:12:50 | 0:12:53 | |
as well as her mother Angelina, died. | 0:12:53 | 0:12:56 | |
To see this tough, tough life that so many immigrants | 0:12:56 | 0:13:00 | |
at that time had, it gives you a real sense of perspective. | 0:13:00 | 0:13:04 | |
I'm sure we could trace them back even further. | 0:13:04 | 0:13:07 | |
Susan's son Miles has joined her at the New York Public Library to find out more about the Rigalis' roots. | 0:13:07 | 0:13:13 | |
We're going to try to find out where her parents were from, | 0:13:16 | 0:13:20 | |
where Anita's parents were from in Italy. | 0:13:20 | 0:13:22 | |
So if you put in 'Italian surnames map'. | 0:13:22 | 0:13:26 | |
OK. This it? | 0:13:26 | 0:13:27 | |
That means surnames, so try Rigali. | 0:13:27 | 0:13:32 | |
-How you spell that? -R-I-G-A-L-I. | 0:13:32 | 0:13:34 | |
Oh, my. They're from Tuscany. | 0:13:39 | 0:13:43 | |
That's interesting. | 0:13:43 | 0:13:45 | |
So try Bonturi. | 0:13:45 | 0:13:49 | |
-So that looks similar. -So, Tuscany and... | 0:13:49 | 0:13:55 | |
They're both in the same region... | 0:13:55 | 0:13:57 | |
in the west of Florence. | 0:13:57 | 0:14:01 | |
OK, if the surnames were in Tuscany, | 0:14:01 | 0:14:04 | |
I guess that's where we should go to see... | 0:14:04 | 0:14:07 | |
any relatives before they came here. | 0:14:07 | 0:14:10 | |
We didn't have any idea where our great-grandparents came from, | 0:14:10 | 0:14:16 | |
the Rigalis and Bonturis, so... | 0:14:16 | 0:14:19 | |
Now it looks like there's a big possibility they're from Tuscany. | 0:14:19 | 0:14:24 | |
Susan is travelling to Florence, the capital of Tuscany | 0:14:24 | 0:14:28 | |
to find out more about her great-grandfather's life here. | 0:14:28 | 0:14:32 | |
And to see how far back she can trace her Italian roots. | 0:14:32 | 0:14:39 | |
I'm always happy to be in Italy. | 0:14:39 | 0:14:42 | |
From the first time I came to Italy, I felt inexplicably at home. Now I know why! | 0:14:42 | 0:14:47 | |
My gene pool is crying out. | 0:14:47 | 0:14:51 | |
Toscana? Si. | 0:14:51 | 0:14:54 | |
It'd be great to find out that Mansueto and Angelina had a nice life | 0:14:54 | 0:14:58 | |
before everything started caving in and all these children | 0:14:58 | 0:15:01 | |
and hardships and disease and everything happened to them. | 0:15:01 | 0:15:04 | |
I'm meeting researcher Cinzia Rossello at the Riccardini Library | 0:15:06 | 0:15:10 | |
to look for proof that Mansueto came from Tuscany. | 0:15:10 | 0:15:14 | |
So I'm excited to be here to see if there's any records of my great-grandfather. | 0:15:15 | 0:15:20 | |
Yes. We did some research and I've | 0:15:20 | 0:15:22 | |
-done some translation for you... -Thank you. | 0:15:22 | 0:15:25 | |
..that proves that your family comes from Tuscany. | 0:15:25 | 0:15:27 | |
Oh, Mansueto Rigali, yes! | 0:15:27 | 0:15:29 | |
My great-grandfather was born at 2:00 in the afternoon | 0:15:29 | 0:15:33 | |
on the 12th of July in 1855. | 0:15:33 | 0:15:36 | |
And the next thing I found is a record of a sort of conscription document. | 0:15:36 | 0:15:43 | |
Oh. | 0:15:43 | 0:15:45 | |
See if you can read something here. | 0:15:45 | 0:15:47 | |
Here's Rigali, Mansueto. | 0:15:47 | 0:15:50 | |
The beauty of it is that gives us a bit more information about place | 0:15:50 | 0:15:56 | |
where he was residing.. where he lived. | 0:15:56 | 0:15:59 | |
Coreglia. Is that a street? | 0:15:59 | 0:16:03 | |
Coreglia? | 0:16:03 | 0:16:04 | |
A small town. | 0:16:04 | 0:16:05 | |
-A, ah, ah. -And in this column here, it says that he was a colono. | 0:16:05 | 0:16:11 | |
Means that he owned some land. | 0:16:11 | 0:16:14 | |
-Oh, really? -Yes. -And he's only 20. | 0:16:14 | 0:16:15 | |
-Exactly. -Wow! | 0:16:16 | 0:16:20 | |
-Well... -Not bad. | 0:16:20 | 0:16:21 | |
That's interesting. | 0:16:21 | 0:16:22 | |
-When he got to the United States, he didn't have so much luck. -No? -No. | 0:16:22 | 0:16:27 | |
But anyway, so he was only 20 here. Things are still looking up. | 0:16:27 | 0:16:30 | |
He's got a little bit of land. | 0:16:30 | 0:16:32 | |
Exactly. | 0:16:32 | 0:16:33 | |
And so we should go to Corelia. | 0:16:33 | 0:16:35 | |
-Coreglia. -Coreglia. | 0:16:35 | 0:16:36 | |
Precisely, and you'll find more traces of your ancestors there. | 0:16:36 | 0:16:42 | |
Cinzi and I are heading into the Tuscan mountains 50 miles northwest | 0:16:44 | 0:16:47 | |
of Florence to the village of Coreglia, where Mansueto was born. | 0:16:47 | 0:16:51 | |
This is the church where not only your great-grandfather was | 0:17:00 | 0:17:05 | |
baptized, but we found records of many more of your ancestors baptized | 0:17:05 | 0:17:11 | |
-in this church. -Oh, great. | 0:17:11 | 0:17:13 | |
Starting from this registry. | 0:17:13 | 0:17:16 | |
-Oh, Mansueto. -Mm-hm. | 0:17:16 | 0:17:18 | |
And this says also the name of his father Egidio | 0:17:18 | 0:17:22 | |
and his grandfather Michele. | 0:17:22 | 0:17:24 | |
Oh. Yay. | 0:17:24 | 0:17:27 | |
-So that's the great-great... -Exactly. | 0:17:27 | 0:17:30 | |
There's an echo in here. Great-great! LAUGHS | 0:17:30 | 0:17:33 | |
So going back, back, back. | 0:17:33 | 0:17:37 | |
-Look at this book. Oh, my gosh. -This is in Latin. | 0:17:37 | 0:17:40 | |
-Wow. -We think... -I'm going to start writing like this, it's so beautiful. | 0:17:40 | 0:17:44 | |
-1758. -This is Giofrediano, son of Giovanni. | 0:17:44 | 0:17:49 | |
-Son of Michele. -Wow. So they repeated Michele. | 0:17:49 | 0:17:54 | |
Very good. So going back, back, back. Now the mystery... a real mystery. | 0:17:54 | 0:17:58 | |
Rigali. | 0:17:58 | 0:18:01 | |
-Francesco, son of Michele, son of Giovanni Rigali, | 0:18:01 | 0:18:05 | |
So you can go even further. | 0:18:05 | 0:18:09 | |
Whoa. Oh, my. | 0:18:09 | 0:18:12 | |
Wow. Back to Michele in 1640. | 0:18:14 | 0:18:17 | |
Exactly. It means that you have very deep roots here in Italy. | 0:18:17 | 0:18:21 | |
Yeah. It's unbelievable. | 0:18:21 | 0:18:24 | |
The church records traced Susan's Italian ancestors back | 0:18:27 | 0:18:30 | |
an incredible ten generations, to Michele Rigali, | 0:18:30 | 0:18:35 | |
who was born around 1640. | 0:18:35 | 0:18:37 | |
-I think you have very classic Tuscan features. -Really? Yes. | 0:18:41 | 0:18:45 | |
The colours... | 0:18:45 | 0:18:47 | |
-That's great. -Renaissance. | 0:18:47 | 0:18:50 | |
Renaissance! | 0:18:50 | 0:18:52 | |
I am officially from Tuscany. Definitely. | 0:18:52 | 0:18:55 | |
So that was startling to be able to prove it that far back. | 0:18:55 | 0:19:00 | |
It's gone from being something kind of abstract to being very concrete. | 0:19:00 | 0:19:05 | |
Susan's great-grandfather Mansueto was a statue maker. | 0:19:08 | 0:19:12 | |
So before she leaves Coreglia, | 0:19:12 | 0:19:14 | |
she wants to visit the local museum of figurines and emigration. | 0:19:14 | 0:19:20 | |
She's meeting local guide Gabriele Calabrese. | 0:19:20 | 0:19:23 | |
-Hello. -Hello. -So nice to meet you. -Welcome to Coreglia. | 0:19:23 | 0:19:28 | |
So, is that my great-grandfather there? | 0:19:28 | 0:19:32 | |
Of course, yes. Here is Mansueto. This is a unique place. | 0:19:32 | 0:19:36 | |
It's a unique village. It's the place in which the figurine makers and plasters where invented. | 0:19:36 | 0:19:44 | |
It's not a big town, it's not Milan or Rome or Florence. | 0:19:44 | 0:19:48 | |
It's a village in which this idea was invented. | 0:19:48 | 0:19:52 | |
-So if you were interested in learning that trade, you would come to this town to learn it? -Yes. | 0:19:52 | 0:19:58 | |
This place is so unique and this little village is dedicated, | 0:19:58 | 0:20:03 | |
even a whole museum, to the whole phenomenon of the figurine makers. | 0:20:03 | 0:20:08 | |
-We can go together to see it. -Good. OK. -Please... | 0:20:08 | 0:20:12 | |
You can see immediately... | 0:20:14 | 0:20:16 | |
Look how many statues around us... | 0:20:16 | 0:20:18 | |
The typical 19th century style. I would like to show you pictures. | 0:20:18 | 0:20:25 | |
They were very proud about their work, their job. | 0:20:25 | 0:20:29 | |
In this one there is an interesting detail - the face of an Indian. | 0:20:29 | 0:20:36 | |
This means this man was probably in the United States. | 0:20:36 | 0:20:38 | |
And so, they were very flexible | 0:20:38 | 0:20:41 | |
to change the style of their figurines to enter certain markets. | 0:20:41 | 0:20:47 | |
-So do you have any idea when my great-grandfather left here? -Yes. | 0:20:47 | 0:20:51 | |
-With his statues? -We know exactly. -Oh! | 0:20:51 | 0:20:55 | |
In 1888, he was one of the first wave of figurine makers that... | 0:20:55 | 0:21:01 | |
They moved from this village to go to United States. | 0:21:01 | 0:21:07 | |
And we have the passengers list. | 0:21:07 | 0:21:11 | |
-Here it is. Mansueto Rigali. -Exactly. | 0:21:11 | 0:21:16 | |
-Mansueto Rigali. -He was 32. | 0:21:16 | 0:21:19 | |
98 figurine makers decided to move to United States all in that year. | 0:21:19 | 0:21:25 | |
-Wow! -That is really incredible. | 0:21:25 | 0:21:26 | |
That's huge from a tiny village. | 0:21:26 | 0:21:28 | |
Oh, exactly. That's really huge. | 0:21:28 | 0:21:31 | |
And they knew what to do with their hands. Like artists. Simple artists. But... | 0:21:31 | 0:21:35 | |
So they could be more confident because they came with a trade. | 0:21:35 | 0:21:38 | |
Exactly. | 0:21:38 | 0:21:40 | |
For more than 500 years, the village flourished as the figurines sold all over Europe. | 0:21:42 | 0:21:46 | |
But by Mansueto's time, life had become tough for the sculptors of Coreglia, | 0:21:46 | 0:21:51 | |
and news was coming from America that untold riches could be made there. | 0:21:51 | 0:21:57 | |
Mansueto was one of 50,000 Italians | 0:21:57 | 0:22:01 | |
to cross the Atlantic in 1888. | 0:22:01 | 0:22:03 | |
Between 1880 and 1890, almost five million Europeans | 0:22:03 | 0:22:07 | |
arrived in search of a new life in America. | 0:22:07 | 0:22:11 | |
Susan, I would like to give you a present - the symbol of Coreglia. | 0:22:11 | 0:22:18 | |
The famous... | 0:22:18 | 0:22:20 | |
-little cat in plaster, as you can see. -Adorable, thank you. | 0:22:20 | 0:22:25 | |
-You are so welcome. -I'd like to thank my mother, I'd like to thank... | 0:22:25 | 0:22:28 | |
my great-grandfather for this award. | 0:22:28 | 0:22:31 | |
Fabulous. | 0:22:31 | 0:22:33 | |
-Cute. Thank you. -You're welcome. | 0:22:33 | 0:22:36 | |
It's been wonderful to see that Mansueto, my great-grandfather, | 0:22:36 | 0:22:41 | |
had such a lovely life in this beautiful little town with turned out to be a major town for statue making. | 0:22:41 | 0:22:49 | |
I'm happy to find this little piece of beauty and art and family here. | 0:22:49 | 0:22:57 | |
I know that the Rigali name came from this area, so I'm hoping if I go to | 0:23:02 | 0:23:06 | |
a phonebook, maybe I can find out if there are any other Rigalis listed. | 0:23:06 | 0:23:11 | |
In which case, maybe I'll find a living relative which so far has eluded me. So, that's the next step. | 0:23:11 | 0:23:18 | |
Susan manages to track down the last remaining Rigali living in the area. | 0:23:31 | 0:23:35 | |
Gilberto Rigali shares the same great-great-great-grandfather, Michele Rigali. | 0:23:37 | 0:23:43 | |
-Ciao. -Ciao, hello! -Hello, are you Gilberto? -Yes. | 0:23:46 | 0:23:50 | |
-Hi. -Nice to meet you. -Nice to meet you. Hi! | 0:23:50 | 0:23:53 | |
-How are you. This is Donny. -Hi, Donny. | 0:23:53 | 0:23:56 | |
Um...yeah, I think we're related. | 0:23:56 | 0:23:59 | |
-Yes... It's amazing! -THEY LAUGH | 0:23:59 | 0:24:02 | |
-It's nice. -So your last name is Rigali? -Yes. | 0:24:02 | 0:24:06 | |
I'm the only Rigali in this place. | 0:24:06 | 0:24:09 | |
-My father - Mariano Rigali. -Si. -And my grandfather Giovanni Rigali. | 0:24:09 | 0:24:15 | |
-Very surprised. Very. -Me too. -Me too? -Yeah. | 0:24:21 | 0:24:25 | |
Mama mia. | 0:24:25 | 0:24:27 | |
-The film Dead Man Walking with Sean Penn. -Oh, yes. -Thelma & Louise - beautiful film. L'Olio Di Lorenzo. | 0:24:33 | 0:24:40 | |
-Ah! -Much beautiful films. Vecchio. Old... Old film. -Si. | 0:24:40 | 0:24:45 | |
Ma, you, uguale.... | 0:24:45 | 0:24:49 | |
-Si, yes. -Grazie. | 0:24:49 | 0:24:51 | |
That was lovely. | 0:25:01 | 0:25:02 | |
I found a distant cousin, Gilberto Rigali, just by the hair of my chinny-chin-chin | 0:25:02 | 0:25:10 | |
because he's the only one left. | 0:25:10 | 0:25:13 | |
Because they're all travellers, all over the place. | 0:25:13 | 0:25:16 | |
For me, I've always felt very connected to Italy and I love it. | 0:25:16 | 0:25:21 | |
It just confirms that that makes sense. | 0:25:21 | 0:25:23 | |
I like coming from a family of people that were artists. | 0:25:27 | 0:25:30 | |
They left with such hopes and, you know, they found such hardship, | 0:25:34 | 0:25:38 | |
when they got to this land of opportunity. | 0:25:38 | 0:25:42 | |
I mean, it's great that they managed to find | 0:25:42 | 0:25:44 | |
a way to survive, but it cost them so much. | 0:25:44 | 0:25:47 | |
Mansueto lived until he was 72 years old. | 0:25:47 | 0:25:52 | |
His whole life in New York was overshadowed by tragedy. | 0:25:52 | 0:25:55 | |
I want to pay my respects at the family plot | 0:25:59 | 0:26:03 | |
where he's buried with his wife and young children. | 0:26:03 | 0:26:08 | |
OK, I guess this is where it would be. | 0:26:21 | 0:26:23 | |
There's one, two, three, four, five, | 0:26:29 | 0:26:33 | |
six, seven, eight, nine people, | 0:26:33 | 0:26:36 | |
and they're all somewhere here - | 0:26:36 | 0:26:38 | |
my family, but there's no marker. | 0:26:38 | 0:26:41 | |
That's really sad. | 0:26:41 | 0:26:42 | |
Anita's not here, so we still don't know what happened to Anita. | 0:26:42 | 0:26:46 | |
But this is a, you know, a family that suffered a lot... | 0:26:46 | 0:26:50 | |
All these kids that died, and nobody even has a marker. | 0:26:50 | 0:26:54 | |
I mean, it's almost like a... | 0:26:54 | 0:26:57 | |
Potter's field kind of thing, | 0:26:58 | 0:26:59 | |
where they don't even have markers. It's so sad. | 0:26:59 | 0:27:02 | |
I should get them a marker. | 0:27:02 | 0:27:06 | |
Poor Anita. | 0:27:08 | 0:27:10 | |
You know, kind of like my mom, was used to having people leave her. | 0:27:10 | 0:27:14 | |
Don't know what happened to her, But I hope we find out. | 0:27:14 | 0:27:17 | |
If the rumours are true and she was attracted to show business, | 0:27:22 | 0:27:26 | |
maybe I did inherit something from her. | 0:27:26 | 0:27:29 | |
So I'm going to meet Burton Peretti, an expert on New York nightclubs. | 0:27:29 | 0:27:32 | |
The only picture that isn't distorted | 0:27:32 | 0:27:34 | |
is this one of my grandma that was taken apparently at the Copa, | 0:27:34 | 0:27:38 | |
And I've heard that she was a dancer there. The Copacabana. | 0:27:38 | 0:27:41 | |
I don't know if that's true. Can you help me? | 0:27:41 | 0:27:44 | |
Well, given her age, birth date, | 0:27:44 | 0:27:47 | |
she was probably active in nightclubs in the 1920s, | 0:27:47 | 0:27:50 | |
possibly in speakeasies. | 0:27:50 | 0:27:51 | |
It's the highpoint of the nightclub craze in Manhattan. | 0:27:51 | 0:27:57 | |
There were dozens of high-priced dazzling places | 0:27:57 | 0:28:01 | |
charging lots of money, making lots of money, | 0:28:01 | 0:28:03 | |
and, of course, selling illegal liquor. | 0:28:03 | 0:28:06 | |
And it really becomes a magnet for young women who want to do well. | 0:28:06 | 0:28:09 | |
The dancing, the singing, took place right in between the tables. | 0:28:09 | 0:28:13 | |
It was like the early lap dancing? | 0:28:13 | 0:28:15 | |
Absolutely. They would sit in people's laps. | 0:28:15 | 0:28:19 | |
-They would pop cherries into male customers' mouths... -Hmm... | 0:28:19 | 0:28:22 | |
Join them in dancing, put funny hats on them. | 0:28:22 | 0:28:26 | |
It was very participatory. | 0:28:26 | 0:28:27 | |
-This photo, we think, was taken at the Copacabana. -Mm-hm. | 0:28:27 | 0:28:32 | |
So what happened there? | 0:28:32 | 0:28:33 | |
Well, that was one of the most popular nightclubs in Manhattan. | 0:28:33 | 0:28:38 | |
Entertainers like Frank Sinatra | 0:28:38 | 0:28:40 | |
were mainstays of the Copacabana beginning of the 1940s. | 0:28:40 | 0:28:43 | |
My mom's obsessed with Frank Sinatra. It'd be so great if her mother dated Frank Sinatra. | 0:28:43 | 0:28:47 | |
We have very little documentation of your grandmother in the nightclubs. | 0:28:47 | 0:28:52 | |
However, we were able to find one document | 0:28:52 | 0:28:55 | |
-relating to her in this time period. -Oh, wow! | 0:28:55 | 0:28:58 | |
So what time period are we talking? | 0:28:58 | 0:29:01 | |
This is from October 1932. | 0:29:01 | 0:29:03 | |
-And it is a marriage licence. -SHE GASPS | 0:29:03 | 0:29:05 | |
So...oh, yes! | 0:29:05 | 0:29:08 | |
Anita Rigali, she was 25, and she got married to Ben Kahn. | 0:29:08 | 0:29:12 | |
And he was a salesman. | 0:29:12 | 0:29:15 | |
She was a homemaker apparently. | 0:29:16 | 0:29:18 | |
Of course. | 0:29:18 | 0:29:19 | |
Which would be a change for her. | 0:29:19 | 0:29:21 | |
Wow! Well, that's interesting. | 0:29:21 | 0:29:23 | |
One of the reasons that we couldn't find her | 0:29:23 | 0:29:25 | |
was because we didn't know if she'd gotten remarried or if she had a social security number. | 0:29:25 | 0:29:30 | |
The number of previous marriages - none?! | 0:29:30 | 0:29:34 | |
Hmm. | 0:29:34 | 0:29:38 | |
Well, that's interesting. | 0:29:38 | 0:29:40 | |
Oh, God, nothing seems to add up with this woman. | 0:29:40 | 0:29:43 | |
The interesting issue is, of course, was she still married to your grandfather? | 0:29:43 | 0:29:48 | |
-When she got married. -Yes. | 0:29:48 | 0:29:50 | |
-Oh! -We were not able to find a record of a divorce. | 0:29:50 | 0:29:54 | |
So it's really an open question. | 0:29:54 | 0:29:57 | |
I would just point out that bigamy was against the law, | 0:29:57 | 0:30:01 | |
and it could be punishable by some years in prison. | 0:30:01 | 0:30:04 | |
-What year is this? -'32. | 0:30:04 | 0:30:07 | |
Oh. So she WAS still married. | 0:30:07 | 0:30:10 | |
Because supposedly my grandfather didn't divorce her until after... | 0:30:10 | 0:30:14 | |
until after this meeting at the World's Fair, which was '39. | 0:30:14 | 0:30:19 | |
-Oh. -So... | 0:30:19 | 0:30:22 | |
Who knows? | 0:30:22 | 0:30:23 | |
-Probably she, in her mind, she was divorced. -Right. | 0:30:23 | 0:30:28 | |
Well, in many ways, your grandmother was ahead of the curve. | 0:30:28 | 0:30:31 | |
I believe it indicates here that he's Jewish. | 0:30:31 | 0:30:33 | |
And she was Roman Catholic. | 0:30:33 | 0:30:35 | |
Even in the show business world, the mixed marriage was a bit risky to do. | 0:30:35 | 0:30:40 | |
That was a mixed marriage definitely in those days. | 0:30:40 | 0:30:42 | |
-Yeah. Mixed marriage. -Yeah. | 0:30:42 | 0:30:44 | |
And I think, as we look at her life overall, she was taking risks, | 0:30:44 | 0:30:48 | |
-Seemed to be very capable and to... -Rather unorthodox? -Yeah. | 0:30:48 | 0:30:53 | |
I like that. | 0:30:53 | 0:30:56 | |
Well, that was interesting. So she married, not divorced, | 0:30:56 | 0:31:01 | |
but married again, and to Ben Kahn. | 0:31:01 | 0:31:04 | |
So now we could find out what happened to her as Anita Kahn. | 0:31:04 | 0:31:09 | |
Susan's son Miles has joined her at the New York Library's Milstein division of history and genealogy. | 0:31:12 | 0:31:18 | |
-City directories? -This way... | 0:31:22 | 0:31:24 | |
She hopes the city directories will tell her where Anita went to live with her new husband, Ben Kahn. | 0:31:24 | 0:31:30 | |
OK, so we're looking for | 0:31:33 | 0:31:34 | |
-Mr and Mrs Benjamin Kahn or Ben Kahn. -So, K. | 0:31:34 | 0:31:40 | |
K-A-H-N. They got married in '32. | 0:31:40 | 0:31:45 | |
Thank God you have good eyesight. Look at this print. It's crazy. | 0:31:45 | 0:31:48 | |
-Here we go. Benjamin. -J...K...A... | 0:31:48 | 0:31:52 | |
Kahn, here we go. So, Benjamin, A... | 0:31:52 | 0:31:55 | |
Benjamin, Benjamin. Oh, salesman. | 0:31:55 | 0:31:59 | |
-He said he's on 74th. -74th. | 0:31:59 | 0:32:01 | |
-All right. -All right, wait a minute. | 0:32:01 | 0:32:04 | |
So that's a salesman, but there's no Anita. So let's look up Anita Kahn. | 0:32:04 | 0:32:09 | |
Anita. In this directory? | 0:32:09 | 0:32:11 | |
Anita, Mrs Anita. This is Anita. | 0:32:11 | 0:32:14 | |
-You think that's it? -Mrs Anita Kahn. | 0:32:14 | 0:32:16 | |
That would have to be her. | 0:32:16 | 0:32:17 | |
All right, so that's West 78th. Was this guy on West 78th? | 0:32:17 | 0:32:21 | |
I'm going blind, this is the smallest print... | 0:32:21 | 0:32:24 | |
So if that's them, that would mean that a year after they got married, | 0:32:26 | 0:32:30 | |
-they were already separated and she's on 78th street but being called Mrs and he's... -Yeah. | 0:32:30 | 0:32:36 | |
Also on the Upper West Side but not together. | 0:32:36 | 0:32:40 | |
OK, so, now that we're blinded by the small print and these directories run out, the next thing is, | 0:32:40 | 0:32:47 | |
I need you to help me look on the... | 0:32:47 | 0:32:50 | |
-On the internets? -Yes. -The system of tubes? | 0:32:50 | 0:32:53 | |
The one solid piece of information that I have about Anita | 0:32:53 | 0:32:56 | |
is her birth date, March 9, 1907. | 0:32:56 | 0:32:59 | |
That might be enough for us to track down | 0:32:59 | 0:33:01 | |
a death record for Anita. | 0:33:01 | 0:33:04 | |
Anita Kahn, K-A-H-N. | 0:33:04 | 0:33:07 | |
-And... -Birth year? | 0:33:10 | 0:33:13 | |
1907. | 0:33:13 | 0:33:14 | |
1907 is the 18th of July, so that doesn't match up. | 0:33:17 | 0:33:21 | |
So she's ALIVE! A hundred and something years old! | 0:33:21 | 0:33:27 | |
-Oh, sorry, it's a library! -Yeah, come on, shush! | 0:33:27 | 0:33:31 | |
So what else... Um, we can look under Rigali. | 0:33:31 | 0:33:35 | |
Maybe she went back to her... | 0:33:35 | 0:33:37 | |
If we just do it without a last name, I think it'll be fine. | 0:33:37 | 0:33:40 | |
-We'll find something else. -OK. | 0:33:40 | 0:33:42 | |
Well, we're looking for March 9, 1907. | 0:33:42 | 0:33:45 | |
-Do you have that? -March 9, 1907. | 0:33:45 | 0:33:49 | |
-Waah! You'll make me throw up, stop going so fast. -I'm going back up. | 0:33:51 | 0:33:56 | |
-It's OK. -Anita Fiorentino. -Uh-huh. | 0:33:56 | 0:34:00 | |
-But there's more. -When did she die? | 0:34:00 | 0:34:05 | |
-1984. -Oh, my gosh. | 0:34:05 | 0:34:09 | |
-It says Garnerville, Rockland, New York. -Does it say anything else about...? -About her? No. | 0:34:09 | 0:34:14 | |
-Do you know where Rockland is? -Rockland county is, you know, about an hour or so out of New York. | 0:34:14 | 0:34:20 | |
OK, you have to do your homework now! HE LAUGHS | 0:34:23 | 0:34:26 | |
I'm really excited because we're going to Rockland County and that way | 0:34:26 | 0:34:31 | |
maybe I'll be able to tell if Anita Fiorentino is our Anita. | 0:34:31 | 0:34:35 | |
If my grandmother was only an hour away from me for most of my life, I'll be shocked. | 0:34:39 | 0:34:44 | |
Susan's come to the New City Library at Rockland. | 0:34:44 | 0:34:48 | |
She needs to confirm that Anita Fiorentino is definitely her grandmother. | 0:34:48 | 0:34:53 | |
So she's looking through the obituary records. | 0:34:53 | 0:34:56 | |
Stop, stop, stop! | 0:34:56 | 0:34:57 | |
No, no, stop! | 0:34:57 | 0:34:59 | |
Oh... | 0:34:59 | 0:35:01 | |
Oops. | 0:35:05 | 0:35:06 | |
"Anita Fiorentino died Monday at her home | 0:35:10 | 0:35:13 | |
"at 9 Captain Shankey Drive in Garnerville. | 0:35:13 | 0:35:17 | |
"She was 71. She had lived in Garnerville for the past 35 years. | 0:35:17 | 0:35:25 | |
"She was a daughter of..." | 0:35:25 | 0:35:28 | |
Yes! "Mansueto and Angelina Rigali, who are both deceased." Yes! That's her. | 0:35:28 | 0:35:33 | |
"Mrs Fiorentino is survived by her husband, "Dominic, of the home address." | 0:35:33 | 0:35:38 | |
"Services and internment are to be private and at the family's convenience." | 0:35:38 | 0:35:42 | |
So I guess she didn't have any other children. | 0:35:42 | 0:35:45 | |
Well, she stayed with him for 35 years. | 0:35:45 | 0:35:47 | |
That's pretty good, pretty stable. | 0:35:47 | 0:35:50 | |
She was "born in Manhattan on March 9, 1913." | 0:35:50 | 0:35:53 | |
But she was actually born 1907. | 0:35:53 | 0:35:58 | |
So she's taken... She's discounting her early years | 0:35:58 | 0:36:04 | |
where all her secrets are, Anita. | 0:36:04 | 0:36:06 | |
Wow. | 0:36:06 | 0:36:08 | |
I'm in my grandmother's old neighbourhood. | 0:36:12 | 0:36:15 | |
This is the house where she lived. | 0:36:15 | 0:36:18 | |
No-one in. | 0:36:25 | 0:36:26 | |
I'll canvass the neighbourhood and see if there's a neighbour who might remember Anita. | 0:36:27 | 0:36:31 | |
This neighbour wasn't comfortable talking on camera, | 0:36:31 | 0:36:34 | |
but she did know Anita very well | 0:36:34 | 0:36:36 | |
and shared lots of information. | 0:36:36 | 0:36:39 | |
She said they were very shocked when she passed away | 0:36:39 | 0:36:41 | |
because they didn't think she was sick at all. | 0:36:41 | 0:36:44 | |
So she must have been pretty spry. She had a garden out the back. | 0:36:44 | 0:36:47 | |
She had a dog named Spunky. | 0:36:47 | 0:36:49 | |
She had talked about being a dancer. Had done something else in clubs, but she's not quite sure what. | 0:36:49 | 0:36:55 | |
And she mentioned Frank Sinatra a lot. | 0:36:55 | 0:36:57 | |
She said that Frank came up very often in conversations. | 0:36:57 | 0:37:00 | |
That Anita had said that she got him his start. | 0:37:00 | 0:37:03 | |
She said that repeatedly. | 0:37:03 | 0:37:05 | |
I love that it was Frank Sinatra because my mom was obsessed with Frank Sinatra, | 0:37:05 | 0:37:09 | |
and I met Frank Sinatra when I was doing Atlantic City. | 0:37:09 | 0:37:12 | |
Burt Lancaster introduced him to me, | 0:37:12 | 0:37:14 | |
and he was a little flirtatious. | 0:37:14 | 0:37:16 | |
So maybe I had some Anita vibe that he responded to. | 0:37:16 | 0:37:19 | |
I don't know. | 0:37:19 | 0:37:21 | |
Thanks for that information. | 0:37:21 | 0:37:23 | |
I'm really excited because Anita's husband Dom | 0:37:23 | 0:37:25 | |
has some nieces that live somewhere in the neighbourhood, | 0:37:25 | 0:37:28 | |
and I think they know quite a bit. | 0:37:28 | 0:37:31 | |
We still have nothing except that distorted, freaky picture at the World's Fair. | 0:37:31 | 0:37:36 | |
We don't really know what she looked like, | 0:37:36 | 0:37:38 | |
one distorted photo and one laminated, wrinkled photo, | 0:37:38 | 0:37:42 | |
and that's it, so I'm really hoping | 0:37:42 | 0:37:44 | |
that they have some photos for us. | 0:37:44 | 0:37:46 | |
Anita's been such a mystery. | 0:37:46 | 0:37:49 | |
If anyone can shed some light as to who she was, | 0:37:49 | 0:37:51 | |
I'm hoping it's her nieces. | 0:37:51 | 0:37:55 | |
We're about to meet for the first time. | 0:37:55 | 0:37:58 | |
This should be surprising for all of us. | 0:37:58 | 0:38:03 | |
Hi. | 0:38:05 | 0:38:06 | |
-BOTH: Hi! -Hi, I understand... | 0:38:06 | 0:38:08 | |
Oh, my God. | 0:38:08 | 0:38:11 | |
Hi. Thanks for talking to me. | 0:38:11 | 0:38:13 | |
Oh, it's our pleasure. | 0:38:13 | 0:38:16 | |
-If you can tell me anything. -We can. | 0:38:16 | 0:38:18 | |
Oh, yes! SHE SQUEALS | 0:38:18 | 0:38:20 | |
You had no idea that she had had any children? | 0:38:25 | 0:38:28 | |
None. | 0:38:28 | 0:38:29 | |
But she...they had no kids together? | 0:38:29 | 0:38:31 | |
They had no kids together. No. | 0:38:31 | 0:38:32 | |
My grandfather moved in next-door, and he was 19. | 0:38:32 | 0:38:36 | |
And she got pregnant at 12. | 0:38:36 | 0:38:38 | |
Oh, my God. | 0:38:38 | 0:38:40 | |
And then the second time, like, a year later. | 0:38:40 | 0:38:42 | |
And she got married at, you know, six months pregnant. | 0:38:42 | 0:38:45 | |
And then we lost track of her. I don't even know what happened to her. | 0:38:45 | 0:38:49 | |
Our uncle Dom, we had heard, met her in the city. | 0:38:49 | 0:38:52 | |
He was in the coast guard | 0:38:52 | 0:38:55 | |
and, I guess, off on leave and met her probably, | 0:38:55 | 0:38:58 | |
we heard, at one of the clubs in the city. | 0:38:58 | 0:39:01 | |
So they stayed together for a long time. | 0:39:01 | 0:39:03 | |
They must have been pretty happy. | 0:39:03 | 0:39:04 | |
Oh, yeah. It was a good marriage. | 0:39:04 | 0:39:07 | |
Did she talk to you about Frank Sinatra? | 0:39:07 | 0:39:09 | |
I remember vague conversations with her when I was really little | 0:39:09 | 0:39:14 | |
of her telling me about something and going, "I used to..." | 0:39:14 | 0:39:18 | |
And that's all I remember. | 0:39:18 | 0:39:21 | |
Her hands were always going. | 0:39:21 | 0:39:23 | |
-So she was very vibrant and Italian and very... -Very! | 0:39:23 | 0:39:27 | |
She was a bigger personality out of the two. Uncle Dom was quiet. | 0:39:27 | 0:39:32 | |
In fact, she knocked my tooth out when I was a little girl. | 0:39:32 | 0:39:34 | |
I was sitting next to her and she was talking... | 0:39:34 | 0:39:38 | |
And my teeth were loose and she...did one of her things and | 0:39:38 | 0:39:41 | |
the tooth was hanging and someone had to pull it out. | 0:39:41 | 0:39:45 | |
-She must've loved having you guys around. -Yeah. | 0:39:45 | 0:39:49 | |
I can see the smile on her face. | 0:39:49 | 0:39:53 | |
-Do you have pictures? -Yeah. | 0:39:53 | 0:39:56 | |
Oh! We've been so hoping we would see pictures. | 0:39:56 | 0:39:58 | |
Well, here you go. This is me, actually. She's holding me in that picture. | 0:39:58 | 0:40:02 | |
Oh, wow. | 0:40:02 | 0:40:03 | |
Ah! Anita. | 0:40:06 | 0:40:09 | |
This is uncle Donny. | 0:40:10 | 0:40:12 | |
Oh. Whoa, handsome. | 0:40:12 | 0:40:14 | |
He was very, very handsome. | 0:40:14 | 0:40:16 | |
Um, he looked a lot like Tony Curtis. Really. | 0:40:16 | 0:40:18 | |
And... Oh, wow. | 0:40:19 | 0:40:22 | |
This is a sketch of her. | 0:40:22 | 0:40:24 | |
GASPS: Now, see, that looks like my family. | 0:40:24 | 0:40:28 | |
Oh, my God. That's totally... | 0:40:28 | 0:40:29 | |
That could be you. | 0:40:29 | 0:40:31 | |
-That's so weird. -It could. That's what I mean. | 0:40:31 | 0:40:34 | |
-Oh! Oh, my God. -Pretty scary. | 0:40:34 | 0:40:36 | |
I think I played that part in... | 0:40:36 | 0:40:39 | |
Front page, I think. Look, look... | 0:40:39 | 0:40:42 | |
-That is so strange. -It is. | 0:40:47 | 0:40:49 | |
Oh, my gosh. I guess she was early twenties...before she got married. | 0:40:49 | 0:40:55 | |
She could've been younger or... | 0:40:55 | 0:40:59 | |
-I think she probably looked always younger than she was. -Mm-hm. | 0:40:59 | 0:41:02 | |
-By the way she... -She certainly did when she got older. | 0:41:02 | 0:41:06 | |
-Except when she was 12! She obviously looked older! -Yeah. | 0:41:06 | 0:41:11 | |
-I don't remember her ever looking old. -Yeah? | 0:41:11 | 0:41:13 | |
Thank you, guys, so much. | 0:41:13 | 0:41:16 | |
-It's been a pleasure. -How weird, huh? To find out all this stuff... | 0:41:16 | 0:41:20 | |
It's strange. It makes me sad that we got to know her and you didn't. | 0:41:20 | 0:41:26 | |
-Sounds like she had a very nice last 35 years. -She did, I think. | 0:41:26 | 0:41:31 | |
On one hand, I wish I had been able to tell Anita | 0:41:31 | 0:41:36 | |
that, you know, my mom's OK, | 0:41:36 | 0:41:38 | |
and that she has, you know, a million grandchildren. | 0:41:38 | 0:41:42 | |
Although maybe it was better for her that we didn't find her, | 0:41:42 | 0:41:45 | |
maybe that would've been just way too much upset for her. | 0:41:45 | 0:41:47 | |
But somehow I kind of wish that | 0:41:47 | 0:41:49 | |
she'd known that she was watching her granddaughter, if she ever went to a film. | 0:41:49 | 0:41:54 | |
I love the fact that Anita who had this tough life and who everyone's been vilifying forever and a day, | 0:41:58 | 0:42:04 | |
ended up with this handsome guy and this nice little house with her Spunky dog, | 0:42:04 | 0:42:10 | |
and her garden and she seems to have been fun-loving | 0:42:10 | 0:42:14 | |
and everybody liked her and she had a much more... | 0:42:14 | 0:42:18 | |
kind of, safe existence than the way she started. | 0:42:18 | 0:42:22 | |
With all of this having to grow up so quickly, the poverty and sickness and loss. | 0:42:22 | 0:42:28 | |
Just being abandoned, abandoned. 35 years is pretty good with one person. | 0:42:28 | 0:42:34 | |
And we don't even know if they were married, which I rest my case! | 0:42:34 | 0:42:39 | |
But I think that's fabulous that she found this guy and it sounds like got a club, | 0:42:39 | 0:42:44 | |
and they depict her as somebody that was gesturing a lot and full of life and he was the quiet one. | 0:42:44 | 0:42:52 | |
Maybe she finally figured it out. And I'm really happy for her. | 0:42:52 | 0:42:56 |