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Model, fashion designer | 0:00:08 | 0:00:10 | |
and star on both stage and screen, | 0:00:10 | 0:00:12 | |
Twiggy was an iconic face of the 1960s... | 0:00:12 | 0:00:16 | |
..and is credited as one of the world's first supermodels. | 0:00:18 | 0:00:22 | |
'I grew up... All my life, we lived in London. | 0:00:28 | 0:00:31 | |
'I grew up in Neasden, which is a north-west suburb of London.' | 0:00:31 | 0:00:35 | |
We didn't have lots of money, | 0:00:35 | 0:00:37 | |
but, you know, we had a car, we had a telly, | 0:00:37 | 0:00:39 | |
I had my mum and dad, I had my sisters. | 0:00:39 | 0:00:42 | |
'He was brilliant, my dad. | 0:00:45 | 0:00:47 | |
'I was devoted to him.' | 0:00:47 | 0:00:49 | |
That doesn't mean I didn't love and adore Mum, | 0:00:51 | 0:00:53 | |
but she was much, much more complicated. | 0:00:53 | 0:00:55 | |
'Well, she suffered...we called it... She suffered with her nerves.' | 0:00:55 | 0:00:59 | |
'My mum didn't like talking about the past. | 0:01:01 | 0:01:04 | |
'I have a vague memory of her dad, | 0:01:04 | 0:01:07 | |
'who died when I was, I think, about four-ish. | 0:01:07 | 0:01:10 | |
'Um, I know nothing about her mum.' | 0:01:10 | 0:01:12 | |
'I don't get the impression that she was from a bad family | 0:01:14 | 0:01:19 | |
'or it was anything wrong with them. | 0:01:19 | 0:01:21 | |
'I think she was very close to her mum and dad.' | 0:01:21 | 0:01:24 | |
What am I going to find out? | 0:01:25 | 0:01:27 | |
I'm off on an awfully big adventure and I'm very excited! | 0:01:27 | 0:01:30 | |
'In the kitchen of 93 St Raphael's Way, Neasden, | 0:02:03 | 0:02:06 | |
'Lesley Hornby has breakfast with her boyfriend, | 0:02:06 | 0:02:09 | |
'while Mum has a cuppa.' | 0:02:09 | 0:02:11 | |
-Did I know her, Aunty Jessie? -No, I don't think so. | 0:02:11 | 0:02:14 | |
She knows Vivien but she doesn't know you. | 0:02:14 | 0:02:17 | |
'I was born Lesley Hornby, | 0:02:17 | 0:02:20 | |
'my dad's family name.' | 0:02:20 | 0:02:23 | |
When I was about 15, | 0:02:23 | 0:02:25 | |
I had a boyfriend whose brother used to tease me. | 0:02:25 | 0:02:29 | |
And he used to call me Sticks first, | 0:02:29 | 0:02:32 | |
cos my legs, he said, were like sticks, | 0:02:32 | 0:02:34 | |
and then somehow that turned into Twiggy. | 0:02:34 | 0:02:36 | |
I was a mod, I was 16 years old. | 0:02:39 | 0:02:44 | |
I did... | 0:02:44 | 0:02:45 | |
I did all those eyelashes and the painting on at weekends | 0:02:45 | 0:02:48 | |
because we weren't allowed at school. | 0:02:48 | 0:02:50 | |
16-year-old Twiggy was discovered in 1966 | 0:02:50 | 0:02:54 | |
when a reporter spotted a photo of her | 0:02:54 | 0:02:57 | |
on the wall of a Mayfair hairdresser's, | 0:02:57 | 0:02:59 | |
and a national newspaper decided to run the story. | 0:02:59 | 0:03:03 | |
We thought it would be a little column, you know, a little bit, | 0:03:03 | 0:03:06 | |
and my dad suddenly came in one morning really excited. | 0:03:06 | 0:03:09 | |
He said, "Look, Les, look!" And he opened the paper | 0:03:09 | 0:03:11 | |
and it was "Twiggy, the face of '66." | 0:03:11 | 0:03:14 | |
And that day, in February, 1966, my life changed for ever. | 0:03:15 | 0:03:20 | |
'It was madness. | 0:03:21 | 0:03:23 | |
'I was suddenly in the newspapers or being flown all round the world | 0:03:23 | 0:03:26 | |
'and, you know, we were all a very ordinary, | 0:03:26 | 0:03:29 | |
'you know, happy family. | 0:03:29 | 0:03:31 | |
'I had a happy childhood.' | 0:03:31 | 0:03:32 | |
Twiggy now lives in West London and has one daughter, Carly. | 0:03:36 | 0:03:40 | |
So...this is your mummy! | 0:03:41 | 0:03:44 | |
-Aw-w, a tiny mummy. -Isn't that funny? | 0:03:44 | 0:03:47 | |
-You're very funny. -I was quite fat, wasn't I? | 0:03:47 | 0:03:48 | |
-You really...yeah. -That was pre-Twig. | 0:03:48 | 0:03:51 | |
They used to say to me, "Lesley, pull a funny face." | 0:03:51 | 0:03:53 | |
-Yeah. -And I used to do that. | 0:03:53 | 0:03:55 | |
Aw-w... Pouting already! | 0:03:55 | 0:03:57 | |
I feel, heart and soul, a Londoner. | 0:03:57 | 0:04:00 | |
I'm very proud of it. | 0:04:00 | 0:04:01 | |
My dad came from Lancashire, | 0:04:01 | 0:04:04 | |
'which is weird my mum married him | 0:04:04 | 0:04:07 | |
'because she hated going anywhere north of Watford.' | 0:04:07 | 0:04:09 | |
They both had great noses, look. | 0:04:09 | 0:04:11 | |
They did have good noses. Yeah, you have her nose. | 0:04:11 | 0:04:15 | |
-Um... -Have I got Mum's nose, do you think? -I think so, yeah. -Yeah. | 0:04:15 | 0:04:18 | |
Yeah. But she looks a lot like you. | 0:04:18 | 0:04:21 | |
-Yeah, I can see me... -Yeah. -..in Mum, a lot. | 0:04:21 | 0:04:24 | |
'My mum...probably today, | 0:04:24 | 0:04:26 | |
'she'd have probably been diagnosed as bipolar or something.' | 0:04:26 | 0:04:30 | |
I had a happy childhood | 0:04:30 | 0:04:32 | |
but then she would get lows | 0:04:32 | 0:04:34 | |
and she'd get depressed, | 0:04:34 | 0:04:35 | |
and so the doctor would give her, you know, medicine | 0:04:35 | 0:04:38 | |
and then sometimes she'd end up in hospital. | 0:04:38 | 0:04:40 | |
The nice thing was, you know, she... although she had dementia, | 0:04:40 | 0:04:44 | |
but it would come and go, | 0:04:44 | 0:04:45 | |
-cos sometimes she was quite lucid and... -Yeah. | 0:04:45 | 0:04:47 | |
The last few days she was talking, she was talking about her mum a lot. | 0:04:47 | 0:04:51 | |
-Really? -Yeah. | 0:04:51 | 0:04:53 | |
-Aw-w... -So...hopefully she joined her. | 0:04:53 | 0:04:56 | |
-That's so sweet. -Yeah. | 0:04:56 | 0:04:58 | |
'My mum's mum, my grandma, | 0:04:58 | 0:05:00 | |
'I don't even know her name | 0:05:00 | 0:05:01 | |
'because when I was born she'd already been deceased.' | 0:05:01 | 0:05:05 | |
I don't know when she died. | 0:05:05 | 0:05:06 | |
I don't know anything cos Mum wouldn't talk about it. | 0:05:06 | 0:05:08 | |
And because of Mum's... | 0:05:08 | 0:05:12 | |
fragile mental health, | 0:05:12 | 0:05:14 | |
we didn't ever want to upset her. | 0:05:14 | 0:05:16 | |
I know she was close to her mum, that's all. | 0:05:16 | 0:05:19 | |
It's a total blank space. | 0:05:19 | 0:05:20 | |
I've always wanted to know. We all have. | 0:05:20 | 0:05:23 | |
We're absolutely intrigued. | 0:05:23 | 0:05:25 | |
So, I'm on my way to Woking in Surrey, | 0:05:40 | 0:05:42 | |
where my elder sister Shirley lives, | 0:05:42 | 0:05:45 | |
and Shirley's 15 years older than me, | 0:05:45 | 0:05:48 | |
so I'm hoping she might know a little bit more | 0:05:48 | 0:05:52 | |
about Mum's mum and dad than I do. | 0:05:52 | 0:05:56 | |
-Hello. -Hello! -It's me! How are you? -Nice to see you. I'm fine. | 0:06:06 | 0:06:10 | |
You all right? | 0:06:10 | 0:06:11 | |
So, what have you've got in store to show me? | 0:06:11 | 0:06:15 | |
Oh, photographs. | 0:06:15 | 0:06:17 | |
-Cos we haven't got that many cos of... -No, we haven't. | 0:06:17 | 0:06:20 | |
..you know, Dad getting rid of them, | 0:06:20 | 0:06:22 | |
-but I think that was Mum telling him to do that, don't you? -Yes. | 0:06:22 | 0:06:24 | |
-She wasn't well. -No, I know she wasn't. -No, she wasn't. | 0:06:24 | 0:06:27 | |
My memories of Mum are, you know, she was a wonderful mum. | 0:06:27 | 0:06:29 | |
I mean, I was spoilt to death, | 0:06:29 | 0:06:30 | |
cos, like, you were like my second mum | 0:06:30 | 0:06:32 | |
cos by the time I was old enough to really know you... | 0:06:32 | 0:06:35 | |
-That's right, yeah, I was in my 20s... -..five or six, | 0:06:35 | 0:06:37 | |
you were in your 20s. So what have we got? | 0:06:37 | 0:06:39 | |
-That's Dad and that's Mum. -Mum's swimsuit. | 0:06:39 | 0:06:42 | |
-Yeah, yeah! -Looks like it was knitted. | 0:06:42 | 0:06:44 | |
Well, mine definitely was, | 0:06:44 | 0:06:46 | |
and when I went in the sea it all sort of dragged down. | 0:06:46 | 0:06:49 | |
That's hysterical! | 0:06:51 | 0:06:52 | |
How old's Mum then? She was born in 190...9? | 0:06:52 | 0:06:55 | |
-..9, yeah. -About in her late 20s. | 0:06:55 | 0:06:58 | |
-20s, yeah, yeah. -Aw-w... -Yeah. | 0:06:58 | 0:07:00 | |
This is... That's Mum pregnant with me, right? | 0:07:00 | 0:07:03 | |
-With you, yes. -So this must be the summer of 1949? -Yes. | 0:07:03 | 0:07:08 | |
-Cos I was born September 19th. -In September, '49, yeah. | 0:07:08 | 0:07:11 | |
-And there's Dad. -That's right. | 0:07:11 | 0:07:13 | |
-Where are you? You're not here? -I'm not there, no. | 0:07:13 | 0:07:16 | |
-You were out gallivanting. -Yes, definitely. | 0:07:16 | 0:07:19 | |
Aw-w. And this is Mum's sister's wedding, right. | 0:07:19 | 0:07:23 | |
-Yes. Yeah, yeah. -Who sent this to you? | 0:07:23 | 0:07:25 | |
Somebody gave it to me | 0:07:25 | 0:07:26 | |
but I can't tell you where it'd come from cos I haven't got a clue. | 0:07:26 | 0:07:29 | |
That's Mum. | 0:07:29 | 0:07:30 | |
-And that's Mum with the low hat. -Yeah, yeah. | 0:07:30 | 0:07:33 | |
-That's Grandad and that's... -Oh, is that Grandad? | 0:07:33 | 0:07:36 | |
-Yes. -Is that Mum's dad? -That's Mum's dad. -Oh, bli... | 0:07:36 | 0:07:39 | |
-But you never saw him, did you? -Well, I did. | 0:07:39 | 0:07:41 | |
-Oh, you did, I beg your pardon. -I remember him living in our house. | 0:07:41 | 0:07:44 | |
-Oh, when he was in the flat. -And I've got a vague... | 0:07:44 | 0:07:47 | |
I must have been really little, | 0:07:47 | 0:07:48 | |
three or four, vague memory of a big man, which he is... | 0:07:48 | 0:07:51 | |
-That's right. -..with a big moustache. -That's right. | 0:07:51 | 0:07:53 | |
-And that's Nanny. -That's Nanny. | 0:07:53 | 0:07:55 | |
See, I don't remember her. | 0:07:55 | 0:07:56 | |
So what...when did Nanny die, do you remember? | 0:07:56 | 0:07:59 | |
I never met her, did I? | 0:07:59 | 0:08:01 | |
No. No, I don't think so. | 0:08:01 | 0:08:03 | |
No, because I was quite young when she died. | 0:08:03 | 0:08:05 | |
And was her name Grace, I want to say, no? | 0:08:05 | 0:08:08 | |
-It was either Alice or Grace. -Oh, Alice. -Alice. | 0:08:08 | 0:08:11 | |
Yes, I'm almost certain it was Alice, yeah. | 0:08:11 | 0:08:13 | |
-Isn't it awful we don't know? -We don't know, no. | 0:08:13 | 0:08:16 | |
-We don't know anything about our mum's grandparents. -No. | 0:08:16 | 0:08:22 | |
-No. -It's amazing, isn't it? | 0:08:22 | 0:08:24 | |
I wonder if Mum ever met her grandparents. | 0:08:24 | 0:08:28 | |
We don't know that either, do we? Interesting. | 0:08:28 | 0:08:32 | |
-It's like...it's like some mad jigsaw puzzle, isn't it? -Yes! | 0:08:32 | 0:08:35 | |
What do we know, what do we not know?! | 0:08:35 | 0:08:37 | |
And this was Mum's... | 0:08:37 | 0:08:40 | |
'Having talked to my lovely sister, Shirley, | 0:08:40 | 0:08:42 | |
'I thought she might know a little bit more.' | 0:08:42 | 0:08:45 | |
And she actually knew Nanny, but she did come up with her name, | 0:08:45 | 0:08:48 | |
Alice, that she's sure she was called Alice. | 0:08:48 | 0:08:50 | |
I'm hellbent on finding out now, | 0:08:52 | 0:08:54 | |
you know, I really want to know about Alice and her life. | 0:08:54 | 0:08:57 | |
To find out more about her maternal grandmother, | 0:09:05 | 0:09:08 | |
and that side of the family, Twiggy has returned to London | 0:09:08 | 0:09:12 | |
and is on her way to see a genealogist. | 0:09:12 | 0:09:14 | |
After seeing my sister Shirley, | 0:09:16 | 0:09:18 | |
I ordered our mum's birth certificate, | 0:09:18 | 0:09:20 | |
which I've got on my lap! | 0:09:20 | 0:09:22 | |
Which I'm hoping will start to open the doors to something I don't know. | 0:09:22 | 0:09:28 | |
It's quite exciting, actually. I feel a bit weird. | 0:09:28 | 0:09:31 | |
It's kind of funny but I'm going to go ahead. | 0:09:31 | 0:09:35 | |
Oh-oh. | 0:09:35 | 0:09:36 | |
Put me glasses on! | 0:09:38 | 0:09:40 | |
Yeah, 10th... She was born 10th August, 1909, | 0:09:44 | 0:09:48 | |
we were correct in that. | 0:09:48 | 0:09:50 | |
Nellie Lydia. Yeah, I knew that. | 0:09:50 | 0:09:52 | |
Lydia's such a pretty name. | 0:09:52 | 0:09:54 | |
Oh, our grandma was... Oh, she was right, it's Alice. | 0:09:54 | 0:09:58 | |
"Formerly Meadows." | 0:09:58 | 0:10:00 | |
So her maiden name was... | 0:10:01 | 0:10:03 | |
That's weird. | 0:10:05 | 0:10:06 | |
I've never ever heard that mentioned in our family. | 0:10:06 | 0:10:09 | |
So I think my line of action now is to look up this, | 0:10:13 | 0:10:18 | |
you know, Alice Meadows' family. | 0:10:18 | 0:10:22 | |
Thanks. | 0:10:34 | 0:10:36 | |
At the Society of Genealogists, | 0:10:38 | 0:10:41 | |
Laura Berry has been looking into Twiggy's grandmother | 0:10:41 | 0:10:44 | |
and her family. | 0:10:44 | 0:10:46 | |
-Shall I go in there? -Just take a seat, yeah. -OK. | 0:10:46 | 0:10:49 | |
So, Laura, I'm here hoping that you can help me find my grandma, | 0:10:57 | 0:11:03 | |
Alice Meadows. | 0:11:03 | 0:11:05 | |
-Well, I have been able to find her on the 1891 Census. -Oh... | 0:11:05 | 0:11:09 | |
So you can see her with her parents. | 0:11:09 | 0:11:12 | |
-And we put in Alice Meadows... -Yeah. | 0:11:12 | 0:11:15 | |
Just have a look and see what comes up. | 0:11:15 | 0:11:18 | |
In fact, it's been transcribed as Meadow, | 0:11:23 | 0:11:26 | |
-which is why you would have really struggled to find it. -Oh, why? | 0:11:26 | 0:11:29 | |
Just because the person has misread it | 0:11:29 | 0:11:31 | |
-when they've compiled this index. -OK. Oh, gosh, | 0:11:31 | 0:11:34 | |
-that must happen a lot, mustn't it? -Yeah. | 0:11:34 | 0:11:35 | |
Or misspell things. | 0:11:35 | 0:11:37 | |
Oh, wow, what's this? | 0:11:37 | 0:11:39 | |
So that's the beginning of the Meadows family. | 0:11:39 | 0:11:42 | |
Alice, my grandma, who was 12. | 0:11:42 | 0:11:45 | |
That's her dad - | 0:11:45 | 0:11:46 | |
William Meadow, my great-grandad, yeah? | 0:11:46 | 0:11:51 | |
-Yeah. -Head. | 0:11:51 | 0:11:52 | |
Lived there with Elizabeth and then they had Alexander, a son. | 0:11:52 | 0:11:58 | |
-And are these all their children as well? -Yeah. | 0:11:58 | 0:12:01 | |
-Oh, my goodness! -Got all these children, here. | 0:12:01 | 0:12:03 | |
That's one, two, three, four, five, six children! | 0:12:03 | 0:12:06 | |
-You've got another there, as well, Frederick. -Oh, my goodness! -Seven. | 0:12:06 | 0:12:09 | |
Seven children lived in two rooms. | 0:12:09 | 0:12:12 | |
They lived in 1 Bridge Street, in two rooms! | 0:12:12 | 0:12:17 | |
-Which is in... -Is where? | 0:12:17 | 0:12:19 | |
-I don't know if you can read that. -In Willesden! -Willesden, yeah. | 0:12:19 | 0:12:22 | |
Oh, wow! And what did he do? | 0:12:22 | 0:12:24 | |
William was a slater. | 0:12:24 | 0:12:27 | |
And would they have earned much money? | 0:12:27 | 0:12:30 | |
It's doubtful. I mean, he's living in... | 0:12:30 | 0:12:33 | |
-In a shared house. -Yeah. | 0:12:33 | 0:12:34 | |
And it's got, well, a lot of people living in it. | 0:12:34 | 0:12:36 | |
So we're thinking they were probably not very well off, right? | 0:12:36 | 0:12:41 | |
-Yeah, I doubt it. -Elizabeth, presumably, wouldn't have worked? -No, | 0:12:41 | 0:12:44 | |
-Elizabeth would have been looking after all of these children. -Oh, my God! | 0:12:44 | 0:12:47 | |
-Hundreds of children she's got. -I know. | 0:12:47 | 0:12:49 | |
So, I think I'd better write this down actually. | 0:12:49 | 0:12:52 | |
Let's see. | 0:12:52 | 0:12:53 | |
Right. | 0:12:56 | 0:12:57 | |
So, how do I start? | 0:12:57 | 0:12:59 | |
So Meadows...family. | 0:12:59 | 0:13:03 | |
OK, so that's it - William Meadows, Elizabeth Meadows, | 0:13:03 | 0:13:06 | |
my great-grandparents, right? | 0:13:06 | 0:13:08 | |
So we've got William... | 0:13:10 | 0:13:13 | |
Twiggy's discovered that in 1891, | 0:13:13 | 0:13:16 | |
her grandmother Alice | 0:13:16 | 0:13:18 | |
was part of a large family, | 0:13:18 | 0:13:20 | |
living with her parents, | 0:13:20 | 0:13:21 | |
William and Elizabeth, | 0:13:21 | 0:13:23 | |
and six siblings. | 0:13:23 | 0:13:26 | |
Frederick... | 0:13:26 | 0:13:29 | |
..seven months. | 0:13:30 | 0:13:33 | |
Wow, it's amazing. | 0:13:35 | 0:13:37 | |
Cos these... | 0:13:37 | 0:13:39 | |
were my mum's aunts and uncles | 0:13:39 | 0:13:44 | |
and my great-aunts and uncles, | 0:13:44 | 0:13:45 | |
-and I know nothing about any of them. -No. | 0:13:45 | 0:13:48 | |
-My mum never ever... I mean, that's weird. -Never mentioned them? | 0:13:48 | 0:13:50 | |
-Maybe they fell out. -Well... -Families do! | 0:13:50 | 0:13:54 | |
-They do. And it is a bit odd because... -Why? | 0:13:54 | 0:13:58 | |
-..the next logical thing to do... -Yeah. | 0:13:58 | 0:14:00 | |
..would be to search for this family on the next census return, | 0:14:00 | 0:14:03 | |
-moving forwards, so... -Moving forwards? Oh, OK. -..to find out what happen to them. | 0:14:03 | 0:14:06 | |
-So if we try looking for them on 1901... -OK. | 0:14:06 | 0:14:09 | |
..which I did try before you arrived, | 0:14:11 | 0:14:13 | |
-and I've had real trouble, to be honest. -Oh! | 0:14:13 | 0:14:16 | |
So I'm not 100% sure what's happened. | 0:14:16 | 0:14:19 | |
-So they weren't at that house in 1901... -No, they weren't there. | 0:14:19 | 0:14:22 | |
-..in Bridge Street? They'd gone. -No, the family wasn't together. | 0:14:22 | 0:14:25 | |
William and Elizabeth, my great-grandparents, right, | 0:14:25 | 0:14:29 | |
where are they in 1901? | 0:14:29 | 0:14:31 | |
Well, this is the interesting thing, | 0:14:31 | 0:14:33 | |
I haven't actually been able to find them together in 1901. | 0:14:33 | 0:14:36 | |
-What does that mean? -Well, I'm not sure. -Ooh...! | 0:14:36 | 0:14:39 | |
I think something has gone amiss. | 0:14:39 | 0:14:41 | |
Catastrophic? | 0:14:41 | 0:14:43 | |
-Well, it might be something you have to look into. -Oh, OK. | 0:14:43 | 0:14:48 | |
Unable to find the Meadows family living all together in 1901, | 0:14:48 | 0:14:52 | |
Laura looked for the younger children, | 0:14:52 | 0:14:54 | |
most likely still to be living with their parents. | 0:14:54 | 0:14:58 | |
She couldn't find the youngest, Frederick... | 0:14:58 | 0:15:01 | |
I'm looking for the next youngest. | 0:15:01 | 0:15:03 | |
OK, which was... | 0:15:03 | 0:15:05 | |
..so she searched for Henry, | 0:15:05 | 0:15:07 | |
and finally found him by using the other common form of his name. | 0:15:07 | 0:15:12 | |
-Henry is sometimes Harry. -Harry, oh, yeah. | 0:15:12 | 0:15:14 | |
So maybe he was under Harry. | 0:15:14 | 0:15:16 | |
-Harry Meadows, is that him? -Yep, that's him. | 0:15:16 | 0:15:18 | |
-What does that say? -Inmate. | 0:15:18 | 0:15:20 | |
Inmate! | 0:15:20 | 0:15:22 | |
So, do you think he was in jail? | 0:15:22 | 0:15:24 | |
It says up here... | 0:15:24 | 0:15:26 | |
Aw-w...homeless little boy. | 0:15:26 | 0:15:28 | |
Oh, my God! What happened? | 0:15:28 | 0:15:30 | |
-So he's in the district home for homeless little boys. -Aw-w. | 0:15:30 | 0:15:34 | |
-In Kent! -In Kent. -Not even in London. | 0:15:34 | 0:15:38 | |
Horton Kirby in Kent - never heard of it. | 0:15:38 | 0:15:40 | |
'It's amazing how emotionally it hits you, actually, | 0:15:42 | 0:15:44 | |
'because my nan came from actually quite a big family | 0:15:44 | 0:15:48 | |
'that we never knew about. | 0:15:48 | 0:15:50 | |
'But by 1901, we can't find the family as a unit.' | 0:15:50 | 0:15:54 | |
So all I can think is something awful has happened | 0:15:54 | 0:15:57 | |
because the only one we can find is little Henry, who is now Harry, | 0:15:57 | 0:16:02 | |
and he's about 13 or 14 | 0:16:02 | 0:16:04 | |
and he's in a school for homeless boys, | 0:16:04 | 0:16:07 | |
which means the family must have disintegrated | 0:16:07 | 0:16:11 | |
or they died or... | 0:16:11 | 0:16:13 | |
and where are the other six kids, | 0:16:13 | 0:16:16 | |
all my great-aunts and uncles?! | 0:16:16 | 0:16:18 | |
So what did happen to the Meadows family during the 1890s? | 0:16:19 | 0:16:24 | |
Twiggy's following her only lead. | 0:16:24 | 0:16:26 | |
Right, I'm now on the trail of my great-uncle Harry. | 0:16:29 | 0:16:34 | |
He turned up in Kent in a home for homeless boys, | 0:16:34 | 0:16:37 | |
which is rather distressing. | 0:16:37 | 0:16:40 | |
So I don't know if the building still exists, or the records. | 0:16:41 | 0:16:45 | |
I don't know but I'm hoping to find out. | 0:16:45 | 0:16:48 | |
Twiggy's enlisted the help of historian Dr Kate Bradley. | 0:16:57 | 0:17:01 | |
They're meeting on the site of the boys' home, | 0:17:01 | 0:17:04 | |
now a retirement community, | 0:17:04 | 0:17:06 | |
although some of the original buildings remain. | 0:17:06 | 0:17:10 | |
-So this would have been the chapel that the... -Yeah. | 0:17:10 | 0:17:12 | |
-..homeless boys would have used? -Absolutely. | 0:17:12 | 0:17:16 | |
So my great-uncle Harry would have sat here? | 0:17:16 | 0:17:19 | |
-Aw-w. -Yeah. | 0:17:19 | 0:17:21 | |
Why would a boy like Harry, born and raised in London, | 0:17:23 | 0:17:27 | |
be sent all the way out here into Kent? | 0:17:27 | 0:17:30 | |
Well, if we look at the founding minutes of the home, | 0:17:30 | 0:17:34 | |
we can get an insight into the circumstances | 0:17:34 | 0:17:37 | |
in which he would have come here. | 0:17:37 | 0:17:38 | |
So, here we are. | 0:17:38 | 0:17:40 | |
"The object of this institution | 0:17:42 | 0:17:45 | |
"is to feed, clothe and educate and train to industrial work | 0:17:45 | 0:17:49 | |
"homeless and destitute little boys | 0:17:49 | 0:17:51 | |
"and those in danger of falling into crime." | 0:17:51 | 0:17:54 | |
To have been brought here, | 0:17:57 | 0:17:58 | |
Twiggy's great-uncle Harry must have found himself | 0:17:58 | 0:18:01 | |
in a desperate situation. | 0:18:01 | 0:18:04 | |
With an estimated third of London's population living in poverty, | 0:18:04 | 0:18:08 | |
its charities were over-subscribed, | 0:18:08 | 0:18:10 | |
so some homeless children were sent to the countryside. | 0:18:10 | 0:18:14 | |
At the home in Kent, Harry Meadows joined around 300 other boys. | 0:18:14 | 0:18:19 | |
"All such children to be under ten years of age | 0:18:20 | 0:18:24 | |
"at the time of admission." | 0:18:24 | 0:18:25 | |
Oh, my goodness, cos in 1901, | 0:18:25 | 0:18:28 | |
my great-uncle Harry was 13, it said, | 0:18:28 | 0:18:31 | |
-so he would have come here before he was ten? -Yeah. | 0:18:31 | 0:18:35 | |
Oh, gosh! That's awful. | 0:18:35 | 0:18:38 | |
So does this mean that Harry was abandoned or orphaned? | 0:18:38 | 0:18:43 | |
Or maybe he ran away? Maybe it was so horrible. | 0:18:43 | 0:18:46 | |
And, you know, what happened to all his brothers and sisters | 0:18:46 | 0:18:50 | |
-and his mum and dad? -It's hard to say. | 0:18:50 | 0:18:52 | |
I mean, what we can infer from the fact that he's here | 0:18:52 | 0:18:55 | |
is that there wouldn't have been anyone | 0:18:55 | 0:18:57 | |
in a position to take care of him, | 0:18:57 | 0:18:59 | |
that could have been his parents or older brothers or sisters, | 0:18:59 | 0:19:02 | |
but there's another document that I have for you | 0:19:02 | 0:19:05 | |
that might give you some insight | 0:19:05 | 0:19:06 | |
-into what's happening with his older brothers and sisters. -Oh! | 0:19:06 | 0:19:09 | |
Oh. "The Middlesex Courier." | 0:19:12 | 0:19:14 | |
-That's obviously a newspaper. -Yeah. | 0:19:14 | 0:19:17 | |
"Second Court." | 0:19:17 | 0:19:18 | |
Oh. "Kilburn Schoolboys in Trouble - | 0:19:18 | 0:19:21 | |
"Harry Wotten, 51 Lowfield Road, Kilburn, | 0:19:21 | 0:19:25 | |
"and Samuel Meadows..." | 0:19:25 | 0:19:27 | |
That's one of... | 0:19:27 | 0:19:28 | |
That's Harry's brother, elder brother. | 0:19:28 | 0:19:32 | |
"The schoolboys were charged with begging in Roxborough Park | 0:19:32 | 0:19:35 | |
"on Tuesday afternoon." | 0:19:35 | 0:19:37 | |
I mean, they were obviously hungry. | 0:19:37 | 0:19:40 | |
Now, I didn't know begging, at that time, | 0:19:40 | 0:19:42 | |
was considered a crime to go to court. | 0:19:42 | 0:19:44 | |
In Victorian Britain, | 0:19:49 | 0:19:51 | |
begging was a crime punishable by prison. | 0:19:51 | 0:19:54 | |
Harry's brother, Samuel Meadows, | 0:19:56 | 0:19:58 | |
was expected to work, not beg, to get by. | 0:19:58 | 0:20:01 | |
"The boy Meadows said they were out of work | 0:20:02 | 0:20:05 | |
"and they rambled as far as Pinner." | 0:20:05 | 0:20:07 | |
Wow, that was a long way. | 0:20:07 | 0:20:08 | |
"They came back through Harrow | 0:20:10 | 0:20:11 | |
"and feeling hungry and having no money..." Aw-w! | 0:20:11 | 0:20:14 | |
"..they went to a house and had a cup of water and a piece of bread. | 0:20:14 | 0:20:18 | |
"The case was dismissed." | 0:20:18 | 0:20:20 | |
Aw-w, that's really sad. | 0:20:20 | 0:20:23 | |
My great-uncle Samuel had a nice judge who dismissed it. | 0:20:23 | 0:20:28 | |
-Maybe he felt a bit sorry for them. -Yeah. | 0:20:28 | 0:20:30 | |
In this case, it was quite possibly taking them to court | 0:20:30 | 0:20:33 | |
as a means of trying to stop them from doing it in future. | 0:20:33 | 0:20:36 | |
The family had obviously got into some sort of trouble | 0:20:38 | 0:20:41 | |
-if Harry was here... -Yeah. -..in the home for the homeless | 0:20:41 | 0:20:45 | |
and his elder brother Samuel was begging. | 0:20:45 | 0:20:49 | |
A few years before, they were all living together. | 0:20:57 | 0:20:59 | |
Yeah, they were poor, but they were all together | 0:20:59 | 0:21:02 | |
with the mum and dad and brothers and sisters. | 0:21:02 | 0:21:04 | |
And now we can't find them. | 0:21:04 | 0:21:05 | |
We don't know what happened to my great-grandparents. | 0:21:05 | 0:21:08 | |
And why were these little boys, you know, in this situation? | 0:21:08 | 0:21:13 | |
I've got to go back to London and try and find out | 0:21:13 | 0:21:15 | |
cos it's going to drive me mad otherwise. | 0:21:15 | 0:21:18 | |
To find out why the Meadows family broke up | 0:21:28 | 0:21:31 | |
and what caused Harry to end up in a boys' home and Samuel to beg, | 0:21:31 | 0:21:36 | |
Twiggy's meeting a historian in Hampstead. | 0:21:36 | 0:21:38 | |
Douglas Brown has been searching for the family | 0:21:41 | 0:21:44 | |
in records of the poor of North London. | 0:21:44 | 0:21:47 | |
-How do you do? -Hello. | 0:21:47 | 0:21:49 | |
Little Harry ended up in a home for homeless boys | 0:21:49 | 0:21:54 | |
and Samuel had been arrested for begging. | 0:21:54 | 0:21:57 | |
I'm trying to find the rest of the family, | 0:21:57 | 0:22:01 | |
including my grandma, Alice. | 0:22:01 | 0:22:03 | |
OK. Well, the first thing to look at is this. | 0:22:03 | 0:22:06 | |
OK. | 0:22:06 | 0:22:07 | |
What is this? | 0:22:11 | 0:22:12 | |
This is the Religious Creed Register. | 0:22:12 | 0:22:15 | |
-Oh, the year of the book is 1892. -Mm-hm. | 0:22:15 | 0:22:18 | |
Oh, Master of the Workhouse. Oh, gosh. | 0:22:18 | 0:22:22 | |
So what am I looking for? | 0:22:22 | 0:22:24 | |
-I'm looking for Meadows, correct? -Mm-hm. | 0:22:24 | 0:22:26 | |
Maff, Marrison, M... | 0:22:26 | 0:22:28 | |
-Meadows. -Mm-hm. | 0:22:28 | 0:22:31 | |
Oh, actually, can I look in my book? Cos I've got their names, look. | 0:22:31 | 0:22:36 | |
Grace. That's her. | 0:22:36 | 0:22:40 | |
Oh, they're all here! | 0:22:40 | 0:22:42 | |
So they're in the workhouse. Aw-w. | 0:22:42 | 0:22:46 | |
Where? | 0:22:46 | 0:22:47 | |
So Parish of St John, Hampstead. | 0:22:47 | 0:22:49 | |
So there was a workhouse in Hampstead? | 0:22:49 | 0:22:52 | |
Yes, that's right. | 0:22:52 | 0:22:53 | |
In fact, I can... | 0:22:53 | 0:22:55 | |
-I can show you. That's what it looked like, then. -Wow! | 0:22:55 | 0:22:58 | |
-If we have a look... -It's actually quite beautiful. | 0:22:58 | 0:23:01 | |
Oh, my goodness, it's still here! | 0:23:01 | 0:23:03 | |
-Yeah. -Oh, how fantastic. | 0:23:03 | 0:23:06 | |
Thank God they didn't pull it down, | 0:23:07 | 0:23:09 | |
-although I'm sure it wasn't as lovely inside... -No. | 0:23:09 | 0:23:11 | |
-..being a workhouse. -These are luxury flats, now. -Are they? -Yeah. | 0:23:11 | 0:23:14 | |
-How times change. -Yes, quite. | 0:23:14 | 0:23:16 | |
Long before the existence of the welfare state, | 0:23:16 | 0:23:19 | |
the parish workhouse was the last resort for the Victorian poor. | 0:23:19 | 0:23:24 | |
To keep numbers down, | 0:23:24 | 0:23:26 | |
conditions were deliberately made worse | 0:23:26 | 0:23:28 | |
than the lowest standards endured by labourers outside, | 0:23:28 | 0:23:32 | |
as the more people who entered, the more it cost the parish. | 0:23:32 | 0:23:36 | |
Inmates had to sell all their possessions | 0:23:36 | 0:23:39 | |
and were issued with uniforms that marked them out as paupers. | 0:23:39 | 0:23:43 | |
Lucy was born in... | 0:23:43 | 0:23:46 | |
That's right, she's '80...'85. | 0:23:46 | 0:23:49 | |
So the older ones didn't go to the workhouse? | 0:23:49 | 0:23:52 | |
Samuel... Oh, he would have been 13. | 0:23:52 | 0:23:55 | |
And then Alice, who is my nanny, who I never met, | 0:23:55 | 0:23:59 | |
she was also 12-ish, | 0:23:59 | 0:24:01 | |
so she didn't go to the workhouse. | 0:24:01 | 0:24:04 | |
-So we've just got the four youngest. -The younger ones. -Yeah. | 0:24:04 | 0:24:08 | |
-So Frederick's there... -Yeah. So he's a toddler at this point. | 0:24:08 | 0:24:11 | |
Yeah. Harry's there. | 0:24:11 | 0:24:13 | |
These are the little ones. | 0:24:13 | 0:24:14 | |
Lucy's there. | 0:24:14 | 0:24:16 | |
And Grace. | 0:24:16 | 0:24:18 | |
"Name of..." | 0:24:18 | 0:24:19 | |
What does that say? "In..." | 0:24:20 | 0:24:22 | |
-"Informant." -"Informant." So Grace... | 0:24:22 | 0:24:25 | |
-Grace Elizabeth... -..admitted herself. -Yeah. | 0:24:25 | 0:24:27 | |
Or at least was the spokesperson for ones who were there. | 0:24:27 | 0:24:31 | |
Ah, OK. | 0:24:31 | 0:24:33 | |
So Grace, who's the eldest of these four, admitted them all? | 0:24:33 | 0:24:39 | |
She would have been 11. | 0:24:39 | 0:24:41 | |
Oh, that's really... | 0:24:41 | 0:24:43 | |
-What a thing to have to take on yourself at that age. -Yeah. | 0:24:43 | 0:24:46 | |
In 1892, | 0:24:46 | 0:24:48 | |
only a year after they'd all been | 0:24:48 | 0:24:50 | |
living together in Willesden, | 0:24:50 | 0:24:51 | |
Twiggy has discovered | 0:24:51 | 0:24:53 | |
that the Meadows family split apart. | 0:24:53 | 0:24:55 | |
Her grandmother Alice | 0:24:57 | 0:24:58 | |
and the other older siblings | 0:24:58 | 0:24:59 | |
had to find work to survive, | 0:24:59 | 0:25:02 | |
while their younger | 0:25:02 | 0:25:03 | |
brothers and sisters - | 0:25:03 | 0:25:04 | |
Grace, Lucy, Henry, also known as Harry, | 0:25:04 | 0:25:09 | |
then just five, and Frederick, | 0:25:09 | 0:25:12 | |
went without them into the Hampstead workhouse. | 0:25:12 | 0:25:16 | |
But it doesn't say where their parents are. | 0:25:16 | 0:25:19 | |
Where do you think Mum was, does it say? | 0:25:19 | 0:25:21 | |
-So, have a look at this one. This is another register. -OK. | 0:25:21 | 0:25:26 | |
"Name and address of parents or nearest relative... | 0:25:26 | 0:25:29 | |
"1891, '93...'93, '94. | 0:25:29 | 0:25:35 | |
"Mother, Elizabeth Meadows, of Loveridge Road..." | 0:25:35 | 0:25:41 | |
And that's their home address, presumably. | 0:25:41 | 0:25:43 | |
So from these documents, | 0:25:43 | 0:25:46 | |
it appears that my great-grandmother's still alive | 0:25:46 | 0:25:50 | |
but obviously not in the workhouse. | 0:25:50 | 0:25:52 | |
Look at what else is happening to the other members of the family. | 0:25:52 | 0:25:55 | |
Now, a little baby... Oh, God, I can't bear this. | 0:25:55 | 0:25:58 | |
"Baby Frederick, 18th July, '94, | 0:25:58 | 0:26:02 | |
"to the North Western Fever Hospital." | 0:26:02 | 0:26:06 | |
So he came down with a fever? | 0:26:08 | 0:26:10 | |
Yeah. And then there's one more family member here. | 0:26:10 | 0:26:13 | |
Oh, yeah, that... Oh, Elizabeth, she's in. | 0:26:14 | 0:26:17 | |
Elizabeth admitted herself. | 0:26:17 | 0:26:18 | |
She's managed to stay out of the workhouse until this point. | 0:26:18 | 0:26:21 | |
Aw-w. So, "Date of entry: 11th of October, '94." | 0:26:21 | 0:26:27 | |
Presumably she must have known... | 0:26:28 | 0:26:30 | |
Well, she would have known by then how sick Frederick was. | 0:26:30 | 0:26:32 | |
Yeah, it's possible that... | 0:26:32 | 0:26:34 | |
And do you think that's why she admitted herself, to be with him? | 0:26:34 | 0:26:36 | |
Yeah, it's very possible. | 0:26:36 | 0:26:38 | |
-That he was getting sick, she needed to look after him. -Yeah. | 0:26:38 | 0:26:42 | |
-You know, he was a toddler. -OK. | 0:26:42 | 0:26:43 | |
-I mean, he was two or three. -Yeah, he was a baby. | 0:26:43 | 0:26:45 | |
SHE GASPS Aw-w, he died. | 0:26:45 | 0:26:48 | |
Oh. | 0:26:48 | 0:26:50 | |
I thought... | 0:26:50 | 0:26:52 | |
-I thought that might have happened. He was so young. -Yeah. | 0:26:52 | 0:26:55 | |
Oh, God, how horrible. | 0:26:55 | 0:26:59 | |
Yeah. It would have been really tough and they wouldn't have... | 0:26:59 | 0:27:03 | |
She wouldn't have... | 0:27:03 | 0:27:06 | |
She wouldn't have put them in unless there was a crisis like this. | 0:27:06 | 0:27:09 | |
Well, it must have been terrible for Elizabeth. | 0:27:09 | 0:27:12 | |
You know, as a mother, I can't even imagine | 0:27:12 | 0:27:16 | |
what it must have been like. | 0:27:16 | 0:27:18 | |
Yeah. | 0:27:18 | 0:27:19 | |
Let's have a look at the next one. | 0:27:19 | 0:27:22 | |
-Four years later? -Yeah. | 0:27:22 | 0:27:24 | |
Where are we? Let's find... Oh, here we are. | 0:27:24 | 0:27:27 | |
"Elizabeth Meadows. | 0:27:27 | 0:27:30 | |
"Date of entry: 18th of February, 1898." | 0:27:30 | 0:27:36 | |
-Oh, she died... -Yeah. | 0:27:38 | 0:27:42 | |
..6th June, 1898. Aw-w. | 0:27:43 | 0:27:48 | |
So she died in the workhouse? | 0:27:48 | 0:27:50 | |
-Yeah. -Aw-w. | 0:27:50 | 0:27:52 | |
So we know poor Elizabeth died in the workhouse, | 0:27:54 | 0:27:59 | |
but where's William, my great-grandfather? | 0:27:59 | 0:28:01 | |
Well, keep reading over. | 0:28:01 | 0:28:03 | |
"Nearest known relative: Husband," yeah, "William." | 0:28:07 | 0:28:11 | |
So William's still around. | 0:28:11 | 0:28:14 | |
"Remarks...deserted"! | 0:28:14 | 0:28:17 | |
He left them. | 0:28:17 | 0:28:19 | |
-Is that what it means, he deserted the family? -Yeah. | 0:28:19 | 0:28:22 | |
Why do you think...? Well, maybe he was... | 0:28:22 | 0:28:24 | |
Maybe I shouldn't judge, maybe he was desperate, | 0:28:24 | 0:28:27 | |
but you don't leave seven children, sorry. | 0:28:27 | 0:28:30 | |
Well, let's go back six years to this document. | 0:28:30 | 0:28:34 | |
This is the minutes of the Board of Guardians, | 0:28:34 | 0:28:37 | |
who were the officials who ran the system, | 0:28:37 | 0:28:40 | |
-and so it's 1892. -Mm-hm. | 0:28:40 | 0:28:43 | |
And have a look at these three lines here. | 0:28:43 | 0:28:46 | |
-"Resolved that a reward of 40 shillings..." Right? -Yeah. | 0:28:46 | 0:28:52 | |
"..be offered for the apprehension of William Meadows | 0:28:52 | 0:28:57 | |
"for deserting his four children, now in the workhouse." | 0:28:57 | 0:29:00 | |
He deserted the family, so it's his fault, so they wanted him. | 0:29:00 | 0:29:04 | |
-So they want him back, yeah. -Wow! | 0:29:04 | 0:29:05 | |
-So they're offering this reward. -Quite right. | 0:29:05 | 0:29:08 | |
I'm after you, William! | 0:29:08 | 0:29:09 | |
'I didn't know my grandmother Alice, my mum's mum, | 0:29:14 | 0:29:18 | |
'so then I learnt about her mum and dad, | 0:29:18 | 0:29:21 | |
'William and Elizabeth. | 0:29:21 | 0:29:23 | |
'I think their part of the story is probably the saddest | 0:29:23 | 0:29:27 | |
'because they were obviously desperately poor.' | 0:29:27 | 0:29:30 | |
'My great-grandmother Elizabeth became very, very ill | 0:29:33 | 0:29:36 | |
'and finally died in the workhouse | 0:29:36 | 0:29:38 | |
'which...you know, the shame on the family, | 0:29:38 | 0:29:40 | |
'and maybe that's why we've never heard about them, | 0:29:40 | 0:29:43 | |
'maybe that shame stopped the next generation talking about it.' | 0:29:43 | 0:29:47 | |
'And then her husband also deserted her, | 0:29:50 | 0:29:52 | |
'which, you know, | 0:29:52 | 0:29:54 | |
'obviously he was going through a terrible time, | 0:29:54 | 0:29:56 | |
'couldn't feed his children, | 0:29:56 | 0:29:58 | |
'but I don't think you desert your wife and kids, | 0:29:58 | 0:30:00 | |
'so I don't feel too kindly towards him.' | 0:30:00 | 0:30:03 | |
'I feel a little bit against him at the moment.' | 0:30:08 | 0:30:12 | |
By leaving his wife and children, | 0:30:15 | 0:30:18 | |
William Meadows had broken the law. | 0:30:18 | 0:30:21 | |
Deemed capable of working, | 0:30:21 | 0:30:23 | |
the parish held him responsible | 0:30:23 | 0:30:25 | |
for the expense it was put to, feeding and housing his children. | 0:30:25 | 0:30:29 | |
To find out what happened to him, | 0:30:29 | 0:30:32 | |
Twiggy's come to Hampstead's Burgh House Museum | 0:30:32 | 0:30:34 | |
to meet historian Professor Joanne Bailey. | 0:30:34 | 0:30:37 | |
Hello! | 0:30:37 | 0:30:39 | |
Joanne's found relevant court records starting in 1893. | 0:30:39 | 0:30:43 | |
-'William Meadows, there he is. -Yes.' | 0:30:43 | 0:30:45 | |
"Minute of Adjudication." | 0:30:45 | 0:30:47 | |
That means sentence. | 0:30:47 | 0:30:49 | |
"Committed as an idle and disorderly person | 0:30:49 | 0:30:51 | |
"for one calendar month with WHL." | 0:30:51 | 0:30:54 | |
What's that? | 0:30:54 | 0:30:55 | |
That's "with hard labour." | 0:30:55 | 0:30:57 | |
What does that mean, like, digging roads, railways? | 0:30:59 | 0:31:02 | |
It is. | 0:31:02 | 0:31:03 | |
It's a punishment that involves hard work, | 0:31:03 | 0:31:05 | |
and something like digging roads, quarrying, | 0:31:05 | 0:31:09 | |
-at least had an end result to it. -Yeah. | 0:31:09 | 0:31:11 | |
But increasingly there was a form of hard labour which was unproductive. | 0:31:11 | 0:31:16 | |
This is a picture from Pentonville Prison. | 0:31:16 | 0:31:19 | |
Yeah. What are they doing? | 0:31:19 | 0:31:21 | |
This is the treadwheel that was used for hard labour. | 0:31:21 | 0:31:23 | |
-What was it turning? -Well, that's the thing. | 0:31:23 | 0:31:25 | |
The treadmill didn't generally have any productive point to it at all. | 0:31:25 | 0:31:30 | |
To discourage him from reoffending, | 0:31:30 | 0:31:33 | |
William Meadows could have been forced on and off the treadmill | 0:31:33 | 0:31:37 | |
for up to ten hours a day, | 0:31:37 | 0:31:39 | |
for no purpose other than to exhaust him. | 0:31:39 | 0:31:43 | |
Other futile tasks included turning the crank | 0:31:43 | 0:31:46 | |
which became increasingly difficult to turn | 0:31:46 | 0:31:49 | |
as wardens tightened it. | 0:31:49 | 0:31:51 | |
It's said this earned them their nickname - screws. | 0:31:51 | 0:31:55 | |
Do we know whether it did the trick? | 0:31:56 | 0:31:59 | |
-Did he ever come back?! -Well, I'll show you... | 0:31:59 | 0:32:01 | |
I'll show you the next record that we have. | 0:32:01 | 0:32:04 | |
-This one is '98, so that's... -That's right. -..five years later. | 0:32:04 | 0:32:07 | |
Yes. | 0:32:07 | 0:32:08 | |
-"William Meadows," the same guy checked him in. -Yes. | 0:32:08 | 0:32:12 | |
"Not you again!" OK. | 0:32:12 | 0:32:15 | |
"Nature of offence: Refusing to maintain his wife, | 0:32:15 | 0:32:19 | |
-"chargeable to the parish." -Yes. | 0:32:19 | 0:32:21 | |
So my great-grand... | 0:32:21 | 0:32:23 | |
Yeah, I think my memory is that she died in '98 at some point, | 0:32:23 | 0:32:28 | |
-so she's still alive but very, very ill. -Yes. | 0:32:28 | 0:32:32 | |
And presumably what the parish is trying to do | 0:32:32 | 0:32:35 | |
is to get payment for her time in the workhouse | 0:32:35 | 0:32:38 | |
and presumably for the costs incurred with her illness. | 0:32:38 | 0:32:42 | |
"Committed for three calendar months | 0:32:42 | 0:32:46 | |
"with hard labour as a rogue and vagabond." | 0:32:46 | 0:32:50 | |
What does that mean? | 0:32:50 | 0:32:51 | |
It means he's moved up | 0:32:51 | 0:32:52 | |
-the next stage of... -Badness! -..the category of vagrant. Yes! | 0:32:52 | 0:32:56 | |
So you start as an idle and disorderly person, | 0:32:56 | 0:32:59 | |
then if you offend again, you become a rogue and a vagabond, | 0:32:59 | 0:33:03 | |
and, of course, what that means | 0:33:03 | 0:33:06 | |
-is you get a harsher penalty. -Sentence. | 0:33:06 | 0:33:09 | |
-So in this case it's three months. -Mm. | 0:33:09 | 0:33:12 | |
So why do you think my great-grandfather William | 0:33:12 | 0:33:16 | |
kept reoffending? | 0:33:16 | 0:33:18 | |
It really might be about desperation, | 0:33:18 | 0:33:20 | |
it might be about lack of work. | 0:33:20 | 0:33:22 | |
William Meadows was listed on the 1891 Census as a slater - | 0:33:23 | 0:33:28 | |
heavy work, lifting and laying roof tiles. | 0:33:28 | 0:33:32 | |
It was poorly paid and seasonal. | 0:33:32 | 0:33:35 | |
It's likely the family could barely make ends meet | 0:33:35 | 0:33:38 | |
when William was in employment, | 0:33:38 | 0:33:40 | |
let alone when he was short of work. | 0:33:40 | 0:33:43 | |
-It must have become overwhelming, mustn't it? -That's right. | 0:33:43 | 0:33:46 | |
Cos they had seven children and four of them were really young. | 0:33:46 | 0:33:50 | |
If he can't work, he can't make a living. | 0:33:50 | 0:33:53 | |
There is, you know... | 0:33:53 | 0:33:54 | |
As I said, it becomes a complete vicious circle, doesn't it? | 0:33:54 | 0:33:58 | |
-Yes, that's it. -Unbelievable. | 0:33:58 | 0:34:00 | |
Was that the pattern of his life, do you think? | 0:34:00 | 0:34:02 | |
Do you think it just...? Do we know whether it continued? | 0:34:02 | 0:34:05 | |
-Well, the next record that I have to show you... -Oh, gosh! | 0:34:05 | 0:34:09 | |
What's this? | 0:34:09 | 0:34:10 | |
-So, here we know... -Oh, dear! | 0:34:10 | 0:34:13 | |
-"Copy Entry Of Death." It's a death certificate. -Yes. And... | 0:34:13 | 0:34:17 | |
"1905. William Meadows." | 0:34:17 | 0:34:19 | |
Oh, he was 58. Wow. | 0:34:19 | 0:34:22 | |
"Slater from Marylebone Workhouse." | 0:34:23 | 0:34:26 | |
Oh, so he ended up in the workhouse. | 0:34:26 | 0:34:28 | |
Oh, not surprisingly. Aw-w. | 0:34:28 | 0:34:32 | |
"Cause of death: | 0:34:32 | 0:34:34 | |
"Strangulated hernia | 0:34:34 | 0:34:37 | |
"and suppurative peritonitis." | 0:34:37 | 0:34:42 | |
The interesting thing is when you think about a hernia, | 0:34:42 | 0:34:45 | |
a hernia is caused by, you know, carrying heavy weights... | 0:34:45 | 0:34:49 | |
-Heavy weights. -..and it does make you wonder | 0:34:49 | 0:34:51 | |
how long this was a problem for him. | 0:34:51 | 0:34:54 | |
This is, you know, something which would have limited his ability | 0:34:54 | 0:34:57 | |
-to work as a slater... -Of course. -..or a labourer before that. | 0:34:57 | 0:34:59 | |
-And surely the heavy work probably caused it, right? -Yes. | 0:34:59 | 0:35:03 | |
So, it's interesting to me | 0:35:03 | 0:35:05 | |
because although I didn't actually meet my grandmother, | 0:35:05 | 0:35:10 | |
Alice, | 0:35:10 | 0:35:12 | |
this is, you know, her family. | 0:35:12 | 0:35:15 | |
-It's not that long ago, really, is it? -It isn't, so... | 0:35:15 | 0:35:18 | |
So do we know about his family? | 0:35:18 | 0:35:20 | |
-Well, I've got one more record to show you. -Wow! | 0:35:20 | 0:35:23 | |
A page from the Old Bailey Calendar of Prisoners. | 0:35:25 | 0:35:29 | |
-Oh, gosh! We're there again, are we?! -We are! -Oh, dear! | 0:35:29 | 0:35:34 | |
And again we have the names of the offenders in this column. | 0:35:34 | 0:35:38 | |
Oh, God! "Meadows...Grace." | 0:35:38 | 0:35:40 | |
-Grace Meadows! -Yes. -Mother? -Yes. -Sister? | 0:35:40 | 0:35:43 | |
-Mother? -Mother. | 0:35:43 | 0:35:45 | |
-And she's an offender? -Yeah. | 0:35:45 | 0:35:46 | |
Oh, God! Poor chap. | 0:35:46 | 0:35:48 | |
So that's my great-great-grandmother. | 0:35:48 | 0:35:52 | |
Oh, goodness, what has she done? | 0:35:52 | 0:35:54 | |
And this is 1862. | 0:35:54 | 0:35:56 | |
-So this is what she was charged with. -That's right. | 0:35:56 | 0:35:59 | |
"Unlawfully uttering counterfeit coin | 0:35:59 | 0:36:02 | |
"well knowing the same to be counterfeit." | 0:36:02 | 0:36:06 | |
And the sentence of the order of court... | 0:36:06 | 0:36:10 | |
"Six months house of correction, Westminster." | 0:36:10 | 0:36:14 | |
So is that...? She got sent to jail? | 0:36:14 | 0:36:17 | |
So where do I go now? | 0:36:17 | 0:36:19 | |
The criminal records | 0:36:20 | 0:36:22 | |
of her Meadows ancestors | 0:36:22 | 0:36:23 | |
have brought Twiggy a generation | 0:36:23 | 0:36:25 | |
further up her maternal line | 0:36:25 | 0:36:27 | |
to her great-great-grandmother, | 0:36:27 | 0:36:29 | |
Grace Meadows, | 0:36:29 | 0:36:31 | |
who, like her son, was imprisoned. | 0:36:31 | 0:36:34 | |
Her crime involved | 0:36:34 | 0:36:36 | |
counterfeit coins. | 0:36:36 | 0:36:37 | |
At the British Museum, | 0:36:46 | 0:36:47 | |
which holds a large collection of historical coins, | 0:36:47 | 0:36:50 | |
Twiggy's meeting Professor Barry Godfrey. | 0:36:50 | 0:36:53 | |
He specialises in the history of crime. | 0:36:53 | 0:36:56 | |
-Hello. -Morning, nice to meet you. | 0:36:56 | 0:36:58 | |
-Nice to meet you. -It's a beautiful day. -Gorgeous. | 0:36:58 | 0:37:00 | |
-If you come through to the... -Thank you. | 0:37:00 | 0:37:03 | |
So I've just found out that my great-great-grandmother, | 0:37:05 | 0:37:09 | |
Grace Meadows, | 0:37:09 | 0:37:11 | |
-was arrested for unlawfully "uttering" counterfeit coins. -OK. | 0:37:11 | 0:37:18 | |
What does that mean, "uttering"? | 0:37:18 | 0:37:20 | |
OK, it's a good question. | 0:37:20 | 0:37:22 | |
You've got counterfeiting and uttering. | 0:37:22 | 0:37:24 | |
-Counterfeiting is making fake coins. -OK. | 0:37:24 | 0:37:27 | |
Uttering is passing them on to members of the public, | 0:37:27 | 0:37:30 | |
-so distributing. -OK, so using them to buy things? | 0:37:30 | 0:37:32 | |
-Using them, that's it. That's exactly it. -OK. | 0:37:32 | 0:37:34 | |
-Can I show you some of the coins? -Yes, please. | 0:37:34 | 0:37:36 | |
We need to take a few precautions. | 0:37:36 | 0:37:39 | |
-Oh, I get... Ooh! -Yeah. -Ooh, it matches me jacket! | 0:37:39 | 0:37:41 | |
Lovely. Very stylish! | 0:37:41 | 0:37:43 | |
And some coin-doms for me. | 0:37:43 | 0:37:46 | |
Have a look at this rather beautiful gold one, there. | 0:37:48 | 0:37:51 | |
-I need my glasses. -You'll need your glasses, | 0:37:51 | 0:37:53 | |
-because the detail's just so fine. -Yeah. Ooh, lovely. That's beautiful. | 0:37:53 | 0:37:57 | |
They are quite tremendous, | 0:37:58 | 0:37:59 | |
-but people were desperate to copy these. -Yeah. | 0:37:59 | 0:38:02 | |
If you flip it over, you'll see it should have Victoria on the back. | 0:38:02 | 0:38:05 | |
Oh, yeah, it's beautiful. | 0:38:05 | 0:38:07 | |
But the counterfeit ones aren't quite as... | 0:38:07 | 0:38:09 | |
-as graceful. -Have we got one? -Yep. We'll have a look at some of those. | 0:38:09 | 0:38:12 | |
And here's some of the counterfeit ones | 0:38:14 | 0:38:16 | |
we've got from the British Museum. | 0:38:16 | 0:38:18 | |
And there... | 0:38:19 | 0:38:21 | |
-..is something which is supposed to be similar to that. -Oh, OK. | 0:38:24 | 0:38:26 | |
-Okey-doke. -And these... | 0:38:26 | 0:38:28 | |
-Oh, yeah, it's lighter. -..you can see the difference. | 0:38:28 | 0:38:31 | |
And look at the colour. | 0:38:31 | 0:38:32 | |
In comparison, the real one almost looks kind of rose goldy. | 0:38:32 | 0:38:36 | |
And why has it got that big slice in it? | 0:38:36 | 0:38:38 | |
Well, it's been crimped | 0:38:38 | 0:38:39 | |
to see whether it's of the right base metal or not. | 0:38:39 | 0:38:42 | |
-Oh, I see. -Actually, you can see there... | 0:38:42 | 0:38:45 | |
-Can you see this silver... -Yeah. -..showing through? | 0:38:45 | 0:38:47 | |
Shows this has been probably electroplated. | 0:38:47 | 0:38:50 | |
-Oh, I see. -So it's a base metal... | 0:38:50 | 0:38:53 | |
-OK. -..that's had something put over the top of it, | 0:38:53 | 0:38:55 | |
but it's not quite doing the job. | 0:38:55 | 0:38:56 | |
Obviously someone had suspicions | 0:38:56 | 0:38:58 | |
-and that's how they've tested it. -OK. | 0:38:58 | 0:39:00 | |
That's another one. | 0:39:00 | 0:39:02 | |
That is a fake silver whatever... What's the coin? | 0:39:02 | 0:39:05 | |
-It's a florin. -A florin, OK. | 0:39:05 | 0:39:07 | |
But if you could get away with passing that | 0:39:07 | 0:39:10 | |
-then you were effectively making money, you know. -That's true. | 0:39:10 | 0:39:12 | |
This is worthless | 0:39:12 | 0:39:14 | |
and you're passing it over for pieces of gold and silver. | 0:39:14 | 0:39:16 | |
-And did some people get away with it? -Loads of people must have got away with it. -Wow! | 0:39:16 | 0:39:20 | |
So how would my great-great-grandmother | 0:39:20 | 0:39:23 | |
have made her money? | 0:39:23 | 0:39:26 | |
Well, she probably would have purchased coins, | 0:39:26 | 0:39:29 | |
-high value coins... -Oh, OK. -..not for the full value of the coin itself, | 0:39:29 | 0:39:33 | |
and then she will be passing it on, getting the goods, | 0:39:33 | 0:39:35 | |
-getting some of the change back... -Oh, yeah. | 0:39:35 | 0:39:38 | |
..so she's making a little bit of money there. | 0:39:38 | 0:39:40 | |
So if you think of it a bit like the drugs trade is now. | 0:39:40 | 0:39:42 | |
-We have the Mr Bigs at the top... -It's very similar, isn't it? | 0:39:42 | 0:39:46 | |
Very similar to that. | 0:39:46 | 0:39:47 | |
Then you get right to the bottom, you get people like Grace, | 0:39:47 | 0:39:50 | |
who are the people who are running all of the risks, | 0:39:50 | 0:39:52 | |
who are really vulnerable to being picked up by the police. | 0:39:52 | 0:39:55 | |
Maybe that's why they used women? | 0:39:55 | 0:39:57 | |
Would they look more trustworthy? | 0:39:57 | 0:39:59 | |
-You know, if a woman had a nice... -It's a female crime. | 0:39:59 | 0:40:01 | |
-It is! -It's overwhelmingly a female crime. -That's interesting. | 0:40:01 | 0:40:04 | |
-I bet that's what they thought. -Women are the ones who are shopping. -Yeah. | 0:40:04 | 0:40:08 | |
Women are the ones who are supposed to be more respectable, | 0:40:08 | 0:40:10 | |
and less criminal, | 0:40:10 | 0:40:12 | |
but also women are domestic servants, | 0:40:12 | 0:40:13 | |
who might be sent out with coins to go and get things | 0:40:13 | 0:40:16 | |
-for their masters or mistresses. -Ah, how interesting. | 0:40:16 | 0:40:18 | |
So they're the ones who are doing all of this business. | 0:40:18 | 0:40:20 | |
She may have been considered what the Victorians called | 0:40:20 | 0:40:23 | |
the professional criminal classes. | 0:40:23 | 0:40:25 | |
You know, society was so harsh in those days, | 0:40:25 | 0:40:28 | |
especially on the poor classes. | 0:40:28 | 0:40:30 | |
Society was unfair. | 0:40:30 | 0:40:32 | |
Grace's life probably wasn't a very rosy one. | 0:40:32 | 0:40:35 | |
My great-grandfather died in the workhouse | 0:40:35 | 0:40:37 | |
and my great-grandmother did, so they were poverty-stricken. | 0:40:37 | 0:40:41 | |
-And this is his mum. -OK. | 0:40:41 | 0:40:44 | |
So I was wondering if that poverty had come from her | 0:40:44 | 0:40:47 | |
-and it sounds like it more than likely... -Yeah, | 0:40:47 | 0:40:50 | |
I mean, these are crimes of need | 0:40:50 | 0:40:51 | |
but they're also a form of employment. | 0:40:51 | 0:40:53 | |
-It's criminal, but your alternatives might be prostitution. -Mm-hm. | 0:40:53 | 0:40:56 | |
In 1862, | 0:40:56 | 0:40:58 | |
when Grace Meadows | 0:40:58 | 0:40:59 | |
committed her crime, | 0:40:59 | 0:41:00 | |
she was married | 0:41:00 | 0:41:02 | |
and a mother to five children | 0:41:02 | 0:41:03 | |
under the age of ten, | 0:41:03 | 0:41:05 | |
in addition to her eldest son, | 0:41:05 | 0:41:07 | |
Twiggy's great-grandfather, William. | 0:41:07 | 0:41:09 | |
Women with as many small children as Grace | 0:41:12 | 0:41:14 | |
could seldom take steady paid work. | 0:41:14 | 0:41:16 | |
So if their husbands couldn't support them, | 0:41:16 | 0:41:19 | |
their options included the workhouse and crime. | 0:41:19 | 0:41:22 | |
Do we know anything more about Grace? | 0:41:22 | 0:41:25 | |
Well, we're lucky because we do have some documents that tell us | 0:41:25 | 0:41:27 | |
just a little bit more about Grace's life. | 0:41:27 | 0:41:30 | |
Good. Can I take this off? | 0:41:30 | 0:41:32 | |
You can take that off now, yeah. | 0:41:32 | 0:41:34 | |
Now these are the Sessions papers of the Old Bailey. | 0:41:36 | 0:41:39 | |
-Oh-h! -And this is from the year 1862. | 0:41:39 | 0:41:43 | |
Oh, so this is the one I saw the shortened version of? | 0:41:45 | 0:41:48 | |
You'll have seen a little summary... | 0:41:48 | 0:41:49 | |
-Yeah. -..and we get a lot more detail here. -Oh. | 0:41:49 | 0:41:52 | |
Have a look here, this is the statement of Rebecca Dawson, | 0:41:52 | 0:41:54 | |
-one of the witnesses. -She was one that she tried... | 0:41:54 | 0:41:57 | |
-She was a victim, really. -Yeah. | 0:41:57 | 0:41:58 | |
"On 25th November, | 0:41:58 | 0:42:00 | |
"about half-past eight in the morning the prisoner came for | 0:42:00 | 0:42:04 | |
"a farthing boot-lace, a child's neck scarf and two pocket handkerchiefs. | 0:42:04 | 0:42:09 | |
"She paid me for the boot-lace first with a farthing | 0:42:09 | 0:42:12 | |
"and asked me for change, which I gave her. | 0:42:12 | 0:42:15 | |
"Mr Parks came back with it in his hand and said it was bad." | 0:42:15 | 0:42:19 | |
-So this is the shop owner? -So this is the shop owner, yeah. | 0:42:19 | 0:42:21 | |
And then, of course, they go off, find a police officer and... | 0:42:21 | 0:42:25 | |
And she gets arrested. | 0:42:25 | 0:42:26 | |
..Grace is arrested. She's tracked down. | 0:42:26 | 0:42:29 | |
-There's a little bit more here... -Hold on. | 0:42:29 | 0:42:32 | |
..about her arrest. | 0:42:32 | 0:42:33 | |
Oh, this is another witness. | 0:42:33 | 0:42:35 | |
"I do not know where she was in the morning, | 0:42:35 | 0:42:38 | |
"she is a hard-working woman and keeps at home with her children." | 0:42:38 | 0:42:42 | |
And then it says, "The prisoner received a good character." | 0:42:42 | 0:42:46 | |
Aw-w, that's nice. | 0:42:46 | 0:42:48 | |
And then it says, "Guilty on the first, second and third counts, | 0:42:48 | 0:42:51 | |
"recommended to mercy by the jury on account of her family." | 0:42:51 | 0:42:55 | |
So she could have got more than the six months? | 0:42:55 | 0:42:58 | |
She could have got more than that, but for every mother that | 0:42:58 | 0:43:01 | |
goes into prison, the children have to be looked after | 0:43:01 | 0:43:04 | |
-and they have to go into the workhouse... -Oh, God, | 0:43:04 | 0:43:06 | |
-back to the workhouse. -..or thrown on to the relief of the parish. | 0:43:06 | 0:43:09 | |
So, er, it's a desperate thing | 0:43:09 | 0:43:10 | |
-for women going to prison at this time. -Yeah. | 0:43:10 | 0:43:12 | |
There's no doubt that Grace, | 0:43:15 | 0:43:18 | |
my great-great-grandmother, was a criminal, | 0:43:18 | 0:43:21 | |
but I have to think that she was a goodie in horrible circumstances, | 0:43:21 | 0:43:27 | |
I hope, I can't believe in my heart that she... | 0:43:27 | 0:43:32 | |
I mean, she didn't kill anybody, | 0:43:32 | 0:43:34 | |
she didn't break into somebody's house and steal anything. | 0:43:34 | 0:43:37 | |
She was just trying to earn a crust, bless her. | 0:43:37 | 0:43:40 | |
I'd like to know did she reoffend? | 0:43:42 | 0:43:45 | |
Did it get better or did it go downhill? | 0:43:45 | 0:43:48 | |
In nearby Clerkenwell Green, | 0:43:58 | 0:44:01 | |
Twiggy's meeting Professor Dick Hobbs. | 0:44:01 | 0:44:03 | |
Dick has researched what happened to Grace | 0:44:07 | 0:44:10 | |
after she'd served her time for passing counterfeit coins. | 0:44:10 | 0:44:13 | |
I'd like to know what happened, when she came out, to her and her family. | 0:44:15 | 0:44:20 | |
Did she learn her lesson and stop committing crime? | 0:44:20 | 0:44:25 | |
Well, things moved on. | 0:44:25 | 0:44:26 | |
This is "Lloyd's Weekly London Newspaper, Sunday July 12th, 1874. | 0:44:26 | 0:44:34 | |
"Police intelligence, a mother and daughter stealing banknotes." | 0:44:34 | 0:44:38 | |
Oh, dear. | 0:44:38 | 0:44:39 | |
"Grace Meadows, 50, and Lucy Meadows, 14, | 0:44:39 | 0:44:43 | |
"mother and child, living at 51 Sewardstone Road, Old Ford..." | 0:44:43 | 0:44:48 | |
-which is East End, right? -Yeah, very much. | 0:44:48 | 0:44:50 | |
"..were charged on remand with being concerned together in stealing | 0:44:50 | 0:44:55 | |
"three Bank of England notes..." Ooh! | 0:44:55 | 0:44:57 | |
"..for £20 each, one for £5, and £6 in gold, | 0:44:57 | 0:45:02 | |
"the moneys of Charles Pragnell. | 0:45:02 | 0:45:06 | |
"The evidence showed that the prisoner, Lucy Meadows, was | 0:45:06 | 0:45:09 | |
"in the service of the prosecutor..." which is Pragnell, right? | 0:45:09 | 0:45:13 | |
-Yes. -Oh, so Lucy worked... | 0:45:13 | 0:45:16 | |
-Yep. -..for somebody. | 0:45:16 | 0:45:17 | |
Yeah, she worked... she worked for, er, for Pragnell. | 0:45:17 | 0:45:21 | |
Oh, I see, and she stole the money, his money? | 0:45:21 | 0:45:25 | |
That's what they're saying, yeah. | 0:45:25 | 0:45:28 | |
Ah! "Lucy Meadows had been in the service of the prosecutor | 0:45:28 | 0:45:32 | |
"as servant girl and on 22nd June | 0:45:32 | 0:45:35 | |
"he left the house in the girl's charge | 0:45:35 | 0:45:36 | |
"whilst he and his wife went out. | 0:45:36 | 0:45:38 | |
"On his return, the prosecutor on going upstairs found that | 0:45:38 | 0:45:41 | |
"the staircase window was open whereas he had left it shut." | 0:45:41 | 0:45:45 | |
Yeah, so, basically, we're at a point now where it's a burglary. | 0:45:45 | 0:45:49 | |
You know, it's a burglary, but Lucy... | 0:45:49 | 0:45:52 | |
Worked in the house. | 0:45:52 | 0:45:53 | |
..worked in the... worked in the house, yeah. | 0:45:53 | 0:45:55 | |
"A box in his wife's bedroom was open | 0:45:55 | 0:45:58 | |
"and then it was discovered that a cash box, | 0:45:58 | 0:46:00 | |
"left in the larger box, | 0:46:00 | 0:46:02 | |
"had been forced open and the money in question stolen. | 0:46:02 | 0:46:05 | |
"Some days afterwards, one of the £20 notes, | 0:46:05 | 0:46:08 | |
"the numbers of which the prosecutor had obtained after the robbery, | 0:46:08 | 0:46:14 | |
"was found to have been paid into the Bank of England. | 0:46:14 | 0:46:16 | |
"It was traced back to a witness, the wife of a rate collector. | 0:46:16 | 0:46:21 | |
"Grace Meadows, | 0:46:21 | 0:46:22 | |
"it was proved, had paid it for taxes two days after the robbery." | 0:46:22 | 0:46:26 | |
So she needed to pay her taxes. | 0:46:26 | 0:46:28 | |
She needs to pay taxes and, | 0:46:28 | 0:46:30 | |
and that's how... that's how they've traced it. | 0:46:30 | 0:46:32 | |
Oh, I see. | 0:46:32 | 0:46:34 | |
"The prisoners were then committed for trial." | 0:46:34 | 0:46:37 | |
-Oh, dear. -And the trial was here... | 0:46:37 | 0:46:40 | |
-Oh! -..in this building. This is...this is why we're here. | 0:46:40 | 0:46:43 | |
Oh, my goodness! So this was a courthouse? | 0:46:43 | 0:46:47 | |
-Yes. Clerkenwell Green. -Oh, wow! It's an amazing building. | 0:46:47 | 0:46:50 | |
Just...just on the edge of it. Just on the edge of it. | 0:46:50 | 0:46:53 | |
-So my great-great-grandmother was here. -Was here. Yeah. -Wow. | 0:46:53 | 0:46:57 | |
-Yeah. -Not in the happiest of circumstances. | 0:46:57 | 0:47:01 | |
No, she wouldn't have been too pleased. | 0:47:01 | 0:47:03 | |
Aw. Oh, dear. Do I want to know what happened? | 0:47:03 | 0:47:05 | |
-So, then we, um... -Oh, it's not going to be nice. -So... | 0:47:05 | 0:47:08 | |
here's a statement. | 0:47:08 | 0:47:10 | |
"Thereupon Grace says the child knows nothing about it." | 0:47:10 | 0:47:16 | |
-That's Lucy? -Yeah. -So she's saying, | 0:47:16 | 0:47:18 | |
"My daughter had nothing to do with it"? | 0:47:18 | 0:47:20 | |
Absolutely. She's clearing Lucy, she's taking responsibility. | 0:47:20 | 0:47:22 | |
-Ah, that's nice. Cos she was only 14, wasn't she? -She was just a kid. | 0:47:22 | 0:47:25 | |
Because Mum said she was nothing to do with it... | 0:47:25 | 0:47:28 | |
-Yep. -..um, they discharged... -Lucy's free. Yeah, no problem with Lucy. | 0:47:28 | 0:47:31 | |
Oh, that's... Well, that... Well, that's nice. Yeah. | 0:47:31 | 0:47:34 | |
Oh, that's... "Several previous convictions having been | 0:47:34 | 0:47:39 | |
"proved against the prisoner, she was sentenced | 0:47:39 | 0:47:42 | |
"to two years' hard labour." | 0:47:42 | 0:47:45 | |
Oh-h, poor Grace. That's horrible. | 0:47:45 | 0:47:49 | |
I mean, this isn't... this isn't petty crime. | 0:47:49 | 0:47:52 | |
This is...this is a lot of money. | 0:47:52 | 0:47:54 | |
It's the...it's the equivalent of about £5,600 in today's money. | 0:47:54 | 0:47:58 | |
Oh, my God! | 0:47:58 | 0:48:00 | |
-I mean, people then were earning shillings a week. -Wow! | 0:48:00 | 0:48:03 | |
A pound would have been a lot of money. | 0:48:03 | 0:48:04 | |
Yeah, it was a serious crime and hard labour was, er, | 0:48:04 | 0:48:07 | |
was quite common for these... for these crimes. | 0:48:07 | 0:48:10 | |
Even for women? | 0:48:10 | 0:48:11 | |
Yeah, for women, very, very common indeed | 0:48:11 | 0:48:13 | |
and it really was hard labour. | 0:48:13 | 0:48:15 | |
Her son William, he did hard labour and it was pretty awful, | 0:48:23 | 0:48:27 | |
but he did, like, six months at the time, | 0:48:27 | 0:48:29 | |
but two years is a long time. | 0:48:29 | 0:48:31 | |
-Two years is a long... -And a woman! -Yeah. | 0:48:31 | 0:48:33 | |
Where is this? Oh, my God! | 0:48:45 | 0:48:46 | |
-Well, we're in the, er, we're in the basement of the court now. -Yeah. OK. | 0:48:46 | 0:48:50 | |
This would have been the holding cell, and this is where Grace | 0:48:50 | 0:48:53 | |
would have been held before she went off to serve her sentence. | 0:48:53 | 0:48:55 | |
-So she'd have been brought down from the court... -Yep. | 0:48:55 | 0:48:58 | |
..she wouldn't have seen her family, presumably? | 0:48:58 | 0:49:00 | |
No, she wouldn't have seen her family. | 0:49:00 | 0:49:02 | |
She'd have been brought straight down here, held here | 0:49:02 | 0:49:04 | |
-and then taken off to prison. -Oh, my goodness. | 0:49:04 | 0:49:06 | |
That would have been it. | 0:49:06 | 0:49:07 | |
We've got some pictures here of what it was like for her. | 0:49:07 | 0:49:13 | |
Oh, wow! | 0:49:13 | 0:49:15 | |
"Workroom on the silent system | 0:49:17 | 0:49:19 | |
"at the House of Correction, Tothill Fields." | 0:49:19 | 0:49:21 | |
What does silent system mean? | 0:49:21 | 0:49:24 | |
The work that they were carrying out | 0:49:24 | 0:49:26 | |
was carried out literally in silence. | 0:49:26 | 0:49:28 | |
For six hours a day, they would work in silence, | 0:49:28 | 0:49:30 | |
-they were not allowed to speak to anyone. -Really? | 0:49:30 | 0:49:33 | |
And you can see the people round the edges were there | 0:49:33 | 0:49:35 | |
to enforce that, these were the guards. That was the... | 0:49:35 | 0:49:38 | |
-Oh, they're the guards. -Yep. | 0:49:38 | 0:49:40 | |
Here, we've got an example of what they're...they're doing. | 0:49:40 | 0:49:44 | |
They're picking oakum, and oakum was, you know the saying, | 0:49:44 | 0:49:48 | |
-"Money for old rope"? -Yeah. | 0:49:48 | 0:49:50 | |
-Well, oakum was old rope. -Oh, I see. | 0:49:50 | 0:49:53 | |
And they made money from it. | 0:49:53 | 0:49:55 | |
So they unpicked the rope and turned it into | 0:49:55 | 0:49:58 | |
this rather fluffy substance that we can see there. | 0:49:58 | 0:50:02 | |
And what was oakum used for? | 0:50:02 | 0:50:04 | |
It was used in between the planking | 0:50:04 | 0:50:05 | |
and wooden ships to seal it with tar, to seal it, and it was | 0:50:05 | 0:50:09 | |
also used on joints for plumbing to seal the joint, | 0:50:09 | 0:50:14 | |
so it had a value. | 0:50:14 | 0:50:16 | |
They turned something that was useless, old rope... | 0:50:16 | 0:50:18 | |
-Old rope. -..they turned it into money. | 0:50:18 | 0:50:21 | |
And we've actually got the opportunity for you to... | 0:50:21 | 0:50:24 | |
-Oh, thank you(!) -..to have a go at picking...at picking the oakum. | 0:50:24 | 0:50:29 | |
There's a piece of old rope for you. | 0:50:29 | 0:50:31 | |
-That's money for old rope. -Money for old rope. | 0:50:31 | 0:50:33 | |
-Oh, it's really sticky, isn't it? -It is very harsh. | 0:50:33 | 0:50:36 | |
-Ugh...ugh... -That's it. | 0:50:36 | 0:50:38 | |
It feels like... You know what it feels like, it feels like, um, | 0:50:38 | 0:50:42 | |
-wire wool. -Yeah, yeah. | 0:50:42 | 0:50:44 | |
God! But their finger must have been raw. | 0:50:47 | 0:50:49 | |
Yeah, it would have been, yeah. | 0:50:49 | 0:50:51 | |
This was their task for two years, for Grace's case for two years, | 0:50:51 | 0:50:54 | |
-it's what she had to do. -It's unbelievable. | 0:50:54 | 0:50:56 | |
I've got a feeling it can't be a happy ending, | 0:50:56 | 0:51:00 | |
having two years in this. | 0:51:00 | 0:51:02 | |
I feel quite angry. I feel really sad | 0:51:06 | 0:51:08 | |
cos my great-great-grandmother went through that, | 0:51:08 | 0:51:12 | |
but I'd really like to know if she came out, | 0:51:12 | 0:51:16 | |
how she was when she came out. | 0:51:16 | 0:51:17 | |
Did she go on offending, | 0:51:19 | 0:51:21 | |
or did she get back to her family? | 0:51:21 | 0:51:24 | |
I... That's what I'd like to know. | 0:51:24 | 0:51:26 | |
Twiggy's come to East London | 0:51:36 | 0:51:37 | |
where her great-great-grandmother Grace had lived | 0:51:37 | 0:51:40 | |
when she wasn't in prison. | 0:51:40 | 0:51:42 | |
I know that she came out from there | 0:51:43 | 0:51:47 | |
and I don't know what happened next to her, so I've come to Hackney | 0:51:47 | 0:51:51 | |
to try and find out. | 0:51:51 | 0:51:53 | |
She's meeting Professor Clive Emsley on Hackney's Mare Street. | 0:51:56 | 0:52:00 | |
-Twiggy. Nice to meet you. -Hi. Good to see you. | 0:52:00 | 0:52:03 | |
-Well, here she is in the 1881 Census. -OK. | 0:52:03 | 0:52:08 | |
-So this is in Dalston Road... -Yeah. -..which is in Hackney. | 0:52:08 | 0:52:14 | |
-Grace Gillies. Is that her? -That's her. Back to her maiden name. | 0:52:14 | 0:52:19 | |
-Oh! -People often use both names, yeah. | 0:52:19 | 0:52:23 | |
And it says she's head of the family, so... | 0:52:23 | 0:52:25 | |
Well, head of the household. | 0:52:25 | 0:52:27 | |
And in the house was Sarah, daughter, John, son, Robert, son, | 0:52:27 | 0:52:34 | |
and then Daniel Crackett, boarder. | 0:52:34 | 0:52:39 | |
Oh! She...she let rooms. | 0:52:39 | 0:52:42 | |
A policeman! | 0:52:42 | 0:52:44 | |
That's hysterical. | 0:52:45 | 0:52:46 | |
Well, yeah, he's a... | 0:52:46 | 0:52:48 | |
-That's really funny. -Um... | 0:52:51 | 0:52:53 | |
I mean, if you did that in a programme, they'd... | 0:52:53 | 0:52:56 | |
-They might laugh, yeah. -..come out of jail for hard labour | 0:52:56 | 0:52:59 | |
and you board a police... Do you think he knew she was an ex-con? | 0:52:59 | 0:53:03 | |
-Er, quite possibly, yeah. -TWIGGY LAUGHS | 0:53:03 | 0:53:05 | |
That's brilliant! Absolutely brilliant. | 0:53:08 | 0:53:10 | |
She's clearly going straight. It's quite rare. | 0:53:10 | 0:53:14 | |
It's very, very difficult for a woman to go straight | 0:53:14 | 0:53:17 | |
-in the 19th century. -Oh, really? Wow. | 0:53:17 | 0:53:20 | |
Repeat offending by women is colossal. | 0:53:20 | 0:53:23 | |
So what my great-great-grandmother did was quite unusual? | 0:53:23 | 0:53:27 | |
To come out of two years' hard labour and then turn her back to crime... | 0:53:27 | 0:53:31 | |
-It's... It is... -..to become a respectable landlady. | 0:53:31 | 0:53:34 | |
You're a respectable landlady, yeah, yeah. | 0:53:34 | 0:53:36 | |
And this is the next Census, 1891. | 0:53:36 | 0:53:41 | |
-OK, so they'd moved. -Yeah. | 0:53:41 | 0:53:43 | |
Brett Road which is, oh, still in Hackney, | 0:53:43 | 0:53:46 | |
so they're still in the East End. Now where is she? | 0:53:46 | 0:53:49 | |
Grace Gillies, head, age 62, yes, she's ten years older, er... | 0:53:49 | 0:53:57 | |
Oh, the... Robert, the son is 22, yeah. I can't read it all. | 0:53:57 | 0:54:02 | |
-That's Maud. -Maud... | 0:54:02 | 0:54:05 | |
-Grandchild. -Oh! | 0:54:05 | 0:54:08 | |
-Maud... -Crackett. -Crackett. | 0:54:08 | 0:54:11 | |
-Now here's an interesting thing... -Very Dickensian. | 0:54:11 | 0:54:14 | |
..look at the name of the policeman we picked up over here. | 0:54:14 | 0:54:17 | |
Oh-h! We've got a TV series here! | 0:54:17 | 0:54:20 | |
-Daniel Crackett. -Oh, my goodness! | 0:54:20 | 0:54:23 | |
He fell in love with her daughter! How romantic! And they had a baby. | 0:54:23 | 0:54:27 | |
Well, they actually got married. | 0:54:27 | 0:54:29 | |
Aw-w! Aw, that's lovely. She married a policeman. | 0:54:29 | 0:54:34 | |
-Aw, it's a romance. -It is. | 0:54:34 | 0:54:36 | |
I mean, this is brilliant. | 0:54:36 | 0:54:38 | |
I never guessed this in a million years. | 0:54:38 | 0:54:40 | |
I thought it was going to just dive downhill rapidly. | 0:54:40 | 0:54:43 | |
-So...so we're 1891, right? -Yeah. | 0:54:43 | 0:54:47 | |
Grace, my great-great-grandmother, is 62, renting her rooms to policemen. | 0:54:47 | 0:54:53 | |
Brilliant. Did she stay on the straight and narrow | 0:54:53 | 0:54:55 | |
-or did she revert back to crime? -Well, she certainly seems to have... | 0:54:55 | 0:54:59 | |
-Brilliant. -..stayed straight and there's some more information. | 0:54:59 | 0:55:03 | |
Some more. What, she's in the paper again? | 0:55:03 | 0:55:07 | |
She's in the paper again. | 0:55:07 | 0:55:08 | |
She was famous, my great-great-grandmother, | 0:55:08 | 0:55:11 | |
not for always the right reasons. | 0:55:11 | 0:55:13 | |
Oh, my goodness! Oh my gosh! | 0:55:14 | 0:55:17 | |
"The Western Gazette, Friday, August 20th, 1897, | 0:55:17 | 0:55:21 | |
"killed at a bargain sale!" | 0:55:21 | 0:55:24 | |
Oh, I shouldn't laugh. TWIGGY GASPS | 0:55:24 | 0:55:27 | |
"An inquest was held at Hackney on Tuesday | 0:55:27 | 0:55:30 | |
"respecting the death of Grace Gillies, aged 69, | 0:55:30 | 0:55:33 | |
"who died during a great crush. | 0:55:33 | 0:55:36 | |
"On Saturday morning, she attended a great sale at Messrs MacIlroys shop, | 0:55:36 | 0:55:40 | |
"333 to 339 Mare Street, Hackney." | 0:55:40 | 0:55:44 | |
-Which is... -Where we're sitting. | 0:55:44 | 0:55:46 | |
-Yeah. -We're on Mare Street. -Yeah. -Wow! | 0:55:46 | 0:55:49 | |
"It was the first day of a great clearance sale | 0:55:49 | 0:55:52 | |
"and the doors were to be opened at eight o'clock. | 0:55:52 | 0:55:55 | |
"She appeared to be very ill and on being assisted to a seat said, | 0:55:55 | 0:55:59 | |
"'I have been beaten this time.'" | 0:55:59 | 0:56:02 | |
-She went to a sale and... -Yeah. -..she'd had a heart attack. | 0:56:02 | 0:56:05 | |
They say your life flashes, you know, in front of you, | 0:56:05 | 0:56:09 | |
she must have thought, "Well, I got... | 0:56:09 | 0:56:11 | |
"I got through all my criminal life, got through hard labour, | 0:56:11 | 0:56:16 | |
-"became a respectable landlady, but the sale got her." -Yes. | 0:56:16 | 0:56:22 | |
THEY LAUGH | 0:56:22 | 0:56:23 | |
Aw, bless her heart. Amazing. | 0:56:23 | 0:56:27 | |
You know, I've always wanted to know about my ancestry | 0:56:32 | 0:56:35 | |
and I never have. | 0:56:35 | 0:56:37 | |
Before I did this programme, beyond grandmother Alice, it was blank, | 0:56:37 | 0:56:43 | |
and now I've got a picture of these characters of my mum's line. | 0:56:43 | 0:56:48 | |
Er, I'm looking for 333. | 0:56:48 | 0:56:55 | |
'I mean, I think what this has shown to me is... | 0:56:56 | 0:57:00 | |
'..that the women in my family are incredibly strong women. | 0:57:01 | 0:57:06 | |
'I feel akin to them when I'm learning about them.' | 0:57:06 | 0:57:10 | |
So this would have been 333... SIREN WAILS | 0:57:13 | 0:57:18 | |
..where my great-great-grandmother came to a bargain sale... | 0:57:18 | 0:57:23 | |
..and got crushed and died. | 0:57:24 | 0:57:27 | |
What a way to go, in a way... | 0:57:27 | 0:57:29 | |
..but amazing to think... | 0:57:30 | 0:57:32 | |
..my...four generations ago from me, | 0:57:33 | 0:57:36 | |
she was walking in here... | 0:57:36 | 0:57:39 | |
..to a bargain sale. | 0:57:40 | 0:57:42 | |
'I really do feel proud of my ancestors, | 0:57:46 | 0:57:50 | |
'of what I've learnt about them. | 0:57:50 | 0:57:51 | |
'I've found it fascinating... | 0:57:51 | 0:57:54 | |
'..extraordinary in places, very sad in other places. | 0:57:55 | 0:57:59 | |
'I grew up in a working-class family, but I wouldn't call us poor. | 0:58:00 | 0:58:05 | |
'My dad had a good job. | 0:58:05 | 0:58:07 | |
'So my grandmother Alice, when you think of it, | 0:58:07 | 0:58:11 | |
'she and her husband Alfred were the first two | 0:58:11 | 0:58:15 | |
'to come out of that terrible poor family' | 0:58:15 | 0:58:18 | |
syndrome, really. | 0:58:18 | 0:58:20 | |
And I'm a very lucky girl sitting here is all I can say, | 0:58:21 | 0:58:25 | |
that I wasn't born 150 years ago. | 0:58:25 | 0:58:29 |