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Actress Tamzin Outhwaite is known for her role as | 0:00:04 | 0:00:08 | |
Detective Chief Inspector Sasha Miller in the | 0:00:08 | 0:00:11 | |
BBC's popular crime series New Tricks. | 0:00:11 | 0:00:15 | |
Alessandro Manzini, 65, he'd been drinking. | 0:00:15 | 0:00:18 | |
He's knifed in the throat and his body's stuffed upside down | 0:00:18 | 0:00:21 | |
in a water bath which then freezes solid overnight | 0:00:21 | 0:00:24 | |
as the temperature drops below zero. | 0:00:24 | 0:00:26 | |
Has to be thawed out before the PM can take place. | 0:00:26 | 0:00:29 | |
Don't get one of these every day of the week. | 0:00:29 | 0:00:31 | |
So, what do you think? | 0:00:31 | 0:00:33 | |
EXPLOSION | 0:00:33 | 0:00:35 | |
But Tamzin is probably best remembered for her | 0:00:39 | 0:00:42 | |
role as Mel in EastEnders. | 0:00:42 | 0:00:45 | |
Move, all of you! Get out! | 0:00:45 | 0:00:48 | |
Noooo! | 0:00:52 | 0:00:53 | |
My family, as far back as I know, are East Enders. | 0:00:56 | 0:01:00 | |
My mum was born in Clapton and my dad was Hackney. | 0:01:00 | 0:01:05 | |
So I often play a London character. | 0:01:05 | 0:01:08 | |
Quite recently I was doing a play at Hampstead and a friend of mine, | 0:01:08 | 0:01:12 | |
Izzy, she said to me after the read through, | 0:01:12 | 0:01:14 | |
"I've just worked it out. | 0:01:14 | 0:01:16 | |
"I know what it is. You're Italian, aren't you?" | 0:01:16 | 0:01:18 | |
She said, "You're just very free and very expressive | 0:01:18 | 0:01:22 | |
"and that must come from the Italian side." | 0:01:22 | 0:01:24 | |
And I said, "I do know that there's definitely an Italian | 0:01:24 | 0:01:28 | |
"influence within the family." | 0:01:28 | 0:01:31 | |
I'd like to get much more in touch with my Italian roots. | 0:01:31 | 0:01:34 | |
I'm going to see my mum, and she's going to hopefully tell us | 0:02:11 | 0:02:17 | |
a bit more about the Italian side. | 0:02:17 | 0:02:19 | |
My mum's father is Remo. Grandad Remo. | 0:02:21 | 0:02:25 | |
My mum and her dad had a great relationship, | 0:02:25 | 0:02:27 | |
from what I can remember. She loved her dad dearly. | 0:02:27 | 0:02:31 | |
But I don't know any of his ancestors. | 0:02:31 | 0:02:34 | |
I should imagine this is a real treat for my mum to be | 0:02:35 | 0:02:39 | |
able to find out about her family too. | 0:02:39 | 0:02:41 | |
And she is far more linked to Italy, far more spiritually drawn to it. | 0:02:41 | 0:02:48 | |
And I think this will be a really exciting thing for her. | 0:02:48 | 0:02:54 | |
And she's going to hopefully tell us a bit more about her mum | 0:02:54 | 0:02:59 | |
and dad's families, how they came here. | 0:02:59 | 0:03:02 | |
Tamzin has arranged to meet her mother, | 0:03:10 | 0:03:12 | |
Anna Santi, in the heart of London's East End. | 0:03:12 | 0:03:15 | |
-..over there. -Oh, yeah, number 94. | 0:03:16 | 0:03:19 | |
-Yeah. -Top Marks, London. -Yeah. | 0:03:19 | 0:03:22 | |
94 Commercial Road was where Tamzin's Italian | 0:03:26 | 0:03:29 | |
great-grandfather, Tony Gonnella, once ran his cafe. | 0:03:29 | 0:03:33 | |
That's the picture of it. | 0:03:33 | 0:03:35 | |
Oh, my gosh, Tony's. That's what it was called. | 0:03:35 | 0:03:37 | |
-I thought it was called Gonnella's. -No, it was Tony's. | 0:03:37 | 0:03:40 | |
So that's exactly...the shop front's the same except for that. | 0:03:40 | 0:03:43 | |
-Except for the sign writing. -Oh, yeah. | 0:03:43 | 0:03:45 | |
And they lived above the shop. No bathroom. | 0:03:45 | 0:03:48 | |
Would he have had a tin bath? | 0:03:48 | 0:03:50 | |
A tin bath, yeah. In front of the fire. | 0:03:50 | 0:03:53 | |
Gosh, it's funny. | 0:03:53 | 0:03:54 | |
-That's Nanny and Grandad Gonnella. -Oh, my gosh! | 0:03:54 | 0:03:56 | |
-And that's in the shop at first. -Look at them! Gosh. | 0:03:56 | 0:04:00 | |
That's with Nanny Lina, your nanny, my mother. | 0:04:00 | 0:04:03 | |
-Oh, my gosh! Oh, yeah, look at Nanny Lina! -Yeah. | 0:04:03 | 0:04:06 | |
-And that's them outside the shop. -Oh, that's amazing. | 0:04:08 | 0:04:12 | |
And look at the shop, look how the shop was, you know, so different. | 0:04:12 | 0:04:17 | |
And they opened till midnight. | 0:04:17 | 0:04:19 | |
-I remember they worked very hard. -From 6:00 in the morning. | 0:04:19 | 0:04:22 | |
-Yeah, they did work very hard. -It was always open. -Yeah. | 0:04:22 | 0:04:24 | |
Come in. Have a Coca-Cola. | 0:04:24 | 0:04:26 | |
SHE LAUGHS | 0:04:26 | 0:04:27 | |
This is White Church Lane, which leads down to, um, Brick Lane. | 0:04:27 | 0:04:31 | |
-Oh, does it? -Yeah. | 0:04:31 | 0:04:32 | |
The Gonnellas opened the cafe in the 1930s. | 0:04:32 | 0:04:35 | |
They were Italian and obviously could offer | 0:04:35 | 0:04:38 | |
really nice Italian food. | 0:04:38 | 0:04:40 | |
They wanted to keep everything very English. | 0:04:40 | 0:04:43 | |
They wanted to be accepted. | 0:04:43 | 0:04:45 | |
Ham, egg and chips. Sausage, egg and chips, beans on toast. | 0:04:45 | 0:04:47 | |
Did they? Did they start doing as much English food as...? | 0:04:47 | 0:04:50 | |
-It was all English food. -Through the war? | 0:04:50 | 0:04:52 | |
All the way through the war, after the war, all the through the '50s. | 0:04:52 | 0:04:55 | |
Most of the '60s. | 0:04:55 | 0:04:56 | |
They didn't start bringing like spaghetti, | 0:04:56 | 0:04:59 | |
pastasciutta or anything like that in until much, much later | 0:04:59 | 0:05:02 | |
because they weren't sure how the British people would take it. | 0:05:02 | 0:05:05 | |
-You know, they like, kept a low profile. -Did they fit...? | 0:05:05 | 0:05:08 | |
Like, did they feel like outsiders? | 0:05:08 | 0:05:09 | |
Yeah, they did at first, very much like outsiders in their area. | 0:05:09 | 0:05:13 | |
Antonio and Antonietta Gonnella ran their East End | 0:05:14 | 0:05:18 | |
cafe for over 40 years. | 0:05:18 | 0:05:21 | |
When their daughter, Lina, married Remo Santi, | 0:05:21 | 0:05:24 | |
Remo and Lina helped around the shop. | 0:05:24 | 0:05:27 | |
Remo was Anna's father, | 0:05:27 | 0:05:30 | |
and Tamzin wants to know more about his side of the family. | 0:05:30 | 0:05:34 | |
What did Nanny and Grandad Gonnella think of your dad, Grandad Remo? | 0:05:34 | 0:05:39 | |
Um, he was... | 0:05:40 | 0:05:42 | |
They probably thought he was a bit of a liability. | 0:05:42 | 0:05:44 | |
More often than not you'd find him | 0:05:44 | 0:05:46 | |
playing cards with all the local rogues in the shop. | 0:05:46 | 0:05:49 | |
-In the shop. -In the shop. | 0:05:49 | 0:05:51 | |
I do remember the card games that were continuous every time | 0:05:51 | 0:05:54 | |
I visited Nanny and Grandad. Cards were big, weren't they? | 0:05:54 | 0:05:58 | |
-Yeah. They used to have lots of... -For money? | 0:05:58 | 0:06:00 | |
Always, always for money, yeah. | 0:06:00 | 0:06:02 | |
It was a bit of a gambling thing, really. | 0:06:02 | 0:06:04 | |
-I suppose you could say it was... -Yeah. | 0:06:04 | 0:06:06 | |
But we didn't take too much notice of it. | 0:06:06 | 0:06:08 | |
What did Grandad Remo do? | 0:06:08 | 0:06:10 | |
He ran the shop, really. | 0:06:10 | 0:06:11 | |
He's quite a mystery really, Grandad Remo. | 0:06:11 | 0:06:15 | |
So I suppose Nanny Lina is the person to talk to. | 0:06:15 | 0:06:19 | |
-Yes, definitely. -And she's... -You need to go and see Nanny Lina. | 0:06:19 | 0:06:22 | |
My Nanny Lina is this little girl here in this picture outside Tony's | 0:06:24 | 0:06:30 | |
who has turned into my 83-year-old Nan. | 0:06:30 | 0:06:34 | |
Hopefully what she can tell me is a bit more about her husband, | 0:06:34 | 0:06:39 | |
my grandad Remo Santi's origins, | 0:06:39 | 0:06:43 | |
where his family came from, where the Santis originated. | 0:06:43 | 0:06:47 | |
And I'm sure she's got some amazing stories stored away. | 0:06:47 | 0:06:51 | |
What have you done to me, Tammy?! | 0:07:09 | 0:07:11 | |
THEY LAUGH | 0:07:11 | 0:07:13 | |
Oh... | 0:07:13 | 0:07:15 | |
This is Grandad Remo's birth certificate. | 0:07:19 | 0:07:22 | |
Registration District in the County of Durham. 2nd December, 1924. | 0:07:26 | 0:07:32 | |
Remo, boy. Adelmo Santi, father. | 0:07:33 | 0:07:37 | |
Occupation of Father - Ice Cream Vendor, Master. | 0:07:37 | 0:07:40 | |
That's a wedding picture. | 0:07:43 | 0:07:44 | |
-Gosh, look at that, Nan! -Right. | 0:07:46 | 0:07:48 | |
Look at the dresses. That's quite lavish, isn't it? Gosh. | 0:07:48 | 0:07:53 | |
That's Grandad Remo, your husband, my grandad. | 0:07:53 | 0:07:56 | |
Yeah, your grandad, that's right, yes. | 0:07:56 | 0:07:59 | |
Where is grandad's dad Adelmo? Why is he not in the wedding photo? | 0:07:59 | 0:08:03 | |
Because he...being a businessman, he wanted to stay in the shop. | 0:08:04 | 0:08:09 | |
Which shop? In the fish and chip shop? | 0:08:09 | 0:08:11 | |
No, he didn't have a fish and chip shop, he had a ice cream parlour. | 0:08:11 | 0:08:14 | |
So he kept...stayed in the shop... | 0:08:14 | 0:08:16 | |
He kept the shop open because he was the sort of man that, | 0:08:16 | 0:08:19 | |
you know, business must go on. | 0:08:19 | 0:08:21 | |
On the day of his son's wedding, he stayed in the shop. | 0:08:21 | 0:08:23 | |
-He didn't close the shop for the wedding? -No. No. -Wow! | 0:08:23 | 0:08:27 | |
That's Adelmo, Grandad Remo's dad. | 0:08:29 | 0:08:32 | |
-This is Adelmo. -Mm-hmm. | 0:08:32 | 0:08:34 | |
What a stylish man, though. | 0:08:34 | 0:08:36 | |
A shirt, a tie, a waistcoat, buttoned up. | 0:08:36 | 0:08:39 | |
Always a tie and he always had his sleeves rolled up, | 0:08:39 | 0:08:42 | |
whether it was winter, summer, spring or autumn. | 0:08:42 | 0:08:45 | |
He opened the shop up in Fishburn, 12 Chaytor Terrace was the shop. | 0:08:45 | 0:08:50 | |
But he was a very generous man in Fishburn, everybody liked him. | 0:08:50 | 0:08:55 | |
He bought all his children a house each. | 0:08:55 | 0:08:58 | |
He must have come over in the early '20s | 0:08:58 | 0:09:01 | |
because grandad was born in '24. | 0:09:01 | 0:09:03 | |
I know that my Grandad Remo's older brother was called Peter. | 0:09:03 | 0:09:08 | |
From what Mum tells me, Peter was the only one that was born in Italy. | 0:09:08 | 0:09:11 | |
Yes. Well that's Peter, and that's his wife Iris. | 0:09:11 | 0:09:16 | |
Iris still lives in Fishburn. | 0:09:16 | 0:09:18 | |
Now, during the war, Grandad Remo's dad, Adelmo, right, | 0:09:18 | 0:09:24 | |
and Peter both got interned. | 0:09:24 | 0:09:26 | |
Gosh. | 0:09:26 | 0:09:28 | |
Yeah. | 0:09:28 | 0:09:29 | |
Because they were born in Italy and enemy aliens at the time. | 0:09:29 | 0:09:34 | |
Cos the Italians are like the enemy. | 0:09:34 | 0:09:36 | |
They were the enemy because they were... | 0:09:36 | 0:09:39 | |
they went in the war with Germany. | 0:09:39 | 0:09:41 | |
So therefore, because Peter was born in Italy | 0:09:43 | 0:09:47 | |
and Adelmo born in Italy, they took them | 0:09:47 | 0:09:50 | |
to a concentration camp on the Isle of Man. | 0:09:50 | 0:09:54 | |
What?! | 0:09:56 | 0:09:58 | |
But that was war, you know. | 0:09:58 | 0:10:00 | |
Only because they were born in Italy? | 0:10:00 | 0:10:02 | |
-That's right. -Gosh! That's quite unbelievable. | 0:10:02 | 0:10:07 | |
And actually, Adelmo and Peter never even spoke | 0:10:07 | 0:10:10 | |
of being in a concentration camp. | 0:10:10 | 0:10:12 | |
He's... Oh, I can't... | 0:10:14 | 0:10:15 | |
-I've got to stop here because I'm... -It's all right, Nan. | 0:10:15 | 0:10:19 | |
-HER VOICE BREAKS -Um... | 0:10:19 | 0:10:21 | |
It's all good. Don't worry. | 0:10:21 | 0:10:22 | |
Yeah, so, what else is there. | 0:10:24 | 0:10:27 | |
-It's...I've completely gone off my track. -Don't worry. | 0:10:27 | 0:10:30 | |
So, I'm now off to the Isle of Man, of all places, to see | 0:10:39 | 0:10:43 | |
whether or not this internment camp exists that my great-grandfather | 0:10:43 | 0:10:48 | |
Adelmo and his eldest son Peter, my great-uncle, were sent | 0:10:48 | 0:10:52 | |
to during the war, supposedly just because they were Italian. | 0:10:52 | 0:10:56 | |
If my nan's right, then that seems quite harsh. | 0:10:57 | 0:11:00 | |
But we're going to go and have a look. | 0:11:00 | 0:11:02 | |
During Victorian times, the Isle of Man had become one of the most | 0:11:06 | 0:11:10 | |
popular seaside resorts in Britain. | 0:11:10 | 0:11:13 | |
But located in the middle of the Irish Sea, | 0:11:13 | 0:11:16 | |
over 60 miles off the coast of mainland Britain, | 0:11:16 | 0:11:19 | |
the Isle of Man was also the ideal place to detain enemy aliens. | 0:11:19 | 0:11:25 | |
I need to find out if there are records that exist | 0:11:31 | 0:11:35 | |
that would tell me why they put away ice cream vendors... | 0:11:35 | 0:11:38 | |
..who were peaceful people, who had been in this country for a long time. | 0:11:40 | 0:11:45 | |
And just what happened, really. | 0:11:45 | 0:11:48 | |
So I think I need to just see where it is that my great-granddad | 0:11:48 | 0:11:55 | |
and my great-uncle were sent. | 0:11:55 | 0:11:59 | |
How long they were here for. | 0:11:59 | 0:12:01 | |
If they were both together and if they were in the same camp. | 0:12:01 | 0:12:05 | |
Was it pretty grim or was it OK? | 0:12:05 | 0:12:07 | |
At the moment, it looks like quite a pretty place to be. | 0:12:09 | 0:12:12 | |
Tamzin has come to the Manx Museum to meet curator Yvonne Creswell. | 0:12:17 | 0:12:22 | |
So, Yvonne, what I'm looking to establish really is, | 0:12:22 | 0:12:25 | |
whether or not these stories are true. | 0:12:25 | 0:12:27 | |
Well we've got records for some of the internment camps, | 0:12:27 | 0:12:29 | |
so what nationality were your family? | 0:12:29 | 0:12:32 | |
-They were Italian. -Right. | 0:12:32 | 0:12:33 | |
OK, well, we have got records for Italians who were held here, | 0:12:33 | 0:12:36 | |
so hopefully we'll be lucky and we'll have some information. | 0:12:36 | 0:12:40 | |
-Brilliant. -So we'll see what we can find. | 0:12:40 | 0:12:42 | |
-OK, let's go and look. -OK. | 0:12:42 | 0:12:44 | |
Right, so here's the book for Palace Internment Camp. | 0:13:03 | 0:13:06 | |
and this is actually a register, | 0:13:06 | 0:13:09 | |
so it's their own sort of camp administration. | 0:13:09 | 0:13:12 | |
So, August 15th, 1940. | 0:13:14 | 0:13:17 | |
Oh, wow, I feel like I need to have gloves on. | 0:13:21 | 0:13:23 | |
S... | 0:13:25 | 0:13:26 | |
Santi. Oh, my gosh! Santi. | 0:13:28 | 0:13:32 | |
Santi A, Santi P - Adelmo and Peter. | 0:13:32 | 0:13:35 | |
12 Chaytor Terrace, Fishburn, County Durham. | 0:13:37 | 0:13:41 | |
So you've now got proof. They were here. | 0:13:43 | 0:13:46 | |
Goodness. | 0:13:53 | 0:13:54 | |
They were definitely here. My nan was right. | 0:13:56 | 0:14:00 | |
When they arrived on the Isle of Man, they would have been | 0:14:01 | 0:14:04 | |
marched along the promenade to the Palace Camp, | 0:14:04 | 0:14:08 | |
being jeered and heckled by the crowds. | 0:14:08 | 0:14:11 | |
As far as they were concerned, these were...Italian Fascists, | 0:14:11 | 0:14:15 | |
these were German and Austrian Nazis and... | 0:14:15 | 0:14:17 | |
So my great-granddad | 0:14:17 | 0:14:19 | |
and great-uncle would have been made to feel like criminals? | 0:14:19 | 0:14:23 | |
Yeah. Yeah. Dangerous criminals at the height of the war. | 0:14:23 | 0:14:27 | |
Gosh. | 0:14:27 | 0:14:28 | |
-They made ice cream. -Yeah. | 0:14:29 | 0:14:31 | |
Goodness me. | 0:14:32 | 0:14:34 | |
On the 10th June, 1940, Fascist dictator Benito Mussolini | 0:14:39 | 0:14:45 | |
joined forces with Hitler. | 0:14:45 | 0:14:47 | |
Britain was now at war with both Germany and Italy. | 0:14:47 | 0:14:51 | |
Like Germans and Austrians, Italians living in Britain for less | 0:14:53 | 0:14:58 | |
than 20 years, who had not become British citizens, | 0:14:58 | 0:15:01 | |
were regarded as enemy aliens and a potential threat. | 0:15:01 | 0:15:05 | |
Anti-Italian riots broke out up and down the country. | 0:15:07 | 0:15:11 | |
Long standing Italian businesses were forced to close, | 0:15:11 | 0:15:15 | |
and many Italian men between the ages of 16 and 70 were interned. | 0:15:15 | 0:15:20 | |
Tamzin's great-grandfather, Adelmo, and his son, | 0:15:24 | 0:15:28 | |
her great-uncle, Peter, would have been living in Britain for almost | 0:15:28 | 0:15:31 | |
20 years when they were arrested and sent to the Isle of Man. | 0:15:31 | 0:15:36 | |
Tamzin wants to find out | 0:15:36 | 0:15:38 | |
if the buildings they were held in still exist. | 0:15:38 | 0:15:42 | |
There you can see, um, places... | 0:15:42 | 0:15:45 | |
That's actually on Douglas promenade with the barbed wire. | 0:15:45 | 0:15:50 | |
Gosh, look at that. | 0:15:50 | 0:15:52 | |
They were being held in internment camps that were basically | 0:15:52 | 0:15:55 | |
requisitioned boarding houses. | 0:15:55 | 0:15:57 | |
And we have a plan of the camp. | 0:15:57 | 0:16:02 | |
So you can actually see what it would have | 0:16:02 | 0:16:07 | |
been like in the summer of 1939. | 0:16:07 | 0:16:09 | |
People had been staying in as holiday-makers for one or two weeks, | 0:16:09 | 0:16:14 | |
by the summer of 1940, had barbed wire all the way round it. | 0:16:14 | 0:16:18 | |
And you might have anything from 1,000 to 3,000 men | 0:16:18 | 0:16:23 | |
interned in these blocks of hotels. | 0:16:23 | 0:16:25 | |
Well you can imagine, with the sea view, that would be quite | 0:16:25 | 0:16:28 | |
a lovely place to stay if it wasn't covered in barbed wire. | 0:16:28 | 0:16:32 | |
Yeah. And a lot of this promenade is still there. | 0:16:32 | 0:16:36 | |
I'd like to try and go there, if possible. | 0:16:36 | 0:16:40 | |
Yeah. So... | 0:16:40 | 0:16:42 | |
Here you go. This is where you need to go. | 0:16:43 | 0:16:48 | |
-There are hotels from the camp still there. -Thank you. | 0:16:48 | 0:16:52 | |
So this is where my grandad and great-uncle must have come in. | 0:17:03 | 0:17:08 | |
From what Yvonne says, they would have been | 0:17:08 | 0:17:11 | |
marched along the promenade, which much have been quite humiliating | 0:17:11 | 0:17:16 | |
because there would have been lots of people standing out | 0:17:16 | 0:17:19 | |
jeering and hissing them because they thought they were the enemy. | 0:17:19 | 0:17:22 | |
And have been marched all along to one of these buildings. | 0:17:22 | 0:17:25 | |
I think it's one of those in the end there. | 0:17:25 | 0:17:27 | |
So, what I'm going to do is, um, | 0:17:29 | 0:17:31 | |
just take this trip all along the promenade. | 0:17:31 | 0:17:35 | |
I'd like to find the Palace Camp, see what is was like inside, | 0:17:43 | 0:17:47 | |
see if I can find out what the conditions were like. | 0:17:47 | 0:17:50 | |
STRONG WIND BLOWS | 0:17:50 | 0:17:52 | |
Palace View Terrace. | 0:17:52 | 0:17:53 | |
OK, so this is the beginning of the internment camp. | 0:17:56 | 0:18:01 | |
So this would have had barbed wire all along here. | 0:18:02 | 0:18:06 | |
Surrounded by security fences, | 0:18:09 | 0:18:11 | |
with the perimeters patrolled by British Army personnel, | 0:18:11 | 0:18:14 | |
Palace Camp was used for the internment of Italian nationals. | 0:18:14 | 0:18:18 | |
Germans, Austrians and other enemy nationals | 0:18:20 | 0:18:23 | |
were held elsewhere on the island. | 0:18:23 | 0:18:26 | |
So this will all have been enclosed. | 0:18:28 | 0:18:32 | |
All these apartments... Palace Terrace. | 0:18:32 | 0:18:36 | |
Few witness statements survive about life inside. | 0:18:36 | 0:18:41 | |
The Italians, locked within the camp, ran it by themselves - | 0:18:41 | 0:18:45 | |
from who did the cooking and cleaning, | 0:18:45 | 0:18:48 | |
to who shared which room with who. | 0:18:48 | 0:18:51 | |
Bet this is quite lovely in summer. | 0:18:52 | 0:18:55 | |
WIND WHISTLES | 0:18:55 | 0:18:57 | |
Gosh, it's windy. | 0:18:57 | 0:19:00 | |
Trevelyan. Ah... | 0:19:02 | 0:19:05 | |
Rutland Hotel. | 0:19:07 | 0:19:09 | |
I suppose we should take a look inside. | 0:19:15 | 0:19:17 | |
Ooh, if we don't get blown into the sea! | 0:19:19 | 0:19:21 | |
This hotel is one of the 33 boarding houses that made up the Palace Camp. | 0:19:39 | 0:19:44 | |
Ah, this is one of the rooms. | 0:19:51 | 0:19:53 | |
There's a bathroom there. | 0:19:56 | 0:19:58 | |
I wonder how many people would have shared one room. | 0:19:58 | 0:20:01 | |
I suppose it would have been like a dormitory situation. | 0:20:01 | 0:20:05 | |
With just under 100 people in each boarding house, Tamzin is | 0:20:05 | 0:20:09 | |
keen to know what life would have been like for Adelmo and Peter. | 0:20:09 | 0:20:13 | |
It's just strange to think that lots of Italians and... | 0:20:24 | 0:20:27 | |
any kind of supposed threat to our country | 0:20:27 | 0:20:31 | |
would have all been packed into here. | 0:20:31 | 0:20:33 | |
KNOCK ON DOOR | 0:20:33 | 0:20:35 | |
-Yvonne. Hi. -Hi. | 0:20:35 | 0:20:36 | |
Found some more things. | 0:20:37 | 0:20:39 | |
-Brilliant. Your pictures. -Thank you. | 0:20:39 | 0:20:42 | |
OK. | 0:20:42 | 0:20:45 | |
So, one of the things you've got to remember is, in the Italian camps | 0:20:45 | 0:20:49 | |
you had everybody from die-hard Communists, Fascists, to | 0:20:49 | 0:20:55 | |
people like your family who probably had no interest in Italian politics. | 0:20:55 | 0:21:00 | |
But because you've got the full political spectrum, | 0:21:00 | 0:21:04 | |
it means you're going to have a lot of issues. | 0:21:04 | 0:21:07 | |
There seems to be sort of Fascist minority of thugs, bullying, | 0:21:07 | 0:21:12 | |
intimidating and threatening all the other internees in the camp. | 0:21:12 | 0:21:17 | |
I mean, here we have a cartoon where it's, you know, | 0:21:17 | 0:21:22 | |
they're calling the island and the Italian camps Little Italy | 0:21:22 | 0:21:27 | |
with Fascist rule in the Manx Camps. | 0:21:27 | 0:21:30 | |
"Fascist rule in Manx Camp. | 0:21:30 | 0:21:32 | |
"An aggressive Fascist minority self-appointed to all | 0:21:33 | 0:21:36 | |
"posts of responsibility dominates Italian | 0:21:36 | 0:21:39 | |
"internees at the Palace Camp, Isle of Man." | 0:21:39 | 0:21:42 | |
Isle of Man, and he's doing a Nazi salute. | 0:21:43 | 0:21:48 | |
Yeah. | 0:21:48 | 0:21:49 | |
As I say, there's a group of sort of, um, | 0:21:49 | 0:21:52 | |
Fascist thugs that see it as their role to remind their fellow | 0:21:52 | 0:21:58 | |
Italian internees that Mussolini rules supreme | 0:21:58 | 0:22:03 | |
and that this is a little Italian Fascist state. | 0:22:03 | 0:22:06 | |
And here we've got an account of the cartoonist | 0:22:06 | 0:22:11 | |
who was attacked in the camp. | 0:22:11 | 0:22:14 | |
This was a cartoonist who had produced this cartoon. | 0:22:14 | 0:22:20 | |
The Fascist thugs found out about it and decided to teach him a lesson. | 0:22:20 | 0:22:25 | |
So it's real intimidation tactics. | 0:22:25 | 0:22:27 | |
-What did they do? Beat him? -They beat him up. | 0:22:27 | 0:22:30 | |
So, basically, it was published without his permission | 0:22:31 | 0:22:34 | |
and then he was beaten up. | 0:22:34 | 0:22:36 | |
"Fascist thugs sent to prison. | 0:22:36 | 0:22:38 | |
"Italian internee beaten up by masked men, hooded like the Ku-Klux-Klan." | 0:22:38 | 0:22:43 | |
So it will have been a very threatening place. | 0:22:43 | 0:22:46 | |
Your great-uncle is going to be fearful of | 0:22:46 | 0:22:49 | |
your great-grandfather being attacked. | 0:22:49 | 0:22:51 | |
Your great-grandfather is going to be fearful that your | 0:22:51 | 0:22:54 | |
great-uncle Peter is going to be targeted by the Fascists | 0:22:54 | 0:23:00 | |
who would be wanting to get a young man to become a Fascist | 0:23:00 | 0:23:03 | |
and join their group. | 0:23:03 | 0:23:05 | |
You know, you've either got to side with them | 0:23:05 | 0:23:07 | |
or you've got to keep your head down. | 0:23:07 | 0:23:09 | |
Was there a way that you could somehow prove | 0:23:09 | 0:23:13 | |
or work your way out of here? | 0:23:13 | 0:23:15 | |
For young men, you could sort of volunteer to join the Pioneer Corps. | 0:23:15 | 0:23:20 | |
The Pioneer Corps was viewed by a lot of people as being | 0:23:20 | 0:23:24 | |
the lowest of the low in the British Army, doing all the labouring work. | 0:23:24 | 0:23:27 | |
But it was kind of like an initial first step to sort of get | 0:23:27 | 0:23:31 | |
yourself out of the camp, working for the British War Effort | 0:23:31 | 0:23:35 | |
and then you could take it from there. | 0:23:35 | 0:23:37 | |
Yvonne has found documents revealing more information about what | 0:23:38 | 0:23:42 | |
happened to Adelmo and Peter. | 0:23:42 | 0:23:44 | |
Here is your great-grandfather's card. | 0:23:46 | 0:23:49 | |
Adelmo Santi. Date and place of birth - 3/5/1896 at Barga, Italy. | 0:23:49 | 0:23:56 | |
Released 8/5/41. | 0:23:56 | 0:23:59 | |
-And if you turn it over... -Oh, hold on one sec. | 0:23:59 | 0:24:02 | |
"Home Office reference - Number 12 Chaytor Terrace, ice cream vendor. | 0:24:04 | 0:24:08 | |
"Release recommended. Yes." | 0:24:08 | 0:24:10 | |
And this is why they felt that he should be released. | 0:24:12 | 0:24:15 | |
Oh, my gosh! | 0:24:15 | 0:24:17 | |
"Santi, Adelmo is 44 years old. | 0:24:20 | 0:24:22 | |
"He first came to this country in 1913 | 0:24:24 | 0:24:27 | |
"and worked for four years as an ice cream vendor. | 0:24:27 | 0:24:30 | |
SHE SNIFFLES | 0:24:38 | 0:24:40 | |
"Eventually settled in Fishburn, County Durham, where his wife | 0:24:44 | 0:24:48 | |
"opened a confectionary and ice cream business. | 0:24:48 | 0:24:52 | |
"His only relative in Italy is his father | 0:24:52 | 0:24:55 | |
"and he has no property or investments there. | 0:24:55 | 0:24:59 | |
"His eldest son, aged 19, is now interned in the Isle of Man | 0:24:59 | 0:25:04 | |
"and he has five younger children, | 0:25:04 | 0:25:08 | |
"all born in this country, who are living with their mother. | 0:25:08 | 0:25:12 | |
"He has no money in the bank, no insurance policies. | 0:25:12 | 0:25:16 | |
"The appellant is a harmless and colourless individual, | 0:25:16 | 0:25:20 | |
"but he impressed the committee with his friendliness to this | 0:25:20 | 0:25:24 | |
"country and it seems desirable that he should return to his shop..." | 0:25:24 | 0:25:28 | |
HER VOICE BREAKS | 0:25:28 | 0:25:31 | |
"..to keep the business going to his large family. | 0:25:35 | 0:25:39 | |
SHE SOBS | 0:25:39 | 0:25:41 | |
"He first came to this country in 1913." | 0:25:41 | 0:25:44 | |
So we thought he came in the early '20s. | 0:25:45 | 0:25:49 | |
SHE INHALES SHARPLY | 0:25:49 | 0:25:51 | |
So that's your great-grandfather's. Now here is your great-uncle's. | 0:25:52 | 0:25:58 | |
"He was born 10/12/1921 at Barga, Italy. | 0:25:58 | 0:26:03 | |
It says, "Release not recommended." That's the 15/4. | 0:26:03 | 0:26:08 | |
"The appellant is a boy who is now in his 20th year | 0:26:14 | 0:26:17 | |
"and has been in England since he was a child of 11 months. | 0:26:17 | 0:26:21 | |
"He has no intention of returning to Italy but has declined to show | 0:26:21 | 0:26:25 | |
"his friendliness to this country by volunteering for the Pioneer Corps. | 0:26:25 | 0:26:30 | |
"The committee are unable to recommend his release | 0:26:30 | 0:26:33 | |
"in these circumstances." | 0:26:33 | 0:26:35 | |
He won't volunteer for the Pioneer Corps, so they're viewing | 0:26:35 | 0:26:40 | |
that as meaning that he's not friendly towards Britain. | 0:26:40 | 0:26:44 | |
He's a Fascist. Gosh. | 0:26:44 | 0:26:46 | |
What's interesting is why he doesn't want to join the Pioneer Corps. | 0:26:46 | 0:26:51 | |
And I wonder whether Peter is worried about saying, yeah, | 0:26:51 | 0:26:55 | |
fine, I'll join the Pioneer Corps | 0:26:55 | 0:26:57 | |
and heaven forbid he gets released even a few | 0:26:57 | 0:27:01 | |
days before his father, leaving his father in the camp on his own. | 0:27:01 | 0:27:05 | |
You're still having people being attacked by Fascist thugs | 0:27:05 | 0:27:09 | |
in the Palace Camp. | 0:27:09 | 0:27:11 | |
You wonder whether Peter just cannot take | 0:27:11 | 0:27:14 | |
the chance of leaving his father on his own. | 0:27:14 | 0:27:18 | |
Mm. That's quite a gallant thing to do, isn't it? | 0:27:18 | 0:27:21 | |
SHE EXHALES | 0:27:21 | 0:27:24 | |
So the discoveries are pretty horrific really, | 0:27:28 | 0:27:31 | |
what Great-Granddad Adelmo and Great-Uncle Peter went through | 0:27:31 | 0:27:37 | |
when they were sent here to the Palace Internment Camp. | 0:27:37 | 0:27:41 | |
Bullying and intimidation, probably violence... | 0:27:41 | 0:27:47 | |
And both of them worrying that the other one was OK. | 0:27:47 | 0:27:51 | |
And then of course eventually, after ten months for Adelmo, | 0:27:51 | 0:27:55 | |
him being able to be released. And a year for Peter. | 0:27:55 | 0:27:59 | |
But the interesting thing I found out today was that | 0:27:59 | 0:28:03 | |
Adelmo came over in 1913. | 0:28:03 | 0:28:05 | |
That means Adelmo was 16 or 17 years old. | 0:28:05 | 0:28:09 | |
So I'd like to find out how he got here, who he came with. | 0:28:09 | 0:28:12 | |
And I think the next step is Italy. And Barga. | 0:28:12 | 0:28:17 | |
So I'm quite excited about that. | 0:28:17 | 0:28:20 | |
Barga is a medieval hilltop town in rural Tuscany. | 0:28:34 | 0:28:39 | |
Tamzin's great-grandfather, Adelmo, left here more than a century ago. | 0:28:39 | 0:28:45 | |
Now she hopes to find out why. | 0:28:45 | 0:28:48 | |
Since I was a child, I've been coming here. | 0:28:48 | 0:28:52 | |
We came as children on holiday. | 0:28:52 | 0:28:54 | |
This is the old town and we always used to come to the old town | 0:28:54 | 0:28:58 | |
to get food. It's very, very pretty. | 0:28:58 | 0:29:01 | |
Although we didn't appreciate the beauty of it quite back then. | 0:29:01 | 0:29:05 | |
But not much has really changed here. | 0:29:07 | 0:29:09 | |
It still looks exactly the same to me. | 0:29:09 | 0:29:11 | |
The colours of the walls and the yellows and the pinks | 0:29:11 | 0:29:14 | |
and the oranges. | 0:29:14 | 0:29:15 | |
It seems like Adelmo came over to England in 1913. | 0:29:22 | 0:29:28 | |
So how did he go over as a 16-year-old? | 0:29:28 | 0:29:32 | |
Did he go over with his parents? | 0:29:32 | 0:29:34 | |
So I suppose I'm looking for why that journey happened, | 0:29:35 | 0:29:39 | |
where they ended up, why would you leave here? | 0:29:39 | 0:29:42 | |
Tamzin has arranged to meet researcher Maria Laura Frullini. | 0:29:42 | 0:29:47 | |
Ah. Maria Laura? | 0:29:47 | 0:29:48 | |
Records of local births, | 0:29:48 | 0:29:50 | |
marriages and deaths are held in Barga's Town Hall. | 0:29:50 | 0:29:54 | |
Tamzin wants to find out about the life of her great-grandfather | 0:29:56 | 0:30:00 | |
Adelmo, before he left Italy for Britain at such a young age. | 0:30:00 | 0:30:06 | |
She's starting with his birth certificate. | 0:30:06 | 0:30:09 | |
This is a registry that is listing people for that period. | 0:30:16 | 0:30:23 | |
Look at the writing. Just... | 0:30:23 | 0:30:26 | |
..so beautifully done. | 0:30:27 | 0:30:29 | |
Yeah. | 0:30:29 | 0:30:31 | |
Ah, wow. | 0:30:35 | 0:30:37 | |
-Santi. Adelmo. -Yes. | 0:30:40 | 0:30:43 | |
Barga. | 0:30:45 | 0:30:47 | |
He was born here, 5th May, 1896. | 0:30:48 | 0:30:55 | |
He...he has many names before Santi. | 0:30:55 | 0:30:59 | |
Yes. He has three names. | 0:30:59 | 0:31:02 | |
So he is Adelmo Alfredo Nello Santi. | 0:31:02 | 0:31:07 | |
-Giuseppe, the father. -Santi, Giuseppe. | 0:31:07 | 0:31:11 | |
So Adelmo's father was a colono - he's a farmer. | 0:31:11 | 0:31:16 | |
Maria Laura can find no record of Adelmo leaving Barga in 1913. | 0:31:17 | 0:31:23 | |
But there's another route they can take. | 0:31:23 | 0:31:26 | |
Adelmo left Italy the year before World War I broke out. | 0:31:26 | 0:31:30 | |
Unlike World War II, during the First World War | 0:31:34 | 0:31:37 | |
Italy joined Britain and her allies, | 0:31:37 | 0:31:39 | |
fighting against Germany and Austria. | 0:31:39 | 0:31:41 | |
The Italian Government began calling up | 0:31:46 | 0:31:50 | |
hundreds of thousands of Italian men who had emigrated abroad. | 0:31:50 | 0:31:54 | |
Adelmo Santi was in Britain in 1913, | 0:31:54 | 0:31:58 | |
so there may be a record of him being called back to Italy to fight. | 0:31:58 | 0:32:03 | |
This is, er, army call up lists for young people living abroad | 0:32:03 | 0:32:10 | |
that were called for the Italian army. | 0:32:10 | 0:32:13 | |
Santi, Adelmo. So this is him being called up. | 0:32:22 | 0:32:28 | |
-Yeah. -In what year would this have been? | 0:32:28 | 0:32:31 | |
-Er, 1916. -19th July, 1916. | 0:32:31 | 0:32:34 | |
At the Italian Consulate in Glasgow. | 0:32:34 | 0:32:37 | |
Glasgow! The Italian Consulate in Glasgow. | 0:32:37 | 0:32:43 | |
-Yeah. -Called him up. So he was living in Glasgow? | 0:32:43 | 0:32:46 | |
He was living, well, in Glasgow or in Scotland, yes. | 0:32:46 | 0:32:51 | |
So, in 1913, he must have gone to Scotland. | 0:32:51 | 0:32:55 | |
Yeah. And he was there on January 25th, 1916. | 0:32:55 | 0:33:01 | |
-And that's when he was called up. He had to come back to Italy. -Yes. | 0:33:01 | 0:33:06 | |
Maria Laura has another document | 0:33:06 | 0:33:09 | |
which shows where Adelmo was living when he returned to Italy. | 0:33:09 | 0:33:13 | |
Carpinecchio, two. Due. | 0:33:13 | 0:33:16 | |
It's not far from Barga. | 0:33:18 | 0:33:19 | |
So number two, Carpinecchio. | 0:33:19 | 0:33:22 | |
Will I be able to find this in Barga? Is it easy to find? | 0:33:22 | 0:33:25 | |
Yes. | 0:33:25 | 0:33:26 | |
So we know that Adelmo turned up in Great Britain in 1913, | 0:33:29 | 0:33:34 | |
which means he would have left here at about 16/17 years old. | 0:33:34 | 0:33:38 | |
-Yeah. -I'd love to find out what actually happened. | 0:33:38 | 0:33:41 | |
Tamzin wants to discover what Adelmo was doing | 0:33:43 | 0:33:48 | |
in Glasgow between 1913 and 1916. | 0:33:48 | 0:33:51 | |
Farming families like Adelmo's, could barely scratch | 0:33:52 | 0:33:56 | |
a living from the land in mountainous areas like Barga. | 0:33:56 | 0:33:59 | |
In the 50 years before Adelmo left in 1913, | 0:34:01 | 0:34:05 | |
grinding poverty in these rural communities had forced | 0:34:05 | 0:34:10 | |
millions of Italians to desert their homeland. | 0:34:10 | 0:34:12 | |
Tamzin is meeting local historian, Nicoletta Franchi. | 0:34:16 | 0:34:20 | |
-Ah, Nicoletta. -Yes. Hi. | 0:34:20 | 0:34:23 | |
-Hi. Sono Tamzin. -Piacere. | 0:34:25 | 0:34:27 | |
OK. | 0:34:27 | 0:34:29 | |
Adelmo Santi was just one of several hundred young boys who left | 0:34:32 | 0:34:36 | |
Barga to work in the emerging ice cream trade in Glasgow. | 0:34:36 | 0:34:41 | |
How could you leave Barga, | 0:34:43 | 0:34:45 | |
you left your family and go to Glasgow? | 0:34:45 | 0:34:48 | |
I mean, what would be the pull and what would be the reasons for going? | 0:34:48 | 0:34:52 | |
The people from Barga had a long tradition | 0:34:52 | 0:34:55 | |
since the 1700s of migrating during the winter to Scotland. | 0:34:55 | 0:34:59 | |
Most of the people that actually immigrated they were coming... | 0:34:59 | 0:35:02 | |
had a farm background and, by the end of the December, the harvest is | 0:35:02 | 0:35:06 | |
finished and therefore there's not much to do during the harsh winters. | 0:35:06 | 0:35:10 | |
And so I think your great-grandfather was | 0:35:10 | 0:35:14 | |
actually in this trend. | 0:35:14 | 0:35:15 | |
He was coming from a place that was 1,000 inhabitants, | 0:35:15 | 0:35:19 | |
whereas Glasgow was 750,000 inhabitants. | 0:35:19 | 0:35:22 | |
It was the second city within Great Britain, | 0:35:22 | 0:35:25 | |
-so that was one of the main attraction points. -Of course. | 0:35:25 | 0:35:29 | |
-Many people from Barga had ice cream shops... -In Glasgow? | 0:35:29 | 0:35:33 | |
In Glasgow itself. | 0:35:33 | 0:35:34 | |
So they would actually need boys or young apprentices | 0:35:34 | 0:35:39 | |
to work in the shop and prepare the ice cream. | 0:35:39 | 0:35:42 | |
Which would explain, you know, why people were, | 0:35:42 | 0:35:45 | |
would leave Barga and go to Glasgow because they would know people, | 0:35:45 | 0:35:49 | |
their families would all know each other. | 0:35:49 | 0:35:51 | |
Italy has always been famous for its gelato or ice cream. | 0:35:54 | 0:35:58 | |
Thought to date back to Roman banquets around 2,000 years ago, | 0:35:58 | 0:36:03 | |
gelato was originally made from snow and ice | 0:36:03 | 0:36:07 | |
brought down from the mountaintops and preserved deep below ground. | 0:36:07 | 0:36:11 | |
Ciao. | 0:36:11 | 0:36:13 | |
By the 20th century, | 0:36:13 | 0:36:15 | |
gelato had become a popular street food throughout Europe. | 0:36:15 | 0:36:19 | |
For emigrants like Adelmo, | 0:36:19 | 0:36:21 | |
making and selling ice cream was a potential route to economic success. | 0:36:21 | 0:36:26 | |
Ooh, that's good! | 0:36:26 | 0:36:28 | |
So it's a massive thing, Italians and ice cream. | 0:36:29 | 0:36:32 | |
I mean, they're just famous for it, aren't they? | 0:36:32 | 0:36:34 | |
Ah, we are. Well we're exporting all over the world. | 0:36:34 | 0:36:36 | |
It's like, we're the Santis - ice cream. | 0:36:36 | 0:36:39 | |
And then I know the Rossis - that's ice cream. | 0:36:39 | 0:36:43 | |
It seemed like quite a steady profession for Italians. | 0:36:43 | 0:36:47 | |
-All part of the catering trade, isn't it? -It is. | 0:36:48 | 0:36:51 | |
What Nicoletta's going to do is, she is going to give me | 0:36:53 | 0:36:56 | |
a lift to Carpinecchio, number two Carpinecchio, which is | 0:36:56 | 0:36:59 | |
the house, the last place that my great-granddad lived in | 0:36:59 | 0:37:03 | |
before he decided to leave Italy forever and go and live in the UK. | 0:37:03 | 0:37:07 | |
So I'm really desperate to see it, if it's still there. | 0:37:07 | 0:37:10 | |
This is where Adelmo, my great-grandfather, came from. | 0:37:25 | 0:37:29 | |
In a hamlet or a village. | 0:37:29 | 0:37:31 | |
Being in a remote place up here, on the side of a hill, | 0:37:31 | 0:37:36 | |
kind of makes you think, going all the way to Glasgow must | 0:37:36 | 0:37:41 | |
have been a massively brave move. | 0:37:41 | 0:37:44 | |
Well it's not unthinkable, but at 16/17 it seems to be. | 0:37:44 | 0:37:49 | |
-In my head, I'm thinking that's a really brave... -Thing to do. | 0:37:49 | 0:37:54 | |
..move. Well, it's quite ambitious, isn't it? | 0:37:54 | 0:37:57 | |
It's so quiet. | 0:38:08 | 0:38:10 | |
I can really see my great-granddad, Adelmo, here. | 0:38:12 | 0:38:17 | |
I can really see him in this place. | 0:38:17 | 0:38:19 | |
And you do think, why would you want to leave | 0:38:19 | 0:38:22 | |
if your family are around you? | 0:38:22 | 0:38:24 | |
But something must have been very attractive in Glasgow. | 0:38:24 | 0:38:28 | |
I can understand why at 16 or 17 | 0:38:28 | 0:38:30 | |
you would want to go and see what else was out there. | 0:38:30 | 0:38:33 | |
But if this is all he knew, I can completely understand why he'd | 0:38:33 | 0:38:37 | |
want to go and have a look for some bright lights and more opportunity. | 0:38:37 | 0:38:41 | |
I think I need to go to Glasgow next. | 0:38:41 | 0:38:43 | |
By the time Adelmo arrived in Glasgow in 1913 | 0:38:55 | 0:39:00 | |
there were several thousand Italian immigrants living here, | 0:39:00 | 0:39:04 | |
and more than 300 Italian shops and cafes selling ice cream | 0:39:04 | 0:39:09 | |
in the summer and fish and chips in the winter. | 0:39:09 | 0:39:12 | |
The Italians have left their mark on the city. | 0:39:15 | 0:39:18 | |
It is estimated that around 2% of Scotland's population | 0:39:18 | 0:39:22 | |
is of Italian descent. | 0:39:22 | 0:39:24 | |
What I want to do now is find out a bit more about ice cream | 0:39:26 | 0:39:29 | |
and what my great-granddad, | 0:39:29 | 0:39:31 | |
Adelmo, must have gone through in 1913 when he was 16 years old. | 0:39:31 | 0:39:36 | |
And so I've arranged to meet someone called Ivan, he's a historian. | 0:39:36 | 0:39:40 | |
I'm going to meet him at one of the very few ice cream parlours | 0:39:40 | 0:39:44 | |
that are left here in Glasgow. | 0:39:44 | 0:39:46 | |
-Ivan? -Tamzin. | 0:39:48 | 0:39:50 | |
-It's lovely to meet you. -Come and have a seat. | 0:39:50 | 0:39:53 | |
This place looks amazing. | 0:39:53 | 0:39:55 | |
It is lovely, isn't it? It's a time warp, really. | 0:39:55 | 0:39:58 | |
Italians had been coming to England since the early 1850s, | 0:39:59 | 0:40:03 | |
making ice cream in the summer, | 0:40:03 | 0:40:05 | |
selling it on the streets, chestnuts in the winter | 0:40:05 | 0:40:09 | |
or even barrel organs with monkeys, that kind of thing, | 0:40:09 | 0:40:11 | |
just to make a living. | 0:40:11 | 0:40:13 | |
By 1913, there were even two generations of Italians here, | 0:40:13 | 0:40:18 | |
so people would come from Barga, particularly to Glasgow. | 0:40:18 | 0:40:23 | |
So when he came as a young man, | 0:40:23 | 0:40:26 | |
there would have been a network of relatives, friends of the family. | 0:40:26 | 0:40:31 | |
That doesn't mean to say it was cosy, because a lot of these | 0:40:31 | 0:40:34 | |
young men at that age were really exploited by distant relatives. | 0:40:34 | 0:40:39 | |
Now I've got an amazing thing here for you. | 0:40:39 | 0:40:42 | |
Let's have a look. | 0:40:42 | 0:40:43 | |
This is the Bible for Italian ice cream makers from this period. | 0:40:43 | 0:40:48 | |
It's an amazing book. | 0:40:48 | 0:40:49 | |
-It was written by a man called Pinot Grifoni... -Grifoni. | 0:40:49 | 0:40:53 | |
-And it was published, look, in 19... -1911. -Yeah. | 0:40:53 | 0:40:57 | |
-So that was just before Adelmo came here. -Yeah. | 0:40:57 | 0:41:00 | |
Milano... | 0:41:00 | 0:41:01 | |
So this is the state of the art book for the gelateria of the | 0:41:01 | 0:41:05 | |
pre-First World War period. | 0:41:05 | 0:41:07 | |
What you're looking at here is something which is | 0:41:07 | 0:41:10 | |
probably like the premises that Adelmo worked in here in Glasgow. | 0:41:10 | 0:41:15 | |
What would they have called that? A parlour? | 0:41:15 | 0:41:17 | |
Well this is called a laboratorio di gelato. | 0:41:17 | 0:41:20 | |
-Laboratorio. -A laboratorio. A laboratory of gelato. | 0:41:20 | 0:41:23 | |
What I find baffling is how do you do this without freezing equipment? | 0:41:23 | 0:41:27 | |
OK. This is actually the sort of equipment that Adelmo would | 0:41:27 | 0:41:31 | |
have used when he first came to England in 1913. | 0:41:31 | 0:41:36 | |
This is an ice cream maker. | 0:41:36 | 0:41:38 | |
This is a wooden pale and this is called the sorbettiera, which, | 0:41:38 | 0:41:43 | |
it's made of pewter, and I'm going to get you to actually make some | 0:41:43 | 0:41:47 | |
ice cream using the sort of method that he would have used himself. | 0:41:47 | 0:41:51 | |
What we've got to do is get some ice. | 0:41:56 | 0:41:59 | |
I've got some here. | 0:41:59 | 0:42:00 | |
And I've also got this thing here. | 0:42:05 | 0:42:08 | |
-You need to... -Oh, I can I do that? | 0:42:08 | 0:42:10 | |
You're going to. If you can... Not too forcefully. | 0:42:10 | 0:42:13 | |
-OK. -But just try and crush it up a bit, OK. | 0:42:13 | 0:42:16 | |
No, you've got to whack it harder than that. | 0:42:19 | 0:42:22 | |
Ooh, that's satisfying. | 0:42:22 | 0:42:23 | |
-That's brilliant. -Basta. | 0:42:26 | 0:42:28 | |
-You enjoy that. -Finito. | 0:42:28 | 0:42:30 | |
Next thing, I'm going to... | 0:42:30 | 0:42:33 | |
When Adelmo first learnt to make gelato, blocks of ice were | 0:42:33 | 0:42:37 | |
broken up with hammers and packed between the walls | 0:42:37 | 0:42:40 | |
of the wooden pale and the inner metal container. | 0:42:40 | 0:42:42 | |
You can put your salt in again now. | 0:42:42 | 0:42:44 | |
Adding salt to the ice brought the temperature down to | 0:42:44 | 0:42:47 | |
well below freezing point. | 0:42:47 | 0:42:48 | |
Just a little sprinkling... | 0:42:48 | 0:42:50 | |
Now the business of making ice cream can begin. | 0:42:50 | 0:42:52 | |
Be quite generous. | 0:42:52 | 0:42:53 | |
Got to put some over my left shoulder, just because you have to. | 0:42:53 | 0:42:56 | |
But the ice cream is going to be | 0:42:56 | 0:42:58 | |
made from what your great-grandfather would have | 0:42:58 | 0:43:02 | |
called fior di latte, which is actually a very thin cream. | 0:43:02 | 0:43:06 | |
-Right. -Pour that cream into your ice cream maker there. | 0:43:06 | 0:43:11 | |
-So just put the lid down, pour it in, OK. -OK. | 0:43:13 | 0:43:18 | |
Now the other ingredient, the most important of all, | 0:43:18 | 0:43:21 | |
-is this, which is sugar syrup. -Wow! | 0:43:21 | 0:43:26 | |
You can't make ice cream without sugar. | 0:43:26 | 0:43:29 | |
So I've got about half the quantity of sugar syrup to cream. | 0:43:29 | 0:43:33 | |
Gosh, that's syrupy. | 0:43:33 | 0:43:34 | |
Let me show you the two things that he would have done. | 0:43:34 | 0:43:38 | |
First of all, the first thing is, once it's generally mixed up, | 0:43:38 | 0:43:42 | |
you spin it like that, OK. | 0:43:42 | 0:43:43 | |
Keep spinning it and it's going to whirl around and it's going to | 0:43:43 | 0:43:47 | |
mean that the cold is going to work through the whole mixture. | 0:43:47 | 0:43:51 | |
OK. Now if you take the lid off... | 0:43:51 | 0:43:53 | |
OK, now look in there, | 0:43:56 | 0:43:57 | |
can you see now that it's really beginning to freeze hard? | 0:43:57 | 0:44:01 | |
-Yeah. -OK. | 0:44:01 | 0:44:02 | |
Now what I'm going to teach you to do now is one of the skills that | 0:44:02 | 0:44:05 | |
Adelmo would have learned as a young lad, | 0:44:05 | 0:44:08 | |
and that is to spin it like this, look. | 0:44:08 | 0:44:12 | |
-Oh, so it's... -Oops! | 0:44:12 | 0:44:14 | |
THEY LAUGH | 0:44:14 | 0:44:16 | |
Did I catch you? I'm terribly sorry. | 0:44:16 | 0:44:19 | |
Have we got a wet cloth somewhere? | 0:44:19 | 0:44:21 | |
You're going to have to get your make-up guy to do something now. | 0:44:21 | 0:44:26 | |
Oh, my gosh! | 0:44:26 | 0:44:28 | |
THEY LAUGH | 0:44:28 | 0:44:30 | |
Oh, dear! | 0:44:31 | 0:44:32 | |
Hold it at the top, that's it. | 0:44:34 | 0:44:36 | |
Just very gently and it'll go, it'll just... | 0:44:36 | 0:44:39 | |
That's it. Do it fast. | 0:44:39 | 0:44:41 | |
When you get really good at it, like Adelmo was, you can | 0:44:42 | 0:44:46 | |
sort of do it with one hand. Try it with one hand. | 0:44:46 | 0:44:49 | |
-Ahh... -Yeah. Now what you're doing now is you're getting... | 0:44:52 | 0:44:55 | |
SHE YELPS | 0:44:55 | 0:44:56 | |
You're getting air into the mixture, OK. | 0:44:56 | 0:44:59 | |
You've got this in your genes, I think. | 0:44:59 | 0:45:01 | |
It looks like it. | 0:45:01 | 0:45:02 | |
OK, I think you're there, actually. | 0:45:04 | 0:45:06 | |
When Adelmo was making ice cream in Glasgow in 1913, | 0:45:10 | 0:45:14 | |
the cone, as a way of serving it, had just come in. | 0:45:14 | 0:45:18 | |
Most of the ice cream vendors were selling their ices in these | 0:45:18 | 0:45:22 | |
-little things which are called 'licks.' -Licks. | 0:45:22 | 0:45:25 | |
You've got a penny lick there cos that gives you a big helping. | 0:45:25 | 0:45:28 | |
-Mine is smaller, it's called halfpenny lick. -Right. | 0:45:28 | 0:45:31 | |
And what you actually do with these, | 0:45:31 | 0:45:33 | |
is you get your serving of ice cream on there with a spoon and you | 0:45:33 | 0:45:36 | |
give it to your customer and they lick it off | 0:45:36 | 0:45:38 | |
-and then they give you... -What, no spoon? -No, no spoon. | 0:45:38 | 0:45:41 | |
You just lick it off and then you give the glass back to Adelmo | 0:45:41 | 0:45:44 | |
-and he washes it... -Oh. -..and gives it to the next customer. | 0:45:44 | 0:45:48 | |
But let's serve it out. | 0:45:48 | 0:45:49 | |
I think the ice cream is really perfect now. | 0:45:49 | 0:45:52 | |
I get it like that and I try and... | 0:45:52 | 0:45:55 | |
get it to form a little kind of pyramid. | 0:45:57 | 0:46:00 | |
So you hang on to that. I'm going to serve myself... | 0:46:00 | 0:46:03 | |
-Quite uncouth just licking it off. -..a halfpenny worth. | 0:46:03 | 0:46:06 | |
Doesn't feel right. | 0:46:06 | 0:46:08 | |
-Salute, eh. -Salute. | 0:46:10 | 0:46:11 | |
Go on, do it. | 0:46:16 | 0:46:17 | |
I can't do it in one go... Mmm. | 0:46:17 | 0:46:19 | |
Mmm. | 0:46:23 | 0:46:24 | |
We made that. | 0:46:25 | 0:46:27 | |
Mm. | 0:46:27 | 0:46:29 | |
-Wow, that's gorgeous. -Mm. | 0:46:29 | 0:46:30 | |
By the early 1920s, Glasgow was teeming with Italian cafes. | 0:46:33 | 0:46:38 | |
About eight years after he had first arrived, | 0:46:38 | 0:46:41 | |
Tamzin's great-grandfather decided to seek new opportunities. | 0:46:41 | 0:46:46 | |
He headed south to Fishburn in County Durham. | 0:46:46 | 0:46:49 | |
I suppose what I learnt about Adelmo is, | 0:46:49 | 0:46:52 | |
he was willing to start from scratch, from absolutely nothing. | 0:46:52 | 0:46:56 | |
To learn a trade that he didn't know much about at a very young age. | 0:46:56 | 0:47:02 | |
And then eventually turn that trade into a business. | 0:47:02 | 0:47:06 | |
Well, being Italian was, at that time, probably... | 0:47:06 | 0:47:09 | |
They were in favour, they were out of favour, | 0:47:11 | 0:47:13 | |
just before the war they had...they suffered some racism. | 0:47:13 | 0:47:18 | |
And then once the war happened, | 0:47:18 | 0:47:19 | |
then they were put in internment camps | 0:47:19 | 0:47:21 | |
because they were classed as the enemy. | 0:47:21 | 0:47:23 | |
And then suddenly people decided they quite liked ice cream, | 0:47:23 | 0:47:26 | |
so then they were all in favour of the Italians. | 0:47:26 | 0:47:29 | |
So there was definitely an element of, | 0:47:29 | 0:47:31 | |
oh, we'll have your ice cream and your fish and chips | 0:47:31 | 0:47:34 | |
and all the good bits about you, but you know, don't be too Italian. | 0:47:34 | 0:47:38 | |
And so I think they had to become British to fit in. | 0:47:38 | 0:47:41 | |
And that takes a lot of swallowing your pride. | 0:47:41 | 0:47:46 | |
And the integrity and the determination that he must have had | 0:47:46 | 0:47:50 | |
to make that work, sounds like such a man of substance. | 0:47:50 | 0:47:54 | |
So now we're off to Fishburn. | 0:47:56 | 0:47:58 | |
I've been to Fishburn many times. And the shop, I remember really well. | 0:47:58 | 0:48:03 | |
And the ice cream, it was called Santi's Ices. | 0:48:03 | 0:48:06 | |
My memory of Fishburn was the smell of coal, which was so strong. | 0:48:07 | 0:48:13 | |
As soon as you came in to the village, | 0:48:13 | 0:48:16 | |
you saw the smoke and then you smelled the coal. | 0:48:16 | 0:48:19 | |
In the 1920s, Fishburn's existing colliery expanded to employ | 0:48:22 | 0:48:26 | |
over 500 men. | 0:48:26 | 0:48:28 | |
With small but steady incomes to tap from the local miners' families, | 0:48:28 | 0:48:32 | |
Fishburn was the perfect place for Adelmo to open | 0:48:32 | 0:48:37 | |
the village's first Italian ice cream parlour. | 0:48:37 | 0:48:40 | |
A century later, Tamzin has returned to Fishburn to see how | 0:48:42 | 0:48:46 | |
successful Adelmo's venture was. | 0:48:46 | 0:48:49 | |
Chaytor Terrace. Goodness me. It's exactly the same. | 0:48:51 | 0:48:56 | |
The only difference is, it doesn't smell of coal any more. | 0:48:56 | 0:49:00 | |
So this looks familiar. | 0:49:00 | 0:49:02 | |
This must have been... where are we... 15, 14, 13, | 0:49:02 | 0:49:06 | |
so this is number 12, this was the shop. | 0:49:06 | 0:49:09 | |
Hello there, Tamzin. | 0:49:09 | 0:49:11 | |
Lifelong resident, Bert Draycott, | 0:49:11 | 0:49:13 | |
has tracked down the keys to Adelmo Santi's old shop. | 0:49:13 | 0:49:17 | |
This is the... | 0:49:17 | 0:49:18 | |
Bert grew up with Santi's ice cream and knew the family well. | 0:49:18 | 0:49:22 | |
When I was a lad, Santi's was the place, the ice cream. | 0:49:23 | 0:49:27 | |
It was lovely. | 0:49:27 | 0:49:29 | |
The kids used to say, "Santi's ice cream is the best. | 0:49:29 | 0:49:32 | |
"It's good for your belly and chest. | 0:49:32 | 0:49:34 | |
"You pay a penny, you get too many, Santi's ice cream is the best." | 0:49:34 | 0:49:37 | |
Did they? That's so cute! | 0:49:37 | 0:49:39 | |
That was the thing they used to say. Cos it was. It was lovely ice cream. | 0:49:39 | 0:49:43 | |
So I know Adelmo as being my Italian great-grandfather. | 0:49:43 | 0:49:47 | |
-Yeah. -Everyone called him Arthur, | 0:49:47 | 0:49:49 | |
-maybe because he wanted to not seem too out of place. -Mm. | 0:49:49 | 0:49:52 | |
And, er, the main thing that I've found out along the way | 0:49:52 | 0:49:56 | |
is just how hard he worked. | 0:49:56 | 0:49:58 | |
He came from absolutely nothing. He had no money. | 0:49:58 | 0:50:01 | |
He then went on to buy all of his children houses in the area. | 0:50:01 | 0:50:05 | |
Oh, yeah, they used to say, "Arthur Santi, richest man in Fishburn." | 0:50:05 | 0:50:09 | |
Yes, which he owns houses, he owns houses that...he owns houses. | 0:50:09 | 0:50:12 | |
When would that have been? | 0:50:12 | 0:50:14 | |
-1950, something like that. -Right. | 0:50:14 | 0:50:16 | |
It took him that long to be known as the richest man in Fishburn, | 0:50:16 | 0:50:19 | |
but what an achievement, that my great-granddad was called | 0:50:19 | 0:50:22 | |
the richest man in Fishburn. HE LAUGHS | 0:50:22 | 0:50:24 | |
-This is obviously where the pit was. -Yeah. | 0:50:28 | 0:50:31 | |
So it seems to me that Adelmo - Arthur - Santi | 0:50:34 | 0:50:38 | |
must have spotted an opportunity. | 0:50:38 | 0:50:40 | |
The pit is the reason that Adelmo came here, | 0:50:40 | 0:50:43 | |
because he saw it as a place that would bring cash into the village. | 0:50:43 | 0:50:47 | |
Yeah. Yeah, well Fishburn would be an up-and-coming place then. | 0:50:47 | 0:50:50 | |
He probably knew that there was no ice cream parlours in the area. | 0:50:50 | 0:50:55 | |
-Exactly, yes. -He must have known that. | 0:50:55 | 0:50:57 | |
Fishburn was a coal town, and during the years of the depression | 0:50:58 | 0:51:03 | |
in the 1930s, colliery wages were low. | 0:51:03 | 0:51:07 | |
But after the pits were nationalised in 1947, Adelmo's customers' | 0:51:07 | 0:51:12 | |
disposable income rose as they topped the industrial wages league. | 0:51:12 | 0:51:17 | |
Now, my Auntie Iris and Peter lived on a corner house. | 0:51:21 | 0:51:26 | |
It could be this corner, but I think it might be that one. | 0:51:26 | 0:51:31 | |
Tamzin's Great-Uncle Peter died some years ago, | 0:51:31 | 0:51:35 | |
but his wife, Iris, still lives in Fishburn. | 0:51:35 | 0:51:38 | |
Cleveland View. It's this one here. | 0:51:38 | 0:51:41 | |
It's very different, they've obviously got a new fence. | 0:51:41 | 0:51:45 | |
So this was where Uncle Peter and Auntie Iris lived. | 0:51:45 | 0:51:50 | |
I remember, they always had a lovely garden. | 0:51:50 | 0:51:53 | |
That's right. Look how close everything is. | 0:51:55 | 0:51:57 | |
Auntie Iris! | 0:52:09 | 0:52:11 | |
Tamzin! Where have you been all my life? | 0:52:11 | 0:52:15 | |
-Oh, you look exactly the same. -Ohhh... | 0:52:15 | 0:52:18 | |
You don't look any different at all. | 0:52:18 | 0:52:20 | |
Nanny Lina sent her love as well, I spoke to her today. | 0:52:20 | 0:52:24 | |
Oh, yes. I spoke to her on Saturday. | 0:52:24 | 0:52:26 | |
It's so surreal being back here. | 0:52:28 | 0:52:31 | |
In the last ten days I have been on a magical mystery tour | 0:52:31 | 0:52:38 | |
-of Great-Granddad Adelmo's path. -He was a lovely, lovely man. | 0:52:38 | 0:52:43 | |
-He was really well respected round here, wasn't he? -Definitely. | 0:52:43 | 0:52:46 | |
And when Nanny told me about... when she showed me | 0:52:46 | 0:52:49 | |
the wedding pictures of her and Grandad, Nanny Lina | 0:52:49 | 0:52:51 | |
and Grandad Remo, and I said, "Where is Adelmo, why is he not there?" | 0:52:51 | 0:52:56 | |
And she said he had to open the shop. | 0:52:56 | 0:52:58 | |
-Yes. -Because someone... -The shop came first. | 0:52:58 | 0:53:01 | |
-Shop came first. -Absolutely. | 0:53:01 | 0:53:02 | |
And although he was such a family man, | 0:53:02 | 0:53:05 | |
he let everybody else go to the wedding because the idea of him | 0:53:05 | 0:53:08 | |
closing the shop for a day would be too much of a loss. | 0:53:08 | 0:53:11 | |
-Ooh, no. No, no. -What a hardworking man. -Definitely. | 0:53:11 | 0:53:17 | |
Iris reveals that Adelmo had another son who Tamzin knows nothing about. | 0:53:19 | 0:53:26 | |
Well, there was Henry, but they were playing on a swing, | 0:53:28 | 0:53:34 | |
a rope over a tree, and they fell. | 0:53:34 | 0:53:38 | |
And I was told that he injured his liver and he died. | 0:53:38 | 0:53:44 | |
-How old was he? -Just a child. -Gosh. | 0:53:44 | 0:53:48 | |
I can't imagine what that must have been like for Maria and Adelmo. | 0:53:49 | 0:53:53 | |
Oh, terrible. | 0:53:53 | 0:53:54 | |
In the garden across the road there, is a tree, a cherry tree it is... | 0:53:54 | 0:54:01 | |
-Right. -And Grandad, he sat there and we're talking like this, | 0:54:01 | 0:54:08 | |
and he really sobbed his heart out. | 0:54:08 | 0:54:12 | |
And that tree was in flower. | 0:54:13 | 0:54:15 | |
I thought maybe it had triggered something in his mind of Italy | 0:54:15 | 0:54:22 | |
cos he was old then. | 0:54:22 | 0:54:23 | |
If Henry died from falling off a swing from a tree... | 0:54:24 | 0:54:30 | |
-Yeah, it could be. I don't know. -..would it be to do with that? | 0:54:30 | 0:54:33 | |
Yeah. I couldn't ask him because I didn't want him to cry. | 0:54:33 | 0:54:38 | |
I would say it was more about Henry than Italy. | 0:54:38 | 0:54:41 | |
Yes. I suppose. | 0:54:41 | 0:54:43 | |
-Look how pretty it is over here. -Specially when the sun shines on it. | 0:54:47 | 0:54:50 | |
Isn't it? | 0:54:50 | 0:54:52 | |
Bert has brought Tamzin to Fishburn Cemetery | 0:54:52 | 0:54:54 | |
to look for the grave of Henry, the great-uncle she never knew. | 0:54:54 | 0:54:59 | |
Down this way. It's the one that's fell over. | 0:54:59 | 0:55:03 | |
Oh, wow. Look. | 0:55:03 | 0:55:05 | |
"In loving memory of a dear husband and dad. Arthur Santi. | 0:55:11 | 0:55:15 | |
"Died 11th November, 1978, aged 82 years. | 0:55:15 | 0:55:20 | |
"Also a dear wife and mam, Maria Santi, died 27th June, 1980." | 0:55:20 | 0:55:28 | |
Two years later. "Aged 78 years. | 0:55:28 | 0:55:34 | |
"And Henry, their dear son, died 1936, aged 13 years." | 0:55:34 | 0:55:42 | |
When Henry died, they hadn't been in Fishburn very long, | 0:55:42 | 0:55:46 | |
and they were...they had no money for the funeral. | 0:55:46 | 0:55:49 | |
Fishburn people had a collection and paid for the funeral. | 0:55:49 | 0:55:54 | |
So later years, when they said, "Mr Santi, richest man in Fishburn," | 0:55:54 | 0:56:00 | |
he bought a field, not to be built on, donated to the village | 0:56:00 | 0:56:04 | |
as a playground for the Fishburn children as a thank you for | 0:56:04 | 0:56:10 | |
the kindness of the village people. | 0:56:10 | 0:56:12 | |
-So when his son died, he didn't have any money? -No. | 0:56:12 | 0:56:16 | |
-And so everyone clubbed together to pay for the funeral? -Mm. | 0:56:16 | 0:56:19 | |
-That just tells you what kind of a man he was. -Yeah. | 0:56:19 | 0:56:21 | |
They must have loved him. | 0:56:21 | 0:56:23 | |
And then when he did eventually have the money, | 0:56:23 | 0:56:26 | |
-that's how he repaid Fishburn. -Yes. It was, yes. | 0:56:26 | 0:56:30 | |
That's lovely. | 0:56:30 | 0:56:32 | |
Came from nowt up to being richest man in Fishburn. | 0:56:32 | 0:56:36 | |
Such an honourable, loyal thing to do. | 0:56:36 | 0:56:39 | |
I'm going to go down to the playing field now, to the playground. | 0:56:41 | 0:56:44 | |
CHILDREN PLAYING LOUDLY | 0:56:44 | 0:56:46 | |
My great-granddad, Adelmo, bought the plot of land to say thank you | 0:56:46 | 0:56:50 | |
to all the local people. | 0:56:50 | 0:56:53 | |
Looks busy. | 0:56:53 | 0:56:55 | |
Wow! | 0:57:01 | 0:57:02 | |
What a great place. | 0:57:03 | 0:57:05 | |
"In memory of Mr Arthur Santi who bequeathed this | 0:57:10 | 0:57:15 | |
"ground in 1952 to the children of Fishburn." | 0:57:15 | 0:57:18 | |
How lovely. | 0:57:20 | 0:57:22 | |
Having traced his journey, you just think what a tale of, | 0:57:33 | 0:57:39 | |
you know, immigration, and the achievement... | 0:57:39 | 0:57:45 | |
Well, all the achievements - his businesses, his travelling, | 0:57:46 | 0:57:51 | |
his learning the language, his children, his grandchildren, | 0:57:51 | 0:57:57 | |
keeping everyone as together as possible. | 0:57:57 | 0:58:01 | |
And striving and fighting, and the hard work and the determination | 0:58:01 | 0:58:05 | |
that it took him to get to that stage. | 0:58:05 | 0:58:09 | |
And look, now he's had recognition. | 0:58:09 | 0:58:12 | |
Doesn't get much better than that. | 0:58:12 | 0:58:14 | |
It's all done in the name of family. | 0:58:20 | 0:58:22 |