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Comedian Brendan O'Carroll is one of the biggest stars | 0:00:02 | 0:00:05 | |
to come out of Ireland in a generation. | 0:00:05 | 0:00:08 | |
He started in comedy relatively late - aged 35 - but since then | 0:00:08 | 0:00:12 | |
he's built an entertainment empire out of cross-dressing | 0:00:12 | 0:00:15 | |
as his comic creation - a feisty, foul mouthed Dublin matriarch. | 0:00:15 | 0:00:21 | |
Any room upstairs? | 0:00:21 | 0:00:22 | |
Mrs Brown started as a five minute piece on radio. | 0:00:22 | 0:00:26 | |
It was just meant to be a five minute sketch, to run for a week. | 0:00:26 | 0:00:30 | |
It went on to run for 480 episodes. | 0:00:30 | 0:00:33 | |
I wrote the stage play and then the TV came along. | 0:00:33 | 0:00:36 | |
It just went crazy. Mad. | 0:00:36 | 0:00:40 | |
'The show's been all over the world.' | 0:00:40 | 0:00:42 | |
All right, man. | 0:00:42 | 0:00:44 | |
'And now we're back in Dublin.' | 0:00:44 | 0:00:46 | |
Show time! | 0:00:47 | 0:00:49 | |
For one week, Mrs Brown's back in town. | 0:00:50 | 0:00:53 | |
Hello. It's show time! | 0:00:56 | 0:00:58 | |
Oh, God, that's not easy for her. She has an overactive, um... | 0:00:59 | 0:01:02 | |
Thyroid. | 0:01:02 | 0:01:04 | |
Knife and fork. | 0:01:04 | 0:01:05 | |
'Initially, it was me playing Mrs Brown, but | 0:01:05 | 0:01:07 | |
I didn't know I was going to fall in love, and did, head over heels. | 0:01:07 | 0:01:10 | |
-I'm going to my room! -Go to your room! Oh... | 0:01:10 | 0:01:13 | |
'So all of a sudden now it's me and my wife. Jenny, who plays Cathy...' | 0:01:13 | 0:01:16 | |
How could you beat your mother?! | 0:01:16 | 0:01:18 | |
'And then before you knew it, everybody was involved in the show. | 0:01:18 | 0:01:22 | |
'My other eldest son... ' | 0:01:22 | 0:01:23 | |
How are you, Cathy? | 0:01:23 | 0:01:24 | |
'My daughter, my sister, my son-in-law | 0:01:24 | 0:01:26 | |
'and my daughter-in-law...' | 0:01:26 | 0:01:28 | |
I just... | 0:01:28 | 0:01:29 | |
Cathy! Cathy, wait! | 0:01:29 | 0:01:32 | |
'Although she can be an awful woman, she loves her family. | 0:01:32 | 0:01:36 | |
'She would defend them to death.' | 0:01:36 | 0:01:38 | |
'We've been away from Dublin for the last three years | 0:01:44 | 0:01:47 | |
'and this week it's been an amazing reception. | 0:01:47 | 0:01:50 | |
INDISTINCT CHATTER | 0:01:50 | 0:01:53 | |
'People are coming over and shaking your hand.' | 0:01:53 | 0:01:55 | |
Good to see you. How are you? | 0:01:55 | 0:01:56 | |
THEY LAUGH | 0:01:56 | 0:01:58 | |
'It's been just so warm and loving.' | 0:01:58 | 0:02:00 | |
-Cheers. No, it's nice to meet you. -Well done. | 0:02:00 | 0:02:02 | |
'I live in Florida now but Dublin will always be home. | 0:02:02 | 0:02:07 | |
'With my own family history, I know a bit.' | 0:02:07 | 0:02:11 | |
The stand-up story of the O'Carroll side | 0:02:11 | 0:02:13 | |
was the murder of my grandfather in 1920, I believe it was. | 0:02:13 | 0:02:18 | |
Um, and that he was shot. | 0:02:18 | 0:02:21 | |
And it was for Irish freedom. | 0:02:21 | 0:02:24 | |
And it was my granddad. Um, so it was a very... | 0:02:26 | 0:02:29 | |
it was very...it was an exciting part of your life that you were | 0:02:29 | 0:02:32 | |
able to relate to other people. | 0:02:32 | 0:02:34 | |
Especially other kids. You know, "You going to visit your granddad?" | 0:02:34 | 0:02:37 | |
"No, he was shot." | 0:02:37 | 0:02:39 | |
And it was, "Really?" "Yep." | 0:02:39 | 0:02:42 | |
But you do know that family stories get embellished. | 0:02:43 | 0:02:47 | |
I know little snippets here and there, | 0:02:47 | 0:02:50 | |
but not enough to be able to go - this is the definitive truth. | 0:02:50 | 0:02:54 | |
Honestly, if we can, I'd like to just concentrate on that night. | 0:02:55 | 0:03:01 | |
What happened that night? | 0:03:01 | 0:03:03 | |
Why was he shot? Who shot him? | 0:03:05 | 0:03:09 | |
And if there was a purpose to it, did they achieve the purpose? | 0:03:09 | 0:03:14 | |
I'd like to find out just exactly what happened that night. | 0:03:14 | 0:03:17 | |
Brendan is at home in Dublin with his wife Jenny and son Danny. | 0:03:48 | 0:03:52 | |
That's my granddad. | 0:03:54 | 0:03:55 | |
Wow! A strong looking lad, isn't he? | 0:03:56 | 0:03:59 | |
-Yeah, he is. He's just this very proud... -Love the tash. | 0:03:59 | 0:04:02 | |
-Is that your grandmother? -That's Annie, yeah. Annie O'Carroll. | 0:04:02 | 0:04:06 | |
-There's my dad there, Gearoid. -Oh, wow! | 0:04:06 | 0:04:09 | |
What age were you when you found out your granddad was murdered? | 0:04:09 | 0:04:12 | |
I was told when I was a little kid, | 0:04:12 | 0:04:14 | |
and I wasn't told any of the detail, but my belief always was | 0:04:14 | 0:04:17 | |
that my granddad was killed by the Black and Tans. | 0:04:17 | 0:04:20 | |
-British soldiers, were they? -Yeah. | 0:04:20 | 0:04:21 | |
A bunch of drunken soldiers, that's the way we were told it was. | 0:04:21 | 0:04:25 | |
When I went to visit him in the cemetery, | 0:04:25 | 0:04:27 | |
and saw it on the gravestone - | 0:04:27 | 0:04:28 | |
"Shot during the curfew." It was really stark. | 0:04:28 | 0:04:31 | |
I said I'd really like to know what happened. | 0:04:31 | 0:04:33 | |
And so I went looking for details of exactly what | 0:04:33 | 0:04:35 | |
happened on the night and this is what I got. | 0:04:35 | 0:04:37 | |
This is the article. | 0:04:37 | 0:04:39 | |
This is the report from the Irish Independent on October 18th, 1920. | 0:04:39 | 0:04:42 | |
-So shall I read it to you? -Mm-hmm. -OK. | 0:04:42 | 0:04:45 | |
"Morning Tragedy In Dublin. | 0:04:45 | 0:04:46 | |
"An appalling tragedy was enacted in a little shop, | 0:04:46 | 0:04:49 | |
"Manor Street, Dublin, about 2am on Saturday. | 0:04:49 | 0:04:52 | |
"The proprietor, Mr Peter O'Carroll, 56, was shot dead by armed men | 0:04:52 | 0:04:56 | |
"who carried out their purpose with a noiseless weapon | 0:04:56 | 0:04:59 | |
"and departed silently having accomplished it." | 0:04:59 | 0:05:02 | |
-Silencer. -OK. | 0:05:02 | 0:05:05 | |
"The only occupants of the house on Saturday morning | 0:05:05 | 0:05:08 | |
"were Mr and Mrs O'Carroll | 0:05:08 | 0:05:10 | |
"and their children Gearoid, 10, and Martha, 12." | 0:05:10 | 0:05:14 | |
"The story of the shocking occurrence was | 0:05:14 | 0:05:16 | |
"given by one of the victim's daughters. | 0:05:16 | 0:05:18 | |
"She said, 'About 1.40 on Saturday morning, a knock came to our door, | 0:05:18 | 0:05:22 | |
"'my father got up, having put on his trousers and stockings, | 0:05:22 | 0:05:25 | |
"'went downstairs to admit those outside. | 0:05:25 | 0:05:27 | |
"'My mother also got out of bed and looked through the window. | 0:05:27 | 0:05:30 | |
"'She noticed the forms of two or three men at the door. | 0:05:30 | 0:05:34 | |
"'There was a slight thud and then stillness. | 0:05:34 | 0:05:38 | |
"'My mother hearing no noise, came downstairs | 0:05:38 | 0:05:41 | |
"'and there the most terrible spectacle met her eyes. | 0:05:41 | 0:05:44 | |
"'Her husband lying, a corpse, in a huge pool of blood.'" | 0:05:44 | 0:05:48 | |
Peter O'Carroll was shot on the 16th October, 1920. | 0:05:51 | 0:05:56 | |
At the time, Ireland was still part of the United Kingdom, | 0:05:56 | 0:06:00 | |
but the majority of Irish people wanted an end to British Rule. | 0:06:00 | 0:06:05 | |
This led to a conflict known as the Irish War of Independence | 0:06:05 | 0:06:10 | |
between the forces of the British Crown | 0:06:10 | 0:06:12 | |
and the recently formed Irish Republican Army - the IRA - | 0:06:12 | 0:06:17 | |
who were fighting for Irish Independence. | 0:06:17 | 0:06:20 | |
In the face of the Crown Forces' overwhelming military might, | 0:06:20 | 0:06:24 | |
IRA soldiers used guerrilla tactics. | 0:06:24 | 0:06:27 | |
Wearing plain clothes, they operated out of safe houses | 0:06:27 | 0:06:31 | |
and launched sporadic attacks. | 0:06:31 | 0:06:34 | |
To try to root them out, the Crown Forces frequently raided | 0:06:34 | 0:06:38 | |
and ransacked private homes. | 0:06:38 | 0:06:40 | |
"There have of late been several raids by the Crown Forces | 0:06:42 | 0:06:45 | |
"on the premises in quest of Mr O'Carroll's sons." | 0:06:45 | 0:06:47 | |
I knew they were raiding and they was looking for... | 0:06:47 | 0:06:50 | |
-They were looking for the three of them. -For my uncles. | 0:06:50 | 0:06:52 | |
-So these boys? -Yeah, who are in the photograph. | 0:06:52 | 0:06:55 | |
They were members of the IRA. | 0:06:55 | 0:06:56 | |
I'm not sure if all four were, but three of them were. | 0:06:56 | 0:06:59 | |
That's Mick, that's Jim, that's Liam. That's Peadar. | 0:06:59 | 0:07:06 | |
In 1920, it was a different thing to be a member of the IRA then | 0:07:06 | 0:07:09 | |
than it was in the '70s or '80s. | 0:07:09 | 0:07:12 | |
They were very much part of Ireland's struggle for independence. | 0:07:12 | 0:07:16 | |
OK. Look at this. | 0:07:16 | 0:07:18 | |
"The shop bore no trace of a struggle of any kind." | 0:07:18 | 0:07:20 | |
"Not an atom in it was disturbed." | 0:07:20 | 0:07:22 | |
If they were supposed to be looking for the boys, | 0:07:22 | 0:07:24 | |
why wouldn't they search the house? | 0:07:24 | 0:07:26 | |
The raids are usually noisy and boisterous cos they want to show... | 0:07:26 | 0:07:29 | |
they kind of want to make an example of you. But in this one... | 0:07:29 | 0:07:32 | |
-Seems to have been done stealthily for some reason. -Yes. | 0:07:32 | 0:07:35 | |
OK. Look at this. | 0:07:35 | 0:07:37 | |
"On the body of the victim was pinned a piece of paper bearing | 0:07:37 | 0:07:41 | |
"the words, 'A traitor to Ireland - shot by the IRA.' | 0:07:41 | 0:07:44 | |
"This infamous suggestion has caused great pain | 0:07:46 | 0:07:49 | |
"to Mrs O'Carroll and her family. " | 0:07:49 | 0:07:51 | |
Were you told about that when you were a kid? | 0:07:51 | 0:07:53 | |
Yeah. No, we knew about it | 0:07:53 | 0:07:54 | |
and it said that this man is a traitor to... | 0:07:54 | 0:07:57 | |
this man is a traitor to Ireland, shot by the IRA. | 0:07:57 | 0:07:59 | |
But was always just pooh-poohed. | 0:07:59 | 0:08:01 | |
Because our family were a very, very Republican family. | 0:08:01 | 0:08:04 | |
It would upset me a little bit thinking that he was a... but... | 0:08:04 | 0:08:07 | |
-A traitor?! -Not a traitor, but... -Jeez, it would have upset me. | 0:08:07 | 0:08:10 | |
-It seems to be complete shock. -Yeah...at the...at the suggestion. | 0:08:10 | 0:08:13 | |
"An extraordinary thing is that no report of a shot was heard - | 0:08:15 | 0:08:19 | |
"not even by Mrs O'Carroll, who was sitting in her bedroom | 0:08:19 | 0:08:23 | |
"listening as intently as possible to every motion." | 0:08:23 | 0:08:26 | |
How could you be in the same house as somebody, | 0:08:26 | 0:08:29 | |
somebody getting shot and not hear? This is all a bit...odd. | 0:08:29 | 0:08:34 | |
"Muffled shot. Silently come and go. | 0:08:34 | 0:08:38 | |
"Noiselessly done to death." | 0:08:38 | 0:08:40 | |
What I was told was a casual shooting, it seems to be a hit. | 0:08:40 | 0:08:45 | |
It's like reading a spy story. Who would possibly assassinate him? | 0:08:45 | 0:08:51 | |
And look at this. | 0:08:51 | 0:08:53 | |
"The City Coroner was told by the Lord Lieutenant not to hold | 0:08:53 | 0:08:56 | |
"an inquest... | 0:08:56 | 0:08:57 | |
"..as a military inquiry is to be held." | 0:08:57 | 0:09:00 | |
That might be something that you might be able to find out - | 0:09:00 | 0:09:02 | |
what the findings of the military inquiry were. | 0:09:02 | 0:09:05 | |
You'd hardly expect to find the actual name | 0:09:05 | 0:09:07 | |
of the person that shot your granddad, would you? | 0:09:07 | 0:09:10 | |
No. I think the chances of finding out a name are absolutely remote. | 0:09:10 | 0:09:13 | |
If I can find out a group or Commanding Officer... | 0:09:13 | 0:09:17 | |
-Something from the military... -A reason. A reason. | 0:09:17 | 0:09:21 | |
Why did they shoot you? | 0:09:21 | 0:09:23 | |
Brendan is performing in the Mrs Brown live show in the evenings. | 0:09:31 | 0:09:34 | |
-Hello, boys. You look busy. You look busy. -Always busy, Brendan. | 0:09:34 | 0:09:37 | |
Up to our eyes. | 0:09:37 | 0:09:38 | |
But he's using the days | 0:09:38 | 0:09:41 | |
to investigate his grandfather's murder. | 0:09:41 | 0:09:43 | |
First, he wants to know why a military inquiry was | 0:09:45 | 0:09:48 | |
ordered into the killing. | 0:09:48 | 0:09:50 | |
And there's a gentlemen from the UK called Charles Townshend | 0:09:50 | 0:09:56 | |
who said he'd meet me here, | 0:09:56 | 0:09:58 | |
and I think he may have some answers for me. | 0:09:58 | 0:10:01 | |
Because I don't think he came all the way over here | 0:10:01 | 0:10:03 | |
to tell me he doesn't know. | 0:10:03 | 0:10:05 | |
So fingers crossed we get to the first part of the puzzle. | 0:10:05 | 0:10:09 | |
-Charles. -Brendan, nice to meet you. | 0:10:18 | 0:10:20 | |
-You too. -Thanks very much for coming, | 0:10:20 | 0:10:22 | |
-you're very good. -Come on in. | 0:10:22 | 0:10:23 | |
OK. | 0:10:23 | 0:10:24 | |
Charles Townshend is Professor of International History | 0:10:24 | 0:10:28 | |
at Keele University. | 0:10:28 | 0:10:29 | |
OK, Charles. | 0:10:29 | 0:10:31 | |
This reads - and your experience would be a lot more than mine - | 0:10:31 | 0:10:36 | |
when you read through this article, | 0:10:36 | 0:10:38 | |
somebody planned somewhere | 0:10:38 | 0:10:39 | |
to assassinate this particular person, Peter O'Carroll, | 0:10:39 | 0:10:42 | |
for either what he knew or who he was. | 0:10:42 | 0:10:44 | |
This was all pre-planned. This was as assassination. | 0:10:44 | 0:10:47 | |
It has the look of an assassination, yeah. | 0:10:47 | 0:10:50 | |
But, Charles, the bit that is baffling me particularly is this. | 0:10:50 | 0:10:55 | |
"The City Coroner has received a communique | 0:10:55 | 0:10:58 | |
"from the Lord Lieutenant directing him not to hold an inquest | 0:10:58 | 0:11:02 | |
"as a military inquiry is to be held." | 0:11:02 | 0:11:05 | |
Now, why a military inquiry instead of a normal civil inquest? | 0:11:05 | 0:11:10 | |
Well because Coroners' Inquests had been suspended, um, | 0:11:10 | 0:11:14 | |
just the month before I think, under a package of emergency laws | 0:11:14 | 0:11:17 | |
that the British brought in in August, 1920, | 0:11:17 | 0:11:21 | |
after their legal system had practically broken down. | 0:11:21 | 0:11:25 | |
And what was causing that? | 0:11:25 | 0:11:26 | |
Well basically, courts couldn't function any more. | 0:11:26 | 0:11:29 | |
Jurors were intimidated by the IRA and wouldn't turn up. | 0:11:29 | 0:11:32 | |
Witnesses wouldn't talk to the police in the first place, | 0:11:32 | 0:11:35 | |
or even if they did, they wouldn't attend court. | 0:11:35 | 0:11:38 | |
And it was a terrific humiliation for the British. | 0:11:38 | 0:11:41 | |
They decided Coroners' Inquests had to go | 0:11:41 | 0:11:43 | |
and they replaced them with Military Courts of Inquiry | 0:11:43 | 0:11:47 | |
which were held behind closed doors, in fact. | 0:11:47 | 0:11:51 | |
-Not open to the public at all? -No. | 0:11:51 | 0:11:53 | |
The British description of them was "held in private" | 0:11:53 | 0:11:55 | |
but they were widely described as secret courts. | 0:11:55 | 0:11:59 | |
And this is just for Ireland? | 0:11:59 | 0:12:00 | |
Just for Ireland, oh, yes. | 0:12:00 | 0:12:02 | |
So, if we're trying to find who killed my grandfather, | 0:12:02 | 0:12:06 | |
have we any idea as to what went on? | 0:12:06 | 0:12:08 | |
Well we do know that there's... | 0:12:08 | 0:12:10 | |
we have a bare record of the proceedings, and it is very bare. | 0:12:10 | 0:12:16 | |
-I see, here. O'Carroll, Peter. -Yep. | 0:12:16 | 0:12:19 | |
92 Manor Street, Dublin. | 0:12:19 | 0:12:21 | |
The date of the death was the 16th of the 10th, which we know. | 0:12:21 | 0:12:24 | |
Wilful murder... | 0:12:24 | 0:12:26 | |
What's PU stand for? | 0:12:26 | 0:12:28 | |
-That's by "persons unknown." -Persons unknown. | 0:12:28 | 0:12:32 | |
And haemorrhage and shock which is the cause of the death, obviously. | 0:12:32 | 0:12:35 | |
But persons unknown, so that's the end. Cause of death - | 0:12:35 | 0:12:39 | |
haemorrhaging due to a bullet wound. There was a bullet wound. | 0:12:39 | 0:12:42 | |
And who shot him? We don't know. Persons unknown. | 0:12:42 | 0:12:46 | |
Thank you very much. | 0:12:46 | 0:12:47 | |
-Next. -Yes, next case, yeah. | 0:12:47 | 0:12:49 | |
Is there any record of the evidence that was given to this inquiry? | 0:12:51 | 0:12:56 | |
Well, as far as we know, almost no evidence was given to the inquiry. | 0:12:56 | 0:12:59 | |
In effect, it didn't take place. | 0:12:59 | 0:13:01 | |
-That we can see from a response here to a parliamentary question... -Oh. | 0:13:01 | 0:13:07 | |
-This is the House of Commons. -The following... | 0:13:07 | 0:13:09 | |
It's in the House of Commons, the following month. | 0:13:09 | 0:13:12 | |
-This is about my grandfather? -It is. | 0:13:12 | 0:13:15 | |
"A military court of inquiry in lieu of inquest | 0:13:15 | 0:13:18 | |
"was held in this case on the 19th October | 0:13:18 | 0:13:20 | |
"and gave the following finding. | 0:13:20 | 0:13:22 | |
"Peter O'Carroll, civilian, | 0:13:22 | 0:13:24 | |
"died on the 16th October from a bullet wound. | 0:13:24 | 0:13:27 | |
"Owing to the omission of Mrs O'Carroll, | 0:13:27 | 0:13:30 | |
"wife of the deceased, | 0:13:30 | 0:13:31 | |
"to obey the summons of the court to appear as a witness | 0:13:31 | 0:13:34 | |
"there is no evidence forthcoming | 0:13:34 | 0:13:36 | |
"to show under what circumstances the above wound was afflicted." | 0:13:36 | 0:13:40 | |
She's the only witness and she wouldn't give evidence. | 0:13:41 | 0:13:45 | |
Why would she refuse to give evidence | 0:13:45 | 0:13:47 | |
into an inquiry into his death? | 0:13:47 | 0:13:49 | |
Well, as it happens, we know why. | 0:13:49 | 0:13:52 | |
She provided a remarkably full explanation of this in a letter | 0:13:52 | 0:13:56 | |
she wrote to the Dublin Corporation. | 0:13:56 | 0:13:58 | |
-A letter from my granny? -That's right. | 0:13:58 | 0:14:01 | |
The Dublin Corporation met here in this very building two days after... | 0:14:01 | 0:14:05 | |
Two days after the death. | 0:14:05 | 0:14:07 | |
..to hear read out this letter there, which you can see. | 0:14:07 | 0:14:12 | |
-Here? In City Hall? -In the Council Chamber, yes. | 0:14:12 | 0:14:15 | |
"My Lord Mayor, ladies and gentlemen, about 1.50am | 0:14:18 | 0:14:22 | |
"on Saturday the 16th, my husband, Peter O'Carroll | 0:14:22 | 0:14:24 | |
"was foully and brutally murdered by members of the Army of Occupation. | 0:14:24 | 0:14:28 | |
"Not content with this, they placed a label on his body | 0:14:28 | 0:14:31 | |
"which maligned the living and defamed the dead." | 0:14:31 | 0:14:33 | |
That'll be the note they pinned to say that he was shot by the IRA. | 0:14:33 | 0:14:37 | |
Yeah. | 0:14:37 | 0:14:38 | |
"Myself and members of my family have been notified to attend | 0:14:38 | 0:14:41 | |
"the inquiry which is to be held today | 0:14:41 | 0:14:43 | |
"by the same Army of Occupation. | 0:14:43 | 0:14:45 | |
"I cannot see my way to recognise this inquiry | 0:14:45 | 0:14:47 | |
"for the simple reason that it is to be conducted | 0:14:47 | 0:14:50 | |
"by the murderers of my husband." | 0:14:50 | 0:14:52 | |
"And I now demand that an inquest be ordered by the City Coroner. | 0:14:52 | 0:14:56 | |
"I seek not vengeance. | 0:14:56 | 0:14:58 | |
"I only ask for justice and truth, | 0:14:58 | 0:15:00 | |
"trusting there is yet civilisation enough left | 0:15:00 | 0:15:03 | |
"to have my demand granted. Annie O'Carroll." | 0:15:03 | 0:15:06 | |
Way to go, Granny! Quite a political statement. | 0:15:06 | 0:15:11 | |
It is. It's a refusal to recognise the British... | 0:15:11 | 0:15:14 | |
-It's a Court of the Occupiers. -Yeah. -So... | 0:15:14 | 0:15:17 | |
As far as the official records go, we have the mishmash of an inquiry. | 0:15:18 | 0:15:24 | |
-And that's it, officially? -Yeah. | 0:15:24 | 0:15:26 | |
Thank you very much, Charles. | 0:15:28 | 0:15:30 | |
You've made the mystery that I thought I was going to clear up | 0:15:30 | 0:15:33 | |
more mystifying! | 0:15:33 | 0:15:34 | |
Yeah. That was interesting. Well, an interesting man. | 0:15:40 | 0:15:44 | |
Um, but it hasn't really moved me that much forward. | 0:15:44 | 0:15:47 | |
I tell you what did help, was seeing a letter from Annie, from my granny. | 0:15:47 | 0:15:51 | |
Granny Annie is my kind of woman. | 0:15:51 | 0:15:53 | |
She's starting to sound like Mrs Brown! | 0:15:53 | 0:15:56 | |
HE LAUGHS | 0:15:56 | 0:15:59 | |
MRS BROWN VOICE: "I refuse to recognise the court!" | 0:15:59 | 0:16:03 | |
But when Annie said that she didn't want vengeance, | 0:16:03 | 0:16:05 | |
I genuinely think she meant that. | 0:16:05 | 0:16:08 | |
She said she genuinely feels she wants truth and justice. | 0:16:08 | 0:16:10 | |
You could see from the official record, | 0:16:10 | 0:16:13 | |
she wasn't going to get that under any circumstances. | 0:16:13 | 0:16:16 | |
So here we are nearly 100 years later, maybe - | 0:16:16 | 0:16:19 | |
I don't know about justice - maybe I can get truth. | 0:16:19 | 0:16:22 | |
We're not going to find out anything official, | 0:16:22 | 0:16:25 | |
so I think at this point I've got to broaden the search. | 0:16:25 | 0:16:29 | |
I think if I'm going to investigate this properly, | 0:16:29 | 0:16:32 | |
I need to deal with the note. | 0:16:32 | 0:16:33 | |
The note that he was shot by IRA. Why would somebody do that? | 0:16:36 | 0:16:40 | |
Why would you pin a note to somebody saying, | 0:16:40 | 0:16:43 | |
"This man's a traitor to Ireland"? That always bothered me. | 0:16:43 | 0:16:47 | |
Always bothered me. | 0:16:47 | 0:16:48 | |
Throughout the War of Independence, | 0:16:49 | 0:16:52 | |
spies, and those seen as traitors, | 0:16:52 | 0:16:54 | |
were important to both the IRA and the Crown Forces. | 0:16:54 | 0:16:58 | |
Inside information was essential, | 0:16:58 | 0:17:01 | |
because it could be hard to know which side people were on. | 0:17:01 | 0:17:04 | |
IRA men, dressed in plain clothes, mingled with the crowd, | 0:17:04 | 0:17:08 | |
and the Crown too was using undercover intelligence officers. | 0:17:08 | 0:17:12 | |
The IRA's Head of Intelligence, Michael Collins, | 0:17:12 | 0:17:16 | |
had moles in the British camp. | 0:17:16 | 0:17:18 | |
And the British also recruited spies and informers. | 0:17:18 | 0:17:23 | |
The note left on Peter O'Carroll's body | 0:17:23 | 0:17:26 | |
suggests he was involved in this murky world. | 0:17:26 | 0:17:29 | |
Could it be that, unknown to his family, | 0:17:29 | 0:17:32 | |
he was in the pay of the British as some kind of spy? | 0:17:32 | 0:17:36 | |
Historian Eamonn Gardiner | 0:17:36 | 0:17:38 | |
is an expert on the situation in Dublin at the time. | 0:17:38 | 0:17:41 | |
-Eamonn? -Brendan. Good to meet you. -How you doing? | 0:17:43 | 0:17:46 | |
Good to meet you. So, why are we meeting here? | 0:17:46 | 0:17:48 | |
What you have in 1920s Dublin is, | 0:17:48 | 0:17:50 | |
you have the IRA fighting an underground war | 0:17:50 | 0:17:52 | |
and sometimes it was necessary to meet in public and pass messages. | 0:17:52 | 0:17:56 | |
So, this could be a good example in say on a dark, foggy evening, | 0:17:56 | 0:17:59 | |
you meet, and you pass a message quickly. | 0:17:59 | 0:18:02 | |
So the reason I want to talk to you, my grandfather when he was... | 0:18:02 | 0:18:05 | |
when the body was found, after he was shot, | 0:18:05 | 0:18:08 | |
there was a note pinned to him saying, | 0:18:08 | 0:18:11 | |
"A traitor to Ireland, shot by the IRA." | 0:18:11 | 0:18:14 | |
I actually have something here for you. | 0:18:14 | 0:18:17 | |
"Tried, convicted and executed by IRA." | 0:18:20 | 0:18:23 | |
It's a copy of a note found pinned to a body of a man who was | 0:18:23 | 0:18:27 | |
executed by the IRA, for allegedly being a spy. | 0:18:27 | 0:18:31 | |
So that did sometimes happen. If you look at the back. | 0:18:31 | 0:18:34 | |
It's the blood. | 0:18:34 | 0:18:36 | |
-That's actually a copy of the man's blood. -My God! | 0:18:36 | 0:18:38 | |
So taking into account that a similar letter was pinned | 0:18:40 | 0:18:43 | |
to my grandfather's body, | 0:18:43 | 0:18:45 | |
would that mean that he may have been | 0:18:45 | 0:18:46 | |
a spy of some sort on the British side? | 0:18:46 | 0:18:49 | |
Is that what it would mean to you? | 0:18:49 | 0:18:50 | |
In the case of your grandfather, | 0:18:50 | 0:18:52 | |
I don't think he was executed by the IRA. | 0:18:52 | 0:18:54 | |
Cos there are a number of pieces of evidence that point to the contrary. | 0:18:54 | 0:18:57 | |
Even though this was an actual IRA execution note, | 0:19:05 | 0:19:09 | |
the British has started to realise that they could fracture and | 0:19:09 | 0:19:13 | |
instil some doubt in the IRA itself by putting out disinformation. | 0:19:13 | 0:19:18 | |
Such as false notes on bodies? | 0:19:18 | 0:19:20 | |
-Such as false notes on bodies. -Supposedly coming from the IRA. | 0:19:20 | 0:19:24 | |
Supposedly coming from the IRA. | 0:19:24 | 0:19:25 | |
So it could have been the British and Lord knows, you know, | 0:19:25 | 0:19:29 | |
we would want it... I would want it to be. | 0:19:29 | 0:19:32 | |
But that's not enough to definitively say | 0:19:32 | 0:19:34 | |
that he wasn't killed by the IRA. | 0:19:34 | 0:19:36 | |
No. On its own, this isn't definitive. | 0:19:36 | 0:19:39 | |
This comes from the Irish Times and it's | 0:19:39 | 0:19:42 | |
a description of the Curfew Order which required people to be indoors | 0:19:42 | 0:19:45 | |
after a certain time at night - | 0:19:45 | 0:19:46 | |
remain indoors until the morning time. | 0:19:46 | 0:19:49 | |
It says, "Last night the Dublin streets were again patrolled | 0:19:49 | 0:19:52 | |
"by detachments of military, some of whom carried crowbars. | 0:19:52 | 0:19:55 | |
"At different places soldiers stood in doorways and then at other | 0:19:55 | 0:19:58 | |
"points, plain clothes policemen were on duty." | 0:19:58 | 0:20:01 | |
The British Forces owned the night. | 0:20:01 | 0:20:03 | |
They, as the occupying power, they had the men, they had the law, | 0:20:03 | 0:20:07 | |
they had the ability to project power. | 0:20:07 | 0:20:09 | |
And what you had is you had a series of checkpoints throughout | 0:20:09 | 0:20:12 | |
the city, stopping people and asking, "Do you have a permit?" | 0:20:12 | 0:20:15 | |
If you were out after dark without a permit, | 0:20:15 | 0:20:17 | |
you were instantly suspicious and you instantly stood out. | 0:20:17 | 0:20:19 | |
So what you're saying to me is that it wouldn't have been | 0:20:19 | 0:20:22 | |
easy for three men from the IRA to go up to a house | 0:20:22 | 0:20:25 | |
and shoot somebody and then walk away without being detected? | 0:20:25 | 0:20:28 | |
-Yes. -Permits can be forged. | 0:20:28 | 0:20:30 | |
Permits can be forged, yes, but I do have another piece of information | 0:20:30 | 0:20:33 | |
for you that will hopefully put the matter to rest for you. | 0:20:33 | 0:20:36 | |
This is a press cutting from the day of your grandfather's funeral. | 0:20:36 | 0:20:40 | |
You see here... | 0:20:40 | 0:20:41 | |
"Requiem Mass for the repose of the soul of Mr Peter O'Carroll, | 0:20:41 | 0:20:45 | |
"killed in his own house on Saturday morning was celebrated in | 0:20:45 | 0:20:48 | |
"Aughrim Street Church yesterday, | 0:20:48 | 0:20:49 | |
"after which the funeral took place to Glasnevin. | 0:20:49 | 0:20:52 | |
"The chief mourners were Mrs O'Carroll, | 0:20:52 | 0:20:55 | |
"Liam, Peadar, Michael, Gearoid..." that's my dad, | 0:20:55 | 0:20:59 | |
"..and Seumas, Moira and Martha..." they were his daughters. | 0:20:59 | 0:21:04 | |
"Amongst other mourners were Alderman Michael Staines, | 0:21:04 | 0:21:06 | |
"Dermot O'Crowley, barrister, Counsellor Nolan..." | 0:21:06 | 0:21:09 | |
-Michael Staines was a well known Nationalist. -He was. | 0:21:09 | 0:21:12 | |
"And representatives of Colmcille branch of the Gaelic League." | 0:21:14 | 0:21:18 | |
Volunteer officers. They would be IRA themselves. | 0:21:18 | 0:21:21 | |
They would be IRA themselves. This was a Nationalist funeral. | 0:21:21 | 0:21:24 | |
This was a proud Nationalist funeral. | 0:21:24 | 0:21:26 | |
-They wouldn't be seen dead at the funeral of a spy. -No. | 0:21:26 | 0:21:29 | |
My granddad was being honoured here. | 0:21:29 | 0:21:31 | |
He was. He was. | 0:21:31 | 0:21:33 | |
So we haven't got a spy. We still have a body. | 0:21:37 | 0:21:40 | |
-You have a murder. -And we've a murder. -And murderers. | 0:21:40 | 0:21:43 | |
Well, the family story always was, | 0:21:45 | 0:21:47 | |
we always believed that it was the Black and Tans. | 0:21:47 | 0:21:50 | |
Now we thought it was a random killing. | 0:21:50 | 0:21:52 | |
Random or not, we always believed it was the Black and Tans. | 0:21:52 | 0:21:55 | |
Are we getting closer to the truth there? | 0:21:55 | 0:21:58 | |
During the War of Independence, | 0:21:58 | 0:22:00 | |
the Black and Tans were the most notorious contingent | 0:22:00 | 0:22:03 | |
of the Crown Forces. | 0:22:03 | 0:22:04 | |
Brought in to strengthen the police force in Ireland, | 0:22:04 | 0:22:07 | |
this group was mainly made up of British ex-soldiers. | 0:22:07 | 0:22:11 | |
The name Black and Tans came from their mixed police | 0:22:11 | 0:22:14 | |
and military uniforms. | 0:22:14 | 0:22:16 | |
These new recruits soon became infamous for their brutality. | 0:22:16 | 0:22:21 | |
Brendan's family has always believed | 0:22:21 | 0:22:23 | |
that it was the Black and Tans who were responsible | 0:22:23 | 0:22:25 | |
for killing Peter O'Carroll. | 0:22:25 | 0:22:27 | |
Might have a slight misconception and it's a popular misconception. | 0:22:27 | 0:22:31 | |
As it happens, the Black and Tans didn't operate in Dublin. | 0:22:31 | 0:22:35 | |
But there were other supplementary security forces | 0:22:35 | 0:22:37 | |
operating in Dublin at the time. | 0:22:37 | 0:22:39 | |
-Like who? -The Auxiliary Division. | 0:22:39 | 0:22:42 | |
While the Black and Tans were drawn from rank and file ex-soldiers, | 0:22:42 | 0:22:46 | |
the Auxiliaries were mostly ex-officers - | 0:22:46 | 0:22:49 | |
an elite force seen as a cut above the rest. | 0:22:49 | 0:22:53 | |
Many had fought through the brutality of the Great War | 0:22:53 | 0:22:56 | |
and were now bringing their experience of warfare to Ireland. | 0:22:56 | 0:23:00 | |
Their mission - to take the battle to the IRA. | 0:23:00 | 0:23:04 | |
-So who commanded it? -They had their own command structure. | 0:23:06 | 0:23:09 | |
They were...they were responsible to themselves? | 0:23:09 | 0:23:12 | |
They were largely responsible to themselves. | 0:23:12 | 0:23:14 | |
The Black and Tans were hated, | 0:23:14 | 0:23:16 | |
but the Auxiliaries were feared by the IRA because they were so good. | 0:23:16 | 0:23:20 | |
So we could be looking at the Auxiliaries? | 0:23:20 | 0:23:22 | |
That is the distinct possibility. | 0:23:22 | 0:23:24 | |
Would they have had access to a silent type weapon? | 0:23:24 | 0:23:28 | |
Well, hopefully I can show you about that. | 0:23:28 | 0:23:30 | |
In 1920, British Army barracks were spread throughout Dublin. | 0:23:38 | 0:23:42 | |
This one housed over a thousand men. | 0:23:42 | 0:23:46 | |
So who would have been stationed here? | 0:23:46 | 0:23:49 | |
This would have been regular Army, regular British Army. | 0:23:49 | 0:23:52 | |
Today, it's part of the National Museum of Ireland. | 0:23:52 | 0:23:55 | |
At the heart of the building is a heavily secured storeroom. | 0:23:57 | 0:24:01 | |
Couple of steel doors here, next are the alarms inside. | 0:24:01 | 0:24:05 | |
Curator Lar Joye is one of only two people with special clearance | 0:24:06 | 0:24:11 | |
to access the area. | 0:24:11 | 0:24:13 | |
Phew... | 0:24:16 | 0:24:18 | |
Mother of God! | 0:24:18 | 0:24:20 | |
The weapons held in this armoury | 0:24:21 | 0:24:22 | |
would provide a good cross-section of the weapons | 0:24:22 | 0:24:25 | |
that would be used in Dublin around this period | 0:24:25 | 0:24:28 | |
by both the Irish Republican Army, the IRA, and the Crown Forces. | 0:24:28 | 0:24:32 | |
It's these weapons we're talking about? | 0:24:32 | 0:24:34 | |
No, these weapons are long weapons. | 0:24:34 | 0:24:36 | |
You have rifles and pump-action shotguns. | 0:24:36 | 0:24:39 | |
The weapon we're talking about is a weapon with much more finesse. | 0:24:39 | 0:24:42 | |
It's a much quieter weapon. | 0:24:42 | 0:24:44 | |
This is the particular pistol. | 0:24:47 | 0:24:49 | |
Webley & Scott. | 0:24:52 | 0:24:54 | |
Such a small looking gun. | 0:24:55 | 0:24:57 | |
OK, Brendan, so here we have the model, 1908, Webley & Scott, | 0:24:57 | 0:25:01 | |
semi-automatic pistol. | 0:25:01 | 0:25:03 | |
I think this is more than likely the type of weapon that was used | 0:25:03 | 0:25:06 | |
in the murder of your grandfather, for a number of factors. | 0:25:06 | 0:25:09 | |
Why do you think that? | 0:25:09 | 0:25:10 | |
Well, the weapon, you see, is actually incredibly small. | 0:25:10 | 0:25:13 | |
If you just look here - it has a very small calibre. | 0:25:13 | 0:25:15 | |
The bullets are .32 of an inch, | 0:25:15 | 0:25:17 | |
much smaller than say the normal pistol rounds at the time. | 0:25:17 | 0:25:20 | |
As well as that, because of the design of the gun, | 0:25:20 | 0:25:23 | |
-the ammunition used is subsonic. -Subsonic? | 0:25:23 | 0:25:26 | |
That means that it doesn't create a shock wave | 0:25:26 | 0:25:29 | |
when it passes through the air which reduces the noise significantly. | 0:25:29 | 0:25:33 | |
This could go a long way to explaining | 0:25:33 | 0:25:35 | |
why the gunshot was so quiet. | 0:25:35 | 0:25:37 | |
-A thud instead of a bang. -Yes. | 0:25:37 | 0:25:40 | |
How many people did the article say were present? | 0:25:40 | 0:25:43 | |
Two to three. Let's say three. | 0:25:43 | 0:25:46 | |
So three or four bodies around, | 0:25:46 | 0:25:48 | |
with the bullet entering almost directly into the person's head. | 0:25:48 | 0:25:51 | |
The gunshot would have been muffled. | 0:25:51 | 0:25:53 | |
Which is what it describes in there, in the newspaper. | 0:25:53 | 0:25:56 | |
-It does. -A muffled gunshot. -Mm-hmm. -OK. Now, the obvious question. | 0:25:56 | 0:25:58 | |
Would the Auxiliaries have had the access to this? | 0:25:58 | 0:26:01 | |
The Auxiliaries would have had access to this weapon, yes. | 0:26:01 | 0:26:03 | |
But listen to this... | 0:26:03 | 0:26:05 | |
"He lay face downwards, and when turned over, a huge bullet | 0:26:07 | 0:26:10 | |
"wound was discovered in his left temple but with a swelling at | 0:26:10 | 0:26:12 | |
"the right side, as if the bullet had not passed through." | 0:26:12 | 0:26:15 | |
If the bullet was a fragmenting bullet | 0:26:15 | 0:26:17 | |
-or a dum-dum bullet as they're more commonly known... -I know. Yeah. | 0:26:17 | 0:26:21 | |
..and that bullet enters somebody, turns into shrapnel, that will | 0:26:21 | 0:26:24 | |
not normally produce an exit wound. | 0:26:24 | 0:26:26 | |
-I presume dum-dums weren't standard issue? -No. No. | 0:26:26 | 0:26:31 | |
Dum-dum rounds were frowned upon significantly but there's | 0:26:31 | 0:26:34 | |
evidence that some of the Auxiliaries were using such rounds. | 0:26:34 | 0:26:38 | |
Now I believe if we look at the nature of the killing, | 0:26:38 | 0:26:41 | |
the nature of the weapon and the type of operation and the type | 0:26:41 | 0:26:43 | |
of person who would have been able to plan such an operation, | 0:26:43 | 0:26:46 | |
there's the possibility that the weapon could be linked | 0:26:46 | 0:26:49 | |
to a counterintelligence raid. | 0:26:49 | 0:26:50 | |
Now we know that the Auxiliaries had an intelligence unit. | 0:26:50 | 0:26:53 | |
They had their own intelligence units within their company. | 0:26:53 | 0:26:56 | |
-Counterintelligence. -Counterintelligence. | 0:26:56 | 0:26:58 | |
-Which, by its very nature, is secret. -Yes. | 0:26:58 | 0:27:01 | |
The records we have on the Auxiliaries' intelligence unit | 0:27:01 | 0:27:04 | |
are speculative. There's nobody listed. | 0:27:04 | 0:27:06 | |
What I'm finding out piece by piece by piece, | 0:27:16 | 0:27:19 | |
some of it is very, very enlightening | 0:27:19 | 0:27:21 | |
and some of it's baffling. | 0:27:21 | 0:27:23 | |
Thanks to the discovery of the gun, the modus operandi, | 0:27:23 | 0:27:28 | |
the fact that it was clinical - I think we're, we're down to... | 0:27:28 | 0:27:31 | |
we're down to professional killers. | 0:27:31 | 0:27:35 | |
INDISTINCT CONVERSATION | 0:27:44 | 0:27:46 | |
Your granddad was a traitor. THEY LAUGH | 0:27:46 | 0:27:49 | |
Brendan has been telling his family, including younger son Eric, | 0:27:49 | 0:27:52 | |
what he's discovered so far. | 0:27:52 | 0:27:53 | |
-Are you listening to this, Eric, yeah? -Yeah, I'm good. | 0:27:53 | 0:27:56 | |
I'm talking about my grandfather's death! | 0:27:56 | 0:27:58 | |
THEY LAUGH | 0:27:58 | 0:27:59 | |
For God's sake, show a shred of human decency. | 0:27:59 | 0:28:02 | |
Da, when you seen the gun, what was it like? | 0:28:02 | 0:28:04 | |
-Actually holding it in your hand? How did you feel? -Um... | 0:28:04 | 0:28:08 | |
This is going to sound silly, I felt dirty. I felt horrible and dirty. | 0:28:08 | 0:28:12 | |
It's dreadful that a tiny little package like that... | 0:28:12 | 0:28:15 | |
Changed your whole family. | 0:28:15 | 0:28:17 | |
So you say there was intelligence, counterintelligence. | 0:28:17 | 0:28:20 | |
Were you surprised? | 0:28:20 | 0:28:22 | |
Yeah, well, first of all, | 0:28:22 | 0:28:23 | |
I didn't think there was that kind of group within the Auxiliaries | 0:28:23 | 0:28:26 | |
or within the Black and Tans. | 0:28:26 | 0:28:28 | |
And I'd be doubly surprised to find | 0:28:28 | 0:28:30 | |
if they had any interest in my grandfather. | 0:28:30 | 0:28:32 | |
If they had any interest in my grandfather, I'd love to know why. | 0:28:32 | 0:28:35 | |
What had he done? | 0:28:35 | 0:28:37 | |
Or what was he about to do or what was he involved in? | 0:28:37 | 0:28:40 | |
Because he wasn't arrested, he wasn't beaten up. | 0:28:40 | 0:28:43 | |
He was executed. | 0:28:43 | 0:28:44 | |
I still don't know why there wasn't a struggle for him to... | 0:28:44 | 0:28:48 | |
That baffles me. Why wouldn't he fight? | 0:28:48 | 0:28:50 | |
If someone put a gun to your head and you're going, | 0:28:50 | 0:28:52 | |
"This is it, I'm going to die," would you just take it? | 0:28:52 | 0:28:55 | |
But there's three other lads. You have no chance. | 0:28:55 | 0:28:57 | |
-I'd still put up a struggle. -Who's to say | 0:28:57 | 0:28:59 | |
what you'd do in this situation. | 0:28:59 | 0:29:00 | |
-I don't think you'd know what you'd do... -I know exactly... | 0:29:00 | 0:29:03 | |
If there's a gun pointing at you and you're looking down a barrel. | 0:29:03 | 0:29:06 | |
I'd try and get the gun. I'd hit somebody before... | 0:29:06 | 0:29:09 | |
-Nobody actually knows what they would do. -Hey! | 0:29:09 | 0:29:11 | |
There's a good reason I'm not bringing any of yous | 0:29:11 | 0:29:14 | |
on this journey. THEY LAUGH | 0:29:14 | 0:29:16 | |
So, what's the next step? | 0:29:16 | 0:29:19 | |
I think I have to revisit the scene of the crime. | 0:29:19 | 0:29:22 | |
I'll have to go back to my granddad's house. | 0:29:22 | 0:29:24 | |
-Manor Street? -Yeah. | 0:29:24 | 0:29:25 | |
It's no longer a hardware store that my dad had. It's now a... | 0:29:25 | 0:29:29 | |
-It's called Sexy Nails. -Oh, lovely! -So... | 0:29:29 | 0:29:32 | |
Well, I can do a little bit of investigating here and go, | 0:29:32 | 0:29:35 | |
"A manicure, thank you very much, French polish if you don't mind. | 0:29:35 | 0:29:38 | |
"Ooh, look, is that a fingerprint?" | 0:29:38 | 0:29:41 | |
INDISTINCT CONVERSATION | 0:29:41 | 0:29:43 | |
In 1920, Manor Street in Stoneybatter, | 0:29:46 | 0:29:49 | |
near Dublin City Centre, was a staunchly Republican area - | 0:29:49 | 0:29:53 | |
fertile recruiting ground for young men like Brendan's uncles who | 0:29:53 | 0:29:58 | |
became volunteer soldiers in the Irish Republican Army. | 0:29:58 | 0:30:01 | |
It was here Peter O'Carroll had his hardware shop. | 0:30:03 | 0:30:06 | |
-Hello, how are you? -Hello. -What's your name? -Anna. | 0:30:14 | 0:30:17 | |
Hiya, Anna, nice to meet you. | 0:30:17 | 0:30:19 | |
-And this is my niece Kelly. -Hello, Kelly. How are you? | 0:30:19 | 0:30:21 | |
So, um, it's going to sound, um, weird, | 0:30:21 | 0:30:24 | |
but my granddad I think was shot in this shop. | 0:30:24 | 0:30:26 | |
I'm trying to work out the configuration of the shop, | 0:30:26 | 0:30:29 | |
so according to this, he came down the stairs here. | 0:30:29 | 0:30:32 | |
This was the shop, the main shop, and it was packed with stuff. | 0:30:34 | 0:30:38 | |
Many people... This was a shop when your grandfather was here? | 0:30:38 | 0:30:40 | |
Yeah. Kind of a hardware shop. | 0:30:40 | 0:30:43 | |
See here, in the newspaper article - 12ft to 14ft. | 0:30:44 | 0:30:47 | |
-It was really small. -Tiny. And the whole area was covered in stock. | 0:30:47 | 0:30:52 | |
The door opened from the right. So they'd have come in... | 0:30:52 | 0:30:56 | |
And they said it nearly touched the counter. | 0:30:56 | 0:30:59 | |
So the counter was here, the kitchenette was there... | 0:30:59 | 0:31:04 | |
..and they shot him in the left temple. | 0:31:06 | 0:31:09 | |
So if he's walking... | 0:31:09 | 0:31:10 | |
..they backed him in, he walked backwards this way, | 0:31:11 | 0:31:15 | |
towards the kitchen from the door, | 0:31:15 | 0:31:18 | |
and then the shooting took place - in the left temple. | 0:31:20 | 0:31:26 | |
If you have a counter and you've all stock, if they didn't put him | 0:31:26 | 0:31:30 | |
in here, he'd nowhere, he'd nowhere to go, it was... | 0:31:30 | 0:31:33 | |
There wouldn't have been enough room for a struggle. | 0:31:35 | 0:31:37 | |
No, it would have been easy. I mean, you were shooting fish in a barrel. | 0:31:37 | 0:31:40 | |
-Would have been easy to hold him down. -Mm, it would have been. | 0:31:40 | 0:31:44 | |
According to this, my granny, | 0:31:46 | 0:31:48 | |
believing that those who killed her husband were | 0:31:48 | 0:31:51 | |
still about the place, she betook herself to prayer in her bedroom. | 0:31:51 | 0:31:54 | |
The room she was in was immediately over the shop. | 0:31:54 | 0:31:57 | |
So, according to the statement given by one of the older girls, | 0:32:19 | 0:32:24 | |
she says, "My father got up and having put on his trousers | 0:32:24 | 0:32:27 | |
"and stockings, went downstairs to admit those outside." | 0:32:27 | 0:32:33 | |
So he's gone down the stairs, he has his trousers and stockings, | 0:32:33 | 0:32:36 | |
we know he was carrying his boots, but this bit here, | 0:32:36 | 0:32:40 | |
"My mother also got out of bed and looked through the window." | 0:32:40 | 0:32:45 | |
And this is the window that's over the doorway. | 0:32:45 | 0:32:48 | |
So she would have looked out here. | 0:32:48 | 0:32:50 | |
And it says into a "densely dark night." | 0:32:52 | 0:32:55 | |
And yet she still was able to make out the forms of two or three men. | 0:32:55 | 0:33:00 | |
"After this, all appeared absolutely quiet." | 0:33:03 | 0:33:06 | |
See, this is... | 0:33:10 | 0:33:11 | |
"Except for a slight movement of persons walking in the shop floor. | 0:33:13 | 0:33:17 | |
"There was a slight thud and then stillness." | 0:33:17 | 0:33:20 | |
I'm above the shop now and I can hear | 0:33:22 | 0:33:25 | |
everything that's going on down there. | 0:33:25 | 0:33:27 | |
I can hear people talking. | 0:33:27 | 0:33:28 | |
I can hear doors opening and closing. | 0:33:28 | 0:33:30 | |
I can hear footsteps even from outside the door. | 0:33:30 | 0:33:32 | |
Yet she didn't hear anything. No struggle. | 0:33:32 | 0:33:35 | |
It's kind of... | 0:33:37 | 0:33:38 | |
it...it sounds to me, and I'm not CSI Dublin, | 0:33:38 | 0:33:42 | |
but it sounds to me like he opened the door expecting it to be a raid. | 0:33:42 | 0:33:46 | |
He opened the door and when he opened the door they immediately | 0:33:46 | 0:33:49 | |
walked in, put him on the ground, boom, shot him and left. | 0:33:49 | 0:33:52 | |
So there was no time for him | 0:33:52 | 0:33:53 | |
to even think about what was going on or react. I hope. | 0:33:53 | 0:33:56 | |
I hope it was quick. | 0:33:58 | 0:34:00 | |
I think about my granny getting out of bed like... | 0:34:06 | 0:34:09 | |
And watching him disappear through the door with his boots in his hand. | 0:34:12 | 0:34:16 | |
And not for a moment thinking that | 0:34:19 | 0:34:20 | |
that'll be the last time she'd see him alive. | 0:34:20 | 0:34:23 | |
Good God! | 0:34:26 | 0:34:28 | |
How are you, Joe? Good to see you, mate. Always... | 0:34:46 | 0:34:49 | |
-All right, pal. -Good to see you, how are you? How are you? | 0:34:49 | 0:34:52 | |
How are you, Brendan? | 0:34:52 | 0:34:54 | |
-Long time no see, how are you? -Give us a pint of, er, lager shandy. | 0:34:54 | 0:34:57 | |
Although Brendan now thinks an intelligence unit within | 0:34:57 | 0:35:00 | |
the Auxiliaries could have been | 0:35:00 | 0:35:02 | |
responsible for his grandfather's killing, | 0:35:02 | 0:35:04 | |
he still doesn't have a motive or any leads on individual officers. | 0:35:04 | 0:35:08 | |
-There it is. -Thanks very much. Thanks a lot, pal. -Thank you. | 0:35:08 | 0:35:11 | |
Interestingly, and I skipped over this, | 0:35:13 | 0:35:16 | |
there's something that might help me here. | 0:35:16 | 0:35:18 | |
Let me read for a second. | 0:35:18 | 0:35:20 | |
"The proprietor, Mr Peter O'Carroll, an invalid, was shot dead | 0:35:20 | 0:35:23 | |
"by armed men who carried out their purpose with a noiseless weapon | 0:35:23 | 0:35:27 | |
"and departed silently having accomplished it." | 0:35:27 | 0:35:30 | |
Now they make a point of saying, | 0:35:30 | 0:35:32 | |
"This aspect of the crime, which is the noiseless weapon, | 0:35:32 | 0:35:36 | |
"and is silent, in and out. | 0:35:36 | 0:35:38 | |
"This aspect of the crime bears a striking resemblance | 0:35:38 | 0:35:41 | |
"to the recent hotel tragedy | 0:35:41 | 0:35:43 | |
"where it will be remembered there was a concurrence of testimony | 0:35:43 | 0:35:47 | |
"that no noise of shots was heard | 0:35:47 | 0:35:50 | |
"even by the occupants in adjoining rooms." | 0:35:50 | 0:35:54 | |
What exactly is the hotel tragedy? | 0:35:54 | 0:35:57 | |
They're referring to my granddad's murder as a morning tragedy. | 0:35:59 | 0:36:03 | |
So a hotel tragedy could be hotel murder. | 0:36:03 | 0:36:07 | |
Maybe they found out who did that. | 0:36:07 | 0:36:09 | |
And that could be the group that murdered my grandfather. | 0:36:09 | 0:36:13 | |
So I've got to find out what tragedy, what hotel and | 0:36:13 | 0:36:18 | |
why was that carried out? | 0:36:18 | 0:36:21 | |
The plot thickens. This is like a movie. | 0:36:24 | 0:36:28 | |
To try and track down a reference to the hotel tragedy, | 0:36:34 | 0:36:38 | |
Brendan has come to the National Library of Ireland. | 0:36:38 | 0:36:41 | |
I'm starting on October 18th, | 0:36:47 | 0:36:49 | |
that's the date that the newspaper carried | 0:36:49 | 0:36:51 | |
the details of my granddad's killing. | 0:36:51 | 0:36:54 | |
So I'm going to work back from that. So let's have a look. | 0:36:54 | 0:36:57 | |
Hold on a second. | 0:37:00 | 0:37:02 | |
"Dublin street tragedy. Further scenes of terrorism. | 0:37:02 | 0:37:06 | |
"Divine services interrupted. A priest fired at." Nope. | 0:37:06 | 0:37:09 | |
15th, three days earlier, still nothing. | 0:37:12 | 0:37:16 | |
"Another tragedy in County Clare." No. | 0:37:17 | 0:37:19 | |
Go on to the 12th. Still nothing. | 0:37:23 | 0:37:26 | |
I don't know if it's going to be a front page headline, | 0:37:28 | 0:37:31 | |
but I presume it would be. | 0:37:31 | 0:37:33 | |
"Two more shooting tragedies. | 0:37:35 | 0:37:37 | |
"Tipperary youth killed." These were dangerous times. | 0:37:37 | 0:37:41 | |
We're going back to September. | 0:37:41 | 0:37:43 | |
27th, I'm back as far as and I've seen nothing. | 0:37:46 | 0:37:49 | |
It's coming down to three weeks before the death, | 0:37:52 | 0:37:54 | |
I'm starting to wonder is it here at all. | 0:37:54 | 0:37:56 | |
Oh! | 0:38:04 | 0:38:06 | |
Have it. I have it. | 0:38:06 | 0:38:09 | |
"Appalling tragedy in Dublin hotel. | 0:38:09 | 0:38:11 | |
"A county councillor killed in dead of night." | 0:38:11 | 0:38:14 | |
I'm going to have to enlarge this now, adjust it, see if I can... | 0:38:14 | 0:38:17 | |
It's very faint, just let me... | 0:38:17 | 0:38:19 | |
"A shocking tragedy was enacted shortly after 3am | 0:38:21 | 0:38:24 | |
"yesterday in the Exchange Hotel, Dublin. | 0:38:24 | 0:38:27 | |
"Mr JA Lynch, county councillor, | 0:38:27 | 0:38:28 | |
"was shot dead in his bedroom by military, | 0:38:28 | 0:38:31 | |
"who, it is officially declared, went to arrest him." | 0:38:31 | 0:38:34 | |
"No sound was heard, not even by the occupants of the adjoining rooms." | 0:38:37 | 0:38:42 | |
That sounds familiar. | 0:38:42 | 0:38:43 | |
"Mr Lynch was shot through the head, dying instantaneously." | 0:38:44 | 0:38:49 | |
There's a statement here from the occupants | 0:38:49 | 0:38:51 | |
on either side of the room in which Mr Lynch was killed, | 0:38:51 | 0:38:54 | |
and of the rooms on the opposite side of the corridor. | 0:38:54 | 0:38:58 | |
They state that they heard no shots, no noises. | 0:38:58 | 0:39:01 | |
It looks like exactly the same style of killing. | 0:39:01 | 0:39:05 | |
The silent gun, the hour of the morning, that it was, you know, | 0:39:05 | 0:39:09 | |
single bullet at the back of the head. | 0:39:09 | 0:39:11 | |
It's an execution style. Literally shot where they were. | 0:39:11 | 0:39:14 | |
Exactly the same as my granddad. | 0:39:14 | 0:39:16 | |
Whoever these people are, they're a law unto themselves. | 0:39:16 | 0:39:20 | |
They don't worry about breaking any rules cos they make the rules. | 0:39:20 | 0:39:24 | |
You get the feeling reading the, um, | 0:39:24 | 0:39:28 | |
reading the article that was written about my granddad... | 0:39:28 | 0:39:32 | |
that the journalist who wrote it, | 0:39:32 | 0:39:35 | |
by drawing attention to the similarities, | 0:39:35 | 0:39:37 | |
was trying to say it was the same people that | 0:39:37 | 0:39:40 | |
killed Lynch in the Exchange Hotel, but couldn't say that. | 0:39:40 | 0:39:44 | |
Censorship was the order of the day. | 0:39:44 | 0:39:46 | |
So maybe if I can find out who killed Lynch it will bring me | 0:39:46 | 0:39:50 | |
closer to finding out who killed my grandfather. | 0:39:50 | 0:39:54 | |
But I can't do it on my own. Oh, I need help. | 0:39:56 | 0:40:00 | |
So I'm going to meet Ian Kennelly. | 0:40:11 | 0:40:13 | |
He's an expert on the censor...well, he'd know more about the censorship | 0:40:13 | 0:40:17 | |
at that time and what the press was actually doing at that time | 0:40:17 | 0:40:20 | |
than I would, and hopefully he might be able to help me somewhere... | 0:40:20 | 0:40:23 | |
I think that's him there now. | 0:40:23 | 0:40:25 | |
-Ian. -Brendan, how are you? -How you doing? | 0:40:25 | 0:40:26 | |
-Thanks for meeting me, appreciate it. -Pleased to meet you. | 0:40:26 | 0:40:29 | |
Where do you want to have a cup of coffee? | 0:40:29 | 0:40:31 | |
First of all, I thought I'd bring you just to this spot | 0:40:31 | 0:40:34 | |
so you might look up there | 0:40:34 | 0:40:35 | |
and see something you might have already encountered in your journey. | 0:40:35 | 0:40:38 | |
The Royal Exchange Hotel. Good grief. | 0:40:38 | 0:40:42 | |
-This is where the Lynch murder took place. -Mm-hmm. Right inside there. | 0:40:43 | 0:40:46 | |
-It's not a hotel any more but that's where he met his demise. -My God! | 0:40:46 | 0:40:51 | |
So let's talk. | 0:40:51 | 0:40:52 | |
I think we should get out of the busy street into this cafe and talk. | 0:40:52 | 0:40:55 | |
Yes, let's do that. Thank, Ian, thanks very much. | 0:40:55 | 0:40:58 | |
Now you'd know about censorship at that time | 0:40:59 | 0:41:02 | |
and you've read the article about my granddad. | 0:41:02 | 0:41:04 | |
And the journalist, where he says here the similarity between | 0:41:04 | 0:41:08 | |
the killing of Lynch in the Exchange Hotel across the road, is he trying | 0:41:08 | 0:41:12 | |
to say something more here, but is watching what he's saying? | 0:41:12 | 0:41:16 | |
-Is he trying to say that there's a connection? -Yeah. | 0:41:16 | 0:41:18 | |
He uses in that the phrase "striking resemblance" | 0:41:18 | 0:41:20 | |
and it's widely known that the Auxiliaries, | 0:41:20 | 0:41:23 | |
or the Crown Forces let's say, were involved in that killing of Lynch. | 0:41:23 | 0:41:26 | |
So by saying that he's saying without explicitly saying that | 0:41:26 | 0:41:30 | |
I reckon it's the same, it's the same situation with Peter O'Carroll. | 0:41:30 | 0:41:33 | |
Yeah, but is he saying he reckons, is he guessing or does he know more? | 0:41:33 | 0:41:36 | |
Well he is...he probably knows more. | 0:41:36 | 0:41:39 | |
Now this is September/October, 1920. | 0:41:39 | 0:41:42 | |
In August, 1920, there was a counter-insurgency legislation | 0:41:42 | 0:41:46 | |
called Restoration of Order in Ireland Act. | 0:41:46 | 0:41:48 | |
That meant newspapers couldn't print any report, even if | 0:41:48 | 0:41:51 | |
it was true, that was deemed to cause "disaffection" | 0:41:51 | 0:41:53 | |
was the word they used, to His Majesty or His Majesty's Forces. | 0:41:53 | 0:41:57 | |
-We will tell you what you can put in the paper? -Yeah. | 0:41:57 | 0:41:59 | |
There was, say, intimidation against newspapers. | 0:41:59 | 0:42:02 | |
Newspapers were closed down, | 0:42:02 | 0:42:04 | |
they were firebombed by Auxiliaries on a number of occasions. | 0:42:04 | 0:42:07 | |
Now there were IRA attacks | 0:42:07 | 0:42:08 | |
but actually the Crown Forces were involved | 0:42:08 | 0:42:11 | |
in most of the violence against newspapers, | 0:42:11 | 0:42:13 | |
and journalists are afraid to say what they really know, | 0:42:13 | 0:42:16 | |
so they often used euphemisms and hints. | 0:42:16 | 0:42:19 | |
I think the journalist is clearly making | 0:42:19 | 0:42:21 | |
a link between Peter O'Carroll's death and Lynch's death. | 0:42:21 | 0:42:24 | |
And if it's the same type of killing, it may well be the same | 0:42:24 | 0:42:27 | |
person or the same group of people who are involved. | 0:42:27 | 0:42:30 | |
So, if he's saying that it could be the same people... | 0:42:30 | 0:42:33 | |
..did they ever discover who it was that killed Lynch? | 0:42:35 | 0:42:38 | |
There are sources that name individuals within | 0:42:38 | 0:42:41 | |
the British Intelligence network who were involved in assassinations. | 0:42:41 | 0:42:44 | |
And I actually have one document here from a Republican that names - | 0:42:44 | 0:42:48 | |
I'm not saying it's the individual | 0:42:48 | 0:42:49 | |
who was involved in Peter O'Carroll's death - | 0:42:49 | 0:42:51 | |
-but names individuals who were involved in shooting Lynch. -Really? | 0:42:51 | 0:42:54 | |
And it may lead you on to something else. | 0:42:54 | 0:42:57 | |
So he's talking about Lynch's killers? | 0:42:57 | 0:42:59 | |
Yeah, what he knows, what he had heard about Lynch's killing. | 0:42:59 | 0:43:02 | |
"I was horrified to read in the press that Mr Lynch had been | 0:43:02 | 0:43:05 | |
"murdered that night in his bed. | 0:43:05 | 0:43:07 | |
"It appears that about 2am | 0:43:07 | 0:43:09 | |
"a party of English officers and RIC men | 0:43:09 | 0:43:11 | |
"knocked at the hotel door, they demanded the number of Lynch's room | 0:43:11 | 0:43:14 | |
"and having got it, went upstairs. | 0:43:14 | 0:43:16 | |
"After a short while they came downstairs and departed. | 0:43:16 | 0:43:20 | |
"They had shot Lynch as he lay in his bed. | 0:43:20 | 0:43:22 | |
"Collins, with his wonderfully organised intelligence system..." | 0:43:22 | 0:43:25 | |
That's Michael Collins? | 0:43:25 | 0:43:26 | |
Yeah, and Director of Intelligence for the IRA. | 0:43:26 | 0:43:29 | |
"..right in the enemy's heart, | 0:43:29 | 0:43:31 | |
"soon discovered who poor Lynch's murderers were. | 0:43:31 | 0:43:34 | |
"One of them was an Englishman who lodged in a house in Mount Street... | 0:43:36 | 0:43:40 | |
"..under the name of MacMahon. | 0:43:42 | 0:43:44 | |
"His real name was Angliss, and he had lately come across from England | 0:43:45 | 0:43:50 | |
"with several others to do intelligence and murder work." | 0:43:50 | 0:43:54 | |
That statement is accurate. | 0:43:54 | 0:43:56 | |
He had come over as part of a small group to do this intelligence work. | 0:43:56 | 0:43:59 | |
These men, they came over for intelligence and murder? | 0:43:59 | 0:44:02 | |
Oh, yes. The intelligence was the first part and then they'd act | 0:44:02 | 0:44:05 | |
on that intelligence by assassinating people. | 0:44:05 | 0:44:09 | |
So let me do amateur detective here for a second. | 0:44:09 | 0:44:11 | |
He's sure that MacMahon/Angliss was in the Royal Exchange Hotel | 0:44:11 | 0:44:17 | |
at Lynch's murder. | 0:44:17 | 0:44:19 | |
If the same style of weapon was used, | 0:44:20 | 0:44:23 | |
if the same modus operandi was used, | 0:44:23 | 0:44:26 | |
if the same way of using the weapon was used, | 0:44:26 | 0:44:29 | |
I don't think it's unreasonable of me | 0:44:29 | 0:44:32 | |
to think that the same people were there when my granddad was shot. | 0:44:32 | 0:44:36 | |
I don't think that's unreasonable at all. | 0:44:36 | 0:44:38 | |
We know that there was a small group of intelligence operatives working | 0:44:38 | 0:44:42 | |
in the city at this stage and they're travelling about | 0:44:42 | 0:44:45 | |
trying to build up intelligence on people | 0:44:45 | 0:44:47 | |
and acting upon that intelligence by assassinating them. | 0:44:47 | 0:44:51 | |
So I need to find out more about MacMahon/Angliss and his cohorts. | 0:44:51 | 0:44:54 | |
You know, I've resigned myself to... | 0:45:00 | 0:45:02 | |
if I could just find out the group that were responsible, | 0:45:02 | 0:45:07 | |
but it's starting to narrow down to maybe individuals. | 0:45:07 | 0:45:10 | |
I think I might get this down to two or three people who could be | 0:45:10 | 0:45:14 | |
responsible for the... for the murder of my grandfather. | 0:45:14 | 0:45:18 | |
And that's a lot more than I hoped for when I started this. | 0:45:18 | 0:45:21 | |
It's a long time ago and I don't want to be accusing anybody but | 0:45:21 | 0:45:25 | |
I'm too far down the road now | 0:45:25 | 0:45:26 | |
to not follow this through as far as I can. | 0:45:26 | 0:45:29 | |
In 1920, Dublin Castle was the centre point of British rule | 0:45:44 | 0:45:49 | |
in Ireland - as it had been for centuries. | 0:45:49 | 0:45:52 | |
The British Intelligence officers were based here. | 0:45:52 | 0:45:55 | |
Brendan is hoping historian Dr William Sheehan will be able | 0:45:57 | 0:46:01 | |
to tell him more about this group. | 0:46:01 | 0:46:04 | |
Brendan, nice to meet you. | 0:46:04 | 0:46:05 | |
William, thanks very much for this, I really appreciate it. | 0:46:05 | 0:46:08 | |
This was the headquarters of British Military Intelligence of the time? | 0:46:08 | 0:46:11 | |
Yes. This would have been their base. | 0:46:11 | 0:46:13 | |
In fact, it's just over there, it's that part of the castle. | 0:46:13 | 0:46:15 | |
-Shall we go over? -Yeah, please. | 0:46:15 | 0:46:17 | |
The name I have is this man MacMahon/Angliss. | 0:46:21 | 0:46:26 | |
Am I on the wrong track? | 0:46:26 | 0:46:27 | |
Well, you're certainly on the right track | 0:46:27 | 0:46:29 | |
because Angliss would have been part of this group of officers. | 0:46:29 | 0:46:33 | |
-But can I show you this witness statement? -Yeah, please do. | 0:46:33 | 0:46:35 | |
-Um... -What is this? | 0:46:35 | 0:46:36 | |
Are you familiar with the witness statements? OK. | 0:46:36 | 0:46:39 | |
The witness statements were taken in the 1950s by the Irish Army | 0:46:39 | 0:46:43 | |
to get the memories of the IRA participants in the conflict, | 0:46:43 | 0:46:48 | |
get their stories. | 0:46:48 | 0:46:49 | |
And so they've been very valuable to historians | 0:46:49 | 0:46:52 | |
but it'll be very valuable to you. | 0:46:52 | 0:46:54 | |
-This is a statement by David Neligan... -David Neligan. | 0:46:54 | 0:46:58 | |
Neligan was working here in Dublin Castle for the British, | 0:46:58 | 0:47:02 | |
but his primary loyalty was to Michael Collins and the IRA, | 0:47:02 | 0:47:05 | |
and he was able to feed information on British operations | 0:47:05 | 0:47:09 | |
and British personnel to Collins. | 0:47:09 | 0:47:12 | |
So this is actually Neligan's testimony | 0:47:12 | 0:47:15 | |
-on the events of that autumn. -In 1920? -In 1920. | 0:47:15 | 0:47:19 | |
So this is the page which is, I think, relevant to you. | 0:47:19 | 0:47:24 | |
It starts here. | 0:47:24 | 0:47:25 | |
"The British Secret Service was active in Dublin about this time. | 0:47:27 | 0:47:30 | |
"A man named Lynch from East Limerick had come to Dublin with | 0:47:30 | 0:47:33 | |
"a large sum of money which he turned over to Michael Collins. | 0:47:33 | 0:47:37 | |
"He stayed at the Exchange Hotel quite close to the Castle." | 0:47:37 | 0:47:41 | |
-I was there yesterday, it's 100 yards away. -Yeah. | 0:47:41 | 0:47:43 | |
"But several men in civilian clothes called to the hotel one night | 0:47:43 | 0:47:47 | |
"and shot the Limerick man dead. | 0:47:47 | 0:47:49 | |
"Collins was most anxious to have the assassins identified | 0:47:49 | 0:47:52 | |
"and I was told to get busy. | 0:47:52 | 0:47:54 | |
"I visited College Police Station where I found a friend on duty. | 0:47:56 | 0:47:59 | |
"He allowed me to look through the Occurrence Book. | 0:47:59 | 0:48:02 | |
"In it was a copy of a phone message from a certain | 0:48:02 | 0:48:05 | |
"British military officer stating that he and others | 0:48:05 | 0:48:07 | |
"had gone to arrest a Sinn Feiner at the hotel. | 0:48:07 | 0:48:10 | |
"That he had fired at him and that they had replied, killing him. | 0:48:10 | 0:48:14 | |
"The same British officer figured in another murder... | 0:48:14 | 0:48:17 | |
"..a fact I knew from a description of him | 0:48:18 | 0:48:21 | |
"given to volunteers by the Carroll family." | 0:48:21 | 0:48:25 | |
-That's... -That's your family, yeah. | 0:48:25 | 0:48:28 | |
"An old man name O'Carroll kept a locksmith shop in Stoneybatter, | 0:48:28 | 0:48:31 | |
"a working-class quarter of the city. | 0:48:31 | 0:48:34 | |
"He had two sons, active volunteers." | 0:48:34 | 0:48:36 | |
That would be Liam and Michael. | 0:48:36 | 0:48:38 | |
"O'Carroll had a visit from a British Army officer | 0:48:38 | 0:48:40 | |
"who warned him that if his sons | 0:48:40 | 0:48:42 | |
"did not surrender at the Castle before a given date... | 0:48:42 | 0:48:45 | |
"he would be shot. | 0:48:45 | 0:48:46 | |
"O'Carroll was found shot dead in his shop later. | 0:48:48 | 0:48:51 | |
"On his body was pinned a card - 'Spies beware.'" | 0:48:53 | 0:48:57 | |
Was close. | 0:48:57 | 0:48:59 | |
"Tobin brought me a slip of paper and on it was written, in Collins' | 0:48:59 | 0:49:03 | |
"writing, 'Concentrate on Hardy.' | 0:49:03 | 0:49:06 | |
"That was the name of the killer. | 0:49:07 | 0:49:10 | |
"MacNamara and myself knew this man well, | 0:49:13 | 0:49:17 | |
"he was an Orangeman with an artificial leg, | 0:49:17 | 0:49:21 | |
"on the Castle garrison | 0:49:21 | 0:49:23 | |
"and was an intelligence officer in the Auxiliaries, | 0:49:23 | 0:49:27 | |
"and a very hostile killer." | 0:49:27 | 0:49:29 | |
HE SIGHS | 0:49:31 | 0:49:33 | |
Hardy. | 0:49:38 | 0:49:39 | |
This is the man who killed my grandfather. | 0:49:41 | 0:49:44 | |
Yeah. What we have here is Neligan pinpointing Hardy as the shooter. | 0:49:44 | 0:49:49 | |
And possibly the same man who killed Lynch as well. | 0:49:49 | 0:49:53 | |
Oh, Jesus! | 0:49:54 | 0:49:56 | |
So my grandfather was killed because his sons wouldn't surrender? | 0:49:59 | 0:50:03 | |
That's basically it, yes. | 0:50:03 | 0:50:06 | |
I'm not...I'm not a dreamer. | 0:50:09 | 0:50:11 | |
My granddad would have been one of the enemy | 0:50:11 | 0:50:13 | |
but it's just coming home so callously real. | 0:50:13 | 0:50:17 | |
I mean, it puts your grandfather in an impossible position. | 0:50:17 | 0:50:20 | |
-Yeah. -What's he going to do? | 0:50:20 | 0:50:22 | |
-He can't hand over his sons. -I would hope not. -Yeah, yeah. | 0:50:22 | 0:50:25 | |
We look at it and we think, you know, how do these officers, | 0:50:30 | 0:50:34 | |
these agents of the state, | 0:50:34 | 0:50:36 | |
people who should be accountable to the courts, | 0:50:36 | 0:50:39 | |
who should be accountable to, you know, someone, | 0:50:39 | 0:50:42 | |
how do they go about and do something like this? | 0:50:42 | 0:50:46 | |
But essentially, they see this as a kind of strategy. | 0:50:46 | 0:50:50 | |
They don't see your grandfather as an individual. | 0:50:50 | 0:50:52 | |
He's not a person, he's a piece in a chessboard. | 0:50:52 | 0:50:54 | |
Exactly, he's a piece in a chessboard | 0:50:54 | 0:50:56 | |
that they can move around or remove. | 0:50:56 | 0:50:58 | |
You know, there are people who subscribe to the theory that | 0:50:58 | 0:51:01 | |
all is fair in love and war. | 0:51:01 | 0:51:03 | |
I don't think that's fair. | 0:51:03 | 0:51:04 | |
Hardy, whose full name was Jocelyn Lee Hardy, | 0:51:06 | 0:51:10 | |
had arrived in Dublin | 0:51:10 | 0:51:11 | |
just a few months before the killing of Peter O'Carroll. | 0:51:11 | 0:51:15 | |
He came with a formidable reputation. | 0:51:15 | 0:51:18 | |
He'd been taken prisoner in the Great War but escaped. | 0:51:18 | 0:51:22 | |
Later, he'd lost a leg in battle. | 0:51:22 | 0:51:24 | |
Brendan has an appointment with Professor Ronan Fanning, | 0:51:24 | 0:51:28 | |
who knows more. | 0:51:28 | 0:51:30 | |
So why are we meeting here? | 0:51:30 | 0:51:31 | |
Because Harcourt Street is where Hardy lived in the autumn of 1920. | 0:51:31 | 0:51:38 | |
And most of the other intelligence officers who came over, | 0:51:38 | 0:51:42 | |
they lived in what you might call the South Dublin inner suburbs. | 0:51:42 | 0:51:46 | |
But the thing about Hardy was he was very much a lone wolf. | 0:51:46 | 0:51:49 | |
Brave, unquestionably, | 0:51:49 | 0:51:50 | |
but he was also unquestionably utterly ruthless. | 0:51:50 | 0:51:53 | |
Now, Ronan, I've read a statement that virtually, | 0:51:53 | 0:51:56 | |
definitively says yes, that this man Hardy killed my grandfather. | 0:51:56 | 0:51:59 | |
That's the overwhelming belief. | 0:51:59 | 0:52:01 | |
Certainly everybody in the IRA believed that | 0:52:01 | 0:52:03 | |
and the evidence points in that direction. | 0:52:03 | 0:52:05 | |
And this actually shows the IRA's view of him. | 0:52:05 | 0:52:09 | |
"Hardy was a slight man and walked with a limp, but he could be deadly. | 0:52:09 | 0:52:13 | |
"He was responsible for the shootings, tortures | 0:52:13 | 0:52:15 | |
"and beatings which took place in the Castle. | 0:52:15 | 0:52:17 | |
"He was the most interesting character. | 0:52:17 | 0:52:20 | |
"A born murderer." | 0:52:20 | 0:52:22 | |
The activities of Jocelyn Lee Hardy and his associates | 0:52:25 | 0:52:28 | |
quickly made them prime targets for the IRA. | 0:52:28 | 0:52:31 | |
At the time of Peter O'Carroll's killing, | 0:52:32 | 0:52:35 | |
the IRA's Michael Collins was already formulating a plan | 0:52:35 | 0:52:39 | |
to eliminate the British intelligence operatives in Dublin. | 0:52:39 | 0:52:43 | |
Just three weeks later, on Sunday, 21st November, | 0:52:43 | 0:52:47 | |
Collins put his plan into action. | 0:52:47 | 0:52:50 | |
IRA men visited the lodgings of British agents | 0:52:50 | 0:52:54 | |
and shot 14 individuals dead. | 0:52:54 | 0:52:57 | |
As a result of this, and British reprisals later that afternoon, | 0:52:57 | 0:53:02 | |
the day became known as Bloody Sunday. | 0:53:02 | 0:53:05 | |
Was Hardy killed on Bloody Sunday? | 0:53:10 | 0:53:13 | |
No. He was very high on the hit list, | 0:53:13 | 0:53:17 | |
but when they went to the hotel in Harcourt Street he wasn't there. | 0:53:17 | 0:53:22 | |
He was a survivor. | 0:53:22 | 0:53:24 | |
So he's not killed on Bloody Sunday, | 0:53:24 | 0:53:29 | |
the IRA must have got him at some stage? | 0:53:29 | 0:53:31 | |
-The IRA did keep trying to get him, but they never succeeded. -Never? | 0:53:31 | 0:53:36 | |
No. You see, after the war is over, everybody says on both sides, | 0:53:36 | 0:53:40 | |
"We can't go round trying to settle scores." | 0:53:40 | 0:53:43 | |
-So my grandfather's killer goes unpunished? -Yes. | 0:53:43 | 0:53:49 | |
-Did this man Hardy just go back to normal life then? -Yes. | 0:53:51 | 0:53:54 | |
He becomes a banker, fairly affluent in that kind of stockbroker world. | 0:53:54 | 0:53:59 | |
-He also writes some novels. He writes a play. -He wrote books. | 0:53:59 | 0:54:05 | |
And these are two of the books he wrote in later life. | 0:54:05 | 0:54:09 | |
One of the books here is called I Escape | 0:54:09 | 0:54:12 | |
and that's particularly interesting. | 0:54:12 | 0:54:14 | |
I think you'll find this particularly interesting | 0:54:14 | 0:54:16 | |
because there's a photograph of him in this. | 0:54:16 | 0:54:19 | |
There he is. | 0:54:20 | 0:54:22 | |
That was taken in 1918. | 0:54:26 | 0:54:28 | |
That's the last face my grandfather saw. | 0:54:38 | 0:54:40 | |
Jesus, he's some...! | 0:54:42 | 0:54:44 | |
You know, in my case it's personal. | 0:54:48 | 0:54:50 | |
-Of course it's personal. -And I would have liked... | 0:54:50 | 0:54:53 | |
I would have liked to have seen somebody taken to account for it. | 0:54:53 | 0:54:57 | |
Nine months after Peter O'Carroll's killing, | 0:55:01 | 0:55:05 | |
a truce was declared in the War of Independence. | 0:55:05 | 0:55:08 | |
Negotiations followed. | 0:55:08 | 0:55:10 | |
And on the 6th December, 1921, | 0:55:10 | 0:55:13 | |
a treaty was signed. | 0:55:13 | 0:55:15 | |
Six counties in Northern Ireland remained part of the United Kingdom, | 0:55:15 | 0:55:19 | |
but the rest of the country became independent. | 0:55:19 | 0:55:23 | |
British Forces left the newly created Irish Free State | 0:55:23 | 0:55:27 | |
and many members of the IRA joined the new official Irish Army. | 0:55:27 | 0:55:32 | |
The war that had taken the life of Peter O'Carroll was at an end. | 0:55:32 | 0:55:37 | |
And for nearly 100 years, | 0:55:37 | 0:55:39 | |
the mystery of what happened that night on Manor Street | 0:55:39 | 0:55:44 | |
remained unsolved. | 0:55:44 | 0:55:46 | |
I started off with the story | 0:55:48 | 0:55:50 | |
that my grandfather was killed by the Black and Tans. | 0:55:50 | 0:55:54 | |
I didn't expect it to come down to an individual. | 0:55:54 | 0:55:57 | |
Then to find out a name of somebody who... | 0:55:57 | 0:56:00 | |
To be able to put the gun in somebody's hand | 0:56:00 | 0:56:03 | |
and see a photograph of Mr Hardy was very odd | 0:56:03 | 0:56:09 | |
because it became very personal. | 0:56:09 | 0:56:12 | |
All of a sudden, he became very human, | 0:56:13 | 0:56:16 | |
and you can see him standing in my granddad's shop. | 0:56:16 | 0:56:20 | |
A thing I found very upsetting is that I get the feeling | 0:56:20 | 0:56:23 | |
my granddad knew he was going to die. | 0:56:23 | 0:56:26 | |
I...I think he knew when that knock came to the door | 0:56:26 | 0:56:29 | |
that when he went downstairs they were going to shoot him. | 0:56:29 | 0:56:32 | |
Cos they said they would. | 0:56:32 | 0:56:35 | |
But he wasn't going to shop his sons under any circumstances. | 0:56:35 | 0:56:38 | |
He wasn't going to hand in his sons. | 0:56:38 | 0:56:40 | |
So it's a pretty dire predicament to be in. | 0:56:40 | 0:56:45 | |
He went down to face what was going to be an inevitable execution. | 0:56:45 | 0:56:49 | |
"In loving memory of Peter O'Carroll, | 0:57:13 | 0:57:16 | |
"shot at his home during curfew. | 0:57:16 | 0:57:19 | |
"16th October, 1920." | 0:57:19 | 0:57:22 | |
I was determined not to come back here | 0:57:22 | 0:57:24 | |
until such time as we'd completed the search. | 0:57:24 | 0:57:27 | |
And now that we're back, I see my granny is there, Annie O'Carroll. | 0:57:27 | 0:57:31 | |
She died on the 4th March, 1954. | 0:57:31 | 0:57:33 | |
That would be a year before I was born. | 0:57:33 | 0:57:36 | |
And when I first saw this, there was no sense of attachment. | 0:57:36 | 0:57:40 | |
It was... | 0:57:40 | 0:57:42 | |
I may as well have been looking at that one, the one next door, | 0:57:42 | 0:57:44 | |
there was no sense. | 0:57:44 | 0:57:46 | |
The "shot at his home," that was very stark | 0:57:46 | 0:57:50 | |
and that's what started me on the search. | 0:57:50 | 0:57:52 | |
And even then, getting the newspaper article and reading the newspaper, | 0:57:52 | 0:57:56 | |
I may as well have been reading about, you know, a stranger. | 0:57:56 | 0:58:00 | |
But this search has made it very personal, and made him very human. | 0:58:00 | 0:58:04 | |
All of them. The story's reborn. | 0:58:04 | 0:58:08 | |
The story hasn't died with them. | 0:58:08 | 0:58:11 | |
In the letter to the Lord Mayor, | 0:58:11 | 0:58:13 | |
my grandmother said that she didn't want vengeance, | 0:58:13 | 0:58:16 | |
she wanted truth and she wanted justice. | 0:58:16 | 0:58:19 | |
And, well, this is the truth and we're beyond justice, I think, | 0:58:20 | 0:58:26 | |
at this stage, but at least we got the truth. | 0:58:26 | 0:58:29 | |
And the truth that I never expected to get. Never. | 0:58:29 | 0:58:34 |