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CAMERAS WHIR | 0:00:02 | 0:00:04 | |
Over the past 14 years, JK Rowling's Harry Potter novels | 0:00:04 | 0:00:09 | |
have sold almost 450 million copies, | 0:00:09 | 0:00:12 | |
transforming her from struggling writer into the most successful author in the world. | 0:00:12 | 0:00:18 | |
But Jo has been unable to share her success with one of the people she cared about most. | 0:00:21 | 0:00:26 | |
Mum died when I had just started writing Harry Potter. | 0:00:28 | 0:00:32 | |
It's a real regret actually that I never even mentioned it to her, | 0:00:32 | 0:00:38 | |
that she died without knowing anything about something so huge. | 0:00:38 | 0:00:42 | |
She knew I had literary ambitions | 0:00:42 | 0:00:45 | |
but she never knew that I'd had the idea of my life to date. | 0:00:45 | 0:00:50 | |
My mother's maiden name was Anne Volant, | 0:00:50 | 0:00:53 | |
she was a quarter French and she was very interested in her French roots | 0:00:53 | 0:00:58 | |
but never had a chance to explore them. | 0:00:58 | 0:01:01 | |
So the huge motivation in looking into my family history is my mother. | 0:01:01 | 0:01:07 | |
It's very much bound up in, in that loss. | 0:01:07 | 0:01:11 | |
Jo Rowling lives and works in Scotland | 0:01:44 | 0:01:47 | |
but can trace her French roots back three generations. | 0:01:47 | 0:01:51 | |
My mother's father's father, Louis Volant married an English woman | 0:01:51 | 0:01:56 | |
and I know the marriage failed. | 0:01:56 | 0:01:59 | |
I know something about his war record. | 0:01:59 | 0:02:01 | |
He was very brave in the First World War. | 0:02:01 | 0:02:04 | |
I don't know all the details but he was awarded the Legion d'honneur. | 0:02:04 | 0:02:07 | |
In 2009, Jo herself won the Legion d'honneur, | 0:02:08 | 0:02:12 | |
France's highest honour, for her services to world literature. | 0:02:12 | 0:02:16 | |
I made my speech in French and it was an opportunity to speak about Louis. | 0:02:17 | 0:02:22 | |
It was one of the most meaningful awards that I've ever received, because of that family connection. | 0:02:26 | 0:02:32 | |
But I don't really know where he came from, | 0:02:32 | 0:02:34 | |
I don't know what kind of family he came from | 0:02:34 | 0:02:36 | |
and I don't know anything at all about the generations behind him. | 0:02:36 | 0:02:39 | |
Jo has decided to start her search into Louis Volant | 0:02:42 | 0:02:45 | |
and her French roots in the Scottish capital. | 0:02:45 | 0:02:48 | |
I'm going into Edinburgh to see my Aunty Marian, | 0:02:49 | 0:02:52 | |
who's staying with friends here and she's my mum's big sister, | 0:02:52 | 0:02:55 | |
and she's the last link to the French family. | 0:02:55 | 0:02:59 | |
She was born a Volant, that's her maiden name. | 0:02:59 | 0:03:01 | |
DOORBELL RINGS | 0:03:01 | 0:03:03 | |
-Hello, my darling! -How are you? | 0:03:05 | 0:03:10 | |
Lovely to see you. | 0:03:10 | 0:03:12 | |
Marian Fox is Jo's maternal aunt, and the daughter of Stanley Volant, | 0:03:12 | 0:03:17 | |
the youngest of four children born to Jo's great grandfather, | 0:03:17 | 0:03:21 | |
Louis Volant and his wife, Lizzie. | 0:03:21 | 0:03:24 | |
Marian has brought the family's collection of letters and photos to show Jo. | 0:03:25 | 0:03:31 | |
-I'm very excited. -This is the famous wedding album. | 0:03:31 | 0:03:35 | |
So this is your wedding to Les. | 0:03:35 | 0:03:37 | |
My wedding to Les, me with my 18-inch waist. | 0:03:37 | 0:03:39 | |
Your 18-inch waist. Tiny. | 0:03:39 | 0:03:42 | |
-There's Mum. -Ahh. | 0:03:42 | 0:03:44 | |
We had that dress for dressing up, it was pale blue. | 0:03:44 | 0:03:48 | |
-That's right, yeah. -Ahh. | 0:03:48 | 0:03:50 | |
This is Lizzie, your great grandmother. | 0:03:50 | 0:03:53 | |
-She was lovely. -Was she? | 0:03:53 | 0:03:55 | |
-She taught me my prayers, cuddled me, she was a natural grandma. -Ahh. | 0:03:55 | 0:03:59 | |
She was really gorgeous. | 0:03:59 | 0:04:01 | |
So Lizzie married Louis. | 0:04:01 | 0:04:02 | |
Have you found Louis at all? | 0:04:02 | 0:04:03 | |
Yes, there's some here. | 0:04:03 | 0:04:05 | |
I have a photo. | 0:04:05 | 0:04:07 | |
-Oh, I've never seen that before. -He's handsome, isn't he? He's gorgeous, isn't he? | 0:04:07 | 0:04:11 | |
This is Louis' good conduct certificate. | 0:04:11 | 0:04:14 | |
Right. This is from National Service, is it? | 0:04:14 | 0:04:16 | |
-Yes, and look at this, Jo. -Ah. | 0:04:16 | 0:04:18 | |
-Was he born on your birthday? -He was born on 31st July. | 0:04:18 | 0:04:21 | |
Exactly the same day, yeah. | 0:04:21 | 0:04:23 | |
Oh, my God. | 0:04:23 | 0:04:25 | |
How bizarre. Same date as me and Harry Potter. | 0:04:25 | 0:04:28 | |
That's right. | 0:04:28 | 0:04:30 | |
And he was born in Paris in the 10th arrondissement. Wow. | 0:04:30 | 0:04:34 | |
I think this is a photo of his mother. | 0:04:34 | 0:04:37 | |
-Oh, my goodness. -And her name, would you believe is Salome Schuch. -So... -Very strong-featured lady. | 0:04:37 | 0:04:41 | |
What do you know about her? | 0:04:41 | 0:04:43 | |
-Very little. Just that she grew up in the countryside in France. -Right. | 0:04:43 | 0:04:47 | |
So when did Louis arrive in England | 0:04:47 | 0:04:50 | |
and why did he come to England? | 0:04:50 | 0:04:53 | |
We know he came over in the 1890s | 0:04:53 | 0:04:55 | |
and he worked over here as a waiter | 0:04:55 | 0:04:57 | |
in places like the Savoy. | 0:04:57 | 0:04:58 | |
Classy joints. | 0:04:58 | 0:05:00 | |
Oh, classy joints, classy joints. | 0:05:00 | 0:05:02 | |
And that's where he met Lizzie | 0:05:02 | 0:05:04 | |
-who was working as a nursery maid for a family off Marble Arch. -Oh, wow. | 0:05:04 | 0:05:08 | |
Have a look at these. | 0:05:08 | 0:05:10 | |
They're all letters that Louis wrote Lizzie, over the years, | 0:05:10 | 0:05:13 | |
right from when they first met. | 0:05:13 | 0:05:15 | |
-Oh, wow. -They made me cry, they are so lovely. | 0:05:15 | 0:05:18 | |
-"Dearest Lizzie." -Everything is, my dearest Lizzie. | 0:05:18 | 0:05:21 | |
This was written about 1896. | 0:05:21 | 0:05:23 | |
-Right. -And he was having to go back to Paris to do his National Service. | 0:05:23 | 0:05:27 | |
"Now, darling, just have a little more patience. | 0:05:27 | 0:05:30 | |
"I think this shall be one of the last letters I am writing to you, | 0:05:30 | 0:05:34 | |
"so with all my fondest love and kisses to my dearest Lizzie, from your own forever Louis. | 0:05:34 | 0:05:40 | |
"PS Write soon, Liz, time will fly now. Ta-ta, my love." | 0:05:40 | 0:05:45 | |
Oh, it's lovely, isn't it? It's so sweet. | 0:05:45 | 0:05:48 | |
And that is Lizzie and Louis' wedding photo. | 0:05:48 | 0:05:50 | |
-Well, you can see what they saw in each other. -Oh, yes, yeah. | 0:05:50 | 0:05:55 | |
She was 25, he was 22. So he was very young, wasn't he? | 0:05:55 | 0:05:58 | |
Very young. | 0:05:58 | 0:06:00 | |
Now this one is the first family baby photo taken, | 0:06:00 | 0:06:04 | |
when Marcel was born, in 1901 I think it was. | 0:06:04 | 0:06:07 | |
Right. It's actually very touching | 0:06:07 | 0:06:09 | |
-cos you know the marriage didn't work out. -That's right, yeah. | 0:06:09 | 0:06:13 | |
So when did Louis leave the family? | 0:06:13 | 0:06:15 | |
I don't know. It was always a bit of mystery. | 0:06:15 | 0:06:18 | |
Louis had gone back to France for some reason or other | 0:06:18 | 0:06:22 | |
and Lizzie wouldn't go over and join him, | 0:06:22 | 0:06:24 | |
-she wouldn't pack up and go to French. -Right. -So they split. | 0:06:24 | 0:06:27 | |
-After that we haven't got any family photos. -Yeah. | 0:06:27 | 0:06:29 | |
-We've got this, from the First World War. -Oh, my goodness. -Yeah, this is... -His identity card. | 0:06:29 | 0:06:34 | |
Wow. Wasn't there a photograph of him wearing his Legion d'honneur? | 0:06:34 | 0:06:39 | |
-No, this was the only thing from his effects that we found. -Oh. | 0:06:39 | 0:06:43 | |
The button ball badge of the Legion of Honour, but not the medal. | 0:06:43 | 0:06:46 | |
Isn't that wonderful? | 0:06:46 | 0:06:49 | |
Gosh. | 0:06:49 | 0:06:52 | |
I would love to know what the citation was for him being awarded that medal, | 0:06:52 | 0:06:56 | |
because I feel he did something very brave and sadly we don't know what it was. | 0:06:56 | 0:07:00 | |
-And I'm proud of him. -Yeah, me too. | 0:07:00 | 0:07:02 | |
Wow. | 0:07:02 | 0:07:04 | |
And where is he buried? | 0:07:04 | 0:07:06 | |
-I don't know where he's buried. -We don't know? | 0:07:06 | 0:07:09 | |
I don't know anything else cos there was no funeral service anybody attended that I heard of. | 0:07:09 | 0:07:13 | |
And there's nobody to ask any more. | 0:07:13 | 0:07:15 | |
-I'll put these back, Jo. -OK. -I want you to take them with you. -Ah. | 0:07:15 | 0:07:19 | |
-Look after Louis and Lizzie for me. -I will really. Thank you so much. | 0:07:19 | 0:07:23 | |
-I'll look after them. -Thank you. | 0:07:23 | 0:07:25 | |
I feel this weird pull towards Louis. | 0:07:28 | 0:07:31 | |
He left France to go to London, | 0:07:31 | 0:07:33 | |
a massive city | 0:07:33 | 0:07:34 | |
that's also a foreign city, so he's an immigrant. | 0:07:34 | 0:07:36 | |
That's very gutsy. | 0:07:36 | 0:07:39 | |
And then I found the letters so moving, | 0:07:39 | 0:07:41 | |
this very young man writing to his English girlfriend. | 0:07:41 | 0:07:45 | |
And Marian's told me he was a waiter and he worked at the Savoy | 0:07:45 | 0:07:49 | |
so I'm going to London. | 0:07:49 | 0:07:52 | |
Jo's great grandfather, Louis Volant, arrived in London in the 1890s | 0:07:58 | 0:08:03 | |
and worked in the city as a waiter both before and after the First World War. | 0:08:03 | 0:08:08 | |
Jo has come to the famous Savoy Hotel on the Strand | 0:08:11 | 0:08:15 | |
where Louis worked in the 1920s. | 0:08:15 | 0:08:17 | |
She's come to meet social historian Constance Bantman, | 0:08:22 | 0:08:26 | |
who's been researching Louis' life in London. | 0:08:26 | 0:08:30 | |
-So we are here. -Yes. -At the River Restaurant. -Yes. -At the Savoy, | 0:08:30 | 0:08:34 | |
which is where Louis worked between 1919 and 1927 | 0:08:34 | 0:08:37 | |
and this is the restaurant in action. | 0:08:37 | 0:08:40 | |
Wow, I love this, it's so 1920s, it's so glamorous. | 0:08:40 | 0:08:45 | |
It was one of the best, if not THE best restaurant in the whole world. | 0:08:45 | 0:08:49 | |
-Wow. -And Louis was head wine waiter. -He was head wine waiter? -Yes. -Oh, Louis! | 0:08:49 | 0:08:55 | |
And he actually got an award for it, a French award, | 0:08:55 | 0:08:59 | |
called Chevalier du Merite Agricole. | 0:08:59 | 0:09:02 | |
-You're joking? -No, not at all. It's a very prestigious distinction. | 0:09:02 | 0:09:07 | |
-And this was given to him in 1922. -And here's his title in French. | 0:09:07 | 0:09:11 | |
"Chef du service des vins au Savoy Hotel." | 0:09:11 | 0:09:16 | |
Fair play to him, for a working class Frenchman who's come to London, | 0:09:16 | 0:09:20 | |
-he's certainly risen in his profession. -Absolutely. | 0:09:20 | 0:09:23 | |
We are extremely lucky in that the Savoy keep an archive of their former employees | 0:09:23 | 0:09:27 | |
and this is his card. | 0:09:27 | 0:09:29 | |
Oh, my goodness. Louis' card. | 0:09:29 | 0:09:32 | |
And the card contains previous employment history. | 0:09:32 | 0:09:36 | |
Louis' employment card reveals that to get to the Savoy | 0:09:38 | 0:09:41 | |
he had worked his way up | 0:09:41 | 0:09:42 | |
through the ranks of his professional since his arrival in London in the 1890s. | 0:09:42 | 0:09:47 | |
Political instability in France and cheaper cross channel transport | 0:09:48 | 0:09:52 | |
encouraged many young French men and women to seek work in the English capital. | 0:09:52 | 0:09:57 | |
By the turn of the century, there were tens of thousands of poor French immigrants | 0:09:58 | 0:10:03 | |
crammed into a part of Soho known as La Petite France. | 0:10:03 | 0:10:06 | |
Many sought work in the city's flourishing restaurants. | 0:10:08 | 0:10:12 | |
Louis' card records that he was taken on as a junior waiter | 0:10:12 | 0:10:15 | |
by the fashionable Princes' Restaurant in 1899. | 0:10:15 | 0:10:19 | |
This is the Princes' Restaurant. You can see very, very rich, very opulent surroundings. | 0:10:20 | 0:10:27 | |
Wow. Where is this? | 0:10:27 | 0:10:28 | |
-This is just off Piccadilly. -Oh, really? | 0:10:28 | 0:10:31 | |
It was a very nice place run by French people. | 0:10:31 | 0:10:34 | |
Would he have made more money here than he would have done in Paris? | 0:10:34 | 0:10:37 | |
Yes, here a French waiter had this immense cache. | 0:10:37 | 0:10:40 | |
-So these places were looking for Frenchmen. -Exactly. | 0:10:40 | 0:10:43 | |
The Princes' Restaurant was catering to the theatre crowd so it closed | 0:10:43 | 0:10:47 | |
at impossible hours and this would have been a demanding job. | 0:10:47 | 0:10:51 | |
Yeah. I've got this letter and this is from, | 0:10:51 | 0:10:54 | |
it's headed the Princes' Restaurant. | 0:10:54 | 0:10:56 | |
He's writing to his wife, Lizzie, | 0:10:56 | 0:10:58 | |
she's gone back to her parents' house in Norfolk | 0:10:58 | 0:11:00 | |
and he says, "You asked me to try and come over next Sunday, indeed I believe you struck it unlucky | 0:11:00 | 0:11:05 | |
"for we have a dinner of 60 Frenchmen and they have got a licence, | 0:11:05 | 0:11:09 | |
"so it's no use thinking about it for a moment." | 0:11:09 | 0:11:11 | |
-Oh. -So he couldn't see his wife, because he had to work late. | 0:11:11 | 0:11:14 | |
Yes. And that's obviously one of the striking features, | 0:11:14 | 0:11:18 | |
-it was a hard life. -Yeah. | 0:11:18 | 0:11:20 | |
Louis would have been working until two or three, six days a week. | 0:11:20 | 0:11:23 | |
Oh, my goodness, right. | 0:11:23 | 0:11:25 | |
Yes, very, very difficult lifestyle | 0:11:25 | 0:11:28 | |
and he earned probably about 40 shillings a month, | 0:11:28 | 0:11:31 | |
which works out to be about £80 in contemporary terms. | 0:11:31 | 0:11:34 | |
And by the time that letter was written, he was supporting a wife and child on that as well. | 0:11:34 | 0:11:39 | |
Exactly, and we can imagine the strain. | 0:11:39 | 0:11:43 | |
There was not much time for married life. | 0:11:43 | 0:11:47 | |
-If we look at the following census in 1911. -1911. -You see there. | 0:11:47 | 0:11:52 | |
So we've got, Lizzie is listed first as wife | 0:11:52 | 0:11:57 | |
and then that's been crossed out and put head, as in head of the family. | 0:11:57 | 0:12:01 | |
So the marriage had already broken up in 1911. | 0:12:01 | 0:12:05 | |
And Stanley, my grandfather, was only one. | 0:12:05 | 0:12:09 | |
Oh, that makes me feel really tearful. | 0:12:11 | 0:12:13 | |
And so he'd gone. | 0:12:13 | 0:12:16 | |
And here he is. Louis Volant. | 0:12:16 | 0:12:19 | |
He's 33, he's still married but they've separated. | 0:12:19 | 0:12:23 | |
He's now living in 6 Upper James Street in one room. That's so sad. | 0:12:23 | 0:12:30 | |
I find what he did, coming across from France as a very young man | 0:12:35 | 0:12:39 | |
and then working his way up to pretty much the head of his profession, | 0:12:39 | 0:12:43 | |
admirable, just so admirable. | 0:12:43 | 0:12:46 | |
But when I saw the census where they were living apart, | 0:12:46 | 0:12:50 | |
I felt like it was happening now | 0:12:50 | 0:12:51 | |
and I think the most poignant moment of all | 0:12:51 | 0:12:55 | |
was her writing in "I'm a wife" and someone else crossing that out, | 0:12:55 | 0:12:58 | |
no, you are now the head of the family. | 0:12:58 | 0:13:00 | |
And then shortly after that, 1914, Louis was off to war. | 0:13:00 | 0:13:05 | |
Three years after the break-up of his marriage, | 0:13:07 | 0:13:09 | |
and 20 years after his arrival in England, | 0:13:09 | 0:13:12 | |
Louis Volant was called up to serve in the French Army | 0:13:12 | 0:13:15 | |
at the outbreak of World War One. | 0:13:15 | 0:13:18 | |
I know that he received the Legion d'honneur | 0:13:18 | 0:13:21 | |
for his actions in the First World War, | 0:13:21 | 0:13:23 | |
but I don't really know what happened to him. | 0:13:23 | 0:13:25 | |
Jo has decided to travel to Paris | 0:13:25 | 0:13:27 | |
to discover how her great grandfather became a war hero. | 0:13:27 | 0:13:30 | |
Among the letters Marian gave her are some that Louis wrote | 0:13:34 | 0:13:38 | |
to his estranged family during the war. | 0:13:38 | 0:13:40 | |
"Dear Lizzie and children, hope you're all getting on well. | 0:13:42 | 0:13:45 | |
"No change here for me, still it's all a case of luck. | 0:13:45 | 0:13:49 | |
"Love and kisses to all, | 0:13:49 | 0:13:51 | |
"from Papa. 1915." | 0:13:51 | 0:13:53 | |
Which makes him 37 which is quite, quite old to be going off to war. | 0:13:55 | 0:14:01 | |
Actually in that photograph I think he looks older than 37. | 0:14:02 | 0:14:07 | |
It says he was an interpreter and there's various stamps | 0:14:07 | 0:14:12 | |
but really nothing else really tells me much more about him or what he got up to. | 0:14:12 | 0:14:19 | |
To see if she can find out why her great grandfather was awarded | 0:14:27 | 0:14:31 | |
the Legion d'honneur, Jo has come to the national archives in Paris. | 0:14:31 | 0:14:36 | |
The archives were established in 1808 | 0:14:36 | 0:14:38 | |
and store the most important documents of the French state, | 0:14:38 | 0:14:42 | |
including a record of every recipient of the Legion d'honneur, | 0:14:42 | 0:14:45 | |
France's highest decoration. | 0:14:45 | 0:14:49 | |
Claire Bechu is the deputy director of the archives. | 0:14:49 | 0:14:52 | |
This is incredible. | 0:14:52 | 0:14:54 | |
It's actually the Hogwarts Library, to me. | 0:14:59 | 0:15:03 | |
This is the dossier de Legion d'honneur. | 0:15:06 | 0:15:09 | |
-Yes. -Of Louis Volant. | 0:15:09 | 0:15:11 | |
You have inside some documents, this one is handwritten by Volant. | 0:15:11 | 0:15:18 | |
Louis himself wrote that? | 0:15:18 | 0:15:19 | |
Yes. | 0:15:19 | 0:15:21 | |
Reading in this letter, | 0:15:21 | 0:15:23 | |
we see he has been injured. | 0:15:23 | 0:15:26 | |
Injured at the Fort of... | 0:15:26 | 0:15:28 | |
-Fort de Vaux near Verdun. -..in the night of the 5th June. | 0:15:28 | 0:15:33 | |
He takes grenades to the Fort. | 0:15:33 | 0:15:35 | |
Oh, OK, so he was bringing them armaments. | 0:15:35 | 0:15:38 | |
He was bringing grenades to the Fort. | 0:15:38 | 0:15:40 | |
-On the other side they mentioned the injuries. -Oh, my goodness. | 0:15:40 | 0:15:45 | |
He lost half of the sight in his right eye. | 0:15:45 | 0:15:48 | |
-Right, and he's lost also seven teeth. -Oh, my goodness me. | 0:15:48 | 0:15:53 | |
"Perte du membre." | 0:15:53 | 0:15:55 | |
-Is that the loss of a limb? -Yes. | 0:15:55 | 0:15:57 | |
So hugely disabled. | 0:15:57 | 0:15:59 | |
Well, on the cover you have birth date, | 0:15:59 | 0:16:03 | |
16 Juillet, 1878, the place, | 0:16:03 | 0:16:08 | |
Ordonnaz. | 0:16:08 | 0:16:09 | |
Right. OK. | 0:16:09 | 0:16:11 | |
I don't think this is my great grandfather. | 0:16:11 | 0:16:16 | |
Why? | 0:16:16 | 0:16:17 | |
Because... | 0:16:17 | 0:16:20 | |
there are a lot of discrepancies here. | 0:16:20 | 0:16:22 | |
My great grandfather was Louis Volant, it's the same name, | 0:16:22 | 0:16:27 | |
but he was born... at a different time. | 0:16:27 | 0:16:32 | |
The date's different. You see, here it's 31st July. | 0:16:32 | 0:16:39 | |
This gives a different date of birth. 16th July. | 0:16:39 | 0:16:44 | |
16th July, 1878. | 0:16:44 | 0:16:48 | |
Ah, gosh. | 0:16:48 | 0:16:51 | |
Is there a possibility there's another file for a Louis Volant, | 0:16:53 | 0:16:57 | |
or is this the only one that you..? | 0:16:57 | 0:17:00 | |
-In our databases... -This is the only one. -..it's the only one. | 0:17:00 | 0:17:04 | |
This is not my Louis. | 0:17:04 | 0:17:06 | |
This is, this is, this is a phenomenally brave man, | 0:17:06 | 0:17:10 | |
but, you know, even when you put this in front of me | 0:17:10 | 0:17:14 | |
I thought that's not his handwriting | 0:17:14 | 0:17:16 | |
because I have countless examples of his handwriting | 0:17:16 | 0:17:19 | |
that the family have kept and that's a different hand. | 0:17:19 | 0:17:22 | |
It's very different. So yes. | 0:17:22 | 0:17:25 | |
It's really inspiring to hear what this man did but this is not my great grandfather. | 0:17:25 | 0:17:29 | |
This is not my great grandfather! | 0:17:29 | 0:17:31 | |
Wow! | 0:17:31 | 0:17:32 | |
I have discovered the man who won the Legion d'honneur | 0:17:37 | 0:17:41 | |
was not the same man as my great grandfather, | 0:17:41 | 0:17:44 | |
so this family story, | 0:17:44 | 0:17:46 | |
where did this come from? | 0:17:46 | 0:17:48 | |
Was there at some point a deliberate deception, | 0:17:49 | 0:17:53 | |
or is there, was an innocent mistake made | 0:17:53 | 0:17:56 | |
at some point with someone looking through records, | 0:17:56 | 0:17:59 | |
and I still don't know what really happened in Louis' war. | 0:17:59 | 0:18:02 | |
I know what happened in another Louis' war, a very, very brave Louis, | 0:18:02 | 0:18:06 | |
but I don't really know what happened in my Louis' war. So I want to keep looking, I want to find out. | 0:18:06 | 0:18:11 | |
It's a strange feeling because I do keep thinking about my mum. | 0:18:14 | 0:18:18 | |
I think she would have been fascinated by this, just fascinated. | 0:18:18 | 0:18:22 | |
I think she would have even been fascinated to know it wasn't true, | 0:18:22 | 0:18:27 | |
the story she believed wasn't true. She would have so wanted to know. | 0:18:27 | 0:18:31 | |
The Chateau de Vincennes is a 14th century fortress on the outskirts of Paris, | 0:18:32 | 0:18:37 | |
which holds all the historical records of the French armed forces, | 0:18:37 | 0:18:41 | |
stretching back over 400 years. | 0:18:41 | 0:18:44 | |
Jo has arranged to meet military historian Captain Ivan Cadeau | 0:18:44 | 0:18:48 | |
to find out what really happened to her great grandfather during the First World War. | 0:18:48 | 0:18:54 | |
-Hello. -Hello. -You're Ivan? | 0:18:54 | 0:18:57 | |
-Yes, I'm Captain Cadeau, nice to meet you. -Hello, Captain Cadeau. | 0:18:57 | 0:19:00 | |
ENTRY SYSTEM BEEPS | 0:19:00 | 0:19:01 | |
DOOR LOCKING SYSTEM BUZZES | 0:19:01 | 0:19:03 | |
Thank you very much, thank you. | 0:19:03 | 0:19:06 | |
-My great grandfather was a man called Louis Volant. -Mmm-hmm. | 0:19:07 | 0:19:10 | |
And I was told that he received the Legion d'honneur | 0:19:10 | 0:19:17 | |
-and my aunt gave me this. -Mmm-hmm. | 0:19:17 | 0:19:19 | |
Now, she seemed to think that this confirmed | 0:19:19 | 0:19:22 | |
the story of the Legion d'honneur. | 0:19:22 | 0:19:24 | |
I wasn't sure because I have been given the Legion d'honneur and I have nothing like this. | 0:19:24 | 0:19:29 | |
I know this sort of award. It is the Society of Trade Union award. | 0:19:29 | 0:19:33 | |
So it's a trade union badge. | 0:19:33 | 0:19:37 | |
Yes. That's not a military award. | 0:19:37 | 0:19:39 | |
-All right. That makes... -I'm sorry. -No. | 0:19:39 | 0:19:41 | |
It makes perfect sense, that makes perfect sense. | 0:19:41 | 0:19:45 | |
This is definitely my great grandfather. | 0:19:45 | 0:19:48 | |
OK, look at the number. | 0:19:48 | 0:19:49 | |
-7... -782... 782... Uh huh. -And look at this. | 0:19:49 | 0:19:54 | |
-782. -You've got him. | 0:19:54 | 0:19:55 | |
-This is your great grandfather. -31st July. -OK. -My birthday, you see. | 0:19:55 | 0:20:01 | |
Louis Volant was in the 16th Territorial Regiment | 0:20:01 | 0:20:04 | |
and territorials were soldier aged between 35 and 40 years. | 0:20:04 | 0:20:10 | |
-Their jobs was absolutely not to fight, OK? -Right, OK, yeah. | 0:20:10 | 0:20:14 | |
-But to guard highways, roads or bridges. -Right, I understand. | 0:20:14 | 0:20:18 | |
-They had only 15 days' training. -15 days. -So very, very few. | 0:20:18 | 0:20:24 | |
We know that your great grandfather | 0:20:25 | 0:20:29 | |
-was in this very small village called Courcelles-le-Comte. -Yes. | 0:20:29 | 0:20:34 | |
-In October, 1914... -Yeah. -..there was a great battle there. | 0:20:34 | 0:20:38 | |
At the outbreak of World War One, | 0:20:40 | 0:20:43 | |
the German Army launched a surprise attack on France through Belgium. | 0:20:43 | 0:20:47 | |
Their aim was to capture Paris and claim a swift victory. | 0:20:47 | 0:20:51 | |
They were stopped at the Marne river, only 30 miles from the capital, | 0:20:53 | 0:20:58 | |
at the cost of 250,000 French casualties. | 0:20:58 | 0:21:02 | |
The Germans were pushed back to the northeast, | 0:21:04 | 0:21:08 | |
but on 3rd October 1914 they attempted to outflank the French | 0:21:08 | 0:21:12 | |
through the village of Courcelles-le-Comte. | 0:21:12 | 0:21:15 | |
The village was guarded by the 16th Territorial Regiment, | 0:21:16 | 0:21:20 | |
which had never been intended for front-line action. | 0:21:20 | 0:21:23 | |
Amongst its unprepared soldiers was 37-year-old Corporal Louis Volant. | 0:21:23 | 0:21:29 | |
This is the regimental diary of the 16th Territorial Infantry. | 0:21:29 | 0:21:35 | |
4.30am the German infantry attack begins and at the same time | 0:21:39 | 0:21:43 | |
the outskirts of the village are bombed with melanite shell. | 0:21:43 | 0:21:47 | |
-What's melanite? -That's powder. -It's powder. -Powder. | 0:21:47 | 0:21:49 | |
What did the Territorial Army have to fight with? | 0:21:49 | 0:21:52 | |
The territorial soldiers didn't have any artillery. | 0:21:52 | 0:21:55 | |
-They've just got rifles? -Yes. | 0:21:55 | 0:21:57 | |
Against these shells. Oh, my God. | 0:21:57 | 0:22:01 | |
At 9am the cannon fire becomes more intense and it's no longer possible to leave the trenches. | 0:22:01 | 0:22:05 | |
This is so ominous, this is horrible. | 0:22:05 | 0:22:07 | |
The opposing infantry has advanced quickly and are approaching the outskirts. | 0:22:07 | 0:22:12 | |
During this action, Major Denoux is shot through the neck | 0:22:12 | 0:22:16 | |
and Captain Goubet is injured by a piece of shrapnel to his head. | 0:22:16 | 0:22:20 | |
-At this point of the battle, most officers are killed or injured. -OK. | 0:22:20 | 0:22:25 | |
The enemy's constant gunfire causes heavy damages to our lines, | 0:22:25 | 0:22:30 | |
which has a demoralising effect on all the soldiers | 0:22:30 | 0:22:33 | |
who have already endured five consecutive nights and days of bombardment. | 0:22:33 | 0:22:37 | |
Nevertheless, the 16th Regiment courageously resists until 10.25. | 0:22:37 | 0:22:42 | |
-Yes. -Oh, my God. | 0:22:42 | 0:22:44 | |
SHELL EXPLODES | 0:22:45 | 0:22:47 | |
After seven hours of German attack and having suffered 800 casualties, almost a third of its strength, | 0:22:47 | 0:22:53 | |
the 16th Territorial Regiment fell back from Courcelles, | 0:22:53 | 0:22:58 | |
leaving a small platoon to cover their retreat. | 0:22:58 | 0:23:01 | |
One of these men is your great grandfather, Louis Volant. | 0:23:01 | 0:23:06 | |
This is his service record. | 0:23:08 | 0:23:11 | |
In the October battle he took command of a section | 0:23:11 | 0:23:14 | |
and held his men under violent fire. | 0:23:14 | 0:23:17 | |
With the greatest calm he... | 0:23:18 | 0:23:21 | |
Oh, my God. He killed... | 0:23:21 | 0:23:24 | |
-He killed. -..several German soldiers. | 0:23:24 | 0:23:27 | |
-For protecting his position and defending his comrades. -Oh, my God. | 0:23:28 | 0:23:33 | |
-He was seriously injured in the arm and the side... -Side. | 0:23:34 | 0:23:40 | |
-By... -A shell. -A shell. -A shell. | 0:23:40 | 0:23:44 | |
OK, oh, my goodness me. | 0:23:44 | 0:23:46 | |
So, Louis Volant, your great grandfather | 0:23:46 | 0:23:50 | |
who was, before the First World War an ordinary man, a waiter. | 0:23:50 | 0:23:56 | |
-He was a waiter. -And a good soldier when he was a conscript. | 0:23:56 | 0:24:00 | |
Yeah, but... | 0:24:00 | 0:24:01 | |
-Yes. -15 days' training for this. | 0:24:01 | 0:24:04 | |
Yes, became in Courcelles an hero. | 0:24:04 | 0:24:07 | |
When his officials were killed, he was still there, fighting. | 0:24:08 | 0:24:15 | |
Amazing. | 0:24:17 | 0:24:18 | |
For his bravery, your great grandfather won | 0:24:20 | 0:24:23 | |
La Croix de Guerre. | 0:24:23 | 0:24:24 | |
The Legion d'honneur is an award for officer class. | 0:24:25 | 0:24:29 | |
So Croix de Guerre, it's an award for the fighter. | 0:24:29 | 0:24:33 | |
It's better. The Croix de Guerre is much better than the Legion d'honneur. | 0:24:33 | 0:24:38 | |
That's the fighter medal. | 0:24:38 | 0:24:40 | |
For me. | 0:24:40 | 0:24:41 | |
That's amazing. That's absolutely amazing. | 0:24:41 | 0:24:44 | |
In your family have you the Croix de Guerre? | 0:24:44 | 0:24:46 | |
-Not that I'm aware of, no. -No? -No. | 0:24:46 | 0:24:49 | |
Here... | 0:24:49 | 0:24:50 | |
You are joking. | 0:24:50 | 0:24:52 | |
..I have the Croix de Guerre with the bronze star, | 0:24:52 | 0:24:56 | |
exactly the same as your great grandfather won | 0:24:56 | 0:24:58 | |
and I will be very, very honoured if you accept it... | 0:24:58 | 0:25:03 | |
-Thank you so much. -..in memory of your great grandfather. | 0:25:03 | 0:25:08 | |
Thank you very much indeed. | 0:25:08 | 0:25:09 | |
Please, please. You're welcome. | 0:25:09 | 0:25:11 | |
Oh, my God. | 0:25:13 | 0:25:16 | |
Thank you. | 0:25:17 | 0:25:19 | |
I now understand how this happened. | 0:25:24 | 0:25:28 | |
We have two men with the same name, | 0:25:28 | 0:25:30 | |
who really were war heroes. | 0:25:30 | 0:25:33 | |
My great grandfather's gone back to defend bridges and roads | 0:25:33 | 0:25:38 | |
and then he finds himself in the middle of this incredibly bloody battle. | 0:25:38 | 0:25:44 | |
And my Louis, who was a waiter, | 0:25:44 | 0:25:47 | |
and a very ordinary, but to me not an ordinary man at all, | 0:25:47 | 0:25:52 | |
he leaps into action. | 0:25:52 | 0:25:55 | |
I've always been most impressed with bravery against the odds. | 0:25:56 | 0:26:01 | |
You know, bravery when it looks like you're beaten. | 0:26:01 | 0:26:04 | |
Bravery when, OK, we're all going to die but let's go down fighting. | 0:26:04 | 0:26:07 | |
And that's what he did. | 0:26:07 | 0:26:09 | |
The 16th Territorial Regiment's heroic resistance at Courcelles, | 0:26:14 | 0:26:18 | |
helped to stop the German Army breaking through French lines | 0:26:18 | 0:26:21 | |
and Paris remained in French control for the rest of the war. | 0:26:21 | 0:26:26 | |
Louis recovered from his injuries | 0:26:26 | 0:26:28 | |
and went on to serve as an army interpreter. | 0:26:28 | 0:26:31 | |
He continued to write regularly to Lizzie and his children. | 0:26:31 | 0:26:34 | |
So it's just incredible to look at all these letters | 0:26:34 | 0:26:39 | |
from Louis to the family in England. | 0:26:39 | 0:26:41 | |
There's a letter here from 1918. | 0:26:41 | 0:26:44 | |
That must be getting towards the end of his service. | 0:26:44 | 0:26:47 | |
He's maybe about to be demobbed. | 0:26:47 | 0:26:50 | |
And then he went back to London, I know that, | 0:26:50 | 0:26:52 | |
and he worked at the Savoy for all those years. | 0:26:52 | 0:26:55 | |
And then he reappears in France. | 0:26:55 | 0:26:57 | |
The address is an area called Maisons-Laffitte, | 0:26:57 | 0:27:00 | |
I've no idea where that is, but this is where he seems to have lived, | 0:27:00 | 0:27:04 | |
in this later part of his life, | 0:27:04 | 0:27:06 | |
so I would love, love to go there, | 0:27:06 | 0:27:08 | |
love to find out where Louis is buried. | 0:27:08 | 0:27:11 | |
In the early 1930s, Louis left England and his family for good, | 0:27:17 | 0:27:22 | |
retiring to the quiet town of Maisons-Laffitte, | 0:27:22 | 0:27:25 | |
just outside Paris. | 0:27:25 | 0:27:27 | |
He died there on 17th September 1949 at the age of 72. | 0:27:27 | 0:27:33 | |
Jo has contacted the local cemetery in Maisons-Laffitte, | 0:27:34 | 0:27:37 | |
who have a record of her great grandfather's burial there. | 0:27:37 | 0:27:41 | |
Cemetery attendant Max has agreed to show her Louis' resting place. | 0:27:49 | 0:27:54 | |
Jo is the first member of her family | 0:28:01 | 0:28:04 | |
to visit Louis' grave. | 0:28:04 | 0:28:06 | |
Louis was put in a communal grave. | 0:28:41 | 0:28:42 | |
Which is a horrible shock. | 0:28:45 | 0:28:46 | |
THEY SPEAK IN FRENCH | 0:28:48 | 0:28:52 | |
I asked him how many people are in this grave, | 0:28:54 | 0:28:58 | |
because immediately I think, well fine, you know, I want him out of there, | 0:28:58 | 0:29:03 | |
I will make sure he's buried properly. | 0:29:03 | 0:29:05 | |
But they don't know how many people | 0:29:05 | 0:29:07 | |
have been put into this communal grave so... | 0:29:07 | 0:29:10 | |
..finding Louis' remains could be very difficult. | 0:29:12 | 0:29:15 | |
Louis was originally buried in a single plot, | 0:29:19 | 0:29:22 | |
but as the cemetery became overcrowded | 0:29:22 | 0:29:25 | |
and none of his relatives could be traced, | 0:29:25 | 0:29:27 | |
his remains were moved in 1968. | 0:29:27 | 0:29:30 | |
I must be honest, part of me's very angry. | 0:29:37 | 0:29:40 | |
Because he had family. | 0:29:41 | 0:29:44 | |
And until relatively recently he had quite close family | 0:29:44 | 0:29:47 | |
in that the last of his children didn't die very long ago. | 0:29:47 | 0:29:50 | |
And certainly my mother, | 0:29:50 | 0:29:53 | |
who was so keen to know where he was buried, | 0:29:53 | 0:29:57 | |
can have had no idea what had happened. | 0:29:57 | 0:30:00 | |
It's such an unfitting end for a really extraordinary man. | 0:30:00 | 0:30:05 | |
Yesterday was traumatic. | 0:30:26 | 0:30:29 | |
I expected to walk into that cemetery | 0:30:29 | 0:30:31 | |
and have, I suppose, a neat, satisfying full stop | 0:30:31 | 0:30:36 | |
and it wasn't neat and satisfying at all. | 0:30:36 | 0:30:39 | |
It was quite disturbing to me. | 0:30:39 | 0:30:40 | |
So I don't want this story to end there. | 0:30:42 | 0:30:46 | |
I want to find out more. | 0:30:46 | 0:30:47 | |
Jo knows that Louis was born in Paris' 10th arrondissement in 1877, | 0:30:49 | 0:30:54 | |
and that his mother was called Salome Schuch. | 0:30:54 | 0:30:58 | |
To see if she can find out more about Salome, | 0:30:58 | 0:31:00 | |
she's come to the Paris hospital archives | 0:31:00 | 0:31:03 | |
where the birth records for the city are held. | 0:31:03 | 0:31:07 | |
Genealogist Karen has agreed to help Jo with her search. | 0:31:09 | 0:31:13 | |
-Hello, are you Karen? -Yes. | 0:31:13 | 0:31:16 | |
Hi, how do you do? I'm Jo. | 0:31:16 | 0:31:17 | |
-Pleased to meet you. -Pleased to meet you too. | 0:31:17 | 0:31:20 | |
-All the birth certificates are organised by date. -Right. | 0:31:20 | 0:31:26 | |
Enter the number of arrondissement. | 0:31:26 | 0:31:29 | |
-10th arrondissement. -And the date. | 0:31:29 | 0:31:32 | |
July, 07, 1877, yes, perfect. | 0:31:32 | 0:31:37 | |
-Rechercher? -Yes. | 0:31:37 | 0:31:39 | |
So we're looking for Volant. | 0:31:41 | 0:31:42 | |
-You can zoom with this. -With this. | 0:31:42 | 0:31:46 | |
We're in July. 31 Juillet. | 0:31:46 | 0:31:50 | |
-Yes. But there is no Louis Volant in this page. -No. | 0:31:50 | 0:31:53 | |
Schuch. Salome Schuch, that's him. | 0:31:56 | 0:31:59 | |
That's his mother's name. | 0:31:59 | 0:32:01 | |
-His mother, there. -So this must be him. -Yeah. -Louis, | 0:32:01 | 0:32:04 | |
-male child, born yesterday. -Born yesterday. | 0:32:04 | 0:32:07 | |
At seven o'clock in the morning. | 0:32:07 | 0:32:09 | |
Son of Salome Schuch, who is aged 23 years, domestique servant. | 0:32:09 | 0:32:15 | |
She was a servant. | 0:32:15 | 0:32:18 | |
But it's not Louis Volant, it's Louis Schuch. | 0:32:18 | 0:32:21 | |
He was not born Louis Volant? | 0:32:21 | 0:32:23 | |
Yes, there is no named father. | 0:32:23 | 0:32:27 | |
There's no father? Oh, my goodness. | 0:32:27 | 0:32:29 | |
We have a pregnant servant. A pregnant unmarried servant. | 0:32:29 | 0:32:35 | |
Under 19th century French law, | 0:32:36 | 0:32:38 | |
unmarried mothers like Salome had to legally acknowledge | 0:32:38 | 0:32:42 | |
their illegitimate children if they intended to keep them. | 0:32:42 | 0:32:45 | |
-Oh, I see a Louis. -Louis, yes. Salome Schuch. -Yes. | 0:32:45 | 0:32:49 | |
-23-year-old servant recognises her natural son, Louis. -Natural son. | 0:32:49 | 0:32:55 | |
I had high hopes of Salome, I didn't think she would abandon her son. | 0:32:55 | 0:32:59 | |
-And we have not the name of the father. -And no name of the father. | 0:32:59 | 0:33:03 | |
-She signed there. -Oh, she signed, that's her signature. | 0:33:03 | 0:33:06 | |
Yes, this is the signature. | 0:33:06 | 0:33:08 | |
Karen has found more information about Salome in the hospital's admissions register. | 0:33:08 | 0:33:12 | |
Oh, my goodness. | 0:33:12 | 0:33:13 | |
Schuch. Salome Schuch, aged 23, servant. | 0:33:17 | 0:33:23 | |
She's single. | 0:33:23 | 0:33:25 | |
She's single, as are all these women and they're all single. | 0:33:25 | 0:33:28 | |
Lots and lots of entries like that. | 0:33:28 | 0:33:30 | |
Yes, it was very common in Paris at this period, | 0:33:30 | 0:33:33 | |
30% of Parisian babies are illegitimate. | 0:33:33 | 0:33:37 | |
-Really? Wow. So she was in hospital for eight days. -Eight days. | 0:33:37 | 0:33:40 | |
And as a servant | 0:33:40 | 0:33:42 | |
-she probably lived with the family she was working for. -Probably. | 0:33:42 | 0:33:46 | |
-So she's living in Rue Clauzel, 19. -In the 9th arrondissement. | 0:33:46 | 0:33:50 | |
9th arrondissement, is that quite near here? | 0:33:50 | 0:33:54 | |
Yes, it's not so far from here. | 0:33:54 | 0:33:55 | |
I'm very intrigued about Salome Schuch. She was a servant, | 0:34:00 | 0:34:04 | |
probably a maid I'm assuming, | 0:34:04 | 0:34:05 | |
and we've got an address for where | 0:34:05 | 0:34:07 | |
she was living and working when Louis was born, | 0:34:07 | 0:34:10 | |
so I'm interested to see that house | 0:34:10 | 0:34:12 | |
and know where she was at this time. | 0:34:12 | 0:34:16 | |
Jo has discovered that as a young woman, her great, great grandmother, | 0:34:18 | 0:34:22 | |
Salome Schuch, worked as a maid in the north of Paris. | 0:34:22 | 0:34:25 | |
To find out more, she has arranged to meet historian and writer | 0:34:27 | 0:34:30 | |
Marlowe Johnston. | 0:34:30 | 0:34:32 | |
Hello. Are you Marlowe? | 0:34:33 | 0:34:35 | |
-I am Marlowe. -I'm Jo. How do you do? | 0:34:35 | 0:34:37 | |
This is 19 Rue Clauzel, | 0:34:37 | 0:34:39 | |
where your great great grandmother lived. | 0:34:39 | 0:34:43 | |
-Shall we go in? -I'd love to go in. | 0:34:43 | 0:34:45 | |
This is the first floor and this document | 0:34:50 | 0:34:54 | |
shows everyone who rents in the building. | 0:34:54 | 0:34:57 | |
Each floor had several flats. The biggest would be that one. | 0:34:57 | 0:35:01 | |
-Facing the street? -Yes. | 0:35:01 | 0:35:03 | |
People who lived there would be more prosperous. | 0:35:03 | 0:35:06 | |
There was a lady on this floor | 0:35:06 | 0:35:09 | |
called Demoiselle Raymond. | 0:35:09 | 0:35:11 | |
Right. | 0:35:11 | 0:35:12 | |
She had two flats on this floor, which is unusual. | 0:35:12 | 0:35:15 | |
Now, she would need a maid. | 0:35:15 | 0:35:17 | |
Ah! | 0:35:17 | 0:35:19 | |
The people in the tiny flats wouldn't need a maid. | 0:35:19 | 0:35:22 | |
The concierge downstairs would do any bits that they needed. | 0:35:22 | 0:35:25 | |
So, if Salome was the maid, what sort of duties | 0:35:25 | 0:35:30 | |
would you expect her to have performed? | 0:35:30 | 0:35:33 | |
If she was the only maid, she would be doing cooking and cleaning. | 0:35:33 | 0:35:37 | |
She would have to fetch and carry coal. | 0:35:37 | 0:35:40 | |
Fetch and carry water. | 0:35:40 | 0:35:42 | |
The hard, physical work? | 0:35:42 | 0:35:43 | |
It would certainly be hard work. | 0:35:43 | 0:35:45 | |
-It's the strangest feeling, that she walked these stairs. -Yes. | 0:35:45 | 0:35:48 | |
This is where she would live. | 0:35:48 | 0:35:52 | |
Oh, my God. | 0:35:52 | 0:35:54 | |
One, two, three, four. | 0:35:57 | 0:35:59 | |
This is incredibly cramped. | 0:35:59 | 0:36:02 | |
There were tiny, these rooms. | 0:36:02 | 0:36:04 | |
They would hold a bed, and perhaps a little washstand, and no more. | 0:36:04 | 0:36:09 | |
She would come down in the morning to do her work, | 0:36:09 | 0:36:12 | |
and she would go up at night to bed, that would be it. | 0:36:12 | 0:36:14 | |
It was just a bed to sleep in, it was nothing else. | 0:36:14 | 0:36:17 | |
Domestic maids like Salome | 0:36:17 | 0:36:20 | |
were near the bottom of the economic and social scale | 0:36:20 | 0:36:23 | |
in late 19th century Paris. | 0:36:23 | 0:36:25 | |
As well as earning less than other working women, | 0:36:25 | 0:36:28 | |
they were often forced to work longer hours | 0:36:28 | 0:36:31 | |
and had little protection from abusive employers. | 0:36:31 | 0:36:34 | |
By 1880, domestiques also accounted for more illegitimate births | 0:36:34 | 0:36:40 | |
in the city than any other profession. | 0:36:40 | 0:36:42 | |
If a maid fell pregnant, | 0:36:44 | 0:36:46 | |
I assume that wouldn't be something she'd want her employer to know. | 0:36:46 | 0:36:49 | |
No, she would conceal it. | 0:36:49 | 0:36:51 | |
If she felt she had to say, or if it was particularly obvious, | 0:36:51 | 0:36:56 | |
the chances are she would be dismissed. | 0:36:56 | 0:36:59 | |
But in this building she was pregnant, going up and down stairs, | 0:36:59 | 0:37:03 | |
and she obviously kept it up as long as she possibly could. | 0:37:03 | 0:37:06 | |
Oh, Salome, what a life. | 0:37:06 | 0:37:09 | |
Marlowe has been researching what happened to Salome | 0:37:13 | 0:37:16 | |
after she gave birth to Louis in 1877. | 0:37:16 | 0:37:20 | |
She has uncovered some documents she wants to show Jo. | 0:37:20 | 0:37:23 | |
18 months later, | 0:37:23 | 0:37:26 | |
she's moved along the road from Rue Clauzel to Rue Milton, | 0:37:26 | 0:37:31 | |
and she has another baby. | 0:37:31 | 0:37:32 | |
Oh, Salome! | 0:37:32 | 0:37:34 | |
Called Gabriel. | 0:37:34 | 0:37:35 | |
Gabriel, another son. | 0:37:35 | 0:37:37 | |
Gabriel Jean, in December of 1878. | 0:37:37 | 0:37:41 | |
Right. Oh, the name Volant has appeared for the first time... | 0:37:41 | 0:37:45 | |
It has. | 0:37:45 | 0:37:46 | |
-..because this is the son of Pierre Volant. -That's right. | 0:37:46 | 0:37:49 | |
-They weren't married. -No. | 0:37:49 | 0:37:52 | |
-But they were living together. -Yes. | 0:37:52 | 0:37:54 | |
He acknowledges the child as his own because he's... | 0:37:54 | 0:37:56 | |
-Because he's said he's the father. -He's said he's the father. | 0:37:56 | 0:37:59 | |
So I'm liking Pierre quite a lot at this point. | 0:37:59 | 0:38:02 | |
Oh, Salome isn't a maid any more. She is a couturiere. | 0:38:02 | 0:38:07 | |
She is. She's a dressmaker. | 0:38:07 | 0:38:09 | |
So, she's gained a man and a profession... | 0:38:09 | 0:38:13 | |
-Yes. -..within 18 months. | 0:38:13 | 0:38:14 | |
-Yes, it's not bad, is it? -Good for Salome! | 0:38:14 | 0:38:17 | |
Yes. And, in 1883... | 0:38:17 | 0:38:20 | |
-She's married! -That's right. | 0:38:20 | 0:38:22 | |
This is the marriage certificate. If you read down, | 0:38:22 | 0:38:25 | |
this is the crucial sentence. | 0:38:25 | 0:38:28 | |
"By the fact of their marriage, | 0:38:28 | 0:38:30 | |
"they recognise and legitimise four children..." | 0:38:30 | 0:38:35 | |
"..of the masculine sex.". | 0:38:35 | 0:38:37 | |
Four sons she had, at this point. | 0:38:37 | 0:38:39 | |
Yes, but when you legitimise them, | 0:38:39 | 0:38:41 | |
then they can inherit. | 0:38:41 | 0:38:43 | |
They couldn't otherwise. No illegitimate child could inherit. | 0:38:43 | 0:38:47 | |
But I do also notice that Louis alone is listed as Louis Schuch, | 0:38:47 | 0:38:51 | |
-and the others all have the name Volant, presumably from birth. -Yes. | 0:38:51 | 0:38:55 | |
So, I'm just wondering whether this Pierre wasn't a very decent man, | 0:38:55 | 0:38:59 | |
who fell in love with Salome and said, | 0:38:59 | 0:39:01 | |
"I will assume responsibility for a pre-existing child." | 0:39:01 | 0:39:05 | |
It is possible. | 0:39:05 | 0:39:06 | |
I like Pierre Volant very much. | 0:39:06 | 0:39:09 | |
Decent man, did the right thing, I'm quite fond of him now. | 0:39:09 | 0:39:12 | |
And so, Salome came from Brumath. Where is Brumath? | 0:39:12 | 0:39:18 | |
It's in Alsace, close to the German border. | 0:39:18 | 0:39:20 | |
And Schuch isn't a typically French name. | 0:39:20 | 0:39:24 | |
No, it's a Germanic name. | 0:39:24 | 0:39:26 | |
Alsace-Lorraine was always a mixture | 0:39:26 | 0:39:30 | |
because it moved constantly between France and Germany. | 0:39:30 | 0:39:34 | |
So, she was born on the border with Germany. | 0:39:34 | 0:39:36 | |
That's right. | 0:39:36 | 0:39:37 | |
I've found out that my great, great grandmother | 0:39:40 | 0:39:42 | |
was, at one point, in really, really dire straits. | 0:39:42 | 0:39:45 | |
And, if there's one thing that's quite clear, | 0:39:45 | 0:39:48 | |
this was a woman who was a survivor. She wasn't going to go under. | 0:39:48 | 0:39:52 | |
There is a definite parallel here. | 0:39:53 | 0:39:56 | |
20 years ago, I was teaching and writing in my spare time, | 0:39:56 | 0:40:00 | |
and was very skint. | 0:40:00 | 0:40:03 | |
Not long after that, because my daughter's nearly 18, | 0:40:03 | 0:40:06 | |
I became a single mum. | 0:40:06 | 0:40:08 | |
So I feel a connection there. | 0:40:08 | 0:40:10 | |
Jo has decided to travel 250 miles from Paris | 0:40:15 | 0:40:18 | |
to the region of Alsace, where Salome was born. | 0:40:18 | 0:40:22 | |
It's a rich agricultural area, | 0:40:28 | 0:40:30 | |
which forms part of France's border with Germany, | 0:40:30 | 0:40:31 | |
and has been the cause of many brutal conflicts, | 0:40:31 | 0:40:35 | |
stretching back 1,000 years. | 0:40:35 | 0:40:37 | |
The village of Brumath lies only ten miles from the German border. | 0:40:39 | 0:40:42 | |
To look for information about Salome and her family, | 0:40:45 | 0:40:49 | |
Jo has come to the town hall. | 0:40:49 | 0:40:51 | |
Bonjour, you're Stephanie. | 0:40:52 | 0:40:54 | |
-Yeah, it's me. -Hello. | 0:40:54 | 0:40:55 | |
-Hello. -How do you do? | 0:40:55 | 0:40:57 | |
I'm fine, thank you. | 0:40:57 | 0:40:58 | |
Stephanie Fisher, from the Mayor's office, has agreed to help her. | 0:40:58 | 0:41:02 | |
So you know that I'm looking for my great, great grandmother. | 0:41:02 | 0:41:06 | |
Yeah. | 0:41:06 | 0:41:07 | |
-Salome... I say Schuch, but it's "Schoosh". -Schuch. -It is Schuch. OK. | 0:41:07 | 0:41:13 | |
I have her marriage certificate here, | 0:41:13 | 0:41:16 | |
and this has got the details of her birth. | 0:41:16 | 0:41:20 | |
She was born in...cinquante quatre. | 0:41:20 | 0:41:23 | |
So, that's 1854. | 0:41:23 | 0:41:26 | |
What's this book? | 0:41:26 | 0:41:28 | |
This is the birth certificates, so this is Salome Schuch. | 0:41:28 | 0:41:33 | |
Oh, we've got her. Oh, fantastic. | 0:41:33 | 0:41:35 | |
OK, Salome Schuch, | 0:41:35 | 0:41:37 | |
born on 10th March, 1854, | 0:41:37 | 0:41:41 | |
to Jacques Schuch, who was 28, | 0:41:41 | 0:41:44 | |
and he was a... I can't real this very well. | 0:41:44 | 0:41:47 | |
A tailor? | 0:41:47 | 0:41:49 | |
Tailleur de pierres. It means stone cutter. | 0:41:49 | 0:41:51 | |
-Stone cutter. OK. And Christine...Bergtold. -Bergtold. | 0:41:51 | 0:41:56 | |
These are very Germanic names. | 0:41:56 | 0:41:59 | |
Yes, a lot people in Alsace have ancestors in Germany, | 0:41:59 | 0:42:02 | |
maybe in Switzerland - it's really common here. | 0:42:02 | 0:42:05 | |
And they lived here, in Brumath. | 0:42:05 | 0:42:07 | |
-Yeah. Here we've got a census. -Fantastic. | 0:42:07 | 0:42:09 | |
So, here we can see the whole family, in 1861. | 0:42:09 | 0:42:13 | |
Jacques Schuch and Christine Bergtold, | 0:42:13 | 0:42:15 | |
-and here are all the children. -Oh! | 0:42:15 | 0:42:18 | |
We have Catherine, Salome, Marguerite... | 0:42:18 | 0:42:22 | |
OK, five daughters and no sons. | 0:42:22 | 0:42:25 | |
No. | 0:42:25 | 0:42:26 | |
So Salome was the second daughter. | 0:42:26 | 0:42:29 | |
She was eight years old. | 0:42:29 | 0:42:31 | |
And Jacques Schoosh...Schuch. | 0:42:31 | 0:42:35 | |
-Jacques, yes. -Jacques Schuch is a... Oh, my God, what is he there? | 0:42:35 | 0:42:39 | |
That's not a stone cutter. | 0:42:39 | 0:42:42 | |
It's also a kind of stone cutter | 0:42:42 | 0:42:43 | |
-but of sandstone. -That doesn't sound like | 0:42:43 | 0:42:47 | |
that would be a very lucrative profession. | 0:42:47 | 0:42:49 | |
No, they weren't so wealthy. | 0:42:49 | 0:42:51 | |
So, quite poor and they've got five daughters. | 0:42:51 | 0:42:53 | |
Yeah. | 0:42:53 | 0:42:55 | |
Jo has learnt that her great, great grandmother, Salome, | 0:42:55 | 0:42:59 | |
was the second daughter of Jacques Schuch and Christine Bergtold. | 0:42:59 | 0:43:04 | |
The couple went on to have a sixth daughter, Madeleine, in 1861, | 0:43:05 | 0:43:10 | |
but four years later tragedy struck the family. | 0:43:10 | 0:43:13 | |
This is the death certificate of the father. | 0:43:14 | 0:43:18 | |
Jacques Schuch died in 1865. | 0:43:18 | 0:43:21 | |
-Oh, no. He was only 39. -Yeah. | 0:43:21 | 0:43:25 | |
So Salome lost her father when she was 12. | 0:43:25 | 0:43:29 | |
Oh, God, how sad. That's awful. | 0:43:29 | 0:43:31 | |
And there was also another baby. | 0:43:31 | 0:43:33 | |
Here. | 0:43:33 | 0:43:35 | |
Jacques Schuch. He was born after his father died. | 0:43:35 | 0:43:39 | |
After his father died? | 0:43:39 | 0:43:40 | |
Just one month after. So the mother was pregnant when her husband died. | 0:43:40 | 0:43:45 | |
Oh, that's awful. | 0:43:45 | 0:43:47 | |
So she's left a widow, presumably in her 30s, with seven children. | 0:43:47 | 0:43:52 | |
And she had no job, so it would have been really hard. | 0:43:52 | 0:43:55 | |
She had no job. Oh, that's so sad. | 0:43:55 | 0:43:58 | |
This is the death certificate of the mother, in 1896. | 0:43:58 | 0:44:03 | |
-That's not a premature death. -No. -Thankfully. | 0:44:03 | 0:44:05 | |
Hang on, what's happened to the language? We're suddenly into German. | 0:44:05 | 0:44:11 | |
The whole book is in German because this area in France was German. | 0:44:11 | 0:44:16 | |
When did that change because we've been in France all this time? | 0:44:16 | 0:44:19 | |
When did Germany take over? | 0:44:19 | 0:44:20 | |
Since 1870 because of the Franco-Prussian War. | 0:44:20 | 0:44:24 | |
Have you any documents to show what happened to the family while the Germans... | 0:44:24 | 0:44:28 | |
Not here. | 0:44:28 | 0:44:29 | |
Here we only have birth or death certificates. | 0:44:29 | 0:44:31 | |
-Only birth or death. -Yes. | 0:44:31 | 0:44:33 | |
I'm very struck by how many single mothers I'm descended from | 0:44:35 | 0:44:39 | |
in this line of the family. | 0:44:39 | 0:44:41 | |
We had Lizzie, firstly. Then we have Salome. | 0:44:41 | 0:44:45 | |
And now we've got Christine, who's widowed in her 30s, | 0:44:45 | 0:44:48 | |
and has got seven children. | 0:44:48 | 0:44:51 | |
So, a lot of women holding the families together here. | 0:44:51 | 0:44:55 | |
The other striking thing is this sudden change from French into German, | 0:44:57 | 0:45:01 | |
so I'm very keen to find out what happened to my family | 0:45:01 | 0:45:05 | |
at the time when the Prussians were here. | 0:45:05 | 0:45:07 | |
Jo has discovered that Salome was living in Brumath in 1870, | 0:45:12 | 0:45:17 | |
at the outbreak of the Franco-Prussian War. | 0:45:17 | 0:45:20 | |
To find out more, | 0:45:20 | 0:45:21 | |
she's meeting local military historian, Benoit. | 0:45:21 | 0:45:25 | |
-Bonjour. -Bonjour. -You're Benoit. | 0:45:25 | 0:45:27 | |
I'm Benoit. | 0:45:27 | 0:45:29 | |
Hello, I'm Jo. | 0:45:29 | 0:45:30 | |
-Nice to meet you. -Nice to meet you too. | 0:45:30 | 0:45:32 | |
-Brumath was a normal town before the war. -Right. | 0:45:32 | 0:45:35 | |
3,000 people were living here in such houses like this, typical Alsatian. | 0:45:35 | 0:45:40 | |
-Right. -Or like this one. | 0:45:40 | 0:45:42 | |
-That's your family house. -Oh! You're joking?! -Yeah. | 0:45:44 | 0:45:47 | |
-That one? -In this house, Salome lived. | 0:45:47 | 0:45:50 | |
Oh! | 0:45:50 | 0:45:51 | |
I can't believe it. Really? | 0:45:53 | 0:45:56 | |
Let's go and see the house. | 0:45:56 | 0:45:58 | |
Merci beaucoup! | 0:46:08 | 0:46:09 | |
I can't believe it. | 0:46:14 | 0:46:15 | |
It's incredible. I never dreamed we'd see the house. | 0:46:17 | 0:46:21 | |
Absolutely incredible. | 0:46:22 | 0:46:24 | |
Benoit has found a residency agreement | 0:46:24 | 0:46:26 | |
for the house, which Salome's mother, Christine Bergtold, | 0:46:26 | 0:46:29 | |
signed three years after the death of her husband. | 0:46:29 | 0:46:32 | |
The owner granted use of the house to Christine Bergtold and her children. | 0:46:32 | 0:46:38 | |
-To use, she didn't own it. -She didn't own it. | 0:46:38 | 0:46:41 | |
This is very touching... "Jacques, posthumous child.". | 0:46:41 | 0:46:44 | |
He was born after... | 0:46:44 | 0:46:46 | |
-After his father's death. -Exactly. | 0:46:46 | 0:46:49 | |
So, Jacques at this point is... | 0:46:49 | 0:46:51 | |
He's now three. | 0:46:51 | 0:46:52 | |
-Yes, and he lived in this house till he died. -Oh, did he? | 0:46:52 | 0:46:56 | |
In 1943. | 0:46:56 | 0:46:58 | |
In 1943, he died? | 0:46:58 | 0:47:00 | |
So this was Jacques' house. | 0:47:00 | 0:47:02 | |
Wow! | 0:47:02 | 0:47:03 | |
And here's Salome. She was 12 when her father died. | 0:47:03 | 0:47:06 | |
-Yeah. -14 now. | 0:47:06 | 0:47:08 | |
Two and a half years later, the Franco-Prussian War broke out, | 0:47:08 | 0:47:12 | |
40 kilometres away north, away from Brumath. | 0:47:12 | 0:47:15 | |
My family had a talent for being wherever there was trouble. | 0:47:15 | 0:47:19 | |
Everywhere I go, someone starts dropping bombs or firing shells. | 0:47:19 | 0:47:23 | |
So, at this time, did people in this area consider themselves French? | 0:47:23 | 0:47:27 | |
-They were very, very patriotic. -Their allegiance was to France? -Sure. | 0:47:27 | 0:47:31 | |
In July 1870, when Salome was only 16 years old, | 0:47:33 | 0:47:37 | |
simmering tensions between France and Prussia erupted into war. | 0:47:37 | 0:47:41 | |
Although Alsace had been part of France for 300 years, | 0:47:43 | 0:47:47 | |
the Prussian Prime Minister, Otto von Bismarck, | 0:47:47 | 0:47:50 | |
wanted the province back, as part of a new German empire. | 0:47:50 | 0:47:54 | |
On 6th August, the French Army confronted Prussia and its allies | 0:47:54 | 0:47:58 | |
at the Battle of Woerth in Northern Alsace, | 0:47:58 | 0:48:02 | |
only a day's march from Brumath. | 0:48:02 | 0:48:04 | |
There were 80,000 German soldiers on one side, | 0:48:06 | 0:48:11 | |
and 45,000 French soldiers. | 0:48:11 | 0:48:14 | |
It's one of the bloodiest battles of the Franco-Prussia War. | 0:48:14 | 0:48:17 | |
In ten hours 20,000 people died. | 0:48:17 | 0:48:21 | |
In ten hours. | 0:48:21 | 0:48:23 | |
20,000. | 0:48:23 | 0:48:24 | |
The French Army was cut in two, | 0:48:24 | 0:48:27 | |
and one part go south through Brumath to go to Strasbourg. | 0:48:27 | 0:48:31 | |
I see. | 0:48:31 | 0:48:32 | |
The Mayor from Brumath wrote exactly what happens. | 0:48:32 | 0:48:36 | |
Here you have translation. | 0:48:36 | 0:48:37 | |
"In the evening, the first troops, which had fled from the French Army arrived in Brumath, | 0:48:37 | 0:48:42 | |
"saying everything is lost. Infantry on horses, cavalry on foot, | 0:48:42 | 0:48:45 | |
"and soldiers of all types made up a motley group. | 0:48:45 | 0:48:48 | |
"These poor wretches were treated as cowards by some of the people in Brumath." | 0:48:48 | 0:48:53 | |
It's very possible that Salome and her family | 0:48:56 | 0:49:00 | |
were seeing these troops pass under their window. | 0:49:00 | 0:49:03 | |
More than possible, for sure. | 0:49:03 | 0:49:05 | |
-I'm guessing the Prussians were close on these people's tails. -Yeah. | 0:49:05 | 0:49:09 | |
-They're coming to Brumath now. -Yeah. | 0:49:09 | 0:49:11 | |
"On Monday 8th August, several German regiments arrived in Brumath | 0:49:11 | 0:49:15 | |
"and Tuesday..." | 0:49:15 | 0:49:17 | |
Oh, my goodness! "..Tuesday, 18,000 soldiers arrived and camped nearby." | 0:49:17 | 0:49:24 | |
18,000 soldiers descend. | 0:49:24 | 0:49:27 | |
-Here. -On this tiny little town. | 0:49:27 | 0:49:29 | |
Yes, 3,000 inhabitants. | 0:49:29 | 0:49:31 | |
This is an invasion to them. | 0:49:31 | 0:49:32 | |
For them it's purely an invasion. | 0:49:32 | 0:49:34 | |
My great, great grandmother. | 0:49:34 | 0:49:36 | |
What do you think it would have been like for her? | 0:49:36 | 0:49:39 | |
I think everything stopped. The normal life she had stopped. | 0:49:39 | 0:49:42 | |
You can't go to school any more, | 0:49:42 | 0:49:44 | |
you can't go outside of your house like you did before. | 0:49:44 | 0:49:47 | |
You have to give everything you can to the soldiers. | 0:49:47 | 0:49:50 | |
-There's no choice. -Yeah, of course. -No choice. | 0:49:50 | 0:49:52 | |
Yeah, under pain of death, presumably. | 0:49:52 | 0:49:54 | |
So, coming into the house and saying, "We take eggs, milk, everything you have." | 0:49:54 | 0:49:59 | |
It was very difficult. | 0:49:59 | 0:50:00 | |
-She had trauma upon trauma. -Yeah. -She loses her father at 12, | 0:50:00 | 0:50:03 | |
they have a very brief period of security. | 0:50:03 | 0:50:06 | |
Exactly. | 0:50:06 | 0:50:07 | |
And then the town's invaded. | 0:50:07 | 0:50:09 | |
Yes, and the people here, and Salome also, I think, and her mother, | 0:50:09 | 0:50:13 | |
absolutely don't know what will happen at the end of the war. | 0:50:13 | 0:50:17 | |
The fate of Salome and her family | 0:50:18 | 0:50:20 | |
rested on the defence of the Alsatian capital, Strasbourg, | 0:50:20 | 0:50:24 | |
where the remains of the French Army had taken refuge. | 0:50:24 | 0:50:26 | |
Using Brumath as their base, | 0:50:26 | 0:50:29 | |
German forces besieged the city for six weeks. | 0:50:29 | 0:50:33 | |
They fired almost 200,000 artillery shells into Strasbourg, | 0:50:35 | 0:50:39 | |
destroying much of it, | 0:50:39 | 0:50:41 | |
and killing thousands of men, women and children. | 0:50:41 | 0:50:44 | |
Many of the German soldiers who died in the siege were buried in Brumath. | 0:50:48 | 0:50:52 | |
At the end of the siege, | 0:50:53 | 0:50:56 | |
27th September, | 0:50:56 | 0:50:57 | |
everybody here in the area are in expectation of what will happen. | 0:50:57 | 0:51:02 | |
On 8th October, a real announcement came - | 0:51:02 | 0:51:05 | |
"Strassburg ist und bleibt Deutsch." | 0:51:05 | 0:51:08 | |
-Strasbourg is and will remain German. -German, exactly. | 0:51:08 | 0:51:11 | |
Would it be true to say then, that on 8th October, | 0:51:11 | 0:51:16 | |
-my family effectively became German? -Not for sure. | 0:51:16 | 0:51:20 | |
Because, months later at the Treaty of Frankfurt, | 0:51:20 | 0:51:25 | |
between France and Germany, | 0:51:25 | 0:51:27 | |
there was an article, which said people can choose | 0:51:27 | 0:51:31 | |
whether they want to remain French or if they want to become German. | 0:51:31 | 0:51:36 | |
Right. | 0:51:36 | 0:51:37 | |
But, Bismarck said, "You can choose, | 0:51:37 | 0:51:39 | |
"but if you remain French, goodbye. Leave your place and go." | 0:51:39 | 0:51:43 | |
-Go to France? -To France. | 0:51:43 | 0:51:45 | |
-Oh, that choice! -Exactly. That was a choice(!) | 0:51:45 | 0:51:48 | |
That's great, isn't it? | 0:51:48 | 0:51:49 | |
-They were called the Optants. -The Optants. | 0:51:49 | 0:51:52 | |
They had to sign a paper. | 0:51:52 | 0:51:53 | |
If you want to know if your family became German or remained French... | 0:51:53 | 0:51:58 | |
-I've got to find the opting paper. -Exactly. | 0:51:58 | 0:52:01 | |
Under the harsh terms of Bismarck's choice, | 0:52:03 | 0:52:06 | |
125,000 people, almost 10% of the population of Alsace, | 0:52:06 | 0:52:11 | |
and the neighbouring province of Lorraine, | 0:52:11 | 0:52:13 | |
gave up their homes and livelihoods to remain French and left. | 0:52:13 | 0:52:19 | |
The rest, mostly poor peasant farmers dependant on their land, | 0:52:19 | 0:52:24 | |
became citizens of the new Germany. | 0:52:24 | 0:52:26 | |
I started this thinking I was going to look for my French roots | 0:52:29 | 0:52:34 | |
and now I discover there's a possibility those French roots | 0:52:34 | 0:52:37 | |
might have turned German at some point. | 0:52:37 | 0:52:39 | |
I'd love to think they made the decision to remain French. | 0:52:41 | 0:52:44 | |
I think it would have been very brave, | 0:52:44 | 0:52:47 | |
but that might be a step too far, | 0:52:47 | 0:52:49 | |
for a family that was living on the very verge of extreme poverty. | 0:52:49 | 0:52:55 | |
So, maybe we are more German than I thought. | 0:52:55 | 0:52:58 | |
To discover what happened to Salome and her family after the war, | 0:53:00 | 0:53:04 | |
Jo has come to the Protestant church in Brumath to meet a genealogist. | 0:53:04 | 0:53:09 | |
Bonjour. | 0:53:09 | 0:53:10 | |
-You are Guy? -Yes, I am. | 0:53:12 | 0:53:14 | |
-I'm Jo. How do you do? -How do you do? | 0:53:14 | 0:53:16 | |
-Please come in. -Thank you. | 0:53:16 | 0:53:18 | |
In this church your family was married, baptised. | 0:53:21 | 0:53:27 | |
In here? | 0:53:27 | 0:53:29 | |
In this church, yeah. | 0:53:29 | 0:53:30 | |
Wow. | 0:53:30 | 0:53:31 | |
Guy has been looking at the names of Brumath residents | 0:53:31 | 0:53:34 | |
who opted to leave Alsace. | 0:53:34 | 0:53:37 | |
-We looked for the opting document for Christine Bergtold. -Yeah, OK. | 0:53:38 | 0:53:42 | |
-But we didn't find anything. -I see. | 0:53:42 | 0:53:45 | |
Showing that she opted. | 0:53:45 | 0:53:46 | |
I completely understand why Christine didn't opt to remain French. | 0:53:46 | 0:53:50 | |
I think in her situation that would be a very... | 0:53:50 | 0:53:54 | |
Almost a foolish thing to do. | 0:53:54 | 0:53:57 | |
But I'm interested in Salome because I know she decided to go to Paris, | 0:53:57 | 0:54:01 | |
so I'm wondering why she decided to leave. | 0:54:01 | 0:54:04 | |
She could not opt because she was not 21. | 0:54:04 | 0:54:07 | |
-She was too young. -She was underage. | 0:54:07 | 0:54:09 | |
-She was 17. -Yes. | 0:54:09 | 0:54:10 | |
-But we have a document here. Somebody of her family... -Yes? | 0:54:10 | 0:54:14 | |
..opted in Paris. | 0:54:14 | 0:54:16 | |
Bergtold, Catherine. | 0:54:16 | 0:54:18 | |
-Oh, yes! Oh, yes! -Who was a great aunt of Salome. -Right. | 0:54:18 | 0:54:24 | |
And Catherine Bergtold opted, you see here, | 0:54:24 | 0:54:28 | |
on 9th September 1872. | 0:54:28 | 0:54:32 | |
-Yes. -So, I think Salome went to Paris with her great aunt. | 0:54:32 | 0:54:36 | |
So she still... She's technically German. | 0:54:36 | 0:54:39 | |
Exactly, she's technically German but living in Paris. | 0:54:39 | 0:54:43 | |
Are you saying that my great, great grandmother was actually German? | 0:54:43 | 0:54:49 | |
Depends. | 0:54:49 | 0:54:50 | |
-Uh-huh. -Did she marry? | 0:54:50 | 0:54:52 | |
She did marry. She did. She married Pierre Volant, who was French. | 0:54:52 | 0:54:56 | |
Ah, so according to the French law, she became French when she married. | 0:54:56 | 0:55:01 | |
So, she's born French, she becomes German | 0:55:03 | 0:55:06 | |
and then she becomes French again. | 0:55:06 | 0:55:09 | |
Yes, exactly. | 0:55:09 | 0:55:10 | |
She was German let's say, ten years. | 0:55:10 | 0:55:13 | |
At bayonet-point, though, I don't think it counts. | 0:55:13 | 0:55:16 | |
Whilst Salome started a new life in Paris, | 0:55:19 | 0:55:23 | |
her mother, Christine, remained in Brumath as a German citizen | 0:55:23 | 0:55:27 | |
until her death in 1886. | 0:55:27 | 0:55:29 | |
Salome's younger brother, Jacques, stayed with his mother | 0:55:32 | 0:55:36 | |
and was forced to serve in the German Army. | 0:55:36 | 0:55:39 | |
He and his descendants are buried in the church's graveyard, | 0:55:40 | 0:55:45 | |
and Guy has brought Jo to see the Schuch family graves. | 0:55:45 | 0:55:48 | |
-Bonjour. -Bonjour. | 0:55:55 | 0:55:57 | |
-Bonjour. Ca va? -Ca va bien. | 0:55:57 | 0:55:59 | |
-Merci. -Tres bien. | 0:55:59 | 0:56:01 | |
C'est le fils... It is the son of Guillaume Schuch. | 0:56:01 | 0:56:05 | |
Guillaume Schuch was the son of Jacques. | 0:56:05 | 0:56:08 | |
-Ah, OK. -Jacques Schuch, the brother of Salome. | 0:56:08 | 0:56:11 | |
We're cousins! | 0:56:11 | 0:56:13 | |
Yes, absolutely. You are cousins. | 0:56:13 | 0:56:15 | |
He's saying Brumath draws everyone back. | 0:56:22 | 0:56:25 | |
Ca c'est le grand-pere et la grand-mere. | 0:56:26 | 0:56:30 | |
That's Jacques, my great, great, great uncle. | 0:56:30 | 0:56:33 | |
So, I've got Salome's little brother, sitting | 0:56:33 | 0:56:36 | |
as an elderly gentleman outside the house that we visited. | 0:56:36 | 0:56:39 | |
That's incredible. | 0:56:39 | 0:56:41 | |
-Are you sure? -A big gift. | 0:56:43 | 0:56:44 | |
That's beautiful, I will treasure it. Thank you. | 0:56:44 | 0:56:47 | |
Merci beaucoup. | 0:56:47 | 0:56:49 | |
Merci. C'est tres bon. C'est tres gentile. | 0:56:49 | 0:56:53 | |
-Oui. -Wow, I've got a photo. | 0:56:53 | 0:56:56 | |
Mr Schuch knows about Harry Potter. | 0:56:56 | 0:56:59 | |
He has seen the film on the television. | 0:56:59 | 0:57:01 | |
Salome Schuch spent the rest of her life in Paris, | 0:57:19 | 0:57:23 | |
and lived to see Alsace and her home town of Brumath | 0:57:23 | 0:57:27 | |
return to French control at the end of the First World War, | 0:57:27 | 0:57:31 | |
a war in which her son Louis was awarded the Croix de Guerre | 0:57:31 | 0:57:35 | |
for his actions at the Battle of Courcelles. | 0:57:35 | 0:57:38 | |
As a storyteller, | 0:57:39 | 0:57:41 | |
the person, I suppose, for me, who sings out from the whole family story is Salome. | 0:57:41 | 0:57:47 | |
She went through very difficult times, | 0:57:47 | 0:57:50 | |
and I feel that we are what we are really because of her bravery. | 0:57:50 | 0:57:55 | |
She held the family together and built, actually, a very strong, stable family. | 0:57:55 | 0:57:59 | |
So we've really done what I set out to do. | 0:57:59 | 0:58:01 | |
I wanted to find out the truth about my French roots, and I have. | 0:58:01 | 0:58:04 | |
And my mother would have adored every minute of this. | 0:58:04 | 0:58:10 | |
She'd have loved the whole thing. It's been wonderful. | 0:58:10 | 0:58:13 | |
Subtitles by Red Bee Media Ltd | 0:58:18 | 0:58:21 | |
E-mail [email protected] | 0:58:21 | 0:58:25 |