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From the age of 18, | 0:00:03 | 0:00:05 | |
actress Samantha Womack has starred on both stage and screen. | 0:00:05 | 0:00:09 | |
Recently she's been touring with the musical South Pacific. | 0:00:12 | 0:00:16 | |
But Sam is best known for playing the controversial character of Ronnie Mitchell in Eastenders. | 0:00:16 | 0:00:21 | |
-What is it? -It's him! | 0:00:21 | 0:00:23 | |
Ronnie, what about him? | 0:00:23 | 0:00:26 | |
He's not your son. | 0:00:26 | 0:00:28 | |
Ronnie Mitchell was a brilliant character to play, | 0:00:28 | 0:00:31 | |
but then I was feeling that character very deeply, | 0:00:31 | 0:00:36 | |
and I had my fill of playing her because she was just... | 0:00:36 | 0:00:39 | |
I loved her to pieces, but she was so damaged. | 0:00:39 | 0:00:42 | |
When Sam married Mark, who is also an actor, | 0:00:44 | 0:00:47 | |
she changed her name from Janus to Womack. | 0:00:47 | 0:00:50 | |
The couple live in Bedfordshire with their children, Ben and Lily Rose. | 0:00:52 | 0:00:57 | |
My own past has been very fractured. | 0:00:58 | 0:01:01 | |
My parents separated when I was six | 0:01:01 | 0:01:04 | |
and we moved around a lot from place to place. | 0:01:04 | 0:01:07 | |
I was always the new girl. | 0:01:07 | 0:01:09 | |
I was the new girl in Wales or in Scotland or London | 0:01:09 | 0:01:14 | |
so I didn't really know who I was. | 0:01:14 | 0:01:17 | |
So my deep-rooted fear would be to be isolated and lonely | 0:01:18 | 0:01:22 | |
and for there not to be much information. That would be my biggest fear. | 0:01:22 | 0:01:26 | |
I want to have a history, I want my children to have a history. | 0:01:26 | 0:01:30 | |
I want to know where that line has come from. | 0:01:30 | 0:01:33 | |
OK, put these down on here. | 0:02:07 | 0:02:10 | |
Sam was born in Brighton, her parents' only child. | 0:02:10 | 0:02:14 | |
It was quite an isolated existence | 0:02:16 | 0:02:18 | |
because of the separation of my mother and father, but also their parents. | 0:02:18 | 0:02:23 | |
There wasn't a lot of information from either grandparent. | 0:02:23 | 0:02:26 | |
And we've got no clues. | 0:02:26 | 0:02:28 | |
We're not the kind of family that has those details at hand. | 0:02:28 | 0:02:31 | |
Sam's mother, Diana, was an actress and model, | 0:02:33 | 0:02:36 | |
and her father, Noel, a singer-songwriter. | 0:02:36 | 0:02:39 | |
My father was an incredible guy, but very difficult to live with! | 0:02:39 | 0:02:44 | |
I don't think he found families or certainly having a child very easy. | 0:02:44 | 0:02:48 | |
He took his own life erm... | 0:02:48 | 0:02:52 | |
just over... well, just about two years ago, | 0:02:52 | 0:02:55 | |
and he struggled really finding his place in the world. | 0:02:55 | 0:02:59 | |
It became an important part of his life to identify with someone. | 0:02:59 | 0:03:04 | |
And I hope in my heart of hearts that I find somebody my father would feel close to. | 0:03:04 | 0:03:10 | |
-Remember to keep the house tidy! -I will. | 0:03:10 | 0:03:13 | |
So it's a gift really from me to him. | 0:03:13 | 0:03:15 | |
Sam has come to Brighton to start her search. | 0:03:25 | 0:03:28 | |
She's going to see Dolly, her father's mother. | 0:03:28 | 0:03:32 | |
DOORBELL RINGS | 0:03:34 | 0:03:37 | |
-Hello! -Hello, lovely! | 0:03:39 | 0:03:42 | |
It's lovely to see you. | 0:03:42 | 0:03:44 | |
-Can I come in? -Yes, by all means. -Have a cup of tea. | 0:03:44 | 0:03:47 | |
-So, I don't know anything about your family. -I don't! | 0:03:50 | 0:03:55 | |
You don't know anything! | 0:03:56 | 0:03:58 | |
Especially since I've got older, I keep thinking... | 0:03:58 | 0:04:01 | |
Even the name, my mother's name, Garraud. I thought... | 0:04:01 | 0:04:04 | |
Garraud - how is that spelt? | 0:04:04 | 0:04:06 | |
G-A-R-R-A-U-D. She was French. | 0:04:06 | 0:04:08 | |
Garraud, so French. | 0:04:08 | 0:04:10 | |
I'm going to get a notebook and write all this down. | 0:04:10 | 0:04:12 | |
I'm going to be like an investigator here because you know what we're like. | 0:04:12 | 0:04:16 | |
-Oh, well, Beatrice it was. -Beatrice Garraud. -Yes. | 0:04:16 | 0:04:19 | |
-So, Beatrice's mother? -Jessie. | 0:04:19 | 0:04:22 | |
-Jessie. -Ryder. | 0:04:22 | 0:04:24 | |
-Ryder with a Y? -Yes. | 0:04:24 | 0:04:26 | |
That would be my great-great-grandmother. | 0:04:26 | 0:04:29 | |
Yes, my father was Cunningham-Ryan. | 0:04:29 | 0:04:32 | |
-Well, Alexander was his real name. -His real name. | 0:04:32 | 0:04:35 | |
Cunningham-Ryan. | 0:04:35 | 0:04:39 | |
All right, so do you know anything about Alexander Cunningham-Ryan? | 0:04:39 | 0:04:43 | |
No, nothing at all because they separated. | 0:04:43 | 0:04:46 | |
Except he had a problem with his chest. | 0:04:46 | 0:04:48 | |
-And what was wrong with his chest? -Gas poisoning. | 0:04:48 | 0:04:50 | |
A lot of soldiers had it in the First World War. | 0:04:50 | 0:04:53 | |
He had gas poisoning from his time serving in the war? | 0:04:53 | 0:04:55 | |
-Yes, I remember him telling me. -Yes. | 0:04:55 | 0:04:57 | |
Because usually men who have gone through this will not talk about it. | 0:04:57 | 0:05:02 | |
But that was clearly something that was very difficult for him. | 0:05:02 | 0:05:04 | |
-What I did know was he was a sad man. -He was sad. -Yes. | 0:05:04 | 0:05:08 | |
I sensed it in him. I just felt that he was a man who thinks he... | 0:05:08 | 0:05:13 | |
..missed the boat, you know? | 0:05:15 | 0:05:16 | |
So I need to look for him in terms of his history within the army. | 0:05:17 | 0:05:22 | |
-Scots Guards. -Scots Guards. So that would be something to look into. -Yes. | 0:05:22 | 0:05:26 | |
I've got more information there really than I've ever had. | 0:05:35 | 0:05:41 | |
When she describes her father as being sad, | 0:05:42 | 0:05:46 | |
you know, this man who she connected with that was very distant | 0:05:46 | 0:05:50 | |
and felt he'd missed the boat, that's interesting to me. | 0:05:50 | 0:05:53 | |
Alexander was poisoned in the First World War with gas | 0:05:53 | 0:05:59 | |
so I'd like to find out more about that | 0:05:59 | 0:06:01 | |
and to find out more about his military background, if he had one, in the Scots Guards. | 0:06:01 | 0:06:06 | |
BAND PLAYS | 0:06:10 | 0:06:14 | |
Sam has come to the Wellington Barracks in London, | 0:06:22 | 0:06:25 | |
home to the Scots Guards. | 0:06:25 | 0:06:28 | |
She's meeting archivist Lance Sergeant Kevin Gorman. | 0:06:28 | 0:06:31 | |
Well, here in the archives, they'd find service records | 0:06:33 | 0:06:37 | |
for an Alexander Cunningham-Ryan, and this is them. | 0:06:37 | 0:06:41 | |
So, this date in the first column here, | 0:06:41 | 0:06:44 | |
so it says, "Attested 22nd of the ninth, 1914", so what's this first date? | 0:06:44 | 0:06:50 | |
That was the day that he actually joined the regiment. | 0:06:50 | 0:06:53 | |
So June, July, August, so November, | 0:06:53 | 0:06:56 | |
so a month after the war started, he decided to join? | 0:06:56 | 0:07:00 | |
Absolutely, yes. | 0:07:00 | 0:07:02 | |
And here, there's a change, 27th December, 1914. | 0:07:02 | 0:07:06 | |
What does this say? | 0:07:06 | 0:07:08 | |
That's transferred to the 1st Battalion Scots Guards. | 0:07:08 | 0:07:10 | |
The 1st Battalion Scots Guards at that particular time | 0:07:10 | 0:07:13 | |
were serving in the trenches in France. | 0:07:13 | 0:07:16 | |
Was there any mention of any gas being used? | 0:07:16 | 0:07:18 | |
Within the records we have a pension document, | 0:07:18 | 0:07:24 | |
and if you read here, that will tell you the cause. | 0:07:24 | 0:07:26 | |
"The report of medical boards." | 0:07:26 | 0:07:28 | |
Ah! "Cause of discharge - gunshot wound..." | 0:07:28 | 0:07:31 | |
SHE GASPS | 0:07:31 | 0:07:33 | |
His right lung! | 0:07:33 | 0:07:35 | |
So it wasn't gas. It was a gunshot wound into his lung. | 0:07:35 | 0:07:40 | |
-And if you look at the report here... -"Gunshot wound. | 0:07:40 | 0:07:46 | |
"A bullet entered end of clavicle | 0:07:46 | 0:07:50 | |
"and emerged at lower angle of scapula. | 0:07:50 | 0:07:56 | |
"The right lung is collapsed." | 0:07:56 | 0:07:59 | |
It came in through here. | 0:07:59 | 0:08:02 | |
It's come in this way and come out that way. | 0:08:02 | 0:08:04 | |
-Yes, it's come round the back. -It's come out here? -Through his lung. | 0:08:04 | 0:08:07 | |
Yep. Which suggests that it came from an elevated position. | 0:08:07 | 0:08:10 | |
So somebody is shooting down into the trench? | 0:08:10 | 0:08:12 | |
Down into the trench or more than likely a very good German sniper. | 0:08:12 | 0:08:17 | |
Wow. So, "Breathing is shallow and difficult." | 0:08:17 | 0:08:22 | |
-"Has much cough"? -Yes. | 0:08:23 | 0:08:26 | |
Do we have anything that would say who he was before all of this? | 0:08:26 | 0:08:29 | |
Certainly, yes, at the very beginning of the documents. | 0:08:29 | 0:08:33 | |
It tells us what happened to him before he joined the army. | 0:08:33 | 0:08:38 | |
There's his name. "In the... | 0:08:40 | 0:08:43 | |
.."In the parish of Glasgow"? | 0:08:46 | 0:08:48 | |
-He was born in Glasgow, yes. -Which is where you are from. | 0:08:48 | 0:08:52 | |
It is indeed, yes. | 0:08:52 | 0:08:53 | |
No relation. | 0:08:55 | 0:08:57 | |
And if you look here... | 0:08:57 | 0:08:59 | |
"What is your trade or calling?" Oh, a musician! | 0:08:59 | 0:09:05 | |
"Have you resided at your father's house for three years? No. | 0:09:05 | 0:09:07 | |
"Have you served in the Royal Navy, the Army, the Royal Marines? | 0:09:07 | 0:09:11 | |
"Yes, in the Highland Infantry." | 0:09:11 | 0:09:15 | |
What does this say? 14 years? | 0:09:15 | 0:09:18 | |
14 years service and five months. | 0:09:18 | 0:09:21 | |
So, if he was a musician, | 0:09:23 | 0:09:24 | |
could he have learnt his instrument here within the Highland Infantry? | 0:09:24 | 0:09:30 | |
-Very possible, yes. -So we need to find out | 0:09:30 | 0:09:32 | |
and we can only do that by going to Glasgow, presumably? | 0:09:32 | 0:09:36 | |
Yes, the Scottish records office will be able to give you information. | 0:09:36 | 0:09:39 | |
I've just come back from Scotland! | 0:09:39 | 0:09:42 | |
Well, get your coat on, you're going back again! | 0:09:42 | 0:09:45 | |
Sam is in Glasgow, the birthplace of her great-grandfather, Alexander, | 0:09:52 | 0:09:57 | |
and home to his regiment, the Highland Light Infantry. | 0:09:57 | 0:10:01 | |
To know that you have a connection to somewhere like this is really weird to me. | 0:10:05 | 0:10:09 | |
I've never had that sense of identity before. | 0:10:09 | 0:10:12 | |
When Alexander was alive, in the Highland Infantry, | 0:10:12 | 0:10:17 | |
and the Scots Guards, this is a place that would have meant a lot to him. | 0:10:17 | 0:10:21 | |
Is it terrible that I want to sing "On the bonny bonny banks of Loch Lomond"? | 0:10:23 | 0:10:26 | |
SHE LAUGHS | 0:10:26 | 0:10:28 | |
Sam is meeting military historian Douglas Anderson | 0:10:30 | 0:10:34 | |
at the Royal Highland Fusiliers Museum. | 0:10:34 | 0:10:38 | |
-Douglas? -Hello. -I'm Sam. -How do you do? | 0:10:38 | 0:10:41 | |
I've got this overwhelming urge to say hello, | 0:10:41 | 0:10:44 | |
only because you have information that I desperately want. | 0:10:44 | 0:10:47 | |
-Do come in! -Thank you. -And we'll have a look at things, yes. | 0:10:47 | 0:10:51 | |
-Let's start with this one. -OK. | 0:10:51 | 0:10:54 | |
This is the first page of his service record, | 0:10:54 | 0:10:58 | |
and, as the name suggests, that was a complete record | 0:10:58 | 0:11:01 | |
of everything that he did while he was in the Highland Light Infantry. | 0:11:01 | 0:11:04 | |
-OK. -Your great-grandfather joins the army. -For the very first time. | 0:11:04 | 0:11:10 | |
-For the first time, yes. -"What is your age?" | 0:11:10 | 0:11:13 | |
-That's his age. -14? -14. | 0:11:13 | 0:11:16 | |
-And six months? -And six months, yes. | 0:11:16 | 0:11:18 | |
-He was 14 years old? -Yes, yes. | 0:11:18 | 0:11:22 | |
He was 14 years of age, yes. | 0:11:22 | 0:11:24 | |
-In the parish of Maryhill. -Maryhill, yes. | 0:11:25 | 0:11:30 | |
Glasgow. | 0:11:30 | 0:11:31 | |
And this is 15 July, 1895. | 0:11:31 | 0:11:36 | |
1895. So, have a look at that. | 0:11:36 | 0:11:39 | |
Description of Alexander. A description?! | 0:11:41 | 0:11:46 | |
So at 14 years and six months... I'm going to get emotional now. | 0:11:47 | 0:11:51 | |
-Four feet. -And a few inches. 10. -His complexion. What does that say? | 0:11:54 | 0:12:00 | |
-I think that's fresh. -Fresh? | 0:12:00 | 0:12:03 | |
-Eyes? -Hazel. -Hazel. | 0:12:03 | 0:12:05 | |
-Hair? -Fair. -Fair. | 0:12:05 | 0:12:08 | |
-Hallelujah! -Yes! -I could never tell where this and my children. | 0:12:08 | 0:12:13 | |
-Fair hair, finally, there's a clue. -There you are, that's it, yep. | 0:12:13 | 0:12:18 | |
There's no records of any photographs of him? | 0:12:18 | 0:12:24 | |
Well, we don't have a photograph of him, unfortunately. | 0:12:24 | 0:12:28 | |
That's probably "fortunately" because I don't know if I could handle it. | 0:12:28 | 0:12:32 | |
However, what I can show you is this. | 0:12:32 | 0:12:34 | |
And this is certainly what he would have looked like. | 0:12:36 | 0:12:40 | |
Yes, here we are. | 0:12:40 | 0:12:42 | |
Right. | 0:12:42 | 0:12:44 | |
With his swagger cane and his gloves. | 0:12:44 | 0:12:46 | |
-This is what he would have worn? -Yes. And if you look at the name... | 0:12:46 | 0:12:52 | |
That's his dad? | 0:12:58 | 0:12:59 | |
No, my feeling is, maybe because I want it to be, | 0:12:59 | 0:13:05 | |
-is that it's a younger brother. -I can't take it. Oh, my God. | 0:13:05 | 0:13:09 | |
We can't be sure. We really don't know. | 0:13:09 | 0:13:11 | |
Can I see if there's a similarity? | 0:13:11 | 0:13:14 | |
-What makes you think that this is his brother? -The name. | 0:13:15 | 0:13:19 | |
And the fact that he's in the Second Battalion. | 0:13:19 | 0:13:23 | |
And what age was he there? | 0:13:23 | 0:13:24 | |
14, 15, and this is pretty much what Alexander would have looked like. | 0:13:24 | 0:13:30 | |
-Ready to go out of barracks. -Yes, that's incredible. | 0:13:30 | 0:13:34 | |
Boy soldiers like Alexander were educated in the barracks | 0:13:37 | 0:13:40 | |
and taught by soldier teachers. | 0:13:40 | 0:13:43 | |
They also learned how to march, salute, and handle weapons. | 0:13:43 | 0:13:48 | |
But boys weren't usually expected to fight | 0:13:48 | 0:13:51 | |
until they reached the age of 18. | 0:13:51 | 0:13:54 | |
Instead, they were trained in support roles such as tailors, shoemakers or clerks. | 0:13:54 | 0:14:00 | |
Others were taught to play in the band as buglers or drummer boys, | 0:14:00 | 0:14:05 | |
and doubled up as stretcher-bearers when on active duty. | 0:14:05 | 0:14:09 | |
Can I ask you if you have any information on what Alexander was doing? | 0:14:11 | 0:14:15 | |
-Indeed, yes, we know more about that, yes. -Tell me! | 0:14:15 | 0:14:20 | |
It's amazing. Where is he? Where is he? | 0:14:20 | 0:14:23 | |
I can tell you from his military history sheet. | 0:14:23 | 0:14:29 | |
-Now that's an interesting one, there. -What's this? | 0:14:29 | 0:14:33 | |
-What? -Bandsman. | 0:14:33 | 0:14:35 | |
-Oh, is that what that says? -Mm-hmm. | 0:14:35 | 0:14:38 | |
They were all given the opportunity to be buglers or drummers. | 0:14:38 | 0:14:43 | |
-My father was a drummer. -If they showed no aptitude, | 0:14:43 | 0:14:45 | |
then they were shoved into the tailor shop. Can you read that? | 0:14:45 | 0:14:50 | |
-No, I can't. Can you? -Yes, it says "discharged". | 0:14:51 | 0:14:57 | |
-Discharged? -Discharged under article 1142. | 0:14:57 | 0:15:04 | |
Now, what that means is that he was allowed to leave the Army for personal reasons. | 0:15:04 | 0:15:10 | |
Right. What does this... Total service - eight years and two days. | 0:15:10 | 0:15:18 | |
Well, his history form with the Scots Guards says different. | 0:15:19 | 0:15:23 | |
He said he was with the HLI for 14 years and four months. | 0:15:23 | 0:15:29 | |
So, is he lying? Would they not have known if he was? | 0:15:29 | 0:15:33 | |
Yes, I think he was snatching that out of the air. | 0:15:33 | 0:15:37 | |
The eight years and two days fits his service with the Highland Light Infantry. | 0:15:37 | 0:15:42 | |
However, can you read that? | 0:15:42 | 0:15:45 | |
-He re-enlisted. Is that right? -Mm-hmm. | 0:15:45 | 0:15:48 | |
-Enlists into R? -Yeah. | 0:15:50 | 0:15:55 | |
-What's that? -It's a G. -RGA? -RGA. | 0:15:55 | 0:15:58 | |
-What's that? -Royal Garrison Artillery. -So he possibly could have been... | 0:15:58 | 0:16:02 | |
He could have been in a battery in Plymouth and Portsmouth along the south coast. | 0:16:02 | 0:16:08 | |
So why, I wonder, when he joined the Scots Guards, did he tell a porky? | 0:16:08 | 0:16:13 | |
I don't know, but that is something for you to find. | 0:16:13 | 0:16:16 | |
I wish I could speak to this man. | 0:16:16 | 0:16:19 | |
Sam is on her way to Plymouth, where her great-grandfather was stationed with the Royal Garrison Artillery. | 0:16:26 | 0:16:32 | |
She wants to find out why Alexander lied to the Scots Guards | 0:16:36 | 0:16:40 | |
about serving in the Highland Light Infantry for an extra six years | 0:16:40 | 0:16:44 | |
when he was actually with the Royal Garrison Artillery. | 0:16:44 | 0:16:47 | |
Ah, here we are. | 0:16:49 | 0:16:51 | |
"Military of Defence - access only." | 0:16:52 | 0:16:54 | |
I'm hoping they know I'm coming! | 0:16:54 | 0:16:57 | |
At the Royal Citadel, Sam has arranged to meet Colonel Edward Dawes. | 0:16:59 | 0:17:04 | |
This is a copy of Alexander's military record, | 0:17:08 | 0:17:12 | |
so we can see his previous service | 0:17:12 | 0:17:15 | |
-that you've already identified in the Highland infantry. -Yes. | 0:17:15 | 0:17:18 | |
-Well, now, it really gets interesting over the page. -OK. | 0:17:18 | 0:17:21 | |
This page describes the years that he served | 0:17:21 | 0:17:24 | |
and what he was doing, the rank that he held when he was serving here. | 0:17:24 | 0:17:28 | |
-Oh, and here, appointed musician. -Yes. | 0:17:28 | 0:17:31 | |
The same year that he arrives here, | 0:17:31 | 0:17:34 | |
the Royal Garrison Artillery was putting together its first band here in Plymouth. | 0:17:34 | 0:17:38 | |
So is that something he would have been instrumental in, in terms of...? | 0:17:38 | 0:17:41 | |
Well, I think it's fair to say that he was one of the founding members of that band. | 0:17:41 | 0:17:45 | |
-Yes! -So they were putting the band together. | 0:17:45 | 0:17:48 | |
He brought the music to the Royal Garrison Artillery. | 0:17:48 | 0:17:51 | |
He was, and music in those days was very important, | 0:17:51 | 0:17:54 | |
-it was part of the fabric of military life. -Mm. | 0:17:54 | 0:17:57 | |
Certainly we can confirm he has been employed | 0:17:57 | 0:18:00 | |
in that trade as a musician. | 0:18:00 | 0:18:03 | |
Have I just seen this... | 0:18:05 | 0:18:07 | |
What does this say and this say, does that say arrested? | 0:18:07 | 0:18:10 | |
Yes. Right, so, reading on, after his promotion in 1906... | 0:18:10 | 0:18:16 | |
-Yes. -..the next entry, what does that say? | 0:18:16 | 0:18:18 | |
Deserted. What's this, deserted? | 0:18:18 | 0:18:22 | |
-No? -Yes. -Yes? -It does. | 0:18:22 | 0:18:24 | |
-So, can you read all of that? -Deserted at Plymouth. | 0:18:24 | 0:18:28 | |
-Yep. 1910. -Now, what does that mean? | 0:18:28 | 0:18:31 | |
That is... That is a very serious issue. | 0:18:31 | 0:18:34 | |
He should've been on duty and he wasn't. | 0:18:34 | 0:18:37 | |
And of course, only four years later in 1914, when we were at war, | 0:18:37 | 0:18:42 | |
that was an offence for which he was shot. | 0:18:42 | 0:18:44 | |
Of course, different in a time of peace, but still a very serious offence. | 0:18:44 | 0:18:48 | |
So he's left here and then, six months later, he's arrested, | 0:18:48 | 0:18:52 | |
awaiting trial? | 0:18:52 | 0:18:54 | |
-Yes. -Tried and convicted? By what? | 0:18:54 | 0:18:58 | |
-By the civil power... -By civil power. | 0:18:58 | 0:19:01 | |
What does that say? Imprisoned? | 0:19:01 | 0:19:03 | |
-He went to prison? -Yes. It would appear so. | 0:19:03 | 0:19:06 | |
-Does it say what for? -We don't know, | 0:19:06 | 0:19:08 | |
and the only thing the military is interested in is the fact | 0:19:08 | 0:19:12 | |
that he was convicted and he was discharged in his absence. | 0:19:12 | 0:19:16 | |
Which is why the Scots Guards have absolutely no record of this, | 0:19:16 | 0:19:21 | |
this was never mentioned. | 0:19:21 | 0:19:23 | |
In fact, the Royal Garrison Artillery was never mentioned, because he's... | 0:19:23 | 0:19:27 | |
-covered this up. -He's cast a shroud over this. | 0:19:27 | 0:19:31 | |
And well he might, because as a commanding officer, | 0:19:31 | 0:19:36 | |
I can say that there is no chance that a convicted felon | 0:19:36 | 0:19:40 | |
and a deserter would have been re-enlisted. | 0:19:40 | 0:19:43 | |
-But we don't know... -Alexander, where did you go? What did he do? | 0:19:44 | 0:19:49 | |
Well, that's your next question. | 0:19:49 | 0:19:51 | |
The Plymouth Record Office holds the city's prison records. | 0:19:55 | 0:20:00 | |
Sam knows that her great-grandfather was convicted in June, 1910. | 0:20:01 | 0:20:05 | |
But she has no idea what crime he committed. | 0:20:05 | 0:20:09 | |
This is his documents, reference number 30403. | 0:20:09 | 0:20:14 | |
God, it's incredible, look at that. | 0:20:14 | 0:20:16 | |
She's ordered the prison register for the year Alexander was imprisoned. | 0:20:16 | 0:20:22 | |
Now... | 0:20:22 | 0:20:23 | |
I'll start about there. | 0:20:24 | 0:20:26 | |
OK. I'm slightly nervous. | 0:20:27 | 0:20:29 | |
Let's have a look. So, name, no, Henry. Charles. | 0:20:29 | 0:20:35 | |
Frederick. William. George. | 0:20:35 | 0:20:37 | |
SHE GASPS There he is. Oh, gosh. | 0:20:37 | 0:20:39 | |
Ryan Alexander Cunningham. | 0:20:39 | 0:20:42 | |
What did he do? | 0:20:42 | 0:20:44 | |
Stealing one what?! | 0:20:44 | 0:20:46 | |
Cornet? | 0:20:47 | 0:20:49 | |
What did he steal? Sentence - one month. | 0:20:50 | 0:20:55 | |
And also, the date there is the 19th of August, | 0:20:57 | 0:21:03 | |
but here, I've got... | 0:21:03 | 0:21:06 | |
that he was arrested and convicted on the 27th of June. | 0:21:06 | 0:21:11 | |
So, is it the same offence? | 0:21:11 | 0:21:13 | |
I can't believe for stealing one item, the cornet... SHE CHUCKLES | 0:21:13 | 0:21:18 | |
..that he would lose his entire military career for something... | 0:21:18 | 0:21:21 | |
I was expecting to see something horrific. | 0:21:21 | 0:21:25 | |
Sam's discovered that Alexander committed two different crimes, | 0:21:29 | 0:21:33 | |
and now has more information about one of them, the theft of a cornet. | 0:21:33 | 0:21:37 | |
She's hoping that newspapers at the Plymouth Central Library | 0:21:39 | 0:21:43 | |
-will fill in more details. -Dogs, poultry, livestock... | 0:21:43 | 0:21:46 | |
-My heart's pounding, you do realise that, don't you? -I do. | 0:21:46 | 0:21:49 | |
She's asked Mark Smith, curator of the Royal Artillery Museum, to help her. | 0:21:49 | 0:21:54 | |
Oh, Royal Garrison Army, hold on. | 0:21:57 | 0:21:59 | |
"At Plymouth Police court yesterday morning | 0:21:59 | 0:22:02 | |
"a musician named Alexander Cunningham Ryan, of no fixed abode..." | 0:22:02 | 0:22:07 | |
I... I'm completely hyperventilating. | 0:22:09 | 0:22:12 | |
"..with stealing a euphonium valued £12, 12 shillings. | 0:22:12 | 0:22:19 | |
"He was further charged | 0:22:19 | 0:22:21 | |
"with stealing a silver cornet | 0:22:21 | 0:22:23 | |
"valued at £4, 4 shillings." | 0:22:23 | 0:22:26 | |
-It's quite a lot of money. -What would the equivalent be? | 0:22:26 | 0:22:29 | |
£700 for the euphonium | 0:22:29 | 0:22:31 | |
-and maybe 250 for the cornet. -Why has he done this? Why has done this? | 0:22:31 | 0:22:35 | |
"About three years ago he was appointed storeman | 0:22:35 | 0:22:38 | |
"and store librarian, | 0:22:38 | 0:22:40 | |
"being responsible for the care of the instruments and the music. | 0:22:40 | 0:22:44 | |
"On January 30th he disappeared | 0:22:45 | 0:22:48 | |
"and witness subsequently found that the cornet was also missing." | 0:22:48 | 0:22:53 | |
-"He was a frequent customer..." To who? -It's a pawnbroker's shop. | 0:22:54 | 0:23:00 | |
He was a frequent... Oh, my gosh. | 0:23:00 | 0:23:02 | |
Well, he's pawning them. | 0:23:02 | 0:23:04 | |
And then when he's got money, he's redeeming them. | 0:23:04 | 0:23:07 | |
-He's getting them back again? -Yes, and putting them back in the store. | 0:23:07 | 0:23:10 | |
And on this occasion, he hasn't been able to do it. | 0:23:10 | 0:23:13 | |
Someone has come and checked the store. He knows what he's doing. | 0:23:13 | 0:23:16 | |
He knows what he's doing. And just chance has come along... | 0:23:16 | 0:23:20 | |
-It just went wrong. -..and bitten him in the bum. -Exactly. | 0:23:20 | 0:23:22 | |
-I've something else to show you... -Oh, God. -..which will just... | 0:23:22 | 0:23:26 | |
No, honestly, it will just show you how much of a disaster this day was. | 0:23:26 | 0:23:29 | |
SHE LAUGHS | 0:23:29 | 0:23:32 | |
-Go on, then. -OK. | 0:23:32 | 0:23:33 | |
So, an original document. | 0:23:35 | 0:23:37 | |
And this is called a description on final discharge, what does that mean? | 0:23:37 | 0:23:40 | |
Your future employers, once they find out you have been in the army... | 0:23:40 | 0:23:45 | |
-Will ask for this? -Yes. | 0:23:45 | 0:23:47 | |
-Uh-oh. -Yeah, uh-oh. | 0:23:47 | 0:23:49 | |
-"Caution." It doesn't start well, does it? -No. | 0:23:52 | 0:23:56 | |
"Men who have been discharged from the army for misconduct of any sort | 0:23:56 | 0:24:00 | |
"or who have been dismissed with disgrace from the Navy | 0:24:00 | 0:24:03 | |
"are cautioned against attempting to re-enlist... | 0:24:03 | 0:24:06 | |
"..by concealing the circumstances of their discharge. | 0:24:08 | 0:24:12 | |
"Such re-enlistment renders a man liable to imprisonment | 0:24:12 | 0:24:18 | |
"with hard labour for two years." | 0:24:18 | 0:24:22 | |
So this is saying if he ever, if he ever decides to lie about this, | 0:24:22 | 0:24:27 | |
or re-enlist in the army without disclosing this piece of information, | 0:24:27 | 0:24:31 | |
-he goes straight back to jail? -Straight to prison. | 0:24:31 | 0:24:33 | |
-That's your reference. -So he now can't get any job outside...? | 0:24:33 | 0:24:38 | |
No, he is going to have a really hard time. | 0:24:38 | 0:24:41 | |
-So this is like a branding? -Yep. | 0:24:41 | 0:24:44 | |
This dishonourable discharge is going to hang around his neck as... | 0:24:44 | 0:24:50 | |
-the ultimate disgrace. -Yeah. | 0:24:50 | 0:24:53 | |
So when war is declared, he decides to try to hide this, | 0:24:53 | 0:24:57 | |
so he can re-enlist and become a part of the war? | 0:24:57 | 0:25:00 | |
He gets his second chance, he's back in the game and he gets shot | 0:25:00 | 0:25:05 | |
and that chance is taken away from him again. | 0:25:05 | 0:25:08 | |
He is wounded in the worst place possible for him personally, | 0:25:08 | 0:25:13 | |
when he's shot through the lung. | 0:25:13 | 0:25:15 | |
So the two things that made up this man's life, | 0:25:15 | 0:25:18 | |
military and music, both things were taken away from him. | 0:25:18 | 0:25:23 | |
He... | 0:25:23 | 0:25:24 | |
completely destroyed his world that one day when he took that cornet. | 0:25:24 | 0:25:31 | |
Alexander concealed his dishonourable discharge | 0:25:38 | 0:25:41 | |
so that he could volunteer for service in the First World War. | 0:25:41 | 0:25:45 | |
And actually, whether he falsified the information, | 0:25:46 | 0:25:50 | |
it doesn't really matter. | 0:25:50 | 0:25:51 | |
The fact that he got to be back in a world that he loved | 0:25:51 | 0:25:55 | |
and left it proudly would have been very important for him. | 0:25:55 | 0:25:58 | |
It's a bittersweet...experience, really. | 0:26:00 | 0:26:04 | |
The idea that my dad just missed out | 0:26:04 | 0:26:07 | |
in terms of understanding his heritage... | 0:26:07 | 0:26:10 | |
..knowing that the music certainly that was so strong in him... | 0:26:11 | 0:26:16 | |
..would have really, he would have really enjoyed getting to know his grandfather. | 0:26:17 | 0:26:22 | |
I would have loved to have shared that with him. | 0:26:24 | 0:26:27 | |
Sam now wants to find out about Alexander's partner, | 0:26:31 | 0:26:35 | |
her great-grandmother. | 0:26:35 | 0:26:36 | |
She knows very little about her, | 0:26:36 | 0:26:38 | |
just that her name was Beatrice Garraud, | 0:26:38 | 0:26:41 | |
and that Beatrice's mother was called Jessie Ryder. | 0:26:41 | 0:26:45 | |
To start her search, Sam has come back to London. | 0:26:52 | 0:26:55 | |
The only thing that we know about her is her name | 0:26:58 | 0:27:02 | |
and that Dolly lived with her mum in London. | 0:27:02 | 0:27:04 | |
So, it's a completely blank canvas. | 0:27:04 | 0:27:07 | |
It's weird not having any information. | 0:27:07 | 0:27:09 | |
I hope it's happy. SHE LAUGHS | 0:27:11 | 0:27:14 | |
At the Society Of Genealogists, | 0:27:17 | 0:27:20 | |
Elsa Churchill has been researching Sam's great-grandmother Beatrice. | 0:27:20 | 0:27:24 | |
The obvious search to do, | 0:27:26 | 0:27:28 | |
-we'll just try and find the birth of Beatrice. -Great. | 0:27:28 | 0:27:30 | |
So, just basically trying to see when she was born. | 0:27:30 | 0:27:34 | |
-G-A-R-R... -A-U-D. | 0:27:34 | 0:27:37 | |
OK. | 0:27:37 | 0:27:39 | |
And if we actually focus in exactly on the spelling | 0:27:39 | 0:27:42 | |
as we think it is, certainly nothing comes up with Beatrice. | 0:27:42 | 0:27:46 | |
-Ah. -Nothing at all. | 0:27:46 | 0:27:48 | |
-So we thought, what's the only other facts we've got? -Her mum. | 0:27:48 | 0:27:51 | |
Yes, precisely, so Jessie Ryder was the name. | 0:27:51 | 0:27:55 | |
So, we did actually come up with something which we think might be interesting. | 0:27:55 | 0:27:59 | |
-So, I've got some documents. -(I love this bit.) | 0:27:59 | 0:28:03 | |
So I'm looking at a copy of an entry of marriage. 1892. | 0:28:05 | 0:28:11 | |
-So, is this Jessie here? -Well, try the bottom. | 0:28:11 | 0:28:14 | |
Normally you get the groom at the top and the bride at the bottom. | 0:28:14 | 0:28:17 | |
-Oh, here we go, Jessie Ryder. -Mm-hm. -SAM LAUGHS | 0:28:17 | 0:28:20 | |
Now, gosh, what's this name here? | 0:28:20 | 0:28:21 | |
-The surname, can you say what that looks like? -Well, we've got Garraud. | 0:28:21 | 0:28:25 | |
-Yeah, OK, so that's confirming... -Ah! -Can you make out the full name? | 0:28:25 | 0:28:29 | |
-No. Pierre? -That's it. | 0:28:30 | 0:28:33 | |
-SHE ADOPTS ACCENT: Pierre. -That's it, Pierre. -So French? -That's right. | 0:28:33 | 0:28:37 | |
I think that's possibly Pierre Franscois Olidon Garraud. | 0:28:37 | 0:28:41 | |
-Amazing. -And then you get his age. -27. And she was 23. | 0:28:41 | 0:28:46 | |
And then you get, the next column just gives the father of the groom | 0:28:46 | 0:28:50 | |
-and the father of the bride. -So the father of Jessie | 0:28:50 | 0:28:53 | |
-is Alfred Ryder, an accountant. -There you go. | 0:28:53 | 0:28:57 | |
And we've got the exact date of marriage, as well. | 0:28:57 | 0:29:00 | |
On August the 17th. | 0:29:00 | 0:29:02 | |
So, based upon that we can start looking for children of this couple. | 0:29:02 | 0:29:07 | |
-First child that we found... -Entry of birth. | 0:29:07 | 0:29:11 | |
14th of December, 1892. | 0:29:11 | 0:29:16 | |
Now it's August. | 0:29:16 | 0:29:17 | |
September, October, November... Ah! THEY LAUGH | 0:29:17 | 0:29:21 | |
-Four months after the marriage. -Very close, but in. | 0:29:21 | 0:29:25 | |
Now, what does this say here? So who's that? | 0:29:25 | 0:29:27 | |
Naomi Finney, Anthony Lennard. | 0:29:27 | 0:29:30 | |
-So that's a boy? -That's the first one. -That's not Beatrice. | 0:29:30 | 0:29:33 | |
-And then we can go on. -It's so exciting. | 0:29:33 | 0:29:37 | |
-Oh, here we go. The 26th of August, '94. -OK. | 0:29:37 | 0:29:43 | |
So, less than two years later they have a little girl. | 0:29:43 | 0:29:47 | |
-What does that say? -I think that says Berthe. B-E-R-T-H-E. | 0:29:49 | 0:29:54 | |
-Berthe Marie Josepha. -That's right. | 0:29:54 | 0:29:57 | |
Can you see, can you read that? | 0:29:57 | 0:29:59 | |
What does that say? The French... | 0:29:59 | 0:30:02 | |
Where and when born, it says the 26th of August at the French Hospital. | 0:30:02 | 0:30:08 | |
-Mm-hm. Can you read where it says? -No, I can't see what that says. | 0:30:08 | 0:30:12 | |
-Shaftesbury... -Shaftesbury Avenue! | 0:30:12 | 0:30:15 | |
That's incredible. | 0:30:18 | 0:30:20 | |
And the interesting thing for me is that this is the only two children. | 0:30:20 | 0:30:24 | |
-You can't find Beatrice? -Well, certainly not something as Beatrice. | 0:30:24 | 0:30:28 | |
Ah. Could this be the same person? | 0:30:28 | 0:30:32 | |
Well, I can't find an alternative, so, you know, | 0:30:32 | 0:30:35 | |
has Berthe become Beatrice? | 0:30:35 | 0:30:38 | |
Are you saying that that's what you think is likely? | 0:30:38 | 0:30:41 | |
-It seems a bit coincidental that we've got a Berthe. -I see. | 0:30:41 | 0:30:44 | |
And in checking out all the documentation, | 0:30:44 | 0:30:48 | |
we actually came across this document. | 0:30:48 | 0:30:50 | |
Certified copy of an entry of death. | 0:30:50 | 0:30:53 | |
Anthony Garraud, male, six years old. | 0:30:55 | 0:30:59 | |
SHE TUTS | 0:30:59 | 0:31:01 | |
SHE GASPS | 0:31:01 | 0:31:03 | |
-Burnt? -I know, it's awful, isn't it? | 0:31:03 | 0:31:06 | |
Accidental. | 0:31:06 | 0:31:07 | |
I can't see, what does this say? Burnt? | 0:31:10 | 0:31:12 | |
-Burns from... -Nightdress? -Yeah. | 0:31:12 | 0:31:16 | |
-Catching fire... -Oh, at the gas stove. | 0:31:18 | 0:31:22 | |
That's so shocking. | 0:31:22 | 0:31:24 | |
So what does this say here? | 0:31:25 | 0:31:27 | |
An orphanage... He was given up for adoption? | 0:31:28 | 0:31:32 | |
Yeah, and then from the orphanage seems to die in the... | 0:31:32 | 0:31:37 | |
In the infirmary, in the Hampstead Infirmary, Hampstead where I've lived... | 0:31:37 | 0:31:40 | |
-..for years. -Yeah. -And then has the inquest on the 28th. | 0:31:42 | 0:31:46 | |
Five days later there's an inquest. | 0:31:46 | 0:31:48 | |
And one of the things you might want to consider, I suppose, | 0:31:48 | 0:31:51 | |
-is because we've got the coroner giving the information... -Yes. | 0:31:51 | 0:31:54 | |
..coroners' inquests are invariably going to be reported. | 0:31:54 | 0:31:59 | |
So, look in kind of newspaper archives? | 0:31:59 | 0:32:01 | |
-Yes, that's one thing to have a look out for that. -My goodness. | 0:32:01 | 0:32:05 | |
If reports into Anthony's death still exists, | 0:32:08 | 0:32:11 | |
Sam hopes to find them at the Camden Archive Centre. | 0:32:11 | 0:32:14 | |
She wants to know exactly what happened to Anthony | 0:32:15 | 0:32:18 | |
and why he ended up in an orphanage. | 0:32:18 | 0:32:20 | |
-So, these are your two newspapers. -Brilliant. | 0:32:23 | 0:32:26 | |
We've got this volume of Hampstead And Highgate Express from 1899. | 0:32:26 | 0:32:31 | |
-And that's for the whole year, is it? -That's for the whole year. | 0:32:32 | 0:32:35 | |
-And this is the Hamstead Record, also for 1899. -Fantastic. | 0:32:35 | 0:32:39 | |
-Am I all right to have a look through these? -Yes, of course. -Brilliant, thank you. -You're welcome. | 0:32:39 | 0:32:44 | |
Oh... | 0:32:44 | 0:32:47 | |
So, the date I'm looking for is February the 23rd. | 0:32:47 | 0:32:54 | |
So it's weekly, so it would be this one starting on the 25th. | 0:32:55 | 0:32:59 | |
Well, I can't see anything in that week's issue, | 0:33:02 | 0:33:06 | |
let's try next week's, which is Saturday, the 4th of March. | 0:33:06 | 0:33:11 | |
Apartments, situations vacant, alleged kidnapping at Hampstead... | 0:33:14 | 0:33:19 | |
Ah. | 0:33:19 | 0:33:21 | |
Here it is. | 0:33:22 | 0:33:23 | |
"Shocking burning fatality. | 0:33:24 | 0:33:26 | |
"On Tuesday Dr G Danford Thomas held an inquest | 0:33:26 | 0:33:31 | |
"at New End on the body of Anthony..." Now, they've put it as Garrond. | 0:33:31 | 0:33:36 | |
"Aged six-and-a-half years, he died in the workhouse infirmary | 0:33:36 | 0:33:39 | |
"from the effects of burns. | 0:33:39 | 0:33:42 | |
"Mary Ann Johnson, a sister at St Vincent's Orphanage, Holly Place | 0:33:42 | 0:33:46 | |
"stated that on the previous Thursday the boy had not been well. | 0:33:46 | 0:33:50 | |
"He was kept in his bed in a room at the top floor. | 0:33:50 | 0:33:54 | |
"He had his dinner at about 12 o'clock..." Oh, this is upsetting. | 0:33:54 | 0:33:58 | |
"Shortly afterwards screams were heard | 0:33:58 | 0:34:01 | |
"and a witness and another sister went up to his room. | 0:34:01 | 0:34:04 | |
"His nightshirt was on fire | 0:34:04 | 0:34:06 | |
"and a witness and another put out the flames with the aid of a blanket." | 0:34:06 | 0:34:10 | |
SHE GASPS | 0:34:10 | 0:34:12 | |
"There was a gas stove in the bedroom fitted into the fireplace | 0:34:12 | 0:34:15 | |
"that was alight at the time and there was no guard around it, | 0:34:15 | 0:34:18 | |
"because it was not generally used for children, that room. | 0:34:18 | 0:34:22 | |
"The jury returned a verdict of accidental death. | 0:34:22 | 0:34:27 | |
"The grandfather of the child, Alfred Wright..." Jessie's father. | 0:34:27 | 0:34:33 | |
It was Alfred Ryder. So that's obviously a clerical error. | 0:34:33 | 0:34:38 | |
It said he identified the boy as his grandson. "His father was dead... | 0:34:39 | 0:34:44 | |
"..and his mother was abroad." | 0:34:45 | 0:34:48 | |
Wow. | 0:34:48 | 0:34:50 | |
Let's see if the other one has got any more information. | 0:34:50 | 0:34:55 | |
Er... I'm going to get the same... | 0:34:58 | 0:35:00 | |
..date, which will be March the 4th, the last one was at. | 0:35:02 | 0:35:06 | |
March 4th... Oh, there it is. | 0:35:06 | 0:35:09 | |
Anthony Garrond, again they've got his name wrong here, | 0:35:12 | 0:35:15 | |
aged six-and-a-half years. | 0:35:15 | 0:35:18 | |
"It was stated at the outset that the child's mother was in America." | 0:35:18 | 0:35:23 | |
America... | 0:35:24 | 0:35:26 | |
"After the conclusion of the inquest, the grandfather arrived and said | 0:35:26 | 0:35:30 | |
"that his name was Alfred Wright," which again is the wrong name. | 0:35:30 | 0:35:34 | |
So that's Jessie's dad, didn't even go to the inquest. | 0:35:34 | 0:35:38 | |
And it says here that his daughter, | 0:35:38 | 0:35:40 | |
the mother who was on the stage had gone to America. | 0:35:40 | 0:35:43 | |
On the stage? | 0:35:43 | 0:35:45 | |
So... | 0:35:45 | 0:35:47 | |
..Jessie was an actress, as well. | 0:35:48 | 0:35:51 | |
And here, Alfred says the boy was of a rather is mischievous character. | 0:35:52 | 0:35:58 | |
Well, he was six-and-a-half. | 0:35:58 | 0:36:00 | |
I just feel so sorry for him. | 0:36:00 | 0:36:03 | |
And why did she go to work on the stage in America? | 0:36:04 | 0:36:08 | |
But where is Berthe or Beatrice, where's my great-grandmother? What happened to her? | 0:36:09 | 0:36:14 | |
Sam still hasn't found any information | 0:36:16 | 0:36:19 | |
on her great-grandmother Beatrice. | 0:36:19 | 0:36:22 | |
So she's come to meet Colin Carsten, | 0:36:22 | 0:36:24 | |
senior librarian at the West Hampstead Library. | 0:36:24 | 0:36:28 | |
We found Berthe's brother Anthony, who sadly died. | 0:36:29 | 0:36:33 | |
But Berthe or Beatrice, we don't know if it's the same person | 0:36:33 | 0:36:38 | |
or if in fact she is my great-grandmother. | 0:36:38 | 0:36:41 | |
Well, if we do a wildcard search, | 0:36:41 | 0:36:43 | |
that will bring out different spellings of the same name | 0:36:43 | 0:36:45 | |
or variations of both first name and last name. | 0:36:45 | 0:36:49 | |
-She was known as Beatrice, that's how we knew her. -OK, B-E-A... | 0:36:49 | 0:36:54 | |
And then Garraud. | 0:36:56 | 0:36:57 | |
-So you just put in the first few letters? -Yeah. | 0:36:59 | 0:37:02 | |
That's clever. | 0:37:02 | 0:37:04 | |
-Cos then it should bring up anything. -I see. -And born? -1894. | 0:37:04 | 0:37:09 | |
-Ah! -OK. So, that's 1901. | 0:37:12 | 0:37:15 | |
So, Wiltshire, Wiltshire, Lancashire, | 0:37:15 | 0:37:19 | |
-Suffolk, Surrey... -That's Ipswich. -No, Ipswich... | 0:37:19 | 0:37:24 | |
Ah, Shaftesbury. I know she was born in Shaftesbury Avenue. | 0:37:24 | 0:37:29 | |
But that's a Beattie Garrand. The place is right. | 0:37:29 | 0:37:33 | |
-Can we look at that one? -Let's look at the record and see. | 0:37:33 | 0:37:36 | |
I know she was about four years old when Anthony died, | 0:37:36 | 0:37:41 | |
so she'd be about six now. | 0:37:41 | 0:37:43 | |
-Look, six years old. -Six years old. -That's her, it's got to be her. | 0:37:43 | 0:37:47 | |
It's estimated birth year, so it's estimated, 1885. I was told 1894. | 0:37:47 | 0:37:52 | |
Where born - Shaftesbury Avenue, St Paul's parish. | 0:37:52 | 0:37:57 | |
Region South Hammersmith. | 0:37:57 | 0:37:59 | |
Now what's this? Institution Nazareth House. | 0:38:01 | 0:38:05 | |
OK, let's look for Nazareth House. | 0:38:05 | 0:38:08 | |
Ah, there it is. District - Nazareth House. | 0:38:10 | 0:38:13 | |
So, enumeration book | 0:38:13 | 0:38:16 | |
and the description is, a convent and home for the aged and infirm | 0:38:16 | 0:38:23 | |
and destitute children on the Hammersmith Road. | 0:38:23 | 0:38:26 | |
So she's in an orphanage, as well. | 0:38:28 | 0:38:30 | |
Around 78,000 children were living in some sort of institution | 0:38:34 | 0:38:39 | |
in Britain by 1890. | 0:38:39 | 0:38:41 | |
Often these youngsters were orphaned or abandoned by parents | 0:38:43 | 0:38:48 | |
who had fallen on hard times. | 0:38:48 | 0:38:50 | |
The most dreaded place for destitute children to end up | 0:38:51 | 0:38:54 | |
was the workhouse, where they were subjected to a harsh regime | 0:38:54 | 0:38:58 | |
and categorised as inmates. | 0:38:58 | 0:39:00 | |
More fortunate youngsters found places in charitable homes | 0:39:01 | 0:39:05 | |
such as Nazareth House. | 0:39:05 | 0:39:07 | |
Here, children received an education until the age of 12. | 0:39:07 | 0:39:11 | |
Many then stayed on for another two years to learn a trade. | 0:39:11 | 0:39:14 | |
Today, Nazareth House is a care home for the elderly. | 0:39:19 | 0:39:24 | |
Sam's meeting archivist Doctor Peter Hughes. | 0:39:24 | 0:39:28 | |
-Hello, Peter. -Hello. -I'm Sam. -Welcome to Nazareth House. | 0:39:28 | 0:39:31 | |
-Thank you very much. -Let's go in this way. -Thank you. | 0:39:31 | 0:39:34 | |
What I have here is one of the children's admission registers. | 0:39:36 | 0:39:40 | |
-Mm-hm. -This one starts in 1895. | 0:39:40 | 0:39:44 | |
-Right. -And goes all the way up to 1981... -Gosh. | 0:39:44 | 0:39:48 | |
..when the work here with the children ceased. | 0:39:48 | 0:39:50 | |
So, if I open it here... | 0:39:50 | 0:39:53 | |
-..if you would like to look through and see what you can find. -OK. | 0:39:54 | 0:39:59 | |
Christian name, Margaret, Katherine, Amy, Helen, Lily... | 0:39:59 | 0:40:04 | |
Beatrice. | 0:40:04 | 0:40:06 | |
Beatrice. Beatrice, not Beattie. | 0:40:08 | 0:40:11 | |
Well, we don't know what the surname is yet, do we? | 0:40:11 | 0:40:14 | |
-But it says Shaftesbury. -Right, is that the correct date of birth? | 0:40:14 | 0:40:18 | |
It is. 1894. | 0:40:18 | 0:40:22 | |
Which is when we know that... And here we go, look, | 0:40:22 | 0:40:25 | |
parents' names, Peter Garraud and Jessie Ryder. | 0:40:25 | 0:40:29 | |
-That's my great-great-grandparents. -Right. | 0:40:29 | 0:40:33 | |
-This has to be her. -Mm, yes. | 0:40:33 | 0:40:36 | |
So Beattie Garraud and Beatrice Garraud clearly are one and the same. | 0:40:36 | 0:40:41 | |
Yep. | 0:40:41 | 0:40:42 | |
-Does this say when she came to be here? -Yeah, you've got to keep going. | 0:40:42 | 0:40:46 | |
Keep going. Received - July 29th, 1897. | 0:40:46 | 0:40:53 | |
She was two and a bit, she was two-and-three-quarters. | 0:40:53 | 0:40:55 | |
Close to being three. | 0:40:55 | 0:40:57 | |
What's interesting here, look... | 0:40:57 | 0:40:59 | |
-Taken by grandparents. -Yes. -May the 6th, 1902... | 0:41:01 | 0:41:06 | |
which would have made her... | 0:41:06 | 0:41:09 | |
-'94... 6, 7... 8? -Nearly 8. | 0:41:09 | 0:41:15 | |
So, three years after her brother perishes in a fire, | 0:41:15 | 0:41:19 | |
the grandparents come to pick her up? | 0:41:19 | 0:41:24 | |
Yes. | 0:41:24 | 0:41:25 | |
It begs the question, | 0:41:25 | 0:41:26 | |
why did they not take both grandchildren in when she gave... | 0:41:26 | 0:41:31 | |
Maybe they couldn't afford to look after a child. | 0:41:31 | 0:41:35 | |
-And there's only one now to take, isn't there? -Mm. | 0:41:35 | 0:41:38 | |
So, we finally found her, Beatrice, | 0:41:49 | 0:41:53 | |
and this is where she was for about eight years. | 0:41:53 | 0:41:56 | |
And it's the closest I've got to being in a place | 0:41:56 | 0:42:00 | |
that she would have spent time in. | 0:42:00 | 0:42:03 | |
I'm desperate to know more now, desperate to know about Beatrice | 0:42:03 | 0:42:08 | |
and her mother Jessie and were they reunited? | 0:42:08 | 0:42:12 | |
Where did Jessie go? Why did she go? | 0:42:12 | 0:42:15 | |
Sam wants to understand what made her great-great-grandmother | 0:42:22 | 0:42:25 | |
abandon her children and go to America. | 0:42:25 | 0:42:28 | |
She's checking the passenger lists for Atlantic crossings during the 1890s. | 0:42:29 | 0:42:34 | |
So, I'm now going to put in Jessie Ryder's name | 0:42:34 | 0:42:38 | |
into a passenger list and see if I can find out | 0:42:38 | 0:42:42 | |
did she go to America or did she go anywhere? | 0:42:42 | 0:42:45 | |
So I've got Jessie... | 0:42:45 | 0:42:47 | |
..Ryder. Year of birth, around 1867, | 0:42:48 | 0:42:54 | |
so if I put plus five years... | 0:42:54 | 0:42:57 | |
SHE GASPS | 0:43:02 | 0:43:04 | |
She's here. SHE LAUGHS | 0:43:04 | 0:43:07 | |
Oh, my goodness. New York. | 0:43:07 | 0:43:10 | |
Port of departure, Liverpool, and she arrived on the 14th of March... | 0:43:11 | 0:43:15 | |
..1891. | 0:43:16 | 0:43:19 | |
So that's before she got married. | 0:43:19 | 0:43:23 | |
Now, hold on. Look, if I scroll up... | 0:43:23 | 0:43:26 | |
..she's got herself listed... | 0:43:28 | 0:43:30 | |
..as an artist. | 0:43:32 | 0:43:33 | |
And then here, eight months later, she went back. | 0:43:35 | 0:43:38 | |
Well, it's saying she went to New York in March | 0:43:39 | 0:43:43 | |
and came back in November. | 0:43:43 | 0:43:46 | |
So, she clearly went to be some kind of actress or something. | 0:43:48 | 0:43:52 | |
But I wonder if she went back to New York when she left her kids. | 0:43:52 | 0:43:57 | |
So, there's no other way of knowing | 0:43:58 | 0:44:02 | |
any more about her, unless I actually follow the trail to New York. | 0:44:02 | 0:44:07 | |
CAR HORNS TOOT | 0:44:10 | 0:44:12 | |
Sam knows that her great-great-grandmother Jessie travelled to New York | 0:44:20 | 0:44:24 | |
as an artist in 1891, before she married and had children. | 0:44:24 | 0:44:29 | |
Sam has come to New York to find out if Jesse returned here | 0:44:31 | 0:44:35 | |
six years later, after leaving Anthony and Beatrice in orphanages. | 0:44:35 | 0:44:40 | |
-Hi, Leslie, I'm Sam. -Hi, Sam, lovely to meet you. -Nice to meet you. | 0:44:45 | 0:44:50 | |
Sam is meeting genealogist Leslie Corn, | 0:44:50 | 0:44:54 | |
who's been looking into Jessie's time in the United States. | 0:44:54 | 0:44:58 | |
I'm trying to work out whether she was actually here. | 0:44:58 | 0:45:00 | |
I'm hoping that's something you can help me with. | 0:45:00 | 0:45:04 | |
-I wish I could in New York. -OK. -Found nothing in New York. -Oh. | 0:45:04 | 0:45:08 | |
Absolutely nothing. Vital records, naturalisation records, censuses, | 0:45:08 | 0:45:13 | |
directories, nothing for her. | 0:45:13 | 0:45:16 | |
Then, you know, if you don't find someone in New York, | 0:45:16 | 0:45:20 | |
broaden the search to what we call the tri-state area, New Jersey and Connecticut. So... | 0:45:20 | 0:45:25 | |
And did you find her? | 0:45:25 | 0:45:27 | |
Full name of child... | 0:45:35 | 0:45:37 | |
Jessie Ryder had a child here? | 0:45:39 | 0:45:41 | |
-Annie, is this Annie? -Mm-hm. | 0:45:41 | 0:45:44 | |
-Annie Gertrude Finkle. -Yes. | 0:45:44 | 0:45:47 | |
Who the hell is Finkle? | 0:45:47 | 0:45:50 | |
Who's Finkle?! | 0:45:50 | 0:45:52 | |
So, little girl, date of birth, August the 5th... | 0:45:53 | 0:45:59 | |
1899. | 0:45:59 | 0:46:01 | |
Well, this puts her here in the US. So she's come back. | 0:46:01 | 0:46:07 | |
February, March, April, May, June, July, August... | 0:46:09 | 0:46:12 | |
She had a daughter six months after her son perished in a fire. | 0:46:12 | 0:46:18 | |
36-and-a-half? | 0:46:19 | 0:46:23 | |
-Bree Street? -Erie. | 0:46:23 | 0:46:25 | |
-Erie Street? -Erie Street. -Erie Street in Jersey City. -Right. | 0:46:25 | 0:46:29 | |
-That was the place of the birth of Annie Gertrude Finkle. -So... | 0:46:29 | 0:46:35 | |
Annie, the little girl's father is Harry Philip Finkle. | 0:46:35 | 0:46:41 | |
I can't get my head around why she was here. | 0:46:44 | 0:46:47 | |
She must have known that her son had perished in a fire six months previously. Presumably... | 0:46:47 | 0:46:53 | |
..if this little girl was born six months later, | 0:46:55 | 0:46:58 | |
then she was already pregnant when she found out about | 0:46:58 | 0:47:03 | |
Anthony's death. | 0:47:03 | 0:47:05 | |
And what's she doing, just having children everywhere | 0:47:08 | 0:47:11 | |
when she's got two in an orphanage? | 0:47:11 | 0:47:13 | |
It's quite a lot to take in, isn't it? | 0:47:15 | 0:47:18 | |
The more I find out about Jessie, the harder it is to swallow. | 0:47:21 | 0:47:25 | |
I'm getting a little uncomfortable, actually. | 0:47:26 | 0:47:30 | |
Because there's just such a long line of kind of damage, | 0:47:30 | 0:47:34 | |
and this woman now seems to be the new villain in the piece. | 0:47:34 | 0:47:38 | |
At the moment, that's how I'm seeing her. | 0:47:38 | 0:47:40 | |
And I don't want her to be that. | 0:47:40 | 0:47:43 | |
Sam has read in newspaper reports that her great-great-grandmother | 0:47:47 | 0:47:51 | |
came to America to be on the stage. | 0:47:51 | 0:47:52 | |
She wants to find out what kind of a performer Jessie was. | 0:47:54 | 0:47:58 | |
I'm looking for any information about my great-great-grandmother... | 0:48:02 | 0:48:06 | |
At the Mint Theatre, | 0:48:06 | 0:48:08 | |
she's come to meet theatrical historian Helen Violante. | 0:48:08 | 0:48:12 | |
So I wondered if she had a history in the theatre. | 0:48:12 | 0:48:14 | |
Well, let's look into an online database here. | 0:48:14 | 0:48:18 | |
-The last name's Finkle? -Yes... -Well, one of her last names. -One of her last names is Finkle! | 0:48:18 | 0:48:22 | |
OK. So, we'll type in Finkle | 0:48:22 | 0:48:26 | |
and we'll see what comes up. | 0:48:26 | 0:48:28 | |
-Found six items. -Six items. | 0:48:28 | 0:48:31 | |
Between 1690 and 2007. | 0:48:31 | 0:48:34 | |
Um, let see what the first one says here. | 0:48:34 | 0:48:37 | |
-August the 6th, 1904. -It's coming up. | 0:48:37 | 0:48:41 | |
-SHE GASPS That's a picture! -It looks like it. | 0:48:41 | 0:48:44 | |
Yes. | 0:48:44 | 0:48:47 | |
Uh... I-I'm speechless. | 0:48:48 | 0:48:52 | |
I can't believe that's her. | 0:48:52 | 0:48:53 | |
-That's quite a scary face. -It is quite a scary face, yes. | 0:48:55 | 0:48:59 | |
There's no warmth in that face, is there? | 0:48:59 | 0:49:02 | |
It's a very stern expression in that particular... Yeah. | 0:49:02 | 0:49:05 | |
I'll just scroll down so you can read it. | 0:49:05 | 0:49:08 | |
-Hold on, so Lyric Theatre... Hoboken? -Hoboken, New Jersey. | 0:49:08 | 0:49:12 | |
New Jersey. So, the time... | 0:49:12 | 0:49:15 | |
"Mrs Jessie Almer Finkle and her little daughter Gertrude of 37..." | 0:49:17 | 0:49:25 | |
Well, it was 36-and-a-half, but still, "..37-and-a-half Erie Street, | 0:49:25 | 0:49:28 | |
"this city, will be with | 0:49:28 | 0:49:30 | |
"WE Nankeville's Silver Slipper company this season. | 0:49:30 | 0:49:36 | |
"Miss Finkle has an excellent reputation in the profession as a... | 0:49:38 | 0:49:44 | |
"talented comedienne." So it's a comedy? | 0:49:44 | 0:49:48 | |
Well, it has elements of comedy, singing, dancing. | 0:49:48 | 0:49:52 | |
-That's a bit freaky. -Yes. | 0:49:52 | 0:49:53 | |
So let's see here... | 0:49:55 | 0:49:57 | |
"Little Gertrude takes after her clever mother." | 0:49:57 | 0:50:01 | |
And that's her? | 0:50:01 | 0:50:03 | |
-Gertrude. -Little Gertrude? -Yeah. | 0:50:03 | 0:50:05 | |
-Oh, God, imagine putting your daughter on the stage at that... -At that age. -I mean, she's... | 0:50:05 | 0:50:09 | |
I'm looking at this photo of my great-great-grandmother | 0:50:11 | 0:50:15 | |
and I'm feeling nothing but contempt for this woman. | 0:50:15 | 0:50:19 | |
It's as if... | 0:50:19 | 0:50:21 | |
It's as if her previous family doesn't even exist. | 0:50:21 | 0:50:26 | |
-And remind me of the date again of this. -This was 1904. | 0:50:26 | 0:50:29 | |
So five years after he burned to death and she still hasn't gone back | 0:50:29 | 0:50:32 | |
to get her other daughter, and yet she's cavorting on stage. | 0:50:32 | 0:50:35 | |
I mean, I'm desperate to find some reason to understand it | 0:50:35 | 0:50:40 | |
or to explain her actions. | 0:50:40 | 0:50:43 | |
I want to scribble her face out, do something really childish. | 0:50:44 | 0:50:47 | |
But I won't. | 0:50:47 | 0:50:50 | |
When I left to come here, | 0:50:54 | 0:50:56 | |
I didn't know what instigated her leaving both her kids. | 0:50:56 | 0:51:00 | |
I was hoping it was because she was madly in love with this guy | 0:51:00 | 0:51:04 | |
and he died and she couldn't cope. | 0:51:04 | 0:51:06 | |
It wasn't that. It wasn't that, it was... | 0:51:06 | 0:51:09 | |
It was that she wanted all of this. | 0:51:11 | 0:51:14 | |
Is all this worth it? | 0:51:14 | 0:51:15 | |
I don't think so. | 0:51:18 | 0:51:20 | |
After Sam's great-great-grandmother Jessie left her children | 0:51:27 | 0:51:31 | |
back in England, she set up home in Jersey City with her new love | 0:51:31 | 0:51:34 | |
Harry Finkle and their baby daughter Annie Gertrude. | 0:51:34 | 0:51:38 | |
Really what I want to now do is find out where my great-grandmother is | 0:51:41 | 0:51:45 | |
in all of this, where Beatrice is. | 0:51:45 | 0:51:48 | |
Did Jessie stay here in America? | 0:51:48 | 0:51:50 | |
Did she leave Beatrice in London after Anthony's death, | 0:51:50 | 0:51:55 | |
or did eventually she bring her here? | 0:51:55 | 0:51:57 | |
Did she introduce her to her new family, | 0:51:57 | 0:52:00 | |
or was she just left abandoned? | 0:52:00 | 0:52:01 | |
I really want to find out now where Beatrice fits in, | 0:52:01 | 0:52:05 | |
my grandmother's mum, where was she? | 0:52:05 | 0:52:07 | |
To try to find out more, Sam's come to the Jersey City public library. | 0:52:09 | 0:52:13 | |
She's searching the census records. | 0:52:16 | 0:52:19 | |
So, I'm going to try the technique | 0:52:20 | 0:52:24 | |
that I was shown for the kind of wildcard search, | 0:52:24 | 0:52:27 | |
so just putting in the first four letters of her name. | 0:52:27 | 0:52:30 | |
And then we've got Finkle... | 0:52:33 | 0:52:36 | |
And we know that she lived in Jersey City. | 0:52:37 | 0:52:42 | |
Search... | 0:52:44 | 0:52:45 | |
So, this is 1910. SHE LAUGHS | 0:52:50 | 0:52:53 | |
This is really funny. We've got a Jessie Tinkle, | 0:52:53 | 0:52:57 | |
which is now actually in brackets, Jessie Finkle. | 0:52:57 | 0:53:00 | |
There was obviously a spelling error. | 0:53:00 | 0:53:02 | |
Now, birth year, 1871, birthplace, England. | 0:53:02 | 0:53:06 | |
So let's view that record. | 0:53:08 | 0:53:11 | |
Jessie Tinkle, Finkle, she's now 39 and she's living in New Jersey. | 0:53:12 | 0:53:18 | |
Married... | 0:53:20 | 0:53:22 | |
SHE GASPS | 0:53:23 | 0:53:26 | |
I'm very excited. Household members. | 0:53:26 | 0:53:29 | |
There's Annie Gertrude, her daughter, a little Harry Junior | 0:53:29 | 0:53:33 | |
and there's a Beatrice. | 0:53:33 | 0:53:35 | |
She's got her. | 0:53:36 | 0:53:38 | |
And she's 14. | 0:53:38 | 0:53:40 | |
There's my great-grandmother, there she is. She brought her to America. | 0:53:40 | 0:53:45 | |
Crazy. | 0:53:45 | 0:53:47 | |
I want to find out when she got her. | 0:53:47 | 0:53:49 | |
So, if I know that was 1910, | 0:53:49 | 0:53:52 | |
if I do the New York passenger list for, let's try... | 0:53:52 | 0:53:56 | |
Finkle, let's put in Finkle. | 0:53:56 | 0:53:59 | |
1910, with a variation of ten years. | 0:54:01 | 0:54:07 | |
And we'll find out when she came. | 0:54:10 | 0:54:13 | |
I'm excited. | 0:54:13 | 0:54:14 | |
There she is. She came over on The Adriatic | 0:54:17 | 0:54:21 | |
from Southampton on the 6th of September, 1907. | 0:54:21 | 0:54:28 | |
Now calling herself Beatrice Finkle, and she's ten years old. | 0:54:28 | 0:54:33 | |
She got onto a ship called The Adriatic | 0:54:33 | 0:54:35 | |
and she came over to be with her mum for the first time since she was a... | 0:54:35 | 0:54:41 | |
Well, since she was a toddler. | 0:54:43 | 0:54:45 | |
Let's go to the passenger list here and see... | 0:54:48 | 0:54:52 | |
Oh, it's one of these incredibly small handwriting... | 0:54:54 | 0:55:01 | |
Finkle. | 0:55:02 | 0:55:05 | |
Here she is. SHE GASPS | 0:55:05 | 0:55:08 | |
Oh, look! | 0:55:10 | 0:55:12 | |
All the Finkles came to get her. | 0:55:13 | 0:55:18 | |
There's Jessie, her daughter Annie Gertrude, her son Harry, who's three, | 0:55:18 | 0:55:23 | |
Helen, who could be a cousin or something and there's Beatrice. | 0:55:23 | 0:55:27 | |
So the whole lot went back to get her. | 0:55:27 | 0:55:30 | |
That's nice. Well... | 0:55:34 | 0:55:37 | |
At least she did the right thing, | 0:55:37 | 0:55:40 | |
which is go and get her daughter, finally. | 0:55:40 | 0:55:42 | |
God, I bet that was a weird journey. Imagine! | 0:55:42 | 0:55:47 | |
Imagine the awkward silences. | 0:55:47 | 0:55:49 | |
That's 28... | 0:56:09 | 0:56:11 | |
30... | 0:56:15 | 0:56:17 | |
Around the corner from the Jersey City public library is Erie Street. | 0:56:17 | 0:56:22 | |
Sam knows that her great-great-grandmother used to live here, | 0:56:22 | 0:56:26 | |
at number 36-and-a-half. | 0:56:26 | 0:56:29 | |
There's 36. | 0:56:30 | 0:56:32 | |
And that is 36-and-a-half, Erie Street. | 0:56:44 | 0:56:47 | |
They all lived here. | 0:56:52 | 0:56:54 | |
SHE LAUGHS | 0:56:56 | 0:56:59 | |
Well... | 0:57:00 | 0:57:02 | |
She would have walked up the steps with her kids. | 0:57:06 | 0:57:10 | |
That's amazing. | 0:57:14 | 0:57:15 | |
Incredible. I wonder if these are the same. I wonder if she held these. | 0:57:17 | 0:57:20 | |
And it's been a strange journey, | 0:57:42 | 0:57:43 | |
because I have mixed feelings about all of them. | 0:57:43 | 0:57:47 | |
Alexander, the pain he must have suffered | 0:57:47 | 0:57:50 | |
when he lost his military and his music career in one fell swoop. | 0:57:50 | 0:57:55 | |
And the complicated relationship between Jessie, | 0:57:55 | 0:57:58 | |
my great-great-grandmother, and Beatrice. | 0:57:58 | 0:58:00 | |
And the pain caused. | 0:58:00 | 0:58:02 | |
I think there's a peace within me that wasn't there before | 0:58:04 | 0:58:11 | |
of just knowing that I came from somewhere, that there was... | 0:58:11 | 0:58:15 | |
a family out there that I belonged to. | 0:58:15 | 0:58:19 | |
And that clearly they were all performers in some way, | 0:58:20 | 0:58:24 | |
and that gives me a real sense of pride. | 0:58:24 | 0:58:27 | |
It's been truly, truly healing. | 0:58:28 | 0:58:31 | |
And something that I will never be able to change now, | 0:58:33 | 0:58:36 | |
I will never ask those questions again, who are we, where are we from? | 0:58:36 | 0:58:41 | |
Cos I now know. | 0:58:41 | 0:58:43 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |