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TV presenter Gregg Wallace lives in Whitstable, Kent | 0:00:04 | 0:00:07 | |
with his two children. | 0:00:07 | 0:00:10 | |
Born in London in 1964, Gregg is a greengrocer by trade, | 0:00:10 | 0:00:15 | |
but best known as a judge on MasterChef. | 0:00:15 | 0:00:18 | |
The peach with the sugar nuts and the raspberry underneath, | 0:00:20 | 0:00:25 | |
I mean, that's many dimensions of cosy sweetness. | 0:00:25 | 0:00:28 | |
I'm looking forward to feeling a connection with people | 0:00:30 | 0:00:34 | |
that lived 100, maybe 200 years ago. | 0:00:34 | 0:00:37 | |
The thought that all those people that went before | 0:00:37 | 0:00:40 | |
are a bit of you is fascinating and a bit scary, | 0:00:40 | 0:00:43 | |
cos of course you've got no idea who they are | 0:00:43 | 0:00:45 | |
and where you've come from. | 0:00:45 | 0:00:47 | |
I'm a grafter. I've always worked really hard, | 0:01:17 | 0:01:19 | |
I've always really pushed myself | 0:01:19 | 0:01:21 | |
and that's cos I'm really scared of losing everything. | 0:01:21 | 0:01:25 | |
There was a period in my life | 0:01:25 | 0:01:27 | |
where everything seemed to be going really well | 0:01:27 | 0:01:30 | |
and I lost a business, my house, my wife and family, | 0:01:30 | 0:01:34 | |
all within a 12-month period. | 0:01:34 | 0:01:35 | |
Walking away from... from your family home | 0:01:37 | 0:01:41 | |
and leaving your children behind is always really, really difficult. | 0:01:41 | 0:01:44 | |
We ended up going to court three times, | 0:01:44 | 0:01:47 | |
battling over the children. | 0:01:47 | 0:01:48 | |
But I won and they're with me and they're very good kids. | 0:01:48 | 0:01:52 | |
I live just up the road from my mum. | 0:01:59 | 0:02:01 | |
In fact, I'm really good mates with my mum, | 0:02:01 | 0:02:03 | |
and she was absolutely invaluable when I first got custody of the kids. | 0:02:03 | 0:02:07 | |
And I'm going to go and see her, gonna pop in, have a cup of tea, | 0:02:07 | 0:02:10 | |
cos I want to know what she knows about our family, | 0:02:10 | 0:02:12 | |
cos I know very little. | 0:02:12 | 0:02:14 | |
HE KNOCKS ON DOOR | 0:02:14 | 0:02:15 | |
-Hello, love. -You all right, Mum? | 0:02:15 | 0:02:18 | |
Yes, thank you. Oh, you're freezing. | 0:02:18 | 0:02:21 | |
So, I clearly remember Nan and Grandad cos we used to go there | 0:02:23 | 0:02:28 | |
every single Sunday, we used to have a Sunday lunch there. | 0:02:28 | 0:02:31 | |
For lunch, mm. That's Grandad and you on the gate. | 0:02:31 | 0:02:33 | |
Yeah, I remember this. That's Wilfred Springett. | 0:02:33 | 0:02:35 | |
I don't remember him wearing a tie. Did he always wear a tie? | 0:02:35 | 0:02:38 | |
Yes. Yes. Very...quite formal. | 0:02:38 | 0:02:40 | |
I understand from my mother that Dad's father, in her words, | 0:02:40 | 0:02:45 | |
"cleared off." | 0:02:45 | 0:02:46 | |
-Grandad's dad... -Dad. | 0:02:46 | 0:02:49 | |
-..left him. -Left. | 0:02:49 | 0:02:51 | |
-And his mum? -Yes. | 0:02:51 | 0:02:52 | |
So Grandad didn't have a dad. He was brought up with just his mum? | 0:02:52 | 0:02:57 | |
-Yeah. -A single parent family. | 0:02:57 | 0:02:59 | |
-Yeah. -Did you ever meet Grandad's mum? | 0:02:59 | 0:03:02 | |
Yes. Granny Springett. That was her name. | 0:03:02 | 0:03:05 | |
And actually, there's a photograph of her. | 0:03:05 | 0:03:07 | |
That's my dad, he was two, and that's his mum, Emily Springett. | 0:03:07 | 0:03:12 | |
-And is that the dad who deserted? -Yeah. | 0:03:12 | 0:03:15 | |
-She's an attractive lady. -She's beautiful. | 0:03:15 | 0:03:17 | |
Did she have any other kids? | 0:03:17 | 0:03:19 | |
Yes, Vera. | 0:03:19 | 0:03:20 | |
-By the sailor that ran away? -Yeah. Yeah. | 0:03:20 | 0:03:25 | |
So what happens to him? What's his name? | 0:03:25 | 0:03:27 | |
Henry Roland Springett. | 0:03:27 | 0:03:29 | |
So where is Henry Springett? | 0:03:29 | 0:03:31 | |
Well, the story goes that he actually deserted the Navy, | 0:03:31 | 0:03:36 | |
last seen at Liverpool boarding a ship for Australia. | 0:03:36 | 0:03:39 | |
You reckon he got on a ship and possibly went to Australia? | 0:03:39 | 0:03:42 | |
That's the rumour? | 0:03:42 | 0:03:43 | |
Well, that was the rumour. Maybe he went off and started a new life. | 0:03:43 | 0:03:47 | |
We've both been married a couple of times. | 0:03:47 | 0:03:49 | |
I understand what it is to remarry and find someone else, | 0:03:49 | 0:03:51 | |
but we never lost contact with the kids. | 0:03:51 | 0:03:53 | |
No. No. | 0:03:53 | 0:03:54 | |
I mean, that's harsh. That's a hard... | 0:03:54 | 0:03:57 | |
Maybe he had no choice. | 0:03:57 | 0:04:00 | |
Let's get this right. I'm going to make some notes. | 0:04:00 | 0:04:03 | |
When was Grandad born? | 0:04:03 | 0:04:04 | |
"Wilfred Henry, 6th October, 1907." | 0:04:06 | 0:04:09 | |
October, 1907. And the occupation of the father? | 0:04:09 | 0:04:13 | |
"Stoker. Royal Navy." | 0:04:13 | 0:04:16 | |
And Grandad's sister is called Vera? | 0:04:16 | 0:04:19 | |
Yes. | 0:04:19 | 0:04:21 | |
When was she born? 1911? | 0:04:21 | 0:04:23 | |
Yes. "26th August." And so also was her brother. | 0:04:23 | 0:04:28 | |
-She had a twin? -She had a twin. | 0:04:28 | 0:04:30 | |
And what happened to him? | 0:04:30 | 0:04:32 | |
He passed away, two years old, tuberculosis. | 0:04:32 | 0:04:34 | |
-Poor Emily. -Yes. | 0:04:34 | 0:04:36 | |
-So Emily's... grandad...and twins, one's died of TB... -Yes. | 0:04:36 | 0:04:41 | |
..and her husband's gone. | 0:04:41 | 0:04:43 | |
That's right. But here's a Census from 1911. | 0:04:43 | 0:04:48 | |
Henry Springett, now his name's crossed out here. | 0:04:48 | 0:04:51 | |
The twins aren't on here. | 0:04:51 | 0:04:52 | |
Oh! | 0:04:54 | 0:04:55 | |
So presumably they weren't born yet. | 0:04:55 | 0:04:58 | |
"April 2nd, 1911." | 0:04:58 | 0:05:01 | |
So he may have gone leaving a pregnant wife. | 0:05:01 | 0:05:03 | |
Oh, he sounds lovely, don't he? Where is the Census taken? | 0:05:03 | 0:05:07 | |
-Where are they? -Plymouth. | 0:05:07 | 0:05:10 | |
Well, the obvious next step for me is Plymouth. | 0:05:10 | 0:05:13 | |
Yes. There's one last thing I've got to show you. | 0:05:13 | 0:05:16 | |
Who is that? | 0:05:16 | 0:05:19 | |
That is Emily's mother. | 0:05:19 | 0:05:22 | |
Is that a photograph? | 0:05:25 | 0:05:27 | |
Yes. | 0:05:27 | 0:05:28 | |
Well, it must be one of the earliest ever photographs! | 0:05:30 | 0:05:33 | |
-I would think so, wouldn't you? -Where did this come from? | 0:05:33 | 0:05:36 | |
-Cousin David. -What's this lady's name? | 0:05:36 | 0:05:39 | |
I don't know. She's your great-great-grandmother. | 0:05:39 | 0:05:42 | |
So this must be 1860? | 0:05:42 | 0:05:45 | |
1870? | 0:05:45 | 0:05:48 | |
I think she looks like me. | 0:05:48 | 0:05:50 | |
If we take the hair off. Look. She's got my nose and mouth. | 0:05:50 | 0:05:55 | |
Well, I can see somebody there. | 0:05:57 | 0:05:59 | |
By her clothes and the fact that she was sitting for a port... | 0:05:59 | 0:06:02 | |
and she was sitting for a portrait on her own. | 0:06:02 | 0:06:04 | |
You know, people sat family portraits. | 0:06:04 | 0:06:07 | |
I mean, look at this watch-chain thing. | 0:06:07 | 0:06:09 | |
The fact that she's wearing decent clothes | 0:06:09 | 0:06:10 | |
and she sat for a portrait makes me think she's probably not struggling. | 0:06:10 | 0:06:15 | |
-Who is she? What did she do? -Don't know. | 0:06:15 | 0:06:19 | |
And was she still alive | 0:06:19 | 0:06:20 | |
when all these bad things were happening to her daughter Emily? | 0:06:20 | 0:06:23 | |
-Who knows? -Can I borrow this, Mum? I wouldn't mind taking this with me. | 0:06:23 | 0:06:26 | |
Of course you can. No, it's fine. | 0:06:26 | 0:06:28 | |
Gregg now knows that his grandfather Wilfred had a sister called Vera | 0:06:30 | 0:06:35 | |
and a brother Harold who died when he was two. | 0:06:35 | 0:06:38 | |
Their parents were Henry Roland Springett and Emily Laythorn. | 0:06:38 | 0:06:42 | |
But what was the name of Emily's mother? And what became of Henry? | 0:06:42 | 0:06:46 | |
I'm heading down to Plymouth and I'm really heading into the unknown, | 0:06:49 | 0:06:54 | |
but I'm hoping to solve a riddle. | 0:06:54 | 0:06:56 | |
Where is Henry Springett? Is he just a cad? Is he a scoundrel? | 0:06:56 | 0:07:00 | |
Has he just deserted the family? | 0:07:00 | 0:07:02 | |
I know that he was in the Royal Navy | 0:07:02 | 0:07:05 | |
so I'm going to see what I can find out online, | 0:07:05 | 0:07:07 | |
see if I can find his naval records. | 0:07:07 | 0:07:10 | |
Royal Navy records. Here we go. Let's have a look. | 0:07:12 | 0:07:16 | |
Henry Roland Springett. | 0:07:16 | 0:07:18 | |
I shouldn't imagine there'll be many of those! They've got him. Whoa! | 0:07:18 | 0:07:23 | |
Not what I expected. | 0:07:23 | 0:07:24 | |
It's handwritten. Looks delicate, even online! | 0:07:24 | 0:07:28 | |
"Date of birth: 31st October, 1880, Bromley, Kent." | 0:07:28 | 0:07:32 | |
He's a greengrocer! | 0:07:32 | 0:07:34 | |
He's a greengrocer. That's fantastic! | 0:07:36 | 0:07:39 | |
When he joined the Navy he was a greengrocer like me! | 0:07:39 | 0:07:43 | |
Lovely aubergines, tell your mum! | 0:07:43 | 0:07:45 | |
Don't touch it, madam, | 0:07:45 | 0:07:46 | |
it's not like the old man's, it won't get any bigger! | 0:07:46 | 0:07:48 | |
We've got the ships that he served in... His rating in the Navy. | 0:07:49 | 0:07:55 | |
So there he is as a stoker. There was talk of desertion. | 0:07:55 | 0:08:00 | |
There's a rumour of desertion, but there's no way Henry deserted | 0:08:00 | 0:08:02 | |
because he's got a great record here, naval record, | 0:08:02 | 0:08:05 | |
he's going from ship to ship, he's serving many years, | 0:08:05 | 0:08:07 | |
there's no black mark against his record, | 0:08:07 | 0:08:09 | |
and in fact he is pensioned off at the end, | 0:08:09 | 0:08:11 | |
which is a sure sign that he's actually had a good career in the Royal Navy. | 0:08:11 | 0:08:15 | |
So our Henry definitely did not desert. | 0:08:15 | 0:08:18 | |
I like Henry a bit more now, | 0:08:19 | 0:08:21 | |
now I've found out that he's a greengrocer like me, | 0:08:21 | 0:08:24 | |
and, er, also he's got a very good naval record. | 0:08:24 | 0:08:28 | |
But I still don't know why he's deserted his wife and children. | 0:08:28 | 0:08:31 | |
There's a... There's still a cloud over Henry's head. | 0:08:31 | 0:08:34 | |
It's not as big as it was before, but there's a cloud there still. | 0:08:34 | 0:08:37 | |
'Ladies and gentlemen, our next station will be Plymouth.' | 0:08:37 | 0:08:42 | |
Gregg has come to the Devonport Naval Base in Plymouth | 0:08:45 | 0:08:49 | |
to meet Dr Laura Rowe and find out more about Henry's career. | 0:08:49 | 0:08:53 | |
I've got here the naval record of my great-grandfather | 0:08:55 | 0:08:59 | |
and there was a rumour going round, | 0:08:59 | 0:09:01 | |
it actually came from my grandmother to my mum, | 0:09:01 | 0:09:03 | |
that Henry had actually deserted the Navy and just ran off to Australia. | 0:09:03 | 0:09:07 | |
There's nothing on this record, is there, that suggests Australia? | 0:09:07 | 0:09:10 | |
No, he didn't desert, | 0:09:10 | 0:09:12 | |
and he certainly didn't end up anywhere near the Antipodes. | 0:09:12 | 0:09:15 | |
Stoker doesn't sound like a great job. | 0:09:15 | 0:09:17 | |
Why would he a greengrocer want to become a stoker? | 0:09:17 | 0:09:21 | |
Money. And the fact that it was a very secure job. | 0:09:21 | 0:09:24 | |
It was one of the few jobs you could go into | 0:09:24 | 0:09:26 | |
where you had a pension guaranteed, | 0:09:26 | 0:09:28 | |
you didn't have to worry about the continuity of work. | 0:09:28 | 0:09:31 | |
There is also an element of | 0:09:31 | 0:09:34 | |
the Navy is a very, very respectable professional institution. | 0:09:34 | 0:09:37 | |
There's a couple of pictures and the sort of work that sailors, | 0:09:37 | 0:09:41 | |
these stokers do. | 0:09:41 | 0:09:43 | |
These are the furnaces. | 0:09:43 | 0:09:45 | |
The temperature of those rooms is in excess of 40 degrees. | 0:09:45 | 0:09:48 | |
They have one ventilation shaft | 0:09:48 | 0:09:50 | |
that they can go to in turn to try and get a breath of air. | 0:09:50 | 0:09:53 | |
And they're expected to shovel, per man, | 0:09:53 | 0:09:56 | |
about 2.4 tons of coal into those furnaces in every four-hour period. | 0:09:56 | 0:10:01 | |
HE GASPS Every four hours? | 0:10:01 | 0:10:03 | |
Yeah. He had a very, very tough job. | 0:10:03 | 0:10:05 | |
-And fought for his country in the Great War. -Yeah. | 0:10:05 | 0:10:08 | |
He is patrolling in two places, so he does some work in the Irish sea, | 0:10:08 | 0:10:12 | |
which is pretty treacherous water. | 0:10:12 | 0:10:15 | |
And some work also in the North Sea, and he is in a Q Ship, | 0:10:15 | 0:10:19 | |
so basically she describes herself as a merchant vessel, | 0:10:19 | 0:10:21 | |
to act as a decoy for submarines. | 0:10:21 | 0:10:23 | |
Crying out loud! | 0:10:23 | 0:10:24 | |
I really don't know how you deal with | 0:10:24 | 0:10:26 | |
the constant fear of attack and sinking. | 0:10:26 | 0:10:29 | |
Yes, he may not have been part of the Headline Act, | 0:10:29 | 0:10:31 | |
which we all think of as the First World War, | 0:10:31 | 0:10:33 | |
but without men like Henry, it wouldn't have been fought and won. | 0:10:33 | 0:10:36 | |
World War One was the first time submarines were ever used as | 0:10:36 | 0:10:41 | |
military weapons, and German U-boats were proving to be a deadly menace. | 0:10:41 | 0:10:46 | |
Britain needed a countermeasure, | 0:10:47 | 0:10:49 | |
and in 1915 introduced its top secret weapon, the Q Ship. | 0:10:49 | 0:10:54 | |
Stokers like Henry worked below deck fuelling their engines. | 0:10:55 | 0:10:59 | |
Disguised to look like unthreatening merchant vessels, | 0:11:00 | 0:11:03 | |
Q Ships were in fact heavily armed with concealed guns. | 0:11:03 | 0:11:06 | |
These decoy vessels lured U-Boats up to the surface, | 0:11:06 | 0:11:09 | |
giving the Q Ships the chance to open fire and sink them. | 0:11:09 | 0:11:13 | |
I can see here that he actually goes and joins the Canadian Navy. | 0:11:15 | 0:11:19 | |
Yes, he joins up in 1910, he enlists initially for two years | 0:11:19 | 0:11:24 | |
and then in 1912 for a further two years. | 0:11:24 | 0:11:27 | |
His wife has twins in 1911. | 0:11:27 | 0:11:32 | |
OK. | 0:11:32 | 0:11:33 | |
1910, he's signing on for two years in the Canadian Navy, | 0:11:33 | 0:11:38 | |
and then stays for another two years, | 0:11:38 | 0:11:40 | |
and has made no attempt to come back to England whatsoever. | 0:11:40 | 0:11:44 | |
Can I just get some dates from you? | 0:11:46 | 0:11:49 | |
Yes. He set sail in the Niobe for Canada on the 10th October, 1910. | 0:11:49 | 0:11:54 | |
Hang on. | 0:11:54 | 0:11:55 | |
He goes to Canada on the 10th October, 1910, and his daughter, Vera, | 0:11:55 | 0:12:01 | |
supposed daughter, is born on the 26th August, 1911. | 0:12:01 | 0:12:06 | |
August is the eighth month, | 0:12:06 | 0:12:09 | |
so she would have had to have been conceived in November. | 0:12:09 | 0:12:12 | |
Vera's not his daughter. Emily's actually had twins with her lover. | 0:12:14 | 0:12:19 | |
I feel really sorry for Henry. | 0:12:19 | 0:12:21 | |
I got completely the wrong end of the stick with Henry. | 0:12:26 | 0:12:29 | |
Rumour was that he was just a bad 'un who had deserted the Navy | 0:12:29 | 0:12:33 | |
and deserted his family, and it's just not true. | 0:12:33 | 0:12:37 | |
It's just not true. It's sad. | 0:12:37 | 0:12:39 | |
Well, the plot thickens. | 0:12:53 | 0:12:54 | |
I mean, now I really want to see what's happened | 0:12:54 | 0:12:56 | |
to Henry and Emily's marriage. | 0:12:56 | 0:12:58 | |
Um, I wanna see if it lasted. | 0:12:58 | 0:13:00 | |
I don't believe it did, and so I'm going to check the divorce records. | 0:13:00 | 0:13:04 | |
# D-I-V-O-R-C-E... # | 0:13:04 | 0:13:08 | |
Surname, Springett. | 0:13:08 | 0:13:12 | |
There is one result within the catalogue. | 0:13:12 | 0:13:15 | |
Covering the dates 1918, National Archive. | 0:13:15 | 0:13:19 | |
"Henry Roland Springett, Emily Springett, co-respondent Jack Burke." | 0:13:19 | 0:13:25 | |
Who's Jack Burke? | 0:13:25 | 0:13:27 | |
Is Jack Burke Emily's new...? | 0:13:28 | 0:13:31 | |
So he filed for divorce in 1918. | 0:13:33 | 0:13:39 | |
When the war was over. | 0:13:39 | 0:13:40 | |
I've done a complete 180 degree U-turn on Henry. | 0:13:42 | 0:13:46 | |
I started off thinking he was a bit of a bounder, | 0:13:46 | 0:13:48 | |
and now I've got nothing but sympathy for him. | 0:13:48 | 0:13:50 | |
The one who looks the naughty one now, is my mum's nan, Emily. | 0:13:50 | 0:13:56 | |
Gregg is meeting Doctor Claire Langhamer, | 0:14:00 | 0:14:04 | |
a senior lecturer in History, to find out more about Henry's divorce. | 0:14:04 | 0:14:09 | |
Last night I found out that Henry Springett, | 0:14:09 | 0:14:12 | |
my great-grandfather, divorced his wife Emily in 1918. | 0:14:12 | 0:14:14 | |
I was wondering whether you could throw any more light on it? | 0:14:14 | 0:14:18 | |
He didn't divorce her in 1918. | 0:14:18 | 0:14:20 | |
In fact, actually, he doesn't divorce her at all. | 0:14:20 | 0:14:23 | |
Um, he starts divorce proceedings, but they're not completed. | 0:14:23 | 0:14:27 | |
The petition is filed in 1918 but he actually starts the process in 1917. | 0:14:27 | 0:14:32 | |
The reason for this is here, he's defined as a poor person. | 0:14:32 | 0:14:36 | |
He's not destitute, is he? | 0:14:36 | 0:14:38 | |
No, he's not destitute, | 0:14:38 | 0:14:39 | |
but he's got insufficient income to go through this procedure | 0:14:39 | 0:14:42 | |
and the courts made it very, very difficult to get a divorce. | 0:14:42 | 0:14:45 | |
You could only actually get a divorce on the grounds of adultery, | 0:14:45 | 0:14:48 | |
that was it. | 0:14:48 | 0:14:49 | |
-But he never completed it? -He didn't complete it. | 0:14:49 | 0:14:52 | |
Do you want to have a look and see the actual document? | 0:14:52 | 0:14:54 | |
-This is the most important bit. -Mm. | 0:14:54 | 0:14:57 | |
"The said Emily Springett has frequently committed adultery | 0:14:57 | 0:15:01 | |
"with Jack Burke at 40 Francis Street." | 0:15:01 | 0:15:05 | |
-Which is here, isn't it? -It is. -It's where we are. -Yeah. | 0:15:05 | 0:15:08 | |
We think it was a naval boarding house across the road from here. | 0:15:08 | 0:15:12 | |
That's not very discreet, is it? | 0:15:12 | 0:15:14 | |
It's not, and that might explain why the evidence was provided | 0:15:14 | 0:15:17 | |
of these instances of adulteress behaviour. | 0:15:17 | 0:15:21 | |
Naughty Emily. | 0:15:21 | 0:15:22 | |
Oh! Henry wants... Henry wants Grandad. | 0:15:23 | 0:15:27 | |
-Yeah. -Henry wants custody of Wilfred. He didn't get it. | 0:15:27 | 0:15:32 | |
Well, because he doesn't turn up in 1922 | 0:15:32 | 0:15:34 | |
when the case actually goes to court. | 0:15:34 | 0:15:37 | |
Why do you want custody of your child but don't push, | 0:15:37 | 0:15:41 | |
don't fight that little bit harder? | 0:15:41 | 0:15:43 | |
It could be financial, it could be that he just can't afford | 0:15:43 | 0:15:46 | |
to come down to London, because until the 1920s, | 0:15:46 | 0:15:49 | |
if you're having a divorce case that goes through the courts, | 0:15:49 | 0:15:52 | |
you have to come to London. | 0:15:52 | 0:15:53 | |
My grandad probably never realised that actually | 0:15:53 | 0:15:56 | |
his father wanted custody of him. | 0:15:56 | 0:15:58 | |
Absolutely. It wouldn't have been clear to him | 0:15:58 | 0:16:01 | |
that his father was interested in him at all. | 0:16:01 | 0:16:03 | |
Also, there's another child. | 0:16:03 | 0:16:05 | |
There's Vera, | 0:16:05 | 0:16:06 | |
and Henry is not trying to get custody of both children. | 0:16:06 | 0:16:09 | |
No, he's not. | 0:16:09 | 0:16:10 | |
This confirms that Vera, my grandad's sister, | 0:16:10 | 0:16:14 | |
is not Henry's child. | 0:16:14 | 0:16:16 | |
I think it probably does, | 0:16:16 | 0:16:17 | |
or at least it confirms that he believed that to be the case. | 0:16:17 | 0:16:20 | |
Would Emily have felt any shame? | 0:16:20 | 0:16:22 | |
-Would there have been any social stigma with this? -Yes. | 0:16:22 | 0:16:25 | |
Um, women certainly didn't want to be in the position | 0:16:25 | 0:16:28 | |
of being labelled an adulteress. | 0:16:28 | 0:16:31 | |
But, um, lives were quite messy in that period, | 0:16:31 | 0:16:36 | |
and people would sort of, you know, people tried to get by, didn't they? | 0:16:36 | 0:16:40 | |
And I think for Emily, her husband's away for quite a period of time, | 0:16:40 | 0:16:46 | |
she might have been looking for economic support, | 0:16:46 | 0:16:50 | |
she might have been looking for emotional support, | 0:16:50 | 0:16:52 | |
she might actually have been looking for sex, | 0:16:52 | 0:16:55 | |
and people understood that having a husband who was away | 0:16:55 | 0:16:58 | |
for long periods of time was difficult for all of those reasons. | 0:16:58 | 0:17:01 | |
I find it really hard to have any sympathy for Emily, | 0:17:01 | 0:17:04 | |
I really...I really do. | 0:17:04 | 0:17:06 | |
I know that there are some parts of Emily's life which might explain | 0:17:06 | 0:17:10 | |
some of her behaviour, or at least give you a different sense of her. | 0:17:10 | 0:17:14 | |
She did have some difficult things that happened to her. | 0:17:14 | 0:17:18 | |
If you want to look through this... | 0:17:18 | 0:17:20 | |
Now this is a child that I don't think you know about, | 0:17:20 | 0:17:23 | |
of the marriage. | 0:17:23 | 0:17:26 | |
June 1908, this is Valerie Springett, | 0:17:26 | 0:17:31 | |
-daughter of Emily Springett and Henry Springett? -Yeah. | 0:17:31 | 0:17:37 | |
"Stoker, the Royal Navy." Oh, this is a death certificate. | 0:17:37 | 0:17:41 | |
Yeah. | 0:17:41 | 0:17:43 | |
22 months old. Oh, crikey! | 0:17:43 | 0:17:45 | |
This is the first child. | 0:17:45 | 0:17:47 | |
OK. What happened? | 0:17:47 | 0:17:49 | |
"She died of shock due to burns, accident, | 0:17:49 | 0:17:52 | |
"received through the upsetting of a paraffin lamp at the house." | 0:17:52 | 0:17:56 | |
-Oh, my word! -Mm. 22 months. | 0:17:56 | 0:17:59 | |
Oh, no! | 0:17:59 | 0:18:00 | |
So this is the child that was born a year, | 0:18:00 | 0:18:02 | |
exactly a year, after they were married, the first child. | 0:18:02 | 0:18:05 | |
This was actually, at the time, wildly reported on, in the locality. | 0:18:05 | 0:18:10 | |
Um, so here we have some further information here... | 0:18:10 | 0:18:14 | |
"Fatal burns, child's sad death at Devonport. | 0:18:14 | 0:18:17 | |
"Emily Springett, wife of a leading stoker, | 0:18:17 | 0:18:20 | |
"now serving on the Queen, went to bed at 10.00, | 0:18:20 | 0:18:23 | |
"she had two children, both of whom slept with her in the same bed. | 0:18:23 | 0:18:27 | |
"She left a..." Who were...who were the two children? | 0:18:27 | 0:18:30 | |
-Well, the baby Wilfred, who was... -My grandad? -Hm-mm. | 0:18:30 | 0:18:34 | |
"She had two children, | 0:18:34 | 0:18:35 | |
"both of whom slept with her in the same bed. | 0:18:35 | 0:18:38 | |
"She left a small penny lamp burning on the table in order to enable her to feed her baby. | 0:18:38 | 0:18:42 | |
"It was her practice to let the light burn all night. | 0:18:42 | 0:18:45 | |
"The table on which it stood was a good way from the bed. | 0:18:45 | 0:18:48 | |
"Between 7.00 and 7.30 on Friday morning she was awoke | 0:18:48 | 0:18:51 | |
"by the cries of the deceased, whom she found burning. | 0:18:51 | 0:18:56 | |
"Deceased was wearing a flan..." Oh, dear. | 0:18:56 | 0:18:59 | |
HE CHOKES BACK TEARS | 0:18:59 | 0:19:01 | |
Excuse me. | 0:19:03 | 0:19:05 | |
It's really sad. | 0:19:06 | 0:19:08 | |
All right? | 0:19:13 | 0:19:15 | |
Crikey, how can this affect you? Didn't even know them. | 0:19:19 | 0:19:22 | |
Just the thought of waking up and find your baby burning. | 0:19:24 | 0:19:27 | |
I know. It's an awful, awful, awful story. | 0:19:27 | 0:19:31 | |
"The deceased was wearing a flannelette nightdress, | 0:19:31 | 0:19:36 | |
"the mother tried to extinguish the flames, um, | 0:19:36 | 0:19:40 | |
"the bed then caught fire and she couldn't put out the flames. | 0:19:40 | 0:19:44 | |
"Dr Edgar Arthur Shervell, house surgeon, | 0:19:44 | 0:19:48 | |
"said the deceased was admitted suffering from extensive burns, | 0:19:48 | 0:19:51 | |
"practically covering the whole of the body. | 0:19:51 | 0:19:54 | |
"Deceased died within two hours of admission from shock. | 0:19:54 | 0:19:57 | |
"The case was a hopeless one from the first. | 0:19:57 | 0:19:59 | |
"It had been stated that it was the usual practice | 0:19:59 | 0:20:02 | |
"of a good many women who had young children to have a lamp burning | 0:20:02 | 0:20:05 | |
"in order to see and nurse the baby. | 0:20:05 | 0:20:08 | |
"If that were the practice, | 0:20:08 | 0:20:10 | |
"which you must say was a highly dangerous one, | 0:20:10 | 0:20:12 | |
"then they could not impute any blame to Mrs Springett. | 0:20:12 | 0:20:15 | |
"Mrs Springett did all she could and burnt her left hand. | 0:20:15 | 0:20:18 | |
"The jury returned a verdict of accidental death." | 0:20:18 | 0:20:21 | |
She watched her baby go up in flames. | 0:20:21 | 0:20:24 | |
That's really sad. | 0:20:26 | 0:20:27 | |
-It is, isn't it? -Really, really sad. | 0:20:27 | 0:20:30 | |
Valerie was one of an estimated 1,400 children under five | 0:20:33 | 0:20:38 | |
who died from burns and scalds in 1908. | 0:20:38 | 0:20:41 | |
Only 2% of homes had electricity, | 0:20:41 | 0:20:45 | |
and open fires and paraffin lamps were a constant hazard. | 0:20:45 | 0:20:48 | |
Valerie was wearing flannelette, | 0:20:49 | 0:20:52 | |
a fabric introduced in 1885 and widely used by the poor. | 0:20:52 | 0:20:57 | |
Considerably cheaper than flannel, which was made of wool, | 0:20:57 | 0:21:01 | |
flannelette was designed to be just as warm, | 0:21:01 | 0:21:03 | |
but had one major drawback - it was made of a type of cotton | 0:21:03 | 0:21:07 | |
that was highly combustible, and in Valerie's case, fatal. | 0:21:07 | 0:21:12 | |
I mean, the trauma of... of your child dying in such... | 0:21:14 | 0:21:21 | |
such a horrible way, um, Emily would have had no counselling at all, | 0:21:21 | 0:21:26 | |
she'd have felt terrible. | 0:21:26 | 0:21:27 | |
Henry must have blamed her, | 0:21:27 | 0:21:30 | |
and this sort of thing would tear any family apart. | 0:21:30 | 0:21:34 | |
Um, and it's tragic. And I don't really know how you get over it. | 0:21:34 | 0:21:39 | |
-And I suppose they didn't really, did they? -No. | 0:21:39 | 0:21:43 | |
They didn't get over it. That's terrible. | 0:21:43 | 0:21:46 | |
I'm...I'm reeling from this. | 0:21:51 | 0:21:52 | |
I mean, I'm sad about this tragic accident, | 0:21:52 | 0:21:55 | |
and my emotions are going up and down like a roller coaster. | 0:21:55 | 0:21:58 | |
I mean, I came in search of Henry Springett, | 0:21:58 | 0:22:00 | |
thinking that he was a baddie, to actually find that he'd left | 0:22:00 | 0:22:03 | |
because he'd found out his wife was having an affair, Emily. | 0:22:03 | 0:22:06 | |
So then I began to really dislike and suspect Emily of all sorts, | 0:22:06 | 0:22:10 | |
and how dare she upset this hard-working Henry | 0:22:10 | 0:22:13 | |
to find that Emily is living a life of absolute tragedy. | 0:22:13 | 0:22:17 | |
She's lost two children. | 0:22:17 | 0:22:18 | |
One to a tragic accident in a fire in front of her eyes, | 0:22:18 | 0:22:21 | |
and another two-year-old to TB. | 0:22:21 | 0:22:23 | |
This is where Emily lived, this is where Henry came back to, | 0:22:25 | 0:22:29 | |
and I can't walk up and down these streets without seeing them. | 0:22:29 | 0:22:33 | |
What happened to them? | 0:22:33 | 0:22:35 | |
I don't think either of them are bad people, you know, | 0:22:35 | 0:22:38 | |
it's just tragic, isn't it? Tragic. | 0:22:38 | 0:22:39 | |
Gregg still doesn't know what happened to Henry | 0:22:47 | 0:22:49 | |
or where he ended up. | 0:22:49 | 0:22:51 | |
He's asked Claire to try to find a death certificate for him. | 0:22:51 | 0:22:55 | |
Well, while I'm waiting for Henry's death certificate to arrive, | 0:22:56 | 0:23:00 | |
on to other things. | 0:23:00 | 0:23:02 | |
And Emily's mother, sitting beside me. | 0:23:02 | 0:23:05 | |
Now, I know from the Census that my mum had | 0:23:05 | 0:23:08 | |
that Emily was born in High Bickington in Northern Devon. | 0:23:08 | 0:23:11 | |
So that's where I'm off to now and to find out more | 0:23:11 | 0:23:14 | |
about the beautiful great-great-grandmother I'm travelling with! | 0:23:14 | 0:23:18 | |
I want to know more about you because you are very smartly dressed, | 0:23:22 | 0:23:26 | |
and mysterious looking. | 0:23:26 | 0:23:28 | |
I've enjoyed, though, travelling with you. | 0:23:28 | 0:23:30 | |
You are a very, very good listener! | 0:23:30 | 0:23:32 | |
Gregg is meeting genealogist Janet Few. | 0:23:37 | 0:23:40 | |
-I know that Emily was born here in High Bickington. -Yes. | 0:23:43 | 0:23:46 | |
-And that's why we're here. -Right. | 0:23:46 | 0:23:48 | |
Well, I can help you a little bit with that | 0:23:48 | 0:23:50 | |
because this is her baptism record here. | 0:23:50 | 0:23:51 | |
That's Emily. | 0:23:51 | 0:23:54 | |
"Parents name... Eli?" | 0:23:54 | 0:23:56 | |
Yes. | 0:23:56 | 0:23:57 | |
-Eli and Selina are Emily's mum and dad? -Yeah. | 0:23:57 | 0:24:01 | |
So now you can introduce yourself to Selina. | 0:24:01 | 0:24:03 | |
-That's Selina. -Yes. | 0:24:03 | 0:24:04 | |
-"Father's occupation, labourer?" -Yes. | 0:24:04 | 0:24:07 | |
Would that be farm labourer? | 0:24:07 | 0:24:09 | |
Yeah, almost certainly here, yes. | 0:24:09 | 0:24:11 | |
It's so funny, I thought Selina might be posh. She's not, is she? | 0:24:11 | 0:24:14 | |
-Eli's a farm labourer. -I'm afraid so, yes. | 0:24:14 | 0:24:17 | |
So Selina would have... would have visited here? | 0:24:17 | 0:24:19 | |
-She'd have been in here a lot? -Yes. This is her local chapel. | 0:24:19 | 0:24:22 | |
Now this, as you'll see from the front, is a record of baptisms | 0:24:22 | 0:24:27 | |
that took place in the Bible Christian Chapels | 0:24:27 | 0:24:31 | |
in the Barnstable Circuit. | 0:24:31 | 0:24:33 | |
And the Bible Christians were an offshoot of the Methodist Church | 0:24:33 | 0:24:36 | |
and they were very, very strong in this part of the world, | 0:24:36 | 0:24:38 | |
in North Devon and in Cornwall and other rural areas | 0:24:38 | 0:24:42 | |
such as the Isle of Wight. | 0:24:42 | 0:24:43 | |
The Bible Christian Chapels were for the working classes. | 0:24:43 | 0:24:47 | |
It was very much a religion of the people. | 0:24:47 | 0:24:50 | |
Selina and Eli would be coming here, too, | 0:24:50 | 0:24:53 | |
perhaps three times every Sunday and maybe a couple of times in the week | 0:24:53 | 0:24:56 | |
and they would be here primarily for the sermon. | 0:24:56 | 0:24:59 | |
That's the key to your service, is the sermon, | 0:24:59 | 0:25:02 | |
and that could quite easily go on for an hour. | 0:25:02 | 0:25:04 | |
And it was very much hellfire and damnation. | 0:25:04 | 0:25:07 | |
We have a hymn that might have been sung here by Selina. | 0:25:07 | 0:25:10 | |
This is actually taken from a book of hymns | 0:25:10 | 0:25:13 | |
especially chosen for the Bible Christian congregations. | 0:25:13 | 0:25:17 | |
"Though now Satan tries to please thee | 0:25:17 | 0:25:20 | |
"Lest thou timely warning take | 0:25:20 | 0:25:23 | |
"In that fearful day he'll seize thee | 0:25:23 | 0:25:25 | |
"Plunge thee in the burning lake | 0:25:25 | 0:25:28 | |
"Think, poor sinner | 0:25:28 | 0:25:30 | |
"Thine eternal all's at stake." | 0:25:30 | 0:25:33 | |
And it was. Because if you've transgressed, you're going to hell. | 0:25:33 | 0:25:37 | |
So Selina is living her life thinking, | 0:25:37 | 0:25:40 | |
honestly believing that if she doesn't do God's will | 0:25:40 | 0:25:43 | |
-and do what's right, she faces eternal damnation... -Yes. | 0:25:43 | 0:25:47 | |
-..and the tortures of the damned? -Yes. | 0:25:47 | 0:25:50 | |
One of the unusual things about the Bible Christian chapels | 0:25:50 | 0:25:54 | |
was that they used women preachers. | 0:25:54 | 0:25:56 | |
Now, this is the Victorian age, | 0:25:56 | 0:25:58 | |
this is an age when women are not educated, | 0:25:58 | 0:26:00 | |
when everything that you own | 0:26:00 | 0:26:02 | |
actually is the property of your husband if you're a married woman, | 0:26:02 | 0:26:05 | |
and women were encouraged to preach. | 0:26:05 | 0:26:07 | |
Aye-aye. | 0:26:07 | 0:26:09 | |
She's the wife of a farm labourer, | 0:26:09 | 0:26:11 | |
yet she's got an early photographic portrait. | 0:26:11 | 0:26:14 | |
It is quite unusual. | 0:26:14 | 0:26:16 | |
I have to say, a lot of the Bible Christian photographs | 0:26:16 | 0:26:19 | |
that I've seen have been of preachers. | 0:26:19 | 0:26:21 | |
We've got no evidence that she was a preacher, but who knows? | 0:26:21 | 0:26:26 | |
I reckon Selina preached. | 0:26:26 | 0:26:27 | |
I reckon that's why we've got a photograph of her. | 0:26:27 | 0:26:29 | |
I think she was important in her community. | 0:26:29 | 0:26:32 | |
Now I suspect I know what she did, | 0:26:32 | 0:26:34 | |
I'm actually trembling a little bit myself. | 0:26:34 | 0:26:38 | |
I kind of... I kind of want to confess! | 0:26:38 | 0:26:40 | |
SHE LAUGHS | 0:26:40 | 0:26:41 | |
Would you like to take Selina's story back a little bit further? | 0:26:41 | 0:26:45 | |
-Yeah. -Right. -Yeah, I really would. | 0:26:45 | 0:26:49 | |
Well, here we have a Census return taken in 1871, and you'll find... | 0:26:49 | 0:26:53 | |
-1871! -..Selina. | 0:26:53 | 0:26:56 | |
Here she is, down the bottom of a page, not yet married. | 0:26:56 | 0:26:58 | |
-Selina's 20 at this point. -Yes. | 0:26:58 | 0:27:02 | |
-What does that say? -That's gloveress. | 0:27:02 | 0:27:05 | |
-She made gloves? -She did. | 0:27:05 | 0:27:06 | |
Who are these people? Brothers and sisters? | 0:27:06 | 0:27:08 | |
Brothers and sisters, yes. | 0:27:08 | 0:27:10 | |
Rebecca makes gloves as well. Richard, no occupation listed. | 0:27:10 | 0:27:13 | |
Er, no. | 0:27:13 | 0:27:15 | |
-He's an imbecile? -Yes. | 0:27:15 | 0:27:17 | |
Not a very politically correct age, the Victorian Age, | 0:27:17 | 0:27:21 | |
and these are terms that have no precise medical definition. | 0:27:21 | 0:27:25 | |
It's some kind of learning difficulty. | 0:27:25 | 0:27:28 | |
Three girls and a boy. The boy's an imbecile, or listed as an imbecile. | 0:27:29 | 0:27:33 | |
-The dad's living on a pension. -Yes. | 0:27:33 | 0:27:36 | |
And the girls are all making gloves. Doesn't sound too bad. | 0:27:36 | 0:27:38 | |
But it's not glorious, is it? | 0:27:38 | 0:27:39 | |
Emily's mum, Selina, I now know her name, | 0:27:39 | 0:27:44 | |
was really, really into the church, | 0:27:44 | 0:27:45 | |
but not in a way we'd recognise today. | 0:27:45 | 0:27:47 | |
I mean, it was her whole life. | 0:27:47 | 0:27:50 | |
I think that the only reason there can be a photograph like this | 0:27:50 | 0:27:55 | |
is if Selina was a female preacher for the Bible Christians. | 0:27:55 | 0:28:01 | |
Gregg wants to find out more about Selina's job as a glove maker. | 0:28:05 | 0:28:09 | |
He's on his way to nearby Torrington to meet Val Morris, | 0:28:09 | 0:28:12 | |
who's been studying the North Devon glove industry. | 0:28:12 | 0:28:16 | |
Val! Why have you brought me here? | 0:28:17 | 0:28:21 | |
Well, I've brought you here to show you one of the finest examples | 0:28:21 | 0:28:24 | |
of a glove factory which is still standing, | 0:28:24 | 0:28:28 | |
and where Selina could have brought her gloves when she finished them | 0:28:28 | 0:28:33 | |
and also collected the next lot for the following week. | 0:28:33 | 0:28:36 | |
How did that work? | 0:28:36 | 0:28:38 | |
So she wouldn't work here, she'd work at home? | 0:28:38 | 0:28:40 | |
She'd work at home, and that was hard work because she would be | 0:28:40 | 0:28:44 | |
starting sewing early in the morning, by the window, | 0:28:44 | 0:28:48 | |
because there was no electric light, | 0:28:48 | 0:28:50 | |
and then at night, she would work in the evenings | 0:28:50 | 0:28:53 | |
after she'd done her housework and everything, by candlelight. | 0:28:53 | 0:28:57 | |
She would do a long walk into town every week? | 0:28:57 | 0:29:00 | |
-Yes, she would, yes. -With her gloves. | 0:29:00 | 0:29:02 | |
And back again. But then bearing in mind, of course, that the roads weren't tarmacked, | 0:29:02 | 0:29:07 | |
it would be a muddy pathway, probably, in the winter, | 0:29:07 | 0:29:10 | |
and then very dusty and dirty in the summer. | 0:29:10 | 0:29:13 | |
How big was this gloving industry in North Devon? | 0:29:13 | 0:29:16 | |
Oh, it was huge. Absolutely huge. | 0:29:16 | 0:29:18 | |
And a lot of the gloves made here could be by Selina, | 0:29:18 | 0:29:22 | |
would have been exported round the world. | 0:29:22 | 0:29:25 | |
In fact, Torrington was known as "gloving the world", | 0:29:25 | 0:29:29 | |
because they would be sent from here up to London, | 0:29:29 | 0:29:32 | |
and then on to Paris and Italy and places, | 0:29:32 | 0:29:37 | |
because the fashion in those days, | 0:29:37 | 0:29:39 | |
if you didn't have sleeves, you had to wear gloves. | 0:29:39 | 0:29:43 | |
The 19th century was the heyday of glove making, | 0:29:44 | 0:29:47 | |
with Torrington competing against the great glove centres of Europe. | 0:29:47 | 0:29:51 | |
Their gloves were in demand among every social class, | 0:29:52 | 0:29:55 | |
but particularly in fashionable society, | 0:29:55 | 0:29:58 | |
with etiquette dictating that a lady had to have at least 12 pairs for different social occasions. | 0:29:58 | 0:30:04 | |
60% of Torrington's female workforce was employed in gloving in the 1860s. | 0:30:06 | 0:30:11 | |
As a home-based glove maker, Selina's hours were long, | 0:30:12 | 0:30:15 | |
but flexible, and helped to supplement her husband's farm labourer's income. | 0:30:15 | 0:30:20 | |
Can you tell me anything else about Selina? | 0:30:22 | 0:30:24 | |
Er, yes, Gregg, I have some of the Census returns here. | 0:30:24 | 0:30:27 | |
-And this is 18... -61. -1861. | 0:30:27 | 0:30:32 | |
-Here... -That's it. | 0:30:32 | 0:30:33 | |
-Yeah. -You've got her aged eight. | 0:30:33 | 0:30:36 | |
-And she's a gloveress already. -Yeah. | 0:30:36 | 0:30:38 | |
-George Gill, the dad... -Yes. | 0:30:38 | 0:30:42 | |
-Pauper, invalid. -Invalid. | 0:30:42 | 0:30:44 | |
-Selina is eight years old. -Yes. | 0:30:44 | 0:30:47 | |
And she's the only one listed as an occupation. | 0:30:47 | 0:30:50 | |
-So it's possible that she's the only one in the house working? -Yes, absolutely possible. | 0:30:50 | 0:30:54 | |
And she would probably be, even at eight, possibly, | 0:30:54 | 0:30:58 | |
having to walk into Torrington to hand the gloves in. | 0:30:58 | 0:31:01 | |
So hard life from a very early age. | 0:31:01 | 0:31:05 | |
-And a real sense of responsibility. -Yes. Yes, terrific. | 0:31:05 | 0:31:08 | |
So 1861, 1871. I've seen this one in the church. | 0:31:08 | 0:31:12 | |
-1881, she... Where is she? She's married. There's Eli. -Hm-mm. | 0:31:12 | 0:31:19 | |
Selina... | 0:31:19 | 0:31:21 | |
She's no longer a glover, she's a glove maker and it says here "silk". | 0:31:21 | 0:31:24 | |
That's definitely a step up, and one of the best glove makers, | 0:31:24 | 0:31:27 | |
because of her fine stitching. | 0:31:27 | 0:31:29 | |
-She's doing all right. -Doing very well, yeah. | 0:31:29 | 0:31:31 | |
And I'm sure that brought in more money. | 0:31:31 | 0:31:34 | |
-But then she's been at it for 30 years. -Yeah, 30 years. | 0:31:34 | 0:31:36 | |
You imagine sitting, you know, with a candle, sewing away on gloves. | 0:31:36 | 0:31:42 | |
-30 years! -All of 30 years. | 0:31:42 | 0:31:44 | |
But she is...she is being recognised for her skill. | 0:31:44 | 0:31:47 | |
That's right, yes. So it's paid off. | 0:31:47 | 0:31:48 | |
And now ten years later, 1891, she's still making gloves, | 0:31:48 | 0:31:53 | |
-she's 39, 40. -40. | 0:31:53 | 0:31:55 | |
She's still married to Eli. Good. | 0:31:55 | 0:31:57 | |
-And they've got two little girls. -Two little girls. | 0:31:57 | 0:32:00 | |
-Emily, who's my mum's grandmother. -Grandmother. Right, yes. | 0:32:00 | 0:32:03 | |
And a sister, Ethel. | 0:32:03 | 0:32:05 | |
-Happy little family. -Very happy little family. | 0:32:05 | 0:32:08 | |
I was at the church yesterday that Selina regularly attended. | 0:32:08 | 0:32:11 | |
-Oh, right. -And I thought that perhaps she may have been a preacher. | 0:32:11 | 0:32:15 | |
-But there's nothing on any of these to suggest that she was. -No. | 0:32:15 | 0:32:18 | |
So in 1891, Selina's a mum with two children. | 0:32:20 | 0:32:24 | |
-Anything after that? -Yes, we found another Census form in 1901. | 0:32:24 | 0:32:31 | |
-Selina. -Selina. -Leythorne. Married. -That's right, yes. | 0:32:34 | 0:32:37 | |
-She's now a housewife. -Yeah. | 0:32:37 | 0:32:39 | |
Er... | 0:32:41 | 0:32:42 | |
Where's her husband? | 0:32:45 | 0:32:47 | |
Looks like she's on her own. | 0:32:48 | 0:32:50 | |
Lunatic? | 0:32:50 | 0:32:53 | |
Hang on, this is a big line of lunatics. | 0:32:55 | 0:32:58 | |
Yes. | 0:32:58 | 0:32:59 | |
Where is she? In an asylum? | 0:32:59 | 0:33:01 | |
-Where is this? -Exminster. | 0:33:01 | 0:33:03 | |
Devon County Lunatic Asylum. | 0:33:04 | 0:33:06 | |
Whoa! Selina! | 0:33:06 | 0:33:08 | |
Tracking down my mum's side of the family, | 0:33:11 | 0:33:14 | |
-I'm just bouncing from one tragedy to another. -Oh, no! | 0:33:14 | 0:33:17 | |
Oh, Gregg! Oh! | 0:33:18 | 0:33:20 | |
GREGG SIGHS | 0:33:20 | 0:33:22 | |
It's tough. I'm not used to sad stories. | 0:33:23 | 0:33:25 | |
I mean, Emily's story was tough, and I thought after that tragedy | 0:33:25 | 0:33:28 | |
we might have a happier story, but her mum, Selina, this is awful. | 0:33:28 | 0:33:32 | |
I'm not used to sad things in my day. You know, I have happy days. | 0:33:32 | 0:33:36 | |
The saddest thing that happens to me is somebody might over-season a souffle. | 0:33:36 | 0:33:39 | |
Although it's sad, I don't want to stop. | 0:33:39 | 0:33:41 | |
I really want to know what Selina is doing in an asylum. | 0:33:41 | 0:33:45 | |
Gregg is on his way to the Devon Record Office in Exeter | 0:33:47 | 0:33:52 | |
to meet Professor Bill Forsythe, who is an expert on the County Asylum. | 0:33:52 | 0:33:56 | |
Bill, I found out Selina Leythorne, who's my great-great-grandmother, | 0:33:58 | 0:34:02 | |
was actually in a lunatic asylum, and I want to know more. | 0:34:02 | 0:34:07 | |
Yes, that's right. | 0:34:07 | 0:34:08 | |
I managed to find the order for her reception made in 1896. | 0:34:08 | 0:34:15 | |
"The said Selina Leythorne, person of an unsound mind, | 0:34:15 | 0:34:21 | |
"detained under care and treatment." | 0:34:21 | 0:34:23 | |
Just her name, sex and age. | 0:34:24 | 0:34:27 | |
"Married. Wife of a farm labourer." | 0:34:27 | 0:34:30 | |
She... | 0:34:30 | 0:34:31 | |
"She says she has sold herself to Hell." | 0:34:31 | 0:34:35 | |
"Sold herself to Hell," that's right. | 0:34:35 | 0:34:37 | |
"She has sold herself to Hell and cannot go to Heaven. | 0:34:37 | 0:34:40 | |
"Mary Leythorne, her sister-in-law, tells me she is always talking about being lost." | 0:34:41 | 0:34:49 | |
-Oh... "And by her constant talking, she disturbs everybody." -Yeah. | 0:34:49 | 0:34:55 | |
Um... | 0:34:55 | 0:34:57 | |
-So she's constantly talking about losing her soul. -Yeah. | 0:34:57 | 0:35:03 | |
-Being damned. -Yeah. | 0:35:03 | 0:35:05 | |
-Um... -Which of course, for a Baptist Bible Christian | 0:35:05 | 0:35:09 | |
is almost the worst thing you can imagine. | 0:35:09 | 0:35:11 | |
But her whole life, from a very young age, has been all about | 0:35:11 | 0:35:15 | |
-the need to do right by God. -Yes. | 0:35:15 | 0:35:17 | |
-Otherwise you will suffer this damnation. -Yeah. | 0:35:17 | 0:35:19 | |
-And she strongly believes that's her fate. -Yeah. | 0:35:19 | 0:35:23 | |
Oh, wow! | 0:35:23 | 0:35:24 | |
-Age on the first attack, 25 years. -Yes. | 0:35:24 | 0:35:28 | |
-She's been in an asylum before, 18 years ago. -Yes. | 0:35:28 | 0:35:33 | |
-In her...in her 20s. -Yes. | 0:35:33 | 0:35:34 | |
-But then it all flared back up again much later in life. -Yeah. Yeah. | 0:35:34 | 0:35:40 | |
Yeah. | 0:35:40 | 0:35:41 | |
GREGG SIGHS | 0:35:41 | 0:35:43 | |
Here we have the asylum record from her first admission. | 0:35:45 | 0:35:49 | |
"External appearances, tall, thin, pale and in poor condition altogether. | 0:35:51 | 0:35:57 | |
"Symptoms when admitted, very noisy, shouting out text and scripture | 0:35:57 | 0:36:03 | |
"and declaring that her soul is lost, twitches her face, | 0:36:03 | 0:36:08 | |
-"bites her lips and grins." -Yeah. | 0:36:08 | 0:36:11 | |
It doesn't say what she thought she had done... | 0:36:12 | 0:36:15 | |
..that was so wrong that she'd sold herself to Satan. | 0:36:16 | 0:36:21 | |
There was an event which had occurred in her life, um, | 0:36:21 | 0:36:25 | |
which was the death of her brother, um... | 0:36:25 | 0:36:30 | |
-The imbecile, Richard? -Yes. | 0:36:30 | 0:36:32 | |
And he had died about two to three months before she was admitted. | 0:36:32 | 0:36:35 | |
He died of convulsions at home. | 0:36:35 | 0:36:39 | |
And if it's at home, Selina would have seen it. | 0:36:39 | 0:36:42 | |
-I mean, she worked at home. -Yes. | 0:36:42 | 0:36:44 | |
The death of Richard may have appeared to her to be a sign of God's wrath towards her. | 0:36:44 | 0:36:51 | |
-This progress report has got different date entries. -Yes. | 0:36:51 | 0:36:54 | |
The record goes through to 1879, August, when she's discharged. Recovered. | 0:36:54 | 0:37:00 | |
If she's been discharged after three years, it would suggest that actually the treatment worked | 0:37:00 | 0:37:06 | |
-and these Bible Christians have accepted her back into the community again. -Yes. | 0:37:06 | 0:37:10 | |
-Cos she's married, they've married her. -Yeah. | 0:37:10 | 0:37:13 | |
-And her husband's a Bible Christian. So... -Yes. | 0:37:13 | 0:37:17 | |
-It looked like it was going OK for her. -Yes. | 0:37:18 | 0:37:21 | |
The first time Selina was admitted to the Devon Asylum, | 0:37:23 | 0:37:26 | |
it was part of a new and radical approach to mental health care. | 0:37:26 | 0:37:30 | |
The Victorians believed that asylums should be therapeutic rural retreats, | 0:37:30 | 0:37:34 | |
away from the stresses of city life. | 0:37:34 | 0:37:37 | |
Appalled by the conditions the mentally ill had previously been kept in, | 0:37:37 | 0:37:41 | |
they built an asylum in every county in the 1840s. | 0:37:41 | 0:37:44 | |
Emphasis was placed on a structured work routine. | 0:37:47 | 0:37:50 | |
Good nutrition, gentle exercise, monthly balls and outings. | 0:37:50 | 0:37:55 | |
This treatment worked for Selina, who was discharged after three years. | 0:37:56 | 0:38:01 | |
But by the time Selina was recommitted 17 years later, | 0:38:01 | 0:38:03 | |
conditions at the asylum had sharply deteriorated. | 0:38:03 | 0:38:08 | |
Patient numbers had nearly doubled from 600 to more than 1,000 | 0:38:08 | 0:38:13 | |
and they were little more than prisoners in overcrowded dormitories | 0:38:13 | 0:38:16 | |
with reports of staff brutality and suicides. | 0:38:16 | 0:38:20 | |
The original humane approach had shifted and the mentally ill were now viewed as a threat to society | 0:38:20 | 0:38:26 | |
rather than patients who could be treated. | 0:38:26 | 0:38:28 | |
Selina died in the asylum in 1901, aged 51. | 0:38:31 | 0:38:35 | |
Gregg and Bill are driving to the Devon Asylum, | 0:38:39 | 0:38:42 | |
now in use as residential housing. | 0:38:42 | 0:38:44 | |
What you're about to see now, Gregg, is exactly what Selina would have seen | 0:38:44 | 0:38:49 | |
when she was brought up this avenue to the asylum. | 0:38:49 | 0:38:52 | |
Straight ahead of you is the reception area, | 0:38:55 | 0:38:58 | |
and that's pretty well exactly what she would have seen. | 0:38:58 | 0:39:02 | |
-It's a much bigger building than I imagined. -It is huge. | 0:39:02 | 0:39:07 | |
It's not in any way welcoming. Maybe that's cos I know what it was. | 0:39:07 | 0:39:10 | |
Look at it, look. It's almost like barracks. | 0:39:12 | 0:39:16 | |
I was imagining a large house, I don't know why. | 0:39:16 | 0:39:19 | |
She would have lived in one of the women's wings in one of these radiating galleries. | 0:39:19 | 0:39:25 | |
Would you mind getting out and having a quick look around? | 0:39:25 | 0:39:28 | |
Yeah, sure. | 0:39:28 | 0:39:30 | |
It's a very impressive building, but it's just tinged with so much sadness, | 0:39:33 | 0:39:36 | |
and to know that she...she died here, and she definitely didn't die here happy. | 0:39:36 | 0:39:41 | |
It just looks like such a terrible imposing, awful place. | 0:39:41 | 0:39:45 | |
It was a place of immense human tragedy, | 0:39:45 | 0:39:48 | |
-with 14,000 inmates passing through it. -Yeah. | 0:39:48 | 0:39:52 | |
-Well, she came out of here the first time, she got married, she had children and... -That's right. | 0:39:52 | 0:39:58 | |
But it wasn't at all nice when she...when she came back. | 0:39:58 | 0:40:02 | |
Um, I didn't want to come in. | 0:40:02 | 0:40:06 | |
I feel...I'm feeling a bit better, but it just feels so oppressive. | 0:40:06 | 0:40:09 | |
She was frightened. | 0:40:13 | 0:40:15 | |
Most of the time, she was just frightened. | 0:40:15 | 0:40:18 | |
There's one last thing I wanted to show you, Gregg, which is this. | 0:40:22 | 0:40:28 | |
It's a photograph of a woman from another asylum | 0:40:29 | 0:40:33 | |
when she was in the asylum undergoing treatment, | 0:40:33 | 0:40:36 | |
and when she was released from the asylum. | 0:40:36 | 0:40:40 | |
I wondered if this particularly reminded you of anyone? | 0:40:40 | 0:40:45 | |
Yeah, it's the same pose as Selina. | 0:40:45 | 0:40:47 | |
-Yes. -Holding the book. -Yes. | 0:40:47 | 0:40:51 | |
Now, it may well be the picture that you have of Selina | 0:40:51 | 0:40:56 | |
was a picture taken by the asylum in 1879 when she left here, | 0:40:56 | 0:41:02 | |
because there are such striking similarities, | 0:41:02 | 0:41:07 | |
holding the Bible, | 0:41:07 | 0:41:10 | |
um, her pose, her dress. | 0:41:10 | 0:41:12 | |
That's quite a... | 0:41:12 | 0:41:14 | |
Erm... | 0:41:14 | 0:41:15 | |
-It's actually quite a happy picture. -Yes. | 0:41:20 | 0:41:23 | |
-Because, um... -Yes. | 0:41:23 | 0:41:25 | |
-She's leaving and she's well and she's going off to meet Eli and have her children. -Yes. | 0:41:25 | 0:41:30 | |
It's quite a happy picture. | 0:41:30 | 0:41:32 | |
-Sorry, it's such a sad place. -Yes. | 0:41:32 | 0:41:34 | |
OK? | 0:41:36 | 0:41:38 | |
Yeah, thank you. | 0:41:38 | 0:41:39 | |
GREGG SNIFFS | 0:41:39 | 0:41:40 | |
Crikey! I didn't understand why we had a photograph | 0:41:40 | 0:41:43 | |
of a farm labourer's wife. | 0:41:43 | 0:41:46 | |
-I thought she must have been somebody important. -Yes. | 0:41:46 | 0:41:49 | |
Just this poor, sad lady. This is where she ended her days. | 0:41:49 | 0:41:52 | |
GREGG SNIFFS | 0:41:52 | 0:41:53 | |
I really want to go home and cuddle the dog! | 0:42:00 | 0:42:03 | |
When I came down here with the picture of her, I never expected that. | 0:42:10 | 0:42:14 | |
It's a fine sort of tragedy creeping up on people | 0:42:14 | 0:42:17 | |
and to have so many unexpected things in their life, I feel it. | 0:42:17 | 0:42:20 | |
I feel it. It's all out of control. | 0:42:20 | 0:42:23 | |
It's all... nothing you can do anything about. | 0:42:23 | 0:42:27 | |
Tragedy happens and it's scary, it's really frightening. | 0:42:27 | 0:42:30 | |
And I'm thinking of Emily, um, Selina's daughter. | 0:42:31 | 0:42:36 | |
No wonder Emily was so needy, she had tragedy right from the start. | 0:42:36 | 0:42:39 | |
She was a teenager, 14/15 when her mum went into the asylum | 0:42:39 | 0:42:44 | |
for the second time. That's the age of... | 0:42:44 | 0:42:46 | |
..of my daughter. | 0:42:47 | 0:42:49 | |
Wow, what's happening? It's so sad. | 0:42:53 | 0:42:56 | |
So sad. | 0:42:56 | 0:42:58 | |
Gregg is in London at his restaurant in Putney. | 0:43:10 | 0:43:13 | |
Leaving the sad ladies behind, | 0:43:13 | 0:43:16 | |
now I want to get back on the trail of Henry Springett, | 0:43:16 | 0:43:19 | |
who is my great-grandfather. | 0:43:19 | 0:43:21 | |
Now, I know he filed for divorce. | 0:43:21 | 0:43:23 | |
I also know that he finished his term in the Royal Navy | 0:43:23 | 0:43:27 | |
and then disappeared. I've got no idea where he is. | 0:43:27 | 0:43:30 | |
But when I met up with the historian, Claire, she promised me she'd try and find his death certificate, | 0:43:30 | 0:43:35 | |
which is what I've got here. | 0:43:35 | 0:43:37 | |
I just so need a little bit of good news with this family. | 0:43:37 | 0:43:40 | |
I'm really hoping that Henry's got a little slice of happiness. | 0:43:40 | 0:43:43 | |
-I don't think -I -can bear more... more sadness. | 0:43:43 | 0:43:47 | |
I'm so scared. I'm so nervous, I don't... | 0:43:48 | 0:43:50 | |
Death certificate in Slough. | 0:43:58 | 0:44:00 | |
"Henry Roland Springett, 66 years, | 0:44:00 | 0:44:03 | |
"caretaker and watchman at the Sand End Gravel Works. | 0:44:03 | 0:44:08 | |
"6th February, 1946. | 0:44:08 | 0:44:11 | |
"S R Springett, his daughter." | 0:44:11 | 0:44:14 | |
How's he got another daughter called Springett, he's not divorced? | 0:44:14 | 0:44:17 | |
Henry! | 0:44:19 | 0:44:20 | |
Well, all right, it's not Australia, it's not Canada, it's Slough! | 0:44:20 | 0:44:26 | |
He emigrated to Slough! | 0:44:27 | 0:44:29 | |
There's another piece of paper in here. | 0:44:29 | 0:44:32 | |
"Dear Gregg, I'm delighted to say that I have found Henry. | 0:44:34 | 0:44:38 | |
"Here is his death certificate. | 0:44:38 | 0:44:39 | |
"I have also traced Henry's daughter and found she got married | 0:44:39 | 0:44:43 | |
"and her name was Rosemary Higginson. | 0:44:43 | 0:44:46 | |
"I last found her living in Slough with a son called Geoffrey, five years ago. | 0:44:46 | 0:44:52 | |
"I would try to trace him as he must know about his grandfather." | 0:44:53 | 0:44:58 | |
It's a mystery, but right now it doesn't seem like an unhappy mystery. | 0:44:58 | 0:45:05 | |
Just a bit of a strange one. | 0:45:05 | 0:45:07 | |
What's Henry been up to? | 0:45:07 | 0:45:10 | |
Well, I'm going to look for, er, Geoffrey Higginson in Slough. | 0:45:10 | 0:45:13 | |
I'm just going type that in and see what comes up. | 0:45:13 | 0:45:15 | |
G-E-O... | 0:45:15 | 0:45:17 | |
There's one in Devon. | 0:45:20 | 0:45:22 | |
One in Slough? | 0:45:22 | 0:45:24 | |
He's still in Slough. | 0:45:24 | 0:45:26 | |
Lawn Tennis Club, men's doubles. | 0:45:28 | 0:45:31 | |
Geoff Higginson joins as new club coach. | 0:45:32 | 0:45:35 | |
See the photo... | 0:45:37 | 0:45:38 | |
That's Geoff Higginson. That's Henry's grandson. | 0:45:38 | 0:45:43 | |
Hello, mate! | 0:45:43 | 0:45:45 | |
So what does he do? He's a tennis coach. Brilliant. | 0:45:45 | 0:45:48 | |
There's a phone number down here, so I can call... I'm a bit scared. | 0:45:48 | 0:45:51 | |
What do I say? Hello, I'm... | 0:45:51 | 0:45:54 | |
I think we might be related | 0:45:54 | 0:45:55 | |
and, by the way, my backhand's rubbish! | 0:45:55 | 0:45:57 | |
(I'm nervous.) | 0:46:04 | 0:46:07 | |
I'm really nervous. | 0:46:07 | 0:46:08 | |
-'Hello?' -Good morning, am I speaking to Geoff Higginson? | 0:46:10 | 0:46:14 | |
'Yes, that's correct, yes.' | 0:46:14 | 0:46:16 | |
Hello, Geoff. Look, I know it's an unusual call cos I don't actually want tennis lessons. | 0:46:16 | 0:46:20 | |
Er, bear with me. | 0:46:20 | 0:46:22 | |
My name's Gregg Wallace | 0:46:22 | 0:46:25 | |
and did you have a grandfather called Henry Springett? | 0:46:25 | 0:46:29 | |
'Yes, I did actually.' | 0:46:29 | 0:46:31 | |
I think we may be related. | 0:46:31 | 0:46:33 | |
Look, I'm in London, you're in Slough, aren't you? | 0:46:33 | 0:46:35 | |
'Um, yes, just outside Slough, yeah.' | 0:46:35 | 0:46:38 | |
Would it be all right if I came to see you? | 0:46:38 | 0:46:40 | |
-'Yeah. I mean. I've got some photos I can show you.' -Brilliant, mate! | 0:46:40 | 0:46:43 | |
-I'm coming down. I'm coming down. -'OK, fine.' | 0:46:43 | 0:46:47 | |
Geoff, I'm very excited. I'm very excited. | 0:46:49 | 0:46:51 | |
'Yeah, me too. Look forward to seeing you.' | 0:46:51 | 0:46:53 | |
-All right, put a clean shirt on! All right, mate. -'Take care.' | 0:46:53 | 0:46:56 | |
Look forward to speaking to you. Bye-bye. | 0:46:56 | 0:46:58 | |
All right, Geoff, I'm coming! | 0:46:58 | 0:47:01 | |
You're Geoff, are you? | 0:47:14 | 0:47:15 | |
-How are you doing, good? -I'm good. I'm good. | 0:47:15 | 0:47:17 | |
-You all right, brother? -Yeah, yeah. Good to see you. | 0:47:17 | 0:47:21 | |
-Have you got time for a chat? -Yeah, do you want to come inside? | 0:47:21 | 0:47:23 | |
-Yeah, yeah, sure. You got a kettle in there? -Yeah. | 0:47:23 | 0:47:26 | |
Geoff, um, I reckon it's pretty clear | 0:47:26 | 0:47:30 | |
-that your grandad is my great-grandad. -Yeah, it's amazing. | 0:47:30 | 0:47:34 | |
-Can I show you a photograph? -Yeah, please do. | 0:47:34 | 0:47:37 | |
That is Henry. | 0:47:41 | 0:47:42 | |
-Yeah. -This is the picture I've got of, of my grandad. | 0:47:42 | 0:47:47 | |
That's him? That's him. | 0:47:47 | 0:47:49 | |
-Same, same hairstyle, everything. -Same outfit. | 0:47:49 | 0:47:52 | |
-Same outfit, isn't that amazing? -Yeah. -They look really happy, don't they? | 0:47:52 | 0:47:55 | |
-Funny you should say that! I'm not sure they were. -Oh, right. | 0:47:55 | 0:47:58 | |
Now, do you know the rest, cos I can go up to 1920 | 0:47:58 | 0:48:02 | |
and that's as far as I can go? | 0:48:02 | 0:48:03 | |
I can fill you in with some information, yeah. | 0:48:03 | 0:48:06 | |
This is a picture of my grandmother. | 0:48:06 | 0:48:09 | |
She's lovely! | 0:48:09 | 0:48:11 | |
She was a ballet teacher and a piano teacher. | 0:48:11 | 0:48:14 | |
How did he pull her? A stoker from Bromley! | 0:48:14 | 0:48:17 | |
How did he pull a classy ballet teacher/pianist? | 0:48:17 | 0:48:20 | |
-The funny thing about it is that her name was Emily. -Oh, OK. | 0:48:20 | 0:48:24 | |
-They never actually got married. -Well, that makes sense. | 0:48:24 | 0:48:27 | |
If he had had married her, he would have been a bigamist. | 0:48:27 | 0:48:29 | |
-Was he happy? -Well, he had two daughters. | 0:48:29 | 0:48:32 | |
The lady on the left was Sheila Rosemary, my mother, | 0:48:32 | 0:48:36 | |
and the sister was Patricia. | 0:48:36 | 0:48:38 | |
-Was she older than your mum? -Yes, she's two years older. | 0:48:38 | 0:48:41 | |
She was born in 1919. | 0:48:41 | 0:48:42 | |
So if your Auntie Pat was born in 1919, | 0:48:42 | 0:48:48 | |
that means Henry must have met Emily 2, | 0:48:48 | 0:48:54 | |
-1917, 1918? I mean that's during the war. -Yeah. | 0:48:54 | 0:48:58 | |
Did they have a happy life together? | 0:48:58 | 0:49:00 | |
I've got something to show you actually, Gregg, because this will explain what happened. | 0:49:00 | 0:49:05 | |
-What's this? A Registration of... -This is actually... | 0:49:05 | 0:49:08 | |
This is a Death Certificate. | 0:49:09 | 0:49:11 | |
Emily Springett, 35 years old. | 0:49:12 | 0:49:16 | |
-Is this your grandmother? -This is my grandmother. -She died at 35 years old? -Yes. | 0:49:16 | 0:49:20 | |
The cause of death is shock following being accidentally knocked down | 0:49:23 | 0:49:27 | |
by a motor car. Where is this? | 0:49:27 | 0:49:31 | |
District of Antrim. What are they doing in Ireland? | 0:49:31 | 0:49:33 | |
My grandmother was Irish. | 0:49:33 | 0:49:36 | |
-During the war he was patrolling the Irish Sea. -Right. | 0:49:36 | 0:49:39 | |
-So that does make a lot of sense. He must have been docking in Ireland regularly. -Yeah. | 0:49:39 | 0:49:43 | |
Maybe the reason he can't turn up at divorce court in 1922 | 0:49:43 | 0:49:48 | |
is he's with a wife and family in Ireland. | 0:49:48 | 0:49:51 | |
She died in 1923, so they didn't have long together, | 0:49:52 | 0:49:54 | |
they must have had five or six years together. | 0:49:54 | 0:49:56 | |
There's another twist to it. It's quite tragic. | 0:49:56 | 0:49:59 | |
It's all right. I've been through this myself. | 0:50:05 | 0:50:07 | |
When, when the accident happened, the passenger... | 0:50:10 | 0:50:15 | |
..was Henry. | 0:50:18 | 0:50:19 | |
So the vehicle that killed... | 0:50:21 | 0:50:23 | |
Oh, my word! | 0:50:23 | 0:50:25 | |
Oh, my word! | 0:50:27 | 0:50:29 | |
But we, we don't have any sort of written proof of that. | 0:50:29 | 0:50:32 | |
It was just what my mother had told us about what had happened. | 0:50:32 | 0:50:36 | |
It would be amazing to know the truth about that. | 0:50:36 | 0:50:40 | |
Yeah, I'll see what I can find. | 0:50:40 | 0:50:42 | |
-He's had the toughest life I could possibly imagine. -Mm. | 0:50:42 | 0:50:45 | |
But he brought the two girls up. | 0:50:45 | 0:50:47 | |
Well, after the accident, um, Henry came to England with the girls | 0:50:47 | 0:50:53 | |
looking for work | 0:50:53 | 0:50:55 | |
and found a job in London... | 0:50:55 | 0:50:59 | |
..but couldn't keep the girls, | 0:51:00 | 0:51:02 | |
found foster parents for the both of them. | 0:51:02 | 0:51:04 | |
Henry has lost his first daughter, tragically. | 0:51:06 | 0:51:10 | |
-His first wife was cheating on him. -Hm-mm. | 0:51:11 | 0:51:14 | |
He's had to leave his son. He's fallen in love again. | 0:51:14 | 0:51:19 | |
Watched her die. | 0:51:20 | 0:51:22 | |
And then had to give up his two little girls. | 0:51:23 | 0:51:25 | |
-About 1908 and 1923 all this has happened. -Right. | 0:51:25 | 0:51:29 | |
-He must have felt like he was tumbling downhill forever. -Mm. | 0:51:31 | 0:51:34 | |
Gregg is in Northern Ireland and on his way to Larne where the tragedy occurred. | 0:51:40 | 0:51:45 | |
I was really hoping that once Henry left his family in Plymouth | 0:51:46 | 0:51:49 | |
he'd have found someone and settled down and had a peaceful, happy life, | 0:51:49 | 0:51:53 | |
but there's more tragedy for Henry. | 0:51:53 | 0:51:56 | |
His, his second love, Emily 2, as I've called her, | 0:51:56 | 0:51:59 | |
she's killed in a car accident. | 0:51:59 | 0:52:02 | |
And now, horribly, the rumour is that Henry was a passenger in the car that killed her. | 0:52:02 | 0:52:07 | |
And I want to find out the truth. | 0:52:07 | 0:52:09 | |
Owning a car was initially the preserve of an elite few, | 0:52:14 | 0:52:17 | |
but during the First World War soldiers and nurses learned to drive, | 0:52:17 | 0:52:21 | |
and, as a result, the early 1920s saw a boom in car manufacture. | 0:52:21 | 0:52:26 | |
In 1923, the year Emily died, there were only 390,000 cars on the road, | 0:52:27 | 0:52:34 | |
compared to over 31 million today. | 0:52:34 | 0:52:36 | |
But the chance of being run over and killed then was over a 100 times greater. | 0:52:36 | 0:52:42 | |
Gregg has arrived at Larne Library. | 0:52:45 | 0:52:48 | |
-Hello. -Hello, can I help you? -I hope so. | 0:52:48 | 0:52:51 | |
-Um, I'm looking for local newspaper reports, 1923. -Yes. | 0:52:51 | 0:52:56 | |
-Early September. -Yes. | 0:52:56 | 0:52:58 | |
I think we should have that for you. Just a moment, please, and I'll fetch them. | 0:52:58 | 0:53:01 | |
-This is the volume here. Here we are. -Cor! Thanks. Mary, thank you. | 0:53:04 | 0:53:09 | |
So let's have a... It's massive! | 0:53:11 | 0:53:13 | |
Oh, I see. | 0:53:13 | 0:53:15 | |
Right, February, August 4th. | 0:53:15 | 0:53:19 | |
We're getting there. | 0:53:19 | 0:53:21 | |
September 8th. | 0:53:21 | 0:53:22 | |
"Husband's terrible ordeal. | 0:53:26 | 0:53:29 | |
"Sees wife killed by motor. | 0:53:29 | 0:53:32 | |
"Distressing Glynn tragedy." | 0:53:32 | 0:53:35 | |
Here we go. | 0:53:35 | 0:53:36 | |
"Dashing in front of a motor car to rescue her child from danger, | 0:53:38 | 0:53:42 | |
"Mrs Springett, a resident in Glynn Village near Larne, | 0:53:42 | 0:53:46 | |
"was fatally injured a short distance from her own house | 0:53:46 | 0:53:48 | |
"on Thursday evening last, 30th. | 0:53:48 | 0:53:51 | |
"The chief witness being the bereaved husband, | 0:53:51 | 0:53:54 | |
"who from a distance of 25 yards, was a horror-stricken eye-witness of the tragedy. | 0:53:54 | 0:54:00 | |
"To him and the motherless children, | 0:54:00 | 0:54:03 | |
"the sympathy of the entire community goes out. | 0:54:03 | 0:54:05 | |
"Mr Springett is an ex-Navy man with an honourable record. | 0:54:05 | 0:54:09 | |
"Twelve months ago he himself was involved in a most distressing accident | 0:54:09 | 0:54:13 | |
"being the survivor in a drowning accident when he and two companions | 0:54:13 | 0:54:17 | |
"were in a boat that capsized by the side of a dredger | 0:54:17 | 0:54:21 | |
"and he alone managed to swim ashore." | 0:54:21 | 0:54:25 | |
He's not a passenger in the car that kills Emily, | 0:54:25 | 0:54:28 | |
but the horror of it is he's 25 yards away. He's witnessed it all. | 0:54:28 | 0:54:31 | |
And then he was in another accident where friends of his drowned. | 0:54:31 | 0:54:37 | |
One person should not have to suffer this much sorrow. | 0:54:40 | 0:54:43 | |
He's settling down to a nice life. He's in love. | 0:54:45 | 0:54:48 | |
He's got young children. He's respected and liked in the community. | 0:54:48 | 0:54:52 | |
Fate is just dealing him a bad hand over and over again. | 0:54:52 | 0:54:57 | |
Gregg, I've made you a copy of the report of the inquest | 0:55:01 | 0:55:06 | |
and this is also a photograph of a car similar to the car which was mentioned. | 0:55:06 | 0:55:11 | |
Thanks, Mary. Um, how far away is Glynn? | 0:55:11 | 0:55:15 | |
It's just two miles out the road, out the coast road. | 0:55:15 | 0:55:19 | |
-Right, a couple of miles? -Just a couple of miles away. | 0:55:19 | 0:55:21 | |
I think I'm going to pop down and have a look. | 0:55:21 | 0:55:23 | |
Having read the details of the inquest, | 0:55:27 | 0:55:30 | |
Gregg is now in the village of Glynn where the tragic accident happened. | 0:55:30 | 0:55:33 | |
This is it. | 0:55:38 | 0:55:39 | |
This is the very stretch where he lost her. | 0:55:39 | 0:55:42 | |
This is where she went. | 0:55:42 | 0:55:44 | |
So it's a warm summer's night, end of August, | 0:55:44 | 0:55:47 | |
between five and six o'clock. Henry's finished work, he's walking home, | 0:55:47 | 0:55:51 | |
to see his wife and children. | 0:55:51 | 0:55:53 | |
This is the strip that he's walking down. | 0:55:53 | 0:55:56 | |
His wife and children are coming in the opposite direction to meet him | 0:55:57 | 0:56:01 | |
from the village, all smiling, all happy, she may have even prepared dinner. | 0:56:01 | 0:56:06 | |
Henry walks down here, he's 25 yards away, so he's spotted the wife, he could be waving. | 0:56:06 | 0:56:12 | |
He's obviously got a big grin on his face, his little girls are there, | 0:56:12 | 0:56:15 | |
his wife there may have said to the kids. "Can you see Daddy?" | 0:56:15 | 0:56:18 | |
They could have been waving and jumping up and down. | 0:56:18 | 0:56:21 | |
He's walking along here, Henry, a bread van goes by this way. | 0:56:21 | 0:56:25 | |
As it gets there, past there, a motor car comes round the corner, | 0:56:26 | 0:56:31 | |
he can still see he's getting closer now to Emily and the children and that's it. | 0:56:31 | 0:56:35 | |
From about here, the little girl runs out into the middle of the road there, the car swerves, | 0:56:35 | 0:56:41 | |
the sea side of the road, it goes up on to the embankment, | 0:56:41 | 0:56:45 | |
Emily has dived in front of the car to pick up the girl, | 0:56:45 | 0:56:48 | |
as he's swerving to miss the girl, hits Emily. That's it. | 0:56:48 | 0:56:52 | |
She's about there. | 0:56:52 | 0:56:54 | |
And Henry must have just been screaming, running down the road. | 0:56:54 | 0:56:58 | |
We know from the inquest that when the driver got out and ran back, | 0:56:58 | 0:57:03 | |
Henry's got Emily in his arms. She never woke up again. | 0:57:03 | 0:57:07 | |
Completely tragic. I mean, we're literally just minutes from their house. | 0:57:10 | 0:57:15 | |
I mean what are they doing? They're going to meet their dad from work, that's what they're doing. | 0:57:15 | 0:57:19 | |
I'm absolutely convinced that all Henry wanted to do was graft, | 0:57:23 | 0:57:28 | |
settle down and provide for his wife and family, | 0:57:28 | 0:57:30 | |
that's all he ever wanted to do. | 0:57:30 | 0:57:32 | |
And he faced catastrophe and sadness over and over again. | 0:57:32 | 0:57:37 | |
I like Henry Springett. I really do. | 0:57:38 | 0:57:41 | |
I admire him. I admired my grandfather, his son. | 0:57:42 | 0:57:47 | |
It's a shame that the two of them didn't know each other. | 0:57:47 | 0:57:50 | |
There's no escaping the fact, Henry, Emily and Selina absolutely had the rug pulled from under their feet. | 0:57:55 | 0:58:02 | |
I mean, they actually faced tragedy. They faced disaster. | 0:58:02 | 0:58:07 | |
It's actually remarkable that I'm here! | 0:58:07 | 0:58:10 | |
I would find it hard to say that I've really enjoyed this voyage of discovery, | 0:58:10 | 0:58:15 | |
but I have found it fascinating. | 0:58:15 | 0:58:18 | |
It's had far many more tears than it's had smiles | 0:58:18 | 0:58:22 | |
but I understand a lot more and I admire them. I like them. | 0:58:22 | 0:58:27 | |
And more than anything, I think my heart goes out to them. | 0:58:27 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:56 | 0:58:59 |