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I'm Stefan Gates. | 0:00:03 | 0:00:06 | |
I'm on a journey to immerse myself in some of the most extraordinary feasts and festivals on Earth. | 0:00:06 | 0:00:12 | |
From the palaces of Rajasthan | 0:00:22 | 0:00:24 | |
to the graveyards of Mexico and the ancient temples of Japan, | 0:00:24 | 0:00:28 | |
I'm hoping that by joining in these mass celebrations | 0:00:28 | 0:00:32 | |
I'll be able to conquer my inhibitions | 0:00:32 | 0:00:35 | |
and get under the skin of people and cultures around the world. | 0:00:35 | 0:00:38 | |
This is India, home to some of the most spectacular feasts and festivals on the planet. | 0:00:54 | 0:01:00 | |
There are hundreds of boats. | 0:01:00 | 0:01:01 | |
It's a massive, massive spectacle. | 0:01:01 | 0:01:05 | |
But under the surface of this vast and complex country | 0:01:05 | 0:01:08 | |
there are deep conflicts rooted in wealth, religion and caste. | 0:01:08 | 0:01:13 | |
India has some of the richest men on Earth. | 0:01:16 | 0:01:19 | |
But it's also home to a third of the world's poor. | 0:01:19 | 0:01:22 | |
I'm heading to Kerala for one festival that is supposed to transcend these barriers. | 0:01:26 | 0:01:31 | |
Every year, 32 million Keralans try to set aside their differences | 0:01:31 | 0:01:36 | |
during a huge ten-day celebration called Onam. | 0:01:36 | 0:01:40 | |
I want to find out if feasts really have the power to bring people together. | 0:01:43 | 0:01:49 | |
But first I'm going to an unashamedly elite celebration | 0:01:51 | 0:01:54 | |
that clearly shows the divides of class and wealth. | 0:01:54 | 0:01:57 | |
Rajasthan. | 0:02:08 | 0:02:10 | |
Seat of ancient mogul emperors, home of the most spectacular forts in the world | 0:02:10 | 0:02:15 | |
but one of the poorest regions in India. | 0:02:15 | 0:02:18 | |
This entire state feels like one huge film set. | 0:02:21 | 0:02:25 | |
I'm in Jaipur, in Rajasthan, Northern India | 0:02:25 | 0:02:28 | |
and I've been invited to a huge Hindu wedding, | 0:02:28 | 0:02:32 | |
and quite apart from being excited about the prospect of witnessing one of the world's great spectacles, | 0:02:32 | 0:02:37 | |
I'm hoping that this is going to be an opportunity to understand modern, emerging India, | 0:02:37 | 0:02:42 | |
in the course of three extraordinary days. | 0:02:42 | 0:02:45 | |
The marriage is between two powerful families from the emerging industrial classes, | 0:02:53 | 0:02:58 | |
the Sonthaliyas and the Mittals. | 0:02:58 | 0:03:01 | |
Traditionally, Indian weddings have been huge displays of wealth | 0:03:02 | 0:03:05 | |
establishing a family's position in the social pecking order. | 0:03:05 | 0:03:09 | |
But these families are the modern elite, | 0:03:10 | 0:03:13 | |
so I wonder if they'll still feel bound to follow the more rigid traditions. | 0:03:13 | 0:03:17 | |
So this is it, this is the gold palace where the wedding's going to take place | 0:03:19 | 0:03:24 | |
and it's an absolute hive of activity, | 0:03:24 | 0:03:26 | |
there are hundreds and hundreds of workers putting up tents and making dioceses | 0:03:26 | 0:03:32 | |
and Lord knows what this is over here, | 0:03:32 | 0:03:34 | |
and it's like they're constructing a large funfair. | 0:03:34 | 0:03:38 | |
There are loads of different stages and different sort of arenas. | 0:03:38 | 0:03:41 | |
Over a thousand guests are expected for three days of feasting. | 0:03:43 | 0:03:47 | |
But the guests are outnumbered by an army of caterers, construction engineers and performers | 0:03:47 | 0:03:52 | |
all working like mad to get everything ready on time. | 0:03:52 | 0:03:55 | |
And in charge of this small army is Sarita, the wedding planner | 0:04:00 | 0:04:04 | |
and possibly the most stressed out woman in Rajasthan. | 0:04:04 | 0:04:07 | |
-Hi, Sarita. -Hi. -I'm Stefan. | 0:04:07 | 0:04:10 | |
So you're in charge of all this? | 0:04:10 | 0:04:12 | |
-Yeah. -This is a huge production, isn't it? | 0:04:12 | 0:04:14 | |
How long have you been working on all this? | 0:04:14 | 0:04:16 | |
On this wedding we've been working for the last six months. | 0:04:16 | 0:04:19 | |
-Six months! -Yeah. | 0:04:19 | 0:04:20 | |
And is it all defined by the bride's family? | 0:04:20 | 0:04:24 | |
-Yeah, the bride's family, definitely. -The groom doesn't have much say? | 0:04:24 | 0:04:28 | |
No, the groom also, the groom's side also have a say but it's mostly the bride's side. | 0:04:28 | 0:04:32 | |
-Yeah, because the bride's side is paying. -Yeah. THEY LAUGH | 0:04:32 | 0:04:35 | |
Well, more accurately, the bride's father, Sadesh, is paying. | 0:04:36 | 0:04:40 | |
BAGPIPES AND DRUMS PLAY | 0:04:41 | 0:04:43 | |
But there's also a human transaction involved. | 0:04:43 | 0:04:46 | |
In India a wedding symbolises the handing over of the woman from her father to her new husband. | 0:04:46 | 0:04:52 | |
And the man about to take delivery of this new bride is 24-year-old Rahul, a businessman from Calcutta. | 0:04:56 | 0:05:03 | |
Over the next three days, Rahul and his family must be treated like royalty. | 0:05:03 | 0:05:07 | |
And to welcome him, the family's hired a band of dancing bagpipers. | 0:05:07 | 0:05:11 | |
It's their first attempt to show off in front of their new in laws. | 0:05:12 | 0:05:16 | |
So that was the groom arriving amidst a cacophony of sound | 0:05:20 | 0:05:24 | |
so I would imagine he's feeling quite pleased with himself | 0:05:24 | 0:05:28 | |
or possibly slightly terrified. | 0:05:28 | 0:05:30 | |
I was thinking what a fantastic display, | 0:05:30 | 0:05:32 | |
and a couple of people next to me said, | 0:05:32 | 0:05:35 | |
"Oh, my God, that's really tacky." | 0:05:35 | 0:05:38 | |
But from where I was standing that looked quite spectacular. | 0:05:38 | 0:05:41 | |
The feast is the most important part of the wedding and it's used to signify a family's wealth. | 0:05:48 | 0:05:53 | |
To ensure that no one's left in any doubt as to the bride's prosperity, | 0:05:53 | 0:05:57 | |
474 dishes are being prepared over the next three days. | 0:05:57 | 0:06:02 | |
Today there was supposed be a brunch. | 0:06:02 | 0:06:03 | |
Brunch is over now, now people are asking for lunch. | 0:06:03 | 0:06:07 | |
There's so much food to cook, the caterers had to erect a make-shift tent city | 0:06:09 | 0:06:15 | |
hidden from view of the guests. | 0:06:15 | 0:06:17 | |
Oh, I get it. | 0:06:17 | 0:06:19 | |
Can I try doing it? | 0:06:19 | 0:06:20 | |
No, it's running away! | 0:06:22 | 0:06:23 | |
I'm desperate to find out what they feel about cooking for India's super rich, but it's a touchy subject. | 0:06:27 | 0:06:33 | |
I guess if you can control something as out of control as this then you must be a master chef. | 0:06:41 | 0:06:46 | |
Do you think that the staff here sort of resent the fact that they're all these rich people over there | 0:06:53 | 0:06:58 | |
in a slightly different world, and they're working so hard for it? | 0:06:58 | 0:07:01 | |
-Fair enough. See you later. -Goodbye, sir. | 0:07:06 | 0:07:08 | |
DRUMMING | 0:07:08 | 0:07:11 | |
That evening the bride, 23-year-old Nidhi, arrives. | 0:07:15 | 0:07:19 | |
She's a Cambridge university economics graduate, | 0:07:21 | 0:07:24 | |
but Nidhi must now play the role of a traditional Indian bride. | 0:07:24 | 0:07:28 | |
She'll spend the next three days plastered in jewels, | 0:07:28 | 0:07:31 | |
maintaining a meek and demure silence, | 0:07:31 | 0:07:33 | |
whilst she's inspected by the groom's family. | 0:07:33 | 0:07:36 | |
The workers are also closely scrutinised, as Sarita takes them through their final briefing. | 0:07:39 | 0:07:46 | |
It's crucial for the honour of the bride's family that everything's perfect. | 0:07:46 | 0:07:50 | |
TRANSLATED FROM HINDI | 0:07:52 | 0:07:53 | |
It's quite exciting, all the waiters are set out, the lights are on, the bride's off getting ready. | 0:08:02 | 0:08:07 | |
It's going to kick off in about an hour so I'm going to go and smarten myself up. | 0:08:07 | 0:08:12 | |
Wow, look at this. | 0:08:23 | 0:08:25 | |
The wedding officially begins tonight with the mendhi, when guests have their hands painted with Henna. | 0:08:30 | 0:08:36 | |
The theme for the first night is a street carnival and it's an incredible display of affluence. | 0:08:36 | 0:08:41 | |
Thanks very much. | 0:08:41 | 0:08:43 | |
Sarita's team has prepared luxury versions of street food usually eaten by India's poor. | 0:08:46 | 0:08:52 | |
-Peanut chaat? -Yeah. | 0:08:59 | 0:09:01 | |
So you're not eating anything, you're too nervous to eat? | 0:09:12 | 0:09:14 | |
You know it's good already! | 0:09:17 | 0:09:19 | |
And then, the bride and groom arrive. | 0:09:23 | 0:09:26 | |
I've been told that they met when they were studying in Britain and fell in love. | 0:09:26 | 0:09:30 | |
But I was warned that I mustn't talk about this. | 0:09:30 | 0:09:32 | |
Hindu tradition dictates this must be an arranged marriage. | 0:09:32 | 0:09:36 | |
And love must have nothing to do with it. | 0:09:36 | 0:09:39 | |
Nidhi's father Sadesh tells me the tradition of arranged marriage is so strong | 0:09:43 | 0:09:48 | |
that HE was forced to give up his first love to save his family's honour. | 0:09:48 | 0:09:51 | |
-So you were in love with somebody and then you had an arranged marriage? -Yes. | 0:10:00 | 0:10:05 | |
-Wow, that must have been difficult. -Yes. | 0:10:05 | 0:10:07 | |
INDIAN DANCE MUSIC PLAYS | 0:10:09 | 0:10:11 | |
I'm joined by my guide Neelima. | 0:10:16 | 0:10:19 | |
She's been to dozen's of posh Indian weddings herself, | 0:10:19 | 0:10:22 | |
so I want to know if this amazing spectacle is out of the ordinary. | 0:10:22 | 0:10:26 | |
So far, is it a traditional wedding? | 0:10:28 | 0:10:31 | |
Is this what you expected to see? | 0:10:31 | 0:10:33 | |
Well, it's strangely a lot of tradition | 0:10:33 | 0:10:36 | |
but also a lot of break away from tradition. | 0:10:36 | 0:10:39 | |
Normally in a traditional Hindu wedding the groom meets the bride | 0:10:39 | 0:10:42 | |
when he come in a procession on the wedding night. | 0:10:42 | 0:10:46 | |
-So this is a bit naughty, really? -Absolutely! | 0:10:46 | 0:10:49 | |
Because there's quite a few old women here who are quite stony-faced. | 0:10:49 | 0:10:53 | |
They look a bit... | 0:10:53 | 0:10:56 | |
-I'm sure they disapprove. -Do you think they're thinking, "What are they doing?" | 0:10:57 | 0:11:00 | |
Is it their job to be a bit disapproving? | 0:11:00 | 0:11:03 | |
Sort of, and find fault. | 0:11:03 | 0:11:05 | |
With everything - with the food, | 0:11:05 | 0:11:07 | |
with whether you didn't do this properly. It's the done thing. | 0:11:07 | 0:11:10 | |
But you know they play a valuable role because they keep tradition going. | 0:11:10 | 0:11:13 | |
Day Two. Time for the next big event. | 0:11:22 | 0:11:25 | |
Hindu weddings symbolise the transferring of the bride from one family to another, | 0:11:25 | 0:11:30 | |
but also those two families coming together. | 0:11:30 | 0:11:33 | |
But before these mergers and acquisitions take place, | 0:11:35 | 0:11:38 | |
there's a chance for one last boardroom battle - a cricket match. | 0:11:38 | 0:11:42 | |
Is it traditional to have a cricket match? | 0:11:42 | 0:11:44 | |
The cricket match is not traditional but it is traditional for the two families. | 0:11:44 | 0:11:48 | |
It's an alliance between two families - weddings - | 0:11:48 | 0:11:52 | |
it's a good ice breaker. | 0:11:52 | 0:11:54 | |
It's a lot of leg pulling and teasing, it's just to break the ice. | 0:11:56 | 0:12:01 | |
Whilst a wedding is about enhancing everyone's social status, | 0:12:05 | 0:12:08 | |
it wouldn't do for anyone to get ideas above their station. | 0:12:08 | 0:12:11 | |
It would very bad form for the bride's family to win. | 0:12:11 | 0:12:15 | |
Oh, dear. | 0:12:16 | 0:12:18 | |
Golden duck. | 0:12:18 | 0:12:20 | |
He's really grumpy. | 0:12:20 | 0:12:22 | |
They may just be very bad at cricket, | 0:12:22 | 0:12:25 | |
but I suspect that Nidhi's family | 0:12:25 | 0:12:27 | |
HAVE to give their wickets away | 0:12:27 | 0:12:29 | |
to ensure the groom's honour is preserved. | 0:12:29 | 0:12:31 | |
And Rahul is allowed to be hero of the hour by taking the final wicket. | 0:12:33 | 0:12:39 | |
To the surprise of... | 0:12:48 | 0:12:50 | |
absolutely no one, the Mittal family lift the trophy. | 0:12:50 | 0:12:54 | |
Tonight is the last night Nidhi will spend with her parents as a daughter. | 0:12:58 | 0:13:02 | |
Tomorrow she will officially become a wife and join Rahul's family. | 0:13:02 | 0:13:07 | |
I want to find out how she's feeling about leaving home forever. | 0:13:07 | 0:13:11 | |
But with several outfit changes and hundreds of relatives competing for her attention, | 0:13:11 | 0:13:15 | |
I can only sneak in for a quick chat. | 0:13:15 | 0:13:18 | |
Wow, look at you! Fantastic. | 0:13:18 | 0:13:21 | |
So has does it feel to be on the verge of a whole different part of your life? | 0:13:21 | 0:13:26 | |
-Nervous yet exciting. -Why? | 0:13:26 | 0:13:28 | |
What things do you think are going to change for you? | 0:13:28 | 0:13:31 | |
A new family so there's going to be a lot of change because of that. | 0:13:31 | 0:13:35 | |
How are you feeling right now? | 0:13:35 | 0:13:37 | |
Everybody at the wedding enjoys other than the bride and the bridegroom | 0:13:37 | 0:13:41 | |
because they're all so heavily loaded. | 0:13:41 | 0:13:43 | |
Look at her, she's still looking so pretty and elegant | 0:13:43 | 0:13:46 | |
and she'll have a good time until the end of the evening and I'll be like, "OK..." | 0:13:46 | 0:13:50 | |
Before eating also I'll think about my lipstick. | 0:13:50 | 0:13:53 | |
So it's like that. | 0:13:53 | 0:13:55 | |
I've been wondering if Nidhi will keep up the facade of this being an arranged marriage, | 0:13:55 | 0:13:59 | |
or break with tradition and admit to being in love. | 0:13:59 | 0:14:03 | |
You've known each other for a little while. Do you already love each other? | 0:14:03 | 0:14:06 | |
-Yeah, yeah. -You already love each other? | 0:14:06 | 0:14:09 | |
-Even though it's an arranged marriage, you're in love? -Yeah, we've spent a lot of time together | 0:14:09 | 0:14:13 | |
-for the last one year. -That's brilliant. | 0:14:13 | 0:14:15 | |
-Congratulations. -Lots of people get married in ten days of arrangements, | 0:14:15 | 0:14:19 | |
like ten days and still they love each other, and the love continues ever after like our parents. | 0:14:19 | 0:14:25 | |
They just met and they got married in 22 days and they're together, touch wood, for 25 years. | 0:14:25 | 0:14:30 | |
-It must work. -Yeah. | 0:14:30 | 0:14:31 | |
Behind the scenes the social hierarchy is maintained. | 0:14:37 | 0:14:40 | |
To ensure the guests want for nothing, an army of waiters has been employed | 0:14:40 | 0:14:43 | |
to look after their every need. | 0:14:43 | 0:14:45 | |
And then there are those whose job it is to serve the servers. | 0:14:45 | 0:14:49 | |
It turns out that there are two kitchens - | 0:14:51 | 0:14:54 | |
one for the guests, and an entirely separate kitchen purely to feed the hundreds of workers. | 0:14:54 | 0:15:01 | |
One of those preparing the backroom meals is Vishram, who is busy making hundreds of parathas. | 0:15:01 | 0:15:07 | |
Do you ever get to join in any parts of the wedding? | 0:15:07 | 0:15:09 | |
TRANSLATION: | 0:15:09 | 0:15:14 | |
You went and had a dance, last night? | 0:15:14 | 0:15:16 | |
Does everybody go and have a little dance? | 0:15:18 | 0:15:20 | |
The bride's father has been saving up for this for years. | 0:15:23 | 0:15:26 | |
Was it the same for your bride's father? | 0:15:26 | 0:15:29 | |
But in my country we celebrate important events | 0:15:30 | 0:15:33 | |
but we don't make anywhere near as much of a big splash as you guys do. | 0:15:33 | 0:15:38 | |
It's probably true! | 0:15:42 | 0:15:44 | |
When Vishram has finished cooking he and his fellow workers must keep themselves hidden from the guests | 0:15:47 | 0:15:52 | |
who are enjoying yet another meal. | 0:15:52 | 0:15:55 | |
It's difficult not to notice the huge divide between their worlds, but it's nothing new. | 0:16:03 | 0:16:08 | |
The Indian caste system has maintained a divide for 3,000 years. | 0:16:08 | 0:16:12 | |
The barriers are slowly coming down, but at moments like this | 0:16:12 | 0:16:16 | |
the difference between rich and poor is still plain for all to see. | 0:16:16 | 0:16:19 | |
Day three. Today is the day Nidhi and Rahul will actually get married. | 0:16:35 | 0:16:41 | |
It's the day the bride's family will put on the ultimate display of wealth. | 0:16:41 | 0:16:45 | |
But first, I have to get myself looking presentable. | 0:16:46 | 0:16:49 | |
Wow! I'm ready for anything now. | 0:16:53 | 0:16:55 | |
MUSICIANS PLAYS | 0:16:57 | 0:17:00 | |
In an elaborate entrance, Rahul arrives dressed up as a prince on top of a white horse. | 0:17:04 | 0:17:10 | |
Hundreds of family members come accompanied by musicians. | 0:17:10 | 0:17:14 | |
And in a silver-plated sedan chair carried by four servants, here comes the bride. | 0:17:18 | 0:17:24 | |
After months of planning, the bride and groom are officially presented to the guests. | 0:17:32 | 0:17:38 | |
In more traditional times, this would have been the first moment the couple would set eyes on each other. | 0:17:38 | 0:17:43 | |
Unlike a Christian wedding ceremony, this service will last into the night. | 0:17:52 | 0:17:57 | |
The bride and groom are very much on display throughout whilst their guests get to eat and chat. | 0:17:57 | 0:18:02 | |
Their elaborate costumes are beginning to look decidedly uncomfortable. | 0:18:07 | 0:18:11 | |
PRIESTS CHANT IN SANSKRIT | 0:18:18 | 0:18:20 | |
After three long days, the big moment arrives. | 0:18:25 | 0:18:29 | |
Three Brahmin priests chant in Sanskrit, and then it's time for the Hindu equivalent of saying "I do". | 0:18:29 | 0:18:35 | |
Nidhi and Rahul walk around the holy fire seven times | 0:18:38 | 0:18:41 | |
promising to protect and befriend each other for all of their married lives. | 0:18:41 | 0:18:46 | |
Finally, when the paint is marked on each other's foreheads, they're married. | 0:18:51 | 0:18:55 | |
APPLAUSE, PRIESTS CHANT | 0:18:55 | 0:18:58 | |
It's time for one last extraordinary feast. | 0:19:01 | 0:19:04 | |
Oh, my God! | 0:19:04 | 0:19:07 | |
'Nidhi's parents have built an exclusive VIP tent purely for Rahul's closest family. | 0:19:09 | 0:19:16 | |
'Wedding planner Sarita has been working so hard to make it perfect she hasn't slept in days.' | 0:19:16 | 0:19:22 | |
-You're looking a little bit tired. -Very tired. | 0:19:22 | 0:19:24 | |
How much sleep have you had? | 0:19:24 | 0:19:26 | |
I have lost my voice, you can see that. | 0:19:26 | 0:19:29 | |
-You've been shouting at your staff too much. -Yeah. | 0:19:29 | 0:19:32 | |
This is a special sit-down meal, | 0:19:32 | 0:19:35 | |
for the special guests. | 0:19:35 | 0:19:38 | |
-Who are the special guests? -The boy's... | 0:19:38 | 0:19:41 | |
immediate family. | 0:19:41 | 0:19:42 | |
The bride's father is paying and yet it's the boy's family who gets pampered. | 0:19:42 | 0:19:47 | |
Yeah, and he's giving his daughter also. | 0:19:47 | 0:19:49 | |
That's outrageous! | 0:19:49 | 0:19:50 | |
Nidhi's father and the rest of his family must now roll up their sleeves | 0:19:57 | 0:20:01 | |
and physically stuff food into Rahul's family's mouths. | 0:20:01 | 0:20:05 | |
It's the ultimate act of servitude and humility. | 0:20:09 | 0:20:12 | |
Finally, it's the end of the evening, and the moment Nidhi has to say goodbye to her mum, dad, | 0:20:29 | 0:20:34 | |
brothers and sisters. | 0:20:34 | 0:20:36 | |
From now on, she will be part of Rahul's family and can only return home for short visits. | 0:20:41 | 0:20:46 | |
As only one per cent of all couples get divorced in India, there really is no going back. | 0:20:48 | 0:20:55 | |
I have to admit, at first glance the wedding seemed little more | 0:21:02 | 0:21:05 | |
than an extravagant display of wealth and social hierarchy. | 0:21:05 | 0:21:08 | |
SHE SOBS | 0:21:11 | 0:21:14 | |
But at 2am, there's suddenly genuine emotion after all the pomp and ceremony. | 0:21:14 | 0:21:20 | |
Nidhi's family finally drop their guard and show genuine sadness | 0:21:21 | 0:21:26 | |
as their daughter leaves the family forever. | 0:21:26 | 0:21:29 | |
As Rahul and Nidhi fly off on their honeymoon, I head down south to the tropical state of Kerala | 0:21:43 | 0:21:50 | |
in search of a different side of India. | 0:21:50 | 0:21:53 | |
The wedding reinforced the traditional hierarchy of Indian society. | 0:21:53 | 0:21:58 | |
But I'm on my way to a place where these rigid social divisions are said to be dissolving. | 0:21:58 | 0:22:03 | |
I'm going to the Onam feast, where millions of people come together | 0:22:05 | 0:22:10 | |
for ten days of celebrations across the entire state. | 0:22:10 | 0:22:14 | |
I arrive in Kerala with the festivities just about to start. | 0:22:17 | 0:22:21 | |
Kerala has been hugely influenced by trade with everyone from the Portuguese to the Arabs. | 0:22:21 | 0:22:27 | |
I've heard it's a place where boundaries are more flexible. | 0:22:27 | 0:22:31 | |
Kerala is lucky, people came here to trade. | 0:22:31 | 0:22:33 | |
'I meet Ramesh, a local businessman. | 0:22:33 | 0:22:36 | |
'He has a theory as to why Kerala is so different from the rest of India...' | 0:22:36 | 0:22:40 | |
Kerala, luckily, does not have the politics of religion. | 0:22:40 | 0:22:45 | |
In every other state religion is a strong political tool, | 0:22:45 | 0:22:49 | |
here it's a social way of life. | 0:22:49 | 0:22:51 | |
It's live and let live. And it carries on that way. | 0:22:51 | 0:22:54 | |
You'll see many places where there's a church and a mosque and a temple, side by side. | 0:22:54 | 0:22:58 | |
Perfectly all right. | 0:22:58 | 0:23:00 | |
There is something else different about Kerala. | 0:23:01 | 0:23:03 | |
Here, the women are in charge. | 0:23:03 | 0:23:06 | |
We also decided that because it's the mother who gives birth to the child, | 0:23:06 | 0:23:12 | |
the family hierarchy and line is through the woman and not the male. | 0:23:12 | 0:23:17 | |
There's no where else in the world which has an absolute matriarchal society. We are the only ones. | 0:23:17 | 0:23:22 | |
I don't know, in my house... | 0:23:22 | 0:23:23 | |
And you see now here, the wearing of white. | 0:23:23 | 0:23:26 | |
Onam dresses. Very beautiful. | 0:23:26 | 0:23:28 | |
Thank you. | 0:23:28 | 0:23:30 | |
Ramesh tells me the abundance of fish is another reason for Kerala's traditional harmony. | 0:23:33 | 0:23:38 | |
The cheap, accessible food here removes one of the main causes of social unrest. | 0:23:38 | 0:23:44 | |
This is a kingfish. | 0:23:44 | 0:23:46 | |
The test is always the gill. | 0:23:46 | 0:23:49 | |
You open the gill... | 0:23:49 | 0:23:50 | |
This is absolutely fresh. | 0:23:50 | 0:23:53 | |
-What have we got here? -That's a red snapper! | 0:23:55 | 0:23:58 | |
They're lovely. HE LAUGHS | 0:23:58 | 0:24:01 | |
That is extraordinary. I've never seen one that big. | 0:24:01 | 0:24:04 | |
You can come here, buy yourself a small fish, he'll clean it and they'll cook it for you. | 0:24:04 | 0:24:09 | |
Just grill it with butter and garlic, it's great. | 0:24:09 | 0:24:11 | |
-Can we do this now, is the guy here? -Yeah. | 0:24:11 | 0:24:14 | |
After eating so much exotic food at the wedding feast, it's great to have something that's simple. | 0:24:18 | 0:24:25 | |
That's fantastic. It's really good. | 0:24:25 | 0:24:27 | |
-The main thing is you can tell how fresh it is. -Yeah. That's right. | 0:24:27 | 0:24:30 | |
This is my last chance to enjoy Keralan fish. | 0:24:35 | 0:24:39 | |
Onam is a vegetarian feast. | 0:24:39 | 0:24:41 | |
Even the fishermen will be putting away their nets to celebrate. | 0:24:44 | 0:24:48 | |
With just one day before the start of the festival, there's an air of anticipation all over Kerala. | 0:24:55 | 0:25:01 | |
Onam celebrates the return to earth of the mythical King Mahibali, | 0:25:03 | 0:25:08 | |
who's coming to check that his people are still living in paradise. | 0:25:08 | 0:25:12 | |
Looking like a half naked Father Christmas, there are signs of him everywhere I go. | 0:25:12 | 0:25:17 | |
Every Keralan must show the King that for ten days, at least, they can live as equals and in harmony. | 0:25:18 | 0:25:26 | |
As I make my way to the celebrations, | 0:25:34 | 0:25:36 | |
I'm wondering if an entire state really can pull together for a public display of unity. | 0:25:36 | 0:25:42 | |
It's almost a cliche now but India really is a land of huge contradictions. | 0:25:42 | 0:25:48 | |
There's extreme wealth side by side with extreme poverty. | 0:25:48 | 0:25:52 | |
There's ancient idols and then people in shop fronts with flat screen computers. | 0:25:52 | 0:25:58 | |
But Kerala is actually quite different from any part of India I've ever seen. | 0:25:58 | 0:26:02 | |
There seems to be a lot fewer... | 0:26:02 | 0:26:06 | |
beggars on the streets, the houses seem pretty decent. | 0:26:06 | 0:26:11 | |
There seems to be a little bit more general wealth. | 0:26:11 | 0:26:15 | |
My driver Abdul soon gets bored of me pontificating about Keralan society. | 0:26:18 | 0:26:23 | |
To shut me up, he offers to let me drive the rickshaw for the rest of our journey. | 0:26:23 | 0:26:28 | |
This is not Abdul's best idea. | 0:26:32 | 0:26:36 | |
That's the clutch. | 0:26:36 | 0:26:37 | |
Hop in the back. | 0:26:37 | 0:26:39 | |
That's the brake. | 0:26:41 | 0:26:42 | |
Do we need the brake? | 0:26:42 | 0:26:44 | |
We don't worry about the brake. OK. | 0:26:46 | 0:26:48 | |
-First. -First... | 0:26:48 | 0:26:49 | |
Little, little. Slowly, slowly. | 0:26:49 | 0:26:52 | |
Where's the hooter, which one's the hooter? That one there? | 0:26:54 | 0:26:57 | |
Do you make a lot of money? | 0:27:01 | 0:27:03 | |
500, that's good. | 0:27:05 | 0:27:07 | |
How do I...? | 0:27:09 | 0:27:11 | |
Am I supposed to put my arm out? | 0:27:11 | 0:27:12 | |
I guess you're supposed to avoid the bumps. | 0:27:17 | 0:27:19 | |
Oh, there's a big one, oh, there's a big one. | 0:27:21 | 0:27:24 | |
Am I going a bit too fast? | 0:27:26 | 0:27:29 | |
How am I...? Am I good? | 0:27:29 | 0:27:30 | |
Would you give me a job? | 0:27:32 | 0:27:34 | |
Oh, hand signal. | 0:27:36 | 0:27:37 | |
Morning! | 0:27:49 | 0:27:51 | |
I feel like I'm in power. | 0:27:51 | 0:27:55 | |
# I'm a happy auto rickshaw driver! # | 0:27:55 | 0:27:58 | |
-HORN TOOTS -Beep-beep! | 0:28:00 | 0:28:03 | |
It was going really well. | 0:28:05 | 0:28:07 | |
It's about 8am. | 0:28:15 | 0:28:17 | |
It's time for the Onam festivities to start | 0:28:17 | 0:28:20 | |
and it's just about to bucket down, again. | 0:28:20 | 0:28:24 | |
Because it's the end of the monsoon season so there's a few lingering clouds of rain. | 0:28:24 | 0:28:30 | |
Amongst all the celebrations, there are two main feasts during Onam. | 0:28:33 | 0:28:38 | |
I've been invited to spend the first with a local family. | 0:28:38 | 0:28:41 | |
Chako is a taxi driver. | 0:28:43 | 0:28:45 | |
The family is cooking a special feast for about two dozen relatives. | 0:28:49 | 0:28:54 | |
Chako's wife Elsie is in charge of the preparations. | 0:28:54 | 0:28:57 | |
OK, so what are you doing? | 0:28:57 | 0:28:58 | |
Ah, sort of skinning it? | 0:28:58 | 0:29:00 | |
Is there a lot of pressure on you as the head woman of the family? | 0:29:02 | 0:29:06 | |
TRANSLATION: | 0:29:06 | 0:29:09 | |
This family is Christian. | 0:29:15 | 0:29:17 | |
But like most people in Kerala, they fully embrace this traditionally Hindu festival. | 0:29:17 | 0:29:21 | |
Outside, the kids have been busy. | 0:29:25 | 0:29:28 | |
-So this is your pookalam? -Yes. | 0:29:30 | 0:29:33 | |
It looks brilliant. | 0:29:33 | 0:29:34 | |
It's a flower design, a sort of Keralan version of a Christmas tree, made of fresh petals. | 0:29:34 | 0:29:41 | |
OK, what can I do? | 0:29:41 | 0:29:43 | |
-You can put it here. -In this area here. | 0:29:46 | 0:29:49 | |
I notice I'm the only grown-up on the job. | 0:29:49 | 0:29:53 | |
Is this something that children do, rather than adults? | 0:29:53 | 0:29:57 | |
Am I being a bit naughty coming to play? | 0:29:59 | 0:30:01 | |
What is the reason for making a pookalam? | 0:30:06 | 0:30:08 | |
What does Mahibali look like? | 0:30:12 | 0:30:14 | |
A big fat guy. | 0:30:18 | 0:30:19 | |
But my modest attempt at flower arranging may have angered King Mahibali. | 0:30:29 | 0:30:33 | |
As soon as I finish helping it starts to rain again. | 0:30:34 | 0:30:38 | |
A bit of a disaster here. The flood is coming. | 0:30:38 | 0:30:40 | |
We might have to build a dam! | 0:30:40 | 0:30:42 | |
The house is beginning to fill up. There's kids crawling around everywhere. | 0:30:51 | 0:30:54 | |
We'll check on the nerve centre of the operation. | 0:30:54 | 0:30:57 | |
PEOPLE CHATTER | 0:30:57 | 0:31:00 | |
Elsie and her sisters are still hard at work. | 0:31:04 | 0:31:07 | |
'Her father is also busy, making his speciality.' | 0:31:09 | 0:31:12 | |
Can I taste it? | 0:31:12 | 0:31:14 | |
Can I taste from the spoon, is that OK? | 0:31:14 | 0:31:15 | |
Oh! Oh! | 0:31:20 | 0:31:22 | |
That's the... | 0:31:22 | 0:31:24 | |
Wow! That's the sourest thing I've ever tasted in my life. | 0:31:24 | 0:31:27 | |
That's fantastic. | 0:31:29 | 0:31:30 | |
It's ginger and cardamom. | 0:31:30 | 0:31:32 | |
Brilliant. | 0:31:35 | 0:31:37 | |
A drink of water. | 0:31:41 | 0:31:43 | |
After a lifetime of backbreaking work, Elsie's mum and dad are now looked after by the family. | 0:31:43 | 0:31:49 | |
STEAM HISSES | 0:32:05 | 0:32:07 | |
Chako and his father-in-law bring me to their well. | 0:32:11 | 0:32:14 | |
It's Onam tradition to have a ritual bath before the feast to wash away the sins from the past year. | 0:32:14 | 0:32:20 | |
As we bathe, I can't help but notice the physical difference between these two men. | 0:32:38 | 0:32:43 | |
100 million Indians have been pulled out of poverty in the last 15 years, | 0:32:43 | 0:32:49 | |
and this change is plain to see. | 0:32:49 | 0:32:51 | |
Chako grew up in relative comfort in a more modern and prosperous India | 0:32:51 | 0:32:55 | |
whilst his father-in-law, struggled doing hard manual labour just to get by. | 0:32:55 | 0:33:00 | |
Everyone puts on new Onam outfits for the feast. | 0:33:10 | 0:33:14 | |
A banana leaf is used as a plate. | 0:33:18 | 0:33:20 | |
There used to be over 60 dishes served during Onam. | 0:33:20 | 0:33:23 | |
When one leaf was finished a new leaf was simply placed on top. | 0:33:23 | 0:33:28 | |
There's a procession of food coming in. | 0:33:28 | 0:33:31 | |
'There are now fewer dishes but the banana leaf remains.' | 0:33:31 | 0:33:35 | |
Eleven dishes are served, and must be eaten in a specific order. | 0:33:38 | 0:33:43 | |
The food is meant to be symbolically pure, so it's cooked with very little oil. | 0:33:43 | 0:33:48 | |
It's very mild, I thought with all those chillies it would be really, really hot. | 0:33:48 | 0:33:53 | |
It's an extraordinary mixture of | 0:33:56 | 0:33:58 | |
really bland flavours and some absolutely mind-blowing fiery flavours. | 0:33:58 | 0:34:04 | |
Suddenly there's something that wallops you in the mouth. | 0:34:04 | 0:34:08 | |
Keeps you on your toes. | 0:34:08 | 0:34:10 | |
Onam isn't just celebrated in people's living rooms. | 0:34:15 | 0:34:19 | |
Every year entire communities also come together for huge public feasts. | 0:34:19 | 0:34:25 | |
TRADITIONAL MUSIC PLAYS | 0:34:31 | 0:34:33 | |
We've come to a local temple to have a look at the preparations for the big feast. | 0:34:36 | 0:34:41 | |
There's a whole troop of extraordinary elephants over here covered in gold jewellery. | 0:34:41 | 0:34:46 | |
Over here there's some amazing dancers with flowers for heads. | 0:34:46 | 0:34:51 | |
There's a real air of anticipation here. | 0:34:51 | 0:34:55 | |
'Most Hindu temples organise Onam celebrations | 0:34:55 | 0:34:58 | |
'where they throw the doors open to everyone. I'm on my way | 0:34:58 | 0:35:01 | |
'to meet the head of the temple organising this huge event.' | 0:35:01 | 0:35:04 | |
Hi, I'm Stefan. | 0:35:04 | 0:35:06 | |
President of the temple. The big man! | 0:35:11 | 0:35:14 | |
Your today's most important man. | 0:35:14 | 0:35:16 | |
Can you show me around? | 0:35:16 | 0:35:17 | |
'Onam marks the start of the harvest. | 0:35:20 | 0:35:23 | |
'It's traditional to cook vast amounts of food | 0:35:23 | 0:35:26 | |
'to show King Mahabali that Kerala is still prosperous.' | 0:35:26 | 0:35:29 | |
Lady finger, Okra we call it. | 0:35:36 | 0:35:40 | |
Has everyone here been working all day? | 0:35:40 | 0:35:42 | |
Are you the choppers? | 0:35:42 | 0:35:44 | |
So what is this? | 0:35:51 | 0:35:52 | |
So you are the coconut people? | 0:36:01 | 0:36:02 | |
Excellent. | 0:36:06 | 0:36:08 | |
This is the biggest saucepan I've ever seen in my life. | 0:36:08 | 0:36:11 | |
Can we try and pick one up, I want to see how heavy it is. | 0:36:11 | 0:36:14 | |
Wow, blimey, that's big isn't it? | 0:36:14 | 0:36:17 | |
You could fit my whole family in here, | 0:36:17 | 0:36:20 | |
which is probably not a good idea. | 0:36:20 | 0:36:22 | |
Brass! That's an expensive bit of kit. | 0:36:26 | 0:36:29 | |
There's such a lot of money involved in all of this, | 0:36:29 | 0:36:32 | |
how does it all get paid for? Who pays for the meals? | 0:36:32 | 0:36:35 | |
That's a very nice thing to do. | 0:36:44 | 0:36:46 | |
Onam only, after Onam back to the usual way! | 0:36:51 | 0:36:54 | |
THEY LAUGH | 0:36:56 | 0:36:57 | |
LOUD DRUMMING MUSIC | 0:37:01 | 0:37:06 | |
Next morning the entire state of Kerala bursts into life. | 0:37:16 | 0:37:21 | |
Legend has it that the Gods were jealous of King Mahabali | 0:37:27 | 0:37:31 | |
for being so popular amongst his people. | 0:37:31 | 0:37:33 | |
They banished him to the underworld, | 0:37:34 | 0:37:37 | |
allowing him to return just once a year to visit his subjects. | 0:37:37 | 0:37:41 | |
So every year, rich and poor alike | 0:37:41 | 0:37:44 | |
pull out all the stops to welcome him back. | 0:37:44 | 0:37:47 | |
I return to the temple to find the celebration in full swing. | 0:37:49 | 0:37:54 | |
So today is the big day. This is Thiruonam, the big feast day. | 0:37:56 | 0:38:00 | |
Everyone's pouring into the temple grounds. | 0:38:00 | 0:38:03 | |
There are thousands of people here already. | 0:38:03 | 0:38:05 | |
The monsoon's cleared for a little while. | 0:38:05 | 0:38:08 | |
The sun's come out. I'm going to go and check up on the cooks | 0:38:08 | 0:38:11 | |
and see if they survived the mayhem and chaos of last night. | 0:38:11 | 0:38:14 | |
'The ground's littered with exhausted workers. | 0:38:20 | 0:38:23 | |
'It's clear everyone's been working flat out. | 0:38:23 | 0:38:26 | |
'Despite his lack of sleep, the Vice President is in high spirits.' | 0:38:26 | 0:38:30 | |
-Good morning sir. How are you? -Very fine. | 0:38:30 | 0:38:34 | |
-Happy Onam. -Thank you. | 0:38:34 | 0:38:35 | |
So how are the preparations going? | 0:38:35 | 0:38:37 | |
How many people will that pot serve? | 0:38:41 | 0:38:43 | |
6000 or 8000 people! | 0:38:46 | 0:38:47 | |
Oh, blimey! | 0:38:48 | 0:38:49 | |
How many people will this feed? | 0:38:51 | 0:38:53 | |
-200. -200 people? That's rice for 200? | 0:38:53 | 0:38:55 | |
Have you had any sleep yet? | 0:38:55 | 0:38:56 | |
-No sleep. -No sleep. | 0:38:56 | 0:38:58 | |
You must be exhausted. Why do you do it? | 0:38:58 | 0:39:02 | |
Satisfaction and money. Two days 2,000 rupees. | 0:39:02 | 0:39:06 | |
-That's pretty good. -Yes. | 0:39:06 | 0:39:08 | |
Will you teach me how to do it? | 0:39:11 | 0:39:13 | |
So I need to flip them round? | 0:39:16 | 0:39:19 | |
Stand back. OK. | 0:39:19 | 0:39:21 | |
Ooh. | 0:39:24 | 0:39:25 | |
-HE LAUGHS -Ow! | 0:39:28 | 0:39:29 | |
-HE LAUGHS -Ow, that hurt. | 0:39:30 | 0:39:32 | |
After weeks of preparation, the hard work is about to pay off. | 0:39:38 | 0:39:43 | |
What's extraordinary is that this is exactly the same meal | 0:39:51 | 0:39:55 | |
as Chako's family had prepared with huge amount of love and dedication. | 0:39:55 | 0:39:59 | |
But on a massive scale for 7,000 people. | 0:39:59 | 0:40:02 | |
Then, as the guests arrive, the inevitable happens. | 0:40:09 | 0:40:12 | |
It's extraordinary. Five minutes ago it was completely blue skies, baking sunshine. | 0:40:16 | 0:40:21 | |
Then the monsoon starts falling which could be disastrous | 0:40:21 | 0:40:24 | |
because there are very few covered spaces so the big worry is | 0:40:24 | 0:40:27 | |
that the thousands of people who are expected won't actually turn up. | 0:40:27 | 0:40:30 | |
But the sun soon comes out along with thousands of guests. | 0:40:32 | 0:40:36 | |
Before the queues get too big I head out to meet Chako and his family. | 0:40:36 | 0:40:41 | |
-Good morning. -Hi. | 0:40:42 | 0:40:44 | |
-How are you? -Very good, how are you? | 0:40:44 | 0:40:48 | |
You all look beautiful. Fantastic! | 0:40:48 | 0:40:50 | |
So smart! More new clothes. | 0:40:50 | 0:40:52 | |
-Yes. -Excellent. | 0:40:52 | 0:40:54 | |
Is this the start of the queue? | 0:40:59 | 0:41:02 | |
How long do you reckon to get down there? | 0:41:02 | 0:41:04 | |
-Two or three... -Two hours? | 0:41:04 | 0:41:07 | |
'After 60 years of independence | 0:41:07 | 0:41:09 | |
'the Indians have kept one British tradition alive...queuing. | 0:41:09 | 0:41:13 | |
'Groups of 400 people are let in at each sitting. | 0:41:15 | 0:41:20 | |
'They have just 15 minutes to eat, so the clock's ticking.' | 0:41:20 | 0:41:25 | |
People are relatively quiet. | 0:41:25 | 0:41:27 | |
For a room full of 400 people there's just a light hum. | 0:41:27 | 0:41:31 | |
Everyone's concentrating on eating. | 0:41:31 | 0:41:33 | |
What's absolutely amazing is the idea that | 0:41:33 | 0:41:35 | |
millions of people across the whole of Kerala | 0:41:35 | 0:41:39 | |
are sitting down at the same time to exactly the same meal. | 0:41:39 | 0:41:42 | |
Maybe that's something to do with why Kerala has this legendary sense | 0:41:42 | 0:41:46 | |
of tolerance and unity because things like this | 0:41:46 | 0:41:49 | |
bring people together in a really extraordinary way. | 0:41:49 | 0:41:52 | |
'This is a world away from the wedding feast. | 0:41:58 | 0:42:01 | |
'Here, I can see rich and poor, | 0:42:01 | 0:42:03 | |
'Christian and Hindu all sitting eating together. | 0:42:03 | 0:42:06 | |
'This equality and harmony is what Onam is all about.' | 0:42:06 | 0:42:11 | |
This is the best bit, isn't it? | 0:42:21 | 0:42:24 | |
It's all that cardamom. | 0:42:24 | 0:42:25 | |
Elsie, it's exactly same as the one that you cooked. | 0:42:25 | 0:42:28 | |
It's amazing. | 0:42:28 | 0:42:29 | |
'Suddenly, I realise that everyone else has finished.' | 0:42:31 | 0:42:35 | |
Everybody's gone. | 0:42:35 | 0:42:37 | |
OK, we better be quick. | 0:42:37 | 0:42:39 | |
I'm suddenly feeling a bit out of place sitting here and eating. | 0:42:43 | 0:42:46 | |
Chako, thank you very, very much. | 0:42:55 | 0:42:57 | |
It's been a real privilege spending Onam with you. | 0:42:57 | 0:43:00 | |
Thank you very much. | 0:43:00 | 0:43:02 | |
Have a great rest of Onam. OK. | 0:43:04 | 0:43:05 | |
Onam lasts for ten days, | 0:43:19 | 0:43:21 | |
so there are constant spectacular celebrations across the state. | 0:43:21 | 0:43:25 | |
It's about time I got well and truly stuck in. | 0:43:25 | 0:43:29 | |
I'm on my way to a town called Thrichur | 0:43:29 | 0:43:31 | |
for a part of the festivities called Pulikali. | 0:43:31 | 0:43:34 | |
Now, this could be one of the great high points of my life. | 0:43:34 | 0:43:38 | |
It could also be one of the great low points of my life | 0:43:38 | 0:43:41 | |
because for Pulikali you dress up like a tiger. | 0:43:41 | 0:43:46 | |
Not just dress up like a tiger, | 0:43:46 | 0:43:48 | |
you have full body paint and you perform a ritual dance. | 0:43:48 | 0:43:53 | |
Obviously my concern is that | 0:43:53 | 0:43:54 | |
I'm going to look like a complete pillock, | 0:43:54 | 0:43:57 | |
making a mockery of a wonderful and beautiful ceremony. | 0:43:57 | 0:44:00 | |
DRUMMING | 0:44:03 | 0:44:07 | |
I suddenly feel sick with, I don't know if it's fear or excitement, | 0:44:15 | 0:44:20 | |
or something, but they're practising drumming down here | 0:44:20 | 0:44:25 | |
and it's some sort of primal sensation you get from the drumming. | 0:44:25 | 0:44:30 | |
I suddenly realise that I kind of thought this was fun | 0:44:30 | 0:44:33 | |
a little while ago, but now I'm thinking this is actually | 0:44:33 | 0:44:36 | |
a really important part of somebody's culture. | 0:44:36 | 0:44:39 | |
It's not something to be messed about with. | 0:44:39 | 0:44:41 | |
'By the next morning, I'm still feeling well out of my depth.' | 0:44:49 | 0:44:54 | |
God, What am I doing? | 0:44:54 | 0:44:55 | |
-Oh! -HE CHUCKLES | 0:45:12 | 0:45:15 | |
Morning! | 0:45:18 | 0:45:20 | |
Good morning! | 0:45:20 | 0:45:22 | |
'The tiger dance is a competition between local neighbourhood teams. | 0:45:22 | 0:45:26 | |
'This year there'll be 800 tigers on display. | 0:45:26 | 0:45:30 | |
'I'm going to be the first foreigner to take part. | 0:45:30 | 0:45:33 | |
'The first stage of my tiger transformation is a full body shave. | 0:45:35 | 0:45:40 | |
'Without any shaving cream.' | 0:45:42 | 0:45:45 | |
-Is this an important part of it? -Yes. | 0:45:46 | 0:45:48 | |
Why can't the tiger have a little bit of hair? | 0:45:48 | 0:45:51 | |
My wife quite likes this. | 0:45:55 | 0:45:57 | |
Sorry, honey. | 0:45:57 | 0:45:59 | |
It feels like any second you're going to slice my nipple off. | 0:46:09 | 0:46:12 | |
Not that as well! | 0:46:14 | 0:46:15 | |
It feels a bit like a layer of skin's being taken off, | 0:46:21 | 0:46:24 | |
leaving you somehow slightly purer in a funny way. | 0:46:24 | 0:46:28 | |
Maybe because it looks like I'm 14 underneath this! | 0:46:28 | 0:46:32 | |
Word gets out that a pasty British guy is about to take part. | 0:46:39 | 0:46:43 | |
The news crews begin to gather. | 0:46:43 | 0:46:46 | |
A real tiger? I've got a little way to go but I hope so. | 0:46:47 | 0:46:52 | |
It's very exciting. | 0:46:52 | 0:46:54 | |
-Are you going to get your belly out? -Oh, no. | 0:46:54 | 0:46:56 | |
Come here! Come on, let me have a go. | 0:46:56 | 0:46:58 | |
HE LAUGHS | 0:46:58 | 0:47:00 | |
I thought it was going to be funny. | 0:47:07 | 0:47:09 | |
There's a huge hole in the floor and I pushed him down it! | 0:47:09 | 0:47:14 | |
Was that live? | 0:47:14 | 0:47:16 | |
'It appears I'm missing something to make my tiger a total success.' | 0:47:26 | 0:47:30 | |
So the big belly is better? | 0:47:40 | 0:47:42 | |
'Perhaps it's a slow news day, but the cameras keep on coming. | 0:47:51 | 0:47:56 | |
'I'm keen to fit in with my team. | 0:47:58 | 0:48:01 | |
'Maybe a coat of paint is all I need. | 0:48:01 | 0:48:03 | |
'The dancers bring pictures of the style they're after. | 0:48:03 | 0:48:07 | |
'I just ask for a basic tiger.' | 0:48:07 | 0:48:09 | |
A bit of household matt emulsion. | 0:48:12 | 0:48:15 | |
Lead based! | 0:48:15 | 0:48:16 | |
After they shaved me and left the skin all raw on my chest, | 0:48:23 | 0:48:27 | |
the paint seems to be seeping into the raw skin. | 0:48:27 | 0:48:30 | |
It's agony. | 0:48:30 | 0:48:32 | |
'I'm not the only one feeling the pain. | 0:48:35 | 0:48:38 | |
'But the guys have a remedy - local brandy.' | 0:48:38 | 0:48:41 | |
'My team come from all different walks of life | 0:48:48 | 0:48:51 | |
'lorry drivers, accountants, businessmen. | 0:48:51 | 0:48:55 | |
'But we all seem to be getting along incredibly well. | 0:48:55 | 0:48:57 | |
'Perhaps a little too well.' | 0:48:57 | 0:48:59 | |
There's a strange sort of male bonding going on. | 0:48:59 | 0:49:02 | |
It's slightly disturbing at the same time. | 0:49:02 | 0:49:04 | |
Maybe it's just me! | 0:49:04 | 0:49:06 | |
Oh! | 0:49:07 | 0:49:08 | |
And then he tickles my nipples! | 0:49:10 | 0:49:12 | |
'It's one thing to be painted like a tiger, but this is a competition. | 0:49:13 | 0:49:18 | |
'And I have just half an hour to learn how to dance like a tiger.' | 0:49:18 | 0:49:22 | |
Grrraahh!! | 0:49:29 | 0:49:31 | |
There's too many things to do at once. | 0:49:31 | 0:49:33 | |
Argh! | 0:49:33 | 0:49:35 | |
THEY LAUGH AND CHEER | 0:49:37 | 0:49:39 | |
Time to earn my stripes. | 0:49:46 | 0:49:48 | |
I feel as though I've really bonded with my team and I want to do them proud. | 0:49:48 | 0:49:52 | |
I'm obviously not going to be the best tiger dancer on the planet, | 0:49:52 | 0:49:57 | |
but what would be really, really nice is if I had my mask on, | 0:49:57 | 0:50:01 | |
just for a moment, that people didn't know | 0:50:01 | 0:50:04 | |
that I was the weedy English bloke that turned up earlier on. | 0:50:04 | 0:50:08 | |
Our team of 50 men are competing against the other neighbourhoods. | 0:50:18 | 0:50:23 | |
Everyone's turned out to wish us well. | 0:50:24 | 0:50:26 | |
I'm ordered to go to the front but I still feel like I'm blending in, | 0:50:32 | 0:50:36 | |
a bit too much for some. | 0:50:36 | 0:50:38 | |
I keep wanting to put my mask down, but they keep coming and putting it back up again, | 0:50:41 | 0:50:46 | |
saying that they're more likely to win | 0:50:46 | 0:50:48 | |
if there's an English guy in their troupe. | 0:50:48 | 0:50:51 | |
I carry on regardless, in a an increasingly desperate attempt to prove that white guys can dance. | 0:50:52 | 0:50:59 | |
It's like being back in the '80s, like some crazy rave. | 0:51:06 | 0:51:10 | |
Getting carried away with some beat I know nothing about! | 0:51:10 | 0:51:13 | |
Hundreds of thousands of people turn up. | 0:51:36 | 0:51:39 | |
After my self consciousness fades, | 0:51:39 | 0:51:41 | |
I begin to lose myself in this intoxicating communal celebration. | 0:51:41 | 0:51:46 | |
I've been dancing for about three hours. | 0:52:01 | 0:52:04 | |
It's the same dance, pretty much all the time. | 0:52:06 | 0:52:08 | |
The weird thing is, I never see a sign of a judge. | 0:52:09 | 0:52:13 | |
It doesn't even feel like there's a competition going on. | 0:52:13 | 0:52:16 | |
But it is an extraordinary experience. | 0:52:17 | 0:52:21 | |
It was amazing because you're there in the middle of it, | 0:52:21 | 0:52:24 | |
there's all this stench of fumes and petrol | 0:52:24 | 0:52:27 | |
and stench of sweat from all of our bodies as well. | 0:52:27 | 0:52:30 | |
And you can see all the crowds shouting and waving their hands | 0:52:30 | 0:52:34 | |
along the side of the road as well in time with this monotonous beat. | 0:52:34 | 0:52:38 | |
And they're just all enjoying it because they're together doing something all as one. | 0:52:38 | 0:52:43 | |
Extraordinary sensation. | 0:52:45 | 0:52:46 | |
Now I'd really like to get the paint off. | 0:52:46 | 0:52:49 | |
I'd really, really, really like to get the paint off. | 0:52:49 | 0:52:52 | |
But there's a problem. | 0:52:52 | 0:52:53 | |
The one guy that we know of who can take this stuff of with some kerosene is very, very drunk. | 0:52:58 | 0:53:04 | |
He refuses to help. | 0:53:05 | 0:53:06 | |
It looks like I'll have to stay painted as a tiger for the rest of my trip. | 0:53:06 | 0:53:10 | |
But the neighbours take pity and start scraping my flesh with their finger tips. | 0:53:10 | 0:53:16 | |
It's absolute agony but I'm so grateful for their help. | 0:53:16 | 0:53:21 | |
They rub kerosene into my skin until the paint finally starts to come off. | 0:53:21 | 0:53:25 | |
After two hours of intensive and painful scrubbing, I shed my skin. | 0:53:27 | 0:53:32 | |
Feeling raw and tender the next day, | 0:53:39 | 0:53:41 | |
I go to relax with the papers in my local tea shop. | 0:53:41 | 0:53:45 | |
But my attempt to blend in with the crowd has amounted to nothing. | 0:53:46 | 0:53:50 | |
Everyone's staring at me. | 0:53:51 | 0:53:53 | |
Overnight I've become a Keralan superstar. | 0:53:55 | 0:53:58 | |
This morning's papers are quite interesting. | 0:53:58 | 0:54:00 | |
That's me, twice, giving a bit of a roar there, | 0:54:02 | 0:54:05 | |
doing a little bit of a dance in that one. | 0:54:05 | 0:54:08 | |
It gets better. There's me actually looking quite aggressive, | 0:54:08 | 0:54:11 | |
which I'm quite pleased about as I didn't think I quite managed it. | 0:54:11 | 0:54:14 | |
There's me, looking a little bit bored. | 0:54:14 | 0:54:17 | |
This is very nice because Will, the cameraman, | 0:54:18 | 0:54:22 | |
managed to get on the front page as well. | 0:54:22 | 0:54:24 | |
I've got my eyes closed but, there you go. | 0:54:24 | 0:54:26 | |
I kept on talking about how it was so wonderful | 0:54:26 | 0:54:29 | |
that there were all these different religions and castes coming together for Onam, | 0:54:29 | 0:54:33 | |
that might sound fluffy, but in fact these things are really important to India. | 0:54:33 | 0:54:38 | |
In the same paper there are lots of reports about religious violence. | 0:54:38 | 0:54:41 | |
Here's a report about Christian groups retaliating after they were attacked by Hindus. | 0:54:41 | 0:54:46 | |
There's lots of reports of inter caste violence, | 0:54:46 | 0:54:49 | |
and a few days ago 12 people were killed in a bomb in Delhi. | 0:54:49 | 0:54:52 | |
There are problems bubbling under the surface in India, | 0:54:52 | 0:54:55 | |
and so I'm just beginning to realise now how important events like Onam are, | 0:54:55 | 0:55:00 | |
events that bring people together. | 0:55:00 | 0:55:02 | |
Today is one of the last events of the Onam festival, | 0:55:17 | 0:55:20 | |
and the communal spirit lives on. | 0:55:20 | 0:55:22 | |
I've come to Pathanamthitta to see the spectacular snake boat races. | 0:55:22 | 0:55:26 | |
Hundreds of years ago local leaders brought the Onam harvest down the river as a ritual offering. | 0:55:26 | 0:55:32 | |
Now those journeys have been turned into a celebratory race, | 0:55:32 | 0:55:35 | |
where thousands of people come to end Onam with a bang. | 0:55:35 | 0:55:39 | |
Men from all walks of life wear traditional dress | 0:55:48 | 0:55:51 | |
in boats decked out with ancient symbols of wealth. | 0:55:51 | 0:55:55 | |
They don't seem to be putting much effort in. | 0:55:57 | 0:55:59 | |
They're having too much fun on the boat. | 0:55:59 | 0:56:01 | |
Just before they started, the announcer said, | 0:56:01 | 0:56:04 | |
"It's very much like the Oxford and Cambridge boat race, but better." | 0:56:04 | 0:56:07 | |
I have to say it's a hell of a lot more fun. | 0:56:07 | 0:56:10 | |
Waves of boats set off down the river, singing their team anthem. | 0:56:16 | 0:56:20 | |
I've been wondering what this insane, huge, shared experience says about India. | 0:56:31 | 0:56:36 | |
And the one thing that's surprised me more than anything else, | 0:56:36 | 0:56:39 | |
that I didn't really expect to find, was the enormous sense of fun here. | 0:56:39 | 0:56:43 | |
I kind of thought Onam would be a relatively formal affair, | 0:56:43 | 0:56:47 | |
that it would be about religion or culture or history. | 0:56:47 | 0:56:51 | |
I'm sure those things are sunk deep inside here but everybody here is just having a laugh. | 0:56:51 | 0:56:56 | |
As the boats come down here, there are two right next to each other | 0:56:59 | 0:57:02 | |
and they're trying to draw, rather than trying to win. | 0:57:02 | 0:57:05 | |
They're trying to cross the line as a dead heat, | 0:57:05 | 0:57:08 | |
which is an extraordinary thing. | 0:57:08 | 0:57:10 | |
I don't think you'd get that in Britain. | 0:57:10 | 0:57:12 | |
But everybody here seems to be in great spirits. | 0:57:12 | 0:57:14 | |
There's now, I don't know, a hundred thousand people stretched along a couple of miles of river. | 0:57:14 | 0:57:20 | |
They're here for a party, more than anything else, and there's a sense of joy. | 0:57:20 | 0:57:24 | |
It's an expression of quite pure celebration. | 0:57:24 | 0:57:27 | |
CHEERING | 0:57:27 | 0:57:30 | |
India as a whole may suffer from the deep divides reinforced at the wedding feast I'd been to. | 0:57:45 | 0:57:52 | |
But Onam was different. | 0:57:52 | 0:57:53 | |
Ten unforgettable days when an entire state came together | 0:57:53 | 0:57:58 | |
in a series of extraordinary, massive celebrations. | 0:57:58 | 0:58:02 | |
That's the power of a feast. | 0:58:03 | 0:58:05 | |
The people of Kerala are unique in their ability to put aside class or religious differences, | 0:58:05 | 0:58:11 | |
all in the name of making their old King Mahabali proud. | 0:58:11 | 0:58:15 | |
And you know what? | 0:58:15 | 0:58:16 | |
I think he would have been. | 0:58:16 | 0:58:18 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:49 | |
E-mail [email protected] | 0:58:49 | 0:58:52 |