Mexico Feasts


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Transcript


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I'm Stefan Gates.

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I'm on a journey to immerse myself

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in some of the most extraordinary feasts and festivals on earth.

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From the palaces of Rajasthan to the graveyards of Mexico,

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and the ancient temples of Japan,

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I'm hoping that by joining in these mass celebrations

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I'll be able to conquer my inhibitions and get under the skin

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of people and cultures around the world.

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I've just landed in the biggest city in the world,

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Mexico City, home to 18 million souls.

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But the most striking thing about this place isn't its size.

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It's built on the ruins of an ancient Aztec city.

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Today, Mexican blood is a mix of the old world and the new.

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The Aztecs and the Spanish Conquistadors.

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But once a year, these wildly different cultures

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combine in one spectacular celebration.

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I've come to Mexico City and it's a frenzy of activity here,

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because in just under a week they'll be celebrating

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one of the world's most extraordinary festivals,

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Dia de los Muertos, the Mexican Day of the Dead.

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Death is everywhere in Mexico.

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The Aztecs thought that death was the true state of being.

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Today, Mexicans believe the spirit of their ancestors

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visit them for three days.

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Day of the Dead is now one of the biggest feasts of the year.

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Everywhere I go there are symbols of the dead.

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Some of them with surprising additions.

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It's got a bottle of Corona!

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Slightly macabre.

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For me, death is something that's never really talked about.

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I want to find out if bringing it out in the open

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changes the way I feel.

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I've been told to bring mementos of my own dead relatives,

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although I have no idea what I've let myself in for.

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Thankfully, Day of the Dead is still a week away.

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While I prepare myself for the spiritual onslaught,

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I want to understand more about Mexico

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by joining in a very different celebration.

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# Oye mamacita... #

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I'm about to go to a Quince Anos,

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a 15-year-old girl's coming-of-age birthday bash.

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Like Day of the Dead,

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a Quince Anos is a fusion of Aztec culture and Spanish Catholicism.

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Back in 16th-century Spain, turning 15 was the critical moment

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where a girl had to decide whether to give herself up to God,

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and become a nun, or get married.

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Today, the girls still have a crucial decision to make

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ahead of turning 15, but the big dilemma now,

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is what to wear for their big party.

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It's a whole district dedicated to clothes for Quinceaneras

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and baptisms and all the bits and pieces, the bouquets,

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and the plastic flowers and things you might need.

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Terrifying for a bloke and for a father

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that girls want this kind of stuff.

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But the whole area is full of these wide-eyed girls

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full of their hopes and dreams that one day

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they're going to look like this.

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The coming-of-age ceremony

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was around well before the Spanish conquered Mexico 500 years ago.

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The Aztecs had many of their own religious and spiritual traditions,

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and one of them was a ceremony preparing girls for life as an adult.

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The older women would give them all the advice necessary

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to make the transition into womanhood.

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It's the combination of Aztec and Spanish traditions

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that are the foundations of the modern day Quince Anos.

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As a dad of two little girls myself, I want to learn why families here

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are prepared to go to crippling lengths to give their daughters

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the biggest party of their lives.

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I go to meet the Aguilera's, an upper-middle class family

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in the north of the city.

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-Hola!

-Como estas? Estamos esperando.

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Sergio is an insurance broker,

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I guess you'd call him a thoroughly modern Mexican.

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So is this Karla? Hey, Karla. I'm Stefan.

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Good to meet you.

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In just three days he and his wife, Luz are throwing a Quince Anos

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for their only daughter Karla.

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-Hi.

-Hola, I'm Stefan. Hi there.

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That's quite an impressive stack of presents, isn't it?

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You can't open it yet, can you? Is that allowed?

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-Yes!

-Really?!

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Wow! It's pink!

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I love pink. It's my favourite colour.

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My brother, my Mum and my Dad, but 20 years ago.

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In Luz's day, a Quince Anos was a small party,

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attended by close family and friends.

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But for Karla things will be different.

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She was little here.

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Wow! She looks like a little doll there.

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-She liked pink then, as well?

-Yes.

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In the traditional Catholic celebration,

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the coming-of-age girl, or Quinceanera,

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would wear a white dress, showing her purity.

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Any other colour would be an outrage.

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But Karla is a thoroughly modern girl.

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-What's this? Karla?

-Karla?

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-Er, it's my dress.

-That's the dress?

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-Yes.

-Wow! Look at that. That's a lot of material.

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It is.

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So who chose this? Did you chose it?

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Or did mum?

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Which one?

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-A-ha. It's a very princess dress, isn't it?

-Yes.

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For Karla, the party might be about wearing a big dress

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and getting lots of presents.

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But for her father, Sergio it means much, much more.

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She looks lovely in it.

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I was amazed because she looks so different.

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How do you feel when you see her wearing the dress?

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-Kind of awkward.

-Why?

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Because I think of her like my tiny girl, still.

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And I find it kind of hard for her changing the way of life and...

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-To see her as a woman?

-Oh, yes.

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It is kind of hard for a father to do that.

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The idea of that with my daughters terrifies me.

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With two nights to go before the big event,

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Sergio invites me to another traditional Mexican celebration,

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one that's as far removed from the purity of a Quince Anos

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as it's possible to get.

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Mexican wrestling is one of the most popular sports in the country.

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Every week, millions of viewers tune in to watch masked opponents

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battling it out in the time-honoured tradition of good verses evil...

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..with chicks in bikinis and the odd dwarf thrown into the mix.

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Between fights I get a chance to chat to Sergio, mano-a-mano,

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about what it's like losing his daughter to womanhood.

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I'm wondering what you're feeling like?

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You're spending a lot of money. How much will this cost you?

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Like £9,000. That's a lot of money.

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-That's a HUGE amount of money.

-Yes, it's like buying a new car.

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-A mid-sized new car.

-That must be a large proportion of your earnings.

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Oh, yes, it is. We have to save a long time for this.

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Would you have preferred a cheaper venue? Or cheaper food?

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How much could I have saved with a cheaper party?

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If she wasn't happy, it was not worth it, at all.

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Which bit of the party are you most looking forward to yourself?

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OK. A waltz.

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And the waltz is like...

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just being she and me alone for a moment.

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I expect it to be magic.

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Whilst you can't put a price on magic,

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I'll just mention the waltz is costing Sergio

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twice the average Mexican salary.

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One of those costs is a private dance instructor.

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The dance is the moment when Sergio will present

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Karla as a woman to society...

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and he's leaving nothing to chance.

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Traditionally, the Quinceanera would have a single male escort

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to accompany her for the evening. But like many modern girls,

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Karla has roped in four

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to try to make her big night the talk of the school.

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So, how long have they been rehearsing this for?

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From August.

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From August, so three months?

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Just on Sundays. Two hours.

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Just Sundays, two hours. That's all!

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-I'm...stressed.

-You're stressed out?

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-You're stressed anyway!

-Yes.

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-This really doesn't help, then?

-No.

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It's not just Sergio coughing up cash, though.

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All of the guests, including me, are expected to honour the event

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with a gift, and Karla has a gift list.

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It's to be found at Mexico City's poshest department store,

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the oddly named, "Liverpool."

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Hola.

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Hola.

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Mucho gusto.

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I feel thoroughly out of my depth shopping for a 15-year-old girl,

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so Luz Ester, head of the Gift List department,

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has offered to help me pick out the perfect present.

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-Do most girls get everything they ask for?

-Yeah.

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-Really?!

-Yeah.

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And what's the most expensive thing on the whole list?

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Is it this DKNY coat? Yeah.

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The designer coat costs £170.

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That's more than the average weekly wage in Mexico.

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That's quite sophisticated, isn't it? For a 15-year-old? Yeah.

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I think we'll put that one back because it's a bit too much for me.

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-OK.

-So what else can we have a look at?

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The history books make no reference to DKNY

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during the Aztec coming-of-age ceremonies.

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Not something I feel able to bring up

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as Luz skilfully guides me towards the handbag department.

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I generally close down when anybody mentions handbags,

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my mind just shuts off, so I need all the help that you can give me.

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That's quite a tame one. Aahh, with an extra little gorilla motif.

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That's really sweet, actually. I can imagine giving that to my daughters

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when they're 15. So I might buy that.

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It might be one of the cheapest presents on the list,

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but I can hold my head up high.

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I feel I'm now fully equipped to participate

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in this ancient tradition.

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9am - the morning of the party.

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I'm checking in on Luz to see how she's doing.

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Oh, look at you!

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-Are you very stressed out?

-Yes.

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-So what is this? A...

-Cold sore.

-Cold sore.

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-And is that because you're very nervous?

-Yes.

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Do you always get them when you're nervous?

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Yes, I do, but this time it's worse than ever.

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Will you be all right by later do you think?

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Well, I hope so. I'm going to buy some medicine.

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There's clearly a huge amount at stake.

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We head off to the beauty salon to see if they can help.

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I think it's a physical expression of your love for your daughter.

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-How about that?

-Well, yes, but, you know, I don't like it.

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-You'll be gorgeous by tonight.

-I hope so.

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Luz isn't the only one feeling the heat. Karla has her own anxieties.

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Luz tells me that she's found it tough fitting in

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with her peers at school, but she's invited lots of them anyway.

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This could be her moment to lose her geeky image, to finally become cool.

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It's a risky strategy.

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Her popularity at school all depends on the success of tonight.

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Back at the house, the relatives are gathering.

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The beauty salon tried their best to cover up Luz's cold sores.

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She's still devastated, but she puts on a brave face.

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The biggest night in Karla's life has finally arrived.

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Just like in a fairytale, Karla's carriage awaits.

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But first stop, the church.

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We've finally got everyone out of the house and we're on our way,

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the trouble is it's already 7:37.

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The service started about seven minutes ago theoretically,

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and everyone that was in the house is way behind,

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they're all stuck in a traffic jam trying to get out of the street.

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So I hope that Mexican church time's a little bit flexible.

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MUSIC: "Land Of Hope And Glory"

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But a few more minutes isn't a problem.

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To the rather surprising tune of Land Of Hope And Glory,

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Karla walks down the aisle on her way to becoming a woman.

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In the original Catholic ceremony, this was the time

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when a girl would have to decide whether to become a nun

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or get married.

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And just like that, Karla takes her first steps as a woman.

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After the ceremony,

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I ask Karla's priest what he makes of the modern day Quince Anos.

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But the mass consumption is only just beginning.

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The family has thrown a fortune into making the party

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seem as extravagant and as cool as possible.

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But for Sergio, tonight isn't about the cost.

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It's about a last dance with his daughter as a little girl,

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and his first dance with her as a woman.

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APPLAUSE

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Quinceanera's traditionally perform at least two dances -

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a waltz and then a more modern dance.

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It's all been very innocent, so what comes next is a bit of a surprise.

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CHA CHA MUSIC PLAYS

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RAPTUROUS CHEERS AND APPLAUSE

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CROWD CHANT

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Wow! That was quite an extraordinary difference between

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the big Quince Anos dress and the young woman dress.

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I was quite shocked at that.

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SALSA MUSIC PLAYS

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It's been a huge emotional, as well as financial strain,

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for Sergio and Luz.

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But now they can finally let their hair down.

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You're coming with me.

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-But I don't know how to dance!

-Excellent! I don't know either.

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I think a little spin around, how about that? Yeah!

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It might all seem materialistic,

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but at the heart of the Quince Anos is a critical moment in life.

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By embracing puberty, it transforms a difficult part

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of growing up into a celebration.

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For Karla, I'm just hoping it'll be a success.

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As the clock approaches midnight, the signs are looking good.

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It's the morning after the big party and I'm hitting the road.

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I'm heading south to rural Oaxaca.

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I'm looking forward to immersing myself in the Day of the Dead.

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Do the dead really return to earth?

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And if so, can I actually meet my own dead relatives?

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But I'd been told that I first need to get familiar with mescal,

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the liquor that drives the Day of the Dead ceremonies.

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Which is why I find myself in a large field with Mario.

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So how old are these plants?

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-So this one's ready to go is it?

-Yeah.

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Mario makes mescal.

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It's similar to tequila, it's brewed from agave plants.

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It's the drink used to toast the spirits of your ancestors

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as they make their annual return back to earth.

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So do you not need the leaves themselves, is it just the trunk?

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Only that, yeah.

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Mescal isn't only used to welcome back the dead.

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In Oaxaca, they'll find pretty much any reason to open a bottle.

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Is it a good life being a mescal farmer?

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Ten litres.

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The locals have been making mescal in this region for over 2,000 years.

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Wow! Look at that.

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It does look like a pineapple.

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It was the Aztec version of a cup of tea, though slightly stronger.

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The core of the plant is baked in a hole in the ground

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to caramelize the sugars and intensify the flavours.

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Then it's crushed and like everything on Mario's farm,

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it's not exactly a hi tech process.

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It's just breaking it all down,

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and so it's turning it into a mash.

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OK, I want to see how hard the horse is working.

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HE GROANS WITH EXERTION

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To heavy?

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STEFAN LAUGHS

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I help you?

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-Go on then. OK, are you ready?

-Yeah.

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Blimey!

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Once the plant is crushed,

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it's left to ferment and then it's cooked again.

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And that liquid is pure mescal.

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So it goes through into here and cools down,

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and is that it coming through there now?

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So this is fresh mescal, straight from the still.

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-I've never tried this before.

-Natural, yeah.

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Hoo!

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Ooh, I thought it was going to give me a really painful hit,

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-but it's really clean, isn't it?

-Yeah.

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Wow! And then it really warms you up inside!

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One thing that's slightly worrying is that my lips have gone numb.

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Is that normal?

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That's a good thing, is it?

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Purely for the purposes of research,

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Mario insists I try his different blends.

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It turns out he has quite a range.

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OK. Salud!

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That really gets you deep down, doesn't it?

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Salud!

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-Cheers.

-Cheers.

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I can feel my brain contracting in my head.

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-Salud!

-Salud!

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Wow!

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How strong is that?

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Salud! Nice one.

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Oh, God!

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I need a little lullaby to send me to sleep, please.

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Feeling slightly fuzzy-headed, I finally reach Oaxaca.

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Unlike Mexico City,

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the influence here is much more Aztec than Spanish.

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The Aztecs always celebrated death.

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"Life," they said, "is just a dream.

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"Only in death are we truly awake."

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If there's ever a place where I'll see spirits coming back to earth,

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this is going to be it.

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Today's Day of the Dead is a three-day festival

0:25:220:25:25

mixing the ancient Aztec traditions with the Catholic All Saints Day.

0:25:250:25:30

It's very different from the way I'd grown up to think about death,

0:25:300:25:33

which is, well... not to think about it at all.

0:25:330:25:36

I wonder if celebrating something I prefer to avoid

0:25:360:25:39

will make it easier to deal with.

0:25:390:25:43

-Catalina?

-Bienvenidos.

0:25:440:25:46

Thank you very much for letting me come and visit you.

0:25:510:25:54

Look at this place, it's beautiful!

0:25:540:25:56

I've been invited to spend the festival

0:26:000:26:02

with Catalina and her family.

0:26:020:26:04

Is this the virgin of Guadalupe?

0:26:070:26:09

This is extraordinary. What is this room?

0:26:160:26:20

And this is all your family?

0:26:260:26:28

Is that you? Oh, wow!

0:26:350:26:37

You had big cheeks then!

0:26:370:26:39

THEY LAUGH

0:26:390:26:41

Wow! That's the way to have a kitchen.

0:26:420:26:45

Catalina's mum, Guadalupe,

0:26:450:26:47

is busy cooking for the Day of the Dead feast.

0:26:470:26:49

Who does all the cooking for Day of the Dead?

0:26:500:26:53

Is it your mother or is it you?

0:26:530:26:55

So has all the really tough work been done or have you got me here

0:26:570:27:01

to do all the hard work?

0:27:010:27:02

Excellent!

0:27:050:27:06

Catalina's father, Andres, comes home from work early

0:27:060:27:10

to help with the preparations.

0:27:100:27:12

I love your hat!

0:27:120:27:15

It's very cool? Have you just come in from work?

0:27:150:27:18

Si.

0:27:190:27:20

You've got to give your wife a kiss when you come home.

0:27:200:27:23

Thank you very much for letting me come and join you.

0:27:280:27:30

I've been wondering whether they really believe

0:27:310:27:34

the dead are coming back,

0:27:340:27:37

or if the whole thing is mainly an excuse for a big party.

0:27:370:27:41

So is everyone looking forward to the Day of the Dead?

0:27:410:27:45

It's a huge jump for me as I've never experienced this before.

0:27:500:27:53

Is there anything I can do to prepare myself,

0:27:530:27:56

to get myself ready, to try and...sense, erm,

0:27:560:28:01

some of my family that's passed away?

0:28:010:28:03

Catalina's not the only one who thinks the dead are returning.

0:28:250:28:28

Whilst in Britain we tend to associate death with misery,

0:28:330:28:36

here in Oaxaca, they have a very different outlook.

0:28:360:28:40

MUSIC: "La Vida Es Un Carnaval" by Celia Crux

0:28:400:28:42

Every night during the festivities, huge parades take place in the city.

0:28:480:28:53

Here, life is turned upside down.

0:28:530:28:55

Locals dress up as skeletons, men dress as women,

0:28:550:28:59

and parties are thrown in graveyards to welcome death.

0:28:590:29:03

I meet up with Jorge who helps to organise the festivities.

0:29:050:29:09

We're celebrating the Day of the Dead,

0:29:110:29:13

but, I think, it's more for the Day of the Lives,

0:29:130:29:17

because we're going to have a great party tonight!

0:29:170:29:20

Day of the Dead seems to be a chance to laugh at death,

0:29:220:29:26

and show you're not afraid.

0:29:260:29:28

-Sit down.

-OK.

0:29:330:29:35

I really need to throw my heart and soul into the festivities

0:29:350:29:38

if I'm going to understand what they're all about.

0:29:380:29:40

We meet up with Virginia who's keen to dress us up.

0:29:420:29:46

There's just one problem...

0:29:470:29:49

the costume Virginia brought for me is meant for a woman.

0:29:490:29:53

Is it a bit short on me?

0:29:530:29:54

I don't mind being a girl, but I don't want to be a tart.

0:29:540:29:57

Oh, gosh! It's a bit small.

0:29:590:30:01

It doesn't fit.

0:30:010:30:04

If we squeeze me in.

0:30:040:30:07

Aah! That's made it! That's made it.

0:30:070:30:10

Virginia dresses me up as Catrina,

0:30:120:30:14

Day of the Dead's most famous character.

0:30:140:30:18

She represents a rich old lady,

0:30:180:30:19

a reminder that even money can't keep us from death.

0:30:190:30:23

Jorge's also a Catrina, but of a slightly different proportion.

0:30:290:30:34

The thing is, what happens if I lose you in the crowd?

0:30:340:30:37

No-one here seems to think it's bizarre to get dressed up

0:30:500:30:53

like a dead granny and I have to admit, it's strangely liberating.

0:30:530:30:58

CHEERING

0:30:580:31:02

Our plan is to blend in, but we end up leading the procession.

0:31:050:31:09

Woo-hoo! Woo-hoo! Woo-hoo!

0:31:120:31:15

I'm not any closer to understanding the true meaning

0:31:170:31:19

behind Day of the Dead,

0:31:190:31:21

but this soon feels like the most normal thing in the world.

0:31:210:31:25

BRASS BAND CONTINUES TO PLAY

0:31:280:31:30

The next morning, I find myself in Oaxaca's largest graveyard.

0:31:510:31:55

I've come to meet Nora, a local historian,

0:31:590:32:02

who wants me to meet her relatives.

0:32:020:32:04

-So where are we taking these to?

-We're going to see grandmother.

0:32:080:32:11

Actually the space was first for grandfather.

0:32:110:32:15

Grandmother died like, three years ago.

0:32:150:32:18

So what we're doing is we're going to bring some flowers to her tomb.

0:32:180:32:22

There is the tomb.

0:32:220:32:25

This one here?

0:32:250:32:26

-Right here.

-Wow! It's a whole house!

0:32:260:32:29

Yeah! It's big, no?

0:32:290:32:31

My grandfather and my grandmother is here,

0:32:310:32:34

and you see the pictures right there.

0:32:340:32:36

We really believe that grandmother and grandfather and all the people

0:32:360:32:40

who pass away, pass away and you love it. They coming back.

0:32:400:32:44

So they're actually physically coming back...

0:32:440:32:47

-The spirit is what is coming back.

-The spirit's coming, OK.

0:32:470:32:50

The spirit is what is coming back

0:32:500:32:52

and that's why we try to prepare all the good food.

0:32:520:32:57

You know they love to eat in that time.

0:32:570:32:59

You know Oaxaca people doesn't have money for a lot of things,

0:32:590:33:03

but for food and for flowers and for the celebrations,

0:33:030:33:07

-it's just, you know, unique.

-You'll always find some money for...

0:33:070:33:11

You're always gonna find money for that.

0:33:110:33:13

Tell me about your grandfather and grandmother. What were they like?

0:33:130:33:18

Grandmother was really young, compared with him.

0:33:180:33:22

-She looks very pretty.

-She was.

0:33:220:33:25

She was and she still is probably really pretty.

0:33:250:33:28

I can't say physical, but I can feel.

0:33:280:33:30

You keep saying these things that make...

0:33:300:33:32

I can't quite get my head around, "She's still really pretty."

0:33:320:33:35

I've got to get into your mindset here, I think.

0:33:350:33:39

When your grandparents come back,

0:33:390:33:40

do you think they might argue with each other when they're back?

0:33:400:33:43

Like maybe they did when they were alive?

0:33:430:33:45

You know, Grandmother used to say

0:33:450:33:47

that Grandfather was always having girlfriends around.

0:33:470:33:52

So maybe this is a great opportunity for she complain, you know?

0:33:520:33:56

What he was doing!

0:33:560:33:59

Nora understands that the whole idea of Day of the Dead

0:34:020:34:06

is a bit of a mental leap for me.

0:34:060:34:09

Eating is central to the whole experience

0:34:090:34:12

and she thinks I'll understand it better if I help her make mole.

0:34:120:34:15

Come on, Stefan! Let's go make the mole!

0:34:150:34:18

We have to prepare this before, you know?

0:34:180:34:22

Mole's a traditional Oaxacan sauce

0:34:220:34:25

that's been served since long before the Spanish arrived.

0:34:250:34:29

Now it's the food of choice for welcoming back the dead.

0:34:290:34:33

-Why mole?

-Why mole. Well...

0:34:330:34:35

Why not guacamole and a few tacos?

0:34:350:34:38

Guacamole and a few tacos is really casual and this is really elegant.

0:34:380:34:43

-For this is for a formal...

-For a really formal occasion. OK?

0:34:430:34:48

All the peppers are clean and I have here, guess what? Lard.

0:34:480:34:52

Lard. Hey!

0:34:520:34:54

This is a pork lard and this is the most wonderful thing.

0:34:540:34:59

You don't mess about. That's about three heart attacks there.

0:34:590:35:02

-You need a lot.

-This really is going to be Day of the Dead.

0:35:020:35:04

Yes, we need a lot.

0:35:040:35:06

-You see how it turns brown?

-You're kind of deep-frying them in lard.

0:35:060:35:10

That's why you need lots of lard.

0:35:100:35:12

When my grandmother was cooking and there was going to be a party,

0:35:120:35:15

she would always want a shot of mescal,

0:35:150:35:18

-or a little cubita de sallo, no?

-Oh, yeah?

-Oh, yes. A-ha.

0:35:180:35:21

-Bring it on, honey. Where's the mescal?

-Where's the mescal?

0:35:210:35:24

Lorena, bring some mescal, please.

0:35:240:35:26

-Gracias! Here it is.

-Hey!

0:35:260:35:29

There's only one cup there. What about you?

0:35:290:35:33

If I drink it, I'm going to sleep.

0:35:330:35:35

HE LAUGHS

0:35:350:35:36

Muchas gracias.

0:35:360:35:38

-One shot.

-One shot?

0:35:380:35:40

You're hardcore, aren't you?

0:35:400:35:42

SHE LAUGHS

0:35:420:35:43

It's good, it's bad?

0:35:520:35:54

OK, look. When they are toasty...

0:35:540:35:58

-Are you OK?!

-No, I want to go home!

-I'm so sorry!

0:35:580:36:02

-But the second shot it feels better.

-Oh, that's all right, is it? OK.

0:36:020:36:06

-OK...

-Oh!

0:36:060:36:08

-It smells fantastic.

-Smells good?

-Oh, yeah.

0:36:130:36:16

Does cooking have a spiritual significance for you?

0:36:160:36:19

Yes, of course.

0:36:190:36:21

Four years ago when we cooked for the last time, Grandmother and I,

0:36:210:36:25

she told me she was feeling like she was going to pass away,

0:36:250:36:30

and she told me that I better learning well

0:36:300:36:33

and getting the right point to the mole,

0:36:330:36:37

because she was not going to be with me the next year.

0:36:370:36:40

The next year, she was not here, but her spirit was here.

0:36:400:36:45

She loved to cook, so she was always around checking everything

0:36:450:36:49

and, to me, this is the most...closest I can get to her.

0:36:490:36:55

So was she basically saying to you, "You better learn this,

0:36:550:36:58

"because I want you to cook it for me when I'm gone?"

0:36:580:37:01

Si, basically, that's what she say.

0:37:010:37:03

This is what you need. Exactly like that.

0:37:110:37:13

-That's the stuff.

-OK.

0:37:130:37:15

That's fantastic. It looks like mud.

0:37:150:37:17

Like mud!

0:37:170:37:19

The mole already seems like a coronary waiting to happen,

0:37:230:37:26

so what does Nora do?

0:37:260:37:28

She adds chocolate, an Aztec favourite.

0:37:280:37:31

This is going to be rich, rich, rich.

0:37:310:37:34

You want to taste it now?

0:37:340:37:36

Oh, wow!

0:37:390:37:41

It tastes really smoky and thick...

0:37:410:37:45

and kind of meaty and... A really deep, deep, deep flavour.

0:37:450:37:51

Look at that. It's outrageous!

0:37:510:37:53

The mole is just a sauce.

0:37:530:37:54

You can add anything to it, but the most popular ingredient is chicken.

0:37:540:37:59

OK. Let's go bring a plate. OK?

0:37:590:38:02

It's quite salty.

0:38:020:38:04

-Salud!

-Salud! To Grandmother.

0:38:040:38:06

Si, to Grandmother.

0:38:060:38:08

-Oh, hoo!

-So am I experiencing a little bit of your grandmother here?

0:38:110:38:15

Of course. You feel like she's right here,

0:38:150:38:17

checking our faces and seeing how much we like it.

0:38:170:38:21

I can't help noticing Nora's sister Lorena is overcome with emotion.

0:38:230:38:27

The smell and taste of her grandmother's favourite feast

0:38:270:38:31

is making the memories come flooding back.

0:38:310:38:34

Why are you crying?

0:38:340:38:36

Is the memory of your grandmother a good thing?

0:38:360:38:39

All this is her.

0:38:450:38:46

But is this a good thing or is this a sad thing?

0:38:460:38:50

Ah, you're making me feel all upset now as well.

0:38:560:38:59

That's the feeling and that's why all this.

0:38:590:39:03

That's why the Day of the Dead.

0:39:030:39:05

Early the next morning,

0:39:140:39:16

I'm back at Catalina's for day two of the festival.

0:39:160:39:18

This is the day when those who died as children return.

0:39:180:39:24

All across Mexico, people are in their homes,

0:39:240:39:28

tending their altars and waiting for the dead infants to arrive.

0:39:280:39:33

I'm not a particularly sentimental person, I don't think,

0:39:330:39:36

and I don't believe in ghosts, but there is a huge sense of a build up

0:39:360:39:41

to something and it's these sensual things, foods and smells and sounds,

0:39:410:39:46

and the idea of being here where people truly believe

0:39:460:39:50

that the dead are coming back.

0:39:500:39:52

I'm wondering if it's beginning to carry me along.

0:39:520:39:54

The big difference is everyone here is really excited and happy

0:39:540:39:58

and I'm feeling tense and a little bit frightened.

0:39:580:40:02

Catalina and her dad, Andres, aren't helping my mood

0:40:060:40:10

as they break out the skeletons.

0:40:100:40:11

It's a bit like breaking out the Christmas decorations,

0:40:110:40:14

but these are Day of the Dead ornaments,

0:40:140:40:17

usually meant to represent their beloved ancestors.

0:40:170:40:20

This is an interesting situation.

0:40:310:40:33

Catalina has said that she wants to interview me

0:40:330:40:36

and ask me a few questions.

0:40:360:40:37

Which is a bit of a relief, really. It takes the pressure off me.

0:40:370:40:42

What did you want to ask me?

0:40:420:40:44

I can't imagine that. I can't imagine it.

0:40:570:41:01

Is he on his way here now?

0:41:150:41:18

Catalina's determined to get beneath the skin of my English reserve.

0:41:230:41:28

One really interesting thing that I've been thinking about

0:41:310:41:35

the Day of the Dead is that my father never knew his father,

0:41:350:41:39

because he died in World War II.

0:41:390:41:42

And he didn't even know that that was his real father.

0:41:420:41:47

He thought that his father was the man that his mother married

0:41:470:41:52

after her first husband died.

0:41:520:41:55

Obviously, this guy is my grandfather and I never knew him.

0:41:550:41:58

I've never pictured him. I always thought somebody else

0:41:580:42:01

was my grandfather, so it's a really strange time.

0:42:010:42:03

And I don't want to get all sort of hocus-pocus therapeutic about it,

0:42:030:42:07

but I kind of thought that going through the Day of the Dead

0:42:070:42:11

and being able to concentrate on this guy,

0:42:110:42:13

that I've never thought about before as my grandfather,

0:42:130:42:15

might help me understand it a little bit better,

0:42:150:42:18

maybe understand my dad a little bit better.

0:42:180:42:20

The other person that I'm very keen trying to focus on

0:42:360:42:39

on the Day of the Dead itself, is my wife's mum,

0:42:390:42:44

who died when my wife was 16,

0:42:440:42:47

just a couple of days after her 16th birthday.

0:42:470:42:50

Who I also never knew, but I'm so thankful for,

0:42:500:42:53

you know, for my wife and for being the grandmother of my children.

0:42:530:42:58

-Are you feeling OK? Are you OK now?

-Si.

0:43:000:43:04

With three hours to go before the dead come back,

0:43:080:43:11

the altars are stacked high with food.

0:43:110:43:14

Why do you put food on the altar?

0:43:140:43:17

This room now smells so strongly of all these flowers.

0:43:440:43:47

The food all being here,

0:43:470:43:49

it's such a strange thing to see all this edible stuff.

0:43:490:43:52

It's an incredibly sensual experience already,

0:43:520:43:55

the incense is being prepared and things like that.

0:43:550:43:58

So, it is an earthly sensation that should drive you into feeling

0:43:580:44:02

a certain way and maybe feeling that the dead are coming back.

0:44:020:44:06

But it's still a big jump for me to make.

0:44:060:44:09

CHURCH BELL TOLLS

0:44:090:44:11

It's 3 o'clock.

0:44:190:44:20

We're about to receive the souls of dead children.

0:44:200:44:24

Catalina's family have never lost any infants,

0:44:240:44:26

but they'll be receiving the souls of kids who don't have

0:44:260:44:29

any family left alive to remember them.

0:44:290:44:32

Andres prepares the room, as the local church bells ring

0:44:320:44:36

to let everyone in the town know that the dead are on their way.

0:44:360:44:40

Do you have a sensation of them being here now?

0:44:550:44:58

Just after the bells started ringing there was a big rush of air outside

0:45:100:45:14

and the incense poured out of the room here.

0:45:140:45:17

OK.

0:45:300:45:32

So, did I have the same experience that they did and think that

0:45:410:45:45

the souls of the dead were coming in?

0:45:450:45:47

No, I didn't.

0:45:470:45:49

But did I have some kind of spiritual journey? Of course I did.

0:45:490:45:53

I was concentrating so much on the idea that children have died

0:45:530:45:56

and that their lives are worth celebrating and so, yes,

0:45:560:46:00

you do get some sort of sensation that the dead are here with us.

0:46:000:46:05

As night falls, we head towards the graveyard.

0:46:110:46:14

Looking forward to seeing the cemetery.

0:46:170:46:21

We're going to decorate the tomb

0:46:210:46:24

that holds several of Catalina's family,

0:46:240:46:26

including her beloved great-grandmother.

0:46:260:46:29

Everyone else from the village is here

0:46:310:46:33

decorating their ancestors' tombs with flowers and candles.

0:46:330:46:37

They'll be keeping a vigil all night.

0:46:370:46:39

There's an extraordinary atmosphere in here.

0:46:450:46:47

It's a kind of sparkling atmosphere.

0:46:470:46:49

There's lots of people laughing and chatting.

0:46:490:46:52

It's just so far away from my experience of graveyards.

0:46:520:46:57

I may not be a Catholic, but I'm a buyer!

0:46:570:47:00

I'm a buyer of this way of dealing with death.

0:47:000:47:03

I'd love my grave to be celebrated in this way.

0:47:030:47:08

Soon the local Catholic church joins in the ancient Aztec festivities.

0:47:390:47:44

SINGING

0:47:490:47:51

It's traditional to sing and play music for the spirits,

0:47:510:47:54

inviting them back to earth.

0:47:540:47:56

Everyone wants to make sure the dead feel welcome.

0:47:580:48:02

I'm beginning to understand how it's possible to celebrate death.

0:48:020:48:06

But I want to know if Catalina really isn't afraid of dying.

0:48:060:48:11

If you knew you were going to die tomorrow

0:48:110:48:13

would you still see death as something that's funny?

0:48:130:48:17

We've cracked the mescal, So, salud!

0:48:460:48:50

So we're now having a party. Erm, a party...

0:48:500:48:54

an alcohol party in a graveyard.

0:48:540:48:56

After eight hours, it's time to head home.

0:49:000:49:03

The graveyard's pretty much empty now.

0:49:060:49:09

There's a couple of mariachis still singing here.

0:49:090:49:12

We're on our way home, it's been freezing cold,

0:49:120:49:15

so I've been warmed up nicely by a skin full of mescal.

0:49:150:49:19

It's been quite a revelation.

0:49:190:49:21

I've never seen death as being such a positive, happy experience before.

0:49:210:49:28

I feel really exhilarated by all of this.

0:49:280:49:31

Here we are.

0:49:310:49:33

MARIACHIS SING

0:49:330:49:34

Night-night to the dead.

0:49:340:49:35

A good way to say goodbye, isn't it?

0:49:430:49:45

But my excitement is short-lived.

0:49:490:49:52

Catalina's determined to get me closer to the dead

0:49:520:49:55

than I ever anticipated.

0:49:550:49:57

I'm not much of a... superstitious person,

0:50:010:50:07

but this is what I can see from my bed.

0:50:070:50:10

Well, it's 8 o'clock here in the room of doom,

0:50:170:50:22

but it hasn't been a traumatic night.

0:50:220:50:27

It has started to sink into me

0:50:270:50:30

that the memory of your dead relatives and your dead loved ones

0:50:300:50:34

doesn't need to be mournful, it can be exciting and it can be happy.

0:50:340:50:39

Today is day three,

0:50:450:50:47

when the spirits of adult relatives return.

0:50:470:50:50

After all this immersing myself in death,

0:50:500:50:53

I'm beginning to feel more receptive

0:50:530:50:55

to the idea of them actually coming back.

0:50:550:50:57

I wonder if I might be able to get in touch with my own dead family,

0:50:570:51:01

or if it's all still a little out of my reach.

0:51:010:51:04

Catalina is busy putting photographs

0:51:070:51:09

of the people she loves most on the altar.

0:51:090:51:12

And who are these?

0:51:180:51:20

That's a real wild west sort of photo, isn't it?

0:51:240:51:28

-Si.

-Beautiful.

0:51:280:51:31

How would you feel if I put a couple of photos of mine on here?

0:51:310:51:36

Would that be appropriate?

0:51:360:51:37

How will I know if they're here?

0:51:490:51:52

Catalina, I have one photo of my wife's mother...

0:51:550:51:59

..who I never met and she died when my wife was 16.

0:52:030:52:08

But my grandfather, we didn't know that he was my grandfather

0:52:080:52:13

until very recently, so I've just got an entry in the birth register.

0:52:130:52:18

Do you think that's OK?

0:52:180:52:19

I think they'd probably like the flowers.

0:52:230:52:25

I think Georgia's Mum would like the flowers.

0:52:250:52:27

It's quite an emotional idea to do.

0:52:290:52:32

Is it all right if I sit down for a minute?

0:52:380:52:41

What a strange idea.

0:52:520:52:53

I'd like to tell Julia I'm very thankful for, Georgia, my wife,

0:52:560:53:02

and that I know Georgia loves her enormously,

0:53:020:53:06

and it was such a tragedy that she died when my wife was 16.

0:53:060:53:13

I so wish that I'd met her.

0:53:170:53:21

And I guess for my grandfather...

0:53:310:53:33

I don't want to seem really sentimental and silly.

0:53:370:53:41

Oh, dear me!

0:53:410:53:42

HE CHUCKLES

0:53:420:53:44

I'm not really used to doing this.

0:53:440:53:46

I wish my grandfather knew that he had a son. That he...

0:53:500:53:56

that my father was alive because he never knew that...

0:53:560:54:00

he had a son.

0:54:000:54:01

Until literally a couple of years ago, I never even thought

0:54:030:54:07

of somebody else as being my grandfather.

0:54:070:54:09

So it's a...an incredible feeling

0:54:090:54:15

to just to sit and concentrate on it for a minute

0:54:150:54:17

and to think about somebody that...

0:54:170:54:23

somebody that was part of my family that I never knew.

0:54:230:54:25

Look what you've done to me. I'm a mess!

0:54:350:54:37

It's quite nice. I've never...I've never...cried about them before.

0:54:410:54:47

It's always seemed like a horrible sadness, but it is quite uplifting

0:54:470:54:53

to finally sit and concentrate on them and think about them.

0:54:530:54:57

It's sort of cleansing, in a way.

0:54:570:55:00

I never saw the spirits of Reginald Gates or Juliet Glyn Smith,

0:55:140:55:18

but much as I hate superstition,

0:55:180:55:20

to say I didn't feel their presence wouldn't be entirely true.

0:55:200:55:25

I'm reluctant to say it, but yes, in a strange way, I did meet the dead.

0:55:250:55:31

Finally, it's time to prepare the feast of the dead.

0:55:370:55:42

Here it's plata tamale, a corn and tomato-based dish

0:55:450:55:49

that Oaxacans have been making for centuries.

0:55:490:55:52

Guadalupe and Catalina

0:55:550:55:56

are clearly not used to seeing a man in the kitchen.

0:55:560:55:59

Ow!

0:55:590:56:01

The first plate of the feast goes to their most distinguished guests,

0:56:020:56:07

the visiting dead.

0:56:070:56:09

I can imagine that Reginald Gates never tried plata tamale.

0:56:130:56:16

I think they'd like that.

0:56:160:56:18

FIREWORKS BANG

0:56:200:56:23

Before the living guests can eat,

0:56:260:56:28

everyone gathers in the altar room one last time.

0:56:280:56:31

To the sound of fireworks, all across Mexico,

0:56:310:56:34

it's time to say goodbye for another year.

0:56:340:56:37

And that's a fundamental change to my way of thinking.

0:56:420:56:45

You don't just acknowledge the dead once,

0:56:450:56:47

you can look forward to their return as long as you live.

0:56:470:56:51

As head of the house,

0:56:540:56:55

Andres helps the dead back on their return journey.

0:56:550:56:59

How do you feel about them leaving?

0:57:030:57:05

Yeah, I think so too.

0:57:140:57:16

Let's go eat.

0:57:220:57:25

I'd made an extraordinary connection that I'd never felt before.

0:57:340:57:38

But stepping out of the altar room and into the sunlight for a beer,

0:57:380:57:42

didn't in anyway feel strange.

0:57:420:57:45

It felt exhilarating.

0:57:450:57:46

And that seems to be the point of Day of the Dead,

0:57:460:57:50

it's both tragic and celebratory.

0:57:500:57:53

Los muertos! Los muertos.

0:57:550:57:58

-Y mama.

-Por mama.

0:57:580:58:00

It's been an incredible, life-changing experience.

0:58:000:58:03

I never expected the intensity of a celebration

0:58:030:58:07

could bring me closer to my own family,

0:58:070:58:09

and even help me understand my own mortality.

0:58:090:58:12

Maybe when you celebrate death like Catalina's family do,

0:58:140:58:19

grief is slightly easier to bear.

0:58:190:58:22

Subtitles by Red Bee Media Ltd

0:58:520:58:54

E-mail [email protected]

0:58:540:58:56

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