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FANFARE | 0:00:02 | 0:00:03 | |
CLUCKING | 0:00:03 | 0:00:04 | |
DREAMY FRENCH SONG PLAYS | 0:00:05 | 0:00:06 | |
-But, mon ami... -Oui. -..what is France today? -Oof. -What is it that | 0:00:13 | 0:00:17 | |
-we cherish most? -Oof. -Is it liberty? -Oh, oui. | 0:00:17 | 0:00:20 | |
-Egality? -Mais oui! | 0:00:20 | 0:00:22 | |
-Fraternity? -Absolument! | 0:00:22 | 0:00:25 | |
-But most of all... -Oui! | 0:00:25 | 0:00:28 | |
-..ze poultry! -Ah! | 0:00:28 | 0:00:31 | |
-Ah, vive la poultry! -Vive la poultry! | 0:00:31 | 0:00:34 | |
COUGHING | 0:00:36 | 0:00:37 | |
OK, OK. An oeuf...is an oeuf. | 0:00:37 | 0:00:44 | |
-TOGETHER: We're back! -Shabu! | 0:00:46 | 0:00:49 | |
'And we're on our biggest adventure ever.' | 0:00:49 | 0:00:51 | |
Let's go! | 0:00:51 | 0:00:53 | |
'We're taking our bikes to four continents.' | 0:00:53 | 0:00:55 | |
Where's Dave? | 0:00:55 | 0:00:56 | |
'To find out how chicken | 0:00:56 | 0:00:58 | |
'has taken over the culinary world.' | 0:00:58 | 0:01:00 | |
-Absolutely superb. -This is almost a religious experience. | 0:01:00 | 0:01:04 | |
'And why it's about to become the planet's most popular meat.' | 0:01:04 | 0:01:07 | |
We are going to cross France just to find a chicken. | 0:01:07 | 0:01:11 | |
'We'll uncover the world's most fascinating and delicious...' | 0:01:11 | 0:01:15 | |
-TOGETHER: Curry! -'..chicken and egg dishes.' | 0:01:15 | 0:01:17 | |
Chicken! | 0:01:17 | 0:01:18 | |
'From the great British roast to exotic spices in Morocco... | 0:01:18 | 0:01:22 | |
'And the best ways of cooking them. | 0:01:22 | 0:01:26 | |
TOGETHER: Oh, yes! | 0:01:27 | 0:01:29 | |
'We're exploring the history | 0:01:29 | 0:01:31 | |
'and cultural impact of the humble chicken.' | 0:01:31 | 0:01:33 | |
It's the Holy Land. | 0:01:33 | 0:01:35 | |
'And the egg, dude. | 0:01:35 | 0:01:37 | |
'From the home of lip-smacking fast-food... | 0:01:37 | 0:01:40 | |
Thank you! | 0:01:40 | 0:01:41 | |
'..to French cordon bleu...' | 0:01:41 | 0:01:43 | |
Oh! | 0:01:43 | 0:01:44 | |
-Paris! -Ooh-la-la! | 0:01:44 | 0:01:47 | |
'..it's our most finger-lickin' chickeny adventure ever.' | 0:01:47 | 0:01:52 | |
ALL: Hurrah! | 0:01:52 | 0:01:54 | |
I don't know how you top this. | 0:01:54 | 0:01:55 | |
CLUCKING | 0:01:59 | 0:02:00 | |
'This time, we're in France, the place I've made home.' | 0:02:04 | 0:02:08 | |
-Enchante, madame. -Enchante. | 0:02:08 | 0:02:10 | |
'In a country where they will happily pay | 0:02:10 | 0:02:13 | |
'40 euros for a quality bird.' | 0:02:13 | 0:02:15 | |
It's nice, huh? | 0:02:15 | 0:02:16 | |
'We'll grasp...traditions which launched the humble chicken | 0:02:17 | 0:02:22 | |
'to gastronomic heights.' | 0:02:22 | 0:02:24 | |
That's the skill of this cuisine. | 0:02:24 | 0:02:25 | |
'We'll track down truly legendary birds... | 0:02:25 | 0:02:28 | |
'Learn the secrets of France's greatest chefs.' | 0:02:28 | 0:02:32 | |
That's the way I'm cooking my chicken from now on. | 0:02:32 | 0:02:34 | |
'And have our first-ever triple Michelin star moment.' | 0:02:34 | 0:02:39 | |
-That was one of the most magical moments ever. -Amazing. | 0:02:39 | 0:02:43 | |
Amazing. | 0:02:43 | 0:02:44 | |
-I'm in heaven! We're in France. -Yes, home to some of the best food | 0:02:48 | 0:02:53 | |
in the world, dude, some of the finest chickens. | 0:02:53 | 0:02:55 | |
-And you. -Mais oui! | 0:02:55 | 0:02:57 | |
I'm a resident of France now, cos I've moved over the Channel. | 0:02:57 | 0:03:01 | |
'That's right, our Tour de France is the perfect chance | 0:03:01 | 0:03:05 | |
'for me to show you my adopted country, Si. We could even go | 0:03:05 | 0:03:09 | |
-to my place later. -Oh, what a treat, mate. | 0:03:09 | 0:03:12 | |
But we're starting off here | 0:03:12 | 0:03:14 | |
in France's capital of gastronomy, Lyon, | 0:03:14 | 0:03:17 | |
which is about 300 miles south of Paris. | 0:03:17 | 0:03:20 | |
Because it's here that the foundations | 0:03:20 | 0:03:23 | |
of France's culinary greatness were laid. | 0:03:23 | 0:03:26 | |
But can you remind us why we're on pushbikes? | 0:03:28 | 0:03:32 | |
Because it's part of being French - the joie de vivre, | 0:03:32 | 0:03:35 | |
the tres jolie, the nouvelle vague. | 0:03:35 | 0:03:38 | |
Lyon. It's a wonderful city, isn't it, mate? | 0:03:41 | 0:03:44 | |
It is, but these cobbled streets aren't just pretty. | 0:03:44 | 0:03:48 | |
As us French know, they hold the key | 0:03:48 | 0:03:50 | |
to a treasure trove full of chicken. | 0:03:50 | 0:03:53 | |
They do say, Si, "Cherchez la femme." | 0:03:53 | 0:03:57 | |
-I'm none the wiser, dude. -Women, Kingy. -Oh. -Les Meres Lyonnaises. | 0:03:58 | 0:04:02 | |
-Ah! -Mums! -Well, I wish you'd said that before, | 0:04:02 | 0:04:06 | |
cos, as you always know, mums know best. | 0:04:06 | 0:04:08 | |
Les Meres Lyonnaises are the legendary ladies | 0:04:12 | 0:04:14 | |
whose cooking became a benchmark for fancy chefs. | 0:04:14 | 0:04:18 | |
To find one, you need to find one of Lyon's traditional eateries | 0:04:18 | 0:04:23 | |
called "Bouchon". | 0:04:23 | 0:04:25 | |
At Chez Hugon, the resident mere is Arlette Hugon. | 0:04:25 | 0:04:29 | |
Arlette has been cooking in Lyon's kitchens for 50 years. | 0:04:31 | 0:04:34 | |
She must have known we were coming, she's baked a cake! | 0:04:34 | 0:04:38 | |
Oh, very funny. Anyway. This is a chicken liver cake. | 0:04:38 | 0:04:43 | |
-A Lyonnais classic. -Parsley and garlic are combined, | 0:04:43 | 0:04:47 | |
liver and eggs are added and blended. | 0:04:47 | 0:04:51 | |
Then the mix is poured into a bowl of bread and milk | 0:04:51 | 0:04:55 | |
before heading for the oven. | 0:04:55 | 0:04:57 | |
Hunks of the cake are then heated in a rich, creamy sauce. | 0:04:58 | 0:05:03 | |
-Ah, merci, Arlette. -Merci. | 0:05:05 | 0:05:07 | |
'And while we tuck in, Arlette's going to tell us | 0:05:07 | 0:05:10 | |
'how the Meres Lyonnaises came to rule the roost.' | 0:05:10 | 0:05:14 | |
'Arlette tells us that women used to cook in the houses | 0:05:21 | 0:05:25 | |
'of the rich silk traders, | 0:05:25 | 0:05:27 | |
'but when the industry went into decline, | 0:05:27 | 0:05:30 | |
'lots of factories closed down. | 0:05:30 | 0:05:32 | |
'The women, or meres, were out of a job, so they started to cook | 0:05:32 | 0:05:36 | |
'in small restaurants like this one. | 0:05:36 | 0:05:38 | |
'Les meres became famous for cooking old dishes | 0:05:38 | 0:05:41 | |
'taught by their mothers and grandmothers.' | 0:05:41 | 0:05:43 | |
You see, the mothers that learn from the grandmothers, | 0:05:43 | 0:05:46 | |
it's proper French home cooking. Now it's a great tradition. | 0:05:46 | 0:05:50 | |
The most famous mere was Mere Brazier, who's been called | 0:05:50 | 0:05:53 | |
the mother of a modern French cooking. | 0:05:53 | 0:05:55 | |
In the 1930s, her restaurant was frequented | 0:05:55 | 0:05:58 | |
by presidents and Hollywood superstars. | 0:05:58 | 0:06:02 | |
Local boy Paul Bocuse, so-called chef of the century, | 0:06:02 | 0:06:05 | |
was her apprentice. | 0:06:05 | 0:06:06 | |
He pioneered nouvelle cuisine | 0:06:06 | 0:06:08 | |
which revolutionised French cookery in the 1970s. | 0:06:08 | 0:06:13 | |
So the meres' art of perfectly blending quality ingredients | 0:06:13 | 0:06:16 | |
here in Lyon helped shape one of the world's great cuisines. | 0:06:16 | 0:06:20 | |
The chicken liver gateau, the texture's superb. | 0:06:21 | 0:06:24 | |
It's like a cross between a mousse | 0:06:24 | 0:06:25 | |
and a souffle, but it's rich, it's savoury. | 0:06:25 | 0:06:28 | |
The chicken livers, I think they give it | 0:06:28 | 0:06:31 | |
-a kind of almost earthly flavour. -What's interesting as well, | 0:06:31 | 0:06:34 | |
they're not as gamey I would think. It's there, but it's absolutely | 0:06:34 | 0:06:38 | |
perfectly balanced and that's the skill of this cuisine. | 0:06:38 | 0:06:41 | |
And none of these ladies are trained, are they? | 0:06:41 | 0:06:44 | |
No. It's a bit like us, isn't it? | 0:06:44 | 0:06:45 | |
-Maybe we could be the papas of the north? -Yes, cos we're not trained. | 0:06:45 | 0:06:49 | |
-No, but we cook. -We do. -We do beautiful food. -We do. | 0:06:49 | 0:06:51 | |
Les Papas De Le Nord. | 0:06:51 | 0:06:54 | |
So, what would be our signature dish, dude? | 0:06:54 | 0:06:57 | |
Le hotpot. | 0:06:58 | 0:07:00 | |
Le hotpot, you idiot! | 0:07:02 | 0:07:04 | |
-Wasn't Arlette lovely? -Oh, she was. | 0:07:09 | 0:07:12 | |
And guess what, Kingy, there was a renowned mayor | 0:07:12 | 0:07:15 | |
-not far from here who specialised... -In chicken? | 0:07:15 | 0:07:19 | |
Yes. So it's a no-brainer where we go next. Better get pedalling. | 0:07:19 | 0:07:24 | |
Just north of Lyon is the village of Vonnas, | 0:07:28 | 0:07:31 | |
home to the great guru of French cuisine, | 0:07:31 | 0:07:33 | |
triple Michelin star chef, Georges Blanc. | 0:07:33 | 0:07:36 | |
-Hello. -Georges. -How are you? -David. | 0:07:42 | 0:07:44 | |
But Georges learned everything he knows from the family mere, his mum! | 0:07:46 | 0:07:50 | |
Mere Blanc and her mother before her, Grandmere Blanc, | 0:07:50 | 0:07:55 | |
ran the Hotel Blanc, famed for its signature chicken dishes | 0:07:55 | 0:07:59 | |
using the local speciality, poulet de Bresse. | 0:07:59 | 0:08:02 | |
Grandmere's cooking was so good, | 0:08:02 | 0:08:04 | |
it won the hotel two Michelin stars. | 0:08:04 | 0:08:06 | |
Georges was the first male in the family to run the kitchen | 0:08:08 | 0:08:12 | |
and he'd learnt well. He added a third Michelin star in 1985 | 0:08:12 | 0:08:17 | |
and he's held three stars ever since. | 0:08:17 | 0:08:20 | |
Georges, we've looked up to you for very, very, very many years, | 0:08:21 | 0:08:24 | |
so it's a big day for us and thank you very much for having us, Georges. | 0:08:24 | 0:08:27 | |
Thank you so much for coming. | 0:08:27 | 0:08:29 | |
'Today, he's going to do a new take on a dish | 0:08:29 | 0:08:31 | |
'that Grandmere Blanc made famous.' | 0:08:31 | 0:08:34 | |
Present a very old recipe and traditional for this country. | 0:08:34 | 0:08:37 | |
-Uh-huh. -It's the poulet de Bresse with a cream sauce and the morels. | 0:08:37 | 0:08:41 | |
-Oh, beautiful! -But we changed the recipe | 0:08:41 | 0:08:45 | |
-to improve the quality of the cooking. -Yes. | 0:08:45 | 0:08:48 | |
So we decide to cook less time, the breast, | 0:08:48 | 0:08:52 | |
in the oven and to use the legs and the carcass to make the sauce. | 0:08:52 | 0:08:58 | |
It's a little bit like when we cook duck. | 0:08:58 | 0:09:01 | |
We take the breast and we cook that very quickly, | 0:09:01 | 0:09:04 | |
but the legs, they do take longer. | 0:09:04 | 0:09:06 | |
That's interesting, cos we never seem to bother with the chicken. | 0:09:06 | 0:09:09 | |
-What do we start with first, George? -We start with the cooking | 0:09:09 | 0:09:12 | |
of the leg, to get the right sauce with a deep taste. | 0:09:12 | 0:09:16 | |
Yes, fantastic. | 0:09:16 | 0:09:18 | |
Just a big old pot with lots of butter. | 0:09:19 | 0:09:22 | |
The French way, just great. | 0:09:22 | 0:09:25 | |
In this pan, we have the wings, we have the thighs, | 0:09:25 | 0:09:29 | |
-we have the drumsticks... -And the neck. -..and the neck, yeah. | 0:09:29 | 0:09:34 | |
-White pepper. It's just so instinctive. -It is. | 0:09:34 | 0:09:37 | |
-Yeah. -More you have the best ingredients, | 0:09:37 | 0:09:40 | |
less you need the sophisticated recipe. | 0:09:40 | 0:09:43 | |
It's in the heart, absolutely. | 0:09:43 | 0:09:45 | |
'Sauce under way, our breast is prepped for the oven.' | 0:09:45 | 0:09:49 | |
Very important to cook the meat on the bone. | 0:09:49 | 0:09:52 | |
-Well, the flavour is better. -You put it in the oven, | 0:09:52 | 0:09:55 | |
about 280 degrees. | 0:09:55 | 0:09:59 | |
'Our Mere Blanc sauce now gets flavoured | 0:09:59 | 0:10:03 | |
'with garlic, bouquet garni, onions and mushrooms.' | 0:10:03 | 0:10:07 | |
That's a nice way of holding your bouquet garni together, | 0:10:08 | 0:10:11 | |
just with a piece of leek and the herbs are wrapped in that. | 0:10:11 | 0:10:13 | |
-Wipe the mushroom. -To you, Georges, is the | 0:10:13 | 0:10:16 | |
poulet Bresse the best chicken that you can get? | 0:10:16 | 0:10:18 | |
I am the president of the association. | 0:10:18 | 0:10:21 | |
I can't say. I think it's true. | 0:10:23 | 0:10:27 | |
What would you say was special about poulet de Bresse? | 0:10:27 | 0:10:31 | |
It is fat. Because, you know, in all of the meat, the fat | 0:10:31 | 0:10:36 | |
-gives it taste. The taste is in the fat. We need flour now. -Uh-huh. | 0:10:36 | 0:10:41 | |
GEORGES SPEAKS FRENCH | 0:10:42 | 0:10:45 | |
Si, I feel like we're the two dogs in the kitchen. | 0:10:48 | 0:10:51 | |
I'm sure, 100 years ago, there was two dogs in the kitchen | 0:10:51 | 0:10:54 | |
looking up expectantly at the pan. | 0:10:54 | 0:10:58 | |
The cream. | 0:10:58 | 0:10:59 | |
-I put a little drop of vinegar. -Mm-hm. | 0:11:00 | 0:11:03 | |
-Voila! -The morels have been cleaned, | 0:11:05 | 0:11:07 | |
they've been cooked, they've been left to go cold | 0:11:07 | 0:11:10 | |
and now they are being refried in butter | 0:11:10 | 0:11:12 | |
with a shallot, very simply. | 0:11:12 | 0:11:14 | |
GEORGES SPEAKS FRENCH | 0:11:15 | 0:11:16 | |
The truth is that we've cooked for many years. | 0:11:18 | 0:11:21 | |
We've never eaten three-star Michelin food. | 0:11:21 | 0:11:24 | |
Georges is absolute royalty to us. | 0:11:24 | 0:11:26 | |
It's like meeting the Queen. It's just amazing. | 0:11:26 | 0:11:29 | |
'The poulet de Bresse is treated with the utmost respect | 0:11:29 | 0:11:34 | |
'and I for one can't wait to get my rotten chops round it.' | 0:11:34 | 0:11:37 | |
-It's a very simple recipe, but we need the best ingredients. -Yeah. | 0:11:37 | 0:11:42 | |
But we also need evolution | 0:11:42 | 0:11:44 | |
-that has come from your grandmother to you, George. -Yes. | 0:11:44 | 0:11:46 | |
'George now strains his sauce.' | 0:11:49 | 0:11:51 | |
It's all about recycling flavour and if you continue to recycle flavour, | 0:11:51 | 0:11:55 | |
it builds a depth. | 0:11:55 | 0:11:57 | |
'Time to plate up succulently tender roasted breast, | 0:11:57 | 0:12:00 | |
'accompanied by that rich, flavoursome sauce.' | 0:12:00 | 0:12:04 | |
-Do you want to taste? -Yes. | 0:12:04 | 0:12:05 | |
-Absolutely. -Yes, please. Yes. | 0:12:05 | 0:12:07 | |
GEORGES SPEAKS FRENCH | 0:12:07 | 0:12:09 | |
-Georges Blanc's food. -Yeah? It's chicken, Jim, but not as we know it. | 0:12:11 | 0:12:16 | |
-Absolutely. -You are welcome. | 0:12:16 | 0:12:19 | |
-Oh. -Oh? -The texture is superb! | 0:12:19 | 0:12:23 | |
-It's just perfection. -It's absolutely superb. | 0:12:25 | 0:12:28 | |
I know it's really simple, but good grief. | 0:12:28 | 0:12:32 | |
That chicken breast is so, so juicy. | 0:12:34 | 0:12:36 | |
That's the way I'm cooking my chicken from now on. | 0:12:36 | 0:12:39 | |
And the sauce! | 0:12:39 | 0:12:41 | |
-It's straightforward. -I'm speechless, it's so good. -Yeah. | 0:12:43 | 0:12:48 | |
-It's unbelievable. -I'm having a chicken-gasm. | 0:12:48 | 0:12:52 | |
-Mmm. We should save some for the crew. -Are you having a laugh? | 0:12:53 | 0:12:57 | |
'Hey, dude! I didn't know we'd booked Rick Wakeman. | 0:13:01 | 0:13:05 | |
'No, we ain't, it's Thor.' | 0:13:05 | 0:13:07 | |
-It's OK for you? -Georges. -Georges. -No, no. | 0:13:07 | 0:13:12 | |
It was my pleasure to do it in English. | 0:13:12 | 0:13:14 | |
-Georges. -And it's a wonderful, wonderful morning for us. | 0:13:14 | 0:13:18 | |
Really, really. Is there any more, is there any seconds? | 0:13:18 | 0:13:21 | |
Not that I'm greedy, of course, you know. | 0:13:21 | 0:13:23 | |
I think it's safe to say that that was | 0:13:28 | 0:13:30 | |
the culinary experience of a lifetime. | 0:13:30 | 0:13:33 | |
It was just amazing, wasn't it? | 0:13:33 | 0:13:35 | |
The perfect marriage of technique and heritage. | 0:13:35 | 0:13:39 | |
But, Si, now we've eaten it, we can't leave this part of the world | 0:13:47 | 0:13:50 | |
without checking out that most special ingredient | 0:13:50 | 0:13:53 | |
Georges was using - the famed local chicken itself. | 0:13:53 | 0:13:57 | |
Well, the poulet de Bresse is the Holy Grail of poultry, | 0:13:58 | 0:14:01 | |
isn't it? So it would be a crime not to see them, | 0:14:01 | 0:14:03 | |
you know, fully dressed in the feather. | 0:14:03 | 0:14:06 | |
I've gone a step further. | 0:14:06 | 0:14:08 | |
So we can find out how these chickens are grown, | 0:14:08 | 0:14:10 | |
I've arranged for us to meet a farmer called Cyril. | 0:14:10 | 0:14:14 | |
Oh, nice one, dude. | 0:14:14 | 0:14:15 | |
Cyril! | 0:14:15 | 0:14:16 | |
Now, Cyril Degluaire is no ordinary poultry farmer, | 0:14:18 | 0:14:22 | |
because not only does Cyril farm one of the best chicken breeds | 0:14:22 | 0:14:26 | |
in the world, but he's the current Bresse chicken champion, which, | 0:14:26 | 0:14:31 | |
in my book, makes his chickens one of the best on the planet. | 0:14:31 | 0:14:34 | |
Oh, Cyril. They look so incredibly healthy. | 0:14:35 | 0:14:38 | |
I mean, this is what we would call free-range. | 0:14:38 | 0:14:41 | |
HE SPEAKS FRENCH | 0:14:41 | 0:14:43 | |
It's the most free-range chicken I think I've ever seen. | 0:14:47 | 0:14:49 | |
And so, what are we feeding them, Cyril? | 0:14:49 | 0:14:51 | |
Uh-huh. | 0:14:51 | 0:14:53 | |
CYRIL CONTINUES SPEAKING FRENCH | 0:14:55 | 0:14:57 | |
'Cyril says that, like the birds themselves, | 0:14:58 | 0:15:01 | |
'their food can only be grown within a 100 square kilometre area - | 0:15:01 | 0:15:05 | |
'their "terroir".' | 0:15:05 | 0:15:07 | |
'With such devotion to detail, | 0:15:07 | 0:15:09 | |
'no wonder the poulet de Bresse is the only chicken in the world to | 0:15:09 | 0:15:12 | |
'receive the coveted appellation dans d'origine protegees.' | 0:15:12 | 0:15:16 | |
How long does it take to raise poulet Bresse from egg to table? | 0:15:16 | 0:15:21 | |
HE SPEAKS FRENCH | 0:15:21 | 0:15:24 | |
'For the last two weeks of their lives, the Bresse chickens | 0:15:25 | 0:15:28 | |
'are confined inside to develop the desired amount of fat.' | 0:15:28 | 0:15:32 | |
'This finishing period is crucial to delivering | 0:15:32 | 0:15:35 | |
'that unique Bresse flavour.' | 0:15:35 | 0:15:37 | |
They've got accommodation. They've got great food. | 0:15:38 | 0:15:41 | |
They've got a great man looking after them. | 0:15:41 | 0:15:44 | |
It's just like our life, Kingy. | 0:15:44 | 0:15:45 | |
It is, dude, it is. You know, it's similar. | 0:15:45 | 0:15:47 | |
We can draw parallels. We can. | 0:15:47 | 0:15:48 | |
I just hope somebody doesn't... | 0:15:48 | 0:15:50 | |
at the end of ours. | 0:15:50 | 0:15:51 | |
I think it's highly likely, to be fair. | 0:15:51 | 0:15:54 | |
CHICKEN CLUCKS | 0:15:54 | 0:15:56 | |
'You know, my friend, | 0:15:59 | 0:16:00 | |
'I've got an idea how we can celebrate the poulet de Bresse | 0:16:00 | 0:16:04 | |
'in true style.' | 0:16:04 | 0:16:06 | |
'Oh, no, here we go.' | 0:16:06 | 0:16:09 | |
'I want to pay homage to the great peasant tradition of France.' | 0:16:09 | 0:16:13 | |
'Do we really, really have to?' | 0:16:13 | 0:16:15 | |
'A tradition which has given rise to | 0:16:15 | 0:16:18 | |
'a cuisine unparalleled in ze world!' | 0:16:18 | 0:16:20 | |
'I knew something like this was going to happen.' | 0:16:20 | 0:16:23 | |
# We are cooking poulet Bresse | 0:16:27 | 0:16:29 | |
# Guaranteed not to be a mess | 0:16:29 | 0:16:31 | |
# We've got chicken for our tea. | 0:16:31 | 0:16:33 | |
# Me and my best mate, Kingy. # | 0:16:33 | 0:16:35 | |
I'm wearing these flaming clogs! | 0:16:35 | 0:16:37 | |
And we do have poulet Bresse breasts, | 0:16:38 | 0:16:41 | |
-instead of ducks' breasts... -Duck's breasts. | 0:16:41 | 0:16:44 | |
..because it's chicken. | 0:16:44 | 0:16:45 | |
So it's... THEY CLUCK | 0:16:45 | 0:16:47 | |
as opposed to... | 0:16:47 | 0:16:49 | |
What better place to pay tribute to ye olde breast country | 0:16:52 | 0:16:56 | |
and its chicken than a 15th-century ye olde breast farm? | 0:16:56 | 0:17:00 | |
Arr! And what better dish than one which uses only the tenderest cut, | 0:17:00 | 0:17:05 | |
the succulent breast, not roasted, | 0:17:05 | 0:17:08 | |
but pan-fried and served with lemony artichokes. | 0:17:08 | 0:17:11 | |
Our chicken is getting special treatment, too. | 0:17:11 | 0:17:15 | |
-Kingy. -Yes, Dave? -Show me your bag. | 0:17:15 | 0:17:17 | |
I will. Here it is. | 0:17:17 | 0:17:19 | |
Now, it may look like something that should be in a path lab. | 0:17:20 | 0:17:23 | |
We are brining the chicken in salt and sugar. | 0:17:23 | 0:17:26 | |
Now, it's grey, | 0:17:26 | 0:17:27 | |
because that's the natural sea salt from around here. | 0:17:27 | 0:17:29 | |
So we mix, say, half a cup of salt and half a cup of caster sugar | 0:17:29 | 0:17:33 | |
with six cups of water, | 0:17:33 | 0:17:35 | |
bung the chicken breasts in a bag, | 0:17:35 | 0:17:37 | |
and leave it there for between two and four hours. | 0:17:37 | 0:17:41 | |
'Also destined for our ye olde peasant pot are artichokes - | 0:17:41 | 0:17:45 | |
'much more popular over here than in Britain.' | 0:17:45 | 0:17:48 | |
'So, I hear you ask, where do you start with an artichoke?' | 0:17:48 | 0:17:51 | |
Nurse, silver knife. | 0:17:51 | 0:17:52 | |
Thank you. | 0:17:56 | 0:17:57 | |
Take it there, about a centimetre from the end. | 0:17:57 | 0:18:02 | |
-Dispose. -Oui. | 0:18:02 | 0:18:03 | |
These outer leaves, rip them off. | 0:18:03 | 0:18:06 | |
Discard. | 0:18:06 | 0:18:08 | |
And for this dish, we need four artichokes. | 0:18:08 | 0:18:11 | |
The thing is, as well, when you're buying artichokes, | 0:18:11 | 0:18:13 | |
try and pick the ones that are quite closed up, like these. | 0:18:13 | 0:18:17 | |
When they get petally, | 0:18:17 | 0:18:18 | |
that means they're older and they're not quite so fresh. | 0:18:18 | 0:18:21 | |
Take the knife and cut it about there, two thirds of the way down. | 0:18:22 | 0:18:28 | |
Nurse, melon baller. | 0:18:30 | 0:18:32 | |
Now, the melon baller is the best for this. | 0:18:33 | 0:18:36 | |
So, scrape out the fluff, the choke, and that must all come out. | 0:18:36 | 0:18:40 | |
And as we get there, we can reach the flesh. | 0:18:40 | 0:18:44 | |
This will turn black very, very quickly. | 0:18:44 | 0:18:46 | |
It's going already, so I want some lemon juice on here. | 0:18:46 | 0:18:50 | |
So, keep the lemon juice coming. | 0:18:50 | 0:18:52 | |
And it's great, all those little cuts on your hand - | 0:18:53 | 0:18:56 | |
it really hurts. | 0:18:56 | 0:18:57 | |
More. | 0:18:57 | 0:18:59 | |
Nurse, paring knife. | 0:19:00 | 0:19:02 | |
And just cut all this off. | 0:19:02 | 0:19:03 | |
Now, you don't see many people doing this on telly, do you? | 0:19:05 | 0:19:08 | |
No, you don't, dude, and there's a reason for that. | 0:19:08 | 0:19:10 | |
Aye, it's better than the test card. | 0:19:10 | 0:19:13 | |
Right, that is the edible matter. | 0:19:13 | 0:19:16 | |
That is one formidable artichoke heart. | 0:19:16 | 0:19:19 | |
We've got water in there, and again, so it doesn't go brown, I've got to | 0:19:19 | 0:19:23 | |
put lemon juice in the water, and this I cut it into nice slices. | 0:19:23 | 0:19:27 | |
One, two, three, four... | 0:19:27 | 0:19:29 | |
And I'll put that in the water cos I want to boil them in a minute. | 0:19:29 | 0:19:34 | |
So, what we're going to do, | 0:19:34 | 0:19:35 | |
we're going to take our poulet Bresse breasts | 0:19:35 | 0:19:39 | |
and we're just going to dry them off. | 0:19:39 | 0:19:43 | |
What the brining's actually done - | 0:19:43 | 0:19:44 | |
it's been in here for about two hours now - | 0:19:44 | 0:19:47 | |
and what it's done is it's just kept the integrity of the meat, | 0:19:47 | 0:19:51 | |
and it's also just slightly tightened up the grain of the meat | 0:19:51 | 0:19:55 | |
so it keeps all that moisture in. | 0:19:55 | 0:19:56 | |
And this is, obviously, something that you could do with | 0:19:56 | 0:19:59 | |
your supermarket chicken from home. | 0:19:59 | 0:20:01 | |
Put clingfilm over your chopping board | 0:20:01 | 0:20:03 | |
and then clingfilm over the top. | 0:20:03 | 0:20:05 | |
Now, we're not hammering these out and flattening them out. | 0:20:05 | 0:20:08 | |
We're flattening them out so we want them to cook evenly, | 0:20:08 | 0:20:10 | |
not for any other reason. | 0:20:10 | 0:20:11 | |
-So we're not going for a schnitzel vibe here... -No. | 0:20:11 | 0:20:13 | |
..and braining the living daylights out of them | 0:20:13 | 0:20:15 | |
until they're about a centimetre thin. | 0:20:15 | 0:20:17 | |
That's not what we're doing. | 0:20:17 | 0:20:19 | |
That's enough. | 0:20:21 | 0:20:23 | |
That's it. | 0:20:23 | 0:20:24 | |
Then what we do, in a preheated pan, | 0:20:24 | 0:20:27 | |
a good glug of olive oil and some butter. | 0:20:27 | 0:20:30 | |
Now, the olive oil will prevent the butter from burning. | 0:20:30 | 0:20:34 | |
So, while I do that... | 0:20:34 | 0:20:35 | |
Well, the nice thing about cooking with butter is you get | 0:20:35 | 0:20:38 | |
a lovely colour, don't you? | 0:20:38 | 0:20:39 | |
You do, it's a beautiful colour. | 0:20:39 | 0:20:40 | |
I'm stripping artichokes, | 0:20:40 | 0:20:42 | |
I've cut my fingers, and we're dressed as two Smurfs. | 0:20:42 | 0:20:44 | |
-I know. -I've never been happier. | 0:20:44 | 0:20:46 | |
No, no, it's good, man. | 0:20:46 | 0:20:47 | |
This is my homeland now, Kingy. | 0:20:47 | 0:20:49 | |
-I know, dude, I know. -I know, I know. | 0:20:49 | 0:20:51 | |
Skin-side-down first, | 0:20:51 | 0:20:55 | |
because we want some really nice colour on there. | 0:20:55 | 0:20:58 | |
A couple of minutes and no more. | 0:20:58 | 0:20:59 | |
Come on, lads, you're going for a swim. | 0:21:02 | 0:21:04 | |
-There we go. -Five minutes, it will be ready. | 0:21:06 | 0:21:09 | |
That's the sort of colour we're talking about. | 0:21:09 | 0:21:12 | |
And then what we do is we turn the heat down, | 0:21:12 | 0:21:15 | |
and then we just continue to saute them off for another ten minutes. | 0:21:15 | 0:21:20 | |
MUSIC: Strictly Come Dancing Theme | 0:21:20 | 0:21:23 | |
Oh, one day I should be on Strictly. | 0:21:26 | 0:21:29 | |
Oh, I forget - I've already been. | 0:21:29 | 0:21:31 | |
Week seven. Hoo! | 0:21:31 | 0:21:34 | |
Is it me or is he an exhibitionist? | 0:21:34 | 0:21:36 | |
-IN FRENCH ACCENT: -Moi? I am a little shy baby! | 0:21:36 | 0:21:39 | |
-Yes. -I was a wallflower at ze party when I was a student. | 0:21:39 | 0:21:43 | |
I would sit there with my alopecia in a corner, crying, | 0:21:43 | 0:21:46 | |
ignored by women, and now look at me. | 0:21:46 | 0:21:48 | |
-Look at you now! You're dressed as... -Hee-hee! | 0:21:48 | 0:21:51 | |
Don't do that, I'll get Radio Caroline. | 0:21:51 | 0:21:54 | |
Right, anyway, listen, I'll chop these shallots. | 0:21:54 | 0:21:58 | |
'Ye olde chicken's cooked - time to rest it. | 0:21:58 | 0:22:00 | |
'But taking a tip from our new best friend, Georges Blanc, | 0:22:00 | 0:22:03 | |
'we're not going to waste the flavours in the pan - oh, no. | 0:22:03 | 0:22:06 | |
'In goes more butter, unsurprisingly. | 0:22:06 | 0:22:09 | |
'Then, we start to saute ye olde shallots.' | 0:22:09 | 0:22:12 | |
'Meanwhile, set aside ye olde artichoke hearties. | 0:22:12 | 0:22:16 | |
'Oh, shall we stop saying "ye olde"?' | 0:22:16 | 0:22:17 | |
'I think so, it's probably best.' | 0:22:17 | 0:22:19 | |
I'm just going to reduce the heat on this a little bit, | 0:22:19 | 0:22:21 | |
and then we'll need to crush some garlic as well, mate. | 0:22:21 | 0:22:23 | |
-Because we haven't got a crusher, why don't we use the plane? -Yeah. | 0:22:23 | 0:22:27 | |
We don't want to burn the garlic. | 0:22:27 | 0:22:29 | |
Remember, all the flavours have to complement one another. | 0:22:29 | 0:22:32 | |
'Once the garlic and the shallots have softened, | 0:22:32 | 0:22:34 | |
'add the artichoke hearts, mushrooms and a good glug of dry white wine, | 0:22:34 | 0:22:38 | |
'which helps deglaze the pan, recycling even more flavour.' | 0:22:38 | 0:22:42 | |
And, you know, much as George... He used that vinegar of the wine | 0:22:44 | 0:22:47 | |
from the Jura to put some acid into the dish. | 0:22:47 | 0:22:50 | |
We're going to put lemon juice, | 0:22:50 | 0:22:51 | |
so just about the juice of half a lemon. | 0:22:51 | 0:22:53 | |
You can see that the sauce is now starting to reduce | 0:22:53 | 0:22:57 | |
because the bubbles on the periphery of the pan | 0:22:57 | 0:22:59 | |
are starting to get slightly smaller. | 0:22:59 | 0:23:02 | |
'Lemon zest, parsley, | 0:23:02 | 0:23:06 | |
'basil and some of the chicken resting juices complete the sauce.' | 0:23:06 | 0:23:12 | |
And now the final flourish, as George did. | 0:23:12 | 0:23:16 | |
You could see his face as the sauce climbs down that chicken. | 0:23:16 | 0:23:21 | |
And that is our tribute to the people of Bresse, | 0:23:21 | 0:23:26 | |
the poulet de Bresse, and I'd say one of our best. | 0:23:26 | 0:23:30 | |
-Well, it's generally flipping marvellous, isn't it? -Yes. | 0:23:30 | 0:23:33 | |
I must hide my thumb. | 0:23:33 | 0:23:35 | |
Here, dude, have you noticed that the Bresse chickens | 0:23:45 | 0:23:48 | |
have a red crest, a white body and blue legs, | 0:23:48 | 0:23:51 | |
which is exactly the same as the French Tricolore? | 0:23:51 | 0:23:55 | |
Oh, so it does. | 0:23:55 | 0:23:57 | |
Therein lies a tale. | 0:23:57 | 0:23:59 | |
Back in Roman times, | 0:24:02 | 0:24:03 | |
the Latin word "gallus" meant both rooster and inhabitant of Gaul, | 0:24:03 | 0:24:08 | |
so, to the Romans, the French were chickens. | 0:24:08 | 0:24:11 | |
Bonjour! | 0:24:11 | 0:24:12 | |
Later, French royals adopted the chicken image. | 0:24:12 | 0:24:15 | |
Ze chicken is so sublime. | 0:24:15 | 0:24:18 | |
And come the Revolution, the rooster cropped up on coins. | 0:24:18 | 0:24:21 | |
Ka-chink! | 0:24:21 | 0:24:23 | |
And on Fraternity's staff. | 0:24:23 | 0:24:26 | |
Napoleon wasn't so keen, mind. | 0:24:26 | 0:24:28 | |
France is no farmyard chickens! I replace you with seagull! | 0:24:28 | 0:24:31 | |
BIRD SCREECHES | 0:24:31 | 0:24:33 | |
But the plucky little rooster made a comeback. | 0:24:34 | 0:24:37 | |
Liberty steered her boat with a rooster-embossed tiller... | 0:24:37 | 0:24:40 | |
I feel free. | 0:24:40 | 0:24:42 | |
..the Elysee Palace got a rooster on its gates, | 0:24:42 | 0:24:45 | |
and in the First World War, France rallied to the image of | 0:24:45 | 0:24:48 | |
the French rooster facing down the Prussian eagle! | 0:24:48 | 0:24:51 | |
Eagle, you are toast! | 0:24:51 | 0:24:53 | |
-It's proud, it's independent, it's free... -Yeah. | 0:24:54 | 0:24:58 | |
Vive la France. Vive le poulet de Bresse! | 0:24:58 | 0:25:01 | |
Yes. | 0:25:01 | 0:25:03 | |
CHICKEN CLUCKS | 0:25:03 | 0:25:05 | |
BIKE BELL RINGS | 0:25:06 | 0:25:09 | |
'Guess what though, Kingy? There's another chicken I've heard about - | 0:25:09 | 0:25:12 | |
'a rival to the poulet de Bresse - the coucou de Rennes. | 0:25:12 | 0:25:16 | |
'Some say it's even tastier.' | 0:25:16 | 0:25:18 | |
'That's a big claim, dude.' | 0:25:18 | 0:25:20 | |
It's from way up north, near where I live! | 0:25:22 | 0:25:25 | |
We've got to go and check it out. | 0:25:25 | 0:25:27 | |
We can base ourselves at my place. | 0:25:27 | 0:25:30 | |
I'll show you around. | 0:25:30 | 0:25:32 | |
And we can get our hands on the new chicken of yours, dude. | 0:25:32 | 0:25:36 | |
Just one problem. | 0:25:36 | 0:25:38 | |
In case you haven't noticed, | 0:25:38 | 0:25:40 | |
we've only got two old pedally bikes. | 0:25:40 | 0:25:42 | |
Ha-ha! I've got it covered! | 0:25:42 | 0:25:44 | |
Are you seriously suggesting that we are going to cross half of France | 0:25:57 | 0:26:03 | |
in this just to find a chicken?! | 0:26:03 | 0:26:05 | |
It'll take us weeks! | 0:26:05 | 0:26:07 | |
Crossing France on the back roads is what this vehicle was made for. | 0:26:07 | 0:26:11 | |
To me, this is more of a pilgrimage than a journey. | 0:26:11 | 0:26:14 | |
-These cars... -Ooh! | 0:26:19 | 0:26:21 | |
..built France. | 0:26:21 | 0:26:22 | |
When they were designed, you see, it was so they could ride across... | 0:26:22 | 0:26:25 | |
BOTH: ..plant and field without breaking a basket of eggs in the back... | 0:26:25 | 0:26:28 | |
..and also you could wear a top hat to church on a Sunday. | 0:26:28 | 0:26:32 | |
Is that horse muck or is it you? | 0:26:34 | 0:26:36 | |
No, it's horse muck. | 0:26:36 | 0:26:37 | |
# Chick, chick, chick, chick, chicken... # | 0:26:38 | 0:26:40 | |
-Shut up! -# Lay a little egg for me... # | 0:26:40 | 0:26:43 | |
Let us out! Let us out! | 0:26:43 | 0:26:44 | |
# I haven't had an egg since breakfast | 0:26:44 | 0:26:46 | |
# Oh, it's half past three, so... # | 0:26:46 | 0:26:48 | |
-Help me, drop me off at this... -Bonjour! | 0:26:48 | 0:26:50 | |
Bonjour, I've been kidnapped, help! | 0:26:50 | 0:26:52 | |
-Je ne sais pas le touriste. J'habite ici. -Help! | 0:26:52 | 0:26:54 | |
-I can do it in French, you know? -Will you shut up?! | 0:26:56 | 0:26:58 | |
# Poulet, poulet, poulet, poulet | 0:26:58 | 0:27:01 | |
# Fabriquer le oeuf pour moi | 0:27:01 | 0:27:03 | |
# Poulet, poulet | 0:27:03 | 0:27:05 | |
# Fabriquer le oeuf pour moi. # | 0:27:05 | 0:27:08 | |
Oh. | 0:27:08 | 0:27:10 | |
ENGINE RUMBLES AND POPS | 0:27:11 | 0:27:14 | |
ENGINE STOPS | 0:27:17 | 0:27:19 | |
It's fine. I'm working on it, right. | 0:27:20 | 0:27:23 | |
ENGINE SPLUTTERS | 0:27:23 | 0:27:25 | |
ENGINE SPLUTTERS | 0:27:27 | 0:27:29 | |
-DAVE LAUGHS Right, that's it! -Kingy! -No! | 0:27:29 | 0:27:32 | |
I'm not going halfway across France in that! | 0:27:32 | 0:27:35 | |
ENGINE SPLUTTERS | 0:27:42 | 0:27:44 | |
COCKEREL CROWS | 0:27:49 | 0:27:51 | |
Combien de cuckoo? | 0:27:58 | 0:27:59 | |
Oh, merci. Tres bon, Paul. Tres bon. | 0:27:59 | 0:28:02 | |
A tout a l'heure. A demain. | 0:28:02 | 0:28:04 | |
Hey! | 0:28:04 | 0:28:06 | |
Kingy, we've done it. | 0:28:06 | 0:28:07 | |
The fabled coucou de Rennes - | 0:28:07 | 0:28:09 | |
well, we've found a breeder, Monsieur Renault. | 0:28:09 | 0:28:11 | |
He's going to bring some coucou de Rennes here, ici, | 0:28:11 | 0:28:14 | |
live ones, in the feather, | 0:28:14 | 0:28:15 | |
so we can actually see what this fabled creature looks like, | 0:28:15 | 0:28:18 | |
and he's coming tonight. | 0:28:18 | 0:28:19 | |
Oh, brilliant. | 0:28:19 | 0:28:21 | |
Fancy a game? | 0:28:21 | 0:28:24 | |
Whoa! | 0:28:24 | 0:28:25 | |
'Now I have sorted delivery of the coucou de Rennes, in the meantime, | 0:28:26 | 0:28:30 | |
'let's crack on with our egg recipe - the souffle.' | 0:28:30 | 0:28:33 | |
APPLAUSE | 0:28:33 | 0:28:35 | |
'How exactly is playing petanque going to help us make a souffle?' | 0:28:35 | 0:28:39 | |
'Because for the souffle, | 0:28:39 | 0:28:41 | |
'you need fresh eggs, and I'm after some local ones.' | 0:28:41 | 0:28:44 | |
PEOPLE SPEAK FRENCH | 0:28:44 | 0:28:47 | |
'Ah, I see, we need some local knowledge, do we? | 0:28:47 | 0:28:49 | |
'Go on, then. | 0:28:49 | 0:28:51 | |
'Let's hear some French.' | 0:28:51 | 0:28:52 | |
-Madame? -Oui? | 0:28:54 | 0:28:56 | |
DAVE SPEAKS FRENCH | 0:28:56 | 0:28:59 | |
OK. | 0:29:00 | 0:29:01 | |
SHE SPEAKS FRENCH | 0:29:01 | 0:29:04 | |
Oui, oui, j'ai compris, je pense... I think. | 0:29:25 | 0:29:28 | |
Um, the thing is, you see... | 0:29:28 | 0:29:29 | |
SHE GASPS | 0:29:36 | 0:29:38 | |
-Really? -Yes! | 0:29:44 | 0:29:46 | |
-She makes chicken and cider local. -Does she? -Yeah! | 0:29:46 | 0:29:49 | |
I think we've got company, all of a sudden. | 0:29:49 | 0:29:50 | |
-She looks like a lady that won't take no for an answer, dude. -Uh? | 0:29:50 | 0:29:54 | |
-Right, looking for these eggs involves a journey... -Yeah, well... | 0:29:54 | 0:29:57 | |
And I am NOT getting back in that 2CV. | 0:29:57 | 0:30:02 | |
I'm not doing it, dude. I'm not doing it. | 0:30:02 | 0:30:04 | |
And the only bikes that I'm riding are ones with engines. | 0:30:04 | 0:30:09 | |
I've got it covered. | 0:30:10 | 0:30:11 | |
Look at me in the eye and tell me that truthfully. | 0:30:12 | 0:30:15 | |
'Is THIS your idea of a plan, Myers?' | 0:30:24 | 0:30:27 | |
This is a crucial stage in the evolution of motorcycling | 0:30:27 | 0:30:30 | |
and it's French! | 0:30:30 | 0:30:31 | |
I hate it! | 0:30:33 | 0:30:35 | |
I'm sure she said "a droite"! Or was it "a gauche"? | 0:30:36 | 0:30:39 | |
'We're flaming lost, aren't we? | 0:30:42 | 0:30:44 | |
'Regardez - a peloton of cyclists! I think they're from my village.' | 0:30:46 | 0:30:51 | |
Yey! | 0:30:55 | 0:30:56 | |
'Later? What's all that about? | 0:31:01 | 0:31:03 | |
'Listen, never mind! Back to the point - these eggs. | 0:31:03 | 0:31:06 | |
'Can we not just go to the local corner shop? | 0:31:06 | 0:31:09 | |
'Philistine! | 0:31:09 | 0:31:10 | |
'In the fullness of time, we find our fresh local eggs. | 0:31:12 | 0:31:16 | |
'Now to put them to good use. | 0:31:16 | 0:31:18 | |
'The souffle is another great French tradition, | 0:31:23 | 0:31:27 | |
'but famously, it's devilishly difficult to get one to rise. | 0:31:27 | 0:31:32 | |
'But in my own kitchen, I'd say we're odds-on favourites.' | 0:31:32 | 0:31:36 | |
Today, we will wrestle with the unpredictable, the insurmountable, | 0:31:36 | 0:31:40 | |
-ze fabulous, ze French, le souffle! -Souffle! | 0:31:40 | 0:31:44 | |
FRENCH ACCENT: Ah, but not any old souffle, no. | 0:31:44 | 0:31:47 | |
What souffle are we doing? | 0:31:47 | 0:31:49 | |
We are going to do a "chocolat orange" souffle. | 0:31:49 | 0:31:52 | |
We have a Grand Marnier syrup to pour in ze top, | 0:31:52 | 0:31:55 | |
so it is like ze lava oozing from ze volcano. | 0:31:55 | 0:31:58 | |
It is like ze boil that has just been lanced! | 0:31:58 | 0:32:00 | |
It go poop all over with flavour! | 0:32:00 | 0:32:03 | |
-"The boil that's just been lanced that goes poop all over..."? -Yeah! | 0:32:03 | 0:32:07 | |
-It's too far. -Yeah, too far. | 0:32:07 | 0:32:09 | |
-Right... -Mr King! -Yeah! | 0:32:09 | 0:32:11 | |
-The milk goes in ze big pan. -Merci! | 0:32:11 | 0:32:15 | |
I will put the cream in the little toaty pan. | 0:32:15 | 0:32:18 | |
So, take your ramekin, dip your brush in the butter | 0:32:23 | 0:32:28 | |
and...circles at the bottom, but then, to facilitate the rise, | 0:32:28 | 0:32:34 | |
we're going to brush up. OK? | 0:32:34 | 0:32:36 | |
-Then, sugar in... -Mmm. | 0:32:38 | 0:32:42 | |
'..and gently turn the ramekin round and round, | 0:32:42 | 0:32:45 | |
'so the sugar sticks to its buttery interior. | 0:32:45 | 0:32:48 | |
'Meanwhile, your liquids should be warming on the hob.' | 0:32:48 | 0:32:51 | |
So watch your milk. We don't want it boiling over. | 0:32:51 | 0:32:55 | |
Just to "a point". | 0:32:55 | 0:32:56 | |
The cream, a little steam is what we want. We don't want that too hot. | 0:32:56 | 0:33:00 | |
-Blood temperature, mate, isn't it? -Right, that's fine. | 0:33:00 | 0:33:04 | |
Now, I'm going to put in le chocolat. | 0:33:04 | 0:33:05 | |
And this is good quality dark chocolate. | 0:33:05 | 0:33:08 | |
Now, what I'm doing effectively here | 0:33:08 | 0:33:10 | |
is called a cream and chocolate ganache, | 0:33:10 | 0:33:12 | |
which is kind of like cream and chocolate sauce put together. | 0:33:12 | 0:33:16 | |
And this is really the engine room of the set souffle. | 0:33:16 | 0:33:18 | |
But I've just got to melt the chocolate in that warm... | 0:33:18 | 0:33:21 | |
Look at it, it's going down now. It's luxurious! | 0:33:21 | 0:33:23 | |
Now, I'm going to put in the zest of an orange. | 0:33:23 | 0:33:26 | |
-This orange zest is wonderful. -It's beautiful. | 0:33:26 | 0:33:29 | |
Right, I'm going to put these in the freezer. | 0:33:30 | 0:33:33 | |
'Chilling the ramekins sets the butter and sugar mix, | 0:33:33 | 0:33:36 | |
'which gives our souffle something to grip onto.' | 0:33:36 | 0:33:39 | |
Now, it's time to make the creme patissiere, | 0:33:39 | 0:33:42 | |
which is basically a custard. | 0:33:42 | 0:33:44 | |
-I need bowls. -Bowls! | 0:33:45 | 0:33:48 | |
Thank you. | 0:33:48 | 0:33:49 | |
-Egg whites. -Whoo! | 0:33:49 | 0:33:52 | |
Bowls. Meanwhile, I'm doing the powders. | 0:33:52 | 0:33:55 | |
So... | 0:33:57 | 0:33:59 | |
I want 15g of cornflour. | 0:33:59 | 0:34:01 | |
Basically, this is a trick, | 0:34:02 | 0:34:04 | |
so your custard will never split. | 0:34:04 | 0:34:07 | |
And 15g of plain flour | 0:34:09 | 0:34:13 | |
and now 10g of cocoa powder. | 0:34:13 | 0:34:16 | |
So what I'm doing is, I'm separating the white from the yolk and what's | 0:34:18 | 0:34:23 | |
very, very important is, in these egg whites, you get no yolk at all. | 0:34:23 | 0:34:28 | |
-Oh! -Because, if you put yolk in the egg white, | 0:34:28 | 0:34:31 | |
-you're never going to get that stiff peak. -No, he's not "yolking"! | 0:34:31 | 0:34:34 | |
I'm not yolking. Now, we add 50g of sugar. | 0:34:34 | 0:34:39 | |
I'm just going to blend my powders and stand here and think | 0:34:40 | 0:34:45 | |
in enigmatic French thoughts, of Voltaire, of Rabelais... | 0:34:45 | 0:34:49 | |
Toulouse-Lautrec! | 0:34:49 | 0:34:51 | |
Yes, he was a rich man. He had "two loos". Ha-ha! | 0:34:51 | 0:34:54 | |
Wouldn't it be fabulous, being in France then? | 0:34:54 | 0:34:57 | |
In the Belle Epoque, you know, to be an Impressionist | 0:34:57 | 0:34:59 | |
and sit there riddled with absinthe, syphilis and bonhomie! | 0:34:59 | 0:35:04 | |
That was a man's life then. | 0:35:04 | 0:35:06 | |
-That was brilliant. -It would've been brilliant, yes. | 0:35:06 | 0:35:08 | |
-That's changed colour! -That's what we're after - a nice, light colour. | 0:35:08 | 0:35:12 | |
Now, I'm going to sieve my powders into that. | 0:35:12 | 0:35:16 | |
-Look. -Yeah. -Gorgeous! | 0:35:19 | 0:35:21 | |
That's what we want. That's the consistency, mate. | 0:35:21 | 0:35:23 | |
'Our creme patissiere now gets the addition of the milk.' | 0:35:23 | 0:35:28 | |
You don't want this milk too hot, | 0:35:28 | 0:35:30 | |
because you don't want to... basically scramble your eggs. | 0:35:30 | 0:35:34 | |
'My colleague will now pour the mixture back into the pan | 0:35:34 | 0:35:37 | |
'and stir on a low heat until it starts to thicken. | 0:35:37 | 0:35:41 | |
'While my Geordie mixing machine can start on the egg whites.' | 0:35:41 | 0:35:45 | |
-So that's what we're talking about when we come to soft peaks. -Yes! | 0:35:47 | 0:35:50 | |
So what I'll start to do now, gradually - and do it gradually - | 0:35:50 | 0:35:53 | |
is just add the remaining sugar, which is about 25g. | 0:35:53 | 0:35:58 | |
I'm just going to put my cocoa kind of custard into a bowl, | 0:35:58 | 0:36:02 | |
which will help cool it. Look at that. | 0:36:02 | 0:36:05 | |
-'In goes my ganache. -And my stiff peaks are standing by.' | 0:36:06 | 0:36:10 | |
Oh, I think we're there. Now we can wait a bit now. | 0:36:10 | 0:36:14 | |
-Shall we just let this stand for a bit and make the sauce? -Good idea. | 0:36:14 | 0:36:18 | |
Into the pan, 300ml of freshly-squeezed orange juice. | 0:36:18 | 0:36:23 | |
The juice of half a lemon. | 0:36:23 | 0:36:25 | |
-Shall I do it Jamie Oliver style? -Oh, yes. | 0:36:25 | 0:36:28 | |
-COCKNEY ACCENT: -Get stuck in like that, right? | 0:36:28 | 0:36:30 | |
Give it a good old squeeze. Moosh it all up, yeah! | 0:36:30 | 0:36:32 | |
Get all the juice out of that that you can manage. | 0:36:32 | 0:36:34 | |
Pukka lemon! Pukka, pukka, pukka! | 0:36:34 | 0:36:36 | |
-NORMAL VOICE: -Right, so we're just going to heat this up | 0:36:36 | 0:36:38 | |
and make an orange and lemon... | 0:36:38 | 0:36:41 | |
Oh... | 0:36:41 | 0:36:42 | |
-COCKNEY ACCENT: -Yeah, the lemon goes in with the oranges, right? | 0:36:42 | 0:36:45 | |
It's all lovely, innit? All we need now is the sugar. | 0:36:45 | 0:36:47 | |
Without the sugar, it ain't a syrup. | 0:36:47 | 0:36:49 | |
-Is that how Jamie Oliver speaks?! -He does in my head! | 0:36:49 | 0:36:52 | |
There's 100g of sugar | 0:36:52 | 0:36:54 | |
goes into the lemon juice and the orange juice. | 0:36:54 | 0:36:56 | |
'Once the sugar's dissolved, | 0:36:59 | 0:37:01 | |
'turn up the heat and stir in the Grand Marnier.' | 0:37:01 | 0:37:04 | |
Now, you always fold the egg whites in with a metal object | 0:37:04 | 0:37:08 | |
and it's a slicing motion. You do not want to compress the egg whites. | 0:37:08 | 0:37:13 | |
The egg whites are what gives a souffle a "huff"! | 0:37:13 | 0:37:17 | |
If you use fresh eggs, it really does help. | 0:37:17 | 0:37:19 | |
The whites go stiffer and the yolks are nicer. | 0:37:19 | 0:37:23 | |
'And I believe you have a tip, Mr King.' | 0:37:23 | 0:37:26 | |
We want the top to rise, so you just put your thumb | 0:37:26 | 0:37:31 | |
right around the side of the souffle | 0:37:31 | 0:37:33 | |
-and that will give you the top hat effect. -Mm-hm. | 0:37:33 | 0:37:37 | |
'Good tip, Mr King! And now, they go into a preheated oven, | 0:37:37 | 0:37:40 | |
'approximately 190 degrees Celsius, for 12 to 15 minutes.' | 0:37:40 | 0:37:43 | |
And try and go in the middle of the oven, | 0:37:43 | 0:37:45 | |
so the heat is as even as we can possibly get it. | 0:37:45 | 0:37:47 | |
'What now?' | 0:37:49 | 0:37:51 | |
En garde. | 0:37:51 | 0:37:52 | |
-I'm on guard. -Right? -Yeah. | 0:37:52 | 0:37:54 | |
And it was lance, parry, thrust! | 0:37:54 | 0:37:57 | |
Lance, pa... You're dead! | 0:37:57 | 0:37:59 | |
-Got you. -No, you didn't, I got you. -No, no! I actually got you. | 0:37:59 | 0:38:02 | |
-Ow! -Oh! Ow. -LAUGHTER | 0:38:02 | 0:38:05 | |
Ah! Ow! | 0:38:05 | 0:38:07 | |
BARKING | 0:38:08 | 0:38:10 | |
'Let's call a truce, because we can now add our names | 0:38:11 | 0:38:13 | |
'to another great French tradition - our souffles have risen. | 0:38:13 | 0:38:18 | |
'Hot Grand Marnier sauce in. Time to enjoy the moment.' | 0:38:18 | 0:38:22 | |
Well, here we go, mate. | 0:38:24 | 0:38:26 | |
Chocolate and orange souffles. | 0:38:27 | 0:38:29 | |
Absolutely great! | 0:38:29 | 0:38:30 | |
DOORBELL RINGS | 0:38:30 | 0:38:32 | |
What the flaming Nora's that now? | 0:38:32 | 0:38:34 | |
-Ah! -Ah! -Juliette! | 0:38:38 | 0:38:41 | |
-Ca va? -Tres bien! Tres bien! | 0:38:41 | 0:38:43 | |
-Entrez! -Merci! | 0:38:43 | 0:38:45 | |
'Our self-invited petanque queen, Juliette, | 0:38:47 | 0:38:49 | |
'is here to rustle up a rustic dish made with local cider | 0:38:49 | 0:38:53 | |
'and creme fraiche, served with potatoes and flambed apples. | 0:38:53 | 0:38:56 | |
'It's old school "grand-mere" cookery, dude. | 0:38:57 | 0:39:01 | |
'One large chicken and one even larger pot.' | 0:39:01 | 0:39:04 | |
-Juliette, en France, c'est la femme, the boss? -Yes, the cook. -Oh, really? | 0:39:06 | 0:39:13 | |
-In the family. In the family. -The family, oui. -Yes. | 0:39:13 | 0:39:17 | |
-In Angleterre, l'homme, the master dans le cuisine. -Ah! | 0:39:17 | 0:39:20 | |
Ooh! JULIETTE LAUGHS | 0:39:20 | 0:39:21 | |
-I'll tell you what, I'm glad me mam's not... -Ha-ha! | 0:39:21 | 0:39:24 | |
-I'm glad me mam's not alive, dude, I tell ya! -No, no! | 0:39:24 | 0:39:26 | |
Oh, oui, oui! Dougie! | 0:39:26 | 0:39:28 | |
-Whoa-ah! -Whoa! | 0:39:28 | 0:39:30 | |
Er, that's my dog Dougie. | 0:39:30 | 0:39:32 | |
Qu'est-ce que c'est en France? | 0:39:33 | 0:39:35 | |
Ne pas grosse? Non? | 0:39:35 | 0:39:37 | |
In Angleterre, moi et him que grosse. | 0:39:37 | 0:39:42 | |
En France... | 0:39:42 | 0:39:43 | |
Here, what do you mean - "Him est grosse"? | 0:39:43 | 0:39:46 | |
-Who are you talking about?! -No, no, no - "moi et him"! -Ah! | 0:39:46 | 0:39:51 | |
-Et voila! -OK. Tres bien, tres bien. C'est bien! | 0:39:51 | 0:39:54 | |
Yeah, you're cooking it! | 0:39:59 | 0:40:01 | |
Crack on! | 0:40:01 | 0:40:02 | |
SI AND DAVE GASP | 0:40:02 | 0:40:04 | |
I'll tell you what - this is not in the diet book. | 0:40:04 | 0:40:06 | |
-No, no, no! -OK, OK! I were just asking! | 0:40:15 | 0:40:19 | |
-All right, OK! -OK. -OK. | 0:40:20 | 0:40:22 | |
-Uh-huh. -'So far, we've had the chicken with sauces, Dave. | 0:40:25 | 0:40:29 | |
'Yup! This one's looking like | 0:40:29 | 0:40:31 | |
'it might be a bit more of an old-fashioned stew.' | 0:40:31 | 0:40:34 | |
OIL SIZZLES | 0:40:34 | 0:40:35 | |
Sit, sit, sit! | 0:40:37 | 0:40:38 | |
Juliette, um... tu es le cuisine avec la maman? | 0:40:51 | 0:40:54 | |
Ah, oui! | 0:40:57 | 0:40:58 | |
-Well, that's what we did, Dave - we learned it from our mums. -Yeah. | 0:40:58 | 0:41:02 | |
Oui! | 0:41:06 | 0:41:07 | |
I think there's going to be a flambe thing going on. | 0:41:07 | 0:41:09 | |
-Ah! -It's OK. Ah, yes. -Agh! | 0:41:09 | 0:41:12 | |
OK... | 0:41:12 | 0:41:14 | |
-C'est bon? -C'est bon. | 0:41:14 | 0:41:16 | |
-Oui! -Yey! -Bravo! -Merci! | 0:41:16 | 0:41:19 | |
'Cider... | 0:41:20 | 0:41:22 | |
'creme fraiche... | 0:41:22 | 0:41:25 | |
'and a stock cube go in. | 0:41:25 | 0:41:27 | |
'And the lid goes on. | 0:41:27 | 0:41:28 | |
'Which gives us 30 precious minutes together.' | 0:41:32 | 0:41:36 | |
Aw! | 0:41:36 | 0:41:38 | |
-SHE HUMS A LULLABY -Get your coat, I think I've pulled! | 0:41:38 | 0:41:41 | |
-Oh, this is such a treat! Oh, look at that. -Look at that. | 0:41:47 | 0:41:50 | |
Superb! | 0:41:50 | 0:41:51 | |
DOORBELL RINGS | 0:41:51 | 0:41:53 | |
-Here, I'll hold that, mate. -I'd better see who that is. | 0:41:53 | 0:41:56 | |
Oh, ho-ho! Ooh! | 0:41:58 | 0:42:00 | |
-Oh, bonjour, monsieur! -Bonjour. -Madame, enchante! | 0:42:01 | 0:42:05 | |
-Oh! -C'est bon? | 0:42:07 | 0:42:09 | |
-Tres, tres, tres bon. -Bon! Parfait! Parfait! | 0:42:09 | 0:42:12 | |
'It's the whole petanque team, Si! | 0:42:12 | 0:42:15 | |
'Well, it's a good job Juliette's chicken's a big 'un.' | 0:42:15 | 0:42:18 | |
Where's my chicken? Oh! | 0:42:18 | 0:42:20 | |
Er, er, er... Juliette ate it. | 0:42:20 | 0:42:22 | |
DAVE SIGHS, DOORBELL RINGS | 0:42:22 | 0:42:24 | |
It's good, this, innit? SHE LAUGHS | 0:42:31 | 0:42:34 | |
Bonjour, monsieur! Bonjour! | 0:42:34 | 0:42:35 | |
Mmm, bon! | 0:42:37 | 0:42:38 | |
-'Yeah, party's warming up, dude. -Aye, but how's that chicken?' | 0:42:44 | 0:42:48 | |
-Do you know what, Dave? -Yeah? | 0:42:52 | 0:42:55 | |
It's beautiful. There's an acidity to it, | 0:42:55 | 0:42:58 | |
through the cider and the apple, | 0:42:58 | 0:43:00 | |
-and the top notes of that Calvados is amazing! -Oh! -Yeah! | 0:43:00 | 0:43:04 | |
-C'est la calva! -Oh, la calva! -C'est la calva... | 0:43:04 | 0:43:07 | |
-La calva c'est la cle de la mystery! -Exactement! | 0:43:07 | 0:43:10 | |
-"The key to the mystery". -Bravo! | 0:43:10 | 0:43:12 | |
What I'm finding fascinating about eating Juliette's food is | 0:43:12 | 0:43:16 | |
-that there is echoes in Juliette's food...of Georges Blanc. -Mm-hm. -Aw! | 0:43:16 | 0:43:23 | |
-The DNA... -Yeah! -..for both dishes, it's the... | 0:43:23 | 0:43:28 | |
it's the mothers, it's the "terroir", | 0:43:28 | 0:43:31 | |
it's food from the earth - the apples, the potatoes. | 0:43:31 | 0:43:34 | |
It's simple, but it's such good, honest cooking. | 0:43:34 | 0:43:37 | |
-And, as you can see, it's going down a storm, isn't it? -It is! | 0:43:37 | 0:43:40 | |
'Right, I've finally got myself some chicken. | 0:43:40 | 0:43:42 | |
'Let's get stuck into that souffle, Kingy.' | 0:43:42 | 0:43:45 | |
ALL GASP | 0:43:45 | 0:43:47 | |
DOORBELL RINGS | 0:43:47 | 0:43:48 | |
-Excusez-moi. -SHE SPEAKS FRENCH | 0:43:52 | 0:43:56 | |
-Ah, oui! It's like Piccadilly Circus! -Yeah. | 0:43:56 | 0:43:59 | |
Oh, la belle coucou! | 0:43:59 | 0:44:01 | |
Wahey! | 0:44:01 | 0:44:02 | |
Mon dieu! | 0:44:04 | 0:44:05 | |
It's Paul Renault, Kingy, the chicken farmer. | 0:44:06 | 0:44:09 | |
He's brought us over some of the fabled coucou de Rennes. | 0:44:09 | 0:44:13 | |
Oh, yeah? I tell you what, with all this hubbub, | 0:44:13 | 0:44:15 | |
I've forgotten what we came here for in the first place. | 0:44:15 | 0:44:19 | |
-C'est beautiful. -They are beautiful. | 0:44:19 | 0:44:21 | |
HE SPEAKS IN FRENCH | 0:44:25 | 0:44:26 | |
In 1900, a doctor from Rennes... | 0:44:26 | 0:44:29 | |
Oh, you look like ze cuckoo. | 0:44:29 | 0:44:31 | |
..established a local bird as a breed. | 0:44:31 | 0:44:33 | |
He called it the coucou de Rennes. | 0:44:33 | 0:44:36 | |
The new breed thrived, | 0:44:37 | 0:44:39 | |
but with the introduction of American broilers in the 1950s... | 0:44:39 | 0:44:43 | |
I say howdy, partners. | 0:44:43 | 0:44:45 | |
..their numbers began to decline. | 0:44:45 | 0:44:47 | |
Well, have a nice day, y'all. | 0:44:47 | 0:44:49 | |
By the 1980s, the coucou had almost died out. | 0:44:49 | 0:44:52 | |
Your time has come. | 0:44:52 | 0:44:54 | |
In step the Rennes Ecomuseum. | 0:44:54 | 0:44:57 | |
We must act! Save the coucou. Save it! | 0:44:57 | 0:45:01 | |
The last ten birds were rounded up and secured as breeding stock. | 0:45:01 | 0:45:06 | |
Oh, merci. You are heroes. Merci! We are saved. | 0:45:06 | 0:45:10 | |
Phwoar, thank goodness for that! | 0:45:10 | 0:45:12 | |
Paul was one of the first people | 0:45:12 | 0:45:14 | |
to produce pure coucou de Rennes for meat. | 0:45:14 | 0:45:18 | |
Like our old friend the poulet de Bresse, | 0:45:18 | 0:45:20 | |
the coucou lives a free-range life - | 0:45:20 | 0:45:22 | |
but, unlike the Bresse, it doesn't get confined indoors | 0:45:22 | 0:45:26 | |
to fatten up at the end. | 0:45:26 | 0:45:27 | |
PAUL SPEAKS IN FRENCH | 0:45:27 | 0:45:29 | |
In 1992, Paul arranged a blind taste test | 0:45:30 | 0:45:34 | |
with some big name chefs. | 0:45:34 | 0:45:36 | |
What could it be? The blind taste test will tell. | 0:45:36 | 0:45:40 | |
The coucou was a hit. | 0:45:40 | 0:45:41 | |
One of these chefs was ... | 0:45:41 | 0:45:44 | |
It tastes like my grandma's chicken! | 0:45:44 | 0:45:45 | |
..who went on to win three Michelin stars | 0:45:45 | 0:45:48 | |
at his Paris restaurant, | 0:45:48 | 0:45:49 | |
where the coucou de Rennes is on the menu today. | 0:45:49 | 0:45:52 | |
Vive la coucou! | 0:45:52 | 0:45:54 | |
Here, dude... | 0:45:54 | 0:45:55 | |
are you thinking what I am thinking? | 0:45:55 | 0:45:57 | |
If they're cooking this chicken | 0:45:57 | 0:45:59 | |
in one of the best restaurants in Paris, then Paris it is. | 0:45:59 | 0:46:03 | |
Tomorrow, we leave at dawn for Paris. | 0:46:03 | 0:46:06 | |
Oui. | 0:46:06 | 0:46:08 | |
Right. | 0:46:10 | 0:46:12 | |
Excellent. | 0:46:12 | 0:46:13 | |
Monsieur, merci beaucoup. | 0:46:13 | 0:46:15 | |
Au revoir, au revoir. | 0:46:17 | 0:46:18 | |
Right. | 0:46:23 | 0:46:24 | |
Where is he? | 0:46:24 | 0:46:26 | |
You know we're going to Paris, | 0:46:26 | 0:46:27 | |
and we're going to the best restaurant, | 0:46:27 | 0:46:30 | |
to eat the best chicken, cooked by the best chef? | 0:46:30 | 0:46:34 | |
Well, I'm not flaming going in the transport that he's organised. | 0:46:34 | 0:46:39 | |
So, what I've done is a little surprise for Dave. | 0:46:39 | 0:46:44 | |
BELL TOLLS | 0:46:44 | 0:46:46 | |
ROOSTER CROWS | 0:46:48 | 0:46:49 | |
Ha-ha! | 0:46:56 | 0:46:58 | |
Oh, Kingy! | 0:46:58 | 0:46:59 | |
Yippee! | 0:47:03 | 0:47:05 | |
Dude, I told you, we couldn't go to Paris in that flaming 2CV | 0:47:09 | 0:47:13 | |
or one of those funny pedally bike things. | 0:47:13 | 0:47:16 | |
Well, I mean, we've got to arrive in style. | 0:47:16 | 0:47:20 | |
-Paris, here we come! -Yeah! | 0:47:22 | 0:47:26 | |
HE CHUCKLES | 0:47:28 | 0:47:30 | |
I didn't know our journey to France would bring us to Paris, | 0:47:35 | 0:47:38 | |
but I am sure glad it has! | 0:47:38 | 0:47:40 | |
Two three-Michelin-starred restaurants in a week. | 0:47:40 | 0:47:44 | |
Oh, dude, honestly, it's a trip of a lifetime. | 0:47:44 | 0:47:47 | |
When I get off this bike, I'm never going to walk the same. | 0:47:52 | 0:47:55 | |
I'm going to swagger. | 0:47:55 | 0:47:56 | |
I will have that joie de vivre, the je ne c'est quoi. | 0:47:56 | 0:47:59 | |
I'm going to walk like I'm kind of...I'm in a film, | 0:47:59 | 0:48:02 | |
like I'm what's his name - Serge Ginsberg. | 0:48:02 | 0:48:05 | |
# Oh, la, la... Je t'aime. # | 0:48:05 | 0:48:08 | |
-Do you ever stop for breath?! -What? | 0:48:08 | 0:48:10 | |
That's remarkable! | 0:48:10 | 0:48:11 | |
This bike has the spirit, I've got the spirit, | 0:48:11 | 0:48:14 | |
and I'm full of chuffing chicken! | 0:48:14 | 0:48:16 | |
-Dave, something has just occurred to me. -Aye. | 0:48:19 | 0:48:22 | |
What is the plural for Mecca? | 0:48:22 | 0:48:24 | |
Because by my reckoning, this is the second one of the trip. | 0:48:24 | 0:48:27 | |
First, Georges Blanc's, and now this place. | 0:48:27 | 0:48:30 | |
Oh, whatever. I'm just going to get ready with all my Hail Marys. | 0:48:30 | 0:48:34 | |
The man whose restaurant we have the honour at eating at | 0:48:37 | 0:48:40 | |
is one of France's most innovative and celebrated chefs. | 0:48:40 | 0:48:44 | |
HE SPEAKS IN FRENCH | 0:48:44 | 0:48:47 | |
Triple-Michelin-star Pierre Gagnaire | 0:48:47 | 0:48:49 | |
started his culinary journey, like us, in Lyon, | 0:48:49 | 0:48:52 | |
where he learned his trade | 0:48:52 | 0:48:53 | |
amongst the meres Lyonnaise and the bouchons. | 0:48:53 | 0:48:56 | |
To prepare our three-starred dish, | 0:48:58 | 0:49:00 | |
Pierre seems to be giving the coucou a rustic treatment - thyme... | 0:49:00 | 0:49:05 | |
rosemary... | 0:49:05 | 0:49:06 | |
With a twist, though, Si - blueberry leaves. | 0:49:06 | 0:49:09 | |
Well, that's a new one on me. | 0:49:09 | 0:49:11 | |
Garlic... | 0:49:11 | 0:49:13 | |
lemon zest... | 0:49:13 | 0:49:15 | |
and the lemon... | 0:49:15 | 0:49:16 | |
butter... | 0:49:16 | 0:49:18 | |
blueberries... | 0:49:18 | 0:49:20 | |
and "that's shallot". | 0:49:20 | 0:49:22 | |
But I've got a feeling, you know, mate, | 0:49:23 | 0:49:25 | |
it won't look so rustic when it comes out. | 0:49:25 | 0:49:27 | |
-There's a lot of anticipation, isn't there, Si? -Very much. | 0:49:29 | 0:49:32 | |
-We've never tasted a coucou de Rennes. -No. | 0:49:32 | 0:49:34 | |
But some say that it is better than the poulet de Bresse. | 0:49:34 | 0:49:38 | |
Pierre Gagnaire is cooking for us personally. | 0:49:38 | 0:49:40 | |
-The elusive coucou de Rennes. -Yeah. | 0:49:40 | 0:49:43 | |
THEY GASP Oh, wow. | 0:49:43 | 0:49:45 | |
-Coucou de Rennes. -Oui. | 0:49:45 | 0:49:47 | |
It's got thin slices of apple, garlic, little girolle mushrooms. | 0:49:47 | 0:49:51 | |
I tell you what is interesting, he's served it with corn. | 0:49:51 | 0:49:53 | |
It's so modern. It's so precise, it's so wonderful. | 0:49:53 | 0:49:57 | |
From the farmer's table to this, | 0:49:57 | 0:49:59 | |
it's worlds away, but it is still the same. | 0:49:59 | 0:50:01 | |
Based in that cookery which is the heart of France. | 0:50:01 | 0:50:03 | |
-Come on! -Oh, I know! | 0:50:03 | 0:50:04 | |
Ohh! | 0:50:04 | 0:50:06 | |
It's absolutely amazing. | 0:50:12 | 0:50:13 | |
Texturally and flavourally, completely different | 0:50:14 | 0:50:19 | |
to the poulet de Bresse. | 0:50:19 | 0:50:21 | |
The poulet de Bresse, because it has been fattened up, is softer. | 0:50:21 | 0:50:25 | |
This is more gamey. | 0:50:25 | 0:50:26 | |
It's almost more like a guinea fowl or a partridge. | 0:50:26 | 0:50:29 | |
It tastes extraordinary. | 0:50:29 | 0:50:31 | |
At Georges Blanc's we were at the rustic auberge | 0:50:31 | 0:50:33 | |
where we wanted to recreate the food of his mother, which he did - | 0:50:33 | 0:50:38 | |
but that food wasn't gastronomic. This is. | 0:50:38 | 0:50:40 | |
This is really precise, really modern. | 0:50:40 | 0:50:43 | |
It's different. | 0:50:43 | 0:50:44 | |
It's two different men, at the same level of their profession. | 0:50:44 | 0:50:48 | |
-Gentlemen. -Very nice to meet you. -This is wonderful. | 0:50:50 | 0:50:53 | |
-The coucou de Rennes, it is nice, huh? -Oh, yeah! | 0:50:53 | 0:50:56 | |
THEY LAUGH | 0:50:56 | 0:50:57 | |
It has a real character. It's not fat. It's not dry. | 0:50:57 | 0:51:02 | |
-You have a real taste. -Which is the best chicken - | 0:51:02 | 0:51:04 | |
poulet de Bresse or coucou de Rennes? | 0:51:04 | 0:51:06 | |
You are like that in England. We are not like that in France. | 0:51:06 | 0:51:09 | |
"What is the best - number one, number two?" No. | 0:51:09 | 0:51:11 | |
It is good, it is not good. | 0:51:11 | 0:51:13 | |
The French chicken, this emblem of France, | 0:51:13 | 0:51:14 | |
it represents the character of the French. | 0:51:14 | 0:51:18 | |
-It's proud, it's independent, it's free. -Yes. | 0:51:18 | 0:51:21 | |
But a little bit arrogant. | 0:51:21 | 0:51:22 | |
Of course! | 0:51:22 | 0:51:24 | |
The poor chicken, it is nothing. | 0:51:24 | 0:51:26 | |
It is not an elephant. It is not a tiger. | 0:51:26 | 0:51:29 | |
-It's a chicken! -It is just a chicken. | 0:51:29 | 0:51:33 | |
But the French... Like that. "I am French!" | 0:51:33 | 0:51:36 | |
Fantastic, thank you. | 0:51:36 | 0:51:38 | |
Oh, that was one of the most magical moments ever. | 0:51:40 | 0:51:43 | |
It was just the most... It was. | 0:51:43 | 0:51:46 | |
Amazing. Amazing. What a man. | 0:51:46 | 0:51:49 | |
'How do you follow that, dude?' | 0:51:49 | 0:51:51 | |
By taking to the streets of Paris, of course! | 0:51:54 | 0:51:58 | |
To buy that special something... | 0:51:58 | 0:52:00 | |
take those obligatory selfies... | 0:52:00 | 0:52:04 | |
consume connoisseurs' croissants... | 0:52:04 | 0:52:08 | |
..and, crucially, to reflect deeply on our French foray. | 0:52:09 | 0:52:13 | |
Oh, France! What an odyssey it's been - | 0:52:15 | 0:52:17 | |
From Lyon to Macon with Georges Blanc. | 0:52:17 | 0:52:20 | |
Today, the coucou de Rennes, three Michelin stars. | 0:52:20 | 0:52:23 | |
We're six stars in a week! | 0:52:23 | 0:52:25 | |
I know, it's hard to do that, dude. | 0:52:25 | 0:52:27 | |
And here we are, at the climax of the climaxicness-ness. | 0:52:27 | 0:52:30 | |
I truly believe we have tasted the best chicken | 0:52:30 | 0:52:33 | |
we ever have, ever, ever, ever! | 0:52:33 | 0:52:36 | |
-He's been excited about it. -Oh, I am. I'm over t' moon. | 0:52:36 | 0:52:39 | |
-He is. -Oh, I'm fit to burst. -Right. -Oh! | 0:52:39 | 0:52:42 | |
What are we cooking, Si? | 0:52:42 | 0:52:43 | |
Well, we're cooking chicken, unsurprisingly, David. | 0:52:43 | 0:52:46 | |
Our climactic dish, like the souffle before it, | 0:52:48 | 0:52:52 | |
is as French as la Tour Eiffel. | 0:52:52 | 0:52:54 | |
It's the ultimate classic coq au vin - | 0:52:55 | 0:52:58 | |
but with a major twist. | 0:52:58 | 0:53:00 | |
Our wine is going to be blanc instead of rouge. | 0:53:00 | 0:53:04 | |
Which means we can indulge ourselves with - guess what - | 0:53:04 | 0:53:08 | |
the addition of cream. | 0:53:08 | 0:53:10 | |
You put cream in a red wine chicken dish, it goes purple! | 0:53:10 | 0:53:13 | |
-It's wrong. That's what it is. -It is. -Wrong. | 0:53:13 | 0:53:15 | |
It looks more like an illness than a meal to my eyes. | 0:53:15 | 0:53:17 | |
You can't do it. | 0:53:17 | 0:53:19 | |
Right, mate. I'm going to take the tips off these. | 0:53:19 | 0:53:21 | |
But we're not going to brine this chicken, | 0:53:21 | 0:53:23 | |
we are going to marinate it. | 0:53:23 | 0:53:24 | |
It's yet another way of working on the flavour | 0:53:24 | 0:53:27 | |
and making sure the chicken is juicy. | 0:53:27 | 0:53:29 | |
'And the flavour of our marinade is courtesy of Georges Blanc - | 0:53:29 | 0:53:34 | |
'a leek-enclosed bouquet garni of thyme, bay leaves and parsley.' | 0:53:34 | 0:53:38 | |
Another thing we learned from Monsieur Blanc | 0:53:38 | 0:53:41 | |
was that it is always best to cook your meat on the bone, | 0:53:41 | 0:53:44 | |
for added chickeny-ness. | 0:53:44 | 0:53:46 | |
And we're going to salt it and pepper it quite liberally... | 0:53:46 | 0:53:50 | |
-..by popping the bouquet garni. -Oui, oui. -Pop. | 0:53:51 | 0:53:54 | |
And now... | 0:53:55 | 0:53:57 | |
the wine goes into the chicken. | 0:53:57 | 0:53:59 | |
A whole bottle. | 0:53:59 | 0:54:01 | |
This needs to be covered, go into the fridge overnight - | 0:54:01 | 0:54:04 | |
or at least 12 hours. | 0:54:04 | 0:54:05 | |
So, just you sit there, bathing in all that flavour, mon petit poulet. | 0:54:05 | 0:54:10 | |
One, two, three, four... | 0:54:10 | 0:54:12 | |
-BOTH: -# Alouette, gentille alouette | 0:54:12 | 0:54:14 | |
# Alouette, je te plumerai | 0:54:14 | 0:54:17 | |
# Je te plumerai la tete | 0:54:17 | 0:54:18 | |
# Je te plumerai la tete | 0:54:18 | 0:54:21 | |
-# Et la tete! -Alouette! | 0:54:21 | 0:54:23 | |
-# Et la tete! -Alouette! | 0:54:23 | 0:54:25 | |
-# A-a-a-ah... # Looks like 12 hours to me. -Yeah. | 0:54:25 | 0:54:29 | |
-Kingy... -What? | 0:54:29 | 0:54:31 | |
What is this programme about? | 0:54:31 | 0:54:34 | |
-Chicken. And eggs. -Right. | 0:54:34 | 0:54:36 | |
Why on earth have you come back with a pot with a fish on?! | 0:54:36 | 0:54:40 | |
Well, it's beautiful, innit? | 0:54:40 | 0:54:42 | |
I mean, it is. Look. | 0:54:42 | 0:54:43 | |
-I know. -It is a beautiful thing. | 0:54:43 | 0:54:45 | |
It's French, innit? | 0:54:45 | 0:54:46 | |
You have a problem. Dans la tete. | 0:54:46 | 0:54:48 | |
-Dans la tete. Alouette. -You have known me for 25 years. | 0:54:48 | 0:54:52 | |
-I know. So you put the bacon in the fishy pot... -Thank you. | 0:54:52 | 0:54:55 | |
..for the chicken. | 0:54:55 | 0:54:57 | |
-Put some heat under your... -Fish themed! | 0:54:57 | 0:55:00 | |
..ahem, fish themed chicken pot, then add pancetta and onion. | 0:55:00 | 0:55:04 | |
Once the onion's started to brown, | 0:55:07 | 0:55:09 | |
add your button mushrooms and butter. | 0:55:09 | 0:55:11 | |
Let the mixture sweat down, | 0:55:11 | 0:55:13 | |
and then remove. | 0:55:13 | 0:55:15 | |
Meanwhile, release the chicken from the marinade. | 0:55:16 | 0:55:19 | |
Pat it dry and add it to the, um... | 0:55:19 | 0:55:22 | |
-Fish themed! -..fish themed pan, | 0:55:22 | 0:55:25 | |
skin side down, on a medium heat. | 0:55:25 | 0:55:27 | |
It'll take around 15 minutes to cook each side. | 0:55:27 | 0:55:32 | |
What we need to do is just to pop in three chopped cloves of garlic. | 0:55:32 | 0:55:36 | |
After all, it wouldn't be French without garlic. | 0:55:36 | 0:55:38 | |
My friend will just stir it in with the delicacy of Nijinsky - | 0:55:38 | 0:55:43 | |
and we're talking ballet, not racehorse. | 0:55:43 | 0:55:45 | |
Now we have got the pancetta, the onion and the mushrooms. | 0:55:45 | 0:55:49 | |
That goes in. | 0:55:49 | 0:55:50 | |
That marinade, the bottle of Pouilly-Fume, Pouilly-Fuisse | 0:55:50 | 0:55:53 | |
or white wine of choice - but don't use rubbish - | 0:55:53 | 0:55:56 | |
with a bouquet garni, we just pour that in. | 0:55:56 | 0:55:59 | |
Cover and simmer for 45 minutes, | 0:55:59 | 0:56:02 | |
until the chicken is practically falling off the bone. | 0:56:02 | 0:56:06 | |
You see, the thing is, it's romantic on the rooftops, | 0:56:06 | 0:56:09 | |
overlooking the Eiffel Tower. | 0:56:09 | 0:56:11 | |
Agh, I'm not sure I can control me urges! | 0:56:11 | 0:56:14 | |
Si! | 0:56:14 | 0:56:15 | |
Such is the romance. | 0:56:17 | 0:56:18 | |
-Not like that. That's like... -No, no... -Man romance. | 0:56:18 | 0:56:22 | |
'Oh, for... Back to the chicken.' | 0:56:22 | 0:56:24 | |
-Oh, look at that! -Yes! | 0:56:24 | 0:56:25 | |
Dave is going to tell you how to thicken this sauce | 0:56:25 | 0:56:28 | |
the old-fashioned way. | 0:56:28 | 0:56:30 | |
Georges Blanc said his mother used to thicken the sauce | 0:56:30 | 0:56:33 | |
with cream and egg yolk. | 0:56:33 | 0:56:34 | |
Take an oeuf - one egg is "an oeuf"... | 0:56:34 | 0:56:39 | |
and separate. | 0:56:39 | 0:56:41 | |
And about 100ml of cream. Don't be too pedantic. | 0:56:43 | 0:56:46 | |
The ways of old were simple. | 0:56:48 | 0:56:50 | |
Mix the egg and the cream and then add to the pot. | 0:56:50 | 0:56:54 | |
Cook gently for a few minutes, edge your marinated chicken... | 0:56:54 | 0:56:58 | |
and serve with lashings of parsley. | 0:56:58 | 0:57:01 | |
And, of course, a view of the Eiffel Tower, if you can get it. | 0:57:01 | 0:57:03 | |
They do models. | 0:57:03 | 0:57:05 | |
-Mm! -Mm. | 0:57:05 | 0:57:07 | |
Well, it doesn't get much better than this, mate, does it? | 0:57:08 | 0:57:11 | |
No, it doesn't, it really doesn't. | 0:57:11 | 0:57:13 | |
It's funny, since I've been living here, | 0:57:13 | 0:57:16 | |
I've really embraced the culture, and I've embraced the food. | 0:57:16 | 0:57:19 | |
-And do you know what? I get it. -Oh, yeah, I know. Absolutely. | 0:57:19 | 0:57:22 | |
I get that depth of food culture. | 0:57:22 | 0:57:24 | |
And chicken, I don't think gets much better than this. | 0:57:24 | 0:57:27 | |
Well, I just think it's such an elemental part of French cuisine. | 0:57:27 | 0:57:32 | |
-Yes. -And it's held in such high esteem. -Yeah. | 0:57:32 | 0:57:35 | |
And you know, mate, I can guarantee for us, for France, | 0:57:35 | 0:57:40 | |
and French chicken, it is going to be au revoir, | 0:57:40 | 0:57:42 | |
-and not goodbye. Cheers! -Cheers. Salut. -Salut. | 0:57:42 | 0:57:45 | |
Next time, we are in magical North Africa. | 0:57:47 | 0:57:50 | |
Dude, we're in Morocco! | 0:57:50 | 0:57:53 | |
Hey-hey! | 0:57:53 | 0:57:54 | |
Where we get to grips with tribal traditions. | 0:57:54 | 0:57:57 | |
Can you imagine 8,000 of those charging at you? | 0:57:57 | 0:58:00 | |
It'd be terrifying. | 0:58:00 | 0:58:01 | |
Discover the chickeny secrets of Moroccan home cooking. | 0:58:03 | 0:58:06 | |
-I was not expecting that. -No! | 0:58:06 | 0:58:09 | |
And find out why chicken works so well with exotic spices. | 0:58:09 | 0:58:14 | |
-The balance is absolutely superb. -Yeah. | 0:58:14 | 0:58:16 | |
MUSIC: The Birdie Song by The Tweets | 0:58:16 | 0:58:19 |