Browse content similar to Kent. Check below for episodes and series from the same categories and more!
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'British food is about more than what we put on our plates. | 0:00:03 | 0:00:07 | |
'Our landscape, our climate and our history | 0:00:07 | 0:00:10 | |
'define what we grow and where we grow it.' | 0:00:10 | 0:00:13 | |
Ah! | 0:00:13 | 0:00:16 | |
This is the mustard that built empires. | 0:00:16 | 0:00:19 | |
'Each place, each region, each food has its own story to tell. | 0:00:19 | 0:00:23 | |
Oi! | 0:00:23 | 0:00:25 | |
HE LAUGHS | 0:00:25 | 0:00:26 | |
It's the most dangerous kind of farming I've ever known. | 0:00:26 | 0:00:29 | |
I would rather fish for shark! | 0:00:29 | 0:00:31 | |
'I'm exploring Britain to discover | 0:00:31 | 0:00:33 | |
'how our soils and seas have shaped our tastes and traditions | 0:00:33 | 0:00:36 | |
'because our food is who we are.' | 0:00:36 | 0:00:40 | |
Those were the shoes that were put on the cattle. | 0:00:40 | 0:00:44 | |
-So they would fit those... -They really shoe cattle? -They have. | 0:00:44 | 0:00:47 | |
'Alongside me on this journey are historian, Lucy Worsley, | 0:00:47 | 0:00:50 | |
'archaeologist, Alex Langlands...' | 0:00:50 | 0:00:53 | |
Definitely whisky in that! | 0:00:53 | 0:00:55 | |
-And does that find its way into the fish, ultimately? -It does, yeah. | 0:00:55 | 0:00:58 | |
..'botanist, James Wong, | 0:00:58 | 0:01:01 | |
'and horticulturalist, Alys Fowler.' | 0:01:01 | 0:01:04 | |
Oh, wow! | 0:01:05 | 0:01:06 | |
-It's a TOTALLY different thing when it's cooked. -It is. It really is. | 0:01:06 | 0:01:09 | |
'This is the story of our food. | 0:01:13 | 0:01:15 | |
'This time, we're in Kent. | 0:01:25 | 0:01:27 | |
'This is the garden of England, rich with orchards and fruitful harvests. | 0:01:27 | 0:01:32 | |
'It's also on the doorstep of Europe, a source of new tastes and ideas. | 0:01:32 | 0:01:36 | |
'And it's all within easy reach of the markets of London | 0:01:37 | 0:01:40 | |
'via an ancient network of rivers and estuaries.' | 0:01:40 | 0:01:42 | |
What's the great thing about falling off here? | 0:01:45 | 0:01:48 | |
Remember to go that way! | 0:01:48 | 0:01:49 | |
'I'm going to be travelling by traditional Thames barge, | 0:01:49 | 0:01:52 | |
'taking a trip up the Medway | 0:01:52 | 0:01:55 | |
'to see how the white van men of the waterways | 0:01:55 | 0:01:57 | |
'helped put Kentish food on the map. | 0:01:57 | 0:02:00 | |
'But my journey begins in the heart of the county. | 0:02:00 | 0:02:03 | |
'I'm starting with a crop perfectly suited to Kent's soil and climate, | 0:02:03 | 0:02:08 | |
'a crop brought here from Europe to transform our national drink.' | 0:02:08 | 0:02:11 | |
These amazing towering plants are hops, | 0:02:14 | 0:02:18 | |
and their pale green flowers are the beginnings of a very Kentish taste | 0:02:18 | 0:02:22 | |
because they're what gives English beer its bitterness, | 0:02:22 | 0:02:26 | |
the clean, grassy, palate-cleansing tang | 0:02:26 | 0:02:29 | |
that makes British beer beer. | 0:02:29 | 0:02:31 | |
'Hops are a very labour-intensive crop, | 0:02:35 | 0:02:38 | |
'grown purely for their cone-like flowers. | 0:02:38 | 0:02:40 | |
'Kent became their stronghold, thanks to favourable growing conditions | 0:02:42 | 0:02:46 | |
'and the number of seasonal workers prepared to travel from nearby London. | 0:02:46 | 0:02:50 | |
'Whole families would race to pick the hop flowers | 0:02:50 | 0:02:52 | |
'that were then dried before being added in the brewing process to create flavour. | 0:02:52 | 0:02:56 | |
'Hop farmer Chris Nicholas has just started this year's harvest.' | 0:02:58 | 0:03:01 | |
I guess you know when they're ready because of the timing, | 0:03:02 | 0:03:05 | |
but is there anything... | 0:03:05 | 0:03:07 | |
How can you tell that this particular... | 0:03:07 | 0:03:08 | |
This fellow... How do you know it's ready? | 0:03:08 | 0:03:10 | |
Well, the traditional way is... | 0:03:10 | 0:03:13 | |
-..if you look at a hop... -Yup. | 0:03:15 | 0:03:17 | |
-..there's a seed. -Mm hmm. | 0:03:17 | 0:03:19 | |
When the hop first forms, | 0:03:19 | 0:03:20 | |
the seed inside is milky. | 0:03:20 | 0:03:22 | |
As the hop becomes ready, the seed starts to dry out. | 0:03:22 | 0:03:26 | |
You can see the lupulin, which is the brewing value, | 0:03:26 | 0:03:29 | |
on the petals. | 0:03:29 | 0:03:31 | |
-Is that the yellow stuff? -Yeah. | 0:03:31 | 0:03:33 | |
Now the seed is not milky. | 0:03:33 | 0:03:34 | |
It's actually quite firm. That means it's ripe. | 0:03:34 | 0:03:38 | |
How many hop flowers do you need for a pint of beer? | 0:03:38 | 0:03:40 | |
-Just a couple. -Just a couple? -Yup. -So, like... | 0:03:40 | 0:03:43 | |
-These two... That's a pint? -Yup. | 0:03:43 | 0:03:46 | |
-It smells of very hoppy beer... -Yeah. -..when it's on your fingers. | 0:03:46 | 0:03:48 | |
It smells sort of garlicky when you fist smell it, and then lemony. | 0:03:48 | 0:03:52 | |
And then, when it's on your fingers, it smells like... | 0:03:52 | 0:03:55 | |
I smell like I've come back from a really, really good night. | 0:03:55 | 0:03:57 | |
'You CAN flavour beer with fresh green hops, | 0:03:59 | 0:04:02 | |
'but usually, they're dried. | 0:04:02 | 0:04:04 | |
'This would once have been done in an oast house, | 0:04:04 | 0:04:07 | |
'but these days, they're dried in kilns.' | 0:04:07 | 0:04:10 | |
So, you dry them here? | 0:04:10 | 0:04:11 | |
This is part of the drying system. | 0:04:11 | 0:04:13 | |
Hops is 83% water, and we try and dry them down to 10%. | 0:04:13 | 0:04:17 | |
To tell when they're dried, | 0:04:17 | 0:04:19 | |
I just get into the kiln while it's going, | 0:04:19 | 0:04:21 | |
and grab a handful, and then you rub them. | 0:04:21 | 0:04:23 | |
These aren't anywhere near ready. These are about half dried. | 0:04:23 | 0:04:26 | |
And what will happen, if you end up with three | 0:04:26 | 0:04:29 | |
of just the strigs left in your hand, that's 10% moisture. | 0:04:29 | 0:04:32 | |
That's how the old Victorian driers dried them off. | 0:04:32 | 0:04:35 | |
-And you still do it that way? -Still do it that way. | 0:04:35 | 0:04:37 | |
It's done all over the world, all the hop driers. | 0:04:37 | 0:04:40 | |
They might have got electronic equipment, | 0:04:40 | 0:04:42 | |
but it's always still done by hand. | 0:04:42 | 0:04:43 | |
It's a very kind of heady smell, isn't it? | 0:04:43 | 0:04:46 | |
It's very kind of, "Woah!" Makes you feel a bit woozly. | 0:04:46 | 0:04:48 | |
'Hops and beer have been the perfect Kentish partnership for centuries, | 0:04:50 | 0:04:54 | |
'but go back further into history, and the story is very different. | 0:04:54 | 0:04:57 | |
'Brewing has been going on for millennia. | 0:04:59 | 0:05:01 | |
'It's a way of making our water safer to drink. | 0:05:01 | 0:05:04 | |
'But hops weren't always part of the recipe. | 0:05:04 | 0:05:06 | |
'In medieval England, there were no hop gardens, | 0:05:07 | 0:05:10 | |
'and beer as we know it simply didn't exist. | 0:05:10 | 0:05:12 | |
'Master brewer, Stewart Main, | 0:05:15 | 0:05:16 | |
'is going to introduce me to the original British pint.' | 0:05:16 | 0:05:19 | |
-So, what was beer like before hops? -It would be very variable. | 0:05:23 | 0:05:26 | |
It was called ale. | 0:05:26 | 0:05:27 | |
It was only called beer when hops were added. | 0:05:27 | 0:05:30 | |
Before that, it was ale, | 0:05:30 | 0:05:31 | |
and ale wives, women, | 0:05:31 | 0:05:33 | |
used to brew the beers. It was a farmhouse kind of thing. | 0:05:33 | 0:05:36 | |
-We now, when we talk about real ale... -Yeah. | 0:05:36 | 0:05:38 | |
..we do mean a hopped drink like beer? | 0:05:38 | 0:05:40 | |
Yes, we do. Yes, we do. Yes. | 0:05:40 | 0:05:42 | |
But at the time, there was a distinction? | 0:05:42 | 0:05:44 | |
We're looking at the alcoholic beverage, | 0:05:44 | 0:05:47 | |
before hops came to this country. | 0:05:47 | 0:05:49 | |
'Malted milled grain is mixed with boiling water.' | 0:05:49 | 0:05:51 | |
It's a lot of trouble to go to, just cos you can't drink the water. | 0:05:51 | 0:05:55 | |
-Well, it's that or dying, I suppose! What would you choose? -GILES LAUGHS | 0:05:55 | 0:05:58 | |
-Beer or death! -It's just a wholesome, natural drink. | 0:05:58 | 0:06:01 | |
It doesn't have to be highly alcoholic. | 0:06:01 | 0:06:02 | |
-Children drank it, didn't they? -Of course they would. | 0:06:02 | 0:06:05 | |
'Flavourings like rosemary, honey and heather are added.' | 0:06:05 | 0:06:09 | |
I have to say | 0:06:09 | 0:06:10 | |
that I don't think I've ever seen anything that looks less like beer. | 0:06:10 | 0:06:14 | |
-It's ale, lad. It's ale! -Ale! | 0:06:14 | 0:06:16 | |
'It's left to ferment for several days.' | 0:06:16 | 0:06:19 | |
Now, you can see how it looks exactly the same. | 0:06:19 | 0:06:21 | |
But you see the fluid in there? | 0:06:21 | 0:06:23 | |
Now, what would they do? They'd allow that to sediment out. | 0:06:23 | 0:06:26 | |
I bet they would because what they've got there is | 0:06:26 | 0:06:28 | |
a yeasty-smelling muddy puddle. | 0:06:28 | 0:06:30 | |
But it's not going to kill you! | 0:06:30 | 0:06:31 | |
We'll just see how this tastes. | 0:06:31 | 0:06:34 | |
Mmm. | 0:06:34 | 0:06:35 | |
It smells of mouldy bread, | 0:06:35 | 0:06:37 | |
but it tastes of beer. | 0:06:37 | 0:06:39 | |
You can imagine that chilled, nicely cooled. | 0:06:39 | 0:06:41 | |
That's a lovely drink. | 0:06:41 | 0:06:43 | |
You're going to have such a big sales problem with the colour. | 0:06:43 | 0:06:47 | |
What do YOU think the alcoholic content of that is? | 0:06:47 | 0:06:50 | |
Six. | 0:06:51 | 0:06:53 | |
Six? | 0:06:53 | 0:06:54 | |
would you be surprised if I told you it was 13? | 0:06:54 | 0:06:56 | |
-GILES LAUGHS -Yes! -13%. -Really? -Honestly. 13%. | 0:06:56 | 0:07:00 | |
Gosh, I drink too much, don't I? | 0:07:00 | 0:07:01 | |
'Although our British ale was alcoholic, | 0:07:04 | 0:07:05 | |
'it was unpredictable and it spoiled quickly. | 0:07:05 | 0:07:08 | |
'The Europeans were really the first to brew with hops. | 0:07:09 | 0:07:12 | |
'The Germans were using them in beer by the 12th century, | 0:07:12 | 0:07:15 | |
'soon followed by the Dutch and the Flemish. | 0:07:15 | 0:07:17 | |
'When Flemish weavers came here to work in the late 14th century, | 0:07:21 | 0:07:24 | |
'they brought with them a taste for hopped beer. | 0:07:24 | 0:07:26 | |
'It took a couple of hundred years, but it caught on, | 0:07:29 | 0:07:32 | |
'and by the early 16th century, | 0:07:32 | 0:07:33 | |
'Kentish farmers had a new cash crop and a new drink. | 0:07:33 | 0:07:36 | |
'English beer today would be unthinkable without hops.' | 0:07:38 | 0:07:41 | |
So these are...? | 0:07:43 | 0:07:44 | |
These are the hop pellets. Hops have been | 0:07:44 | 0:07:47 | |
milled and reconstituted in pellet form. | 0:07:47 | 0:07:50 | |
-It still smells just exactly of hops. -They do. | 0:07:50 | 0:07:52 | |
And we're going to add them now to this copper. | 0:07:52 | 0:07:55 | |
Brilliant. | 0:07:55 | 0:07:57 | |
'Shepherd Neame is Britain's oldest brewery. | 0:07:57 | 0:07:59 | |
'There's evidence that its heritage dates back to the 16th century, | 0:07:59 | 0:08:02 | |
'the industry growing on the back of Kentish hops. | 0:08:02 | 0:08:05 | |
'It's Stewart's job to monitor every part of the process. | 0:08:07 | 0:08:10 | |
That's the freshest beer you will ever taste, Giles. | 0:08:10 | 0:08:13 | |
I think I can taste the hops. | 0:08:16 | 0:08:18 | |
-Oh, you can? -I'm so into hops now that I'm... | 0:08:18 | 0:08:19 | |
-You can taste the hoppiness and the bitterness. -It's very bitter. | 0:08:19 | 0:08:22 | |
You've got a lingering bitterness now just at the front of your palate. | 0:08:22 | 0:08:25 | |
That seems bitterer to me than beers you normally drink in the pub. | 0:08:25 | 0:08:29 | |
Shepherd Neame's beers are famous for being very bitter. | 0:08:29 | 0:08:33 | |
We're in the heart of hop country! | 0:08:33 | 0:08:35 | |
'The possibilities for beer expanded with the arrival of hops. | 0:08:35 | 0:08:39 | |
'Different varieties create different flavours.' | 0:08:39 | 0:08:42 | |
Now, you look at that. Lovely golden colour, | 0:08:42 | 0:08:45 | |
light chestnut. | 0:08:45 | 0:08:46 | |
With a lovely dry bitterness as well. | 0:08:46 | 0:08:48 | |
Mmm. | 0:08:48 | 0:08:49 | |
Yeah, I know. I can see. I just need to just quickly get a... | 0:08:49 | 0:08:52 | |
-Just to be sure. -Just to be certain I need to get a... | 0:08:52 | 0:08:54 | |
-I'm keen that you make your mind up. -Mmm. | 0:08:54 | 0:08:57 | |
Yeah... Yes... | 0:08:57 | 0:08:58 | |
Yeah. Mmm hmm. That obviously went down well. | 0:08:58 | 0:09:00 | |
If you compare the ale that they were drinking before they had hops, | 0:09:00 | 0:09:04 | |
it's got this kind of... which had no structure. | 0:09:04 | 0:09:06 | |
Well, if you think about it, | 0:09:06 | 0:09:08 | |
we're adding different hops with different bitternesses | 0:09:08 | 0:09:10 | |
to give different aromas and different flavours. | 0:09:10 | 0:09:13 | |
They would add different types of flowers and herbs to give different flavours, | 0:09:13 | 0:09:17 | |
so you can see the parallel between what was done in Saxon times. | 0:09:17 | 0:09:21 | |
The hops are added, yes, to make the beer bitter | 0:09:21 | 0:09:23 | |
and to give a nice hoppy and fruity aroma, but they're | 0:09:23 | 0:09:26 | |
actually one of nature's preservatives. | 0:09:26 | 0:09:28 | |
So, they will preserve the beer. They make it last a long time. | 0:09:28 | 0:09:30 | |
This means, presumably, hops not only gave it flavour, | 0:09:30 | 0:09:32 | |
but it must have made it possible to move from a thing that was just done | 0:09:32 | 0:09:37 | |
-at home to something that could be done on a commercial scale. -Absolutely. | 0:09:37 | 0:09:40 | |
Well, it became commercial, of course. | 0:09:40 | 0:09:42 | |
And the commercial aspect of brewing | 0:09:42 | 0:09:44 | |
coincided with the infrastructure of distribution. | 0:09:44 | 0:09:46 | |
So, it would start with canals and then roads. | 0:09:46 | 0:09:49 | |
Beer has always been part of Britain's way of life. | 0:09:49 | 0:09:54 | |
It's our national drink. | 0:09:54 | 0:09:55 | |
'Kent has a long history of embracing new ideas and flavours. | 0:09:55 | 0:09:59 | |
'But it didn't hurt that it had thousands of customers practically on its doorstep. | 0:09:59 | 0:10:03 | |
'So for brewing to work commercially, Kent needed another ingredient. Transport. | 0:10:03 | 0:10:09 | |
'The brewery sits on a tidal creek in Faversham that leads out into the Swale Estuary.' | 0:10:09 | 0:10:14 | |
-Morning, Brian. -Good morning. -A beer run to London. | 0:10:15 | 0:10:20 | |
Thank you very much indeed. That will get us half way anyway. | 0:10:20 | 0:10:25 | |
'Brian Pain is the skipper and owner of this barge, the Lady Of The Lea. | 0:10:25 | 0:10:30 | |
'He and his crew are going to show me how Kent used to get goods to market.' | 0:10:30 | 0:10:35 | |
-Well, it's very thirsty work. -Really? | 0:10:35 | 0:10:37 | |
Lots of pulling and heaving. The crew is in danger of getting dehydrated. | 0:10:37 | 0:10:42 | |
-I thought it was easy. I thought that was the point. -They're easy, yes. You'll find out later. | 0:10:42 | 0:10:47 | |
'Before modern roads and railways, barges were the safest and cheapest | 0:10:47 | 0:10:52 | |
'method of putting Kent's food on the table. | 0:10:52 | 0:10:55 | |
'This network of rivers and estuaries were once the motorways of their day.' | 0:10:55 | 0:11:00 | |
-Do we know what route we're taking? -I think we do. | 0:11:00 | 0:11:03 | |
If not, I've got a road map of Britain down below. I'm sure we can find a way. | 0:11:03 | 0:11:07 | |
'In their heyday, there were over 2,000 of these barges, | 0:11:07 | 0:11:11 | |
'the largest fleet in Europe. | 0:11:11 | 0:11:13 | |
'They could navigate narrow creeks to pick up goods direct from farmers and suppliers.' | 0:11:13 | 0:11:18 | |
I'm amazed you're out so quickly. | 0:11:33 | 0:11:35 | |
Seconds ago, we were in the bustling, glittering lights of Faversham. | 0:11:35 | 0:11:38 | |
Suddenly, we're in open fields. It's like Belgium or something. | 0:11:38 | 0:11:41 | |
Yes. It's got a strange beauty around here, the marshes. | 0:11:41 | 0:11:45 | |
'The earliest barges were simple floating boxes, rowed to shore. | 0:11:46 | 0:11:50 | |
'But bargemen soon realised they could be transformed to sail the windswept estuaries. | 0:11:50 | 0:11:55 | |
'A sailing rig was added and the Thames barge was born.' | 0:11:55 | 0:11:59 | |
What sail are you going to put up? Like I know the difference between sails! | 0:11:59 | 0:12:04 | |
We're going to put the top sail up and the clue's in the name. | 0:12:04 | 0:12:08 | |
-The great thing is we fall off here... -What's the great thing about falling off here? | 0:12:08 | 0:12:13 | |
-Remember to go that way. You'll be in the water. -Is it deep enough? I'll be OK? -You'll be fine. | 0:12:13 | 0:12:18 | |
Do you want to see a back somersault with a triple pike? | 0:12:18 | 0:12:22 | |
Just in time for the Olympics. Would you like to know just how terrified I am? | 0:12:22 | 0:12:26 | |
'Beer from the brewery would have been delivered straight to London, | 0:12:40 | 0:12:44 | |
'but we're settling sail for a different destination, heading to the River Medway | 0:12:44 | 0:12:49 | |
'and a journey upriver into the very heart of Kent. | 0:12:49 | 0:12:52 | |
'This is where Kent's reputation was really built. | 0:12:58 | 0:13:01 | |
'Grapes and apples are all very well, but by late summer, | 0:13:01 | 0:13:04 | |
'it's cherries that are the real stars of the show. | 0:13:04 | 0:13:08 | |
'Kent led the way with the first English cherry orchards in the early 16th century. | 0:13:10 | 0:13:14 | |
'It's still leading the way today. | 0:13:14 | 0:13:16 | |
'Horticulturalist Alice Fowler is uncovering a new cherry revolution | 0:13:16 | 0:13:21 | |
'with its roots firmly in the past.' | 0:13:21 | 0:13:25 | |
Now this is a traditional orchard with traditional wide spacing | 0:13:26 | 0:13:31 | |
and huge trees, hence the need for these very tall ladders. | 0:13:31 | 0:13:36 | |
The ladders have a wonderful feel. | 0:13:38 | 0:13:41 | |
You can sort of tell that hundreds of people have climbed up and down them and they're stained. | 0:13:41 | 0:13:46 | |
They're sort of brilliant dark cherry red along each rung. | 0:13:46 | 0:13:49 | |
'This is Kent farming with a rich history. | 0:13:49 | 0:13:52 | |
'John Leigh-Pemberton's family have been growing cherries here for more than three generations. | 0:13:55 | 0:14:01 | |
'And as with any old orchard, | 0:14:01 | 0:14:03 | |
'the fruit trees can tell their own stories.' | 0:14:03 | 0:14:06 | |
If you have a look around this side, you can see where it's growing out of the lower part of the tree. | 0:14:06 | 0:14:13 | |
What's happened is that the graft is here, | 0:14:13 | 0:14:17 | |
that's where the top stop was put onto the tree. | 0:14:17 | 0:14:20 | |
This is the root stop. This has shot out from beneath. | 0:14:20 | 0:14:23 | |
It's showing its true form, which is it's a wild cherry tree | 0:14:23 | 0:14:27 | |
and it's got these little sour wild fruits on with tiny stones and tiny pips | 0:14:27 | 0:14:32 | |
and it is from this that the cultivated cherries have developed. | 0:14:32 | 0:14:37 | |
And probably, if you look up in here, that's a cultivated cherry. | 0:14:37 | 0:14:42 | |
-There's a huge difference in size. -Huge difference from these tiny things. | 0:14:42 | 0:14:47 | |
And the wild cherry is native to Britain. We've actually always eaten it. | 0:14:47 | 0:14:52 | |
It's one of our early forage foods because there's evidence in Bronze Age sites and stuff like that. | 0:14:52 | 0:14:58 | |
But when did we go from eating this to eating this? | 0:14:58 | 0:15:02 | |
The Romans, I think, were probably the first to start grafting cherries | 0:15:02 | 0:15:06 | |
and selecting varieties deliberately and propagating them. | 0:15:06 | 0:15:09 | |
Because if you grow from seeds you're only ever going to have | 0:15:09 | 0:15:12 | |
one tree of a particular variety. | 0:15:12 | 0:15:13 | |
The only way you're going to get lots of trees of the same variety is by grafting. | 0:15:13 | 0:15:17 | |
In the UK the real start of the fruit industry in Kent | 0:15:17 | 0:15:22 | |
was with a chap called Richard Harris | 0:15:22 | 0:15:25 | |
who was Henry VIII's fruiterer. | 0:15:25 | 0:15:28 | |
Harris set up an orchard in nearby Teynham | 0:15:28 | 0:15:33 | |
and brought graft wood in from France. | 0:15:33 | 0:15:35 | |
All on the orders of a King | 0:15:35 | 0:15:37 | |
who wanted a sweeter cherry for his dinner table. | 0:15:37 | 0:15:40 | |
-Henry VIII really backed it. -Oh, he backed it, he backed it. | 0:15:40 | 0:15:43 | |
He saw it as part of his attempt to modernise the country. | 0:15:43 | 0:15:50 | |
And I think probably he'd seen the French were doing it better | 0:15:50 | 0:15:52 | |
and thought that we've got to do something about it. | 0:15:52 | 0:15:55 | |
There's a wonderful description | 0:15:55 | 0:15:57 | |
in William Lambarde's Perambulation Of Kent, | 0:15:57 | 0:15:59 | |
which was one of the first county guides | 0:15:59 | 0:16:02 | |
written in 1570, of Richard Harris's orchards. | 0:16:02 | 0:16:07 | |
And it says, "In the year of our Lord Christ, 1533, | 0:16:07 | 0:16:09 | |
"he obtained 105 acres of good ground in Teynham | 0:16:09 | 0:16:13 | |
"which he divided into ten parcels | 0:16:13 | 0:16:16 | |
"and with great care, good choice and no small labour and cost, | 0:16:16 | 0:16:19 | |
"brought plants from beyond the seas | 0:16:19 | 0:16:22 | |
"and furnished this ground with them | 0:16:22 | 0:16:24 | |
"so beautifully as they not only stand in most right line | 0:16:24 | 0:16:28 | |
"but seem to be of one sort, shape, and fashion | 0:16:28 | 0:16:32 | |
"as if they'd been drawn through one mould, | 0:16:32 | 0:16:34 | |
"wrought by one and the same pattern." | 0:16:34 | 0:16:37 | |
And it's just so beautifully written, this. | 0:16:37 | 0:16:40 | |
And you can see that for Lambarde to walk into this orchard | 0:16:40 | 0:16:44 | |
and see trees in a straight row, | 0:16:44 | 0:16:46 | |
in a completely new style of growing | 0:16:46 | 0:16:49 | |
must have been really a wonderful thing for him. | 0:16:49 | 0:16:52 | |
You can sort of see why it's called the garden of England, Kent. | 0:16:52 | 0:16:56 | |
Because it does have this...just such a romantic air. But... | 0:16:56 | 0:17:00 | |
Yup. It is very lovely and very romantic | 0:17:00 | 0:17:03 | |
but I'm afraid that it has... | 0:17:03 | 0:17:06 | |
it's in the past, you know? | 0:17:06 | 0:17:09 | |
It's as much in the past | 0:17:09 | 0:17:10 | |
as taking your children to school on a horse and cart. | 0:17:10 | 0:17:13 | |
It's just, it's very lovely | 0:17:13 | 0:17:15 | |
but it doesn't fit with what the world wants. | 0:17:15 | 0:17:19 | |
The cherries that come out of this orchard | 0:17:19 | 0:17:21 | |
I would not be able to sell in a supermarket. | 0:17:21 | 0:17:24 | |
Before the Second World War, around 40,000 acres | 0:17:24 | 0:17:27 | |
of cherry orchards stretched across Southern Britain. | 0:17:27 | 0:17:30 | |
But these trees were too tall, | 0:17:30 | 0:17:33 | |
too delicate, too unpredictable for modern tastes. | 0:17:33 | 0:17:37 | |
By the turn of the century, less than 1,000 acres were left. | 0:17:37 | 0:17:40 | |
What Kent needed was a new kind of tree. | 0:17:40 | 0:17:45 | |
And once again, they looked abroad for inspiration. | 0:17:45 | 0:17:51 | |
In West Germany, breeders had created | 0:17:51 | 0:17:54 | |
a new, dwarf rootstock known as Gisela. | 0:17:54 | 0:17:56 | |
And for farmers like John, it was the perfect solution. | 0:17:56 | 0:18:00 | |
The trees only grow to around three metres or ten feet tall. | 0:18:00 | 0:18:05 | |
They make it much easier to pick. | 0:18:05 | 0:18:08 | |
-And I pick like that? -That's right. -Not holding the fruit? | 0:18:08 | 0:18:11 | |
Not holding the fruit, you pick with the strig. That's right. | 0:18:11 | 0:18:14 | |
-And the colour? -Colour wants to be... | 0:18:14 | 0:18:17 | |
There is a good example. | 0:18:17 | 0:18:18 | |
The left hand cherry is the right colour, | 0:18:18 | 0:18:20 | |
the right hand one is a little bit too dark | 0:18:20 | 0:18:22 | |
and it's too small so that's going on the ground. | 0:18:22 | 0:18:24 | |
The dwarf trees can even be grown under covers | 0:18:24 | 0:18:27 | |
to protect them from rainstorms, | 0:18:27 | 0:18:29 | |
further guaranteeing the crop for supermarket shelves. | 0:18:29 | 0:18:33 | |
There is a big renaissance going on in UK cherry growing. | 0:18:33 | 0:18:37 | |
The acreage is expanding again after years and years of decline. | 0:18:37 | 0:18:42 | |
The technology, the techniques are improving. | 0:18:42 | 0:18:45 | |
We've got better varieties of cherry, | 0:18:45 | 0:18:48 | |
we've got better rootstock, so we've got smaller trees. | 0:18:48 | 0:18:51 | |
We've got tunnels... | 0:18:51 | 0:18:53 | |
All sorts of things are working in the industry's favour now. | 0:18:53 | 0:18:56 | |
The key to this whole renaissance | 0:18:56 | 0:18:58 | |
really is about having this smaller rootstock, isn't it? | 0:18:58 | 0:19:02 | |
That was the moment? | 0:19:02 | 0:19:03 | |
Absolutely, for sure. Suddenly our picking costs are halved. | 0:19:03 | 0:19:06 | |
Suddenly we have trees that we can manage and prune easily, | 0:19:06 | 0:19:09 | |
that we don't need ladders. We don't need anything like that. | 0:19:09 | 0:19:12 | |
These trees are only eight or nine years old. | 0:19:12 | 0:19:15 | |
They're still only this size | 0:19:15 | 0:19:17 | |
and they'll be smaller once we've pruned them after finishing picking. | 0:19:17 | 0:19:21 | |
It's completely revolutionised the business. | 0:19:21 | 0:19:23 | |
Kent broke new ground with the first cherry orchards. | 0:19:23 | 0:19:29 | |
But the traditional trees pioneered by Henry VIII have had their day. | 0:19:29 | 0:19:33 | |
Cherries are part of a bigger story of Kent. | 0:19:33 | 0:19:35 | |
A reflection of the willingness of farmers here | 0:19:35 | 0:19:38 | |
to embrace new ideas and make them their own. | 0:19:38 | 0:19:41 | |
The best of both worlds are farmers like John, | 0:19:41 | 0:19:43 | |
who are going to keep the old orchards going | 0:19:43 | 0:19:46 | |
for as long as possible but invest in the future of cherries. | 0:19:46 | 0:19:49 | |
And the future of cherries | 0:19:49 | 0:19:50 | |
are small, and covered, and perfectly ripe. | 0:19:50 | 0:19:54 | |
On the Lady Of The Lea, | 0:19:59 | 0:20:01 | |
we've reached the coast and are now in full sail. | 0:20:01 | 0:20:05 | |
As I sweat it, you can pull it in, OK? | 0:20:05 | 0:20:08 | |
We've left Faversham far behind | 0:20:10 | 0:20:12 | |
and are sailing round the Isle Of Sheppey | 0:20:12 | 0:20:15 | |
into the Medway estuary. | 0:20:15 | 0:20:16 | |
Are there not nautical songs we could sing? | 0:20:16 | 0:20:19 | |
There are, yes. They've got lots of swear words in, though. | 0:20:19 | 0:20:22 | |
Cherries would once have been transported on barges like this. | 0:20:23 | 0:20:26 | |
Kent's soil and climate are perfect for growing fruit | 0:20:28 | 0:20:32 | |
and the waterways got it to market before it could spoil | 0:20:32 | 0:20:35 | |
Before heading down the Medway proper | 0:20:35 | 0:20:39 | |
I'm stopping off at an orchard that still has its own wharf. | 0:20:39 | 0:20:45 | |
That's the line in. | 0:20:45 | 0:20:47 | |
Yes. > | 0:20:47 | 0:20:50 | |
-And we're going in there? -Yeah. | 0:20:50 | 0:20:53 | |
You look a little bit more concerned than I thought you would. | 0:20:53 | 0:20:56 | |
Ha-ha! No, just looking at the way out. | 0:20:56 | 0:20:58 | |
That must mark the way out as well. | 0:20:58 | 0:21:00 | |
You can see yourself where the wharf is. | 0:21:00 | 0:21:03 | |
You can actually only get to it at high water | 0:21:03 | 0:21:05 | |
cos it's mud there at the moment, still. | 0:21:05 | 0:21:09 | |
The Lady Of The Lea is designed for shallow waters, | 0:21:09 | 0:21:12 | |
provided Brian gets the tides right. | 0:21:12 | 0:21:15 | |
2ft draught and we're aground! | 0:21:15 | 0:21:16 | |
'Turns out, we're a little early.' | 0:21:16 | 0:21:19 | |
Theoretically, there should be | 0:21:19 | 0:21:22 | |
another 3ft of water before high water. | 0:21:22 | 0:21:24 | |
So there should be just enough to get on that jetty. | 0:21:24 | 0:21:27 | |
Lovely jubbly! That'll do! | 0:21:56 | 0:21:59 | |
Heave! | 0:22:03 | 0:22:05 | |
-Ah-ha, Robert. -Welcome, Giles. | 0:22:19 | 0:22:22 | |
-Do you like my transport? -Yeah, it's lovely, isn't it? | 0:22:22 | 0:22:24 | |
'This is Shoregate Wharf. | 0:22:24 | 0:22:26 | |
'And the orchards that run down to it | 0:22:26 | 0:22:28 | |
'are owned by fourth generation fruit farmer, Robert Hinge.' | 0:22:28 | 0:22:31 | |
And what are these? I mean...these are apples. | 0:22:31 | 0:22:35 | |
-Don't tell me! -Yeah, yeah, these are Cox's. | 0:22:35 | 0:22:38 | |
And am I allowed to eat them? | 0:22:38 | 0:22:40 | |
Can you sell that? Is that a bit small? | 0:22:40 | 0:22:43 | |
No, no. That's fine. | 0:22:43 | 0:22:44 | |
-Bit sharp. -No, no. | 0:22:46 | 0:22:47 | |
We're here about a week early, I think. | 0:22:47 | 0:22:50 | |
It's delicious. Amazing. | 0:22:50 | 0:22:52 | |
So you don't use the estuary any more? | 0:22:52 | 0:22:54 | |
No, it's all done by road now. But it would have been years ago | 0:22:54 | 0:22:57 | |
by my grandfather, great-grandfather. | 0:22:57 | 0:22:59 | |
Fruit would have been taken up to London and the organic matter, | 0:22:59 | 0:23:03 | |
manure, would have come back and been ploughed into the fields. | 0:23:03 | 0:23:07 | |
To create nice apples like that. Is there any other reason? Why Kent? | 0:23:07 | 0:23:10 | |
Well, we're more of a continental climate. | 0:23:10 | 0:23:14 | |
So it is warmer and tends to be a bit drier here as well. | 0:23:14 | 0:23:18 | |
You just grow old-fashioned varieties like this? | 0:23:18 | 0:23:20 | |
No, no. We still grow a lot of them | 0:23:20 | 0:23:22 | |
but more and more, we're planting Gala, Braeburn, Jazz... | 0:23:22 | 0:23:27 | |
-Jazz! -Jazz, yes. -Come along now! -HE LAUGHS | 0:23:27 | 0:23:29 | |
Around two thirds of tree-grown fruit in Britain | 0:23:29 | 0:23:32 | |
now comes from Kent. | 0:23:32 | 0:23:34 | |
And Robert is a major commercial supplier | 0:23:34 | 0:23:36 | |
of varieties both old and new. | 0:23:36 | 0:23:38 | |
This is a traditional variety of Worcester | 0:23:38 | 0:23:40 | |
which we've just finished picking. | 0:23:40 | 0:23:42 | |
-Tremendous flavour. -I've never heard of a Worcester. | 0:23:42 | 0:23:45 | |
Beautiful, perfumey flavour. | 0:23:45 | 0:23:48 | |
-Mmm, yup. Mild, though. -Yeah. | 0:23:48 | 0:23:51 | |
-And what's this, a Gala? -Gala, yeah. | 0:23:51 | 0:23:55 | |
And it's becoming the most widely grown variety now in the country. | 0:23:55 | 0:24:00 | |
Totally different texture. | 0:24:00 | 0:24:02 | |
That's much more an apple grown | 0:24:02 | 0:24:03 | |
for people who prefer to eat sweeties, isn't it? | 0:24:03 | 0:24:05 | |
People who like Mars bars but they know they should eat fruit. | 0:24:05 | 0:24:08 | |
So they eat this incredibly accessible, | 0:24:08 | 0:24:11 | |
pink, sweet, sugary apple. | 0:24:11 | 0:24:12 | |
-Children's fruit...Grown up's fruit. -Absolutely right! | 0:24:12 | 0:24:16 | |
OK, well, we've got traditional Bramleys. | 0:24:16 | 0:24:18 | |
Really the only commercially grown cooking apple now. | 0:24:18 | 0:24:21 | |
-Let me eat some raw. I like a raw Bramley. -Are you sure? | 0:24:21 | 0:24:24 | |
-Yeah! Make your eyes water. -It will do. | 0:24:24 | 0:24:27 | |
-A wasabi of an apple. -Nice with a bit of cheese... | 0:24:27 | 0:24:30 | |
-HE LAUGHS -..and a pound of sugar! | 0:24:30 | 0:24:33 | |
Mmm! Wow! | 0:24:33 | 0:24:35 | |
Robert's apples now make their way to market by road | 0:24:37 | 0:24:40 | |
but here in this orchard, | 0:24:40 | 0:24:42 | |
it's easy to see how the waterways | 0:24:42 | 0:24:44 | |
helped put Kentish food on the table. | 0:24:44 | 0:24:48 | |
Apples could be loaded onto barges | 0:24:48 | 0:24:50 | |
and make it to London in less than 12 hours. | 0:24:50 | 0:24:52 | |
But that's not where I'm headed. | 0:24:52 | 0:24:54 | |
-Hi, Brian. -Ah! | 0:24:54 | 0:24:56 | |
-More produce. -Thank you very much indeed. | 0:24:56 | 0:25:00 | |
I'm following the Medway further upstream | 0:25:00 | 0:25:03 | |
into the heart of the county. | 0:25:03 | 0:25:05 | |
Fruit is only part of Kent's story. | 0:25:05 | 0:25:09 | |
To the South, rolling chalk gives way to open marshland. | 0:25:09 | 0:25:13 | |
But this is an important part of the Garden Of England too. | 0:25:13 | 0:25:16 | |
Archaeologist Alex Langlands is discovering | 0:25:21 | 0:25:24 | |
how farming has left its mark | 0:25:24 | 0:25:26 | |
on this seemingly wild landscape. | 0:25:26 | 0:25:29 | |
You're never far from a dyke or ditch out here on Romney Marsh. | 0:25:29 | 0:25:36 | |
And that's because all of this land around us | 0:25:36 | 0:25:38 | |
has been reclaimed from the sea. | 0:25:38 | 0:25:40 | |
The present coastline today lies some five miles | 0:25:40 | 0:25:43 | |
in a southerly direction. | 0:25:43 | 0:25:45 | |
This 100 square mile stretch of marshland | 0:25:45 | 0:25:49 | |
is difficult to cultivate and is vulnerable to flooding and disease. | 0:25:49 | 0:25:53 | |
In the hot summer months, | 0:25:53 | 0:25:55 | |
these ditches would have held stagnant water. | 0:25:55 | 0:25:57 | |
And they would have proved a fertile breeding ground | 0:25:57 | 0:26:00 | |
for malaria-carrying mosquitoes and all sorts of diseases. | 0:26:00 | 0:26:03 | |
Things like cholera and dysentery. They would have been rife. | 0:26:03 | 0:26:07 | |
And in fact, one in three babies | 0:26:07 | 0:26:09 | |
never lived to see their first birthday. | 0:26:09 | 0:26:12 | |
So it was a pretty desolate place at that time. | 0:26:12 | 0:26:14 | |
It's hard to imagine what could possibly prosper | 0:26:19 | 0:26:21 | |
in this treacherous environment. | 0:26:21 | 0:26:23 | |
But this landscape actually holds | 0:26:23 | 0:26:25 | |
some of the richest pastureland in Kent. | 0:26:25 | 0:26:28 | |
And the one creature that positively thrives on it | 0:26:28 | 0:26:32 | |
is the Romney Marsh sheep. | 0:26:32 | 0:26:34 | |
Hardy and nimble, the Romneys have allowed farmers | 0:26:36 | 0:26:39 | |
to make the most of this marsh for centuries. | 0:26:39 | 0:26:42 | |
Converting grass into valuable meat and wool. | 0:26:42 | 0:26:46 | |
You're going to show me how to catch a sheep now? | 0:26:50 | 0:26:53 | |
Sixth generation farmer, Howard Bates, | 0:26:53 | 0:26:56 | |
is continuing the tradition. | 0:26:56 | 0:26:58 | |
And today it's time to check the flock. | 0:26:58 | 0:27:00 | |
You've always got to catch the one that wants to be caught. | 0:27:00 | 0:27:03 | |
-That's the first. -Yeah! -Right, let's catch this one here. | 0:27:03 | 0:27:06 | |
Lovely! | 0:27:09 | 0:27:10 | |
Now THAT is how you catch a sheep! | 0:27:12 | 0:27:14 | |
So what are you looking for in a good a Romney sheep? | 0:27:16 | 0:27:19 | |
We start right at the front. They've got to have a good mouth. | 0:27:19 | 0:27:22 | |
A right square muzzle, so she can graze this grass nice and short. | 0:27:22 | 0:27:26 | |
All the higher value meat is in the back of the animal. | 0:27:26 | 0:27:31 | |
You want this triangle shape. | 0:27:31 | 0:27:32 | |
Goes from front to back | 0:27:32 | 0:27:33 | |
and from the top of the sheep triangularly. | 0:27:33 | 0:27:36 | |
OK, across the top here. | 0:27:36 | 0:27:37 | |
A triangle out here and a triangle out here. | 0:27:37 | 0:27:39 | |
Because I guess all roads are pointing to this rump end? | 0:27:39 | 0:27:42 | |
Yeah. And, of course, then this triangular shape | 0:27:42 | 0:27:45 | |
is far easier at lambing time. | 0:27:45 | 0:27:47 | |
She's beautiful, this sheep. | 0:27:47 | 0:27:49 | |
She's just got this nice square muzzle. | 0:27:49 | 0:27:52 | |
Nice white face. Good coat. | 0:27:52 | 0:27:54 | |
So today the plan is to run them through the race | 0:27:54 | 0:27:58 | |
and check them over for condition? | 0:27:58 | 0:27:59 | |
Yes. They've got to have good set of teeth. | 0:27:59 | 0:28:01 | |
Their udder has got to be sound | 0:28:01 | 0:28:03 | |
-for milk production next year. -Right, OK. | 0:28:03 | 0:28:06 | |
Yeah. OK, if you just walk back there. | 0:28:06 | 0:28:08 | |
Oh, right. This one, look! | 0:28:08 | 0:28:10 | |
Walk to her now. I think she'll come up there. | 0:28:10 | 0:28:12 | |
She just doesn't want to go! | 0:28:12 | 0:28:15 | |
Come on, you! Come on. | 0:28:15 | 0:28:16 | |
No harm here. It's all about your health, sweetheart. | 0:28:16 | 0:28:20 | |
So you're just feeling to see if they're missing any molars, yeah? | 0:28:23 | 0:28:27 | |
Because if they can't break down their food properly | 0:28:27 | 0:28:30 | |
then that's going to impact upon milk production, I guess? | 0:28:30 | 0:28:33 | |
Yep, yes. | 0:28:33 | 0:28:34 | |
'Romneys are a dual purpose breed, | 0:28:34 | 0:28:36 | |
'used for both their meat and wool. | 0:28:36 | 0:28:39 | |
'Nowadays it's the meat that makes the money, | 0:28:39 | 0:28:43 | |
'but their fast growing fleece was once a prized commodity.' | 0:28:43 | 0:28:47 | |
-It's got a lovely, long staple. -Yeah. -I mean, look at that. | 0:28:47 | 0:28:50 | |
Remembering that this is only a few months' of growth. | 0:28:50 | 0:28:53 | |
These were shorn in July. | 0:28:53 | 0:28:54 | |
Of course, so you've still got the best part of the year to go. | 0:28:54 | 0:28:57 | |
Absolutely, yeah. A Romney staple is about eight inches long. | 0:28:57 | 0:29:01 | |
That's amazing, isn't it? You're look at something like that. | 0:29:01 | 0:29:04 | |
That's superb. | 0:29:04 | 0:29:05 | |
You begin to understand why it was so valuable, the wool of these sheep. | 0:29:05 | 0:29:09 | |
Anything else you're checking at this point? | 0:29:09 | 0:29:12 | |
In legislation now we have to check they've got their correct ear tags. | 0:29:12 | 0:29:16 | |
Right, OK. You do that. Now that's the only part of this job | 0:29:16 | 0:29:19 | |
that isn't something that was practised hundreds of years ago. | 0:29:19 | 0:29:22 | |
Otherwise, what we're doing here | 0:29:22 | 0:29:24 | |
-has been done for hundreds of years here. -Absolutely. | 0:29:24 | 0:29:27 | |
-With this breed of sheep on this marsh. -Absolutely. | 0:29:27 | 0:29:30 | |
'What has changed for Howard, | 0:29:30 | 0:29:32 | |
'and the few remaining sheep farmers on the Marsh, | 0:29:32 | 0:29:36 | |
'is that they get to go home at night. | 0:29:36 | 0:29:39 | |
'Until the 1930s, at certain times of the year, | 0:29:39 | 0:29:42 | |
'farmers would need to live out on the Marsh to tend their sheep. | 0:29:42 | 0:29:47 | |
'This difficult and dangerous job | 0:29:47 | 0:29:49 | |
'was often delegated to freelance farm-hands, called lookers. | 0:29:49 | 0:29:53 | |
'Their legacy is preserved by local sheep farmer, Dennis Cole.' | 0:29:56 | 0:29:59 | |
Well, of course, they call them lookers | 0:29:59 | 0:30:01 | |
here on Romney Marsh, instead of shepherds. | 0:30:01 | 0:30:03 | |
Because quite often the lookers would look after two or three flocks | 0:30:03 | 0:30:07 | |
for the rich owners that lived on the hill. | 0:30:07 | 0:30:10 | |
Because it's not such a healthy place to live down here. | 0:30:10 | 0:30:13 | |
So that's the difference between a looker and a shepherd? | 0:30:13 | 0:30:15 | |
Yeah, that's right. | 0:30:15 | 0:30:17 | |
It's not that he's any better looking. | 0:30:17 | 0:30:20 | |
Ha-ha! Is that what they tell you? | 0:30:20 | 0:30:23 | |
'Whilst tending the flocks in his care, | 0:30:23 | 0:30:26 | |
'the looker would roam this wide open marshland, | 0:30:26 | 0:30:30 | |
'with little to interrupt the landscape | 0:30:30 | 0:30:33 | |
'other than these curious brick huts.' | 0:30:33 | 0:30:35 | |
Wow! This is lovely. | 0:30:35 | 0:30:38 | |
So what were these huts used for then, Dennis? | 0:30:39 | 0:30:42 | |
Well, it was for the looker to stay in during the lambing period. | 0:30:42 | 0:30:46 | |
To look after the sheep. | 0:30:46 | 0:30:47 | |
And, of course, you need to be close to the sheep | 0:30:47 | 0:30:50 | |
at this time of year because when they're lambing, | 0:30:50 | 0:30:53 | |
they could lamb in the middle of the night, couldn't they? | 0:30:53 | 0:30:56 | |
Yeah, that's right. And if he got the odd weakly lamb | 0:30:56 | 0:30:59 | |
he could bring it in, in front of the fire and get it going again. | 0:30:59 | 0:31:02 | |
It sounds very romantic to me at the moment! | 0:31:02 | 0:31:04 | |
-Don't think it was! -Ha-ha! | 0:31:04 | 0:31:07 | |
They worked long hours and it's fairly basic. | 0:31:07 | 0:31:11 | |
No electricity. No plumbing. | 0:31:11 | 0:31:14 | |
In their heyday, there were around 350 lookers' huts on the marsh. | 0:31:14 | 0:31:20 | |
Today, barely a dozen are still standing. | 0:31:20 | 0:31:23 | |
The Romneys are such a resilient, dependable stock | 0:31:27 | 0:31:30 | |
that they've been exported to breed all over the world. | 0:31:30 | 0:31:33 | |
And they're still here on the marsh where they belong. | 0:31:33 | 0:31:37 | |
Sheep have helped shape this community and this landscape. | 0:31:45 | 0:31:49 | |
'I'm sure we can pour you a little something.' | 0:31:49 | 0:31:52 | |
Been a tough day out there on the marsh. | 0:31:52 | 0:31:53 | |
'And they still provide excellent quality meat | 0:31:53 | 0:31:56 | |
'which is known for being particularly succulent.' | 0:31:56 | 0:31:59 | |
So here we go. | 0:31:59 | 0:32:01 | |
-We've got a rolled leg of Romney Marsh lamb. -Whoa! | 0:32:01 | 0:32:04 | |
It's probably one of the nicest lamb joints that you can get. | 0:32:04 | 0:32:07 | |
That is juicy and you can see the marbling in there, can't you? | 0:32:07 | 0:32:10 | |
Yeah. All the way through it. | 0:32:10 | 0:32:12 | |
I have to say, that's really how I like my lamb, so... | 0:32:12 | 0:32:16 | |
Mmmm! | 0:32:19 | 0:32:21 | |
-That is absolutely delicious, Scott. -Good. | 0:32:23 | 0:32:25 | |
The fats are coming through there. | 0:32:25 | 0:32:28 | |
But not in a congealy way, just the taste. | 0:32:28 | 0:32:31 | |
The fat's not completely dissolved so it's still very tasty. | 0:32:31 | 0:32:35 | |
-Absolutely stunning. -Good. | 0:32:35 | 0:32:38 | |
-Now I know what keeps you here on the marsh. -Ha-ha! | 0:32:38 | 0:32:40 | |
That is delicious. | 0:32:40 | 0:32:43 | |
On my journey through Kent, I've reached Rochester | 0:32:43 | 0:32:48 | |
where the Medway starts to narrow. | 0:32:48 | 0:32:51 | |
Barges like this could ply their trade in the estuaries | 0:32:57 | 0:32:59 | |
but they were also designed to sail upriver. | 0:32:59 | 0:33:01 | |
BARGE WHISTLE SOUNDS | 0:33:04 | 0:33:08 | |
Eh? Do what? I've forgotten! | 0:33:12 | 0:33:14 | |
Just turn it a bit. | 0:33:14 | 0:33:16 | |
Turn it a bit? | 0:33:16 | 0:33:18 | |
METAL CLANKS | 0:33:18 | 0:33:20 | |
OK, Giles. Hold it there. | 0:33:20 | 0:33:21 | |
-Like that? -That's it. | 0:33:21 | 0:33:24 | |
That meant they needed to be adaptable. | 0:33:26 | 0:33:28 | |
Because rivers have bridges. | 0:33:28 | 0:33:31 | |
We're coming to Rochester Bridge | 0:33:31 | 0:33:33 | |
where we've got to lower all the gear flat on deck | 0:33:33 | 0:33:35 | |
because the problem of the bridge being lower than the mast, you see. | 0:33:35 | 0:33:39 | |
'Because time and tide were of the essence, | 0:33:39 | 0:33:41 | |
'bargemen would hire in specialists known as hufflers | 0:33:41 | 0:33:44 | |
'to quickly lower the mast. | 0:33:44 | 0:33:46 | |
'Fortunately for me, there's still one available.' | 0:33:46 | 0:33:48 | |
This is Spider. He's the great-grandson of the hufflers | 0:33:48 | 0:33:52 | |
that have been huffling on the Medway for years. | 0:33:52 | 0:33:54 | |
Centuries, probably. | 0:33:54 | 0:33:56 | |
The hufflers were tall, powerful men who would row out | 0:33:57 | 0:34:00 | |
and lower the mast for a fee. | 0:34:00 | 0:34:02 | |
The aim was to try and shoot the bridges, | 0:34:02 | 0:34:06 | |
the barge sailing on while the huffler lowered the gear. | 0:34:06 | 0:34:09 | |
I've got to say, I've heard all these stories | 0:34:15 | 0:34:18 | |
about how they shot the bridge, they didn't stop moving, | 0:34:18 | 0:34:21 | |
the hufflers ran out and put it down. Is that... | 0:34:21 | 0:34:23 | |
Spider IS only a trainee huffler. | 0:34:23 | 0:34:25 | |
It does solve one mystery though. | 0:34:25 | 0:34:27 | |
How they get a ship into a bottle. | 0:34:27 | 0:34:29 | |
We could go straight into a bottle of cognac and we'd be away. | 0:34:29 | 0:34:31 | |
Absolutely, and be having a whale of a time in there, I think. | 0:34:31 | 0:34:36 | |
'We're following the Medway inland, towards the orchards and wharves | 0:34:36 | 0:34:39 | |
'once visited regularly by barges like the Lady Of The Lea. | 0:34:39 | 0:34:42 | |
'Traditional crops like hops and fruit | 0:34:42 | 0:34:44 | |
'still have their place here | 0:34:44 | 0:34:46 | |
'but history has shown Kentish farmers | 0:34:46 | 0:34:49 | |
'are never afraid to embrace new ideas | 0:34:49 | 0:34:52 | |
'even when they turn out to be old ones. | 0:34:52 | 0:34:55 | |
'To the West, in the Darenth Valley, | 0:34:55 | 0:34:58 | |
'a sea of indigo is in full bloom. | 0:34:58 | 0:35:00 | |
'Botanist James Wong has gone to learn | 0:35:00 | 0:35:03 | |
'about a very fragrant and flavourful modern Kent crop.' | 0:35:03 | 0:35:07 | |
Look at this! | 0:35:07 | 0:35:09 | |
I think the first thing you notice | 0:35:09 | 0:35:11 | |
when you walk into this big purple haze | 0:35:11 | 0:35:14 | |
is the scent that really hits you in the face. | 0:35:14 | 0:35:17 | |
And almost psychedelically purple. God, that's good! | 0:35:17 | 0:35:21 | |
You feel like you've been dropped inside | 0:35:21 | 0:35:23 | |
one of those French Impressionist paintings, Mary Poppins style. | 0:35:23 | 0:35:28 | |
You know, when I was growing up, | 0:35:28 | 0:35:29 | |
French Impressionist paintings were my only knowledge of lavender. | 0:35:29 | 0:35:32 | |
I grew up on the other side of the world, in tropical Asia. | 0:35:32 | 0:35:35 | |
And it is brilliant to walk into one of them. | 0:35:35 | 0:35:37 | |
Lavender has a great flavour and a long history | 0:35:37 | 0:35:40 | |
in our kitchens as well as in our medicine cabinets. | 0:35:40 | 0:35:45 | |
Queen Elizabeth I loved lavender and had a particular fondness | 0:35:45 | 0:35:49 | |
for lavender jams, jellies and teas. | 0:35:49 | 0:35:52 | |
It's not really so strange when you think about it. | 0:35:52 | 0:35:56 | |
Lavender is a member of the mint family, a close relative | 0:35:56 | 0:35:59 | |
of rosemary, sage, and thyme. All flavours we use regularly today. | 0:35:59 | 0:36:02 | |
People have preconceived ideas about lavender. | 0:36:02 | 0:36:06 | |
They think about it as these little grains | 0:36:06 | 0:36:08 | |
that you find in the sachets in your granny's linen cupboard. | 0:36:08 | 0:36:12 | |
But it's so much more exciting than that. | 0:36:12 | 0:36:14 | |
It has a whole raft of chemicals. | 0:36:14 | 0:36:16 | |
150 different chemicals that give it different medicinal qualities. | 0:36:16 | 0:36:19 | |
Everything from being antibacterial to antifungal | 0:36:19 | 0:36:23 | |
to even anti-inflammatory. | 0:36:23 | 0:36:25 | |
And you could almost argue | 0:36:25 | 0:36:27 | |
that the reason why we're so drawn to its scent and flavour | 0:36:27 | 0:36:30 | |
is it's the same chemicals that give it these medicinal qualities | 0:36:30 | 0:36:34 | |
that have that scent and flavour. | 0:36:34 | 0:36:36 | |
So we've almost been hardwired instinctively | 0:36:36 | 0:36:39 | |
to find chemicals like this exciting and want to consume them. | 0:36:39 | 0:36:44 | |
Lavender is a Mediterranean plant, | 0:36:44 | 0:36:47 | |
most likely first brought here by the Romans. | 0:36:47 | 0:36:51 | |
It was grown in kitchen gardens and then on a larger scale | 0:36:51 | 0:36:54 | |
in the 19th Century in the southern suburbs of London | 0:36:54 | 0:36:57 | |
until rising land prices squeezed it out of business. | 0:36:57 | 0:37:01 | |
But modern Kentish farmers are just as enterprising | 0:37:01 | 0:37:03 | |
as their predecessors and saw a gap in the market. | 0:37:03 | 0:37:07 | |
Less than 20 years ago, | 0:37:07 | 0:37:08 | |
Caroline Alexander helped this extraordinary crop | 0:37:08 | 0:37:11 | |
find a home right here. | 0:37:11 | 0:37:14 | |
And it's thrived. | 0:37:14 | 0:37:15 | |
She grows it for pharmaceuticals and as a flavouring. | 0:37:15 | 0:37:19 | |
There's more lavender grown in Kent than any other county in the UK. | 0:37:19 | 0:37:24 | |
-Which is great. -Yes, rows and rows of the stuff. | 0:37:24 | 0:37:26 | |
I bet you're glad you're not having to do it by hand. | 0:37:26 | 0:37:28 | |
You've got that fancy machine! | 0:37:28 | 0:37:30 | |
-SHE LAUGHS: -Absolutely! | 0:37:30 | 0:37:31 | |
It's so beautiful to see a field so intensely purple. | 0:37:31 | 0:37:34 | |
But how do you know when to harvest? Is it the colour? When it changes? | 0:37:34 | 0:37:37 | |
Yes, it's partly the intensity of the colour | 0:37:37 | 0:37:40 | |
which just grows as the season progresses over these few weeks. | 0:37:40 | 0:37:43 | |
But, in particular, it's the exact flowering stage you get to. | 0:37:43 | 0:37:47 | |
If I show you one of those. | 0:37:47 | 0:37:49 | |
What we've got there is on the flowering stem, | 0:37:49 | 0:37:52 | |
you've got about a third of it is still in bud, | 0:37:52 | 0:37:54 | |
a third of it is in full flower, | 0:37:54 | 0:37:56 | |
and then a third is just beginning to go over. | 0:37:56 | 0:37:58 | |
So that's a perfect description | 0:37:58 | 0:38:00 | |
for when it's at its mid-point of flowering. | 0:38:00 | 0:38:03 | |
Yes, exactly maximum oil yield stage. | 0:38:03 | 0:38:05 | |
And if it goes on beyond that, | 0:38:05 | 0:38:07 | |
there's the risk of it shedding and dropping onto the ground | 0:38:07 | 0:38:10 | |
and then we've lost it. | 0:38:10 | 0:38:11 | |
So you're not growing lavender for its flowers, | 0:38:11 | 0:38:14 | |
-you're growing it for its oil. -Exactly. | 0:38:14 | 0:38:16 | |
Lavender is well suited to the free-draining chalk soil | 0:38:19 | 0:38:22 | |
and rolling hills of the North Kent Downs. | 0:38:22 | 0:38:26 | |
The conditions mean the flowers are particularly rich in oil. | 0:38:26 | 0:38:30 | |
Caroline's husband, William, runs a distillery on-site. | 0:38:30 | 0:38:33 | |
Well, we've just brought this trailer in, | 0:38:33 | 0:38:35 | |
full of about six tonnes of lavender flowers. | 0:38:35 | 0:38:38 | |
And we're now connecting onto the steam, | 0:38:38 | 0:38:40 | |
because, ingeniously, | 0:38:40 | 0:38:42 | |
we use this as the still pot in the distillation process. | 0:38:42 | 0:38:46 | |
And the steam, you can hear it | 0:38:46 | 0:38:48 | |
and see it there now, going into the trailer. | 0:38:48 | 0:38:50 | |
It's got a special floor | 0:38:50 | 0:38:52 | |
that allows the steam to go through all the plant materials. | 0:38:52 | 0:38:56 | |
It opens up the cells | 0:38:56 | 0:38:57 | |
and lifts the lavender, which then exits | 0:38:57 | 0:39:00 | |
through the chimney up there and through into the separation unit. | 0:39:00 | 0:39:04 | |
It all does it in one kind of pressure cooker way? | 0:39:04 | 0:39:07 | |
Yeah. We've taken a lot of hard, back-breaking work out of this | 0:39:07 | 0:39:11 | |
by inventing and developing a system | 0:39:11 | 0:39:13 | |
which enables us to do large quantities. | 0:39:13 | 0:39:16 | |
-You don't lose a single drop? -No, we keep it all. | 0:39:16 | 0:39:19 | |
So all the cooked lavender is left over in here | 0:39:19 | 0:39:22 | |
and all the good stuff is pumped up in gas form through there? | 0:39:22 | 0:39:25 | |
-Exactly that. -Fantastic. | 0:39:25 | 0:39:27 | |
-I can't wait to see what's in there. -Come this way. | 0:39:27 | 0:39:32 | |
-Wow! -So this is a steam condenser | 0:39:32 | 0:39:35 | |
and already we're starting to get some liquid out. | 0:39:35 | 0:39:38 | |
It's pushing out the air that was in the trailer. | 0:39:38 | 0:39:40 | |
And that's all the steam. | 0:39:40 | 0:39:43 | |
But now we can see it's condensing to a liquid. | 0:39:43 | 0:39:47 | |
A mixture of oil and water, | 0:39:47 | 0:39:50 | |
And the way we separate it is oil floats on water, | 0:39:50 | 0:39:55 | |
so we just allow it to float on water in this tank. | 0:39:55 | 0:39:58 | |
And already you can see the oil rising to the top. | 0:39:58 | 0:40:01 | |
I've never seen that much essential oil! | 0:40:01 | 0:40:06 | |
-It will build in this tank so we get 40 litres or so. -Wow! | 0:40:06 | 0:40:10 | |
How much lavender do you have to put in | 0:40:10 | 0:40:12 | |
to get 40 litres of essential oil? | 0:40:12 | 0:40:14 | |
Five or six tonnes, but it depends on variety. | 0:40:14 | 0:40:17 | |
But that's the first oil, and it pours off initially. | 0:40:17 | 0:40:20 | |
You get a lot of oil in the first 15 minutes of distillation. | 0:40:20 | 0:40:25 | |
I normally know essential oil | 0:40:25 | 0:40:26 | |
from those tiny little ten or five millilitre bottles. | 0:40:26 | 0:40:30 | |
And that's LITRES! | 0:40:30 | 0:40:31 | |
It's so strong my eyes are watering! | 0:40:31 | 0:40:33 | |
It's really strong at this stage of the distillation. | 0:40:33 | 0:40:36 | |
It's all mixed in with the air. | 0:40:36 | 0:40:38 | |
The second you walk in you're really hit in the face by the amount of it. | 0:40:38 | 0:40:42 | |
It's incredible to believe | 0:40:42 | 0:40:43 | |
that was fresh plant material half an hour ago. | 0:40:43 | 0:40:46 | |
Caroline and William produce essential oil | 0:40:46 | 0:40:49 | |
for pharmaceutical use but they also process it for food production. | 0:40:49 | 0:40:54 | |
They turn it into a water-soluble essence | 0:40:54 | 0:40:57 | |
which is easier to cook with. | 0:40:57 | 0:40:59 | |
'It's a modern twist on an old ingredient.' | 0:40:59 | 0:41:01 | |
-So, Matt, I hear you're a bit of a local food hero. -That's right! | 0:41:01 | 0:41:05 | |
'And Matthew Kearsey Lawson has used it | 0:41:05 | 0:41:07 | |
'to bring back a Victorian recipe | 0:41:07 | 0:41:08 | |
'for lavender conserve.' | 0:41:08 | 0:41:10 | |
So my question is, why am I slicing up apples? | 0:41:10 | 0:41:12 | |
-Ha-ha! -Ha-ha! Because you have to! | 0:41:12 | 0:41:15 | |
The base of the jelly is all Kentish Bramley apples. | 0:41:15 | 0:41:17 | |
So that's the bulk of it. | 0:41:17 | 0:41:18 | |
-The core and peel and everything? -The whole lot. | 0:41:18 | 0:41:22 | |
Cos that's what contains the pectin, which is what's going to make it set. | 0:41:22 | 0:41:25 | |
The lavender's right at the end, actually. | 0:41:25 | 0:41:27 | |
Yeah, cos this is the pulp here. | 0:41:27 | 0:41:29 | |
Why do you add the lavender at the end? | 0:41:29 | 0:41:32 | |
Purely because if you add it too early, | 0:41:32 | 0:41:35 | |
you will cook away the flavour. | 0:41:35 | 0:41:36 | |
-The flavours are volatile oils and as you heat them, they evaporate. -They will do, yeah. | 0:41:36 | 0:41:40 | |
Your kitchen will smell lovely, but your jam won't taste of anything. | 0:41:40 | 0:41:43 | |
That's right. | 0:41:43 | 0:41:44 | |
It's strange, because we think of lavender as quite unusual | 0:41:44 | 0:41:47 | |
to use in food, and quite modern, and quite cool. | 0:41:47 | 0:41:50 | |
But at one point it would have been a real staple of the kitchen. | 0:41:50 | 0:41:54 | |
Just as common as rosemary, parsley, sage, | 0:41:54 | 0:41:57 | |
all those common kitchen herbs. | 0:41:57 | 0:41:59 | |
This would have been right up there as one of them. | 0:41:59 | 0:42:01 | |
Yeah, you're exactly right. | 0:42:01 | 0:42:03 | |
Lavender jelly, people would have put it on pork, on lamb, | 0:42:03 | 0:42:06 | |
things like that. | 0:42:06 | 0:42:07 | |
If you want to be very posh, | 0:42:07 | 0:42:09 | |
you can have it on croissant and scones. | 0:42:09 | 0:42:11 | |
Even one customer said to me you can put it on cheese on toast. | 0:42:11 | 0:42:15 | |
Excellent! So it's kind of a sweet and savoury thing. | 0:42:15 | 0:42:18 | |
I guess that works. | 0:42:18 | 0:42:19 | |
It's got floral stuff which works with sweet. | 0:42:19 | 0:42:21 | |
But at the same time it contains the same chemicals | 0:42:21 | 0:42:23 | |
that are in things like pine and eucalyptus and rosemary | 0:42:23 | 0:42:26 | |
so it has that herbal flavour. | 0:42:26 | 0:42:27 | |
-Exactly. -Right, proof's in the pudding. | 0:42:27 | 0:42:31 | |
That's it. | 0:42:31 | 0:42:32 | |
-Yep. -Wow! | 0:42:35 | 0:42:37 | |
Yep, I know. It's surprising, isn't it? | 0:42:37 | 0:42:39 | |
With the apples and plums | 0:42:39 | 0:42:42 | |
and lemons and everything, | 0:42:42 | 0:42:43 | |
it almost kind of has a mincemeaty kind flavour. | 0:42:43 | 0:42:46 | |
Kind of sweet and spicy. | 0:42:46 | 0:42:48 | |
But at the same time it's really familiar. | 0:42:48 | 0:42:50 | |
It doesn't taste like anything too out there and crazy. | 0:42:50 | 0:42:52 | |
-Go oh, pile it on. -I can see you enjoyed that so much. | 0:42:52 | 0:42:55 | |
-Mmm. -Mmm. | 0:42:55 | 0:42:58 | |
Fantastic! | 0:42:59 | 0:43:00 | |
On the Medway, we've reached Allington Lock, | 0:43:08 | 0:43:11 | |
where the tidal waters end. | 0:43:11 | 0:43:13 | |
The river was so important to transporting food and goods | 0:43:13 | 0:43:15 | |
into and out of Kent | 0:43:15 | 0:43:17 | |
that locks were built to make it navigable as far as Tonbridge. | 0:43:17 | 0:43:21 | |
Cargoes were closely monitored and tolls were charged. | 0:43:23 | 0:43:27 | |
Tim Benger is the current lock keeper | 0:43:29 | 0:43:31 | |
and he's still collecting money today. | 0:43:31 | 0:43:33 | |
-Hi there! -Hi, how are you doing? | 0:43:33 | 0:43:36 | |
Very good. Looking forward to paying you some money. | 0:43:36 | 0:43:39 | |
Always, always! | 0:43:39 | 0:43:41 | |
Come up to the office and we'll sort the licence out. | 0:43:41 | 0:43:43 | |
So how much is it? | 0:43:43 | 0:43:45 | |
All depends on length of time you stay and how long the boat is. | 0:43:45 | 0:43:49 | |
-I'm passing through. -Passing through. | 0:43:49 | 0:43:51 | |
Just pay for a daily licence. | 0:43:51 | 0:43:52 | |
-You're bigger than 11 metres. -Thank you. | 0:43:52 | 0:43:54 | |
Stick your signature there. | 0:43:54 | 0:43:56 | |
So how long have there been tolls for coming through here? | 0:43:56 | 0:43:58 | |
Ever since this was put in place. | 0:43:58 | 0:44:00 | |
And they were able to stop boats, work them, | 0:44:00 | 0:44:02 | |
take the details, and pay the fees. | 0:44:02 | 0:44:04 | |
These are the original ledgers. We can open up some pages. | 0:44:04 | 0:44:07 | |
You see here, lists. | 0:44:07 | 0:44:09 | |
These are the vessels that used to come through. | 0:44:09 | 0:44:11 | |
This is what they were carrying. | 0:44:11 | 0:44:13 | |
You've got fruit, timber, coal. | 0:44:13 | 0:44:15 | |
-When is this? -This is 1960. | 0:44:15 | 0:44:17 | |
So as recently as 1960 they were still using the canal? | 0:44:17 | 0:44:20 | |
Absolutely. I think it was about the mid-'70s | 0:44:20 | 0:44:23 | |
that they stopped using it as a commercial venture. | 0:44:23 | 0:44:26 | |
These are copies of goods inwards ledgers. | 0:44:26 | 0:44:29 | |
These go back to the 1800s. 1870s. | 0:44:29 | 0:44:32 | |
That's nice handwriting. You see, they cared. | 0:44:32 | 0:44:35 | |
You can see it's hops, seed, maize. | 0:44:35 | 0:44:39 | |
At this point they were just charging them for going past? | 0:44:39 | 0:44:42 | |
That's right, yeah. They just paid a toll. | 0:44:42 | 0:44:44 | |
And you still do it today. The traffic wardens of the water. | 0:44:44 | 0:44:47 | |
-Ha-ha! Oh, don't say that! -Ha-ha! | 0:44:47 | 0:44:49 | |
Zoink! Well, there we are. That's done. 18 quid you owe me. | 0:44:52 | 0:44:55 | |
These waterways were once the lifeblood of Kent. | 0:44:55 | 0:44:59 | |
They connected it to market and made its food famous. | 0:44:59 | 0:45:02 | |
I'm sailing on further inland | 0:45:02 | 0:45:04 | |
in search of a uniquely Kentish harvest. | 0:45:04 | 0:45:07 | |
But there are also riches to be found on the coast. | 0:45:11 | 0:45:15 | |
To the East, shingle beaches shelve gently out to sea. | 0:45:15 | 0:45:19 | |
Historian Lucy Worsley is searching | 0:45:25 | 0:45:27 | |
for one of the most ancient foods this county has to offer. | 0:45:27 | 0:45:30 | |
A food that has helped shape people's lives here for centuries. | 0:45:30 | 0:45:34 | |
Now imagine you are a Neanderthal person wandering along this beach. | 0:45:36 | 0:45:39 | |
There's lots to eat here, if you can find it. | 0:45:39 | 0:45:42 | |
Just lying on the shore. Mussels, all sorts of stuff. | 0:45:42 | 0:45:46 | |
And if you're lucky and you know what you're looking for, | 0:45:46 | 0:45:50 | |
a delicious oyster. | 0:45:50 | 0:45:51 | |
But I reckon you'd have to be pretty hungry | 0:45:51 | 0:45:53 | |
to work out that there was something tasty in there. | 0:45:53 | 0:45:56 | |
Now if you hadn't seen it before, | 0:45:59 | 0:46:01 | |
would you eat a blob of grey mucus like that? | 0:46:01 | 0:46:04 | |
You'd have to be quite brave to give it a taste, I think. | 0:46:04 | 0:46:07 | |
We haven't got many truly indigenous British foods | 0:46:07 | 0:46:10 | |
but they do include shellfish. | 0:46:10 | 0:46:12 | |
And here, where the Swale meets the sea, that means oysters. | 0:46:12 | 0:46:17 | |
The Romans were the first to spot their commercial potential, | 0:46:17 | 0:46:21 | |
even shipping them back to Rome for the greatest of feasts. | 0:46:21 | 0:46:24 | |
These days we tend to think of oysters as a luxury. | 0:46:24 | 0:46:27 | |
but that wasn't always the way. | 0:46:27 | 0:46:30 | |
This coast can tell a story of a food that's fed both rich and poor. | 0:46:30 | 0:46:35 | |
By the Victorian era, towns like Whitstable | 0:46:35 | 0:46:41 | |
had started to grow fat on the oyster trade. | 0:46:41 | 0:46:44 | |
Fishermen were skilled sailors, | 0:46:44 | 0:46:47 | |
jostling for space and a daily catch. | 0:46:47 | 0:46:49 | |
It's a tradition that still continues today. | 0:46:49 | 0:46:53 | |
Richard Green's family are the custodians | 0:46:56 | 0:47:00 | |
of the Whitstable Oyster Company, | 0:47:00 | 0:47:03 | |
a business that can trace its origins back to the 1400s. | 0:47:03 | 0:47:06 | |
They trawl the same oyster beds | 0:47:06 | 0:47:09 | |
fishermen have trawled for centuries. | 0:47:09 | 0:47:13 | |
Looking for the top prize - a native Whitstable oyster. | 0:47:13 | 0:47:18 | |
-There's a native! -You've got the touch! | 0:47:22 | 0:47:24 | |
That's a true, proper, genuine, real, | 0:47:24 | 0:47:27 | |
absolute native from Whitstable. | 0:47:27 | 0:47:30 | |
It looks like a little pony club rosette. | 0:47:30 | 0:47:32 | |
-It's a nice, neat little thing. -It's like a heart. | 0:47:32 | 0:47:34 | |
What do they need to grow well? | 0:47:34 | 0:47:36 | |
Well, they need shallow water. | 0:47:36 | 0:47:38 | |
You need brackish water. | 0:47:38 | 0:47:40 | |
Does that mean a bit salty and a bit clear as well? | 0:47:40 | 0:47:42 | |
Correct. You need a lot of nutrients coming off the ground, | 0:47:42 | 0:47:46 | |
which we have here, because we've got these wonderful salt marshes. | 0:47:46 | 0:47:49 | |
You've got the Swale estuary here. Not just the Thames. | 0:47:49 | 0:47:53 | |
All the old oyster hands would say | 0:47:53 | 0:47:55 | |
most of the goodness for native oysters comes from the Swale. | 0:47:55 | 0:47:59 | |
You can see how much work there is... | 0:47:59 | 0:48:03 | |
just to get... | 0:48:03 | 0:48:07 | |
-There's a native! -Well done! | 0:48:07 | 0:48:09 | |
How many have we caught this afternoon? | 0:48:09 | 0:48:11 | |
We've done not bad. In the dozens. Maybe not the hundreds. | 0:48:11 | 0:48:14 | |
What was the year in which the most oysters | 0:48:14 | 0:48:16 | |
went out of Whitstable and up to London? | 0:48:16 | 0:48:19 | |
The peak time I believe was about 1860. | 0:48:19 | 0:48:23 | |
And that was the year in which 50 million oysters | 0:48:23 | 0:48:25 | |
went up the river from here to London. | 0:48:25 | 0:48:27 | |
That's it. 50 million oysters at least, they reckon. | 0:48:27 | 0:48:30 | |
By the middle of the 19th Century | 0:48:30 | 0:48:33 | |
there were nearly 100 oyster fishing boats or smacks | 0:48:33 | 0:48:35 | |
working out of Whitstable. | 0:48:35 | 0:48:37 | |
Catches were landed, sorted, and sent direct to London | 0:48:37 | 0:48:41 | |
to be sold on every street corner. | 0:48:41 | 0:48:43 | |
Oysters were cheaper than meat. | 0:48:43 | 0:48:46 | |
Beef and oyster pie was a Victorian classic. | 0:48:46 | 0:48:49 | |
The richer you were, the more beef you added. | 0:48:49 | 0:48:52 | |
The poorer you were, the more oysters. | 0:48:52 | 0:48:54 | |
It couldn't last. | 0:48:54 | 0:48:56 | |
By the 20th century the industry had begun to burn itself out. | 0:48:56 | 0:49:00 | |
Over-fishing and two winters that froze the sea solid | 0:49:00 | 0:49:04 | |
pushed the native oyster to the brink. | 0:49:04 | 0:49:07 | |
That is a rock oyster, from the Pacific. | 0:49:07 | 0:49:10 | |
Yeah, you've got it, rock oyster. Though they've been here... | 0:49:10 | 0:49:13 | |
They're pretty indigenous now. | 0:49:13 | 0:49:17 | |
'Rock oysters were introduced in the 1970s to boost numbers. | 0:49:17 | 0:49:20 | |
'They grow fast and you can fish them all year round.' | 0:49:20 | 0:49:22 | |
That's a native, that's a small one. | 0:49:22 | 0:49:24 | |
THAT'S a native! That's a really good contrast. | 0:49:24 | 0:49:27 | |
You can see the difference. | 0:49:27 | 0:49:28 | |
With a rock oyster there's a much deeper shell. | 0:49:28 | 0:49:30 | |
Native oysters are flatter and the reason it's flat | 0:49:30 | 0:49:32 | |
is cos it sits in the mud like that, and that's what holds it in place. | 0:49:32 | 0:49:37 | |
'It's the natives that made Whitstable famous.' | 0:49:37 | 0:49:40 | |
This is about as good as you're ever going to get with oysters. | 0:49:40 | 0:49:43 | |
It's a good size. This is the native. | 0:49:43 | 0:49:45 | |
This is the Rolls Royce. This is the real thing. | 0:49:45 | 0:49:48 | |
It doesn't look like the most beautiful object in the world. | 0:49:48 | 0:49:52 | |
-Well... -The shell's pretty. | 0:49:52 | 0:49:54 | |
Well, I like them. | 0:49:54 | 0:49:55 | |
Should have brought some wine shouldn't I? | 0:50:00 | 0:50:01 | |
What do you think? | 0:50:04 | 0:50:06 | |
It's amazingly sweet. | 0:50:06 | 0:50:08 | |
I guess I've just maybe not had very nice oysters before now. | 0:50:09 | 0:50:12 | |
Give me more, give me more! I like it! | 0:50:12 | 0:50:14 | |
In the summer they're breeding, so they're creamy. | 0:50:14 | 0:50:17 | |
In fact nobody has natives in the summer because they're too creamy. | 0:50:17 | 0:50:20 | |
Yes, they taste not so good. | 0:50:20 | 0:50:22 | |
But we're OK now we're in October. | 0:50:22 | 0:50:24 | |
There's an r in the month, It's OK to eat them. | 0:50:24 | 0:50:26 | |
This is a good time. | 0:50:26 | 0:50:28 | |
-Mmm! -You like that as well? | 0:50:33 | 0:50:35 | |
Oysters have made their way back after the boom and bust | 0:50:43 | 0:50:45 | |
of Victorian times. | 0:50:45 | 0:50:47 | |
They're now a modern delicacy. | 0:50:47 | 0:50:50 | |
-Is this a good day's catch, then? -That's good. About 400-500 oysters. | 0:50:52 | 0:50:56 | |
Do you see a parallel with prosperous Victorian Whitstable | 0:50:56 | 0:50:59 | |
and Whitstable again, from the 1990s onwards? | 0:50:59 | 0:51:03 | |
Well, the difference is Victorian Whitstable had a lot of industry. | 0:51:03 | 0:51:07 | |
-Now we have a wonderful, wonderful tourist trade. -Sure. | 0:51:07 | 0:51:13 | |
The face of Whitstable has changed. | 0:51:13 | 0:51:15 | |
This is a town that has risen and fallen | 0:51:15 | 0:51:17 | |
and risen again on the back of this harvest from the sea. | 0:51:17 | 0:51:22 | |
I've had a terrific day here in Whitstable. | 0:51:22 | 0:51:26 | |
I've learnt that I like oysters. I'm not frightened of them any more. | 0:51:26 | 0:51:29 | |
And I've also learned | 0:51:29 | 0:51:30 | |
they're not just luxury food for rich people. | 0:51:30 | 0:51:32 | |
Way back when, they were dirt cheap. | 0:51:32 | 0:51:35 | |
Poor people foraged for them on the beach. | 0:51:35 | 0:51:37 | |
And they knew if you just popped them into a fire, | 0:51:37 | 0:51:40 | |
after a while they magically pop open. | 0:51:40 | 0:51:43 | |
What could be easier than that? | 0:51:43 | 0:51:46 | |
Mmm! | 0:51:51 | 0:51:53 | |
Back on the Medway we've passed through Allington lock | 0:51:57 | 0:51:59 | |
and are heading towards Maidstone. | 0:51:59 | 0:52:01 | |
This is starting to feel like a proper river. | 0:52:01 | 0:52:05 | |
When I envisaged the idea of the Garden Of England | 0:52:09 | 0:52:13 | |
I wasn't thinking of Faversham and the cranes and the grey skies. | 0:52:13 | 0:52:16 | |
This is it. | 0:52:16 | 0:52:19 | |
This is the beautiful part. | 0:52:19 | 0:52:20 | |
But you have to remember, things like the lock | 0:52:20 | 0:52:23 | |
and even places like this were industrial. | 0:52:23 | 0:52:26 | |
And they're here, and are like they are | 0:52:26 | 0:52:28 | |
because of the past trade and industry that worked on them. | 0:52:28 | 0:52:31 | |
I do find the fact that all the riverbanks | 0:52:31 | 0:52:34 | |
have been populated by houses and twee little boats | 0:52:34 | 0:52:37 | |
rather sad, really. | 0:52:37 | 0:52:38 | |
Because, erm... | 0:52:38 | 0:52:40 | |
You know, I suppose I'm being an old Faversham dinosaur. | 0:52:40 | 0:52:46 | |
-A Favershaurus? -Ha-ha! Yes! -They died out quite early on. | 0:52:46 | 0:52:50 | |
We're motoring towards Maidstone. But first, | 0:52:50 | 0:52:53 | |
I'm hopping off for a detour west of the river | 0:52:53 | 0:52:56 | |
in search of a seasonal treat that I've loved since I was a child. | 0:52:56 | 0:52:59 | |
I'm on the trail of cobnuts. | 0:53:03 | 0:53:05 | |
A cultivated form of the hazelnuts that grow wild across Britain. | 0:53:05 | 0:53:08 | |
All my life I really have loved cobnuts | 0:53:08 | 0:53:11 | |
but I've never been certain what they were. | 0:53:11 | 0:53:13 | |
And thus I was never certain when they're in season | 0:53:13 | 0:53:16 | |
and I never knew quite where to get them. | 0:53:16 | 0:53:18 | |
I happen to know that now is the time | 0:53:18 | 0:53:20 | |
and that this is the place to get them. | 0:53:20 | 0:53:22 | |
This is Shipbourne church. There's a market every Thursday | 0:53:22 | 0:53:27 | |
and from August to October you can find fresh cobnuts here. | 0:53:27 | 0:53:32 | |
-Morning. You're John, aren't you? -I'm John, that's right. | 0:53:38 | 0:53:41 | |
-I'm Giles. -Hello, Giles. | 0:53:41 | 0:53:43 | |
I'm here for cobnuts. | 0:53:43 | 0:53:44 | |
This is very, very, very exciting. Genuinely. | 0:53:45 | 0:53:48 | |
The Victorians always finished a meal with Kent cobnuts. | 0:53:48 | 0:53:51 | |
They'd have a glass of port and a Cox apple and some cobnuts. | 0:53:51 | 0:53:56 | |
The greatness of the British Empire was basically built | 0:53:56 | 0:53:59 | |
on a cobnut after-dinner nibble. | 0:53:59 | 0:54:00 | |
The thing with cobnuts, | 0:54:00 | 0:54:02 | |
the reason that I don't get to eat them as much as I'd like, | 0:54:02 | 0:54:06 | |
is this very, very short season. | 0:54:06 | 0:54:08 | |
And that you eat them fresh. | 0:54:08 | 0:54:10 | |
NUT CRACKS | 0:54:10 | 0:54:12 | |
Nice and soft to crack. | 0:54:14 | 0:54:15 | |
If they're young you can do it with your teeth. | 0:54:15 | 0:54:18 | |
The older they get, the leatherier the skin. | 0:54:18 | 0:54:21 | |
You can break a tooth on that. | 0:54:21 | 0:54:22 | |
Quite small, quite sort of acorny. | 0:54:22 | 0:54:24 | |
Mmm! It's so nice! There's so much juice and milk. | 0:54:28 | 0:54:31 | |
It's not a thing that people associate with nuts. | 0:54:31 | 0:54:35 | |
Is there any reason | 0:54:35 | 0:54:37 | |
why Kent is so good for cobnuts? | 0:54:37 | 0:54:40 | |
It's the soil and the climate. And it's traditionally been grown. | 0:54:40 | 0:54:44 | |
I mean, there were 7,000 acres of cobnuts | 0:54:44 | 0:54:46 | |
before the First World War in Kent, | 0:54:46 | 0:54:48 | |
which has got down now to a growing 500 acres. | 0:54:48 | 0:54:51 | |
Traditionally from Sevenoaks right out past Maidstone | 0:54:51 | 0:54:54 | |
there's a greensand ridge, and there were thousands of acres of cobnuts. | 0:54:54 | 0:54:58 | |
And what is the greensand ridge? | 0:54:58 | 0:55:00 | |
Presumably that's Limestone, is it? | 0:55:00 | 0:55:02 | |
It's loamy soil with a lot of stone but it grows cobnuts very well. | 0:55:02 | 0:55:06 | |
Who wants a nut? Who hasn't got a nut there? | 0:55:06 | 0:55:09 | |
Molly, have you had one? | 0:55:09 | 0:55:11 | |
Molly, did you say, "Ugh"? | 0:55:11 | 0:55:13 | |
-Eat your cobnut. -She doesn't like them. | 0:55:13 | 0:55:17 | |
-Where do cobnuts come from? -Kent. | 0:55:17 | 0:55:18 | |
-And where are they grown? -Plats. | 0:55:18 | 0:55:20 | |
And what's a plat? | 0:55:20 | 0:55:22 | |
A plat is like an orchard. But for cobnuts. | 0:55:22 | 0:55:24 | |
Really? I confess, I didn't know that. | 0:55:24 | 0:55:26 | |
Plats, or cobnut orchards, start to bear fruit come late August. | 0:55:29 | 0:55:35 | |
At Richard Dain's farm, it's time to start picking. | 0:55:35 | 0:55:38 | |
I'm fascinated in how they pick. | 0:55:40 | 0:55:42 | |
Do they just shake them and they fall off? | 0:55:42 | 0:55:44 | |
At this stage, you pull them off. | 0:55:44 | 0:55:46 | |
The nuts grow principally under the branches. | 0:55:46 | 0:55:50 | |
This is a first nut, is it? This is the youngest kind? | 0:55:50 | 0:55:53 | |
Are these the most popular kind? | 0:55:53 | 0:55:54 | |
Oh, yes. They're called green at this stage. Green nuts. | 0:55:54 | 0:55:57 | |
It's best to do it with your teeth, isn't it? | 0:55:57 | 0:56:00 | |
No, it is not! You will crack the enamel! | 0:56:00 | 0:56:02 | |
-It's very unwise to do that. -Is it? | 0:56:02 | 0:56:05 | |
Yes. Please don't tell our English public to do that. | 0:56:05 | 0:56:08 | |
It would be a dentist's charter. | 0:56:08 | 0:56:10 | |
Oh, he's shaking the trees. | 0:56:10 | 0:56:12 | |
You can do so. Some of them do. | 0:56:12 | 0:56:14 | |
I'd love to shake a tree. | 0:56:14 | 0:56:16 | |
TREE RUSTLES | 0:56:16 | 0:56:19 | |
-You've got one or two off, well done. -One or two! Look at that! | 0:56:19 | 0:56:22 | |
And he's got 'em! How many have you got picking today? | 0:56:22 | 0:56:24 | |
-22 pickers I think, today...23. -And how much will they pick? | 0:56:24 | 0:56:29 | |
-They'll pick something like two tonnes today. -Two tonnes?! | 0:56:29 | 0:56:32 | |
Isn't it easier to shake them? Do you not do that? | 0:56:32 | 0:56:36 | |
That's surely quicker, isn't it? | 0:56:39 | 0:56:42 | |
God, I was born to do this! | 0:56:45 | 0:56:47 | |
Though the season for fresh nuts is short, | 0:56:55 | 0:56:57 | |
Richard's figured out a way to produce oil. | 0:56:57 | 0:57:00 | |
So the cobnut taste can be enjoyed year round. | 0:57:00 | 0:57:04 | |
Fantastic! You really can taste the cobnuts. | 0:57:08 | 0:57:10 | |
-It's much milder than a walnut oil. -Yes, it is. | 0:57:10 | 0:57:12 | |
And not as greasy as groundnut oil. | 0:57:12 | 0:57:14 | |
It's a low temperature oil. | 0:57:14 | 0:57:16 | |
Although you CAN cook with it, drizzle it over fish for grilling, | 0:57:16 | 0:57:22 | |
It's really a salad oil. | 0:57:22 | 0:57:24 | |
Mmm! That's like eating 10,000 cobnuts all at once. | 0:57:26 | 0:57:30 | |
It's very concentrated. | 0:57:30 | 0:57:31 | |
You get all the benefits of cobnuts, just...mmm! | 0:57:31 | 0:57:34 | |
THEY SING SONG IN OWN LANGUAGE | 0:57:34 | 0:57:37 | |
Kent's pickers used to come from London. | 0:57:39 | 0:57:41 | |
Now they come from across the globe but the harvests remain the same. | 0:57:41 | 0:57:44 | |
Cobnuts, cherries, hops, apples. | 0:57:44 | 0:57:49 | |
Foods that made this the Garden Of England. | 0:57:49 | 0:57:51 | |
On the Lady Of The Lea | 0:57:54 | 0:57:56 | |
we're nearing Maidstone and the end of my journey. | 0:57:56 | 0:58:00 | |
But our barge isn't suited to this modern world | 0:58:05 | 0:58:07 | |
with its concrete bridges. | 0:58:07 | 0:58:09 | |
As you can see, it's going to be very tight. | 0:58:09 | 0:58:13 | |
He'll reverse, won't he? | 0:58:13 | 0:58:15 | |
Reversing is not going forward quite as fast as we were. | 0:58:15 | 0:58:18 | |
Cheerio, huffler. All good. I'm off! | 0:58:31 | 0:58:35 | |
'Kent's position on the map and unique appetite for new things | 0:58:35 | 0:58:38 | |
'are what made it so important for food production. | 0:58:38 | 0:58:41 | |
'The Garden Of England on the doorstep of Europe.' | 0:58:41 | 0:58:44 | |
STEAM TRAIN CHUGS | 0:58:44 | 0:58:46 | |
Next time, we're exploring the West Of Scotland. | 0:58:46 | 0:58:49 | |
Travelling through the Highlands to find out | 0:58:49 | 0:58:52 | |
how a story of subsistence became a story of supply. | 0:58:52 | 0:58:55 | |
-Your man's a long way away, is he? -Yeah, you don't need to worry. | 0:58:55 | 0:58:58 | |
-Are you sure? -Yeah, I'm 100% sure. | 0:58:58 | 0:58:59 | |
GUNSHOT | 0:59:00 | 0:59:04 | |
-Is he alive, the geezer? -Just about. | 0:59:04 | 0:59:06 | |
Subtitles by Red Bee Media Ltd | 0:59:28 | 0:59:32 |