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The only thing that stands between success and failure at the moment | 0:00:02 | 0:00:05 | |
is chance. | 0:00:05 | 0:00:07 | |
'Many of us fantasise about opening our own restaurant, | 0:00:07 | 0:00:10 | |
'but with restaurants up to three times more likely to fail | 0:00:10 | 0:00:13 | |
'than any other business, it's not for the faint-hearted.' | 0:00:13 | 0:00:17 | |
Opening a restaurant just to make money is wrong, | 0:00:17 | 0:00:19 | |
but it's very important that it does make money. | 0:00:19 | 0:00:23 | |
'I'm Russell Norman. | 0:00:23 | 0:00:24 | |
'After years of dreaming, | 0:00:24 | 0:00:26 | |
'I set up a series of acclaimed restaurants that now serve | 0:00:26 | 0:00:29 | |
'half a million customers a year in the cut-throat London market, | 0:00:29 | 0:00:32 | |
'all during the recent recession.' | 0:00:32 | 0:00:34 | |
I'd definitely say that there are rules to opening and running | 0:00:36 | 0:00:38 | |
a successful restaurant. | 0:00:38 | 0:00:41 | |
You must know your numbers. You must do your research. | 0:00:41 | 0:00:44 | |
You must be prepared to work very long hours. | 0:00:44 | 0:00:47 | |
'Now I'm helping six first-timers gambling their life savings | 0:00:47 | 0:00:51 | |
'to start their own restaurants.' | 0:00:51 | 0:00:53 | |
I've got no food and I'm opening in less than 48 hours. | 0:00:53 | 0:00:57 | |
It is work in progress, | 0:00:57 | 0:00:59 | |
but it needs to be work that isn't in progress quite soon. | 0:00:59 | 0:01:02 | |
'From floor plans to finance, and menus to marketing, | 0:01:02 | 0:01:05 | |
'I'll have to shatter a few illusions.' | 0:01:05 | 0:01:08 | |
I mean, this is cute but very impractical. | 0:01:08 | 0:01:11 | |
I'm going to have to show it to him. It's almost inedible. | 0:01:11 | 0:01:13 | |
Well, what's the solution, Russell? Tell me. You get another plumber? | 0:01:13 | 0:01:16 | |
It's exactly what you do. | 0:01:16 | 0:01:17 | |
'Each of these plucky entrepreneurs is hoping their new venture | 0:01:17 | 0:01:21 | |
'will give them a better life.' | 0:01:21 | 0:01:23 | |
You know, this is all mine. Isn't it gorgeous? Thank you. | 0:01:23 | 0:01:27 | |
'But unless they get every detail spot on, | 0:01:27 | 0:01:29 | |
'it could mean bankruptcy and personal disaster.' | 0:01:29 | 0:01:33 | |
I'm scared now, yeah. | 0:01:33 | 0:01:34 | |
I'm very scared. | 0:01:35 | 0:01:36 | |
'This time... | 0:01:39 | 0:01:40 | |
'Scandinavian food hits Macclesfield.' | 0:01:41 | 0:01:43 | |
It's pretty tasty. | 0:01:46 | 0:01:47 | |
'But with no eye for detail...' | 0:01:47 | 0:01:48 | |
We need the scaffolding down - | 0:01:48 | 0:01:50 | |
can we not just get another company to come and take it down? | 0:01:50 | 0:01:52 | |
'..no staff...' | 0:01:52 | 0:01:54 | |
You can't expect two people to work 12 hours a day seven days a week. | 0:01:54 | 0:01:58 | |
No. | 0:01:58 | 0:01:59 | |
'..and a refusal to look at the figures...' | 0:01:59 | 0:02:01 | |
Yeah, that scares me. | 0:02:01 | 0:02:03 | |
'..can this enthusiastic amateur ever run a professional restaurant?' | 0:02:04 | 0:02:08 | |
-Oh, God. -It'll be all right. -I'm so scared. I really am. | 0:02:08 | 0:02:11 | |
I'm heading north to Macclesfield to meet Debbie. | 0:02:23 | 0:02:27 | |
Debbie has decided to ignore current food trends, | 0:02:27 | 0:02:29 | |
and she's opening a Scandinavian restaurant. It's quite brave. | 0:02:29 | 0:02:33 | |
It's quite a bold move, I think. | 0:02:33 | 0:02:35 | |
But then again, I opened a Venetian wine bar | 0:02:35 | 0:02:38 | |
in the back streets of Soho in London, and that worked. | 0:02:38 | 0:02:41 | |
I'm not against risk as long as it's calculated. | 0:02:41 | 0:02:44 | |
We've been to Scandinavia, we've been to Stockholm a couple of times. | 0:02:47 | 0:02:51 | |
Went to Copenhagen last year. | 0:02:51 | 0:02:53 | |
Finland's not really part of Scandinavia, not strictly, | 0:02:53 | 0:02:57 | |
but it's... | 0:02:57 | 0:02:58 | |
So I just thought, "Well, I love Scandinavia, | 0:03:01 | 0:03:03 | |
"love Scandinavian food, let's go down that road." | 0:03:03 | 0:03:06 | |
-That was your business plan. -Yeah, that's it, really. | 0:03:06 | 0:03:08 | |
Yeah, yeah, I'm going to do it. | 0:03:08 | 0:03:10 | |
It's been Debbie's lifelong dream to open a restaurant, | 0:03:12 | 0:03:15 | |
so when a property came up on this cobbled street of her hometown, | 0:03:15 | 0:03:19 | |
she jumped at the chance. | 0:03:19 | 0:03:21 | |
I turned 50 in March. I thought, "Right, I'm taking it. | 0:03:21 | 0:03:24 | |
"I'm going to open a restaurant." | 0:03:24 | 0:03:26 | |
SHE GROANS There we go. | 0:03:26 | 0:03:28 | |
If we don't do this, | 0:03:28 | 0:03:29 | |
we could sit down and we could get old...gracefully. | 0:03:29 | 0:03:33 | |
Who wants to get old gracefully? I want to get old disgracefully. | 0:03:33 | 0:03:36 | |
This is going to be the way to do it. | 0:03:36 | 0:03:38 | |
Debbie sold her online business, | 0:03:39 | 0:03:41 | |
supposedly her nest egg for retirement, | 0:03:41 | 0:03:44 | |
and borrowed from the bank to pursue her dream. | 0:03:44 | 0:03:48 | |
This project means absolutely everything to me. | 0:03:48 | 0:03:51 | |
I'm desperately, desperately excited. I can't wait. This is all mine. | 0:03:51 | 0:03:55 | |
Isn't it gorgeous? | 0:03:55 | 0:03:57 | |
With no experience of the restaurant trade, | 0:03:57 | 0:03:59 | |
she's gambling with her financial future. | 0:03:59 | 0:04:02 | |
If this fails, the financial implications are that | 0:04:02 | 0:04:05 | |
I don't think about it. I'm really not thinking about it. | 0:04:05 | 0:04:09 | |
I don't want to think about it, because it is a lot of money. | 0:04:09 | 0:04:11 | |
Now I've found what I feel I should be doing, | 0:04:13 | 0:04:16 | |
that would be awful to fail. | 0:04:16 | 0:04:19 | |
It really would. | 0:04:19 | 0:04:20 | |
'Even though we're coming out of recession, | 0:04:23 | 0:04:25 | |
'it's a tough time for independent restaurants. | 0:04:25 | 0:04:28 | |
'They've got to work harder than ever to lure cash-strapped customers | 0:04:28 | 0:04:31 | |
'away from the big chains. | 0:04:31 | 0:04:34 | |
'On first impressions, it seems Macclesfield is no exception.' | 0:04:34 | 0:04:37 | |
I just noticed a delicatessen which seems to have closed down. | 0:04:39 | 0:04:42 | |
I can see one, two, three... | 0:04:42 | 0:04:46 | |
..four, five pubs within walking distance of the station. | 0:04:48 | 0:04:53 | |
It's a little quiet. | 0:04:53 | 0:04:54 | |
'In fact, the town has lost six restaurants in the last year alone. | 0:04:57 | 0:05:01 | |
'Three in Debbie's neighbourhood.' | 0:05:01 | 0:05:04 | |
I think it's just a really strong indication | 0:05:04 | 0:05:06 | |
that it's by no means a sure thing, | 0:05:06 | 0:05:08 | |
opening a restaurant in this part of Macclesfield. | 0:05:08 | 0:05:11 | |
But where others failed, | 0:05:12 | 0:05:13 | |
Debbie is hoping her Scandinavian fare will be a winning formula. | 0:05:13 | 0:05:17 | |
These days we dine out more than ever, spending, on average, | 0:05:21 | 0:05:24 | |
more than £40,000 at restaurants in our lifetime. | 0:05:24 | 0:05:28 | |
But we're not as adventurous as we'd like to think. | 0:05:28 | 0:05:31 | |
85% of that spend is on Indian, Chinese and Italian meals. | 0:05:31 | 0:05:36 | |
Scandinavian food, | 0:05:37 | 0:05:38 | |
with its meatballs, cured fish, rye bread and beetroot, | 0:05:38 | 0:05:42 | |
accounts for less than 1%. It's just not very popular. | 0:05:42 | 0:05:47 | |
If I were to say that there's a Scandinavian restaurant | 0:05:47 | 0:05:50 | |
being planned in Macclesfield, how would you react to that? | 0:05:50 | 0:05:53 | |
-Total indifference. -Oh, really? | 0:05:53 | 0:05:54 | |
Yes. | 0:05:54 | 0:05:55 | |
I like Thai, I like Chinese, I like Indian. We're well covered for that. | 0:05:55 | 0:06:00 | |
-Scandinavian food? No idea at all? -I guess it's a bit fishy. | 0:06:00 | 0:06:05 | |
-How do you think the town would take it? -Is it fish? | 0:06:05 | 0:06:08 | |
RUSSELL LAUGHS | 0:06:08 | 0:06:09 | |
-Yeah, some fish, yeah. -Right. | 0:06:09 | 0:06:11 | |
Do you think Macclesfield's getting more cosmopolitan? | 0:06:11 | 0:06:14 | |
Eh, no. But I think it needs to. | 0:06:14 | 0:06:16 | |
OK. | 0:06:16 | 0:06:17 | |
Debbie has set herself a deadline of opening her Scandinavian restaurant | 0:06:20 | 0:06:24 | |
in just six weeks' time. | 0:06:24 | 0:06:26 | |
So today I need to get my head around her business plan, | 0:06:26 | 0:06:29 | |
the premises, the menu and, of course, the numbers. | 0:06:29 | 0:06:33 | |
-Hello. -Hello. | 0:06:33 | 0:06:34 | |
-How very nice to meet you, finally. -Very nice to meet you to. | 0:06:36 | 0:06:38 | |
-This is it. -This is it. | 0:06:38 | 0:06:39 | |
-This is the Salt Bar. -Well, it is compact. | 0:06:39 | 0:06:42 | |
-Bijou. -Bijou, is that what it is? OK. | 0:06:42 | 0:06:44 | |
So can I ask a really obvious question? Why Scandinavian food? | 0:06:44 | 0:06:47 | |
When I decided to open a bar, it just seemed natural to say, | 0:06:47 | 0:06:50 | |
"OK, yeah, let's go for Scandinavian. | 0:06:50 | 0:06:52 | |
"That's something that's a bit different." | 0:06:52 | 0:06:54 | |
Do you think the people of Macclesfield | 0:06:54 | 0:06:56 | |
will think that it's a bit different? | 0:06:56 | 0:06:58 | |
I think that they will, but I think that the people of Macclesfield | 0:06:58 | 0:07:01 | |
are really open to something new. | 0:07:01 | 0:07:03 | |
-What have you done in the past...? -Nothing. | 0:07:03 | 0:07:07 | |
-In restaurants, in service? -No. -In hospitality? -No. -Nothing at all? | 0:07:07 | 0:07:10 | |
-I worked behind a bar... -OK, that's something. -..for about two weeks. | 0:07:10 | 0:07:14 | |
Two weeks. When was that? | 0:07:14 | 0:07:16 | |
It was about 20 years ago. | 0:07:16 | 0:07:17 | |
Do you remember anything? | 0:07:19 | 0:07:20 | |
No. No. No. | 0:07:20 | 0:07:22 | |
Looking around, I worry that the build | 0:07:22 | 0:07:24 | |
won't be finished in six weeks, | 0:07:24 | 0:07:26 | |
so Debbie had better be further down the track with her food. | 0:07:26 | 0:07:29 | |
-Do you have your chef already? -I do have a chef already. | 0:07:30 | 0:07:33 | |
I found him on Gumtree. | 0:07:33 | 0:07:34 | |
Oh, did you? | 0:07:34 | 0:07:36 | |
-Fantastic. -I Googled Swedish chef, which you can imagine I had... | 0:07:36 | 0:07:40 | |
Muppets. | 0:07:40 | 0:07:41 | |
Lots and lots of Muppets come up. | 0:07:41 | 0:07:42 | |
Debbie's Swedish chef isn't due to start work at the restaurant | 0:07:45 | 0:07:49 | |
until a fortnight before it opens, so husband Bob is bringing | 0:07:49 | 0:07:52 | |
over a couple of the home-cooked dishes she hopes to put on the menu. | 0:07:52 | 0:07:56 | |
What have we got here? | 0:07:57 | 0:07:59 | |
OK, so, first of all we have a bit of a squish open sandwich | 0:07:59 | 0:08:03 | |
on wholemeal and oat bread that I made myself. | 0:08:03 | 0:08:07 | |
-You baked yourself, fantastic. -I baked myself. | 0:08:07 | 0:08:09 | |
Smoked salmon, radish, creme fraiche and lots of lemon. | 0:08:09 | 0:08:13 | |
A little...as well. | 0:08:13 | 0:08:14 | |
Mm. | 0:08:19 | 0:08:21 | |
That's really tasty. Mm. | 0:08:21 | 0:08:22 | |
Then we have the meatballs. | 0:08:24 | 0:08:26 | |
-I put cardamom in them. -Mm. | 0:08:26 | 0:08:30 | |
That's really distinctive, the cardamom flavour. | 0:08:30 | 0:08:32 | |
-Do you like it? -Mm, I do. | 0:08:32 | 0:08:34 | |
What would that cost? | 0:08:34 | 0:08:36 | |
Yeah, I haven't quite... Yeah, I haven't worked out my costs. | 0:08:36 | 0:08:39 | |
-Do you know what it costs you? -No. -OK. | 0:08:39 | 0:08:41 | |
I-I-I just keep thinking that, you know, | 0:08:41 | 0:08:44 | |
once the floor's down and once something else...then I'll start. | 0:08:44 | 0:08:48 | |
Once you're two or three days away from opening the restaurant... | 0:08:50 | 0:08:53 | |
-Yeah, yeah. I know that I can't do that. -..then get the calculator out. | 0:08:53 | 0:08:56 | |
-I think we need to get the calculator out today. -Right, OK. | 0:08:57 | 0:09:00 | |
In terms of what's on the plate, everything that I tasted was good. | 0:09:03 | 0:09:07 | |
The worrying thing was the fact that she hadn't even considered | 0:09:07 | 0:09:09 | |
what she was going to be charging for those dishes. | 0:09:09 | 0:09:11 | |
I don't think she even knew how much they cost her. | 0:09:11 | 0:09:14 | |
Debbie needs to start thinking about questions | 0:09:14 | 0:09:16 | |
of price and cost immediately. | 0:09:16 | 0:09:19 | |
Six weeks will whizz by. | 0:09:19 | 0:09:20 | |
Unless she's got answers to the questions that I've been asking her, | 0:09:20 | 0:09:24 | |
I don't think things are going to go particularly well. | 0:09:24 | 0:09:26 | |
The cost of preparing every dish on the menu is just one | 0:09:28 | 0:09:31 | |
of a range of figures that Debbie should have at her fingertips. | 0:09:31 | 0:09:35 | |
In my experience, if a restaurant doesn't work on a spreadsheet, | 0:09:35 | 0:09:38 | |
it doesn't work full stop. | 0:09:38 | 0:09:40 | |
'She needs to build her new venture on the solid foundations | 0:09:40 | 0:09:44 | |
'of carefully researched numbers. | 0:09:44 | 0:09:46 | |
'I always start with footfall.' | 0:09:46 | 0:09:47 | |
When I opened Polpo nearly four years ago, | 0:09:49 | 0:09:51 | |
I spent a good half hour, 45 minutes on the street outside | 0:09:51 | 0:09:54 | |
before we signed on the premises just looking at the types of people | 0:09:54 | 0:09:58 | |
and counting the numbers that came by. | 0:09:58 | 0:10:00 | |
When I got to about 1,000, I realised that was probably enough. | 0:10:00 | 0:10:03 | |
It's not Piccadilly Circus. | 0:10:08 | 0:10:10 | |
There doesn't seem to be a business community here. | 0:10:13 | 0:10:16 | |
There's not much really in the way of footfall at all. | 0:10:16 | 0:10:19 | |
Without a high volume of passing trade, | 0:10:20 | 0:10:23 | |
the restaurant will really need to succeed as a destination. | 0:10:23 | 0:10:26 | |
So Debbie shouldn't assume her restaurant will be full | 0:10:26 | 0:10:29 | |
every day of the week. | 0:10:29 | 0:10:31 | |
So this is the...this is the business end of the site, I suppose. | 0:10:31 | 0:10:36 | |
-This is the space that will be full of customers... -Yes. | 0:10:36 | 0:10:39 | |
'Next, I want to establish the total number of people | 0:10:39 | 0:10:42 | |
'Debbie thinks the restaurant will serve on a good day.' | 0:10:42 | 0:10:46 | |
I would estimate seating here for probably 40 people in total. | 0:10:46 | 0:10:51 | |
Is that what you're thinking? | 0:10:51 | 0:10:52 | |
Yeah, with the bar stools as well, probably about 48. | 0:10:52 | 0:10:54 | |
-48. -Yeah. -How many other people will we see with you, Debbie? | 0:10:54 | 0:10:58 | |
-What do you mean? -Will it just be you on your own? | 0:10:58 | 0:11:00 | |
I see myself doing everything, because it's small. | 0:11:00 | 0:11:04 | |
My ratio of staff to customers is normally around one to 15. | 0:11:04 | 0:11:09 | |
So for a space this size, | 0:11:09 | 0:11:11 | |
I'd have three or maybe four members of staff looking after 50 people. | 0:11:11 | 0:11:15 | |
OK. OK. | 0:11:15 | 0:11:16 | |
I suppose the difference is that this is Macclesfield and you're in London. | 0:11:16 | 0:11:19 | |
-Yeah, but 50 seats is 50 seats wherever it is. -Yeah, yeah. | 0:11:19 | 0:11:22 | |
Extra staff will be a hefty additional cost | 0:11:22 | 0:11:25 | |
Debbie hadn't bargained for. | 0:11:25 | 0:11:26 | |
-How many days a week are you planning to open, Debbie? -Seven. | 0:11:28 | 0:11:30 | |
-Seven days a week, lunch and dinner? -Yeah. | 0:11:30 | 0:11:32 | |
You can't expect two people to work 12 hours a day, seven days a week. | 0:11:32 | 0:11:36 | |
No. | 0:11:36 | 0:11:37 | |
-It might be illegal, actually. -Yeah, OK. | 0:11:37 | 0:11:39 | |
So you're looking at four rather than two. | 0:11:39 | 0:11:43 | |
-Your assistant in the kitchen needs to be two rather than one. -Right. | 0:11:43 | 0:11:46 | |
And your head chef needs some time off, I would have thought, | 0:11:46 | 0:11:49 | |
-so you need a pretty competent assistant for him as well. -Right. | 0:11:49 | 0:11:52 | |
In addition to that, I think it's really important that you have | 0:11:52 | 0:11:55 | |
an idea of what the revenue will be in a typical week from this place. | 0:11:55 | 0:12:00 | |
-Have you had a chance to do that? -No. -You need to. | 0:12:02 | 0:12:04 | |
You really do. | 0:12:05 | 0:12:07 | |
In order, simply, | 0:12:07 | 0:12:09 | |
to calculate what this as a business is going to generate. | 0:12:09 | 0:12:12 | |
But, God, I'm rubbish at that type of thing. It's so hard. | 0:12:12 | 0:12:15 | |
You have to learn the lessons of every restaurant | 0:12:15 | 0:12:18 | |
that never got to the state that it could open its door | 0:12:18 | 0:12:20 | |
on the first day. | 0:12:20 | 0:12:21 | |
So many business fail before they get a chance to open. | 0:12:21 | 0:12:24 | |
Right. | 0:12:24 | 0:12:25 | |
You owe it to yourself | 0:12:25 | 0:12:26 | |
to make sure that you're not one of those businesses, | 0:12:26 | 0:12:29 | |
because you've dreamt about this for such a long time. | 0:12:29 | 0:12:32 | |
I've been avoiding all this. | 0:12:33 | 0:12:36 | |
Oh, God. | 0:12:36 | 0:12:37 | |
It's a head-in-sand moment. | 0:12:38 | 0:12:40 | |
At the moment, you have a business that could succeed | 0:12:42 | 0:12:47 | |
when it opens in six weeks' time but could fail. | 0:12:47 | 0:12:50 | |
The only thing that stands between success and failure at the moment | 0:12:50 | 0:12:55 | |
is chance. | 0:12:55 | 0:12:57 | |
-You're in a situation when you're going to leave it to chance. -Yeah. | 0:12:57 | 0:13:00 | |
It's just not good enough. | 0:13:00 | 0:13:02 | |
It's a harsh reality check for Debbie, | 0:13:04 | 0:13:06 | |
but you can't run a business on enthusiasm alone. | 0:13:06 | 0:13:10 | |
If she keeps on ducking the finances, she could lose everything. | 0:13:10 | 0:13:14 | |
There's an awful lot to do here. | 0:13:16 | 0:13:18 | |
Over the next six weeks, | 0:13:18 | 0:13:19 | |
Debbie needs to motivate the builders, recruit staff, | 0:13:19 | 0:13:23 | |
finalise her menu and pin down her costings. | 0:13:23 | 0:13:25 | |
The thing that is most troubling is Debbie's attitude to the business. | 0:13:28 | 0:13:32 | |
She thinks in broad brushstrokes rather than in detail. | 0:13:32 | 0:13:35 | |
I don't see anything like the amount of thought | 0:13:35 | 0:13:38 | |
that's required for a business like this to succeed. | 0:13:38 | 0:13:41 | |
Oh, God. | 0:13:42 | 0:13:44 | |
Come on now. | 0:13:44 | 0:13:45 | |
I'm sorry. | 0:13:47 | 0:13:48 | |
I'm not feeling quite as positive as I was before, actually. | 0:13:50 | 0:13:53 | |
Russell's absolutely right. | 0:13:53 | 0:13:55 | |
Opening a Scandinavian restaurant and muddling it | 0:13:55 | 0:13:58 | |
and hoping that it would work out for the best | 0:13:58 | 0:14:00 | |
is a high-risk strategy. | 0:14:00 | 0:14:02 | |
I am being foolish and rushing in without doing the homework | 0:14:02 | 0:14:07 | |
that I should have done, | 0:14:07 | 0:14:08 | |
because I wanted it so badly. | 0:14:08 | 0:14:10 | |
I've set Debbie some homework on her numbers, | 0:14:23 | 0:14:25 | |
but for now, I want to focus on her menu. | 0:14:25 | 0:14:28 | |
With such a niche offering, Debbie needs to know for sure | 0:14:28 | 0:14:32 | |
her Scandinavian food isn't a step too far | 0:14:32 | 0:14:34 | |
for the people of Macclesfield. | 0:14:34 | 0:14:36 | |
When you're opening a restaurant, | 0:14:37 | 0:14:39 | |
it's essential to stick to the sort of food that you love | 0:14:39 | 0:14:41 | |
and that you're passionate about, | 0:14:41 | 0:14:43 | |
but it's also vital to do your research | 0:14:43 | 0:14:45 | |
and to make sure that other people share that passion. | 0:14:45 | 0:14:48 | |
If there's no market, there's no business. | 0:14:48 | 0:14:50 | |
At my restaurants, we constantly monitor the popularity of every dish | 0:14:51 | 0:14:55 | |
so that we can weed out any duds. | 0:14:55 | 0:14:57 | |
We do the eggs a bit softer, Ray, that would be great. | 0:14:59 | 0:15:02 | |
To give Debbie a head start, | 0:15:02 | 0:15:03 | |
I've arranged for her to road-test three of her dishes | 0:15:03 | 0:15:06 | |
at a cafe in town. | 0:15:06 | 0:15:09 | |
-Hello. -Hi, hi, how are you doing? -I'm very well. How are you? | 0:15:11 | 0:15:13 | |
Nice to see you again. | 0:15:13 | 0:15:15 | |
-You're looking... -Sweaty. -..fresh-faced. | 0:15:15 | 0:15:17 | |
SHE LAUGHS | 0:15:17 | 0:15:19 | |
-So this is your kitchen for the day. -It is indeed. | 0:15:19 | 0:15:21 | |
What are you preparing today? | 0:15:21 | 0:15:23 | |
Potato and egg salad with a buttermilk dressing. | 0:15:23 | 0:15:27 | |
We've got meatballs with mashed potato, | 0:15:27 | 0:15:28 | |
and then we've got the Swedish hash with fried egg. | 0:15:28 | 0:15:31 | |
That looks really good. | 0:15:31 | 0:15:32 | |
There aren't many business owners that get the opportunity | 0:15:32 | 0:15:35 | |
that you've got to road-test their dishes | 0:15:35 | 0:15:36 | |
before they open a restaurant. | 0:15:36 | 0:15:38 | |
It's unique, really. I've never been able to do it. | 0:15:38 | 0:15:41 | |
Well, I'm dreading people saying that they don't like it. | 0:15:41 | 0:15:44 | |
-Meatballs and sauce. -Meatballs. | 0:15:48 | 0:15:50 | |
First order. | 0:15:50 | 0:15:52 | |
The meatballs. | 0:15:52 | 0:15:54 | |
As the cafe fills up for the lunchtime rush, | 0:15:54 | 0:15:56 | |
there's one dish in particular that's showing signs of promise. | 0:15:56 | 0:16:00 | |
Can I have the meatballs? | 0:16:01 | 0:16:03 | |
One meatballs, one hash. | 0:16:03 | 0:16:05 | |
Thank you. | 0:16:05 | 0:16:06 | |
You were having the meatballs. | 0:16:08 | 0:16:09 | |
What made you go for the meatballs? | 0:16:11 | 0:16:12 | |
I would have had the salad, but it didn't sound very appealing. | 0:16:12 | 0:16:16 | |
I think the road test is going really well. | 0:16:16 | 0:16:18 | |
Everyone seems to be enjoying the food. | 0:16:18 | 0:16:20 | |
Interestingly, just looking round the room, | 0:16:20 | 0:16:22 | |
not a single salad has been sold this afternoon. | 0:16:22 | 0:16:25 | |
We'll all be having egg and potato salad for dinner. | 0:16:25 | 0:16:29 | |
Everything on Debbie's menu will have to pull its weight. | 0:16:29 | 0:16:32 | |
The average restaurant throws out 21 tonnes of food waste a year, | 0:16:32 | 0:16:37 | |
and that's profit in the bin. | 0:16:37 | 0:16:38 | |
So your salad section is untouched. | 0:16:40 | 0:16:42 | |
Untouched, completely, which is quite sad, really. | 0:16:42 | 0:16:45 | |
Why do you think that was? It's a sunny day. | 0:16:45 | 0:16:48 | |
The salads not appealing enough, we've not had any vegetarians. | 0:16:48 | 0:16:52 | |
It's funny, isn't it? | 0:16:52 | 0:16:54 | |
As the customers finish their meals, | 0:16:54 | 0:16:56 | |
I'm keen to hear how the best sellers went down. | 0:16:56 | 0:16:58 | |
-How was your hash? -It was very nice. | 0:17:00 | 0:17:01 | |
-Simple, filling. -Good. -A lot of meat there. | 0:17:01 | 0:17:04 | |
Full of flavour, lots of meat, | 0:17:04 | 0:17:06 | |
but I found it got a little dry after a while. | 0:17:06 | 0:17:07 | |
-Really? -Yeah. | 0:17:07 | 0:17:09 | |
Jam on meatballs is not the obvious choice, | 0:17:09 | 0:17:12 | |
but it's actually really nice. | 0:17:12 | 0:17:14 | |
Really enjoyed it. | 0:17:14 | 0:17:15 | |
With the lunch service over, it's time for the final tally. | 0:17:15 | 0:17:18 | |
-It was one salad... -Ten hash. -Ten hash. | 0:17:18 | 0:17:22 | |
-I think there was 15 meatballs. -15 meatballs. | 0:17:22 | 0:17:25 | |
I thought what we should do is just go through the feedback. | 0:17:25 | 0:17:28 | |
OK, go on, then. Let's hear it. | 0:17:28 | 0:17:29 | |
So this is the hash. | 0:17:29 | 0:17:31 | |
"A little dry after a while." | 0:17:31 | 0:17:32 | |
There were a couple of comments along the same lines. | 0:17:32 | 0:17:35 | |
-Mm. -Meatballs. | 0:17:35 | 0:17:37 | |
"Hearty meal, filling, interesting jam." | 0:17:37 | 0:17:40 | |
OK. | 0:17:40 | 0:17:41 | |
"Very well presented, nice and tasty, | 0:17:41 | 0:17:43 | |
"love the lingonberry jam." Another tick for the meatballs. | 0:17:43 | 0:17:47 | |
-I mean... -Wow. | 0:17:47 | 0:17:49 | |
The plates that we were bringing back to the kitchen | 0:17:49 | 0:17:51 | |
-you probably didn't see. -No, I didn't. -I did. | 0:17:51 | 0:17:53 | |
I don't think there was a single meatball plate that came back | 0:17:53 | 0:17:57 | |
with anything left on the plate. | 0:17:57 | 0:17:59 | |
People in Macclesfield are clearly much more inclined | 0:17:59 | 0:18:03 | |
to go for meatballs over other dishes. | 0:18:03 | 0:18:06 | |
I wonder whether there's an opportunity on your menu | 0:18:06 | 0:18:09 | |
for an expanded meatball section. | 0:18:09 | 0:18:11 | |
That's definitely something that I would think about. | 0:18:11 | 0:18:15 | |
There's a real opportunity here. | 0:18:15 | 0:18:17 | |
If Debbie's restaurant is going to draw customers in | 0:18:17 | 0:18:20 | |
despite its sleepy location, | 0:18:20 | 0:18:22 | |
the food must have a strong and marketable identity. | 0:18:22 | 0:18:26 | |
It all hangs on getting her signature dishes just right. | 0:18:26 | 0:18:29 | |
The Salt Bar needs to be known for its meatballs. | 0:18:30 | 0:18:33 | |
It needs to draw people in with its fantastic collection | 0:18:33 | 0:18:36 | |
of six or seven meatballs with interesting ingredients, | 0:18:36 | 0:18:39 | |
with a definite Swedish accent. | 0:18:39 | 0:18:42 | |
Debbie needs to listen to her customers | 0:18:43 | 0:18:45 | |
and start working on new meatball recipes. | 0:18:45 | 0:18:49 | |
I need to move on and look at the layout of her restaurant. | 0:18:49 | 0:18:52 | |
Being inventive with design in such a small space | 0:18:52 | 0:18:55 | |
is going to be crucial. | 0:18:55 | 0:18:56 | |
I've opened many restaurants in small spaces, | 0:18:56 | 0:18:59 | |
it can definitely be done. It just requires creative thinking. | 0:18:59 | 0:19:02 | |
You need to make sure that you maximise your covers, | 0:19:02 | 0:19:04 | |
but you also want to make sure that the customer experience | 0:19:04 | 0:19:07 | |
is as good as it can be. | 0:19:07 | 0:19:08 | |
-Kitchen here. -Very small kitchen, actually. | 0:19:10 | 0:19:13 | |
-OK. -But hoping to make the most of the area. | 0:19:13 | 0:19:16 | |
The space for Debbie's kitchen is tiny, | 0:19:16 | 0:19:18 | |
and that's without any equipment. | 0:19:18 | 0:19:21 | |
-A challenging kitchen, I have to say. -Yeah. | 0:19:21 | 0:19:23 | |
It's one of the smallest I've seen. As far as I can see, sealed. | 0:19:23 | 0:19:27 | |
-What do you mean? Oh, yes. -There's no extract... -There will be. | 0:19:27 | 0:19:30 | |
-We have a chimney area in the corner here. -You do, OK. | 0:19:30 | 0:19:34 | |
'Even with an extraction system, this small space will be very hot | 0:19:34 | 0:19:38 | |
'and very tough for the kitchen staff. | 0:19:38 | 0:19:41 | |
'We need to find a solution.' | 0:19:41 | 0:19:43 | |
This kitchen is hidden behind this door. | 0:19:43 | 0:19:47 | |
OK. | 0:19:47 | 0:19:48 | |
-When the door is closed, you don't really know it's there. -No. | 0:19:48 | 0:19:51 | |
What I noticed, Debbie, is that this wall is pretty much plasterboard. | 0:19:51 | 0:19:56 | |
-It's not supporting anything. -OK. | 0:19:56 | 0:19:58 | |
It hides One of the features, I think, of your restaurant, | 0:19:58 | 0:20:02 | |
which is the kitchen making these amazing | 0:20:02 | 0:20:06 | |
Swedish, Norwegian, Danish dishes. | 0:20:06 | 0:20:08 | |
You take out this section here so that you can see through | 0:20:08 | 0:20:12 | |
to the drama and the theatre of what's going on back of house. | 0:20:12 | 0:20:17 | |
I really like that idea. | 0:20:17 | 0:20:18 | |
But I've noticed there's a bigger issue with this kitchen space | 0:20:18 | 0:20:21 | |
that only someone with no restaurant experience could have overlooked. | 0:20:21 | 0:20:25 | |
-Storage? -Mm. -There's no storage. -There's no storage. | 0:20:25 | 0:20:28 | |
I'm not talking about where you put your spare chairs | 0:20:28 | 0:20:31 | |
and stuff like that. | 0:20:31 | 0:20:32 | |
No, no, no. Beer, wine, yes, yes. | 0:20:32 | 0:20:34 | |
I do have a...a unit which is just a five-minute drive away. | 0:20:35 | 0:20:40 | |
Not ideal. | 0:20:40 | 0:20:41 | |
I think the answer is staring us in the face. | 0:20:41 | 0:20:45 | |
-You've got a big space back here with two big loos. -Right. | 0:20:45 | 0:20:49 | |
-No storage. -You've got to have two loos. -No, you don't. -Yeah, you do. | 0:20:49 | 0:20:53 | |
Men and ladies. It's revolting. I'm sorry. | 0:20:53 | 0:20:55 | |
-It's revolting. -You've got a very small space here. | 0:20:55 | 0:20:58 | |
I can't bear the thought. | 0:20:58 | 0:21:00 | |
-Come with me. -OK. -It goes all the way back here. | 0:21:00 | 0:21:03 | |
What I'm assuming you're planning on doing | 0:21:03 | 0:21:05 | |
is putting one of the loos here with a door at the front here | 0:21:05 | 0:21:08 | |
and then having all of this space here as lobby, is that right? | 0:21:08 | 0:21:12 | |
That's right, yeah. | 0:21:12 | 0:21:13 | |
I would suggest you draw this and you take out all of these. | 0:21:15 | 0:21:19 | |
Just look at the whole space as it is, cos it's a big space. | 0:21:19 | 0:21:22 | |
You don't have any storage and you've got a massive loo. | 0:21:22 | 0:21:25 | |
I just think if you put those two statements together, | 0:21:25 | 0:21:28 | |
and the solution presents itself, I think. | 0:21:28 | 0:21:31 | |
I'm not going to back down over the two toilets. | 0:21:31 | 0:21:34 | |
It's not nice for women to have to share with men. | 0:21:34 | 0:21:37 | |
You can be revolting objects when you're drunk, | 0:21:37 | 0:21:39 | |
it's as simple as that. | 0:21:39 | 0:21:41 | |
Really? | 0:21:41 | 0:21:42 | |
OK. | 0:21:42 | 0:21:44 | |
A week later, I'm relieved to hear that Debbie | 0:21:47 | 0:21:49 | |
is following through some of my suggestions for the layout. | 0:21:49 | 0:21:52 | |
Ooh, so exciting. | 0:21:54 | 0:21:55 | |
Proper building work. Our building work being down. | 0:21:57 | 0:22:00 | |
She's opening up the kitchen. | 0:22:01 | 0:22:03 | |
Despite not budging on two separate loos, | 0:22:05 | 0:22:08 | |
she's planning to shift one forward to create some storage space. | 0:22:08 | 0:22:11 | |
So she can calculate her takings, I've asked her to plot out | 0:22:16 | 0:22:19 | |
the number of covers, but that's revealed some shocking news. | 0:22:19 | 0:22:23 | |
Originally, I had worked out that we could get 50 covers. | 0:22:24 | 0:22:28 | |
Now we've done it properly, we can only fit 32 covers in. | 0:22:28 | 0:22:32 | |
For a restaurant of this size, | 0:22:34 | 0:22:35 | |
that could be close on £3,000 less a week. | 0:22:35 | 0:22:39 | |
The difference between success and bankruptcy. | 0:22:39 | 0:22:42 | |
Without a detailed business plan, based on realistic estimates, | 0:22:42 | 0:22:46 | |
she's racing ahead blind. | 0:22:46 | 0:22:48 | |
Russell sent me a copy of this spreadsheet... | 0:22:49 | 0:22:51 | |
..to work out my sales assumption. | 0:22:54 | 0:22:56 | |
However, in order to do that, he asked me to work out my menus | 0:22:56 | 0:22:59 | |
so that I could work out my menu costings. | 0:22:59 | 0:23:02 | |
He asked me to work out the staff rota | 0:23:02 | 0:23:04 | |
so that I could work out the staff salaries. | 0:23:04 | 0:23:08 | |
Unfortunately, I've not finished any of them yet. | 0:23:08 | 0:23:11 | |
Debbie has got to make time to do her figures. | 0:23:12 | 0:23:14 | |
Until she does, she's gambling her business | 0:23:14 | 0:23:17 | |
and her future prosperity on nothing more than inexperienced guesswork. | 0:23:17 | 0:23:22 | |
As well as moving forward with her numbers, | 0:23:26 | 0:23:28 | |
Debbie needs to keep refining her menu. | 0:23:28 | 0:23:31 | |
I think her meatballs are her unique selling point. | 0:23:31 | 0:23:34 | |
So to help her develop this section of the menu, | 0:23:34 | 0:23:36 | |
I've brought her to Stockholm. | 0:23:36 | 0:23:38 | |
What Debbie is offering at the moment in the Salt Bar | 0:23:40 | 0:23:42 | |
is a little bit cliched. | 0:23:42 | 0:23:44 | |
It's obvious and it ticks the boxes that you'd expect | 0:23:44 | 0:23:48 | |
a Swedish restaurant to tick. | 0:23:48 | 0:23:51 | |
It's not just enough to present a theme park version | 0:23:51 | 0:23:54 | |
of a city or of a cuisine. | 0:23:54 | 0:23:55 | |
It's really important that Debbie puts a lot of herself into it, | 0:23:55 | 0:23:59 | |
because it becomes more interesting. | 0:23:59 | 0:24:00 | |
To replace her unpopular egg and potato salad, | 0:24:02 | 0:24:04 | |
Debbie's created a new vegetarian meatball. | 0:24:04 | 0:24:08 | |
To put it to the test, I'm taking her to 19 Glas, | 0:24:08 | 0:24:11 | |
a restaurant in the heart of the old town, to work with friend | 0:24:11 | 0:24:15 | |
and top chef Olle Tagesson. | 0:24:15 | 0:24:16 | |
What's your understanding of the classic Swedish meatball? | 0:24:19 | 0:24:22 | |
The classic Swedish is just pork meatballs, boiled potato, | 0:24:22 | 0:24:27 | |
cream sauce and lingonberries. | 0:24:27 | 0:24:29 | |
That's the way we know it and that's the way you eat it in Britain | 0:24:29 | 0:24:32 | |
with IKEA, and in the States, wherever you go, really. | 0:24:32 | 0:24:36 | |
-That's your understanding as well, isn't it? -Yes, yeah. | 0:24:36 | 0:24:38 | |
Meatballs is what it is. People left it alone, I don't really know why. | 0:24:38 | 0:24:42 | |
If Debbie can win over the gastronomically conservative locals | 0:24:42 | 0:24:46 | |
with her twist on their beloved national dish, | 0:24:46 | 0:24:48 | |
it will give her restaurant a real seal of authenticity. | 0:24:48 | 0:24:52 | |
It would be great if you could create that dish for us | 0:24:54 | 0:24:57 | |
in Olle's kitchen. | 0:24:57 | 0:24:58 | |
If it passes muster, | 0:24:58 | 0:25:00 | |
maybe even get it on the menu for Olle's customers at lunchtime today. | 0:25:00 | 0:25:05 | |
What do you think about that, Debbie? | 0:25:05 | 0:25:07 | |
Oh, God. | 0:25:07 | 0:25:09 | |
Debbie's creation is made from chickpeas, spinach and Parmesan. | 0:25:09 | 0:25:13 | |
How does it taste? | 0:25:15 | 0:25:17 | |
Nice? | 0:25:17 | 0:25:18 | |
No, I think it needs a bit more cheese, personally. | 0:25:18 | 0:25:20 | |
On a restaurant menu, vegetarian dishes are essential. | 0:25:20 | 0:25:24 | |
They need to be just as carefully executed as meat dishes. | 0:25:24 | 0:25:27 | |
It looks like it's holding. | 0:25:29 | 0:25:30 | |
Does it? | 0:25:30 | 0:25:32 | |
To make his margins, Olle needs to charge 15 euros. | 0:25:32 | 0:25:36 | |
So he won't put it on his menu if it's not up to scratch. | 0:25:36 | 0:25:39 | |
So what do you think? | 0:25:40 | 0:25:42 | |
-I'm glad to have it on my menu. -Excellent. Well, get on with it. | 0:25:42 | 0:25:46 | |
-Well done. -Yay! | 0:25:46 | 0:25:47 | |
-I'm delighted with that. -Very good. | 0:25:47 | 0:25:49 | |
You better get rolling. Come on. | 0:25:49 | 0:25:51 | |
-Yeah, yeah. -It's nearly lunchtime. | 0:25:51 | 0:25:53 | |
You're not going to nick my recipe, are you? | 0:25:54 | 0:25:57 | |
-SHE LAUGHS -No comment. | 0:25:58 | 0:25:59 | |
Once again, Debbie has impressed me with her cooking, | 0:26:01 | 0:26:03 | |
but she needs to develop an eye for detail. | 0:26:03 | 0:26:06 | |
I have no idea. | 0:26:06 | 0:26:08 | |
Her presentation is far from perfect. | 0:26:08 | 0:26:11 | |
How a dish looks is very important. | 0:26:11 | 0:26:13 | |
I would have just given it a little bit of height. | 0:26:13 | 0:26:16 | |
You don't want it too structured and too deliberate. Yeah. | 0:26:17 | 0:26:22 | |
I don't think it needs that much more than that, actually. | 0:26:22 | 0:26:25 | |
When you need to communicate to a new member of staff or a trainee | 0:26:25 | 0:26:30 | |
how you want the dish to look, | 0:26:30 | 0:26:31 | |
there is no better way of doing it than showing them a photograph. | 0:26:31 | 0:26:34 | |
-Take a photograph. -Yeah, yeah, yeah, yeah, yeah. | 0:26:35 | 0:26:38 | |
-In your back pocket. -Thank you. | 0:26:38 | 0:26:39 | |
So this is the chickpea and spinach meatballs. | 0:26:45 | 0:26:49 | |
What do you think? | 0:26:49 | 0:26:51 | |
-It was delicious. -Oh, good. | 0:26:51 | 0:26:53 | |
-Really? -Delicious but not a meatball. | 0:26:53 | 0:26:56 | |
No, not a meatball. | 0:26:56 | 0:26:57 | |
-It's very good. -Oh, good. So that's a thumb's up, yes? | 0:26:57 | 0:27:00 | |
-Yes, thumbs up. -I shall tell the chef, she will be very pleased. | 0:27:00 | 0:27:03 | |
-Thank you. -Nice plate as well. -Oh, nice presentation. -Yeah. | 0:27:03 | 0:27:06 | |
Oh, she will be doubly pleased. | 0:27:06 | 0:27:08 | |
-I think they were a little bit too soft. -OK. | 0:27:10 | 0:27:12 | |
They could be a little bit more...solid. | 0:27:12 | 0:27:16 | |
The flavour was good. I liked the flavour. | 0:27:16 | 0:27:19 | |
It's good to get inspired by travel, | 0:27:21 | 0:27:23 | |
but I wonder what impression this trip has made on Debbie. | 0:27:23 | 0:27:26 | |
In terms of its menu, do you think the Salt Bar is going to be | 0:27:27 | 0:27:31 | |
a modern Scandinavian restaurant? | 0:27:31 | 0:27:33 | |
I do, now. I'd actually gone out and bought 20 Scandinavian cook books. | 0:27:33 | 0:27:39 | |
Spent the whole time flicking through them. | 0:27:39 | 0:27:41 | |
-They were all traditional recipes? -Yes. | 0:27:41 | 0:27:44 | |
The gravlax was there, the meatballs were there. | 0:27:44 | 0:27:46 | |
I think that I was being too formal. | 0:27:46 | 0:27:49 | |
I think that because of what I've learned today, | 0:27:49 | 0:27:52 | |
I can make changes to the menu and feel confident about going forward. | 0:27:52 | 0:27:56 | |
-It's good, isn't it? -It is. | 0:27:56 | 0:27:58 | |
-Today's been a great day. -Hasn't it? -Yeah, absolutely. | 0:27:58 | 0:28:00 | |
Back in Macclesfield, it's a month since I suggested the changes | 0:28:06 | 0:28:09 | |
to Debbie's restaurant layout. | 0:28:09 | 0:28:11 | |
I want to see how things are shaping up. | 0:28:11 | 0:28:13 | |
-Come on in. -Thank you. | 0:28:15 | 0:28:17 | |
Wow! | 0:28:17 | 0:28:19 | |
What a difference. There's floors. Fantastic. | 0:28:19 | 0:28:21 | |
'The newly opened up kitchen is beginning | 0:28:21 | 0:28:23 | |
'to make this space feel bigger.' | 0:28:23 | 0:28:26 | |
It's taking space, isn't it? | 0:28:26 | 0:28:27 | |
-It is. -Mm. -Slowly but surely. | 0:28:27 | 0:28:30 | |
'But there's still a lot left to finish - | 0:28:30 | 0:28:33 | |
'the kitchen needs to be installed, | 0:28:33 | 0:28:34 | |
'there's wiring and plumbing still to be done. | 0:28:34 | 0:28:37 | |
'None of the furniture has been built.' | 0:28:37 | 0:28:39 | |
We're due to open three weeks on Friday, so... | 0:28:39 | 0:28:43 | |
-Three weeks on Friday. -Yeah. | 0:28:43 | 0:28:44 | |
You won't be open three weeks on Friday, will you? | 0:28:44 | 0:28:46 | |
-Do you really believe that? -Yeah, I do. Yeah, absolutely. | 0:28:46 | 0:28:49 | |
So why have you got this date fixed in your mind as your opening day? | 0:28:49 | 0:28:52 | |
Because... | 0:28:52 | 0:28:53 | |
..financially, I've got to start trading. | 0:28:55 | 0:28:58 | |
I've got to start paying for everything | 0:28:58 | 0:29:01 | |
from the beginning of August. | 0:29:01 | 0:29:03 | |
'There is one crucial bit of the restaurant that's yet to be built | 0:29:04 | 0:29:07 | |
'and that's the bar. | 0:29:07 | 0:29:09 | |
'Drinks sales should make up 40% of a restaurant's income, | 0:29:09 | 0:29:13 | |
'so ensuring the space encourages customers to drink | 0:29:13 | 0:29:15 | |
'could make all the difference to Debbie's bottom line.' | 0:29:15 | 0:29:19 | |
Before I opened my first restaurant, | 0:29:19 | 0:29:22 | |
I spent a lot of time going round other people's bars | 0:29:22 | 0:29:24 | |
and surreptitiously measuring | 0:29:24 | 0:29:26 | |
the height between the floor and the bar surface, | 0:29:26 | 0:29:30 | |
between the top of the stool and the bar top. | 0:29:30 | 0:29:34 | |
Also between the front of the bar and the edge of the bar surface | 0:29:34 | 0:29:37 | |
to see how far my knees could go underneath. | 0:29:37 | 0:29:39 | |
I obsessed with getting those measurements right. | 0:29:39 | 0:29:42 | |
Because when I went into a badly designed bar, it really upset me. | 0:29:42 | 0:29:45 | |
-Right. -So, you know, I could bore you stiff with... -Figures. | 0:29:45 | 0:29:50 | |
No, with how my bars are always 109cm high | 0:29:50 | 0:29:52 | |
and how the stools are always 75cm. | 0:29:52 | 0:29:55 | |
Well, rather than me do it then, why don't I just take your figures | 0:29:55 | 0:29:58 | |
and use those? | 0:29:58 | 0:29:59 | |
Because I would never have done that setting up a restaurant myself. | 0:29:59 | 0:30:02 | |
I would never have trusted anybody else. It had to be me | 0:30:02 | 0:30:04 | |
and it had to be me sitting there thinking, "This is right." | 0:30:04 | 0:30:07 | |
I want to encourage Debbie to start obsessing at this level | 0:30:10 | 0:30:13 | |
of detail for every aspect of her restaurant. | 0:30:13 | 0:30:17 | |
I try to imagine my customers' experience from walking | 0:30:17 | 0:30:19 | |
through the front door at the start to leaving the restaurant | 0:30:19 | 0:30:22 | |
at the end, and then I plot every point along that journey. | 0:30:22 | 0:30:25 | |
That then becomes my template, | 0:30:25 | 0:30:27 | |
and I use that to ensure consistent customer service. | 0:30:27 | 0:30:30 | |
With just three weeks to go, Debbie has yet to hire any of her staff, | 0:30:32 | 0:30:37 | |
leaving precious little time to train them. | 0:30:37 | 0:30:39 | |
If she's going to avoid poor customer experience, | 0:30:39 | 0:30:42 | |
she'll need a rigorously detailed sequence of service. | 0:30:42 | 0:30:45 | |
Hello there. | 0:30:45 | 0:30:47 | |
To help her create her own blueprint, | 0:30:47 | 0:30:49 | |
I've arranged for some guinea pigs. | 0:30:49 | 0:30:52 | |
What I'm going to do for your first point of your sequence | 0:30:52 | 0:30:55 | |
is greet and seat. | 0:30:55 | 0:30:57 | |
OK, there's the menu. The special of the day is on the board, because... | 0:31:00 | 0:31:07 | |
Erm... I'll get you some water. | 0:31:07 | 0:31:10 | |
A glass of water. | 0:31:11 | 0:31:13 | |
What you've done by offering a glass of water and a menu | 0:31:13 | 0:31:15 | |
-is you've bought yourself some time. -OK. | 0:31:15 | 0:31:17 | |
Time to greet the customers that are coming through the door to sit | 0:31:17 | 0:31:20 | |
on a different table, whatever else it is. | 0:31:20 | 0:31:22 | |
-It's quite hospitable, isn't it? -Yes, it is. | 0:31:22 | 0:31:24 | |
It's like, "Here's something to read | 0:31:24 | 0:31:25 | |
"and here's something free before we even start." Yeah. | 0:31:25 | 0:31:28 | |
Over to you, Debbie. | 0:31:28 | 0:31:29 | |
-Can I take your food orders, ladies? -A ham open sandwich, please. -OK. | 0:31:29 | 0:31:35 | |
-Could I have the vegetarian meatballs? -OK. | 0:31:35 | 0:31:38 | |
-And would you like wine with your meal? -Shiraz, please, thank you. -OK. | 0:31:38 | 0:31:43 | |
OK, and stop. Something you need to think about. | 0:31:43 | 0:31:46 | |
-Do they need their menus any more? -Oh, yeah, sorry. | 0:31:46 | 0:31:48 | |
What next? | 0:31:49 | 0:31:51 | |
-What on the table? The water glasses... -Cutlery. | 0:31:55 | 0:31:59 | |
-So what do we need to do? -I've got cutlery for you. | 0:31:59 | 0:32:01 | |
-What, is it just in your hand? -No, no, no. Absolutely not. | 0:32:01 | 0:32:04 | |
-Where is the cutlery? -I don't know where it is yet. -Is it on a tray? | 0:32:04 | 0:32:08 | |
Er... It might be. | 0:32:08 | 0:32:09 | |
-Is it wrapped in a serviette? -It...might be. -Cutlery. | 0:32:11 | 0:32:15 | |
I'm going to put it in capital letters, | 0:32:15 | 0:32:17 | |
because it's an important part of this sequence | 0:32:17 | 0:32:20 | |
that you haven't decided upon yet. | 0:32:20 | 0:32:22 | |
But you need to make a decision about this, because you don't want | 0:32:22 | 0:32:26 | |
your staff coming to you and saying, "What do we do?" | 0:32:26 | 0:32:28 | |
And then you saying to your staff, "Oh, I haven't decided yet." | 0:32:28 | 0:32:31 | |
-Could I have some English mustard, please? -OK. English mustard?! | 0:32:31 | 0:32:35 | |
-This is Scandinavian! -It's turning into Fawlty Towers! | 0:32:35 | 0:32:39 | |
And as her customers finish up their pretend meal... | 0:32:41 | 0:32:45 | |
-How was everything? -Everything was lovely. -OK. | 0:32:45 | 0:32:48 | |
..Debbie's got a 13-point sequence of service that should enhance | 0:32:48 | 0:32:52 | |
her diners' experience from start to finish. | 0:32:52 | 0:32:55 | |
The nearer you get to the end of the sequence, | 0:32:55 | 0:32:57 | |
the more it can become frayed, because the waiter or whoever | 0:32:57 | 0:33:01 | |
it is that's looking after the table thinks it's the home run. | 0:33:01 | 0:33:05 | |
And it's at that point of the meal where if things do go wrong, | 0:33:05 | 0:33:08 | |
they're remembered. First impressions are important, | 0:33:08 | 0:33:10 | |
but last impressions are pretty important too. | 0:33:10 | 0:33:13 | |
So your staff need to understand that, | 0:33:13 | 0:33:14 | |
and if they see people leaving, they should make an effort and say, | 0:33:14 | 0:33:17 | |
-"Thank you very much," even if it's across the room. -Right. | 0:33:17 | 0:33:20 | |
And give them - and this is very important - | 0:33:20 | 0:33:21 | |
-an opportunity to thank you too. -Right. | 0:33:21 | 0:33:24 | |
-Because what it does is it just seals the whole experience. -Right. | 0:33:24 | 0:33:28 | |
It's evident to all of us | 0:33:29 | 0:33:30 | |
that Debbie hasn't thought any of this through. | 0:33:30 | 0:33:34 | |
Debbie, I feel a bit like Moses coming down from the mountains | 0:33:34 | 0:33:37 | |
handing you a tablet. | 0:33:37 | 0:33:38 | |
This is your sequence of service. Over to you. | 0:33:38 | 0:33:42 | |
Thank you. | 0:33:42 | 0:33:43 | |
I'm glad that I gave her an opportunity to highlight | 0:33:43 | 0:33:46 | |
those shortcomings, | 0:33:46 | 0:33:47 | |
and I hope that she now takes that sequence that we chalked | 0:33:47 | 0:33:51 | |
up on the board and makes use of it, | 0:33:51 | 0:33:53 | |
cos it will be essential to the smooth running of her restaurant. | 0:33:53 | 0:33:56 | |
It's two weeks to opening, | 0:34:01 | 0:34:02 | |
and Debbie's chef, Anders, has finally flown in from Sweden. | 0:34:02 | 0:34:06 | |
Wholemeal bread, gravlax, creme fraiche. | 0:34:06 | 0:34:09 | |
Knackebrot with the smoked mackerel, | 0:34:09 | 0:34:10 | |
and then blinis with the beetroot salad and the egg. | 0:34:10 | 0:34:13 | |
-Yeah. -OK? | 0:34:13 | 0:34:14 | |
She's worked on her menu, but she's not followed my advice - | 0:34:14 | 0:34:18 | |
making meatballs the star of the show. | 0:34:18 | 0:34:21 | |
You have three meatball dishes here. | 0:34:21 | 0:34:23 | |
You've got the traditional with cardamom, chickpea, | 0:34:23 | 0:34:25 | |
spinach and veggie balls, | 0:34:25 | 0:34:27 | |
and the lightly toasted sourdough topped with hot or cold meatballs, | 0:34:27 | 0:34:30 | |
which sounds fantastic, I've got to say. | 0:34:30 | 0:34:33 | |
-We talked about having a meatball section. -Yes. -So, where is it? | 0:34:33 | 0:34:36 | |
You've got these three fantastic dishes, | 0:34:36 | 0:34:38 | |
which are absorbed within the eight main courses. | 0:34:38 | 0:34:41 | |
But that's what they are, is they're main courses. | 0:34:41 | 0:34:43 | |
But it doesn't draw my eye to this unique aspect of the Salt Bar. | 0:34:43 | 0:34:48 | |
And by putting it in the little box within the main courses still, | 0:34:48 | 0:34:52 | |
it's a trick that's a lot of restaurateurs, | 0:34:52 | 0:34:55 | |
operators use all the time. | 0:34:55 | 0:34:57 | |
It waters down the main courses, | 0:34:57 | 0:34:58 | |
cos we haven't got that many main courses. | 0:34:58 | 0:35:00 | |
-It doesn't water them down at all. -How... But how... How do you do that? | 0:35:00 | 0:35:04 | |
You've got main courses, how can you put meatballs under the main courses? | 0:35:04 | 0:35:07 | |
-You put it in a box. -Right. Oh, OK. -I think it sounds clever. -Ah, OK. | 0:35:07 | 0:35:10 | |
-To box in the meatballs. -Very good. | 0:35:10 | 0:35:12 | |
-OK. -Two against one. -Oh, no, no, I'm with you. Now you've said box. | 0:35:12 | 0:35:16 | |
God, that was hard work. | 0:35:18 | 0:35:19 | |
When I first met Debbie, she had no idea how much one of her dishes | 0:35:23 | 0:35:26 | |
cost to make. Her prices look reasonable, | 0:35:26 | 0:35:29 | |
but I just hope they've been properly calculated. | 0:35:29 | 0:35:32 | |
-Did you talk to Anders about the cost of ingredients? -No. | 0:35:32 | 0:35:35 | |
-We haven't costed ingredients yet, no. -OK. | 0:35:35 | 0:35:38 | |
I feel like tearing my hair out. | 0:35:38 | 0:35:40 | |
I don't think I could've stressed the importance of costing | 0:35:40 | 0:35:42 | |
ingredients any more. This is financial madness. | 0:35:42 | 0:35:46 | |
There's a chance that you're going to be selling | 0:35:47 | 0:35:50 | |
-a dish at a price that means you're not making any money. -Yeah. | 0:35:50 | 0:35:55 | |
There is also a chance that you will price it so low that it's actually | 0:35:55 | 0:35:58 | |
cheaper for your customer to buy it than it was for you to create it. | 0:35:58 | 0:36:01 | |
Yes, that would be a nightmare. | 0:36:01 | 0:36:03 | |
Debbie has also failed to do any proper marketing. | 0:36:08 | 0:36:11 | |
Macclesfield is an affluent area, and there's plenty of people | 0:36:11 | 0:36:14 | |
with disposable income living in the surrounding villages. | 0:36:14 | 0:36:17 | |
Just the kind of customers she needs to attract. | 0:36:17 | 0:36:20 | |
It's not enough for Debbie to rely on passing trade | 0:36:21 | 0:36:24 | |
to fill her restaurant. She needs to reach out to people, | 0:36:24 | 0:36:27 | |
she needs to reach out to the right sort of people as well. | 0:36:27 | 0:36:30 | |
So as part of a campaign to get the word out, I've asked her | 0:36:30 | 0:36:33 | |
to prepare a few dishes for the ladies at a golf club just outside town. | 0:36:33 | 0:36:37 | |
We were talking earlier, Debbie and I, | 0:36:37 | 0:36:39 | |
and I asked her about her ideal customer, | 0:36:39 | 0:36:41 | |
and she said somebody with taste, discernment, sophistication, charm | 0:36:41 | 0:36:47 | |
and intelligence, which has brought me directly to the Avro Golf Club. | 0:36:47 | 0:36:52 | |
This is knackebrot, which is a crispbread with a caviar.. | 0:36:55 | 0:36:59 | |
Scandinavian cod roe, boiled egg with a beetroot salad, | 0:36:59 | 0:37:03 | |
which is very typically Scandinavian, | 0:37:03 | 0:37:06 | |
and this is gravlax with a dill cream, | 0:37:06 | 0:37:08 | |
and then this is smoked mackerel with creme fraiche. | 0:37:08 | 0:37:11 | |
Ooh! | 0:37:11 | 0:37:12 | |
-Very nice. -Both of us particularly like the beetroot salad. | 0:37:15 | 0:37:18 | |
-Beetroot salad. Yes, we did. -Yes. | 0:37:18 | 0:37:21 | |
It's novel, and I think it really takes off. | 0:37:21 | 0:37:24 | |
In an area like this, you never know. | 0:37:24 | 0:37:27 | |
We will definitely go just for drinks and nibbles. | 0:37:27 | 0:37:30 | |
Ladies, I don't want to put you on the spot, but is this | 0:37:30 | 0:37:33 | |
the sort of food that you're used to eating on a regular basis? No? | 0:37:33 | 0:37:37 | |
Is this the sort of food that you would like to eat? | 0:37:37 | 0:37:40 | |
-THEY TALK OVER EACH OTHER -Very nice, yes. | 0:37:40 | 0:37:42 | |
That was pretty resounding. Is there room for them all on Saturday? | 0:37:42 | 0:37:45 | |
This event is only the start. | 0:37:48 | 0:37:50 | |
Debbie needs to think of other inventive ways of attracting | 0:37:50 | 0:37:53 | |
interest in the Salt Bar. | 0:37:53 | 0:37:54 | |
But as the clock ticks down to opening day, all Debbie's energy | 0:37:56 | 0:38:00 | |
is focused on getting her restaurant finished on time. | 0:38:00 | 0:38:03 | |
I'm rushing the builders. | 0:38:03 | 0:38:05 | |
We need to open. I need to start making some money. | 0:38:05 | 0:38:07 | |
I can't just keep spending it - I've got to actually start making it. | 0:38:07 | 0:38:10 | |
Now with just four days left to go, | 0:38:10 | 0:38:13 | |
I'm back to check on the final preparations. | 0:38:13 | 0:38:16 | |
I was expecting it to be a little bit further on, I've got to admit. | 0:38:16 | 0:38:20 | |
There are plenty of builders but no sign of any waiting staff. | 0:38:20 | 0:38:24 | |
-Are you up to speed on staff? -Yes. Yeah, we're fully staffed. | 0:38:24 | 0:38:27 | |
Friday's a full day of training. | 0:38:27 | 0:38:29 | |
-Training on Friday, opening to the public on... -Saturday. -Evening? | 0:38:29 | 0:38:33 | |
-Er, day. -It's actually during the day? -11. -11? Saturday morning? | 0:38:33 | 0:38:37 | |
-Mm-hm. -You're making your life difficult, aren't you? | 0:38:37 | 0:38:39 | |
Well, I, you know, didn't think of that | 0:38:39 | 0:38:41 | |
until I actually said we're opening at 11. Too bad. We're doing it now. | 0:38:41 | 0:38:45 | |
I'm so terrified. I feel sick. I feel... I feel physically sick. | 0:38:45 | 0:38:50 | |
-I'm sure that that's fear. -Yeah. | 0:38:50 | 0:38:53 | |
-Yeah. -It'll be all right. -Oh, God. -It'll be all right. -I'm so scared. | 0:38:55 | 0:38:59 | |
I really am. | 0:38:59 | 0:39:01 | |
Deep breaths. | 0:39:01 | 0:39:03 | |
-Give us a hug. -Oh! -It's going to be all right. | 0:39:05 | 0:39:08 | |
-It's going to be all right. -God, I hope so. I'm just terrified of erm... | 0:39:08 | 0:39:12 | |
Of making a fool of myself. | 0:39:12 | 0:39:14 | |
Now's not the time to tell her I'm really worried, | 0:39:16 | 0:39:20 | |
but Debbie is running out of cash and needs to get customers in, | 0:39:20 | 0:39:23 | |
and that means opening in three days, come what may. | 0:39:23 | 0:39:27 | |
We've got loads to do. | 0:39:27 | 0:39:29 | |
Get all the mirrors on the wall, the pictures on the wall, | 0:39:29 | 0:39:31 | |
the tables need putting together, the bar needs finishing... | 0:39:31 | 0:39:35 | |
..lights need putting up. Er... | 0:39:37 | 0:39:39 | |
I'm tired... | 0:39:46 | 0:39:48 | |
Long nights, early mornings, up at half five this morning. | 0:39:48 | 0:39:53 | |
Still haven't ordered everything. | 0:39:53 | 0:39:54 | |
Unbelievably, Debbie has still not done her costings and has no idea | 0:39:54 | 0:39:58 | |
of her overheads, but this is just one of her many worries. | 0:39:58 | 0:40:02 | |
What about Saturday? | 0:40:02 | 0:40:03 | |
Oh, God. I've got no food and I'm opening in less than 48 hours. | 0:40:05 | 0:40:10 | |
We need the scaffolding down! | 0:40:12 | 0:40:14 | |
Can we not just get another company to come and take it down? | 0:40:14 | 0:40:17 | |
That bloody builder. | 0:40:20 | 0:40:22 | |
And as the deliveries start to come in, | 0:40:22 | 0:40:24 | |
her newly created storeroom proves vital. | 0:40:24 | 0:40:27 | |
If we hadn't got this store, oh, my God, what would we have done? | 0:40:27 | 0:40:31 | |
It's a good job Russell suggested we have this. | 0:40:32 | 0:40:35 | |
We're taking plates off tables... | 0:40:37 | 0:40:39 | |
Well, we'll normally pop them on there or... | 0:40:39 | 0:40:41 | |
I'm delighted she's now got her full team of nine staff, | 0:40:41 | 0:40:45 | |
but that's eight more than she originally planned | 0:40:45 | 0:40:47 | |
and a shocking hike to her wage bill of at least £1,500 a week. | 0:40:47 | 0:40:52 | |
I keep my staff costs to 25% of income. | 0:40:52 | 0:40:56 | |
If Debbie's are any higher than that, she'll be in trouble. | 0:40:56 | 0:41:00 | |
But without a business plan, she has no idea where she stands. | 0:41:00 | 0:41:03 | |
If she's offering her coat up, just say, "Can I take your coat?" | 0:41:05 | 0:41:08 | |
She's taken my advice by drilling her staff | 0:41:08 | 0:41:10 | |
-in the sequence of service... -That's how it's going to be set up. | 0:41:10 | 0:41:15 | |
..which will be essential to the smooth running of her restaurant | 0:41:15 | 0:41:18 | |
come opening night. | 0:41:18 | 0:41:19 | |
Yes, the food's gotta be good, but customer service is most important. | 0:41:19 | 0:41:23 | |
And she's beginning to share my obsession with detail. | 0:41:23 | 0:41:28 | |
That gap's too big at the bottom. I'm not happy with it being so high. | 0:41:28 | 0:41:32 | |
I would like it similar to this. | 0:41:32 | 0:41:35 | |
I'll do whatever she wants. As long as I get a brew. | 0:41:35 | 0:41:38 | |
That's better, isn't it? Oh, that's much better. | 0:41:38 | 0:41:41 | |
But with almost no time for thorough marketing, | 0:41:45 | 0:41:48 | |
she's left wondering, as she works late into the night, | 0:41:48 | 0:41:51 | |
if any customers will turn up for her opening day. | 0:41:51 | 0:41:54 | |
I don't know. I don't know what to expect, to be honest with you. | 0:41:56 | 0:41:59 | |
I'm starting to panic. We'll do as well as we can. | 0:42:00 | 0:42:04 | |
Today Macclesfield gets its first Scandinavian restaurant. | 0:42:10 | 0:42:14 | |
Since I first met Debbie six weeks ago, she's worked day and night | 0:42:14 | 0:42:18 | |
to ensure that she opens on time, but she's rushed headlong into this. | 0:42:18 | 0:42:22 | |
It's too complicated. | 0:42:23 | 0:42:26 | |
Are the kitchen and staff up to speed? And will she make any money? | 0:42:26 | 0:42:30 | |
Well, it's opening day for the Salt Bar, and for her own reasons, | 0:42:31 | 0:42:37 | |
Debbie decided to open at 11am on her first day. | 0:42:37 | 0:42:41 | |
It's exactly 11 o'clock now. | 0:42:41 | 0:42:43 | |
-How are you? -Good, thanks. -So, this is it. -Yes, this is it. | 0:42:46 | 0:42:50 | |
-What do you think? It looks great, huh? -It looks amazing. | 0:42:50 | 0:42:53 | |
I got her to stand just in the kitchen doorway last night, | 0:42:53 | 0:42:56 | |
she was having a bit of a sob, and, er... | 0:42:56 | 0:43:00 | |
I said, "You're sobbing." I said, | 0:43:00 | 0:43:01 | |
"Just turn around now and look at what you've produced." | 0:43:01 | 0:43:05 | |
Remarkably, in just six weeks, Debbie has transformed this small space | 0:43:07 | 0:43:12 | |
into a light, airy restaurant. | 0:43:12 | 0:43:15 | |
The open kitchen and bar area is a dramatic focal point. | 0:43:15 | 0:43:18 | |
The nods to Scandinavia are both subtle and charming. | 0:43:20 | 0:43:23 | |
Debbie has spent £40,000 on setting up, and with her initial investment | 0:43:26 | 0:43:31 | |
all gone, she needs this restaurant to turn a profit from the start. | 0:43:31 | 0:43:35 | |
-It looks like a restaurant, doesn't it? -It does. -It's a real restaurant. | 0:43:35 | 0:43:39 | |
-Absolutely. -How does that feel? -Yeah. I'm delighted. | 0:43:39 | 0:43:43 | |
-Do you like the fact you can see the kitchen? -I do, yeah. -I love it. | 0:43:43 | 0:43:47 | |
I reckon the noises of the kitchen add to the theatre. | 0:43:47 | 0:43:49 | |
-You're in a working environment. -Yeah. -That's a nice height, isn't it? | 0:43:49 | 0:43:52 | |
Isn't it? Yeah. | 0:43:52 | 0:43:53 | |
Where's your tape measure, then? | 0:43:55 | 0:43:57 | |
I think you've got a really great vibe | 0:44:01 | 0:44:03 | |
and a really lovely restaurant space behind us. | 0:44:03 | 0:44:06 | |
-Just needs to be full of people, doesn't it? -It does. | 0:44:06 | 0:44:09 | |
-I've had a few panics this morning. -What have been the panics? | 0:44:09 | 0:44:11 | |
-We've only just printed the menus. -You've only just printed the menus? | 0:44:11 | 0:44:15 | |
-We were still pricing up drinks at 11 o'clock last night. -OK. | 0:44:15 | 0:44:20 | |
A bit disorganised. | 0:44:20 | 0:44:22 | |
And I'm relieved to see that she's highlighted her signature | 0:44:22 | 0:44:25 | |
meatball dishes by framing them in a box. | 0:44:25 | 0:44:28 | |
I think it really lifts out your house specialities. | 0:44:28 | 0:44:31 | |
-But there are only two of them. -Yeah, actually... | 0:44:31 | 0:44:33 | |
And then I spotted one up here. | 0:44:33 | 0:44:35 | |
That's because I did it so last minute. | 0:44:35 | 0:44:37 | |
I'm just praying that in the scramble to get open, | 0:44:37 | 0:44:41 | |
Debbie hasn't forgotten everything she's learned about customer service, presentation and food. | 0:44:41 | 0:44:46 | |
Today is very important for Debbie, | 0:44:47 | 0:44:50 | |
because it will give her a snapshot - a shaky one, | 0:44:50 | 0:44:53 | |
but a snapshot nonetheless - of how her restaurant operates. | 0:44:53 | 0:44:57 | |
So far, this has just been one big theory. | 0:44:57 | 0:45:00 | |
Today is about seeing whether the sum of the individual parts | 0:45:00 | 0:45:03 | |
makes up to something that could be described as a restaurant. | 0:45:03 | 0:45:07 | |
Do you want to take a seat here? | 0:45:07 | 0:45:09 | |
As the first customers enter the Salt Bar, | 0:45:09 | 0:45:12 | |
Debbie's sequence of service is put to the test. | 0:45:12 | 0:45:15 | |
That was quite impressive. These guys came in | 0:45:18 | 0:45:20 | |
maybe 12, 15 minutes ago. | 0:45:20 | 0:45:22 | |
They've just ordered main courses and they're on the table already. | 0:45:22 | 0:45:26 | |
It's a good sign. | 0:45:26 | 0:45:28 | |
And with her restaurant filling up more quickly than she expected... | 0:45:28 | 0:45:31 | |
Panic! | 0:45:31 | 0:45:33 | |
..head chef Anders and her team are under pressure to keep up | 0:45:33 | 0:45:36 | |
with the incoming orders. It feels productive and it feels energetic. | 0:45:36 | 0:45:42 | |
It feels, you know, feels like a proper working kitchen, | 0:45:42 | 0:45:44 | |
even though you've only been open a couple of hours. | 0:45:44 | 0:45:47 | |
But do the customers think the food is any good? | 0:45:48 | 0:45:51 | |
-In terms of what you ate today, it was all good? -It was delicious. | 0:45:51 | 0:45:55 | |
-Just like home. -Yeah. Do you have a connection with Scandinavia? | 0:45:55 | 0:45:58 | |
-Yeah, I'm Swedish. -Ah, there we go. OK. | 0:45:58 | 0:46:01 | |
We booked in for your birthday. | 0:46:01 | 0:46:03 | |
-You're already booked again? -Yeah. -Booked in for 11 people. -Wow. 11? | 0:46:03 | 0:46:07 | |
-Yeah. -My goodness. | 0:46:07 | 0:46:09 | |
Lunchtime has been busy | 0:46:09 | 0:46:11 | |
and it's also fully booked for the evening. | 0:46:11 | 0:46:14 | |
But there's a problem that has slipped through the net. | 0:46:14 | 0:46:17 | |
This is Debbie's diary. | 0:46:17 | 0:46:18 | |
It's her bookings page as well for tonight, but one thing I noticed is | 0:46:18 | 0:46:22 | |
that everybody, without exception, is coming at eight o'clock. | 0:46:22 | 0:46:25 | |
What do you say when they ring up | 0:46:26 | 0:46:28 | |
and they say, "I want a table at eight o'clock"? | 0:46:28 | 0:46:30 | |
You say, "Yes, of course, but could I ask you to come at 7.45." | 0:46:30 | 0:46:34 | |
-Right, OK. -Just to help these guys in the kitchen, cos they're going | 0:46:34 | 0:46:37 | |
-to feel it more than anybody else. -Right. | 0:46:37 | 0:46:39 | |
Cos what they're going to get is, they're going to get 22 dishes | 0:46:39 | 0:46:43 | |
ordered simultaneously. | 0:46:43 | 0:46:45 | |
But also if everybody orders at the same time, | 0:46:45 | 0:46:47 | |
they're going to experience delays. | 0:46:47 | 0:46:50 | |
Would it be possible for me to ask you to either come in | 0:46:50 | 0:46:52 | |
at 7.45 or 8.15? | 0:46:52 | 0:46:54 | |
Come to your table. | 0:46:57 | 0:46:59 | |
With a completely packed restaurant, | 0:46:59 | 0:47:01 | |
Debbie and her staff have their work cut out | 0:47:01 | 0:47:04 | |
to ensure a smooth first night. | 0:47:04 | 0:47:06 | |
But at least now, with staggered bookings, | 0:47:06 | 0:47:08 | |
they stand some chance of coping. | 0:47:08 | 0:47:11 | |
The service was very friendly, great welcome, | 0:47:11 | 0:47:15 | |
little up and down, but we got there in the end. | 0:47:15 | 0:47:20 | |
-How's things with your meal? -Really good. -Good. | 0:47:20 | 0:47:23 | |
The meal was superb. Just walked round the corner and discovered it. | 0:47:23 | 0:47:26 | |
It was lovely. | 0:47:26 | 0:47:27 | |
It's just so nice and really buzzing. | 0:47:29 | 0:47:32 | |
You know, the kitchen, how fantastic and they're coming out | 0:47:32 | 0:47:35 | |
with these fantastic dishes. Way better than I ever thought. | 0:47:35 | 0:47:38 | |
There's a really good sound in this restaurant. | 0:47:39 | 0:47:42 | |
-What it is is the sound of people enjoying themselves. -Yeah, yeah. | 0:47:42 | 0:47:45 | |
-And you created it all. -Yeah. | 0:47:45 | 0:47:48 | |
-Well done, Debbie. -Thank you. | 0:47:48 | 0:47:51 | |
Here we are in such a short amount of time down the line, | 0:47:51 | 0:47:56 | |
and I've got this...this...this thing running. | 0:47:56 | 0:48:00 | |
The journey that Debbie has made so far has been towards today | 0:48:06 | 0:48:10 | |
and towards opening the restaurant, | 0:48:10 | 0:48:12 | |
but the real journey starts today and caries on into the future, | 0:48:12 | 0:48:16 | |
and that is the journey of the restaurant as a business. | 0:48:16 | 0:48:18 | |
Over the next two months, I'm going to be keeping an eye on Debbie. | 0:48:21 | 0:48:25 | |
She's had an encouraging opening night, | 0:48:26 | 0:48:29 | |
but until she works out her figures, there's no way of knowing | 0:48:29 | 0:48:33 | |
if it's a success. | 0:48:33 | 0:48:34 | |
-See you tomorrow. -Good job. Goodbye! -See you later. | 0:48:34 | 0:48:38 | |
Oh, God, I can't believe we've got to do this at the end of the night. | 0:48:39 | 0:48:43 | |
Ain't this is what it's all about? | 0:48:43 | 0:48:45 | |
£1,300 for a whole day with all the staff. | 0:48:49 | 0:48:55 | |
-100 quid an hour, isn't that? Cos you've been open 12 hours. -Yeah. | 0:48:55 | 0:49:00 | |
But when you say £100 an hour, that doesn't sound enough, but then... | 0:49:02 | 0:49:06 | |
I don't know. I don't know whether it is or not. | 0:49:06 | 0:49:09 | |
-Yeah, that scares me. -And so it should. | 0:49:09 | 0:49:12 | |
Until Debbie establishes her costs, she runs the risk of serving food | 0:49:12 | 0:49:16 | |
to a packed restaurant every night but losing money hand over fist. | 0:49:16 | 0:49:20 | |
But in the days that follow, every spare moment | 0:49:24 | 0:49:27 | |
she has is focused purely on keeping things running. | 0:49:27 | 0:49:30 | |
It's eight in the morning, and I got to bed at quarter to one last night, | 0:49:30 | 0:49:35 | |
so I'm pretty tired. | 0:49:35 | 0:49:38 | |
She's the first one in every day. | 0:49:38 | 0:49:41 | |
-Caster sugar? -Yeah. I think there is. | 0:49:41 | 0:49:44 | |
-That Greek-style yogurt's OK, isn't it? -Yeah, yeah. | 0:49:44 | 0:49:48 | |
As the business owner, she's taking a far more hands-on approach | 0:49:48 | 0:49:52 | |
than she should. | 0:49:52 | 0:49:54 | |
I have to go to the shops every day for fresh stuff. | 0:49:54 | 0:49:58 | |
It's horrible when Anders has a really busy night, | 0:49:58 | 0:50:01 | |
and then we're desperate for everything | 0:50:01 | 0:50:04 | |
first thing in the morning. | 0:50:04 | 0:50:05 | |
Shop, shop, shop, shop, shop. | 0:50:05 | 0:50:10 | |
Dash, dash, dash, dash, dash. | 0:50:10 | 0:50:13 | |
Her decision to open the Salt Bar for 12 hours a day, | 0:50:16 | 0:50:19 | |
seven days a week is starting to take its toll. | 0:50:19 | 0:50:23 | |
I can't go home and relax, not when I should be here. | 0:50:23 | 0:50:29 | |
I feel like I should be here. | 0:50:29 | 0:50:31 | |
I know from bitter experience that this sort of relentless hard work | 0:50:31 | 0:50:35 | |
can be soul-destroying. | 0:50:35 | 0:50:37 | |
It's certainly no way of getting to grips with big underlying issues | 0:50:37 | 0:50:41 | |
like finance. | 0:50:41 | 0:50:42 | |
12 days after the Salt Bar opened, | 0:50:45 | 0:50:47 | |
I'm back to experience the restaurant as a customer | 0:50:47 | 0:50:51 | |
and to see how Debbie is coping with the pressure. | 0:50:51 | 0:50:53 | |
'How many is it for?' | 0:50:53 | 0:50:55 | |
It's just for one. | 0:50:55 | 0:50:56 | |
-'Just for one. And the name?' -It's Russell Norman. | 0:50:56 | 0:50:59 | |
Is that Debbie? | 0:51:01 | 0:51:02 | |
DEBBIE LAUGHS | 0:51:02 | 0:51:03 | |
-'It is.' -Hi, Debbie. | 0:51:03 | 0:51:05 | |
I'll be there in about 10 or 15 minutes, is that all right? | 0:51:05 | 0:51:08 | |
-'OK, well, I'll reserve a table for you, sir.' -Thank you. -'OK, bye.' | 0:51:08 | 0:51:12 | |
See you, bye. | 0:51:12 | 0:51:14 | |
I'm quite hungry. | 0:51:14 | 0:51:16 | |
Opening night was packed, | 0:51:16 | 0:51:18 | |
but I'm keen to see how things are on a regular Thursday lunchtime. | 0:51:18 | 0:51:22 | |
That was apple, not rhubarb. | 0:51:24 | 0:51:26 | |
There's a nice atmosphere, interesting mix of people. | 0:51:28 | 0:51:30 | |
They've got a specials board now, I'm pleased to see. | 0:51:30 | 0:51:33 | |
Yeah, the general first impression is very good. It feels great. | 0:51:33 | 0:51:36 | |
-Mr Norman. -Oh, look at this. | 0:51:38 | 0:51:40 | |
So that's your duck and your prawn skagen. | 0:51:40 | 0:51:43 | |
-Enjoy your meal. -Thanks very much, Debbie. | 0:51:43 | 0:51:46 | |
It's a really pretty plate of food. | 0:51:46 | 0:51:48 | |
I think if all the food going out in this restaurant looks like this, | 0:51:48 | 0:51:52 | |
then the customers will be very happy indeed. | 0:51:52 | 0:51:55 | |
There we go. Drinks are on the other side. | 0:51:56 | 0:51:59 | |
Running a restaurant means that you have to be | 0:51:59 | 0:52:02 | |
-all smiles for your customers. -Thank you very much. | 0:52:02 | 0:52:05 | |
But I know it can be tough putting on a brave face. | 0:52:05 | 0:52:08 | |
When I opened my first restaurant, I worked 16, 17, sometimes 18 hours | 0:52:09 | 0:52:15 | |
a day, six days a week. I had Sundays off, | 0:52:15 | 0:52:18 | |
but pretty much for six months. I lost about a stone. | 0:52:18 | 0:52:21 | |
-It was really rough. -Hmm. -Are you finding it tough? | 0:52:21 | 0:52:24 | |
Don't... | 0:52:27 | 0:52:28 | |
-Are you finding it tough because it's long hours...? -I'm just tired. | 0:52:34 | 0:52:37 | |
Is it just that you're not getting any breaks? | 0:52:37 | 0:52:40 | |
-Are you not getting any support? -I'm getting some breaks. | 0:52:40 | 0:52:42 | |
The staff are brilliant, but... | 0:52:42 | 0:52:44 | |
I'm going to bed at half 12, one o'clock in the morning and... | 0:52:46 | 0:52:50 | |
I'm still waking up at seven. | 0:52:51 | 0:52:53 | |
I'm having to go to the bloomin' cash and carry every day. | 0:52:53 | 0:52:57 | |
It takes up a huge chunk of your time. | 0:52:57 | 0:53:00 | |
I'm being told at ten o'clock at night this is what we need, | 0:53:00 | 0:53:03 | |
we need it for tomorrow, so I need to go to the cash and carry, | 0:53:03 | 0:53:06 | |
but then I have on go maybe to the supermarket, | 0:53:06 | 0:53:08 | |
because I can't get everything at the cash and carry either. | 0:53:08 | 0:53:12 | |
Why aren't you using your suppliers? | 0:53:12 | 0:53:14 | |
You need to give them 24 hours' notice. | 0:53:14 | 0:53:17 | |
I think it's very important to stop that reactive buying | 0:53:17 | 0:53:21 | |
that you're talking about sooner rather than later and say, | 0:53:21 | 0:53:24 | |
"This is the problem, Anders, I need you to help me fix it." | 0:53:24 | 0:53:27 | |
And it's really up to him | 0:53:27 | 0:53:28 | |
and his kitchen team to make those intelligent predictions for you, | 0:53:28 | 0:53:31 | |
so that you can place the orders, | 0:53:31 | 0:53:33 | |
and if they're wrong, then adjust them. | 0:53:33 | 0:53:35 | |
But to do what you're doing at the moment, which is, as you described, | 0:53:35 | 0:53:38 | |
reacting to those shortcomings in the kitchen, is just not healthy. | 0:53:38 | 0:53:42 | |
-No. -You know, not healthy in so many ways, including your own health. | 0:53:42 | 0:53:46 | |
It's really difficult for Debbie, I really feel for her. | 0:53:49 | 0:53:53 | |
I think she's only just starting to realise that it's exhausting | 0:53:53 | 0:53:57 | |
and it's difficult owning and running your own restaurant. | 0:53:57 | 0:54:00 | |
Debbie's reactive buying is taking up time and costing her money, | 0:54:01 | 0:54:05 | |
and she still has no idea if her business is financially viable. | 0:54:05 | 0:54:10 | |
Enough is enough now. | 0:54:10 | 0:54:11 | |
She must tackle those figures head on or risk losing everything | 0:54:11 | 0:54:15 | |
she's worked for. | 0:54:15 | 0:54:16 | |
Two months after the Salt Bar's opening, | 0:54:20 | 0:54:22 | |
and I'm back for a final visit. | 0:54:22 | 0:54:24 | |
-Are you enjoying your restaurant a bit more these days, Debbie? -I am. | 0:54:27 | 0:54:31 | |
Cos I think there was an element last time when it was almost like | 0:54:31 | 0:54:34 | |
you'd created a monster that was controlling you | 0:54:34 | 0:54:37 | |
rather than you having control over it. How do you feel now? | 0:54:37 | 0:54:41 | |
I feel good, but I have never known | 0:54:41 | 0:54:43 | |
so much money come in and go out in all my life. | 0:54:43 | 0:54:47 | |
But there's really only one thing on my mind. | 0:54:47 | 0:54:49 | |
Has Debbie knuckled down and done her figures, | 0:54:49 | 0:54:52 | |
or is she still flying by the seat of her pants? | 0:54:52 | 0:54:55 | |
The question is - are you in profit, Debbie? | 0:54:55 | 0:54:57 | |
-Er, we are. -You are? | 0:54:57 | 0:54:59 | |
For the month of September, we have a profit on paper of £2,800. | 0:54:59 | 0:55:05 | |
-That's fantastic. -Yeah, yeah. | 0:55:05 | 0:55:07 | |
Debbie has now established that food, | 0:55:07 | 0:55:09 | |
staff and other overheads come in at £2,200 per week. | 0:55:09 | 0:55:14 | |
And she's worked out what she need to take to allow her | 0:55:14 | 0:55:17 | |
to pay off her original investment. | 0:55:17 | 0:55:19 | |
-I know now we need to take at last 5,000 a week... -OK. | 0:55:19 | 0:55:23 | |
..to keep that in line. | 0:55:23 | 0:55:25 | |
Your initial set-up costs, I think, were about £40,000, weren't they? | 0:55:25 | 0:55:29 | |
-About that, yeah. -You could feasibly be paying off the entire | 0:55:29 | 0:55:34 | |
set-up costs for the Salt Bar in 14, 15 months' time, | 0:55:34 | 0:55:38 | |
-which is phenomenal. -That'd be great. Yeah, absolutely. | 0:55:38 | 0:55:41 | |
There are many businesses that spend 10, 20 years | 0:55:41 | 0:55:44 | |
and still don't achieve that. | 0:55:44 | 0:55:46 | |
So please reassure me that you're not going to put this to one side | 0:55:46 | 0:55:51 | |
and think, "Oh, everything's fine, | 0:55:51 | 0:55:52 | |
-"and the business is fine," and then just carry on. -No, no, no. | 0:55:52 | 0:55:55 | |
I've put too much in this to ignore the figures now. | 0:55:55 | 0:55:58 | |
We know it's about the figures. | 0:55:58 | 0:56:00 | |
Finally Debbie has worked her figures out. | 0:56:03 | 0:56:06 | |
She actually knows how much profit she needs to be making to ensure | 0:56:06 | 0:56:09 | |
her restaurant is a success. | 0:56:09 | 0:56:12 | |
And since opening night, she's had great reviews | 0:56:12 | 0:56:15 | |
and been fully booked every Friday and Saturday night. | 0:56:15 | 0:56:18 | |
Do you ever think about how you started and where you are now? | 0:56:18 | 0:56:22 | |
On a Friday or Saturday night, when we're full and the music's loud, | 0:56:22 | 0:56:26 | |
but you can't hear the music cos of the roar of the conversation, | 0:56:26 | 0:56:30 | |
and it makes me feel wonderful that I've created this place | 0:56:30 | 0:56:34 | |
where people are very, very obviously having a really good time. | 0:56:34 | 0:56:38 | |
-It's quite an achievement. I've got a little present for you... -OK. | 0:56:38 | 0:56:42 | |
..which I'd like you to keep and use from time to time, | 0:56:42 | 0:56:47 | |
because I think you need to take a more measured approach to life. | 0:56:47 | 0:56:51 | |
You are such a nerd. | 0:56:51 | 0:56:52 | |
This is, I hope, something that will help you achieve that. | 0:56:52 | 0:56:55 | |
Well, it's very, very beautiful. My own little tape measure. | 0:56:55 | 0:56:59 | |
-And I want you to use it. -It will always be 109cm high. | 0:56:59 | 0:57:04 | |
-Thank you very much. -74cm high. -Very good. | 0:57:04 | 0:57:07 | |
They're ingrained on my memory. | 0:57:07 | 0:57:10 | |
-Ah. -I'm very proud. -Ah. Ah, thank you. | 0:57:10 | 0:57:14 | |
-Well done. -Ah, thank you. | 0:57:15 | 0:57:18 | |
What really distinguishes this restaurant | 0:57:23 | 0:57:25 | |
is Debbie's clarity and vision. | 0:57:25 | 0:57:27 | |
She had an idea, she saw it through, and here it is, the Salt Bar. | 0:57:27 | 0:57:31 | |
It feels like it's been here for a very long time, | 0:57:33 | 0:57:36 | |
and I think it's going to be here for many more years to come. | 0:57:36 | 0:57:39 | |
What would you like to drink? | 0:57:39 | 0:57:41 | |
Russell has had a huge impact on the way that the Salt Bar is now. | 0:57:41 | 0:57:45 | |
We would've been doing things the difficult way, | 0:57:45 | 0:57:48 | |
whereas here, now, I think we're running as it should be. | 0:57:48 | 0:57:52 | |
For somebody who wants to set up their own restaurant, I would say | 0:57:53 | 0:57:56 | |
do it, but go and get Russell Norman to give you a hand at the same time. | 0:57:56 | 0:58:00 | |
'Next time, I'm helping Tony bring his family-run Italian restaurant | 0:58:06 | 0:58:10 | |
'to Gravesend.' | 0:58:10 | 0:58:12 | |
You should've been here at ten o'clock. | 0:58:12 | 0:58:14 | |
'But this controlling patriarch...' | 0:58:14 | 0:58:16 | |
No! Stop! He doesn't ever listen. | 0:58:16 | 0:58:19 | |
'..struggles to take advice from anyone.' | 0:58:19 | 0:58:21 | |
What you're doing now is you're bulldozing me with... | 0:58:21 | 0:58:24 | |
It's got to be done my way. | 0:58:24 | 0:58:25 | |
'With building delays, staffing problems and no food...' | 0:58:25 | 0:58:29 | |
Oh! There's not even a menu. | 0:58:29 | 0:58:31 | |
'..will this restaurant ever open?' | 0:58:31 | 0:58:34 | |
If Russell came down today, he'd have a heart attack. | 0:58:34 | 0:58:37 | |
MUSIC: "The Winner Takes It All" by ABBA | 0:58:37 | 0:58:43 |