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-Ambulance Service. Tell me what's happened. -It's my husband. I can't wake him up. | 0:00:02 | 0:00:06 | |
Just confirm for me, is he awake? | 0:00:06 | 0:00:08 | |
He's like comatose. I'm trying to feel a pulse. | 0:00:08 | 0:00:10 | |
He's on the floor. He's unresponsive. | 0:00:12 | 0:00:14 | |
Cardiac arrest. | 0:00:16 | 0:00:18 | |
A call to a cardiac arrest. | 0:00:20 | 0:00:22 | |
The paramedics have just eight minutes to get to the scene. | 0:00:22 | 0:00:25 | |
And just 12 minutes to save the patient's life. | 0:00:28 | 0:00:32 | |
Shall we do another pulse check just before we move him? | 0:00:32 | 0:00:36 | |
It's a scenario that can test the most experienced paramedic. | 0:00:36 | 0:00:39 | |
But what if you're a first year student and you're new on the job? | 0:00:43 | 0:00:47 | |
Meet the junior paramedics. | 0:00:51 | 0:00:52 | |
Does this make me look vain? | 0:00:54 | 0:00:56 | |
It is quite scary and daunting. | 0:00:56 | 0:00:58 | |
I am only 19. | 0:00:58 | 0:01:00 | |
Have you got little ticklish feet? | 0:01:00 | 0:01:02 | |
We go to a really serious job like a cardiac arrest, | 0:01:03 | 0:01:05 | |
I will have to get involved. | 0:01:05 | 0:01:08 | |
You feel like you're doing something that means something. | 0:01:08 | 0:01:10 | |
It's making a difference. | 0:01:10 | 0:01:12 | |
Flying around with the blue lights on. That's good, isn't it? | 0:01:12 | 0:01:15 | |
I'm not going to lie. | 0:01:15 | 0:01:16 | |
COUGHING | 0:01:16 | 0:01:18 | |
Let's go do some shots. | 0:01:20 | 0:01:22 | |
The shifts are going to be hard to get used to. | 0:01:22 | 0:01:24 | |
I hate mornings. I'm not a morning person at all. | 0:01:24 | 0:01:27 | |
All of the paramedics that I've spoken to have said | 0:01:29 | 0:01:31 | |
that there will always be one thing, when you get there, | 0:01:31 | 0:01:33 | |
you don't know why, but it affects you really badly. | 0:01:33 | 0:01:37 | |
You've got to be prepared to go in someone's house | 0:01:37 | 0:01:39 | |
and not be scared of the outcome. | 0:01:39 | 0:01:41 | |
I'm definitely quite worried dealing with my first fatal, | 0:01:42 | 0:01:45 | |
or my first body that I come to. | 0:01:45 | 0:01:47 | |
Being a paramedic is definitely my dream. | 0:01:48 | 0:01:50 | |
It's something that I've always wanted. | 0:01:50 | 0:01:52 | |
Studying for a degree in paramedic science is tough. | 0:01:52 | 0:01:56 | |
Failure is not an option. | 0:01:56 | 0:01:58 | |
Six weeks of dealing with real people in real emergencies | 0:02:00 | 0:02:04 | |
is even tougher. | 0:02:04 | 0:02:05 | |
12 hours to go, and I'm yawning all the time. I'm shattered already. | 0:02:06 | 0:02:11 | |
Nearing the end of their placement, the patients don't get any easier. | 0:02:11 | 0:02:16 | |
You haven't got any pain anywhere, have you? | 0:02:16 | 0:02:18 | |
Just saw all this blood. I was like, "Oh, my God. What's that from?" | 0:02:18 | 0:02:21 | |
They're young, | 0:02:21 | 0:02:23 | |
they're inexperienced... | 0:02:23 | 0:02:24 | |
Oh, my God. | 0:02:24 | 0:02:25 | |
..and every day is a matter of life or death. | 0:02:25 | 0:02:28 | |
I was like, ah! Adrenaline. | 0:02:28 | 0:02:30 | |
For these student paramedics, | 0:02:30 | 0:02:32 | |
it's make or break on the emergency front line. | 0:02:32 | 0:02:35 | |
Do you know how to open it? Stop. | 0:02:35 | 0:02:37 | |
Previously on Junior Paramedics... | 0:02:44 | 0:02:46 | |
..Ashley was forced to think on her feet | 0:02:48 | 0:02:50 | |
when a patient took a sudden turn for the worse at a major house fire. | 0:02:50 | 0:02:54 | |
Chris? | 0:02:56 | 0:02:57 | |
Chris? | 0:02:57 | 0:02:59 | |
In that moment, I kind of questioned everything. | 0:02:59 | 0:03:01 | |
I just thought, "Oh, my God. This is horrendous." | 0:03:03 | 0:03:05 | |
Steph's nerves were tested | 0:03:08 | 0:03:09 | |
when she attended a call out to an armed siege. | 0:03:09 | 0:03:12 | |
This is a big job. | 0:03:13 | 0:03:14 | |
DOG BARKS | 0:03:15 | 0:03:16 | |
You just keep talking to me. | 0:03:18 | 0:03:20 | |
We turned up and there were fire engines | 0:03:20 | 0:03:22 | |
and 14 armed officers surrounding him. | 0:03:22 | 0:03:24 | |
I was just terrified. | 0:03:24 | 0:03:25 | |
And Lucy dealt with the aftermath of a student night out. | 0:03:26 | 0:03:30 | |
Do you want to get him to cover up a bit? | 0:03:31 | 0:03:33 | |
It was just really embarrassing for him and me, to be honest. | 0:03:35 | 0:03:39 | |
I am his age, and it's not doing our age group any favours. | 0:03:39 | 0:03:42 | |
All right, leave them there, then. | 0:03:42 | 0:03:44 | |
The Junior Paramedics are only two weeks away | 0:03:47 | 0:03:49 | |
from the end of their placements. | 0:03:49 | 0:03:51 | |
And they'll soon be graded by their mentors, | 0:03:58 | 0:04:00 | |
who'll decide whether they pass or fail. | 0:04:00 | 0:04:03 | |
Obviously, he's only had it two weeks. | 0:04:03 | 0:04:05 | |
-So how long have you had that bag on for? -About two weeks. | 0:04:05 | 0:04:08 | |
Time is running out to impress before they head back to the classroom. | 0:04:11 | 0:04:15 | |
They're becoming valuable crew members. | 0:04:15 | 0:04:18 | |
Well done, mate, on that. | 0:04:18 | 0:04:20 | |
I think you're great with the patients. | 0:04:20 | 0:04:22 | |
-You know, you tell them what you're doing. -You make me blush. -Aw! | 0:04:22 | 0:04:25 | |
They've learnt a lot already, | 0:04:25 | 0:04:27 | |
but the realisation is dawning that they'll soon be flying solo. | 0:04:27 | 0:04:31 | |
Very, very daunting that we are actually going to be | 0:04:31 | 0:04:35 | |
paramedics in like a year-and-a-half's time now. | 0:04:35 | 0:04:37 | |
It's really scary just how quickly everything moves. | 0:04:37 | 0:04:41 | |
At this moment, I'm extremely scared to be qualified, | 0:04:41 | 0:04:44 | |
because I just haven't got the knowledge and I'm wondering | 0:04:44 | 0:04:48 | |
how, in the two years, I'm going to absorb enough to go out by myself. | 0:04:48 | 0:04:53 | |
You've got to make every decision on your own, | 0:04:54 | 0:04:56 | |
and the idea of being on the car on my own absolutely terrifies me. | 0:04:56 | 0:04:59 | |
You don't know where you're going to get sent. | 0:04:59 | 0:05:02 | |
28 must be this one. | 0:05:02 | 0:05:04 | |
Looking for houses in the middle of the night is quite frightening. | 0:05:04 | 0:05:07 | |
I'm always learning more advanced things | 0:05:09 | 0:05:11 | |
and I think by the time I do qualify as a paramedic, | 0:05:11 | 0:05:13 | |
I'll still feel like I'm not ready, because there is so much that | 0:05:13 | 0:05:16 | |
you won't have experienced, cos two years isn't a really long time. | 0:05:16 | 0:05:19 | |
So, for now, they're still relying heavily on their mentors | 0:05:22 | 0:05:25 | |
while they have the chance. | 0:05:25 | 0:05:27 | |
Having your mentor there is a real comfort. | 0:05:27 | 0:05:29 | |
So you'll be all right with that? | 0:05:29 | 0:05:31 | |
All looking good, isn't it? | 0:05:34 | 0:05:36 | |
In Leicester, Lucy Mellor is preparing for a late shift | 0:05:36 | 0:05:39 | |
with mentor Alistair on a fast-response vehicle. | 0:05:39 | 0:05:42 | |
So we're looking good, aren't we? | 0:05:42 | 0:05:43 | |
Done a quick 360 around, everything seems to be in working order. | 0:05:43 | 0:05:48 | |
Yeah, OK. | 0:05:48 | 0:05:50 | |
It's blinding me. | 0:05:50 | 0:05:51 | |
I'll turn them off. | 0:05:51 | 0:05:52 | |
You were asking the other day that they just had red lights... | 0:05:52 | 0:05:55 | |
You're not going to come out, are you? | 0:05:55 | 0:05:57 | |
-Oh, do I need to look at them? -Yeah, course you do, you know. | 0:05:57 | 0:06:00 | |
Oh, yeah. Oh! | 0:06:00 | 0:06:03 | |
It's making me go funny. | 0:06:03 | 0:06:06 | |
HE LAUGHS | 0:06:06 | 0:06:08 | |
But things are about to get serious. | 0:06:08 | 0:06:11 | |
Yeah, received! | 0:06:11 | 0:06:12 | |
A cardiac arrest. | 0:06:12 | 0:06:13 | |
The call is to her first cardiac arrest, | 0:06:21 | 0:06:23 | |
and it's the one emergency that all the junior paramedics | 0:06:23 | 0:06:26 | |
are grateful that they still have their mentors there for. | 0:06:26 | 0:06:29 | |
So how can someone know it's a cardiac arrest? | 0:06:40 | 0:06:44 | |
Obviously, how the call comes through, | 0:06:44 | 0:06:46 | |
they'll say, "Are they breathing?" | 0:06:46 | 0:06:48 | |
So it's not definitely a cardiac arrest? | 0:06:48 | 0:06:50 | |
They don't know for certain that they're having a cardiac arrest. | 0:06:50 | 0:06:53 | |
Yeah. | 0:06:53 | 0:06:55 | |
You know if someone's not breathing, don't you? | 0:06:55 | 0:06:59 | |
-What do we need out the back? -Take everything. | 0:07:04 | 0:07:07 | |
Lucy and Alistair are first on the scene, so have to act fast. | 0:07:10 | 0:07:13 | |
They already know from the call that the patient's heart has stopped, | 0:07:13 | 0:07:17 | |
so Lucy needs to step up. | 0:07:17 | 0:07:19 | |
While Lucy does chest compressions, a backup team arrive, | 0:07:27 | 0:07:30 | |
and Alistair explains the situation. | 0:07:30 | 0:07:33 | |
When we got there, I started CPR, | 0:07:42 | 0:07:45 | |
while Alistair got the bag from the valve mask | 0:07:45 | 0:07:49 | |
and started administering that and doing the airwaves. | 0:07:49 | 0:07:52 | |
Administered things like adrenaline, drugs were given, | 0:07:57 | 0:08:00 | |
obviously constantly checking | 0:08:00 | 0:08:03 | |
the rhythm, the heart rhythm. | 0:08:03 | 0:08:05 | |
When it gets to sort of 20, 30 minutes | 0:08:12 | 0:08:14 | |
and there's no change in the rhythm, which there wasn't, | 0:08:14 | 0:08:17 | |
everyone has to kind of make a call and agree. | 0:08:17 | 0:08:19 | |
Unfortunately... | 0:08:22 | 0:08:24 | |
..he passed away. | 0:08:25 | 0:08:27 | |
Lucy will be assessed on how she dealt with the situation, | 0:08:36 | 0:08:40 | |
but her eventual grade is the last thing on her mind. | 0:08:40 | 0:08:43 | |
How do you feel, though, having done it? | 0:08:43 | 0:08:47 | |
It's a bit surreal, really. | 0:08:47 | 0:08:49 | |
I don't know. | 0:08:49 | 0:08:50 | |
It's just a bit weird, that it just comes in the middle of everything. | 0:08:50 | 0:08:54 | |
Everything's the same jobs, and then, all of a sudden, it's like... | 0:08:54 | 0:08:57 | |
-Yeah, cardiac arrest, bang. -Boom! | 0:08:57 | 0:08:59 | |
That happens, and then it'll be like you've got to go to the next job | 0:08:59 | 0:09:02 | |
like nothing's happened, it's all kind of like... | 0:09:02 | 0:09:05 | |
Yeah, or you could get another big cardiac arrest. | 0:09:05 | 0:09:07 | |
-You don't know, I suppose. -Yeah, you just don't know. | 0:09:07 | 0:09:10 | |
But unfortunately... we did everything we could, | 0:09:10 | 0:09:15 | |
but it didn't make any difference, his heart had stopped, | 0:09:15 | 0:09:19 | |
and there was no electrical activity | 0:09:19 | 0:09:21 | |
-and obviously there was no change in that time. -No change, flatline. | 0:09:21 | 0:09:25 | |
Yeah, so we stop. | 0:09:27 | 0:09:30 | |
Do you remember the first time when you were in the same position as me? | 0:09:30 | 0:09:34 | |
Yeah, I do, yeah. | 0:09:34 | 0:09:35 | |
Like you say, it's a bit surreal... | 0:09:35 | 0:09:39 | |
because you're used to doing it on dummies, basically, aren't you? | 0:09:39 | 0:09:44 | |
-Doing it on a real person is really different. -A real person is very different. | 0:09:44 | 0:09:48 | |
It's actually someone's life, it's not just...a mannequin. | 0:09:49 | 0:09:53 | |
Yeah, that's it, it's someone's relative, isn't it? | 0:09:53 | 0:09:56 | |
Scary stuff! | 0:09:56 | 0:09:58 | |
With only two weeks left of their placements, | 0:10:00 | 0:10:03 | |
the junior paramedics have little time to overcome any fears. | 0:10:03 | 0:10:07 | |
Bryn is on placement in Northampton | 0:10:09 | 0:10:11 | |
and still finds treating children a real challenge. | 0:10:11 | 0:10:14 | |
BABY CRIES | 0:10:14 | 0:10:16 | |
Look, who's that? | 0:10:16 | 0:10:18 | |
'I find it really difficult to deal with children.' | 0:10:18 | 0:10:21 | |
You walk in, a complete stranger, and you have to help this child, | 0:10:21 | 0:10:24 | |
and some children are absolutely terrified of strangers. | 0:10:24 | 0:10:27 | |
# I'm just happy that you're here... # | 0:10:27 | 0:10:29 | |
BABY CRIES | 0:10:29 | 0:10:31 | |
Quite a lot of them can't communicate what symptoms they have, | 0:10:33 | 0:10:37 | |
'what's wrong with them, like, properly, | 0:10:37 | 0:10:39 | |
'so it's quite difficult.' | 0:10:39 | 0:10:41 | |
-Keep breathing with that, Alfie. -Alfie! | 0:10:41 | 0:10:44 | |
I don't like it! | 0:10:46 | 0:10:47 | |
The skills that you get trained for at university are generic skills | 0:10:49 | 0:10:53 | |
'that you can apply to a lot of different people, | 0:10:53 | 0:10:55 | |
'but applying them to children is one of the harder scenarios.' | 0:10:55 | 0:10:58 | |
You don't like that, do you? | 0:10:59 | 0:11:01 | |
It is a scary thing. | 0:11:01 | 0:11:02 | |
Tonight, Bryn and mentor Charlotte are called to the home of a baby boy. | 0:11:04 | 0:11:09 | |
This is his chance to impress and prove | 0:11:09 | 0:11:12 | |
that he's overcome his nervousness when dealing with babies. | 0:11:12 | 0:11:16 | |
He's been really chesty and congested for quite a while now, | 0:11:17 | 0:11:20 | |
but now he's started to wheeze, and his chest is a bit stiff. | 0:11:20 | 0:11:23 | |
-OK, it's going in when he's breathing? -Yeah. -OK. | 0:11:23 | 0:11:27 | |
Basically, he's just been unsettled all night. | 0:11:27 | 0:11:29 | |
He's normally a really good boy and he sleeps well | 0:11:29 | 0:11:32 | |
and he settles down, but he's been awake since about 1.00pm this afternoon, | 0:11:32 | 0:11:35 | |
-just crying and grizzling... -Oh, dear. | 0:11:35 | 0:11:39 | |
But now you're better now everyone's come to see you. | 0:11:39 | 0:11:42 | |
(How exciting!) | 0:11:42 | 0:11:44 | |
The problem is with kids is they look really, really, really well, | 0:11:44 | 0:11:47 | |
when actually they're really struggling to breathe, | 0:11:47 | 0:11:49 | |
and when they start to act poorly is actually quite further on. | 0:11:49 | 0:11:52 | |
Bryn knows that the more relaxed baby Nathan is, | 0:11:52 | 0:11:55 | |
the easier it will be for the paramedics to do their job. | 0:11:55 | 0:12:00 | |
-You have a play with that. -What's that? | 0:12:01 | 0:12:04 | |
Look at those flashy lights! | 0:12:04 | 0:12:07 | |
You want to play with everything, don't you? | 0:12:07 | 0:12:09 | |
Oh, look out, buddy! | 0:12:09 | 0:12:11 | |
His temperature was a bit high, it was 38. | 0:12:11 | 0:12:14 | |
It was a bit high. | 0:12:14 | 0:12:15 | |
Up a bit more. | 0:12:15 | 0:12:17 | |
'In terms of taking observations, it's a matter of trying' | 0:12:17 | 0:12:19 | |
to find a way to keep them distracted so you can do what you need to do. | 0:12:19 | 0:12:23 | |
You are trying to escape already, aren't you? | 0:12:24 | 0:12:27 | |
'I find it difficult' | 0:12:27 | 0:12:28 | |
to actually just assess them and take observations from them, | 0:12:28 | 0:12:31 | |
'because they won't sit still for you to take a heart rate, | 0:12:31 | 0:12:34 | |
'which is really, really difficult to pick up.' | 0:12:34 | 0:12:36 | |
BABY MAKES RHYTHMIC SOUNDS | 0:12:37 | 0:12:39 | |
What noise was that? | 0:12:39 | 0:12:41 | |
No? | 0:12:41 | 0:12:42 | |
Getting an accurate heart rate on a baby comes with experience, | 0:12:44 | 0:12:47 | |
and while Bryn's coped well so far, | 0:12:47 | 0:12:50 | |
Charlotte's had to step in. | 0:12:50 | 0:12:53 | |
160. | 0:12:53 | 0:12:54 | |
Before they leave, Bryn needs to carry out one last observation. | 0:13:03 | 0:13:07 | |
We'll take a scratch from his heel in a minute, as well. | 0:13:07 | 0:13:10 | |
'One of the worst things, having to do a blood test | 0:13:10 | 0:13:13 | |
'to find out blood sugar on a kid. | 0:13:13 | 0:13:14 | |
'Don't do it on their finger, no, you go for their heel.' | 0:13:14 | 0:13:18 | |
Even if they weren't crying before you went to see them, they will be | 0:13:18 | 0:13:21 | |
once you leave, because you've just stabbed them in the foot. | 0:13:21 | 0:13:23 | |
So it is really, really difficult, | 0:13:23 | 0:13:25 | |
cos you literally cause that child quite a lot of pain. | 0:13:25 | 0:13:27 | |
You're not going to like us very much now. | 0:13:27 | 0:13:30 | |
-BABY CRIES -I am so sorry. | 0:13:32 | 0:13:35 | |
Oh, that was nothing, really, was it? | 0:13:37 | 0:13:40 | |
-How brave are you! -I thought he'd be more upset than that. | 0:13:40 | 0:13:43 | |
He barely screamed or anything. | 0:13:43 | 0:13:45 | |
Bryn carries it out with ease, even surprising himself. | 0:13:45 | 0:13:49 | |
Bryn must have the magic touch. | 0:13:49 | 0:13:52 | |
No! You haven't seen the others. | 0:13:52 | 0:13:54 | |
-I'm normally hated for that. -Don't say that! | 0:13:54 | 0:13:56 | |
I am, hated! | 0:13:56 | 0:13:59 | |
-Don't worry about your boots. We don't do the laundry. -OK. | 0:14:02 | 0:14:07 | |
'I was really surprised.' | 0:14:07 | 0:14:09 | |
I thought, like every other child, he would scream the house down, but... | 0:14:09 | 0:14:12 | |
nothing, there was a tiny sound that he made, and after that, he was fine. | 0:14:12 | 0:14:17 | |
That's better, look at that. | 0:14:18 | 0:14:20 | |
Yeah, I'm feeling more comfortable with kids. | 0:14:24 | 0:14:27 | |
With the last couple, I stepped back, but it is one of those things, | 0:14:27 | 0:14:30 | |
you have to get really involved with kids, so I think the more I push | 0:14:30 | 0:14:33 | |
myself to get involved with kids, the more I'll benefit from it. | 0:14:33 | 0:14:36 | |
It's a new day in Corby. | 0:14:59 | 0:15:01 | |
A call has come in about a road traffic collision. | 0:15:03 | 0:15:06 | |
Local girl Steph and mentor Sam are rushing to the scene. | 0:15:07 | 0:15:11 | |
It's an RTC with a patient that's been knocked off their motorbike. | 0:15:12 | 0:15:16 | |
Motorbikes account for just 1% of road traffic accidents | 0:15:16 | 0:15:19 | |
but as many as a fifth of all fatalities. | 0:15:19 | 0:15:23 | |
I think it probably will be quite serious. | 0:15:23 | 0:15:26 | |
It's not very nice, motorbike accidents, because they've got no protection. | 0:15:26 | 0:15:30 | |
It's not her first RTC, but this one might be a little bit too close to home. | 0:15:30 | 0:15:36 | |
My brother has a motorbike and he works just there, | 0:15:36 | 0:15:39 | |
so he would come along that road at this time, | 0:15:39 | 0:15:43 | |
he starts at nine. | 0:15:43 | 0:15:45 | |
I don't think it'll be my brother. | 0:15:46 | 0:15:48 | |
-Looks like a bonnet on the floor there. -Oh, my God, I can see the foot. | 0:15:50 | 0:15:55 | |
The team are not the first to arrive, | 0:15:55 | 0:15:58 | |
but the patient is still in the road, trapped under his bike. | 0:15:58 | 0:16:02 | |
It is a little bit scary, you go to this 17-year-old lying | 0:16:02 | 0:16:05 | |
on the floor crushed between a car and a moped. | 0:16:05 | 0:16:09 | |
The way they had hit looked horrendous. | 0:16:09 | 0:16:11 | |
Just saw all this blood and I thought, "What is that from?" | 0:16:11 | 0:16:14 | |
He's been hit by the car just there. | 0:16:19 | 0:16:21 | |
Not sure if he was knocked out. | 0:16:21 | 0:16:23 | |
Looks like he has had a bit of a nosebleed. | 0:16:23 | 0:16:26 | |
Steph and Sam need to get the patient into the ambulance. | 0:16:29 | 0:16:33 | |
We need to get the bike out of the way before we can measure it. | 0:16:33 | 0:16:37 | |
It is critical that the bike is removed as soon as possible | 0:16:37 | 0:16:41 | |
so they can start treating him. | 0:16:41 | 0:16:43 | |
But it could make things worse, | 0:16:43 | 0:16:44 | |
and they still don't know what injuries it could reveal. | 0:16:44 | 0:16:47 | |
These are deceptively heavy. | 0:16:47 | 0:16:50 | |
-We don't know what's going to be underneath there at all. -Yes. | 0:16:50 | 0:16:53 | |
The paramedics are going to struggle to remove the bike. | 0:16:55 | 0:16:58 | |
Can we call the fire crew, please? | 0:16:58 | 0:17:01 | |
While they wait, Steph is given the critical task | 0:17:03 | 0:17:05 | |
of supporting the patient's neck. | 0:17:05 | 0:17:07 | |
Until they can assess the extent of the damage, | 0:17:07 | 0:17:10 | |
it's vital that they keep him still. | 0:17:10 | 0:17:12 | |
-What's your name? -Adam. -I'm Sam, and this is Steph. | 0:17:15 | 0:17:17 | |
We'll take you to the hospital. | 0:17:17 | 0:17:19 | |
We'll go on your guidance to move it. | 0:17:19 | 0:17:21 | |
It's your back? | 0:17:21 | 0:17:23 | |
I bet you're more gutted about your bike, aren't you? | 0:17:23 | 0:17:26 | |
The patient's mum arrives, and for her and Adam's benefit, | 0:17:27 | 0:17:32 | |
Steph plays it cool and stays focused. | 0:17:32 | 0:17:34 | |
Was he going anywhere nice? | 0:17:36 | 0:17:38 | |
I see. | 0:17:43 | 0:17:45 | |
'You are just more scared than' | 0:17:45 | 0:17:46 | |
the family member is that's watching the person in pain, but you | 0:17:46 | 0:17:50 | |
have to put this hard exterior on | 0:17:50 | 0:17:55 | |
and tell them that you're doing what you can. | 0:17:55 | 0:17:58 | |
I think that's the fire brigade. | 0:18:01 | 0:18:03 | |
We're going to get you out. | 0:18:03 | 0:18:05 | |
-Hi. -We just need a hand. He's still sitting on the bike. | 0:18:08 | 0:18:13 | |
-OK. I'll move that then we can see where... -Yeah. | 0:18:13 | 0:18:16 | |
We'll start sliding the bike out, | 0:18:18 | 0:18:20 | |
but if it becomes really uncomfortable, | 0:18:20 | 0:18:23 | |
you need to let us know, and we'll stop and decide if we need do anything else, OK? | 0:18:23 | 0:18:28 | |
-Just say stop. -Yeah. | 0:18:28 | 0:18:29 | |
-OK. -Tell me if anything hurts. | 0:18:29 | 0:18:32 | |
We'll hang on to your trousers. You won't lose them. OK? | 0:18:32 | 0:18:35 | |
All right? | 0:18:37 | 0:18:39 | |
Keep going. Keep going. | 0:18:39 | 0:18:42 | |
Keep going. | 0:18:48 | 0:18:49 | |
-We'll roll onto your back, OK? -Yep. | 0:18:52 | 0:18:56 | |
I'm ready, yep. Ready, brace, roll. | 0:18:56 | 0:18:59 | |
They can now properly assess his injuries. | 0:19:01 | 0:19:04 | |
Any pain here? No pain at all? | 0:19:04 | 0:19:07 | |
-Any pain on this leg? -No. | 0:19:07 | 0:19:10 | |
-Both feel the same? -Yeah. -OK. | 0:19:10 | 0:19:13 | |
Despite what initially seemed like a horrific scene, | 0:19:15 | 0:19:18 | |
the patient escapes with minor cuts and bruises, | 0:19:18 | 0:19:23 | |
much to his mum's relief. | 0:19:23 | 0:19:26 | |
Very scared, because there is so many people around, | 0:19:30 | 0:19:33 | |
you always think the worst, don't you? | 0:19:33 | 0:19:36 | |
But once I spoke to them and actually saw Adam, I was a lot better. | 0:19:36 | 0:19:41 | |
The paramedics have been fantastic, so have the police. | 0:19:41 | 0:19:45 | |
So, they've put my mind at rest. | 0:19:45 | 0:19:47 | |
I'm just waiting to see what the nurses say about him. | 0:19:47 | 0:19:51 | |
It's every parent's worst nightmare, but Adam was lucky. | 0:19:53 | 0:19:57 | |
Steph knows the outcome could have been very different for everyone. | 0:19:59 | 0:20:03 | |
It looked a lot worse than it was, and you just think, | 0:20:03 | 0:20:06 | |
"Oh, God, if that was my family member or my mum running up because | 0:20:06 | 0:20:11 | |
"her son had an accident, it would be awful, really." | 0:20:11 | 0:20:14 | |
It's quite scary. | 0:20:14 | 0:20:17 | |
The junior paramedics have come a long way on placement. | 0:20:26 | 0:20:30 | |
..chest and posterior to anterior, and that is sounding clear. | 0:20:30 | 0:20:34 | |
There's no dull or high-pitched tones. | 0:20:34 | 0:20:36 | |
Keeping calm under pressure... | 0:20:36 | 0:20:39 | |
Just going to pop some oxygen on you. | 0:20:39 | 0:20:42 | |
..and showing good bedside manner... | 0:20:42 | 0:20:44 | |
I'm a Cockney from East London and I speak my mind. | 0:20:44 | 0:20:47 | |
Do you do a good Michael Caine impression? | 0:20:47 | 0:20:49 | |
I told you not to blow the bloody doors off! | 0:20:49 | 0:20:52 | |
..are now all par for the course. | 0:20:52 | 0:20:55 | |
-Thank you for all your efforts. -All right, mate, take care. | 0:20:55 | 0:20:59 | |
I'd like to shake his hand, but I can't. | 0:20:59 | 0:21:01 | |
It's all tied up. | 0:21:01 | 0:21:03 | |
But with only two weeks left to go, they don't know | 0:21:05 | 0:21:08 | |
what's around the corner. | 0:21:08 | 0:21:10 | |
I think with every single patient that you end up going to, | 0:21:10 | 0:21:14 | |
there is always an air of mystery | 0:21:14 | 0:21:16 | |
and is it going to be a dangerous situation? | 0:21:16 | 0:21:19 | |
I don't think it is the sort of career that | 0:21:19 | 0:21:21 | |
you can learn everything at uni - you can never prepare | 0:21:21 | 0:21:24 | |
for what we'll see and the different jobs that we'll go to. | 0:21:24 | 0:21:29 | |
You have like a preconception in your mind and then | 0:21:30 | 0:21:33 | |
you're presented with something that's actually worse and you think, | 0:21:33 | 0:21:37 | |
"Wow! I didn't expect that." | 0:21:37 | 0:21:39 | |
Nick and Mentor Johnny are four hours | 0:21:44 | 0:21:47 | |
into a day shift in Leicester when they get | 0:21:47 | 0:21:49 | |
a call to a patient who's attempted suicide. | 0:21:49 | 0:21:51 | |
Have you just done your arm, Sally? | 0:22:03 | 0:22:06 | |
Yeah. | 0:22:06 | 0:22:07 | |
She suffers with depression and anxiety, | 0:22:07 | 0:22:10 | |
and today she's badly cut her arm. | 0:22:10 | 0:22:12 | |
My worst time is in the evening when I'm suicidal. | 0:22:14 | 0:22:18 | |
Yeah, right. | 0:22:18 | 0:22:21 | |
It was a bit of a shock. | 0:22:22 | 0:22:24 | |
As a student, I didn't want to seem | 0:22:24 | 0:22:28 | |
like it really did shock me | 0:22:28 | 0:22:31 | |
or I couldn't handle it or anything like that. | 0:22:31 | 0:22:33 | |
I think that's the most blood I've ever seen. It's everywhere! | 0:22:33 | 0:22:37 | |
I know the policeman's done a beautiful job of bandaging your arm, | 0:22:42 | 0:22:46 | |
but we'll have to take it off to have a look at what you've done. | 0:22:46 | 0:22:50 | |
Right, Nick, do you want to open a packet of swabs... | 0:22:53 | 0:22:58 | |
and there's one of those pods underneath...in here. | 0:22:58 | 0:23:03 | |
Oh, right. Just one or two? | 0:23:03 | 0:23:07 | |
Just one. | 0:23:07 | 0:23:09 | |
One in four British adults suffer from mental health problems, | 0:23:11 | 0:23:15 | |
so even though it's tough, | 0:23:15 | 0:23:17 | |
Nick needs to learn how to cope with this part of the job. | 0:23:17 | 0:23:20 | |
It was difficult to actually remain | 0:23:26 | 0:23:28 | |
calm in that situation, | 0:23:28 | 0:23:31 | |
being as that's the first ever time I've ever been in the situation | 0:23:31 | 0:23:35 | |
with that much...amount of blood | 0:23:35 | 0:23:39 | |
has been around. | 0:23:39 | 0:23:40 | |
You can read about mental health and attempted suicide all you like, | 0:23:46 | 0:23:49 | |
but I don't think any text book can teach you how to talk to somebody. | 0:23:49 | 0:23:54 | |
That is something you pick up actually doing the job. | 0:23:54 | 0:23:57 | |
The team needs to work out if the patient is still a danger to herself. | 0:24:00 | 0:24:06 | |
Will you be all right on your own? | 0:24:06 | 0:24:09 | |
We are here to help. | 0:24:11 | 0:24:12 | |
It takes a lot to admit to that. | 0:24:18 | 0:24:21 | |
We don't want you in that position, we don't want you feeling like that. | 0:24:21 | 0:24:25 | |
We'll get there. | 0:24:27 | 0:24:28 | |
It is sad | 0:24:46 | 0:24:48 | |
to see that somebody has suffered mentally, | 0:24:48 | 0:24:54 | |
and to an extent actually where they've had to harm themselves, | 0:24:54 | 0:24:59 | |
but it's not always straightforward, erm, | 0:24:59 | 0:25:02 | |
to actually fix them, because you can fix, you know, | 0:25:02 | 0:25:05 | |
their wounds or anything like that, but you can't actually | 0:25:05 | 0:25:09 | |
necessarily fix what's happening in their head straightaway. | 0:25:09 | 0:25:13 | |
What I'll do, then, I'll make that referral. | 0:25:13 | 0:25:16 | |
We'll try our best to get you the help you need when you need it. | 0:25:16 | 0:25:20 | |
The girls know all about it, so I'll let the hospital know | 0:25:20 | 0:25:23 | |
when you get there, all right? Take care of yourself. | 0:25:23 | 0:25:25 | |
Thanks. | 0:25:25 | 0:25:27 | |
It's sometimes hard to put yourself in their situation, | 0:25:33 | 0:25:37 | |
having never actually personally felt like that myself. | 0:25:37 | 0:25:42 | |
I-I find it hard to put myself in that situation, | 0:25:42 | 0:25:46 | |
where I'd want to hurt myself so much, I think. So, yeah. | 0:25:46 | 0:25:52 | |
Although the junior paramedics have their mentors on hand for support | 0:26:01 | 0:26:05 | |
on placement, nothing beats a supportive family back at home. | 0:26:05 | 0:26:09 | |
-Have you only just got back? -Yep. Well, no, this morning. | 0:26:10 | 0:26:15 | |
I've been sleeping all day. THEY LAUGH | 0:26:15 | 0:26:17 | |
Well, that's normal, then, isn't it? | 0:26:17 | 0:26:19 | |
Yeah, pretty normal. I'm shattered, though. | 0:26:19 | 0:26:22 | |
Lucy Mellor is lucky enough to have someone who understands | 0:26:22 | 0:26:26 | |
some of what she's going through, | 0:26:26 | 0:26:28 | |
and she's visiting her dad, who's a GP in nearby Derby. | 0:26:28 | 0:26:32 | |
What was it like when you first got called to the cardiac arrest, | 0:26:32 | 0:26:35 | |
or the collapse, and you had to do CPR? | 0:26:35 | 0:26:37 | |
When we first got there, it was just me and Alistair, and he kind of... | 0:26:37 | 0:26:40 | |
It was the first thing we've got to that was sort of time critical. | 0:26:40 | 0:26:43 | |
He went into like a different mode I've not seen in him before, | 0:26:43 | 0:26:46 | |
he just sort of got the patient on the floor, | 0:26:46 | 0:26:48 | |
cut his top off and just went, "Give CPR and I'll get oxygen." | 0:26:48 | 0:26:52 | |
-And it was like, "Whoa!" -Were you not scared? -Yeah. | 0:26:52 | 0:26:54 | |
At first, when Alistair just turned round and went, | 0:26:54 | 0:26:57 | |
"Do you want to do some CPR for me?" | 0:26:57 | 0:26:58 | |
there was a moment where I just thought, "I'm leaving. | 0:26:58 | 0:27:01 | |
"I don't like it!" | 0:27:01 | 0:27:02 | |
I've been seeing people in those sorts of situations, | 0:27:02 | 0:27:05 | |
but I'd been training for five years when I did it. | 0:27:05 | 0:27:08 | |
I think it's quite scary stuff, though, for you. | 0:27:08 | 0:27:10 | |
I think it's quite...fast. | 0:27:10 | 0:27:12 | |
I don't know, though, cos the situation is so fast | 0:27:12 | 0:27:15 | |
that the adrenaline kind of takes over a little bit. | 0:27:15 | 0:27:17 | |
At first, you're like, "Oh, my God, what's going on?" | 0:27:17 | 0:27:19 | |
but then you instantly just forget. | 0:27:19 | 0:27:21 | |
Then the paramedics are going, "Why would we do this?" | 0:27:21 | 0:27:23 | |
They were asking me questions while we were doing it, like, teaching me. | 0:27:23 | 0:27:27 | |
But do you think you can cope with it mentally afterwards? | 0:27:27 | 0:27:30 | |
I mean, it's like every situation's different, isn't it? | 0:27:30 | 0:27:33 | |
Some people will be more bothered by a situation like that, | 0:27:33 | 0:27:35 | |
but there are other situations that people would be more bothered about. | 0:27:35 | 0:27:39 | |
Like, it just depends what affects you differently. | 0:27:39 | 0:27:41 | |
You're with a lot of sad people and sad situations, aren't you? | 0:27:41 | 0:27:45 | |
I think it's stressful. | 0:27:45 | 0:27:47 | |
You can't attach yourself to every single person, | 0:27:47 | 0:27:50 | |
cos you're not emotionally connected, are you? So... | 0:27:50 | 0:27:53 | |
No, but a lot of people who work in what I do and what you're doing | 0:27:53 | 0:27:57 | |
do get quite emotionally involved, | 0:27:57 | 0:27:59 | |
and it's something you've got to avoid, really. | 0:27:59 | 0:28:01 | |
SIREN WAILS | 0:28:03 | 0:28:05 | |
Not all the 999 call outs the junior paramedics go to | 0:28:06 | 0:28:10 | |
are patients who need urgent medical care. | 0:28:10 | 0:28:15 | |
'You obviously get pre-warned that only the 10% of calls' | 0:28:15 | 0:28:18 | |
are traumatic and life-threatening and serious. | 0:28:18 | 0:28:21 | |
But obviously going on placement does bring home | 0:28:21 | 0:28:24 | |
just how many we go to that are, like, you know, | 0:28:24 | 0:28:27 | |
chest infections, anxiety, falls, | 0:28:27 | 0:28:30 | |
and it's one after another. | 0:28:30 | 0:28:32 | |
One type of non-emergency call out the junior paramedics | 0:28:34 | 0:28:37 | |
are experiencing are "the regulars" - | 0:28:37 | 0:28:40 | |
people who often call for emergency assistance, | 0:28:40 | 0:28:43 | |
even when they don't really need it. | 0:28:43 | 0:28:45 | |
Hello? | 0:28:47 | 0:28:49 | |
Ah, yes, I have been here before. | 0:28:50 | 0:28:52 | |
On shift in Leicester, | 0:28:52 | 0:28:53 | |
junior paramedic Vic is with mentor George. | 0:28:53 | 0:28:56 | |
What's the problem, what have you called for? | 0:28:56 | 0:28:58 | |
-What your hernia is? -Yeah. | 0:29:01 | 0:29:02 | |
Show me where your pain is in your tummy. | 0:29:02 | 0:29:04 | |
Although the patient's condition looks alarming, | 0:29:10 | 0:29:12 | |
it isn't an actual emergency. | 0:29:12 | 0:29:14 | |
Sharp scratch. | 0:29:15 | 0:29:17 | |
Have you spoken to your GP? | 0:29:17 | 0:29:19 | |
Do you want to go Leicester Royal Infirmary? | 0:29:25 | 0:29:28 | |
OK. | 0:29:29 | 0:29:30 | |
How are you on your feet? | 0:29:30 | 0:29:32 | |
Because you go out, don't you? | 0:29:32 | 0:29:35 | |
Right. So you can stand on your feet, then? | 0:29:35 | 0:29:37 | |
They suspect that Ronald might just want a lift to the hospital. | 0:29:39 | 0:29:42 | |
Cos you're relatively independent, then, | 0:29:42 | 0:29:44 | |
if you do all your shopping and stuff? | 0:29:44 | 0:29:46 | |
George makes a call to non-emergency transport. | 0:29:50 | 0:29:53 | |
Hiya, it's George. | 0:29:53 | 0:29:54 | |
I've got a job at Cliffstone House, if you're available? | 0:29:54 | 0:29:57 | |
He walks with a stick and he says he can manage | 0:29:57 | 0:30:00 | |
to go down the stairs and get down into the ambulance. | 0:30:00 | 0:30:03 | |
Thank you very much. | 0:30:03 | 0:30:04 | |
I've just arranged the transport for you, Donal...Ronald. | 0:30:04 | 0:30:07 | |
-Ronald! Not Donald! -Ronald McDonald! | 0:30:07 | 0:30:08 | |
Yeah, so she'll be here. | 0:30:08 | 0:30:10 | |
She's just dropping someone off at the Royal, Donna, | 0:30:10 | 0:30:13 | |
and then she'll be coming straight after that, so within half an hour. | 0:30:13 | 0:30:16 | |
Well, that's all the room we've got! | 0:30:20 | 0:30:22 | |
They shouldn't be long, anyway, | 0:30:22 | 0:30:24 | |
then they can come and take you down, and you can see somebody. | 0:30:24 | 0:30:27 | |
Put your top on. | 0:30:27 | 0:30:28 | |
'He's quite capable of looking after himself. He just' | 0:30:28 | 0:30:32 | |
isn't 100% steady on his feet, but he goes shopping for himself. | 0:30:32 | 0:30:36 | |
My grandad used to have one like that. | 0:30:38 | 0:30:40 | |
Oh, gosh. | 0:30:41 | 0:30:43 | |
I don't know... £5? | 0:30:43 | 0:30:45 | |
-Wow! -20p. | 0:30:48 | 0:30:50 | |
'He's with it, he knows what's happening,' | 0:30:50 | 0:30:52 | |
and what calling the ambulance involves and stuff like that. | 0:30:52 | 0:30:56 | |
'So...' | 0:30:56 | 0:30:57 | |
But before Vic and mentor George head off, there's one last job. | 0:30:57 | 0:31:01 | |
Yeah. | 0:31:05 | 0:31:06 | |
Big push. | 0:31:07 | 0:31:09 | |
And, of course, this one is the junior's responsibility. | 0:31:09 | 0:31:13 | |
-Is that in? -Yeah. | 0:31:14 | 0:31:15 | |
-OK? -See you. -See you. | 0:31:15 | 0:31:17 | |
-Bye-bye. -Bye. | 0:31:17 | 0:31:18 | |
So that was your first regular? | 0:31:19 | 0:31:21 | |
He was nice, he was pleasant enough, wasn't he? | 0:31:21 | 0:31:23 | |
He was, yeah. | 0:31:23 | 0:31:25 | |
He's interesting, he's got lots of interesting things to say. | 0:31:25 | 0:31:28 | |
All his birds and things. | 0:31:28 | 0:31:29 | |
Vic and George leave Ronald to it for now, | 0:31:29 | 0:31:32 | |
but they know that, one day, they might be back. | 0:31:32 | 0:31:35 | |
We do get lots of calls from people who are lonely, | 0:31:35 | 0:31:37 | |
and it becomes like a pattern of behaviour | 0:31:37 | 0:31:40 | |
to ring ambulances and then, | 0:31:40 | 0:31:43 | |
you know, go to the hospital and see the people there, | 0:31:43 | 0:31:48 | |
and they become like, erm, friends. | 0:31:48 | 0:31:51 | |
It's like their social sort of... | 0:31:51 | 0:31:54 | |
circle, if you like. | 0:31:54 | 0:31:56 | |
The majority of cases the junior paramedics | 0:32:01 | 0:32:04 | |
are called out to involve elderly patients. | 0:32:04 | 0:32:06 | |
They're learning that it's the bread and butter | 0:32:06 | 0:32:09 | |
of the Ambulance Service's work. | 0:32:09 | 0:32:11 | |
Bryn is with mentor Charlotte in Northampton. | 0:32:13 | 0:32:16 | |
He's just started a night shift. | 0:32:16 | 0:32:18 | |
'Police are on scene, over.' | 0:32:27 | 0:32:30 | |
Yeah, not a problem, thanks ever so much. | 0:32:30 | 0:32:33 | |
Although he's used to dealing with lots of cases | 0:32:36 | 0:32:39 | |
involving old people, nothing could have prepared | 0:32:39 | 0:32:41 | |
junior paramedic Bryn for a recent tragedy in his own life. | 0:32:41 | 0:32:45 | |
It's been really, really hard for my family, | 0:32:45 | 0:32:48 | |
because not only did we lose my grandpa, | 0:32:48 | 0:32:51 | |
basically, at the weekend, we lost my grandma as well. | 0:32:51 | 0:32:54 | |
My grandmother suffered from Alzheimer's for ten years, | 0:33:00 | 0:33:03 | |
and my grandpa had chronic liver failure and lung cancer. | 0:33:03 | 0:33:09 | |
It will always be there in my mind, | 0:33:09 | 0:33:11 | |
the fact I've lost two grandparents in one week. | 0:33:11 | 0:33:14 | |
I think, from a paramedic point of view, | 0:33:14 | 0:33:17 | |
I'll take my own personal experiences with me | 0:33:17 | 0:33:19 | |
and I'll be able to sympathise more for that patient. | 0:33:19 | 0:33:22 | |
On arrival, the police are already at the scene, | 0:33:27 | 0:33:30 | |
because the patient has fallen and used his emergency alarm. | 0:33:30 | 0:33:33 | |
Where are we? Oh, here's the stairs. | 0:33:41 | 0:33:44 | |
Hello, what's been going on? | 0:33:45 | 0:33:47 | |
You fell over? OK. | 0:33:50 | 0:33:52 | |
Have you got any family or anything? | 0:33:52 | 0:33:54 | |
No family at all? | 0:33:54 | 0:33:56 | |
No-one anywhere near. | 0:33:56 | 0:33:58 | |
So you're on your own? | 0:34:03 | 0:34:05 | |
The patient has recently been discharged from hospital. | 0:34:08 | 0:34:12 | |
I'm just going to take your temperature quickly. | 0:34:12 | 0:34:15 | |
And when did you come out of hospital? | 0:34:15 | 0:34:18 | |
Today. | 0:34:18 | 0:34:20 | |
While Bryn carries out his observations, | 0:34:20 | 0:34:22 | |
Charlotte looks at the patient's hospital notes | 0:34:22 | 0:34:25 | |
and realises that something doesn't quite add up. | 0:34:25 | 0:34:28 | |
By the documentation we've got, it says that you didn't come out | 0:34:28 | 0:34:32 | |
today, you came out a couple of days ago. | 0:34:32 | 0:34:35 | |
Yeah. | 0:34:36 | 0:34:37 | |
The inconsistency in the patient's story | 0:34:39 | 0:34:41 | |
means that the paramedics have to dig deeper. | 0:34:41 | 0:34:44 | |
Have you made yourself dinner tonight? | 0:34:44 | 0:34:46 | |
You haven't, so you haven't eaten this evening? | 0:34:46 | 0:34:48 | |
Have you eaten anything today at all? | 0:34:48 | 0:34:50 | |
You have? | 0:34:50 | 0:34:52 | |
Hospital food? | 0:34:54 | 0:34:56 | |
But if you didn't come out of hospital for quite a while, | 0:34:57 | 0:35:01 | |
cos you've been here for a couple of days, | 0:35:01 | 0:35:03 | |
so what food have you eaten? | 0:35:03 | 0:35:05 | |
Or have you not made yourself anything? | 0:35:05 | 0:35:07 | |
Having checked him over, Bryn can't find anything | 0:35:09 | 0:35:13 | |
physically wrong with the patient, but Charlotte still has concerns. | 0:35:13 | 0:35:19 | |
I think it's going to be in your benefit to go back to hospital. | 0:35:19 | 0:35:23 | |
You've told me you came out of hospital today. | 0:35:23 | 0:35:26 | |
I don't feel safe leaving you here on your own at the moment. | 0:35:26 | 0:35:29 | |
I'm trying to get in contact with somebody for some advice. | 0:35:37 | 0:35:41 | |
She's just going to have a word with the doctor | 0:35:41 | 0:35:43 | |
and see what the best thing to do is. | 0:35:43 | 0:35:45 | |
To stay here? | 0:35:48 | 0:35:50 | |
I'm really stuck, I need some help. | 0:35:50 | 0:35:53 | |
I'm massively, massively concerned. It's very, very cold in here. | 0:35:53 | 0:35:57 | |
He's refusing point blank to go to hospital, does not want to go. | 0:35:57 | 0:36:00 | |
I don't know what to do. | 0:36:00 | 0:36:02 | |
'It's difficult coming to a house where, you know,' | 0:36:02 | 0:36:05 | |
there's not a lot medically we can really do for him. | 0:36:05 | 0:36:07 | |
It's a real social situation, | 0:36:07 | 0:36:09 | |
and they're the ones you feel so helpless in. | 0:36:09 | 0:36:11 | |
Because I've done some observations, | 0:36:11 | 0:36:13 | |
and his observations are kind of all right. | 0:36:13 | 0:36:15 | |
We don't just want to leave him here by himself in a house where | 0:36:15 | 0:36:18 | |
all of the heating is switched off and it's minus degrees outside. | 0:36:18 | 0:36:22 | |
You know, it's almost the same temperature in there. | 0:36:22 | 0:36:24 | |
He hasn't, no, but then I can't drag somebody out of their house. | 0:36:26 | 0:36:29 | |
While Charlotte is on the phone seeking a second opinion, | 0:36:29 | 0:36:33 | |
Bryn puts his bedside manner into practice. | 0:36:33 | 0:36:35 | |
My brother plays for the Academy in the Saints, | 0:36:37 | 0:36:40 | |
so he goes down there a little bit, but, erm... | 0:36:40 | 0:36:42 | |
Oh, was he? Of the Saints? | 0:36:45 | 0:36:47 | |
Yeah. | 0:36:47 | 0:36:48 | |
'When you're talking to somebody, | 0:36:48 | 0:36:50 | |
'it's not really something that you can be taught,' | 0:36:50 | 0:36:52 | |
it's something you have to pick up on the job. | 0:36:52 | 0:36:54 | |
It's quite interesting, really, cos it definitely shows the importance | 0:36:54 | 0:36:57 | |
of going on to placement, to be able to pick up that side of the job. | 0:36:57 | 0:37:00 | |
The doctor's coming out right now. | 0:37:02 | 0:37:03 | |
He's dropped all his appointments to come. | 0:37:03 | 0:37:06 | |
He's passed off some of his appointments to other doctors | 0:37:06 | 0:37:09 | |
so he can come and see you. | 0:37:09 | 0:37:11 | |
-You are important. -A very special service. | 0:37:11 | 0:37:13 | |
So we'll wait for him. | 0:37:13 | 0:37:15 | |
The doctor arrives and further assesses the patient | 0:37:16 | 0:37:19 | |
and backs Charlotte up. | 0:37:19 | 0:37:21 | |
It's quite difficult when people are refusing to go to hospital | 0:37:21 | 0:37:24 | |
and they're in this social environment, it's a bit tricky. | 0:37:24 | 0:37:27 | |
But now the doctor's been, he's, somehow, | 0:37:27 | 0:37:29 | |
magically convinced him to actually go to hospital, | 0:37:29 | 0:37:32 | |
'which is really, really good.' | 0:37:32 | 0:37:34 | |
How are you getting up? | 0:37:34 | 0:37:35 | |
Yeah, of course I am. | 0:37:36 | 0:37:38 | |
I'm helping you, as well, darling. | 0:37:40 | 0:37:42 | |
THEY LAUGH | 0:37:42 | 0:37:43 | |
Aw, she is, isn't she? I know. | 0:37:43 | 0:37:45 | |
While Charlotte hands over to the ambulance crew... | 0:37:46 | 0:37:50 | |
It's just taken us this long to persuade him to go, | 0:37:50 | 0:37:52 | |
we've been here for hours. | 0:37:52 | 0:37:54 | |
So he's upstairs? | 0:37:54 | 0:37:55 | |
..Bryn thinks ahead and gathers some essentials. | 0:37:55 | 0:37:58 | |
Right, I'll put you some bits in here, | 0:37:58 | 0:38:01 | |
just some extra clothes, take with you. | 0:38:01 | 0:38:04 | |
Keep your hands in, darling. | 0:38:04 | 0:38:06 | |
Keep your hands in, because you balance the chair that way. | 0:38:06 | 0:38:10 | |
That's your job. | 0:38:10 | 0:38:12 | |
'I know from speaking to my grandpa, it was really nice, | 0:38:12 | 0:38:15 | |
'because I know how proud he was of me for coming and doing this career. | 0:38:15 | 0:38:18 | |
'I know that he'd want me' | 0:38:18 | 0:38:19 | |
to carry on going out and trying to help as many people as I can. | 0:38:19 | 0:38:22 | |
Following last night, Bryn has been thinking about his family | 0:38:35 | 0:38:38 | |
and decides to pay them a visit in Bedfordshire. | 0:38:38 | 0:38:42 | |
-Hello, hi. -Hello! | 0:38:42 | 0:38:44 | |
-How's it going? -I'm all right. | 0:38:44 | 0:38:47 | |
-You well? -Yes, I'm well. Are you? -Yeah. | 0:38:47 | 0:38:49 | |
The junior paramedics all need their families sometimes. | 0:38:49 | 0:38:53 | |
-Hi! -Hello! -How are you? -I'm fine. | 0:38:53 | 0:38:57 | |
-Hello. -Come on straight in. | 0:38:57 | 0:38:59 | |
Being at university in Northampton and on gruelling placements | 0:38:59 | 0:39:04 | |
means they don't get to see them as often as they'd like. | 0:39:04 | 0:39:07 | |
I am starting to miss home a bit. | 0:39:08 | 0:39:10 | |
It's strange, because I never thought I would be the type to miss home, | 0:39:10 | 0:39:14 | |
but I think the longer I'm away from home, the more I do miss it. | 0:39:14 | 0:39:17 | |
'It is nice to be just go home and chill out, | 0:39:20 | 0:39:22 | |
'because it just feels a bit normal' | 0:39:22 | 0:39:24 | |
when you go home, see your family and friends and girlfriend. | 0:39:24 | 0:39:28 | |
I saw my grandparents every single day prior to coming to university, | 0:39:29 | 0:39:34 | |
so it's been quite tough, because it's a strong bond. | 0:39:34 | 0:39:37 | |
Vic has a rare weekend off | 0:39:40 | 0:39:41 | |
and has gone home to Stoke, where her nan is waiting. | 0:39:41 | 0:39:45 | |
My nan does miss me. You know, she tells me often that she misses me. | 0:39:46 | 0:39:51 | |
And I do feel bad that I can't kind of go round every week like I used to. | 0:39:51 | 0:39:58 | |
-Hello. -Hello. | 0:39:59 | 0:40:01 | |
Do you want a brew first, and then we'll get pizzas in? | 0:40:06 | 0:40:09 | |
I'll make it. | 0:40:09 | 0:40:11 | |
The kettle's boiled. Well, I boiled it once. | 0:40:11 | 0:40:14 | |
As Vic's placement in Leicester is over 60 miles away, | 0:40:14 | 0:40:17 | |
it has made it more difficult for her to visit her nan | 0:40:17 | 0:40:20 | |
as regularly as they are both used to. | 0:40:20 | 0:40:22 | |
I rung your mother, asking where you were. | 0:40:22 | 0:40:26 | |
She says you'd be a bit late. | 0:40:26 | 0:40:28 | |
I told you I was going to be a bit late. | 0:40:28 | 0:40:30 | |
-I know, but you said about 20 minutes. -Did I? -Yeah. | 0:40:30 | 0:40:34 | |
Her nan misses her and likes to know where she is and what she's up to. | 0:40:34 | 0:40:39 | |
How's it all going? | 0:40:39 | 0:40:40 | |
Yeah, it's good, enjoying it. | 0:40:42 | 0:40:44 | |
Is it what you thought it was going to be? | 0:40:44 | 0:40:46 | |
Yeah. | 0:40:48 | 0:40:50 | |
That doesn't seem a very good yes. | 0:40:50 | 0:40:52 | |
No, because it's a lot of picking people up off the floor, anxiety... | 0:40:52 | 0:40:57 | |
90% of the job is going to people that are worrying | 0:40:57 | 0:41:01 | |
and people that have fallen. | 0:41:01 | 0:41:03 | |
But I know that, like, there's a dead small proportion | 0:41:03 | 0:41:07 | |
that's the emergency side. | 0:41:07 | 0:41:09 | |
Why do you want to be in the middle of everything? | 0:41:09 | 0:41:12 | |
-Because that's the excitement. -Oh. | 0:41:12 | 0:41:16 | |
I'm saying nothing about that. | 0:41:16 | 0:41:17 | |
I can find better things to excite me! | 0:41:17 | 0:41:19 | |
THEY LAUGH | 0:41:19 | 0:41:20 | |
Well, you do looked tired. | 0:41:24 | 0:41:26 | |
I've done quite a few hours this week, so... | 0:41:28 | 0:41:30 | |
Don't they give you time to go to sleep? | 0:41:30 | 0:41:32 | |
I've done five days in a row this week, so that's the only reason. | 0:41:32 | 0:41:37 | |
So I'm on my two days off now. That's why I squeezed you in. | 0:41:37 | 0:41:40 | |
Don't squeeze me in, don't put yourself out! | 0:41:40 | 0:41:43 | |
I'm not putting myself out, I want to come see you. | 0:41:43 | 0:41:45 | |
I say that every time. | 0:41:45 | 0:41:47 | |
-I don't see nobody else, duck. I miss you. -I know you do. | 0:41:47 | 0:41:50 | |
You're always on top of my priority when I come home, | 0:41:50 | 0:41:53 | |
so you can't complain. | 0:41:53 | 0:41:54 | |
Yes, but I like loving you and talking to you. | 0:41:54 | 0:41:57 | |
Because only you comes. | 0:41:57 | 0:41:59 | |
I do miss your grandad, although you think I don't. | 0:41:59 | 0:42:01 | |
No, I know you miss him. | 0:42:01 | 0:42:03 | |
Just got to get used to it, and I can't. | 0:42:03 | 0:42:06 | |
'Like, I've lost my grandad recently, | 0:42:08 | 0:42:10 | |
'but supporting my nan through it was quite...' | 0:42:10 | 0:42:13 | |
Well, she's a handful anyway, so it's quite tough. | 0:42:13 | 0:42:16 | |
'But, yeah, it's just being there for her | 0:42:17 | 0:42:20 | |
'and supporting her now she's on her own, so...' | 0:42:20 | 0:42:23 | |
Believe me, some of the people I've seen have got nothing, | 0:42:23 | 0:42:26 | |
absolutely nothing. | 0:42:26 | 0:42:27 | |
So you need to appreciate that you've got people that do come up, | 0:42:27 | 0:42:31 | |
even if it is for a few hours. | 0:42:31 | 0:42:33 | |
As Vic earns valuable brownie points | 0:42:43 | 0:42:46 | |
in the dutiful granddaughter stakes, over in Leicester... | 0:42:46 | 0:42:49 | |
..Lucy is about to earn her stripes | 0:42:52 | 0:42:54 | |
by dealing with her most volatile patient yet. | 0:42:54 | 0:42:56 | |
Yeah, you are all clear. | 0:42:56 | 0:42:58 | |
We're going to see someone who's fallen who is now unconscious. | 0:42:58 | 0:43:03 | |
She's on her way to her next call. | 0:43:03 | 0:43:05 | |
It's a drunk man in one of the city's homeless hostels. | 0:43:05 | 0:43:08 | |
With drunk patients, you do feel vulnerable, as in they are very... | 0:43:08 | 0:43:11 | |
You know, you don't know what they're going to do, | 0:43:11 | 0:43:14 | |
you don't know if they're going to be violent, | 0:43:14 | 0:43:16 | |
and it's really, really, like, scary to be with them | 0:43:16 | 0:43:19 | |
in such a small space, as well. | 0:43:19 | 0:43:20 | |
Don't do that! | 0:43:23 | 0:43:25 | |
Right, wake up for us, then. | 0:43:25 | 0:43:26 | |
Are you going to sit up? What's happened? | 0:43:26 | 0:43:28 | |
What's happened? | 0:43:28 | 0:43:29 | |
Lucy stands back and learns from mentor Natalie. | 0:43:29 | 0:43:33 | |
It's all right. | 0:43:34 | 0:43:35 | |
You need to speak to us. Come on. Hello. | 0:43:35 | 0:43:37 | |
-Don't do that. -Don't you up your fist up to us. | 0:43:37 | 0:43:41 | |
Behave. | 0:43:41 | 0:43:42 | |
All right. | 0:43:42 | 0:43:44 | |
HE MUMBLES | 0:43:44 | 0:43:45 | |
Have you been drinking? Have you had a bit to drink? No? | 0:43:45 | 0:43:49 | |
-No? Good. -HE MUMBLES | 0:43:49 | 0:43:51 | |
You wish you did! | 0:43:51 | 0:43:53 | |
Can you hear me? Listen to me. | 0:44:08 | 0:44:10 | |
-Do you want to take the head? And we can pull him down. -Yeah. | 0:44:10 | 0:44:13 | |
Lucy has the important job of making sure the patient | 0:44:15 | 0:44:18 | |
doesn't injure himself further by holding his neck, | 0:44:18 | 0:44:21 | |
which puts her in harm's way. | 0:44:21 | 0:44:23 | |
This is the bit where we're going to pop you on this spinal board, OK? | 0:44:25 | 0:44:29 | |
Another team of paramedics arrive to assist | 0:44:29 | 0:44:32 | |
and to help get him to the ambulance. | 0:44:32 | 0:44:34 | |
Relax your head down. Relax your head down. | 0:44:34 | 0:44:36 | |
Right, we're just going to slide you, just on here | 0:44:36 | 0:44:38 | |
so we can get you down the stairs. | 0:44:38 | 0:44:41 | |
Ready, steady, slide. | 0:44:41 | 0:44:42 | |
-Brilliant. -Good team! | 0:44:46 | 0:44:48 | |
With tight corridors and stairs to navigate, | 0:44:48 | 0:44:51 | |
it's a difficult enough job without the patient kicking off. | 0:44:51 | 0:44:54 | |
-BLEEP -Right, hands in. Just get him down. | 0:44:54 | 0:44:57 | |
Lucy keeps her distance... | 0:44:57 | 0:45:01 | |
Let go, let go. | 0:45:01 | 0:45:03 | |
..but she knows, when they get him on the ambulance, | 0:45:03 | 0:45:06 | |
she will have to get closer and help to assess him. | 0:45:06 | 0:45:08 | |
That was really, really dangerous. | 0:45:08 | 0:45:10 | |
We could have all fallen down the stairs there, | 0:45:10 | 0:45:12 | |
We're doing this... | 0:45:12 | 0:45:14 | |
HE MUTTERS | 0:45:14 | 0:45:16 | |
Do not put your hands out to us, OK? | 0:45:16 | 0:45:18 | |
We are trying to help you, so you need to calm down. | 0:45:18 | 0:45:21 | |
If you do not calm down we are going to have to get the police here, OK? | 0:45:21 | 0:45:25 | |
It's quite scary, because things can easily spiral out of control. | 0:45:26 | 0:45:29 | |
So that's, for me, the most vulnerable part of it. | 0:45:29 | 0:45:32 | |
Especially as a woman, as well - | 0:45:32 | 0:45:34 | |
you've got a lot of big men, it's really scary and vulnerable. | 0:45:34 | 0:45:38 | |
OK, on three. One, two, three. | 0:45:39 | 0:45:42 | |
Lovely. | 0:45:42 | 0:45:44 | |
Now he's on the ambulance, Lucy can finally take some observations. | 0:45:45 | 0:45:51 | |
OK. I'm just going to look at your pupils. | 0:45:51 | 0:45:53 | |
But he's a tricky customer, | 0:45:53 | 0:45:55 | |
so she's going to have to keep her wits about her. | 0:45:55 | 0:45:58 | |
Slightly dilated. | 0:45:58 | 0:46:01 | |
-Yeah. What size? -I'd say...six. | 0:46:01 | 0:46:05 | |
-But that's quite normal in people that are intoxicated. -Yeah. | 0:46:05 | 0:46:10 | |
HE MUTTERS | 0:46:14 | 0:46:17 | |
Oh, come on, man! | 0:46:17 | 0:46:19 | |
I can't understand you. Sorry. | 0:46:19 | 0:46:22 | |
BLEEP | 0:46:22 | 0:46:24 | |
Despite the man's best efforts | 0:46:29 | 0:46:31 | |
to scupper the paramedics doing their job, | 0:46:31 | 0:46:33 | |
they manage to get him to hospital safely... | 0:46:33 | 0:46:36 | |
but only for a few minutes. | 0:46:36 | 0:46:38 | |
-We were on the scene 50 minutes? -Yeah. -So two ambulances, | 0:46:40 | 0:46:44 | |
-on-scene time 50 mins, putting ourselves... -At risk on the stairs. | 0:46:44 | 0:46:49 | |
At risk on the stairs, and I don't know if you saw, | 0:46:49 | 0:46:52 | |
but he literally left after two minutes. | 0:46:52 | 0:46:55 | |
-I saw him walk out. -Yeah. | 0:46:55 | 0:46:56 | |
And then light up a cigarette and just sit there. | 0:46:56 | 0:46:59 | |
There's nothing more you can do when someone does something like that, | 0:47:03 | 0:47:06 | |
so you just accept it. You do feel a bit annoyed, | 0:47:06 | 0:47:09 | |
because you and the other resources have been taken up. | 0:47:09 | 0:47:12 | |
So it was kind of a time-waster, but at least we did all we could. | 0:47:17 | 0:47:21 | |
Junior paramedic Amy is just starting her shift in Northampton. | 0:47:26 | 0:47:31 | |
It's Saturday night. | 0:47:31 | 0:47:32 | |
I go out on the weekend, I have fun, | 0:47:32 | 0:47:34 | |
let my hair down, it's nice to go out with my friends. | 0:47:34 | 0:47:36 | |
But I'm quite sensible, and I know when I've had too much to drink. | 0:47:36 | 0:47:41 | |
But she's learning that not everyone knows their limits. | 0:47:43 | 0:47:47 | |
She was leathered, wasn't she? | 0:47:47 | 0:47:49 | |
Did you see that top she was wearing as well? | 0:47:49 | 0:47:52 | |
-Her boobs were practically out of it. -What was she wearing? -Horrendous. | 0:47:52 | 0:47:55 | |
There was nothing on her. | 0:47:55 | 0:47:57 | |
It was a really tiny skirt, and I could see her knickers - | 0:47:57 | 0:48:00 | |
it just makes yourself look embarrassing going out like that. | 0:48:00 | 0:48:05 | |
Amy and Shay are called out to a man | 0:48:08 | 0:48:10 | |
that has been found lying in the street. | 0:48:10 | 0:48:12 | |
Hello. | 0:48:12 | 0:48:13 | |
Do you know him? | 0:48:16 | 0:48:18 | |
He's breathing, do you think? | 0:48:18 | 0:48:19 | |
-He's snoring. -Aw. | 0:48:21 | 0:48:22 | |
We'll grab our stuff and go and have a look, then. No worries. | 0:48:26 | 0:48:29 | |
Just a random passer-by has just found somebody | 0:48:29 | 0:48:32 | |
sort of snoring away on the kerb, which is quite strange. | 0:48:32 | 0:48:37 | |
But it is Saturday night, so anything could happen. | 0:48:37 | 0:48:40 | |
Hello? | 0:48:42 | 0:48:43 | |
Hello? | 0:48:45 | 0:48:46 | |
Just mind yourself. | 0:48:46 | 0:48:48 | |
It's the ambulance, the paramedics - can you wake up? | 0:48:48 | 0:48:55 | |
Open your eyes. | 0:48:56 | 0:48:58 | |
I don't know if he's been drinking or not, | 0:48:58 | 0:49:00 | |
it's hard to tell outside if he smells of it. | 0:49:00 | 0:49:03 | |
Can't believe he's sleeping in this cold. | 0:49:03 | 0:49:06 | |
We'll need to check him. I'll get a crew to come. | 0:49:06 | 0:49:09 | |
Hello! | 0:49:11 | 0:49:13 | |
It's the ambulance, how are you feeling? | 0:49:13 | 0:49:16 | |
-Do you speak English? -Yeah. | 0:49:16 | 0:49:19 | |
What's happened tonight? | 0:49:19 | 0:49:21 | |
Why are you on the floor? | 0:49:21 | 0:49:23 | |
Why are you lying on the pavement? | 0:49:24 | 0:49:27 | |
What? | 0:49:27 | 0:49:28 | |
Have you been drinking alcohol? | 0:49:28 | 0:49:31 | |
HE MUTTERS | 0:49:31 | 0:49:33 | |
Vodka? Nothing? | 0:49:33 | 0:49:34 | |
Have you been taking drugs? Anything? | 0:49:34 | 0:49:38 | |
Have you been assaulted? | 0:49:38 | 0:49:40 | |
Do you have any pain anywhere? | 0:49:41 | 0:49:43 | |
HE MUTTERS | 0:49:44 | 0:49:46 | |
Well, he's responding, but I can't tell | 0:49:47 | 0:49:50 | |
whether he's been assaulted or he's intoxicated or on drugs. | 0:49:50 | 0:49:55 | |
Just borrow your arm a minute. | 0:49:55 | 0:49:57 | |
I need to take some blood from your finger. | 0:50:03 | 0:50:06 | |
-No good. -What's no good? Can we take some blood from your finger? | 0:50:06 | 0:50:11 | |
Can we test your sugar? Can I prick your finger? | 0:50:11 | 0:50:15 | |
-Strange. -Just wait there, just wait there. Mind yourself. | 0:50:17 | 0:50:22 | |
I think we need to make sure you're OK. | 0:50:25 | 0:50:27 | |
We need to make sure you're OK. | 0:50:32 | 0:50:34 | |
How do you feel, do you feel OK? | 0:50:38 | 0:50:40 | |
You look a bit wobbly. Don't fall! | 0:50:40 | 0:50:42 | |
When he regains consciousness, he only has eyes for Amy. | 0:50:44 | 0:50:49 | |
-Amy? -Amy. -Nice to meet you. | 0:50:50 | 0:50:53 | |
Amy's number? | 0:50:53 | 0:50:55 | |
Amy's number? No. | 0:50:55 | 0:50:57 | |
No number? | 0:50:57 | 0:50:59 | |
No number. | 0:50:59 | 0:51:01 | |
No number, no, Amy has a boyfriend. | 0:51:01 | 0:51:04 | |
-Boyfriend? -Yes. | 0:51:04 | 0:51:07 | |
'This strange person who had been | 0:51:12 | 0:51:14 | |
'sleeping on the street for some bizarre reason' | 0:51:14 | 0:51:18 | |
took a little shine to us, | 0:51:18 | 0:51:20 | |
and I'm not sure if I took a shine to him...at all. | 0:51:20 | 0:51:24 | |
-Friend. -You want to be a good friend of Amy's? | 0:51:26 | 0:51:29 | |
Strong. | 0:51:29 | 0:51:31 | |
-You are strong, I know that. -Amy. | 0:51:31 | 0:51:33 | |
-She's got a nice smile. -Yeah, it's good. | 0:51:33 | 0:51:36 | |
Yeah, it's good, beautiful. | 0:51:36 | 0:51:39 | |
It made us feel uncomfortable. I just wanted to run away | 0:51:41 | 0:51:44 | |
when he started being all like that. | 0:51:44 | 0:51:46 | |
Take care. | 0:51:46 | 0:51:48 | |
Goodbye. | 0:51:48 | 0:51:49 | |
No! | 0:51:51 | 0:51:53 | |
No, thank you. | 0:51:53 | 0:51:54 | |
She's very shy. | 0:51:56 | 0:51:58 | |
Very shy. | 0:51:58 | 0:52:00 | |
'I think it is jobs like this that make us wonder' | 0:52:00 | 0:52:02 | |
whether I really want to be on the car by myself. | 0:52:02 | 0:52:06 | |
I think that could have been a bit different | 0:52:06 | 0:52:09 | |
if I was by myself. It's just very strange. | 0:52:09 | 0:52:14 | |
That was the bizarrest thing I've ever seen! | 0:52:18 | 0:52:22 | |
What was going on there? | 0:52:23 | 0:52:25 | |
I can't believe you didn't give him your number. | 0:52:25 | 0:52:28 | |
And it's not just a date that Amy's missing out on. | 0:52:38 | 0:52:42 | |
Some of the other junior paramedics are getting together for a curry | 0:52:42 | 0:52:46 | |
and they're reflecting on their last few weeks. | 0:52:46 | 0:52:48 | |
How do you feel, coming to the end of your placement? | 0:52:48 | 0:52:51 | |
A bit gutted - I wish we could carry on with it. | 0:52:51 | 0:52:54 | |
I don't want to go back to uni. | 0:52:54 | 0:52:55 | |
I kind of do want to go back, but kind of don't. I want to learn more. | 0:52:55 | 0:52:58 | |
-I know it's going to be so hard when we go back. -I know. | 0:52:58 | 0:53:01 | |
I don't want to finish placement, but I'll be glad to get some sleep. | 0:53:01 | 0:53:05 | |
I feel, when I'm driving in the morning, | 0:53:05 | 0:53:07 | |
I have to pull over and slap myself a bit. | 0:53:07 | 0:53:09 | |
Yeah, when you've finished your shift | 0:53:09 | 0:53:11 | |
and driving back after those 12 hours, I'm like falling asleep. | 0:53:11 | 0:53:14 | |
I always panic, "Do I eat or do I sleep?" | 0:53:14 | 0:53:17 | |
I just sing, full blast! | 0:53:17 | 0:53:18 | |
THEY LAUGH | 0:53:18 | 0:53:20 | |
I can just imagine, I don't know why, but Mamma Mia. | 0:53:20 | 0:53:23 | |
Do you think you've changed and developed through your placement? | 0:53:27 | 0:53:31 | |
-I think I've learned a lot. -I think I've become more confident. | 0:53:31 | 0:53:35 | |
-Definitely. -I thought before that two years seemed a really short | 0:53:35 | 0:53:38 | |
period of time to learn everything we needed to learn | 0:53:38 | 0:53:41 | |
and to be trained as a qualified paramedic, | 0:53:41 | 0:53:43 | |
but seeing how much you've learnt in five, six weeks... | 0:53:43 | 0:53:46 | |
It scares me to think how much we've got to learn, though. | 0:53:46 | 0:53:49 | |
Yeah, but think how much you have learnt in such a short time. | 0:53:49 | 0:53:52 | |
I know, but when you look at the bigger picture over the two years, | 0:53:52 | 0:53:55 | |
I think it is quite daunting. | 0:53:55 | 0:53:58 | |
I think it's going to be strange when we're qualified | 0:53:58 | 0:54:01 | |
and you haven't got that person to kind of turn round to, | 0:54:01 | 0:54:04 | |
because ECGs, you just hand them straight to your mentor. | 0:54:04 | 0:54:07 | |
I just look at them and think, "What the BLEEP am I looking at here? | 0:54:07 | 0:54:11 | |
"There's some things there, a QPRS, I don't know what that is." | 0:54:11 | 0:54:14 | |
They're like, "What do you think?" and I'm like, "Yeah, I don't know." | 0:54:14 | 0:54:17 | |
I feel like a superhero, because... | 0:54:23 | 0:54:25 | |
you've got your uniform during the day, right, | 0:54:25 | 0:54:29 | |
you're putting on your outfit, you go out and save the day, | 0:54:29 | 0:54:33 | |
saving lives and all that, and then you come back and you're normal, | 0:54:33 | 0:54:37 | |
-no-one knows you're... -I totally know what you mean there. | 0:54:37 | 0:54:40 | |
I never thought of it like that. | 0:54:40 | 0:54:42 | |
People may think I'm a knob and that, | 0:54:42 | 0:54:44 | |
but in a serious situation, I can actually be serious. | 0:54:44 | 0:54:48 | |
Turn off the knobbiness. | 0:54:48 | 0:54:50 | |
You would not believe it! | 0:54:50 | 0:54:52 | |
I don't think you're a MASSIVE knob! | 0:54:52 | 0:54:54 | |
Shut up. | 0:54:54 | 0:54:55 | |
Next time, | 0:55:00 | 0:55:01 | |
it's the Junior Paramedics' final shifts of the placement. | 0:55:01 | 0:55:04 | |
-If you refuse it... -I'll break the -BLEEP... | 0:55:04 | 0:55:08 | |
Keep your voice down. | 0:55:08 | 0:55:09 | |
Steph's caught up in a potentially volatile situation... | 0:55:09 | 0:55:13 | |
The chap that's assaulted this patient | 0:55:13 | 0:55:15 | |
is now trying to get into the flat. | 0:55:15 | 0:55:17 | |
-..when there's an attacker on the prowl. -Knows where you live? | 0:55:17 | 0:55:20 | |
I'm going to hold your head, OK? | 0:55:22 | 0:55:24 | |
Bryn's last night on the job | 0:55:24 | 0:55:26 | |
brings his biggest challenge of the whole six weeks. | 0:55:26 | 0:55:29 | |
Might be a bit uncomfortable, | 0:55:29 | 0:55:30 | |
but we just need to make sure you're nice and secure. | 0:55:30 | 0:55:32 | |
And it's crunch time as the mentors mark the juniors' performances. | 0:55:32 | 0:55:37 | |
We get graded today, and I'm really, really dreading it. | 0:55:37 | 0:55:41 | |
But who will pass... | 0:55:41 | 0:55:43 | |
Did you have an idea what you thought you might have got? | 0:55:43 | 0:55:47 | |
..and who will fail? | 0:55:47 | 0:55:48 | |
A D-minus - that's the bottom grade you can get before you fail. | 0:55:48 | 0:55:52 |