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In the church in the village of Ashwell in Hertfordshire, | 0:00:18 | 0:00:23 | |
medieval graffiti still survive as witnesses to a far-off Age Of Terror. | 0:00:23 | 0:00:30 | |
And the year when the Great Plague first came | 0:00:39 | 0:00:44 | |
was one thousand and three hundred and fifty... | 0:00:44 | 0:00:49 | |
minus one. | 0:00:49 | 0:00:51 | |
Merciless and terrifying. | 0:00:53 | 0:00:56 | |
The 14th century is the most conflicted time in British history. | 0:01:00 | 0:01:05 | |
The country went from boom to bust, ran into climate change, pestilence and famine, | 0:01:05 | 0:01:12 | |
was involved in foreign war and then the Black Death, the greatest catastrophe in history. | 0:01:12 | 0:01:17 | |
It's a defining epoch, | 0:01:17 | 0:01:20 | |
but not in the way that you would have thought. | 0:01:20 | 0:01:23 | |
A few years after the Black Death, a poor Midlands cleric called William Langland had a dream. | 0:01:37 | 0:01:44 | |
"One summer season when the sun was soft", Langland begins, | 0:01:44 | 0:01:48 | |
"I rigged myself out in shaggy woollen clothes like an easy-going hermit, | 0:01:48 | 0:01:52 | |
"and I set out to wander the world, hoping to hear of wonders." | 0:01:52 | 0:01:58 | |
"And one May morning in the Malvern Hills, tired by my travels, I fell asleep. | 0:02:00 | 0:02:05 | |
"And I dreamt a marvellous dream." | 0:02:05 | 0:02:08 | |
"I saw a fair field full of folk, high and low together, some labouring at ploughing and sowing. | 0:02:12 | 0:02:20 | |
"No time for pleasure, sweating to produce food for the rich to waste. | 0:02:20 | 0:02:24 | |
"The ones who spend their lives in vanity parading themselves in their fine clothes. | 0:02:24 | 0:02:30 | |
"Although their crown comes from us, the commoners." | 0:02:30 | 0:02:35 | |
Langland's poem about an honest ploughman is the first great social commentary in English history, | 0:02:39 | 0:02:45 | |
the first to see the world through the eyes of the poor... | 0:02:45 | 0:02:48 | |
..Medieval reality as opposed to medieval myth. | 0:02:51 | 0:02:56 | |
'I called you here as free-born Englishmen, loyal to our king.' | 0:02:59 | 0:03:03 | |
Since Prince John has seized the regency, | 0:03:03 | 0:03:07 | |
Guy of Gisborne and the rest of his traitors have murdered and pillaged. | 0:03:07 | 0:03:11 | |
You've all suffered from their cruelty. The ear-loppings, the beatings, the blindings... | 0:03:11 | 0:03:17 | |
You know, watching history movies on the cinema and TV, | 0:03:20 | 0:03:23 | |
reading history books, you so often get the impression | 0:03:23 | 0:03:26 | |
that history is made by the people at the top, | 0:03:26 | 0:03:29 | |
the rulers, Lords and Kings. | 0:03:29 | 0:03:30 | |
But what's so wonderful about this period, the 14th century, is that documents are so rich. | 0:03:35 | 0:03:41 | |
For the first time in English history, you can actually sense the energies of history | 0:03:41 | 0:03:46 | |
just bubbling up from the grass roots as the ordinary English people, | 0:03:46 | 0:03:49 | |
even the unfree peasants, for the first time, see the possibilities of change | 0:03:49 | 0:03:54 | |
and begin to fight for their basic rights. | 0:03:54 | 0:03:58 | |
It's time we put an end to this! | 0:04:00 | 0:04:03 | |
This is a journey into Langland's fair field full of folk, | 0:04:08 | 0:04:12 | |
searching not for kings and queens but for the ordinary English people. | 0:04:12 | 0:04:17 | |
It's the tale of one village, Codicote in Hertfordshire. | 0:04:17 | 0:04:21 | |
The story of what happened to its people in a time that changed Britain forever. | 0:04:21 | 0:04:25 | |
This is the kind of house that the medieval peasants of Codicote would have lived in. Let's have a look. | 0:04:28 | 0:04:35 | |
It's small, very few possessions. | 0:04:40 | 0:04:45 | |
And they all mattered. | 0:04:45 | 0:04:47 | |
You would have brought your animals in at night, especially your cow. | 0:04:47 | 0:04:51 | |
This is the world of our medieval ancestors. | 0:04:51 | 0:04:53 | |
And this is the story of one community of them, and one family and especially one woman. | 0:04:53 | 0:05:00 | |
A medieval peasant, a one-parent family. | 0:05:00 | 0:05:04 | |
And her name - Christina. | 0:05:04 | 0:05:06 | |
Now you might have thought it impossible to tell the story | 0:05:06 | 0:05:11 | |
of a poor peasant 700 years ago, let alone a woman. | 0:05:11 | 0:05:14 | |
But that's to reckon without the medieval obsession | 0:05:14 | 0:05:17 | |
with record-taking. | 0:05:17 | 0:05:19 | |
This is the Court Book for | 0:05:19 | 0:05:21 | |
Codicote village, a couple of hundred years of records, | 0:05:21 | 0:05:26 | |
all written down by the secretaries of the Abbot of St Albans for the purposes of taxation. | 0:05:26 | 0:05:32 | |
Fines, fees, tenancies, it's the brain-crunching detail | 0:05:32 | 0:05:38 | |
with which medieval landlords ruled their unfree population. | 0:05:38 | 0:05:44 | |
And here we are in 1277, and the first mention of the family - | 0:05:47 | 0:05:53 | |
Hugh Cok, that's Christina's father, | 0:05:53 | 0:05:58 | |
and he rents a place in the market where fish is sold. | 0:05:58 | 0:06:03 | |
A tiny little plot, just enough for a shop, 14ft by 12ft. | 0:06:03 | 0:06:08 | |
And pays eight shillings rental to the Lord. | 0:06:08 | 0:06:14 | |
It's the beginning of Hugh's career. | 0:06:14 | 0:06:16 | |
He starts off as the poorest villein in the village and over the next 20 years, | 0:06:16 | 0:06:23 | |
squirrels bits of holdings, bits of land, bits of property, a plot here, a plot there. | 0:06:23 | 0:06:28 | |
Two and a half acres and another place in the market, rent of 1p, | 0:06:28 | 0:06:33 | |
fine of 6p, one and a half acres, a house and three acres, an acre with a hedge. It's goes on and on. | 0:06:33 | 0:06:41 | |
You get a real impression of the almost mind-numbing detail that medieval landlords put you to. | 0:06:41 | 0:06:48 | |
The amount of kind of semi-intellectual effort that must have gone into | 0:06:48 | 0:06:51 | |
remembering and forgetting this great web of obligations. | 0:06:51 | 0:06:56 | |
'This system of scattered holdings has remained unchanged | 0:06:58 | 0:07:02 | |
'through the centuries. The autumn ploughing is the best time | 0:07:03 | 0:07:06 | |
'to get a good idea of the strips.' | 0:07:06 | 0:07:09 | |
Amazingly, Hugh's world survived into the 20th century. | 0:07:09 | 0:07:13 | |
And there are still traces of their ways in our thought and speech. | 0:07:17 | 0:07:20 | |
This, for example is broadcasting. | 0:07:20 | 0:07:24 | |
When Christina was a little girl, | 0:07:26 | 0:07:29 | |
she would've helped her father in the field, guiding the plough team with a goad. | 0:07:29 | 0:07:35 | |
What you have to remember about the medieval strip systems is they're | 0:07:44 | 0:07:48 | |
much more complicated than we were taught at school. | 0:07:48 | 0:07:51 | |
And here in Codicote, in this part of the Chilterns, they had many fields, not just three big fields. | 0:07:51 | 0:07:58 | |
Codicote had about 15 fields in the Middle Ages. | 0:07:58 | 0:08:00 | |
This map gives you an idea. In yellow, I've coloured in what were the peasants' lands. | 0:08:00 | 0:08:05 | |
The Lord's lands in the middle, the peasants have to go out from the village to work on the strips. | 0:08:05 | 0:08:11 | |
Hugh Cok, for example, Christina's father, would have had 20 or 30 little bits of land | 0:08:11 | 0:08:17 | |
dotted around the perimeter so he had to walk each day, maybe a mile and a half out to his strip. | 0:08:17 | 0:08:22 | |
When you came back in the evening you would have been exhausted, fed up with this irksome system. | 0:08:22 | 0:08:29 | |
And in fact, throughout the court documents, the ill will between | 0:08:29 | 0:08:33 | |
the peasants and the landlords is, well, barely concealed. | 0:08:33 | 0:08:37 | |
To work such a complicated system, you needed a jury. | 0:08:40 | 0:08:44 | |
12 men, not women. | 0:08:44 | 0:08:46 | |
I filmed the Laxton Jury in the 1980s. | 0:08:46 | 0:08:49 | |
And there's the Codicote jury in the Court Book. | 0:09:01 | 0:09:05 | |
Hugh Cok was born around 1250. | 0:09:08 | 0:09:10 | |
He and his wife Agnes had three children, Christina, John and Adam. | 0:09:10 | 0:09:15 | |
They were villeins. We still use that word too, don't we? | 0:09:15 | 0:09:18 | |
It means unfree peasants who rented land from their lord and worked his fields too. | 0:09:18 | 0:09:23 | |
Labouring to feed their betters, and then to feed themselves. | 0:09:23 | 0:09:28 | |
Well, this is a basic fromity. | 0:09:29 | 0:09:32 | |
Fromity? What's a fromity? | 0:09:32 | 0:09:34 | |
It's a cracked-grain... | 0:09:34 | 0:09:37 | |
sort of porridge, really, | 0:09:37 | 0:09:40 | |
and you would mix it with stock or ale or anything like that. | 0:09:40 | 0:09:43 | |
Then you'd put in the things we grow in the garden. | 0:09:43 | 0:09:46 | |
So today we're just coming out of Lent, so we've got a bit of kale | 0:09:46 | 0:09:50 | |
and a bit of flat-leaf parsley and some onions, | 0:09:50 | 0:09:53 | |
which I'll just stick in. Of course, these are quite strong flavours, | 0:09:53 | 0:09:58 | |
they're going to flavour the grain for you. | 0:09:58 | 0:10:01 | |
And it'll be, hopefully, quite tasty. | 0:10:01 | 0:10:04 | |
You'd have had this on its own or you could put it with some meat | 0:10:04 | 0:10:08 | |
if you were rich enough. | 0:10:08 | 0:10:09 | |
How's this doing? Are we... Can we sample it? | 0:10:25 | 0:10:28 | |
Well, you can sample some if you would like to. | 0:10:28 | 0:10:31 | |
I can't guarantee the taste, but you are welcome. | 0:10:31 | 0:10:34 | |
Well, this is experimental archaeology, you see, so we've got to do that. | 0:10:34 | 0:10:38 | |
Well, let's... | 0:10:38 | 0:10:39 | |
get some for you, then. Do you want some bread? | 0:10:39 | 0:10:42 | |
Just a bit of that. So these are ordinary peas here, are they? | 0:10:42 | 0:10:45 | |
They're dried peas, so I've just put them in there basically to soak. | 0:10:45 | 0:10:49 | |
And we would soak them for quite a while, really. | 0:10:49 | 0:10:52 | |
-So peas would be a part of their diet too. -They would. | 0:10:52 | 0:10:55 | |
-Right, and they ate off wood. -They did. | 0:10:55 | 0:10:58 | |
You'd have a bowl for everything. | 0:10:58 | 0:11:00 | |
You know, we've got wooden buckets and plates and spoons. | 0:11:00 | 0:11:07 | |
Happy eating! | 0:11:07 | 0:11:08 | |
It's very good. | 0:11:11 | 0:11:13 | |
I don't know whether I could manage this every day, but... | 0:11:13 | 0:11:17 | |
It's very heavy. | 0:11:17 | 0:11:19 | |
Christina's parents were smallholders, | 0:11:24 | 0:11:27 | |
their most valuable possessions their plough oxen and their cow. | 0:11:27 | 0:11:31 | |
The smaller peasant farmer, we believe, would've used a cow, | 0:11:34 | 0:11:37 | |
because she's multifunctional. You can use her to work small acreages, | 0:11:37 | 0:11:41 | |
you can have a calf from her and you milk her as well. | 0:11:41 | 0:11:44 | |
Modern beef animals, all the money's in the back end, whereas you look at | 0:11:53 | 0:11:57 | |
the pictures of the old ox teams, they're big front-ended animals, big shoulders. | 0:11:57 | 0:12:01 | |
They generally started them at about three, they went into the teams, | 0:12:02 | 0:12:06 | |
worked them for two years, then they went off to fatten for two years. | 0:12:06 | 0:12:10 | |
So, they increased in value. | 0:12:10 | 0:12:13 | |
Whereas the horse decreased in value. | 0:12:13 | 0:12:15 | |
They're named as well. | 0:12:19 | 0:12:21 | |
This is Grin and Graceful, single-syllable nearside, | 0:12:21 | 0:12:26 | |
double-syllable offside. | 0:12:26 | 0:12:28 | |
So when you work in a team they know who you're talking to. | 0:12:28 | 0:12:31 | |
Come on, heads up. | 0:12:31 | 0:12:34 | |
Come on! Oi, Graceful... | 0:12:34 | 0:12:37 | |
As a medieval peasant, you had to be averagely good at a lot of things. | 0:12:46 | 0:12:52 | |
You didn't have many professional woodsmen back in the Middle Ages, | 0:12:52 | 0:12:56 | |
you were just a farm worker doing woodland work because it was necessary to your year. | 0:12:56 | 0:13:02 | |
So what's the deal with being able to... | 0:13:03 | 0:13:06 | |
Do the peasants have a common land or common wood where they can do this | 0:13:06 | 0:13:10 | |
or do they have to get permission from the landlord? | 0:13:10 | 0:13:13 | |
If they're tenants of the landlord, often their rental payment | 0:13:13 | 0:13:17 | |
will cover gathering certain types of wood and sometimes | 0:13:17 | 0:13:22 | |
in certain quantities. This is actually where you get the difference between wood and timber. | 0:13:22 | 0:13:27 | |
Wood was generally the stuff that peasants were allowed to gather. | 0:13:29 | 0:13:33 | |
Locally around here it was stuff up to about four inches thick. | 0:13:33 | 0:13:38 | |
Timber was a commercial product. It didn't necessarily mean | 0:13:38 | 0:13:41 | |
you were going to build anything out of it, it just meant | 0:13:41 | 0:13:44 | |
it belonged to the land owner and he could sell it. | 0:13:44 | 0:13:47 | |
So the landowner would be keen for the woodlands on the estate to have lots of what we'd call | 0:13:47 | 0:13:52 | |
standard trees, ones that will grow to their full height, whereas the peasantry | 0:13:52 | 0:13:56 | |
wanted lots of coppice or pollard trees where they'd get lots of these poles. | 0:13:56 | 0:14:01 | |
-And you get the firewood as well. -The thicker stuff | 0:14:01 | 0:14:03 | |
at the bottom for firewood. The straight bits in the middle for fencing. | 0:14:03 | 0:14:07 | |
The twigs at the top that I'm sitting on here, you can actually make beds out of them. | 0:14:07 | 0:14:12 | |
But most would be tied into bundles called faggots and they would be used to heat your bread ovens. | 0:14:12 | 0:14:17 | |
Now on one level you might think that this is just an everyday story | 0:14:28 | 0:14:33 | |
of medieval country folk, but there's more to it than that. | 0:14:33 | 0:14:36 | |
Here in 14th-century Hertfordshire, Christina and her neighbours are already set on the path which will | 0:14:36 | 0:14:43 | |
lead England to become the first capitalist nation in history. | 0:14:43 | 0:14:48 | |
"Money, money, money, thou art king," | 0:14:49 | 0:14:53 | |
said a poet of the time, "and rulest the world over all." | 0:14:53 | 0:14:57 | |
By the late 13th century, money was in wide circulation and markets were | 0:15:01 | 0:15:05 | |
opening everywhere, where peasants could sell their surplus - the first step to freedom. | 0:15:05 | 0:15:11 | |
I do barn eggs, I do duck eggs, I do quail eggs... | 0:15:16 | 0:15:19 | |
The nearest big market, St Albans, was already here in 1086. | 0:15:19 | 0:15:25 | |
I think it goes back to at least the 11-1200s. I'm sure it does. It might even go back a bit before that. | 0:15:25 | 0:15:32 | |
My father-in-law's had a stall here for about 30 years and my son's | 0:15:32 | 0:15:36 | |
working here as well, so that's three generations. | 0:15:36 | 0:15:39 | |
And my husband's grandma used to work on the stall with his father as well so, at one time, when Tom was a baby, | 0:15:39 | 0:15:44 | |
there were four generations on the stall. | 0:15:44 | 0:15:47 | |
Christina's parents leased a stall in a new market in Codicote. | 0:15:48 | 0:15:51 | |
You might think it almost impossible to recover the 13th century | 0:15:51 | 0:15:57 | |
from a modern commuter village, but it's still here. | 0:15:57 | 0:16:02 | |
That's the main road from Hitchin to St Albans. Medieval road, pilgrims' road, in fact. | 0:16:07 | 0:16:12 | |
The George and the Dragon was built there in the 14th century as a pilgrims' hostel. | 0:16:12 | 0:16:17 | |
In 1267 the King allowed the villagers to have a market, and this is the marketplace. | 0:16:18 | 0:16:23 | |
It's been filled in with these cottages in later times but this is where all the market stalls were - | 0:16:23 | 0:16:29 | |
fish stalls along there for salted fish, | 0:16:29 | 0:16:33 | |
the fleshmongers - the butchers - the tanners, the coopers and so on. All around here. | 0:16:33 | 0:16:39 | |
And it's this point in the story of England, as well as the story of the village, that you see the growth | 0:16:41 | 0:16:47 | |
of capitalism at the grass roots. | 0:16:47 | 0:16:49 | |
Christina herself was born around 1285 at the end of a boom time. | 0:16:54 | 0:17:00 | |
In 200 years the population had gone from two million to six, | 0:17:00 | 0:17:04 | |
and, with the King needing to feed his court and fight his wars, | 0:17:04 | 0:17:08 | |
this was the real beginning of the English tax system. | 0:17:08 | 0:17:11 | |
There's 175 kms of shelving | 0:17:13 | 0:17:17 | |
here in the stores of the National Archive - the records of the English | 0:17:17 | 0:17:21 | |
and the British state for 1,000 years, almost. | 0:17:21 | 0:17:25 | |
These shelves contain the court rolls of the 13th and 14th century. | 0:17:27 | 0:17:34 | |
Nothing to my mind gives a better idea of the capacity of a medieval government to gather information | 0:17:34 | 0:17:40 | |
than to tax even the poorest people down to the level of Christina and her father, | 0:17:40 | 0:17:47 | |
Hugh Cok. | 0:17:47 | 0:17:48 | |
These are pieces of parchment that are sewn together | 0:17:50 | 0:17:54 | |
to form the long roll. | 0:17:54 | 0:17:55 | |
See the sewing on the first strip here? | 0:17:55 | 0:17:58 | |
It's just fantastic, isn't it? | 0:18:01 | 0:18:04 | |
Of course, you have to remember, it's not organised by modern local government blocks. | 0:18:06 | 0:18:11 | |
It's organised on hundreds, which are the divisions of the shire. | 0:18:11 | 0:18:17 | |
It had to be right at the end, didn't it? | 0:18:17 | 0:18:20 | |
So we know where we are, because this is the hundred of Cashio and here... | 0:18:20 | 0:18:25 | |
..Codicote. | 0:18:27 | 0:18:28 | |
And the... | 0:18:29 | 0:18:31 | |
29... | 0:18:31 | 0:18:33 | |
taxable people of Codicote in 1307. | 0:18:33 | 0:18:38 | |
They're people with enough property - shop in the market, land, cottage and so on - to be taxable. | 0:18:38 | 0:18:44 | |
All of them would have been well- known to Christina and her family. | 0:18:44 | 0:18:48 | |
The Arnolds... There's still an Arnolds' farm in Codicote. | 0:18:48 | 0:18:52 | |
There's still a Thickney. Roger Polin. | 0:18:52 | 0:18:54 | |
They end up being one of the wealthiest villein families in the 14th century, | 0:18:54 | 0:18:59 | |
did very well out of all the crises of the time. | 0:18:59 | 0:19:03 | |
And Hugh Cok, Christina's father. | 0:19:06 | 0:19:09 | |
His tax rating - | 0:19:09 | 0:19:11 | |
13 pence and 3 farthings. | 0:19:11 | 0:19:15 | |
In 1277 he'd been estimated at six pennies, so he's more than doubled | 0:19:15 | 0:19:22 | |
his tax liability after 30 years of hard slog out in the fields of Codicote. | 0:19:22 | 0:19:28 | |
If you want to understand the medieval mind, you have to remember this - | 0:19:30 | 0:19:34 | |
that along with death, the other great constant is tax. | 0:19:34 | 0:19:39 | |
Then, as now, money meant social mobility. It brought peasants property, | 0:19:46 | 0:19:51 | |
and even education and literacy, | 0:19:51 | 0:19:55 | |
and it shaped the class system that the English have loved and hated ever since. | 0:19:55 | 0:20:00 | |
There were quite big class divisions - | 0:20:02 | 0:20:06 | |
poor people on one side, like Christina, and rich families like the Salecoks and the Polins, | 0:20:06 | 0:20:14 | |
who built up quite big estates and properties, shops. | 0:20:14 | 0:20:17 | |
They might have been able to afford to build themselves | 0:20:17 | 0:20:20 | |
a fine house like this, with a little hall and a bedroom at one end. | 0:20:20 | 0:20:25 | |
So social change was in the air and in the art of the time too. | 0:20:29 | 0:20:35 | |
This most beautiful of all medieval books | 0:20:35 | 0:20:37 | |
was commissioned in Christina's lifetime by a rich lord - | 0:20:37 | 0:20:40 | |
Sir Geoffrey Luttrell. | 0:20:40 | 0:20:42 | |
It's just so rare for the Middle Ages for anything concerning the great unwashed | 0:20:45 | 0:20:49 | |
to make it through. We're used to it being the realms of Time Team | 0:20:49 | 0:20:53 | |
and pot shards etc, | 0:20:53 | 0:20:55 | |
but here you've actually got it, red of tooth and claw, | 0:20:55 | 0:20:58 | |
and the scenes that run around the marginal space in this incredible book, | 0:20:58 | 0:21:02 | |
populated not just by the great and the good but by the ordinary people who made Luttrell plc tick. | 0:21:02 | 0:21:07 | |
And that's an incredibly brave thing for a patron to actually want to do. | 0:21:07 | 0:21:14 | |
-So these are real people? -Oh, real people. | 0:21:14 | 0:21:16 | |
And this is a century in which we're beginning to experiment with portraiture. Imagine the thrill | 0:21:16 | 0:21:22 | |
of these people in the household if they saw this thing in the church, seeing themselves too. | 0:21:22 | 0:21:28 | |
And you can say something from the subsidy roles etc. of how much these estates were worth each year, | 0:21:28 | 0:21:34 | |
but if we want to see what makes the man tick and how he's seeing his universe, | 0:21:34 | 0:21:38 | |
this is the best route in. It's very rare for somebody to leave something that personal. | 0:21:38 | 0:21:43 | |
I think one of the things that runs throughout the agenda | 0:21:51 | 0:21:56 | |
is a concern with social justice, with poverty and posterity. | 0:21:56 | 0:22:02 | |
"Just look around you," | 0:22:06 | 0:22:08 | |
wrote William Langland, | 0:22:08 | 0:22:10 | |
"especially at the women among the poor. | 0:22:10 | 0:22:12 | |
"Burdened with children, often famished with hunger, | 0:22:12 | 0:22:16 | |
"their lot is too hard for me to describe in poetry." | 0:22:16 | 0:22:21 | |
Now, Christina's father knew that, and when she reached her late teens | 0:22:32 | 0:22:37 | |
he passed on to her his property in the market, the house and shop with its yard and garden. | 0:22:37 | 0:22:43 | |
Hugh gives over these holdings and tenements to his daughter, Christina... | 0:22:43 | 0:22:51 | |
..on condition that he will still hold them in name for the rest of his lifetime. | 0:22:53 | 0:22:58 | |
So he maybe has become infirm. | 0:22:58 | 0:23:00 | |
Maybe, you know, hard work for 30 years as a villein, | 0:23:00 | 0:23:04 | |
ploughing his lord's fields as well as his own, | 0:23:04 | 0:23:09 | |
has really finished him off. | 0:23:09 | 0:23:10 | |
Christina's parents also brewed and sold ale. | 0:23:14 | 0:23:19 | |
Brewing traditionally was a woman's trade, and Christina will have learned the job when she was young. | 0:23:22 | 0:23:28 | |
You just pour it in, | 0:23:28 | 0:23:31 | |
and you have to keep the temperature just below simmering the whole time. | 0:23:31 | 0:23:34 | |
The mashing process forces the sugar out | 0:23:34 | 0:23:39 | |
of the malted barley into the liquid, which will eventually be called wort. | 0:23:39 | 0:23:44 | |
And the liquid is what you're going to turn into the ale. | 0:23:44 | 0:23:47 | |
So medieval women who are brewing ale literally will spend two hours | 0:23:47 | 0:23:51 | |
over their hot bowl doing this each day that they brew ale. | 0:23:51 | 0:23:54 | |
Yes, it's quite a careful process, and one that I think they would | 0:23:54 | 0:23:58 | |
have been very skilled in, because it was their main drink. It was their daily drink. | 0:23:58 | 0:24:03 | |
God, I'm starting to smell it now. | 0:24:03 | 0:24:05 | |
I feel as if I'm... | 0:24:05 | 0:24:07 | |
in a medieval brewery now. | 0:24:07 | 0:24:09 | |
I think women would have almost used it like cooking. | 0:24:09 | 0:24:12 | |
They would have added all sorts of ingredients, like nettles or dandelions, | 0:24:12 | 0:24:17 | |
to flavour their own ale, and had their own personal recipes. | 0:24:17 | 0:24:20 | |
In the village book, Christina's parents were fined for breaking the Assize of Ale. | 0:24:26 | 0:24:32 | |
Now Christina herself had to deal with this notorious area of medieval life, | 0:24:32 | 0:24:36 | |
controlled by the ale-tasters. | 0:24:36 | 0:24:40 | |
BELL RINGS | 0:24:45 | 0:24:47 | |
Make way for the High Bailiff, ale tasters and members of the ancient Henley Court and their guests. | 0:24:47 | 0:24:54 | |
I command you to draw a glass of your beer and give it | 0:24:54 | 0:24:58 | |
to my ale-tasters that they may taste it and judge of its quality. | 0:24:58 | 0:25:02 | |
The excesses that all the women brewed, they wanted to sell, | 0:25:02 | 0:25:06 | |
and with the act, to actually sell it, | 0:25:06 | 0:25:09 | |
in theory they needed to put a pole outside their garden, | 0:25:09 | 0:25:12 | |
outside their house, with a brush on it to indicate to the ale-tasters to come and taste it | 0:25:12 | 0:25:19 | |
to make sure that it was fit for consumption and sale. | 0:25:19 | 0:25:22 | |
"Port of Codicote, the feast of St Mark, | 0:25:23 | 0:25:28 | |
"the ale-tasters present that Christina Blosten, | 0:25:28 | 0:25:32 | |
"Agnes Boner, Ralph the Miller, | 0:25:32 | 0:25:36 | |
"have brewed ale and sold it contrary to the Assize of Ale, and are fined." | 0:25:36 | 0:25:43 | |
So for a peasant, whether you were ploughing or brewing, you ignored the law at your peril. | 0:25:43 | 0:25:49 | |
It's a very bureaucratic period. | 0:25:52 | 0:25:55 | |
There are all sorts of rules and regulations. | 0:25:55 | 0:26:00 | |
If you break them, you have to pay money to a lord | 0:26:00 | 0:26:03 | |
or whoever has control of the market, | 0:26:03 | 0:26:05 | |
or whoever has control of the land where you put your dung heap. | 0:26:05 | 0:26:10 | |
So there'd be a lot of very local litigation, | 0:26:10 | 0:26:12 | |
which was really a means of somebody raising money. | 0:26:12 | 0:26:18 | |
But there were other courts and forms of law. | 0:26:18 | 0:26:22 | |
Local courts, manorial courts, or court leet, as they were called, | 0:26:22 | 0:26:27 | |
and also of course the Church was a huge landowner. | 0:26:27 | 0:26:32 | |
When disputes arose about church property, they would often be tried | 0:26:32 | 0:26:38 | |
in the church courts, because they had jurisdiction over it, which were sometimes called consistory courts. | 0:26:38 | 0:26:43 | |
Christina's landlord, the earthly agent of Christ's | 0:26:45 | 0:26:49 | |
great consistory court in the sky, was St Albans Abbey. | 0:26:49 | 0:26:54 | |
By the 1300s, St Albans Abbey was an ancient and wealthy centre of power and privilege. | 0:26:55 | 0:27:02 | |
It was founded on what was supposed to be the oldest Christian shrine in Britain, of a Roman saint, Alban. | 0:27:04 | 0:27:12 | |
The monks had been endowed by the Saxon King Offa in the 8th century. | 0:27:12 | 0:27:17 | |
The lands of Codicote had been given to the monks in 1002 by King Ethelred the Unready. | 0:27:17 | 0:27:23 | |
So by Christina's day, the people of Codicote had worked for, | 0:27:23 | 0:27:28 | |
and been owned by, the King and the Church for many centuries. | 0:27:28 | 0:27:32 | |
Dear, oh, dear! | 0:27:32 | 0:27:34 | |
Those medievals were shorter and smaller than me. | 0:27:34 | 0:27:38 | |
Well, if the Abbot of St Albans ever came up here, | 0:27:44 | 0:27:47 | |
which I can't believe he did, having been up that narrow staircase, he'd have been able to | 0:27:47 | 0:27:52 | |
look out over his domain and pretty much as far as the eye could see, | 0:27:52 | 0:27:57 | |
was land that belonged to the monks. | 0:27:57 | 0:28:01 | |
"I Christyn, dohtyr of Hugh Cok, | 0:28:04 | 0:28:07 | |
"tak this londe in villenage to holden for me and myne, | 0:28:07 | 0:28:11 | |
"and I woll do alle maner service and costomes | 0:28:11 | 0:28:16 | |
"and in alle thyngis I woll obeye the wylle of the lorde." | 0:28:16 | 0:28:21 | |
As through most of our history, the system was loaded against women. | 0:28:23 | 0:28:28 | |
1539. | 0:28:28 | 0:28:29 | |
-Absolutely. -Do you want to open it? -A long time ago. | 0:28:29 | 0:28:32 | |
'That's why Christina's father, | 0:28:34 | 0:28:36 | |
'while he was still alive, set her up with property, | 0:28:36 | 0:28:39 | |
'so she wasn't dependent on a man. | 0:28:39 | 0:28:41 | |
'And it's why she will always insist on it passing down through her heirs.' | 0:28:41 | 0:28:46 | |
So these are the court rolls for Norton, aren't they? | 0:28:46 | 0:28:49 | |
Just to the north of Codicote. | 0:28:49 | 0:28:52 | |
Yes. They have been made into books, rather than rolls, which is quite interesting. Quite unusual. | 0:28:52 | 0:28:57 | |
'The truth was that a peasant needed to know the law | 0:28:57 | 0:29:00 | |
'and if you were smart enough, and if you could read a little, you could use it to your advantage.' | 0:29:00 | 0:29:05 | |
There we go. Here's the tale. | 0:29:05 | 0:29:08 | |
Alice, who was the wife of Richard le Bounde, Alice le Bounde. | 0:29:13 | 0:29:17 | |
She's a widow, she's a villein, she's a semi-free peasant | 0:29:17 | 0:29:21 | |
and she's come here to make her petition. | 0:29:21 | 0:29:28 | |
The Lord's Sergeant has unjustly taken as death duty from her husband | 0:29:28 | 0:29:34 | |
this property, which should have come to Alice | 0:29:34 | 0:29:37 | |
on the grounds of her hereditas. It had come to her through her family. | 0:29:37 | 0:29:42 | |
But the judgement that was made was that her marriage - she had been married | 0:29:42 | 0:29:48 | |
only by the licence of the Lord - and that this property | 0:29:48 | 0:29:53 | |
could then be taken as death duty | 0:29:53 | 0:29:58 | |
-and nothing go to her, because... -HE SPEAKS LATIN | 0:29:58 | 0:30:03 | |
..The man is the head of the woman. | 0:30:03 | 0:30:07 | |
And I can hear you saying, how medieval is that? | 0:30:07 | 0:30:11 | |
But before you jump to conclusions, don't forget that arguments like this | 0:30:11 | 0:30:15 | |
over the married woman's property continue right through the Victorian era, | 0:30:15 | 0:30:20 | |
even after the Married Women's Property Act of 1882. | 0:30:20 | 0:30:24 | |
The road to women's equality, even in Britain, | 0:30:24 | 0:30:27 | |
has been long and difficult and not yet in some areas achieved. | 0:30:27 | 0:30:32 | |
So if Christina were looking for a husband, she needed to be careful. | 0:30:36 | 0:30:41 | |
Christina's, I think, in her late twenties and she's got property, | 0:30:42 | 0:30:47 | |
so she's potentially a catch, is she? Even though she's a villein woman. | 0:30:47 | 0:30:53 | |
Her father saw to it that she had some property. | 0:30:53 | 0:30:56 | |
It's interesting that it's market property. | 0:30:58 | 0:31:02 | |
That would have meant that she was up and about. | 0:31:02 | 0:31:05 | |
She travelled, she moved, she bought, she sold. | 0:31:05 | 0:31:08 | |
It's really interesting. The early 14th century is probably | 0:31:09 | 0:31:12 | |
the peak of pressure on availability of landed resources in England. | 0:31:12 | 0:31:17 | |
The population is really, really growing and we find | 0:31:17 | 0:31:22 | |
many, many cases enrolled of men that are clearly younger marrying women that are older and with property. | 0:31:22 | 0:31:29 | |
These are definitely working relationships. | 0:31:29 | 0:31:32 | |
She has something to offer. | 0:31:32 | 0:31:34 | |
She's not being coerced into this. She's made a choice. | 0:31:34 | 0:31:38 | |
And to have a young vigorous, interested man, perhaps of some | 0:31:38 | 0:31:42 | |
talent or skill, around the place, is, as we know, extremely useful. HE LAUGHS | 0:31:42 | 0:31:48 | |
She would know the value of documentation. | 0:31:50 | 0:31:53 | |
The fact that she's involved in market activity means she has to be aware of | 0:31:53 | 0:31:59 | |
-the importance of documentation, of licensing, and of leaving that, dare I say, the parchment trail. -Yeah. | 0:31:59 | 0:32:06 | |
And her parchment trail now leads us to 1314 and a husband. | 0:32:09 | 0:32:14 | |
She's making provision for a property in the market with a man called William Baron | 0:32:14 | 0:32:21 | |
and special provision for its descent through her true heirs. | 0:32:21 | 0:32:27 | |
So she's thinking about children. | 0:32:31 | 0:32:34 | |
There were many dangers in pregnancy then, so you sought all the help you could get. | 0:32:34 | 0:32:40 | |
You might pray to a great saint like Alban or a local holy woman, like her namesake Christina of Markyate. | 0:32:40 | 0:32:47 | |
But you might also turn to magic. | 0:32:47 | 0:32:50 | |
There was a beautiful classical cameo. | 0:32:52 | 0:32:54 | |
Matthew Paris, our famous historian monk, | 0:32:54 | 0:32:57 | |
drew a picture of it. | 0:32:57 | 0:33:00 | |
And this was thought to be very effective for fertility. | 0:33:00 | 0:33:06 | |
We hear about women laying it on themselves, lying down and placing it on their stomach. | 0:33:06 | 0:33:11 | |
So you could imagine our Christina made a pilgrimage to this shrine | 0:33:15 | 0:33:19 | |
and laid the magic onyx stone on her belly and prayed to Alban for children. | 0:33:19 | 0:33:26 | |
Gosh, you would pray, wouldn't you? | 0:33:26 | 0:33:29 | |
Such dreams were the refuge of the medieval mind, but medieval life was governed by hard reality. | 0:33:29 | 0:33:35 | |
If there wasn't much to go round, the boys and men got it because they were working in the fields. | 0:33:38 | 0:33:43 | |
So the women wouldn't have weighed enough to be fertile. | 0:33:43 | 0:33:46 | |
So you brought your thin little wife on a pilgrimage, asking permission. | 0:33:46 | 0:33:51 | |
-What weight is...? -About seven and a quarter stone is the optimum weight for fertility, to begin menstruation. | 0:33:51 | 0:33:57 | |
So Christina's nearly 30 now, seven or eight stone maybe. | 0:34:02 | 0:34:07 | |
She's already had a hard life, and two babies are on the way. | 0:34:07 | 0:34:10 | |
There's rarely a perfect time to have children, but 1314 was not one. | 0:34:13 | 0:34:20 | |
At this point, the British Isles and Northern Europe slip into catastrophic climate change. | 0:34:23 | 0:34:29 | |
A pattern of wet summers and frozen winters led to starvation | 0:34:33 | 0:34:37 | |
and then to disease and pestilence in men and beasts. | 0:34:37 | 0:34:41 | |
The Great Famine. | 0:34:41 | 0:34:43 | |
Modern studies of tree rings and ice cores have found a long-term picture that they couldn't see. | 0:34:45 | 0:34:52 | |
Two centuries of cooling. | 0:34:52 | 0:34:53 | |
Europe's little Ice Age. | 0:34:53 | 0:34:56 | |
It was a time, they said, so cold and unkind. | 0:35:06 | 0:35:10 | |
To see what the famine was like for Christina and her neighbours, we can go to one Hertfordshire farm | 0:35:14 | 0:35:20 | |
that was still a working farm with two huge medieval barns | 0:35:20 | 0:35:24 | |
when these photos were taken in 1936. | 0:35:24 | 0:35:29 | |
The 14th century barn is now an architects' office and here we've got | 0:35:34 | 0:35:38 | |
the incredible survival of almost day-to-day records from that time. | 0:35:38 | 0:35:43 | |
This is the entry for Kinsbourne on the 16th day of January, | 0:35:45 | 0:35:50 | |
and the accounting official is William Attherne. | 0:35:50 | 0:35:54 | |
Then it lists, initially, | 0:35:54 | 0:35:56 | |
the different types of crops, starting with wheat, then peas, | 0:35:56 | 0:35:59 | |
barley, then this damaged area says dredge, which is a mixture of barley and oats, | 0:35:59 | 0:36:06 | |
and then finally, oats. | 0:36:06 | 0:36:08 | |
At the bottom of the document there is a list of livestock, which includes 12 horses and five cows. | 0:36:08 | 0:36:15 | |
Also, there's a young animal who is pregnant. | 0:36:15 | 0:36:21 | |
And here at Kinsbourne, the farm diary can take us into | 0:36:21 | 0:36:24 | |
the worst days of the famine. | 0:36:24 | 0:36:28 | |
This is a copy of an entry from the winter of 1315, | 0:36:28 | 0:36:33 | |
which is right at one of the peak crisis moments. | 0:36:33 | 0:36:36 | |
This is part of the Grange Account dealing with peas and veg. | 0:36:36 | 0:36:41 | |
It starts, "In porcis campestribus", which are for field pigs, | 0:36:41 | 0:36:47 | |
who would normally be out rooting in the fields. | 0:36:47 | 0:36:50 | |
They've been sustained in winter, "tempori nevis", | 0:36:50 | 0:36:55 | |
so in the period of snowy weather, one quarter one bushel of peas has been expended. | 0:36:55 | 0:37:00 | |
The natural food of the pigs has been covered up by deep snow, | 0:37:00 | 0:37:04 | |
so the farm manager is having to feed them extra grain to support them. | 0:37:04 | 0:37:08 | |
The chronicles for this period of the Great Famine talk about rains through | 0:37:08 | 0:37:14 | |
July, August, into September, for two or three years running in the worst period of the famine. | 0:37:14 | 0:37:19 | |
-Have you got evidence of that? -We've got evidence | 0:37:19 | 0:37:22 | |
from Kinsbourne of those heavy rains, which struck in 1315 and 1316 especially. | 0:37:22 | 0:37:28 | |
This is the section for the autumn expenses in the period of wet weather. | 0:37:28 | 0:37:33 | |
The entry starts here with the purchase of ale for the reeve | 0:37:33 | 0:37:37 | |
and the cowman and various other farm servants. | 0:37:37 | 0:37:41 | |
More than usual because of the great rain. | 0:37:41 | 0:37:44 | |
"Proctor magnum pluvium." | 0:37:44 | 0:37:46 | |
Presumably this means that the harvest period has had to be extended | 0:37:48 | 0:37:52 | |
and so they were paid extra and they're being paid in ale, which was a foodstuff. | 0:37:52 | 0:37:56 | |
This is quite an interesting entry, because the auditor has been through disallowing some of the expenses. | 0:37:56 | 0:38:02 | |
They didn't believe that so much ale had been consumed and they reduced the amount of ale that they allowed | 0:38:02 | 0:38:09 | |
from ten shillings and sixpence down to seven shillings and eight pence. | 0:38:09 | 0:38:13 | |
So the poor peasants of Kinsbourne, in the middle of the Great Famine, are ploughing | 0:38:13 | 0:38:20 | |
fields late because of the pouring rain and the landlord is penny- pinching over their ale expenses? | 0:38:20 | 0:38:26 | |
Fantastic detail, isn't it? Absolutely amazing. | 0:38:26 | 0:38:30 | |
Is it always profit and loss and cutting your expenses | 0:38:30 | 0:38:34 | |
or is there a sense of charity or sympathy in the documents? | 0:38:34 | 0:38:38 | |
-Or do documents not tell you that kind of thing?! -Well, they do, actually. | 0:38:38 | 0:38:42 | |
Many of these account rolls have been searched for this particular period | 0:38:42 | 0:38:46 | |
and it seems that charity was rather lacking at the time. | 0:38:46 | 0:38:51 | |
There are some examples of the lord relaxing certain services or dues or obligations, | 0:38:51 | 0:38:57 | |
but also there are examples of them actually cutting food rations to their workers | 0:38:57 | 0:39:02 | |
because of the price of corn. | 0:39:02 | 0:39:05 | |
And believe it or not, the worst year for the people, 1316, | 0:39:06 | 0:39:12 | |
was the best year for the landlord's profits. | 0:39:12 | 0:39:15 | |
If you'd been able to take this bird's-eye view in the worst time of the Great Famine, | 0:39:24 | 0:39:30 | |
through the summer of 1315 or 1316, | 0:39:30 | 0:39:33 | |
you would have seen below you flooded valleys, flattened fields and ruined crops. | 0:39:33 | 0:39:40 | |
And in places, the food distribution system simply broke down. | 0:39:40 | 0:39:45 | |
Merchants from as far away as Yorkshire were travelling through the home counties | 0:39:45 | 0:39:49 | |
desperately trying to buy up the last precious supplies of grain. | 0:39:49 | 0:39:54 | |
"Sorowe spradde over all ure londe. An thusent winter there bifore | 0:40:07 | 0:40:12 | |
"com nevere non so strong. | 0:40:12 | 0:40:16 | |
"To binde all the mene men in mourning and in care. | 0:40:16 | 0:40:20 | |
"And ure catel died al togedir, and maden the lond al bare so faste. | 0:40:20 | 0:40:27 | |
"Com never wrecche into Engelond that made men more agaste." | 0:40:27 | 0:40:31 | |
'Swathes of central England are under water tonight. | 0:40:35 | 0:40:40 | |
'In the last few minutes, it's been confirmed that 150,000 homes | 0:40:40 | 0:40:43 | |
'in Gloucestershire are now without...' | 0:40:43 | 0:40:47 | |
What would it be like for a farmer in the 14th century? | 0:40:59 | 0:41:02 | |
You've got two years of total destruction of the crops and everything. | 0:41:02 | 0:41:06 | |
I mean, can you put yourself in their position? | 0:41:06 | 0:41:10 | |
Well, almost certainly, we'd be tenant farmers, | 0:41:10 | 0:41:14 | |
certainly wouldn't own the farm. | 0:41:14 | 0:41:17 | |
Rents would have to be paid, | 0:41:17 | 0:41:20 | |
so it's a desperate situation of finding enough money to pay the rent. | 0:41:20 | 0:41:25 | |
Otherwise, landlord comes along and says you're out. | 0:41:25 | 0:41:29 | |
So that's the first thing. Then of course feeding the family | 0:41:29 | 0:41:32 | |
and keeping the farm running and trying to get the next crop in. | 0:41:32 | 0:41:36 | |
Any cattle, he'd have to be forced to sell, because he couldn't feed. | 0:41:38 | 0:41:43 | |
If you're forced to sell, you always get a lower price, so he'd suffer that way. | 0:41:43 | 0:41:47 | |
He couldn't recoup the money by selling, and once the cattle are sold, he can't produce milk. | 0:41:47 | 0:41:52 | |
That really sounds absolutely appalling. | 0:41:52 | 0:41:56 | |
The landlords' repossessions | 0:42:02 | 0:42:05 | |
from Christina's neighbours are entered in the Codicote Court Book. | 0:42:05 | 0:42:09 | |
Up from an average of half a dozen to 38 surrendered tenancies in 1316. | 0:42:09 | 0:42:14 | |
The Great Famine was accompanied by a virulent pestilence of cattle and by a human epidemic, maybe typhoid. | 0:42:17 | 0:42:25 | |
About 10% of the population died. | 0:42:25 | 0:42:28 | |
Over half a million people. | 0:42:28 | 0:42:31 | |
Among the dead was Christina's brother John and her husband William also disappears. | 0:42:31 | 0:42:37 | |
Probably dead in the epidemic of 1319. | 0:42:37 | 0:42:41 | |
So Christina is left with her mother Agnes and two small children, | 0:42:44 | 0:42:49 | |
John and Alice, in her little house, with its precious garden. | 0:42:49 | 0:42:53 | |
Starvation was always a possibility and you would grow whatever you possibly could. | 0:42:56 | 0:43:02 | |
This is where your edible weeds came in. | 0:43:02 | 0:43:05 | |
If your crops failed, at least you'd have something to put in the pottage. | 0:43:07 | 0:43:11 | |
Things like fat hen and borage and bitter cress. | 0:43:11 | 0:43:15 | |
Even things like bristly ox tongue, which is like eating cardboard. | 0:43:17 | 0:43:22 | |
You boil it and it goes into a horrible green wad, but at least it fills the belly. | 0:43:22 | 0:43:28 | |
So when the Great Famine happened and so many people died, | 0:43:33 | 0:43:37 | |
if you were, maybe like Christina, if you were good at doing this, | 0:43:37 | 0:43:40 | |
-you could just about keep things together. -You may well be able to keep going. | 0:43:40 | 0:43:44 | |
Christina survived and her children, perhaps due to her own ability to manage the resources | 0:43:50 | 0:43:57 | |
at her disposal, herbs of the forest and the vegetables she grew in her plot. | 0:43:57 | 0:44:03 | |
But other neighbours didn't. | 0:44:03 | 0:44:06 | |
Her neighbour, Michael Gorman and his wife, through the three years | 0:44:06 | 0:44:10 | |
of the famine, gradually sold off all the little plots of land. | 0:44:10 | 0:44:14 | |
Their cottage and their strips. | 0:44:14 | 0:44:16 | |
In the end, in the third year of the famine, Michael died and the note | 0:44:16 | 0:44:22 | |
in the court register simply says his death duty was nothing. | 0:44:22 | 0:44:27 | |
Because he had nothing. | 0:44:27 | 0:44:29 | |
Even in hard times, there was always one man who did all right. The miller. | 0:44:36 | 0:44:40 | |
"John the Miller Grinds, small, small," | 0:44:45 | 0:44:47 | |
said the rhyme, "but the king of heaven sees all, all". | 0:44:47 | 0:44:51 | |
Always been the way in medieval times, | 0:44:56 | 0:44:58 | |
you had to pay a tithe, which was often a tenth part of the grain. | 0:44:58 | 0:45:02 | |
The miller was always fairly prosperous, I think, in the village. | 0:45:02 | 0:45:06 | |
-Really? -Yes. And probably universally hated as a result of it. | 0:45:06 | 0:45:11 | |
And the butt of 14th century jokes. | 0:45:11 | 0:45:14 | |
"What's the boldest thing in the world?" | 0:45:14 | 0:45:16 | |
"A miller's shirt, for every day it clasps a thief by the throat." | 0:45:16 | 0:45:22 | |
The miller was seen by the peasants as just raising taxes for the landlord. | 0:45:26 | 0:45:30 | |
And they were always looking for ways round having to go to him with their hard-won grain. | 0:45:32 | 0:45:37 | |
Now this is a hand quern. | 0:45:45 | 0:45:48 | |
Frequent cases in the court books | 0:45:50 | 0:45:53 | |
of Christina's neighbours being done for using them. | 0:45:53 | 0:45:57 | |
You could grind | 0:46:02 | 0:46:03 | |
small quantities for domestic use. | 0:46:03 | 0:46:06 | |
If the abbot caught you, | 0:46:08 | 0:46:10 | |
you could get your grain confiscated, your horse confiscated, | 0:46:10 | 0:46:15 | |
but in particular, you could lose the quern stones themselves. | 0:46:15 | 0:46:21 | |
On one famous occasion, the abbot sent his bailiff and his men to the villages around, | 0:46:21 | 0:46:27 | |
including Codicote, to confiscate the quern stones and take them back to St Albans, | 0:46:27 | 0:46:32 | |
where he used them to pave his new patio. | 0:46:32 | 0:46:35 | |
After the famine, better times returned. | 0:46:44 | 0:46:47 | |
As they said, "A good year was a-come again". | 0:46:47 | 0:46:51 | |
And the abbot sent his men to revalue the village and its people. | 0:46:51 | 0:46:56 | |
Every single person living in it had to be written down, | 0:47:00 | 0:47:03 | |
how much they paid, where they lived and how much they owned. | 0:47:03 | 0:47:07 | |
Christina was in her forties now. | 0:47:08 | 0:47:10 | |
Her mother dead, she's a single woman with teenage children. | 0:47:10 | 0:47:14 | |
The rich, the poor, the wealthy tenants like the Salecoks | 0:47:16 | 0:47:21 | |
and the Poleyns, and down here, | 0:47:21 | 0:47:24 | |
"Christina - tennet unum mesuagum" | 0:47:24 | 0:47:29 | |
- one housing plot, | 0:47:29 | 0:47:31 | |
which had belonged to Hugh Cok, her father. | 0:47:31 | 0:47:35 | |
She doesn't have any of the lands and fields and strips and allotments that her father had. | 0:47:35 | 0:47:41 | |
So she pays one penny free rent on that, so... | 0:47:41 | 0:47:45 | |
And, you know, every detail... | 0:47:45 | 0:47:49 | |
"In order to make offence, one penny..." | 0:47:50 | 0:47:54 | |
Not long after this, Christina decides to set up her daughter, | 0:47:57 | 0:48:00 | |
Alice, with a house and a shop, to be economically independent, just as she'd been. | 0:48:00 | 0:48:06 | |
So she now divides her holdings in the market and amazingly, | 0:48:06 | 0:48:10 | |
from the Court Book, you can still trace them on the ground. | 0:48:10 | 0:48:14 | |
Daughter's plot, Alice's house... | 0:48:15 | 0:48:18 | |
..another 20 feet. | 0:48:20 | 0:48:21 | |
Then their neighbour, Henry Skeel, and his wife, Sybil - 28 feet. | 0:48:21 | 0:48:27 | |
And the final plot, the Synoth family, Juliana Synoth. | 0:48:27 | 0:48:32 | |
So, fantastic bit of historical synchronicity here. | 0:48:32 | 0:48:37 | |
We know that Christina had brewed ale all her life and her parents had as well. She was a brewster. | 0:48:37 | 0:48:44 | |
And here, in the late 14th century, the George and Dragon was built | 0:48:44 | 0:48:49 | |
as a pilgrim's hostel and a great ale house. | 0:48:49 | 0:48:52 | |
It's a Chinese restaurant today, after 700 years as the oldest licensed premises in Hertfordshire. | 0:48:53 | 0:48:59 | |
-And I suppose Christina's grandchildren might just have walked up these stairs. -Mind your head! | 0:49:01 | 0:49:06 | |
On the site great granddad Hugh got from Lawrence the Vintner in 1279. | 0:49:06 | 0:49:12 | |
This is the most unusual Chinese restaurant that I've ever seen! | 0:49:14 | 0:49:19 | |
It's so different from the Chinese culture, isn't it? | 0:49:19 | 0:49:22 | |
What made you buy this place? | 0:49:22 | 0:49:24 | |
We just loved this village. | 0:49:24 | 0:49:26 | |
We loved the people in here | 0:49:26 | 0:49:29 | |
and the nice, quiet countryside life. | 0:49:29 | 0:49:31 | |
I thought I'd got to know Christina by now. | 0:49:37 | 0:49:39 | |
She'd survived famine, pestilence, and civil war and brought up two children. | 0:49:39 | 0:49:45 | |
She did well - but then a last clue in the parchment trail. | 0:49:45 | 0:49:50 | |
We're up to 1345 now, the Wednesday after St Mark the Evangelist, | 0:49:52 | 0:49:58 | |
and here's the surprise. | 0:49:58 | 0:50:00 | |
William Stacy, now dead, | 0:50:02 | 0:50:06 | |
held from the landlord a messuage with a courtyard and a garden, | 0:50:06 | 0:50:12 | |
and Christina Cok, | 0:50:12 | 0:50:15 | |
who was his wife, now claims that they had joint tenure. | 0:50:15 | 0:50:20 | |
Here, 1345, she's now in her sixties. | 0:50:22 | 0:50:28 | |
A man who was her husband, William Stacy, has died, | 0:50:28 | 0:50:33 | |
and Christina claims to the landlord that she has the rights | 0:50:33 | 0:50:37 | |
to their jointly held property. | 0:50:37 | 0:50:40 | |
So Christina had married for a second time. | 0:50:40 | 0:50:44 | |
The day appointed for the case was the Saturday before Trinity Sunday, late May. | 0:50:44 | 0:50:50 | |
And on that day, Christina the villein of Codicote | 0:50:50 | 0:50:54 | |
came here to St Albans to meet the abbot's authorities. | 0:50:54 | 0:50:59 | |
And she called for the court books to be brought forward to prove her case. | 0:51:05 | 0:51:11 | |
And she showed that the record was indeed as she said it was. | 0:51:11 | 0:51:17 | |
Could she read? We don't know. | 0:51:17 | 0:51:20 | |
But she could certainly understand. She won the case. | 0:51:20 | 0:51:24 | |
Maybe time had moved on in the 55 years since Alice le Bounde stood | 0:51:24 | 0:51:27 | |
here and lost her case, because the man is the head of the woman. | 0:51:27 | 0:51:32 | |
But maybe Christina was a feistier woman. | 0:51:32 | 0:51:35 | |
Anachronistic? | 0:51:37 | 0:51:39 | |
Well, here's the reality of a medieval woman's life. | 0:51:39 | 0:51:43 | |
This woman's bones came from a village cemetery | 0:51:43 | 0:51:47 | |
and she was 60, just like Christina. | 0:51:47 | 0:51:51 | |
Particularly in the femur neck, and we do know that this individual | 0:51:51 | 0:51:54 | |
did suffer form typical osteoporotic fractures. | 0:51:54 | 0:51:58 | |
One of her vertebra here shows it very clearly. | 0:51:58 | 0:52:00 | |
This is a normal vertebra, that's the weight-bearing part of the bone. | 0:52:00 | 0:52:04 | |
And this one from the central part of her spine, you can see you've got severe crushing of the bone. | 0:52:04 | 0:52:09 | |
That's typical of a bone weakened by osteoporosis. | 0:52:09 | 0:52:13 | |
And she's lost all her teeth before death, | 0:52:13 | 0:52:16 | |
and she's lost them a long time before death as well. | 0:52:16 | 0:52:19 | |
You can see how resolved and thin that mandible is. | 0:52:19 | 0:52:24 | |
What we find in the lower end of the leg bones is, in the female skeleton, | 0:52:24 | 0:52:29 | |
it's quite common to find a little squatting facet. | 0:52:29 | 0:52:31 | |
What I'm talking about is crescent-shaped extension to the joint surface there. | 0:52:31 | 0:52:36 | |
The reason for that is when the person squats down | 0:52:36 | 0:52:39 | |
and the foot bends up like that, | 0:52:39 | 0:52:41 | |
it causes that joint surface just to extend forwards. | 0:52:41 | 0:52:46 | |
This kind of thing is much more common in female skeletons than it is in males'. | 0:52:46 | 0:52:51 | |
So, 60-ish, thin, arthritic, poor teeth, a bad back | 0:52:55 | 0:53:01 | |
from years crouching in that little house on long cold dark nights, | 0:53:01 | 0:53:06 | |
lit only by rush tapers. Is that her? | 0:53:06 | 0:53:11 | |
Our last record of Christina comes form the spring of 1348. | 0:53:12 | 0:53:17 | |
It's a landlord's summary of a medieval woman's life. | 0:53:17 | 0:53:21 | |
"Christina Cok is dead. | 0:53:24 | 0:53:26 | |
"She held a housing plot and a yard from her landlord. | 0:53:26 | 0:53:32 | |
"And her death duty is her sow, worth four shillings". | 0:53:32 | 0:53:36 | |
"In the name of God, Amen. | 0:53:41 | 0:53:43 | |
"I mak myn wylle in this wyse. | 0:53:43 | 0:53:46 | |
"First I comytte my sawle to God | 0:53:46 | 0:53:48 | |
"and me body to be beryed in the chirchyerde of Seynte Giles. | 0:53:48 | 0:53:54 | |
"And I beqwethe unto the lyghtes of the chirche fower busshellis of barley. | 0:53:54 | 0:53:59 | |
"And I beqwethe unto Alyce Whyte, my coate. | 0:53:59 | 0:54:03 | |
"And for the remnaunt of my goodis, I will that my childyr dispose it in comfort of my sawle." | 0:54:03 | 0:54:10 | |
Only a month or so after Christina's death was registered came dark and amazing rumours. | 0:54:20 | 0:54:27 | |
"It started in India", wrote the historian, Henry Knighton, | 0:54:32 | 0:54:36 | |
"and it moved across the face of the earth, from Tartary through the land | 0:54:36 | 0:54:41 | |
of Saracens, and then into the land of the Christians". | 0:54:41 | 0:54:45 | |
"A universal plague upon mankind". | 0:54:45 | 0:54:50 | |
And on 25 June 1348, it landed near Weymouth. | 0:54:50 | 0:54:55 | |
The Black Death. | 0:54:58 | 0:54:59 | |
Its genetic code has just been cracked here in the London School of Tropical Medicine. | 0:55:00 | 0:55:07 | |
We think this is one of the tricks that a pestis uses. | 0:55:07 | 0:55:11 | |
So it streamlines its genome | 0:55:11 | 0:55:13 | |
and it makes it a stealthy organism to avoid the human immune system. | 0:55:13 | 0:55:18 | |
Then these black lines here added DNA from other organisms | 0:55:18 | 0:55:21 | |
and this contributes to the organism's virulence. | 0:55:21 | 0:55:25 | |
So it can build up the numbers very quickly, | 0:55:25 | 0:55:27 | |
so it'll just carry on multiplying | 0:55:27 | 0:55:29 | |
within the blood and the lymph system until the immune system breaks down. | 0:55:29 | 0:55:34 | |
Was there anything they could do about it? A 14th century doctor, I mean. | 0:55:34 | 0:55:39 | |
There's nothing they could do about it. You just hoped that you survived. | 0:55:39 | 0:55:43 | |
Some people survived and had the immunity, but most died. | 0:55:43 | 0:55:46 | |
Though the autumn of 1348, the plague spread along | 0:55:49 | 0:55:52 | |
the highways of England, moving at a kilometre a day. | 0:55:52 | 0:55:56 | |
Tuesday, on the feast of St Dunstan, so it's late May, 1349. | 0:55:58 | 0:56:04 | |
"Meeting of the court of Codicote". | 0:56:05 | 0:56:07 | |
Pages and pages of deaths. | 0:56:11 | 0:56:14 | |
59 of them in one entry. | 0:56:15 | 0:56:19 | |
Hugo Allen, | 0:56:19 | 0:56:21 | |
Jonet Pirry, John White, John Thickney, Ralph Thickney... | 0:56:21 | 0:56:27 | |
"Pitiable, ferocious and violent. | 0:56:36 | 0:56:40 | |
Only the dregs of the people are left to bear witness. | 0:56:40 | 0:56:44 | |
"And in the end that year, a great wind blew across the world". | 0:56:44 | 0:56:49 | |
I know of no other place where the immediacy, | 0:56:51 | 0:56:56 | |
the numbing terror of the Black Death is better conveyed | 0:56:56 | 0:56:59 | |
than these graffiti scrawled into the stone. | 0:56:59 | 0:57:04 | |
And yet, from the pillar just there, | 0:57:04 | 0:57:08 | |
there are other graffiti from the same time. | 0:57:08 | 0:57:11 | |
"The Arch Deacon is an ass" | 0:57:11 | 0:57:13 | |
and "That Barbara, she's a real vixen". | 0:57:13 | 0:57:17 | |
Nearly half the people of Britain died in the Black Death, | 0:57:21 | 0:57:24 | |
although Christina's children survived. | 0:57:24 | 0:57:27 | |
In Hertfordshire alone, 60 villages would disappear from the map, | 0:57:27 | 0:57:30 | |
but the plague changed everything. | 0:57:30 | 0:57:33 | |
With an empty land and far fewer people, the premium now was on labour. | 0:57:33 | 0:57:38 | |
The peasants at last had bargaining power. | 0:57:38 | 0:57:41 | |
In 1381, they rose in the Peasants Revolt, | 0:57:41 | 0:57:44 | |
and in St Albans the townspeople helped the peasants storm the abbey, | 0:57:44 | 0:57:48 | |
demanding an end to serfdom. | 0:57:48 | 0:57:50 | |
There were 2,000 of them, all of them trying to fight | 0:57:52 | 0:57:55 | |
their way inside where there were 100 monks and the abbot. | 0:57:55 | 0:57:59 | |
They must have been terrified by the fury that was unleashed, | 0:57:59 | 0:58:04 | |
and the peasants out there not only wanted to get the monks inside, | 0:58:04 | 0:58:07 | |
but they wanted to destroy the abbey archives - | 0:58:07 | 0:58:10 | |
the court books, the record of their subjection. | 0:58:10 | 0:58:14 | |
Their leader, William Grindcob, said, "All we want is a little | 0:58:14 | 0:58:18 | |
liberty after so many centuries of oppression". | 0:58:18 | 0:58:22 | |
And that's the end of our story. | 0:58:27 | 0:58:29 | |
But of course, it's only the beginning of the tale of the British people's fight for their liberty. | 0:58:29 | 0:58:34 | |
And especially the forgotten half of our ancestors - | 0:58:34 | 0:58:39 | |
the women like Christina. | 0:58:39 | 0:58:41 | |
Subtitles by Red Bee Media Ltd | 0:59:03 | 0:59:05 | |
E-mail [email protected] | 0:59:05 | 0:59:07 |