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On an overcast evening at this aircraft factory in North Wales, | 0:00:10 | 0:00:14 | |
a few survivors of World War II will gather to reflect on their contribution to that war. | 0:00:14 | 0:00:21 | |
Early in the 1940s, a group of workers here set out to break a world record. | 0:00:22 | 0:00:28 | |
They would try to build a bomber as fast as they could. | 0:00:28 | 0:00:31 | |
Faster than the Americans who, in their factory in California, had taken 48 hours from start to finish. | 0:00:31 | 0:00:38 | |
We started on the Saturday morning. | 0:00:38 | 0:00:41 | |
We just got cracking. We were all like busy bees, all busy... | 0:00:41 | 0:00:46 | |
Hoping to do the best. | 0:00:46 | 0:00:48 | |
Did you think you could do it right from the very start? | 0:00:48 | 0:00:51 | |
It seemed impossible. | 0:00:51 | 0:00:53 | |
I remember all the bustle. | 0:00:53 | 0:00:55 | |
Oh, gosh, it was like a beehive! | 0:00:55 | 0:00:58 | |
Did you know that the Americans had set a world record for building a bomber? | 0:00:58 | 0:01:03 | |
It was fine, we always want to beat the Americans, don't we? | 0:01:03 | 0:01:06 | |
The plane they chose to build was a Wellington bomber. | 0:01:06 | 0:01:11 | |
The Wellington was, for many years, the RAF's main strike bomber. | 0:01:11 | 0:01:15 | |
Apart from the Spitfire and the Hurricane, | 0:01:16 | 0:01:19 | |
more Wellingtons were built during World War II than any other British aircraft. | 0:01:19 | 0:01:23 | |
Aircrew love a plane that they feel that if they do their bit, the plane will do its bit. | 0:01:23 | 0:01:30 | |
And with the Wellington - | 0:01:30 | 0:01:33 | |
fantastically strong, very robust, totally reliable - crews always knew | 0:01:33 | 0:01:38 | |
that even if you've been shot up on a mission, if you lost one engine, | 0:01:38 | 0:01:43 | |
all sorts of disasters of one kind or another, you had a very good chance that the plane would get you home. | 0:01:43 | 0:01:49 | |
It was a lovely aeroplane to fly. It was just built | 0:01:49 | 0:01:53 | |
so you could shoot hunks of it out if you had the misfortune to be hit | 0:01:53 | 0:01:58 | |
and it more or less shrugged its shoulders and pressed on regardless. | 0:01:58 | 0:02:02 | |
The designer of the Wellington was Dr Barnes Wallis, who would also design the bouncing bomb | 0:02:04 | 0:02:10 | |
that would breach the Mohne Dam and make legends of the Dambusters, the air crews who delivered them. | 0:02:10 | 0:02:16 | |
Max Hastings has written a definitive work on Bomber Command. | 0:02:19 | 0:02:22 | |
Barnes Wallis said he was almost prouder of having created the Wellington | 0:02:22 | 0:02:26 | |
than he was of having created the bouncing bomb. | 0:02:26 | 0:02:30 | |
It was a brilliantly inspired piece of construction. | 0:02:30 | 0:02:34 | |
You can't design and build an aircraft in five minutes, it takes years to do. | 0:02:38 | 0:02:43 | |
But in the mid-1930s, Barnes Wallis produced this inspired design. | 0:02:43 | 0:02:48 | |
This extraordinary geodetic construction gave it this strength | 0:02:48 | 0:02:52 | |
that enabled it to withstand a terrific amount of punishment. | 0:02:52 | 0:02:55 | |
And of course the hydraulic turrets. | 0:02:55 | 0:02:58 | |
The RAF was enormously proud of those - these were revolutionary technology in 1939. | 0:02:58 | 0:03:03 | |
Better than anything the Germans or the Americans had. | 0:03:03 | 0:03:07 | |
By the time that war came up, the Wellington was in full production. | 0:03:07 | 0:03:13 | |
This sophisticated aircraft was designed less than 30 years | 0:03:13 | 0:03:17 | |
after the Wright brothers had made the world's first powered flight. | 0:03:17 | 0:03:21 | |
Britain got an enormous amount wrong in the 1930s about its own defences. | 0:03:21 | 0:03:26 | |
When the war came, it didn't have anything like enough of anything - | 0:03:26 | 0:03:30 | |
fighters, bombers, soldiers, rifles, machine guns - anything. | 0:03:30 | 0:03:34 | |
But some terrific design decisions and production decisions were made. | 0:03:34 | 0:03:40 | |
It was undoubtedly one of the great aeroplanes of the war. | 0:03:40 | 0:03:45 | |
But Britain had also taken a number of acute political decisions in the 1930s. | 0:03:48 | 0:03:54 | |
The Chamberlain Government, while negotiating to avoid a war with Hitler's Germany, | 0:03:54 | 0:03:58 | |
had also drawn up plans to put Britain's industry on a war footing. | 0:03:58 | 0:04:04 | |
Manufacturing skills were pooled and the potential to build weapons of war were assessed. | 0:04:04 | 0:04:10 | |
Shadow factories were built where tanks, guns, planes could be assembled. | 0:04:14 | 0:04:18 | |
Broughton was one of them. | 0:04:19 | 0:04:22 | |
Hilda Dodd was one of the first women to work at the Broughton factory. | 0:04:22 | 0:04:27 | |
I went for an interview and they asked me what I could do. | 0:04:27 | 0:04:32 | |
I said I could use a machine. They said, "What sort?" | 0:04:32 | 0:04:36 | |
I said, "A sewing machine, my mother had a treadle." "Oh." | 0:04:36 | 0:04:40 | |
So they put me down for machine work. | 0:04:40 | 0:04:42 | |
Can you remember your first sight of the factory? | 0:04:42 | 0:04:45 | |
Oh, it was a mess. | 0:04:45 | 0:04:47 | |
Muddy, wasn't much there. | 0:04:47 | 0:04:50 | |
There was like a hangar | 0:04:50 | 0:04:52 | |
and that's where I went to, into this hangar. | 0:04:52 | 0:04:56 | |
There were men working on parts of it, putting it together like a Meccano. | 0:04:56 | 0:05:02 | |
At its peak during World War II, the Broughton production line | 0:05:02 | 0:05:06 | |
was turning out 28 Wellington bombers a week. | 0:05:06 | 0:05:09 | |
These workers were in the front line as much as the men who would fly the aircraft they would build. | 0:05:09 | 0:05:15 | |
Easy aircraft to build. | 0:05:15 | 0:05:18 | |
They had good, long range and they were very economical. | 0:05:18 | 0:05:22 | |
But they were produced quickly, that was the main thing. | 0:05:22 | 0:05:26 | |
Instead of 1, you'd get 100. | 0:05:26 | 0:05:28 | |
The target these workers set themselves that weekend so many years ago | 0:05:28 | 0:05:33 | |
was to build a Wellington bomber in 30 hours. | 0:05:33 | 0:05:36 | |
Did you think you could beat that record? | 0:05:36 | 0:05:39 | |
We had an idea we could. | 0:05:39 | 0:05:41 | |
And so this evening, Bob Wilson joins old friends in the audience for a unique film show. | 0:05:45 | 0:05:50 | |
-NEWSREEL: -'This is a bomber factory in Britain...' | 0:05:56 | 0:05:59 | |
They started to build Wellington LN514 early one Saturday morning, all those years ago. | 0:05:59 | 0:06:06 | |
And because they wanted to tell the world how efficient were the British production lines, | 0:06:07 | 0:06:11 | |
the British made a propaganda film about the record-breaking attempt. | 0:06:11 | 0:06:15 | |
'We had our cameras in position when the workers arrived at the factory.' | 0:06:15 | 0:06:19 | |
They put a North American voice on the soundtrack to show America not only that Britons could take it, | 0:06:19 | 0:06:24 | |
as they had during the long years of the Blitz, but that they could dish it out as well. | 0:06:24 | 0:06:28 | |
Many of the men and women who built this Wellington are seeing this film for the first time. | 0:06:28 | 0:06:34 | |
'The clock strikes nine and the record-breaking attempt begins. | 0:06:34 | 0:06:39 | |
'Two sections of the fuselage are carried in. | 0:06:39 | 0:06:40 | |
'The dark girl with the riveter is Eileen Daphne who used to work in a rayon factory. | 0:06:40 | 0:06:46 | |
'One of her brothers was killed in a naval action...' | 0:06:46 | 0:06:49 | |
Women filled the places on the production lines left vacant by the men who had gone to war. | 0:06:49 | 0:06:55 | |
Betty Weaver was working on the counter | 0:06:55 | 0:06:58 | |
in the local Co-operative store when she was conscripted go to Broughton. | 0:06:58 | 0:07:02 | |
Living in a mining area, the men were either in the army or working down the pit. | 0:07:02 | 0:07:07 | |
-Is that why they needed women to do the job? -Yes. | 0:07:07 | 0:07:11 | |
What did you feel about that - did you mind? | 0:07:11 | 0:07:14 | |
Not at all, it was something completely different. | 0:07:14 | 0:07:17 | |
I felt as if I was doing something useful for a change. | 0:07:17 | 0:07:20 | |
My father was in the Army, my husband was in the Army. | 0:07:20 | 0:07:23 | |
I felt as if I was supporting them. | 0:07:23 | 0:07:26 | |
Can you remember your first impressions of the factory | 0:07:26 | 0:07:29 | |
-when you saw it? -I was horrified! | 0:07:29 | 0:07:32 | |
I was issued with a big, white boiler suit that fit where it touched. | 0:07:32 | 0:07:37 | |
'The fuselage parts are assembled in big frames they call jigs. | 0:07:37 | 0:07:41 | |
'You can get some idea now of the size of the bomber. | 0:07:41 | 0:07:44 | |
'It's almost 65ft long.' | 0:07:44 | 0:07:47 | |
Women were of course absolutely vital. | 0:07:47 | 0:07:50 | |
First to the war effort as a whole, and secondly in aircraft production. | 0:07:50 | 0:07:54 | |
A lot of them proved very good at what they did. | 0:07:54 | 0:07:57 | |
Britain mobilised women arguably more effectively than any other wartime nation except possibly the Russians. | 0:07:57 | 0:08:04 | |
The main assembly at Broughton Aircraft, it was a huge space without any columns. | 0:08:04 | 0:08:09 | |
Were you good at electrics? | 0:08:09 | 0:08:12 | |
I didn't know one end of a screwdriver from the other when I got there! | 0:08:12 | 0:08:17 | |
No. | 0:08:17 | 0:08:18 | |
I am now. | 0:08:18 | 0:08:20 | |
What was the training like? | 0:08:20 | 0:08:22 | |
For the first three weeks, I never slept. | 0:08:22 | 0:08:25 | |
Then all of a sudden, it all slotted into place. | 0:08:25 | 0:08:27 | |
-Did you have to pass a test at the end of it? -Oh, yes. | 0:08:27 | 0:08:31 | |
Everything was inspected and, if it wasn't right, you had to go back and do it again. | 0:08:31 | 0:08:35 | |
'Here is Evelyn Coates, an inspectress who used to work in a draper's shop. | 0:08:35 | 0:08:41 | |
'She told me at this point that she had found no faults at all.' | 0:08:41 | 0:08:45 | |
Boys as young as 14 worked on the production line. | 0:08:45 | 0:08:48 | |
Bill Anderson, who worked at Broughton until he was 64, first came here when he was 14. | 0:08:48 | 0:08:54 | |
War seemed nothing to fear, simply a new experience. | 0:08:54 | 0:08:58 | |
My father was an ARP warden. When they started dropping incendiaries, | 0:08:58 | 0:09:03 | |
we used to go for a bucket of sand to extinguish the incendiaries. | 0:09:03 | 0:09:08 | |
I think we were charging 6p for buckets of sand and they were quite grateful for it, really. | 0:09:08 | 0:09:13 | |
We used to go potato picking, you'd get let off from school. | 0:09:13 | 0:09:17 | |
Then of a weekend, you'd go collecting rosehips. | 0:09:17 | 0:09:19 | |
-They were used for rosehip syrups, that was for babies. -All helping the war effort? | 0:09:19 | 0:09:25 | |
It was all helping the war, but it was a game to us. | 0:09:25 | 0:09:28 | |
'These volunteer workers are giving the bonus they are earning today to the Red Cross Aid to Russia Fund. | 0:09:28 | 0:09:34 | |
'They're out to break that 30-hour record they've set themselves.' | 0:09:34 | 0:09:37 | |
I started here straight from school. | 0:09:37 | 0:09:39 | |
There were a lot of women here. | 0:09:39 | 0:09:41 | |
They mothered you, if you like. | 0:09:41 | 0:09:45 | |
What was the job that you were first shown how to do? | 0:09:45 | 0:09:48 | |
The main wing spar was in two pieces. | 0:09:48 | 0:09:51 | |
We had to join them together - they didn't use bolts, they had a type of long pins. | 0:09:51 | 0:09:57 | |
The basic tool in those days was a copper hammer with a hide end | 0:09:57 | 0:10:02 | |
that we used to knock these pins in. Then they were inspected. | 0:10:02 | 0:10:07 | |
'In the wing assembly, there is more activity under the eagle eyes of the inspectors. | 0:10:07 | 0:10:12 | |
'Though you may not think they're working fast, the progress they are making speaks for itself. | 0:10:12 | 0:10:17 | |
'It's only 10 o'clock - one hour from the starting time. | 0:10:17 | 0:10:21 | |
'Grace Whalley and Hilda Dodd are doing a man's job of work, | 0:10:21 | 0:10:25 | |
'assembling the bomber's cabin heater.' | 0:10:25 | 0:10:26 | |
Hilda Dodd's peacetime job was in the local photographic shop. | 0:10:26 | 0:10:32 | |
I was taught how to make the fuselage and bomb floors. | 0:10:32 | 0:10:37 | |
Was the factory ever bombed? | 0:10:37 | 0:10:39 | |
We had two lights up in the ceiling. | 0:10:39 | 0:10:42 | |
One was amber and one red. | 0:10:42 | 0:10:44 | |
Then one night, the red light came up. | 0:10:44 | 0:10:48 | |
Everything went dark. | 0:10:48 | 0:10:50 | |
We were told to all link hands and go outside, and there were some air raid shelters. | 0:10:51 | 0:10:56 | |
And as we were going down, I happened to look to the left | 0:10:56 | 0:11:01 | |
and I could see some planes on fire. | 0:11:01 | 0:11:03 | |
They'd dropped some incendiaries. | 0:11:03 | 0:11:06 | |
Well, I was frightened. Well, I think the majority of us were scared. | 0:11:06 | 0:11:11 | |
But we were all right down in the shelters. | 0:11:11 | 0:11:13 | |
There was just, like, wooden seats and you could all sit around and talk and sing. | 0:11:13 | 0:11:20 | |
What sort of stuff did you sing? | 0:11:20 | 0:11:22 | |
Oh, the old stuff, Gracie Fields. | 0:11:22 | 0:11:25 | |
# Sing as we go and let the world go by | 0:11:25 | 0:11:28 | |
# Singing a song We march along the highway... # | 0:11:28 | 0:11:33 | |
'Back in the main assembly, the wooden floor is fitted to the fuselage. | 0:11:33 | 0:11:38 | |
'Notice how everything fits with precision. | 0:11:38 | 0:11:41 | |
'There's no bullying the parts together - one fits willingly with the other. | 0:11:41 | 0:11:45 | |
'The forward bulkhead frame goes in, and then the pilot's seat, | 0:11:45 | 0:11:49 | |
'control column and the cockpit floor, all in one unit. | 0:11:49 | 0:11:51 | |
'And how's the time going? | 0:11:51 | 0:11:54 | |
'Well, they've been working 1 hour and 17 minutes.' | 0:11:54 | 0:11:58 | |
-You were working long hours? -Oh, yes, 12 hours. | 0:11:58 | 0:12:00 | |
8 till 8. It was dark when we went out of a morning and dark when you got home at night. | 0:12:00 | 0:12:07 | |
When I didn't go on the work's bus, | 0:12:07 | 0:12:10 | |
sometimes I used to have a lift with a chappie from Greasby, | 0:12:10 | 0:12:14 | |
and we used to call at a farm on the way back, | 0:12:14 | 0:12:19 | |
and he used to get a few dozen eggs, because we only had one a week then. | 0:12:19 | 0:12:24 | |
And he used to break three and swallow them whole. | 0:12:24 | 0:12:27 | |
But they must've been black-market eggs, mustn't they? | 0:12:27 | 0:12:31 | |
There was rationing at that time, of course. Did you...? | 0:12:31 | 0:12:34 | |
Rationing... | 0:12:34 | 0:12:36 | |
All I can remember of the canteen were the chips and the rice pudding. | 0:12:36 | 0:12:40 | |
It was all right until we went in the canteen early one night | 0:12:40 | 0:12:44 | |
and all the chips were all ready to be finished, you know? | 0:12:44 | 0:12:48 | |
And there was a cat sleeping on the top of them, so we took a dislike to the chips after that. | 0:12:48 | 0:12:53 | |
'Testing the flaps on the wings is Eva Williams, a nurse by profession, | 0:12:53 | 0:12:58 | |
'testing fractures in tubes instead of in bones. | 0:12:58 | 0:13:01 | |
'The short dark girl assembling the ailerons | 0:13:01 | 0:13:04 | |
'is 23-year-old Evelyn Homewood, whose husband is in the Royal Air Force.' | 0:13:04 | 0:13:07 | |
In a way, it was a job, but we were working for the boys. | 0:13:07 | 0:13:13 | |
You were patriotic. | 0:13:13 | 0:13:15 | |
Well, I was, for one, anyway. | 0:13:15 | 0:13:17 | |
Well, they were fighting for a cause. And that makes a difference. | 0:13:17 | 0:13:21 | |
Everybody had somebody in the war. | 0:13:21 | 0:13:24 | |
They had somebody in the forces, so it was worth fighting for, to see them home again. | 0:13:24 | 0:13:30 | |
Unfortunately, a lot didn't come home. | 0:13:30 | 0:13:33 | |
Hilda Dodd's husband Percy was in the Royal Navy on minesweepers. | 0:13:33 | 0:13:38 | |
Tell me about how you met him. | 0:13:38 | 0:13:40 | |
Through a friend that worked in the factory. | 0:13:40 | 0:13:43 | |
We went to a dance and she introduced us and she said, "He can't dance." | 0:13:43 | 0:13:49 | |
I said, "I'll ignore him." So I ignored him all night. | 0:13:49 | 0:13:53 | |
But we made up after. | 0:13:53 | 0:13:55 | |
Did you dance with him eventually? | 0:13:55 | 0:13:57 | |
Well... Well, you couldn't call it dancing. | 0:13:57 | 0:14:01 | |
It was like taking a wheelbarrow round a room. | 0:14:01 | 0:14:04 | |
And then I found out after he was going for dancing lessons. | 0:14:04 | 0:14:08 | |
He got called up to go in the Navy. | 0:14:08 | 0:14:11 | |
It was all done in a rush and he said, "I haven't time to go and buy the ring with you." | 0:14:11 | 0:14:18 | |
So I went and picked the ring myself. | 0:14:18 | 0:14:21 | |
And then I never saw him again for three-and a-half years. | 0:14:21 | 0:14:24 | |
My dad was in the 4th Battalion Royal Welsh Fusiliers, | 0:14:24 | 0:14:29 | |
and Harry was called up to the 6th Battalion Royal Welsh Fusiliers. | 0:14:29 | 0:14:32 | |
Tell me about the wedding and your honeymoon, then? | 0:14:32 | 0:14:35 | |
He came home on the Saturday, we went to see the vicar on the Sunday, | 0:14:35 | 0:14:38 | |
we were married on the Wednesday and he went back on the Sunday and I didn't see him again for two years. | 0:14:38 | 0:14:44 | |
Percy Dodd blew up the mines that threatened the convoys he was protecting. | 0:14:45 | 0:14:51 | |
He was up and down the Mediterranean to Malta. | 0:14:51 | 0:14:54 | |
I used to say my prayers every night and very often during the day when I was working, hoping he was all right. | 0:14:54 | 0:15:01 | |
I was very lucky he came back. | 0:15:01 | 0:15:03 | |
I mean, a lot didn't. | 0:15:03 | 0:15:06 | |
'There's our chief cameraman...' | 0:15:06 | 0:15:09 | |
It is 80 minutes since the attempt began. | 0:15:09 | 0:15:13 | |
The Airborne Division went out to North Africa, | 0:15:13 | 0:15:15 | |
the Glider Pilot Regiment landed on Sicily | 0:15:15 | 0:15:19 | |
and they came back to this country with some of the Parachute Regiment. | 0:15:19 | 0:15:23 | |
But the part my husband was in, they went into Italy and then they liberated Greece, | 0:15:23 | 0:15:27 | |
so that's why I didn't see Harry for two years. | 0:15:27 | 0:15:31 | |
-You wore a badge? -Oh, my little naval badge. | 0:15:31 | 0:15:34 | |
He bought me that before he went. No matter where I went, I pinned it on. | 0:15:34 | 0:15:39 | |
That was part of him. | 0:15:39 | 0:15:41 | |
-He gave me that, so I always had that with me. -Even at work? | 0:15:41 | 0:15:45 | |
Oh, yes, I never went without that. | 0:15:45 | 0:15:48 | |
'At 10.27, the foreman gives the word and into the framework of the aircraft | 0:15:48 | 0:15:52 | |
'pile the electrical workers armed with the tricks and the tools of their intricate trade.' | 0:15:52 | 0:15:57 | |
It wasn't hard work, it was fiddling, connecting wires and things up. | 0:15:57 | 0:16:03 | |
You had to be very careful. | 0:16:03 | 0:16:04 | |
'Construction went on and the inspectors beamed with satisfaction.' | 0:16:04 | 0:16:09 | |
Bob Wilson was superintendent of the production line that weekend. | 0:16:09 | 0:16:13 | |
He recalled elaborate preparations for the record-breaking attempt, a certain amount of pre-assembly. | 0:16:13 | 0:16:19 | |
The electric wiring and all that was done along the panel before the fuselage was built. | 0:16:19 | 0:16:26 | |
You just had to drop it in? | 0:16:26 | 0:16:28 | |
Right. | 0:16:28 | 0:16:30 | |
Sharp practice was that? | 0:16:30 | 0:16:32 | |
Exactly. | 0:16:33 | 0:16:36 | |
Sounds good, that, doesn't it? | 0:16:36 | 0:16:39 | |
How did you organise the production line? | 0:16:39 | 0:16:42 | |
You didn't have to, the people knew what to do. | 0:16:42 | 0:16:45 | |
'At 1.45 in the afternoon, the main fuselage is ready to come out of the jig. | 0:16:45 | 0:16:50 | |
'In the stitching and doping section, | 0:16:50 | 0:16:52 | |
'the four great sections which give the bomber its 80ft wingspan are now being covered with fabric. | 0:16:52 | 0:16:59 | |
'Flashing fingers and winking needles. | 0:16:59 | 0:17:01 | |
'One wrong move, the needle would hit metal and the point would break.' | 0:17:01 | 0:17:05 | |
Constance and Ben Mottram were courting during the war and married in 1947. | 0:17:05 | 0:17:10 | |
Constance sewed linen for the rudders of Wellingtons in what had been a small car factory nearby. | 0:17:10 | 0:17:17 | |
She worked the night shift. | 0:17:17 | 0:17:18 | |
My auntie always had breakfast ready when I got in from work the next morning, | 0:17:18 | 0:17:24 | |
and then afterwards, after I'd had breakfast, I'd brush my teeth, | 0:17:24 | 0:17:29 | |
wash, freshen, and then I'd spend the rest of the day in bed | 0:17:29 | 0:17:32 | |
until it was time to go to work. | 0:17:32 | 0:17:34 | |
It must've been a very long night for them, all the girls, mustn't it? | 0:17:34 | 0:17:39 | |
12-hour nights, sewing all night long. | 0:17:39 | 0:17:42 | |
There were a number of mines around the Broughton factory, producing coal to fuel the British war effort. | 0:17:42 | 0:17:49 | |
Coal miners were exempt from military service, and Ben Mottram worked at the Llay Main Colliery. | 0:17:49 | 0:17:55 | |
It started mining coal in 1921. | 0:17:55 | 0:17:59 | |
My father worked there. | 0:17:59 | 0:18:01 | |
And he was there at the sinking of the pit itself. | 0:18:01 | 0:18:04 | |
It was the deepest in Europe. | 0:18:04 | 0:18:06 | |
In Europe. That's deep. | 0:18:06 | 0:18:08 | |
It was as deep as Snowdon is in height. | 0:18:08 | 0:18:12 | |
When you're putting an aeroplane together, Connie, | 0:18:12 | 0:18:15 | |
how did you identify the different screws and that sort of thing? | 0:18:15 | 0:18:21 | |
When the plane was put together, | 0:18:21 | 0:18:23 | |
it would be in the flight shed, across another field. | 0:18:23 | 0:18:28 | |
And where I worked, it was just components. | 0:18:28 | 0:18:30 | |
They were put on a shelf for us to part number, to engrave, | 0:18:30 | 0:18:35 | |
and we put the number onto the parts that were going to go onto the aircraft. | 0:18:35 | 0:18:40 | |
They produced them pretty fast. They used to take them from the factory | 0:18:40 | 0:18:44 | |
and they'd put one in one place and another in another place. | 0:18:44 | 0:18:48 | |
They wouldn't put them all together because if there were raids, they would all have been bombed. | 0:18:48 | 0:18:53 | |
They also placed decoy lights on the hills above Ben's home | 0:18:53 | 0:18:58 | |
to divert German bombers looking for the factory. | 0:18:58 | 0:19:02 | |
They were bombing the mountains over here, which was alight for months and months on end. | 0:19:02 | 0:19:08 | |
They thought they'd got the factory, but they hadn't. | 0:19:08 | 0:19:11 | |
'The fabric is bonded to the metal frame by about 8,000 tiny bolts, and stitches tidy up the edges. | 0:19:11 | 0:19:17 | |
'Eight stitches to the inch, and that's a whole lot of sewing you're looking at.' | 0:19:17 | 0:19:21 | |
You had to be careful when you were sewing that the stitches didn't alter the tension. | 0:19:21 | 0:19:27 | |
Eight stitches to the inch. | 0:19:27 | 0:19:29 | |
On one occasion, I slipped up | 0:19:29 | 0:19:33 | |
and my stitches had gone bigger, | 0:19:33 | 0:19:36 | |
and the examiner wouldn't pass it. | 0:19:36 | 0:19:39 | |
If the wind should get through that, it could start to tear, so that was no good. | 0:19:39 | 0:19:46 | |
It had to be perfect. | 0:19:46 | 0:19:49 | |
-So what happened? -I had to have it all back and unpick it. | 0:19:49 | 0:19:54 | |
I'll never forget that. | 0:19:54 | 0:19:56 | |
It took such a long while! | 0:19:56 | 0:19:58 | |
About 6,000 people were working on the Broughton production line, half of them women. | 0:19:58 | 0:20:04 | |
The immediate boss over the main assembly was a woman, Miss Littler. | 0:20:04 | 0:20:09 | |
-What was she like? -Rather large... There's a little pub just outside the factory | 0:20:09 | 0:20:14 | |
where we used to go for a drink, and she used to sit there and drink pints. | 0:20:14 | 0:20:18 | |
I never saw her in a skirt. She'd always got trousers on. But she was very fair. | 0:20:18 | 0:20:24 | |
I was given a young girl to train to do my job, and I had her for a month, | 0:20:24 | 0:20:30 | |
and it was like knocking sense into a wooden door. | 0:20:30 | 0:20:34 | |
There was nothing there, and she was holding me back. | 0:20:34 | 0:20:38 | |
So I complained to the foreman and he said I had to put up with it. | 0:20:38 | 0:20:42 | |
So I went to Miss Littler. | 0:20:42 | 0:20:44 | |
I won't tell you what she said, because she wasn't very... | 0:20:44 | 0:20:48 | |
fussy about what language she used! | 0:20:48 | 0:20:51 | |
Well, give me the blanks, then. | 0:20:51 | 0:20:53 | |
"Get rid of this so and so girl, she's holding this one back. | 0:20:53 | 0:20:57 | |
"We can't have things like that, not these days." | 0:20:57 | 0:21:00 | |
-Because there was a war to win. -There was a war to win. | 0:21:00 | 0:21:03 | |
'Back at the fuselage out of the tail, Vera Butler and her sister Joan work together all the time. | 0:21:03 | 0:21:09 | |
'Vera was a lady's companion before she started building bombers two years ago. | 0:21:09 | 0:21:13 | |
'Here is the process of weatherproofing and strengthening the fabric'. | 0:21:13 | 0:21:17 | |
They used to go over it with this red dope. | 0:21:17 | 0:21:20 | |
I think it was about seven coats of dope and camouflage that went on the top. | 0:21:20 | 0:21:24 | |
When it was finished, it was like a drum. | 0:21:24 | 0:21:28 | |
Just...strong enough to take the wind and whatever when it was flying. | 0:21:28 | 0:21:34 | |
There was girls sewing, and there was men spraying them with dope. | 0:21:34 | 0:21:39 | |
-What did it smell like? -To me, pear drops or nail varnish. | 0:21:39 | 0:21:43 | |
If you do smell nail varnish, it takes you back. | 0:21:43 | 0:21:47 | |
AIR-RAID SIREN WAILS | 0:21:47 | 0:21:49 | |
For Hilda Dodd and the rest, there were often long walks home at the end of a 12-hour shift, | 0:21:49 | 0:21:55 | |
in the dark and sometimes during an air raid. | 0:21:55 | 0:21:58 | |
I was with my dad in the street. | 0:21:58 | 0:22:00 | |
This very bright orange light came slowly down, and the policeman across the road shouted, | 0:22:00 | 0:22:06 | |
"Frank, get down on the floor!" And my dad said, "Go on." | 0:22:06 | 0:22:11 | |
I said, "I can't, I've got a new dress on. My mother will go mad." "Get down!" | 0:22:11 | 0:22:17 | |
And he lay on top of me, | 0:22:17 | 0:22:20 | |
and this light kept coming and then, all of a sudden, there was a terrific explosion. | 0:22:20 | 0:22:25 | |
And all that you could hear was glass tinkling everywhere. | 0:22:27 | 0:22:32 | |
And I can see one dear soul now. She had her corset | 0:22:32 | 0:22:36 | |
tucked under her arm, covered in soot, and they were crying. They were frightened. | 0:22:36 | 0:22:42 | |
And we were like, "Come on in," and herding them all in the air raid shelter. | 0:22:42 | 0:22:47 | |
It was a dreadful night. | 0:22:47 | 0:22:50 | |
'This is Phyllis Evans, who was in service as a maid before the war. | 0:22:52 | 0:22:57 | |
'She is one of them fitting the fabric covering over the framework.' | 0:22:57 | 0:23:00 | |
What did you feel about Germans at that time? | 0:23:00 | 0:23:04 | |
Well, you wanted to beat them, didn't you? Well, I did. | 0:23:04 | 0:23:10 | |
My dad used to go mad. | 0:23:10 | 0:23:11 | |
I used to listen to Lord Haw-Haw, and he used to frighten me to death. | 0:23:11 | 0:23:17 | |
'The Royal Air Force is too weak. | 0:23:17 | 0:23:20 | |
'The Royal Navy is too weak. And as yet, the common sense | 0:23:20 | 0:23:26 | |
'of the British people is too weak to perceive the catastrophic nature | 0:23:26 | 0:23:31 | |
'of the plight into which they have allowed Churchill to lead them.' | 0:23:31 | 0:23:37 | |
I used to think, "I wish I could get hold of him. | 0:23:37 | 0:23:40 | |
"What I would do to him," you know? | 0:23:40 | 0:23:42 | |
'Germany calling, Germany calling.' | 0:23:42 | 0:23:45 | |
He was very sarky with it, you know. | 0:23:45 | 0:23:48 | |
I used to think, "How does he get to know all this?" | 0:23:48 | 0:23:51 | |
And my dad used to say, "If you don't stop listening to that man..." | 0:23:51 | 0:23:55 | |
and he'd take the little wireless and switch it off. | 0:23:55 | 0:23:59 | |
"Wasting good battery." | 0:23:59 | 0:24:01 | |
On happier thoughts, what did you like on the radio? | 0:24:01 | 0:24:05 | |
I used to love Arthur Askey. | 0:24:05 | 0:24:08 | |
Anything with a laugh. | 0:24:08 | 0:24:09 | |
I used to enjoy Workers' Playtime. | 0:24:09 | 0:24:13 | |
That came on every day. | 0:24:13 | 0:24:16 | |
It was bright, and it was dance music. | 0:24:16 | 0:24:19 | |
And one night, I was lucky to see Tommy Handley in ITMA. | 0:24:19 | 0:24:24 | |
It's That Man Again. Listening to him on the wireless, I used to love it. | 0:24:24 | 0:24:28 | |
All right, any more for Ogshot, Bagshot, Beaufort, Hookum, Duckum and Farham? | 0:24:28 | 0:24:36 | |
Now, now, come, come, don't dilly dally! | 0:24:36 | 0:24:39 | |
No time for letting off steam. | 0:24:39 | 0:24:42 | |
To entertain the production line and to improve morale, the BBC broadcast lively dance tunes every day. | 0:24:45 | 0:24:52 | |
They called it, appropriately, Music While You Work. | 0:24:52 | 0:24:56 | |
What was your favourite music at that time? | 0:24:56 | 0:24:58 | |
I liked Ivor Novello and those sort of things. | 0:24:58 | 0:25:01 | |
And we had a show occasionally in the canteen at lunchtime. | 0:25:01 | 0:25:05 | |
Different artists used to come and quite a lot of people in the factory | 0:25:05 | 0:25:09 | |
did singing or dancing or whatever. | 0:25:09 | 0:25:12 | |
We had these little shows at lunchtime. | 0:25:12 | 0:25:15 | |
-Did you? -No. I'm too shy. | 0:25:15 | 0:25:18 | |
'It's a habit in this factory to rather brazenly autograph one's work. | 0:25:18 | 0:25:23 | |
'So we know that Blondie has had something to do with this bomber.' | 0:25:23 | 0:25:26 | |
How they ever flew, I never knew, | 0:25:26 | 0:25:29 | |
because they were only aluminium and linen. | 0:25:29 | 0:25:32 | |
If you stepped off the catwalk up the middle of the plane, your foot went straight through! | 0:25:33 | 0:25:39 | |
I never knew how they got off the ground. Dear me. | 0:25:39 | 0:25:43 | |
'A tiny brunette, Eva Powell, who runs a crane away up there under the roof girders, | 0:25:43 | 0:25:47 | |
'brings an engine the length of the shop and gently lowers it to what they call the power egg. | 0:25:47 | 0:25:52 | |
'It looks like an egg, at that. | 0:25:52 | 0:25:55 | |
'Norman Martin over there was once third officer | 0:25:55 | 0:25:59 | |
'on the pleasure liner Rawalpindi, | 0:25:59 | 0:26:00 | |
'before she was converted to a merchant cruiser. | 0:26:00 | 0:26:02 | |
'Norman has been working on this type of engine for quite a time, | 0:26:02 | 0:26:06 | |
'and thinks it's the finest in the world.' | 0:26:06 | 0:26:08 | |
Norman Martin died in 1975. | 0:26:08 | 0:26:11 | |
His son, Richard, had no idea that his father had worked on this record-breaking Wellington LN514. | 0:26:11 | 0:26:18 | |
I remember him telling me that the roof cranes in the factory were all driven by women, | 0:26:18 | 0:26:22 | |
which was unusual for that time, but I suppose that was born out of necessity. | 0:26:22 | 0:26:27 | |
I remember him telling me that he had a Ford 8 | 0:26:27 | 0:26:30 | |
and, driving there in the blackout one night, he crashed into a cow. | 0:26:30 | 0:26:35 | |
The cow was all right, but it didn't do the Ford 8 any good. | 0:26:36 | 0:26:39 | |
-Did he get to work? -Well, one assumes so. | 0:26:39 | 0:26:43 | |
He was British. So yes, he got to work. | 0:26:43 | 0:26:47 | |
Did he talk to you about the record attempt? | 0:26:47 | 0:26:51 | |
To be honest, no, but I did find a newspaper cutting he'd kept about it, | 0:26:51 | 0:26:55 | |
albeit very tatty, but it is the newspaper cutting about that attempt. | 0:26:55 | 0:27:00 | |
I'm surprised that he never talked about it, but then I suppose, during the war, you didn't talk about it. | 0:27:00 | 0:27:07 | |
-What was security like? -It was pretty strict. | 0:27:08 | 0:27:11 | |
Even when we got our wages, the Home Guard used to stand there with their rifles while you got paid your money. | 0:27:11 | 0:27:18 | |
Sometimes workers had to be escorted on to the airfield to the aircraft to correct last minute faults. | 0:27:18 | 0:27:25 | |
They used to take us out with an Alsatian dog, the special police. | 0:27:25 | 0:27:29 | |
We called them the Gestapo. | 0:27:29 | 0:27:31 | |
And we used to do our jobs and they used to escort us back, because they were all so secret. | 0:27:31 | 0:27:37 | |
'The time has come to bring the component parts together. | 0:27:39 | 0:27:42 | |
'This means that the various departments are delivering their finished sections | 0:27:42 | 0:27:46 | |
'to the main assembly. Now we'll see it take shape as a bomber. | 0:27:46 | 0:27:50 | |
'The fuselage is trundled down the factory at 6.15 in the evening, | 0:27:50 | 0:27:54 | |
'9 hours and 15 minutes after the start. | 0:27:54 | 0:27:57 | |
'The cranes come lumbering overhead with the power eggs, | 0:27:57 | 0:28:00 | |
'which are gently and firmly lowered into place and connected up. | 0:28:00 | 0:28:04 | |
'Next, the tail surfaces, | 0:28:04 | 0:28:06 | |
'the elevators and tailfin are lowered and connected. | 0:28:06 | 0:28:10 | |
'Each part is installed by a swiftly moving expert team'. | 0:28:10 | 0:28:14 | |
We had people bussed from Liverpool, from Warrington, from Wrexham. | 0:28:14 | 0:28:19 | |
As far as you were concerned, you were doing something | 0:28:19 | 0:28:22 | |
to throw the bombs back at them, what they'd been throwing at you. | 0:28:22 | 0:28:25 | |
So there was that comradeship. | 0:28:25 | 0:28:28 | |
Were there occasions when people simply didn't turn up for work? | 0:28:28 | 0:28:31 | |
Yes. There was a government department within the factory, | 0:28:31 | 0:28:35 | |
and you had to fill an excuse form in and say what it was. | 0:28:35 | 0:28:39 | |
But if people persistently were absent? | 0:28:39 | 0:28:42 | |
-They used to fine them. -Fine them? -Yeah, prosecute them. | 0:28:42 | 0:28:46 | |
Some workers in some factories were very brave | 0:28:46 | 0:28:48 | |
and hard-working, but quite a lot weren't. | 0:28:48 | 0:28:51 | |
There was an amazing number of strikes. | 0:28:51 | 0:28:54 | |
It was a hangover from the 1930s and 1920s. | 0:28:54 | 0:28:58 | |
Industrial relations in Britain had been disastrous. | 0:28:58 | 0:29:01 | |
Management had been pretty poor too. | 0:29:01 | 0:29:03 | |
A lot of workers who had suffered through the Depression, | 0:29:03 | 0:29:07 | |
when the war came and their services were desperately needed, | 0:29:07 | 0:29:11 | |
they couldn't see why the fact that we were fighting a war should stop them from using their opportunity | 0:29:11 | 0:29:16 | |
to get higher wages, to impose their demands. | 0:29:16 | 0:29:19 | |
Churchill was absolutely appalled by a lot of what went on in the factories. | 0:29:19 | 0:29:23 | |
Newspaper tycoon Lord Beaverbrook, | 0:29:23 | 0:29:25 | |
as Britain's Minister of Aircraft Production, | 0:29:25 | 0:29:28 | |
warned Prime Minister Winston Churchill in the winter of 1940, | 0:29:28 | 0:29:32 | |
as these War Cabinet papers reveal, | 0:29:32 | 0:29:34 | |
that "the cumulative effect of enemy bombing is making itself felt on our production lines". | 0:29:34 | 0:29:40 | |
They were becoming "very thin". | 0:29:40 | 0:29:42 | |
I remember Lord Beaverbrook just walked round the factory and out. | 0:29:42 | 0:29:47 | |
Usual thing. | 0:29:47 | 0:29:49 | |
And Churchill was on the phone to the factory all the while. | 0:29:49 | 0:29:53 | |
Beaverbrook also warned about absenteeism, | 0:29:53 | 0:29:56 | |
the length of time production line workers spent in air-raid shelters, | 0:29:56 | 0:30:01 | |
and the morale of the workforce. | 0:30:01 | 0:30:04 | |
We had some people directed down from Scotland under the Labour Act at the time. | 0:30:04 | 0:30:09 | |
One or two didn't like it. | 0:30:09 | 0:30:11 | |
I don't know how they got on, but they weren't there for long. | 0:30:11 | 0:30:14 | |
They were shifted out. | 0:30:14 | 0:30:15 | |
Everything was done to keep the men and women at work on the production line. | 0:30:15 | 0:30:20 | |
To help you stay in the factory, | 0:30:20 | 0:30:22 | |
we had our own dentist there. | 0:30:22 | 0:30:24 | |
We even had our own barber there. | 0:30:24 | 0:30:26 | |
So you could never get a pass out to go and have a haircut. | 0:30:26 | 0:30:29 | |
We had a good surgery, with a doctor. | 0:30:29 | 0:30:32 | |
-And that was to keep you on the production line? -Keep you on the production line. | 0:30:32 | 0:30:36 | |
'This is the bomb beam, like a compact miniature bridge. | 0:30:36 | 0:30:40 | |
'Look at the speed with which they set the bulletproof petrol tanks into the main plane.' | 0:30:40 | 0:30:44 | |
They had these special tanks that used to go in. They were bulletproof. Self-sealing, actually. | 0:30:44 | 0:30:48 | |
'When this is done, the overhead crane picks up the wings and sweeps them into position, | 0:30:48 | 0:30:53 | |
'where skilful hands guide them into place. | 0:30:53 | 0:30:55 | |
'Now the bomber is complete, with its 80ft wingspan. | 0:30:55 | 0:30:59 | |
'It won't be long now before this bomber is loaded with an outward-bound cargo for Germany, | 0:30:59 | 0:31:03 | |
'at the rate they're going.' | 0:31:03 | 0:31:04 | |
Tiny Cooling flew 67 missions in Bomber Command, most of them on Wellingtons. | 0:31:04 | 0:31:10 | |
In the air, that was where it belonged, and where you belonged in it. | 0:31:10 | 0:31:15 | |
And between you, you revelled in it. | 0:31:15 | 0:31:18 | |
He flew a Wellington over Dunkirk to protect the retreating British troops in 1940. | 0:31:18 | 0:31:25 | |
I remember peering down and looking at the battleground underneath. | 0:31:25 | 0:31:28 | |
You made damn sure to keep well clear of anywhere where our own troops were. | 0:31:28 | 0:31:33 | |
He flew his Wellington over the occupied Channel ports, | 0:31:34 | 0:31:38 | |
as the Germans then prepared to invade Britain. | 0:31:38 | 0:31:41 | |
They were basically river ports, | 0:31:41 | 0:31:43 | |
assembly places like Rotterdam, where the barges would assemble. | 0:31:43 | 0:31:47 | |
And, really, what you were looking down at was an expanse of water in the quasi-moonlight. | 0:31:47 | 0:31:53 | |
And if there was any movement, you went for that. | 0:31:54 | 0:31:57 | |
It is 11 hours and 23 minutes since the record-breaking attempt began. | 0:32:01 | 0:32:06 | |
'The night workers arrive. | 0:32:06 | 0:32:08 | |
'At the same time, another crew is fitting the starboard propeller. | 0:32:08 | 0:32:13 | |
'The workers are beginning to make bets. | 0:32:13 | 0:32:15 | |
'After all, there are still 17 hours and 20 minutes to go | 0:32:15 | 0:32:19 | |
'in that 30-hour mark they've set themselves'. | 0:32:19 | 0:32:21 | |
Eileen Lindfield worked the night shift. | 0:32:21 | 0:32:24 | |
She had unofficial uses for any discarded felt left over from the fuselage covering. | 0:32:24 | 0:32:30 | |
The Irish linen they covered the planes with, it didn't reach from one end of the plane to the other. | 0:32:30 | 0:32:36 | |
They just threw it down on the floor, and it was very sought after for curtains and everything. | 0:32:36 | 0:32:42 | |
We used to make slippers out of it. | 0:32:42 | 0:32:45 | |
Nobody could buy anything. | 0:32:45 | 0:32:47 | |
It was all on coupons, and slippers were a luxury. | 0:32:47 | 0:32:50 | |
When people say they're hard-up now and go without, | 0:32:50 | 0:32:53 | |
they don't know what the meaning of the word is. | 0:32:53 | 0:32:57 | |
The hardships people went through in the war - there was no water bottles, no cameras. | 0:32:57 | 0:33:02 | |
Everything was on coupons. It didn't matter how much money you had, you couldn't buy anything, | 0:33:02 | 0:33:07 | |
because it was all for the war, you know. | 0:33:07 | 0:33:10 | |
'Ivy Bennett caught my eye. | 0:33:10 | 0:33:12 | |
'I noticed her because she was wearing a very sheer pink chiffon blouse. | 0:33:12 | 0:33:16 | |
'I remarked on it, but Ivy grinned and said she'd come away from a party in a hurry | 0:33:16 | 0:33:21 | |
'so that she could get on this night shift | 0:33:21 | 0:33:23 | |
'and help to make this record-breaking bomber.' | 0:33:23 | 0:33:26 | |
-Do you remember going to dances and that sort of thing? -Yeah, we did in the war, yes. | 0:33:26 | 0:33:31 | |
If the men were on leave, they were all in their uniform. | 0:33:31 | 0:33:34 | |
Were there any liaisons that the husbands might have frowned upon? | 0:33:34 | 0:33:40 | |
Well, I suppose so, but I don't think I got into any mischief. | 0:33:40 | 0:33:44 | |
We didn't have a lot of time, really. | 0:33:44 | 0:33:47 | |
We had the Miners Welfare Institute in Llay. | 0:33:47 | 0:33:50 | |
We had dances at the weekends. | 0:33:50 | 0:33:52 | |
But I couldn't misbehave, because my mother was always in the kitchen making tea. | 0:33:52 | 0:33:56 | |
SHE LAUGHS | 0:33:56 | 0:33:58 | |
She was always there, and I had to come home with her, so I couldn't misbehave if I wanted to. | 0:33:58 | 0:34:03 | |
-I'm sure you didn't want to. -No, I didn't. No, I didn't. I was a good girl. | 0:34:03 | 0:34:08 | |
'The rear turret arrives on a portable crane. | 0:34:08 | 0:34:10 | |
'Robert Davies skilfully guides it into place.' | 0:34:10 | 0:34:13 | |
There was no idleness. | 0:34:13 | 0:34:15 | |
You got on with your jobs. | 0:34:15 | 0:34:17 | |
Even lavatory breaks were strictly rationed. | 0:34:17 | 0:34:20 | |
There was a lady in charge, and you were allowed six minutes. | 0:34:20 | 0:34:25 | |
If you were longer than that, she'd come and bang on the door. | 0:34:25 | 0:34:29 | |
"Come on, your time's up!" | 0:34:29 | 0:34:31 | |
One time, I wanted to go to a dance, which was not very often, | 0:34:31 | 0:34:36 | |
and you didn't get your hair set, or anything, then. | 0:34:36 | 0:34:40 | |
So I thought, "What can I do?" | 0:34:40 | 0:34:42 | |
So I took a comb and a little mirror in my overall pocket, | 0:34:42 | 0:34:47 | |
and I flushed the toilet twice to make sure the water was clean, | 0:34:47 | 0:34:51 | |
and I dipped my comb in, and I was setting my hair. | 0:34:51 | 0:34:56 | |
So I had to pretend I'd been to the toilet, but I hadn't. | 0:34:56 | 0:34:59 | |
Did she bang on the door? | 0:34:59 | 0:35:01 | |
Oh, yes. "Come on, your time's up! Out you come!" | 0:35:01 | 0:35:06 | |
But she didn't know what I'd been doing. She hadn't twigged. | 0:35:06 | 0:35:10 | |
'Before our unbelieving eyes, the bomber really looks like an aircraft. | 0:35:10 | 0:35:14 | |
'Ernest Tootle, who used to be a coach painter, applies the RAF roundel on the fuselage and wing. | 0:35:14 | 0:35:20 | |
'I don't know where he gets that steady hand at three in the morning, | 0:35:20 | 0:35:24 | |
'for you'll notice that he does it freehand. | 0:35:24 | 0:35:26 | |
Ernest Tootle worked on Wellingtons throughout the war. | 0:35:26 | 0:35:29 | |
He nearly lost his life in one of them, as his son Peter remembers. | 0:35:29 | 0:35:33 | |
He'd been working inside the bomb hatch. | 0:35:33 | 0:35:36 | |
The bomb hatch was closed up, and he was working inside it. | 0:35:36 | 0:35:40 | |
And this plane was off down the runway with him in the bomb hatch. | 0:35:40 | 0:35:43 | |
He went for a few circles round the aerodrome in the bomb hatch! | 0:35:43 | 0:35:47 | |
Can you tell me what he said? | 0:35:47 | 0:35:49 | |
Well, I couldn't remember the exact words, but... | 0:35:49 | 0:35:52 | |
there were a lot of stars and asterisks involved! | 0:35:52 | 0:35:56 | |
I don't know whether he thought he was going to die, | 0:35:56 | 0:35:59 | |
but he was quite explicit with some of the things that he said. | 0:35:59 | 0:36:03 | |
Ernest's grandson James now works in the same hangar | 0:36:03 | 0:36:07 | |
in which his grandfather built Wellingtons all those years ago. | 0:36:07 | 0:36:11 | |
James helps to build the wings of the giant, hi tech Airbus. | 0:36:11 | 0:36:17 | |
I'm a manufacturing shop support engineer. | 0:36:17 | 0:36:20 | |
It's providing support to the operators manufacturing the wings. | 0:36:20 | 0:36:24 | |
If they have any problems, they come to us about issues they might have - | 0:36:24 | 0:36:28 | |
if they've drilled holes in the wrong positions, oversized holes. | 0:36:28 | 0:36:32 | |
When you're on your placements around the factory, | 0:36:32 | 0:36:35 | |
you get to see the billet of aluminium that the wing starts from, from start to end. | 0:36:35 | 0:36:40 | |
It's strange at Broughton, because you're just seeing a wing. You don't see the complete aircraft. | 0:36:40 | 0:36:45 | |
It'd be nice to see something from start to finish. | 0:36:45 | 0:36:49 | |
The Broughton factory is the British partner in the long-established European Airbus project. | 0:36:49 | 0:36:56 | |
It also involves factories in Spain and Germany and France. | 0:36:56 | 0:37:01 | |
Once the wings are built here at Broughton, they're transported by air and road | 0:37:01 | 0:37:06 | |
to be assembled into the complete aircraft at Toulouse in France. | 0:37:06 | 0:37:12 | |
Does it ever cross your mind that your grandfather used to build Wellington bombers in this place? | 0:37:12 | 0:37:17 | |
It was funny, cos a few weeks back, it was mentioned about the 24-hour bomber that was made. | 0:37:17 | 0:37:23 | |
But you can imagine now how different the factory is compared to what it was then. | 0:37:23 | 0:37:27 | |
'At half past ten at night, | 0:37:27 | 0:37:30 | |
'the landing wheels are installed - wheels 4.5ft high that weigh 300lb. | 0:37:30 | 0:37:35 | |
'Meanwhile, further inspections are taking place | 0:37:35 | 0:37:39 | |
'and checked off on the progress charts as each detail is OK'd.' | 0:37:39 | 0:37:42 | |
Wilf Williams was 16 when he first enrolled at the Broughton factory. | 0:37:43 | 0:37:48 | |
That weekend, he'd worked all day Saturday on Wellington LN514. | 0:37:48 | 0:37:53 | |
I came in at the second stage, after the fabric had been put over the fuselage. | 0:37:53 | 0:38:00 | |
I went home at 3 o'clock on Saturday afternoon. | 0:38:00 | 0:38:03 | |
On the Sunday morning, | 0:38:03 | 0:38:05 | |
I was very surprised to find it had left the production line | 0:38:05 | 0:38:08 | |
and gone into the running shed. | 0:38:08 | 0:38:10 | |
'As the clock at the end of the assembly line points to 3.20, | 0:38:10 | 0:38:15 | |
'a tractor tows the bomber to the running shed. | 0:38:15 | 0:38:17 | |
'This is a is huge area at the end of the production line | 0:38:17 | 0:38:21 | |
'where final inspections and the first engine tests are made.' | 0:38:21 | 0:38:24 | |
Curiously, in an affair that mainly concerned Britain's Fighter Command, | 0:38:24 | 0:38:29 | |
the Wellington heavy bomber, unintentionally, | 0:38:29 | 0:38:31 | |
was to play a vital role in the Battle of Britain. | 0:38:31 | 0:38:35 | |
In the summer of 1940, when Britain and the Commonwealth stood alone and at bay | 0:38:37 | 0:38:41 | |
against the apparently irresistible might of Nazi Germany, | 0:38:41 | 0:38:45 | |
the Luftwaffe were weakening the RAF's Fighter Command | 0:38:45 | 0:38:49 | |
by bombing its airfields and radar stations, | 0:38:49 | 0:38:52 | |
and sometimes catching the fighters as they climbed to meet them. | 0:38:52 | 0:38:55 | |
The Luftwaffe brought Fighter Command in the southeast of England | 0:38:55 | 0:38:59 | |
very, very close to the edge of defeat by its attacks on airfields and radar stations. | 0:38:59 | 0:39:06 | |
By late August, things were very, very serious indeed. | 0:39:06 | 0:39:09 | |
Then, by accident, some German bombs fell on the outskirts of London. | 0:39:09 | 0:39:15 | |
Churchill was furious. | 0:39:15 | 0:39:17 | |
Churchill insisted that the RAF MUST retaliate against Berlin. | 0:39:17 | 0:39:21 | |
And on the night of 24th/25th August, | 0:39:21 | 0:39:24 | |
the Wellingtons and some Hampdens and Whitleys set out for Berlin. | 0:39:24 | 0:39:29 | |
Very few of them dropped bombs even anywhere near anything that mattered, but they enraged Hitler. | 0:39:32 | 0:39:38 | |
INAUDIBLE | 0:39:38 | 0:39:40 | |
And Hitler, from that moment, insisted that the Luftwaffe shift its aiming point to major British cities | 0:39:40 | 0:39:46 | |
And it was one of the turning points of the Battle of Britain. | 0:39:46 | 0:39:49 | |
London suffered terribly. | 0:39:51 | 0:39:53 | |
The cost to Londoners was enormous, but London could take it. | 0:39:53 | 0:39:57 | |
Churchill described it as like a great, enormous wounded animal, | 0:39:59 | 0:40:03 | |
but it could go on receiving punishment, whereas, if the Luftwaffe had gone on attacking | 0:40:03 | 0:40:08 | |
Fighter Command airfields and radar stations, strategically, this would have been far, far more serious. | 0:40:08 | 0:40:14 | |
So that RAF raid against Berlin and others that followed | 0:40:14 | 0:40:17 | |
did have a significant effect on the Battle of Britain. | 0:40:17 | 0:40:21 | |
It is 18 hours and 20 minutes since work began on Wellington LN514. | 0:40:22 | 0:40:28 | |
'There is a feeling of high expectancy in the air, | 0:40:28 | 0:40:30 | |
'for there in front of us is what we think is the fastest job of bomber construction in the world. | 0:40:30 | 0:40:35 | |
'Now, will it run?' | 0:40:35 | 0:40:37 | |
They are only two complete Wellington bombers in existence today. | 0:40:39 | 0:40:44 | |
This one, at the aeronautical museum at Brooklands, | 0:40:44 | 0:40:48 | |
was rescued from Loch Ness, where she'd crash-landed on December 31st 1940. | 0:40:48 | 0:40:52 | |
She ditched so gently that the crew were able to walk out onto the wings | 0:40:55 | 0:40:59 | |
into their rescue dinghies and onto the Scottish shore. | 0:40:59 | 0:41:04 | |
This aircraft was one of Bomber Command's main strike-force of Wellingtons | 0:41:04 | 0:41:09 | |
in the early years of the war. | 0:41:09 | 0:41:11 | |
Bomber Command continued to hit at Berlin and other cities. | 0:41:11 | 0:41:15 | |
There was a wonderful moment later in the year, | 0:41:15 | 0:41:18 | |
when the Germans were trying to convince the Russian Foreign Minister, Molotov, | 0:41:18 | 0:41:21 | |
that the British were beaten, that it was all over, | 0:41:21 | 0:41:24 | |
and in the middle of a dinner at the Russian embassy, | 0:41:24 | 0:41:28 | |
suddenly the air-raid siren goes - in Berlin - and they all have to go down to the cellar. | 0:41:28 | 0:41:32 | |
And Molotov ENRAGED the Germans by saying to them, | 0:41:32 | 0:41:36 | |
"If the British are really beaten, | 0:41:36 | 0:41:38 | |
"then why do we have this air-raid alarm? And who is dropping these bombs?" | 0:41:38 | 0:41:41 | |
And it was probably a Wellington that did it. | 0:41:41 | 0:41:44 | |
'Like seagulls following a liner, the workers tag after it to continue their jobs. | 0:41:44 | 0:41:49 | |
'From Ivy Bennett in her chiffon blouse, to George Williams, who is almost blind, | 0:41:49 | 0:41:54 | |
'every one of these British men and women has given of his best.' | 0:41:54 | 0:41:58 | |
Have you any idea, Hilda, how many Wellingtons you actually worked on? | 0:41:58 | 0:42:03 | |
Crikey! No. | 0:42:03 | 0:42:06 | |
You were doing miles and miles of machine work, | 0:42:06 | 0:42:11 | |
so you just took each day as it came. | 0:42:11 | 0:42:14 | |
You just knew it was going towards making a bomber. | 0:42:14 | 0:42:17 | |
Cos it did make you think, when you were doing them. | 0:42:17 | 0:42:20 | |
You used to wonder what happened to the bombers. Were they lucky or not? | 0:42:20 | 0:42:24 | |
Tiny Cooling piloted a Wellington bomber into action 67 times. | 0:42:24 | 0:42:30 | |
My policy was, when I came up to the target, | 0:42:30 | 0:42:34 | |
to have a good look around and to see what was going on | 0:42:34 | 0:42:37 | |
and see which was the hottest place, and go and find one that was the quietest. | 0:42:37 | 0:42:43 | |
And if it was hot at 10,000ft, I'd drop down to 8,000, or something like that, | 0:42:45 | 0:42:50 | |
and I used that throughout the war. | 0:42:50 | 0:42:53 | |
If you were briefed for a particularly hot place, you had this trepidation, a sort of... | 0:42:56 | 0:43:03 | |
Well, I suppose you might say a windy feeling in the pit of the stomach, | 0:43:03 | 0:43:08 | |
much like when you were a schoolboy waiting to go and see the dentist. | 0:43:08 | 0:43:13 | |
But as soon as you got in the aeroplane, it had gone. | 0:43:13 | 0:43:16 | |
-Do you think that applied to everybody? -I've no idea. | 0:43:16 | 0:43:20 | |
It's not a thing one talked about. | 0:43:20 | 0:43:22 | |
-You never discussed fear? -No. | 0:43:22 | 0:43:25 | |
Did others show fear? | 0:43:25 | 0:43:28 | |
Not show it, no. Nobody ever showed it. | 0:43:28 | 0:43:31 | |
'Then, at precisely 15 minutes past six on this Sunday morning, | 0:43:31 | 0:43:35 | |
'exactly 21 hours and 15 minutes from the start of construction, | 0:43:35 | 0:43:40 | |
'the bomber is a complete fighting unit | 0:43:40 | 0:43:42 | |
'and sees the light of the first dawn of its lifetime.' | 0:43:42 | 0:43:45 | |
Aircrew called the Wellington the Wimpy, | 0:43:45 | 0:43:48 | |
because there was a legendary cartoon character of that period called J Wellington Wimpy. | 0:43:48 | 0:43:53 | |
And the Wimpy was a term of terrific affection. | 0:43:53 | 0:43:55 | |
They loved this aeroplane. They thought it was marvellous. | 0:43:55 | 0:43:58 | |
'So, like a gallery at a sporting event, the workers stand and watch. | 0:43:58 | 0:44:02 | |
'Then comes the big moment. | 0:44:02 | 0:44:04 | |
'The engineer climbs into the cabin and the engines are started up for the first time.' | 0:44:04 | 0:44:08 | |
I can't think of any occasion when the aircraft let me down. | 0:44:11 | 0:44:16 | |
There might have been one or two occasions when one got into trouble | 0:44:16 | 0:44:21 | |
through one's own fault. | 0:44:21 | 0:44:23 | |
Believe you me, you just sort of let the aircraft take over and it would pull you out. | 0:44:23 | 0:44:30 | |
Tiny Cooling flew his 67 missions in Wellingtons - | 0:44:30 | 0:44:33 | |
more than two complete tours of duty - | 0:44:33 | 0:44:36 | |
between 1939 and 1945 in Europe, Italy and the Middle East. | 0:44:36 | 0:44:42 | |
In that time, more than 10,000 members of Bomber Command were killed in action. | 0:44:42 | 0:44:48 | |
You didn't stop to think about that. | 0:44:48 | 0:44:50 | |
-Why not? -Because it wouldn't happen to you. | 0:44:50 | 0:44:52 | |
It might happen to the next chap on the next table, but it wouldn't happen to you. | 0:44:52 | 0:44:57 | |
'We all know that time is racing, but a generator and an airscrew need some last-minute adjustments. | 0:44:57 | 0:45:02 | |
'And there's a final bit of stitching to do. This holds us up almost two hours.' | 0:45:02 | 0:45:07 | |
It was one of the toughest and most dangerous jobs in the war. | 0:45:07 | 0:45:11 | |
To complete a tour of operations, you had to do 30 trips. | 0:45:11 | 0:45:14 | |
And for a lot of the war, | 0:45:14 | 0:45:17 | |
Bomber Command was losing about 1 in 20. | 0:45:17 | 0:45:20 | |
That meant you had a better chance of dying than you did of surviving your 30 trips. | 0:45:20 | 0:45:25 | |
'Everything has received its final test and OK and the bomber is ready for the takeoff. | 0:45:25 | 0:45:31 | |
'It's full daylight, and ten minutes to nine in the morning. | 0:45:31 | 0:45:35 | |
'Ten minutes short of an exact 24-hour day | 0:45:35 | 0:45:38 | |
'that the finished bomber is rolled out onto the tarmac adjoining the factory. | 0:45:38 | 0:45:42 | |
'The record is going to be really shattered, and no mistake.' | 0:45:42 | 0:45:45 | |
In a way of course, in a Wellington bomber, each member of the crew fought a slightly different war, | 0:45:54 | 0:46:01 | |
because if you think of the rear gunner, he's miles away from you. | 0:46:01 | 0:46:05 | |
He is, yes. You gave him a shout once in a while to say, "Hi, Tex. You still awake?" | 0:46:05 | 0:46:09 | |
The wireless operator is wrapped up in wires and earphones | 0:46:09 | 0:46:14 | |
and God knows what, and never says anything to anybody. | 0:46:14 | 0:46:17 | |
The navigator's sort of in and out every few minutes with a chitty saying, "Change course to this" | 0:46:17 | 0:46:24 | |
or, "ETA there," and that sort of business. | 0:46:24 | 0:46:27 | |
And Bill, my bomb-aimer, was the man who stood beside me in the well whilst I flew | 0:46:27 | 0:46:34 | |
and who, if I got stiff or needed to pee or something like that, | 0:46:34 | 0:46:38 | |
I'd say to Bill, "Take over for five minutes, would you?" | 0:46:38 | 0:46:42 | |
I'd get out of the seat and he'd climb in and he'd fly it for a while. | 0:46:42 | 0:46:46 | |
And there was this total reliance, one upon the other, | 0:46:46 | 0:46:50 | |
that you never even questioned their ability to do what you asked them, | 0:46:50 | 0:46:54 | |
or whether they would give you to the utmost if required. | 0:46:54 | 0:46:57 | |
Is that a definition of love? | 0:46:57 | 0:47:00 | |
In a sense, yes. | 0:47:00 | 0:47:02 | |
In the Shakespearean sense, yes. | 0:47:02 | 0:47:06 | |
I never cease to be deeply moved | 0:47:11 | 0:47:14 | |
by what those very young men did and the letters they left behind them. | 0:47:14 | 0:47:19 | |
In the last year of the war, Tiny Cooling wrote a poem. | 0:47:19 | 0:47:24 | |
..I dare not look for my own It should be there... | 0:48:05 | 0:48:08 | |
..Was he 20 when he came into my room | 0:48:19 | 0:48:22 | |
And cried like a child the night Bob Hewitt died | 0:48:22 | 0:48:25 | |
Leaving a pregnant wife? | 0:48:25 | 0:48:27 | |
Naylor was a young navigator. | 0:48:35 | 0:48:37 | |
And I remember lying in bed one morning - | 0:48:37 | 0:48:40 | |
I think we'd just come back from a place like Cologne or something - | 0:48:40 | 0:48:44 | |
and there was a tap on the door, | 0:48:44 | 0:48:46 | |
and young Naylor walked in and stood at the foot of my bed. | 0:48:46 | 0:48:51 | |
He just fell to his knees, | 0:48:51 | 0:48:52 | |
buried his face in the blankets of my bed and cried, | 0:48:52 | 0:48:58 | |
and I said, "What's up?" | 0:48:58 | 0:49:01 | |
He said, "Bob Hewitt's missing." | 0:49:01 | 0:49:03 | |
Everybody liked young Naylor, | 0:49:05 | 0:49:07 | |
but nobody took the blindest bit of notice of him | 0:49:07 | 0:49:09 | |
because he didn't look as if he'd been out of his pram | 0:49:09 | 0:49:13 | |
more than a few days. | 0:49:13 | 0:49:14 | |
Was there anything you could say to comfort him? | 0:49:14 | 0:49:17 | |
No, no, no, not really. | 0:49:17 | 0:49:19 | |
It was just the luck of the game. | 0:49:19 | 0:49:23 | |
It required a very special kind of courage to fly with Bomber Command. | 0:49:23 | 0:49:27 | |
In the most literal sense, they died with their shoes clean | 0:49:27 | 0:49:30 | |
because they had a very cosy, comfortable, cosseted life at their bases in England. | 0:49:30 | 0:49:36 | |
They were nicely fed. They had bacon and eggs before they took off. | 0:49:36 | 0:49:40 | |
Some of them were able to live in quarters with their wives. | 0:49:40 | 0:49:44 | |
And then they would, every night, get in these planes | 0:49:44 | 0:49:47 | |
and fly out from these calm, still Norfolk and Lincolnshire fields | 0:49:47 | 0:49:51 | |
into the darkness over Germany, into the whitest teeth of war. | 0:49:51 | 0:49:56 | |
These brightly coloured lights went shooting past, and there seemed to be lots of them straight ahead, | 0:50:01 | 0:50:07 | |
and as we got up to them, they seemed to part and let us through. | 0:50:07 | 0:50:12 | |
Then, all of a sudden, there was a smack. | 0:50:12 | 0:50:14 | |
Flak guns, night-fighters and searchlights. | 0:50:14 | 0:50:17 | |
They were seeing their mates being shot down every night. | 0:50:17 | 0:50:20 | |
I remember calling out to Dougie, "We've been hit." | 0:50:20 | 0:50:23 | |
And he said, "Where?" And I told him. He said, "Keep an eye on it." | 0:50:23 | 0:50:27 | |
And they would go through this fantastically intense and terrifying experience for six, eight hours. | 0:50:28 | 0:50:33 | |
A few minutes later, he said, "Anything to see?" And I said, "No, it's dead quiet." | 0:50:35 | 0:50:40 | |
He said, "All right, fine. We'll be home in an hour. | 0:50:40 | 0:50:43 | |
"Wait until we get down and we'll have a look." | 0:50:43 | 0:50:45 | |
And then they would come back. | 0:50:49 | 0:50:51 | |
This calm, quiet Lincolnshire or Norfolk airfield. | 0:50:51 | 0:50:55 | |
I could smell petrol. | 0:50:55 | 0:50:57 | |
It was dripping from the self-sealing tank on the starboard side. | 0:50:57 | 0:51:02 | |
And Dougie saying to me, "Oh, we're back in time before the bars close. | 0:51:02 | 0:51:07 | |
"Come on, I'll buy you a beer to mark your first trip." | 0:51:07 | 0:51:11 | |
They'd go to the mess, they'd have the bacon and eggs, | 0:51:12 | 0:51:15 | |
then two nights later, they'd be asked to do the same thing again... | 0:51:15 | 0:51:18 | |
but usually with two or three less of the crews than had gone out the previous night. | 0:51:18 | 0:51:23 | |
'Here comes the test pilot, | 0:51:28 | 0:51:30 | |
'a really amazed man. | 0:51:30 | 0:51:32 | |
'He was planning to fly the bomber this afternoon. | 0:51:32 | 0:51:35 | |
'But so fast has this aircraft been completed | 0:51:35 | 0:51:38 | |
'that they got him out of bed to put the bomber through its paces.' | 0:51:38 | 0:51:42 | |
I was told that they'd gone to fetch the pilot | 0:51:42 | 0:51:45 | |
and, obviously, he didn't expect it to be so quick. | 0:51:45 | 0:51:48 | |
And I think his words were, "I hope to God they haven't missed anything." | 0:51:48 | 0:51:52 | |
Everything went like clockwork. | 0:51:54 | 0:51:57 | |
I was really overwhelmed, but I was fascinated as well, | 0:51:57 | 0:52:01 | |
to think that you could start a plane and then it could go down the line and actually fly. | 0:52:01 | 0:52:06 | |
We all went out onto the tarmac to watch the scene. | 0:52:06 | 0:52:10 | |
Everybody was pleased that they'd done it. | 0:52:12 | 0:52:14 | |
I mean, there were no parties that I can remember, or anything like that, like. | 0:52:14 | 0:52:18 | |
The whole factory saw it take off. They were all outside to watch it. | 0:52:18 | 0:52:21 | |
-That must have been quite a moment? -Oh, it was, really. | 0:52:21 | 0:52:25 | |
'Here it comes. And the bomber is airborne. The record? | 0:52:25 | 0:52:30 | |
'Yes, they broke it, those workers.' | 0:52:30 | 0:52:31 | |
What was that moment, when it took off? | 0:52:31 | 0:52:34 | |
There was a great, big round of applause and shouting. | 0:52:34 | 0:52:37 | |
He did a few circuits. | 0:52:37 | 0:52:40 | |
So we were very pleased with that. | 0:52:40 | 0:52:42 | |
It was a job well done. | 0:52:42 | 0:52:44 | |
APPLAUSE | 0:52:51 | 0:52:54 | |
Airbus marked this unique occasion with an official photograph. | 0:52:54 | 0:52:58 | |
So, on the count of three, let's go for it. | 0:52:58 | 0:53:01 | |
One, two, three! | 0:53:01 | 0:53:02 | |
Everybody wave. Now, here's the hard one. | 0:53:02 | 0:53:05 | |
Wave and smile! OK? | 0:53:05 | 0:53:07 | |
Wave and smile! Let's go for it. Wave and smile! | 0:53:07 | 0:53:11 | |
For these people, this was simply a 24-hour snapshot of their lives during World War II. | 0:53:11 | 0:53:18 | |
But the war was to last six years. Their men came home eventually. | 0:53:18 | 0:53:22 | |
And for the women who had built Wellington LN514, life changed yet again. | 0:53:22 | 0:53:29 | |
-Did you continue to work at Broughton? -No. | 0:53:29 | 0:53:32 | |
I had the sack! | 0:53:34 | 0:53:35 | |
I was made redundant. | 0:53:35 | 0:53:38 | |
A few weeks later, they turned over to prefabricated houses. | 0:53:38 | 0:53:42 | |
The girls that were single, they were kept on. | 0:53:42 | 0:53:44 | |
-But I was married and I had to finish. -How did you feel about that? | 0:53:44 | 0:53:48 | |
A bit annoyed, actually. | 0:53:48 | 0:53:51 | |
I signed on the dole. | 0:53:51 | 0:53:53 | |
I had dole for three weeks and that's the only thing I've ever had off the government. | 0:53:53 | 0:53:58 | |
And because I wouldn't go to Bolton to work in the cotton factory, they stopped me dole. | 0:53:58 | 0:54:02 | |
So what did you do? | 0:54:02 | 0:54:05 | |
Lived on my Army allowance until Harry came home. | 0:54:05 | 0:54:08 | |
What was that day like, when he did come home from the war? | 0:54:08 | 0:54:11 | |
There was no telephones in those days. | 0:54:11 | 0:54:13 | |
I was outside the local church, watching a wedding. | 0:54:13 | 0:54:17 | |
And my mother was there, and she went home for something and she said, | 0:54:17 | 0:54:21 | |
"I think you'd better go home. Harry's at home waiting for you." | 0:54:21 | 0:54:25 | |
And I got a little cottage ready for when he come home. | 0:54:29 | 0:54:33 | |
The people he worked for before the war, they got a little estate, and there was two little cottages on it, | 0:54:33 | 0:54:39 | |
and I had one. It was furnished, ready, when he came home. | 0:54:39 | 0:54:42 | |
Me dad came home Christmas morning. | 0:54:42 | 0:54:44 | |
Did either of them ever talk about what they did in the war? | 0:54:44 | 0:54:47 | |
No. | 0:54:47 | 0:54:49 | |
Did it affect Harry? | 0:54:49 | 0:54:51 | |
Never the same again. | 0:54:52 | 0:54:54 | |
Hilda Dodd's Percy came home in 1944. | 0:54:55 | 0:54:59 | |
Oh, well, I was over the moon. | 0:54:59 | 0:55:02 | |
Couldn't believe it, you know? | 0:55:02 | 0:55:04 | |
It was wonderful. | 0:55:04 | 0:55:05 | |
It's a very funny feeling after three-and-a-half years | 0:55:05 | 0:55:09 | |
and then I thought, "I wonder if he's gone off me. | 0:55:09 | 0:55:12 | |
"Or whether he still likes me!" | 0:55:12 | 0:55:15 | |
He hadn't altered much, to me. | 0:55:16 | 0:55:19 | |
He had fair hair, but he was fairer and he was a well-built lad. | 0:55:19 | 0:55:24 | |
And he came in and he was hungry and he cooked himself egg and bacon, | 0:55:24 | 0:55:30 | |
and of course when his mum got up - | 0:55:30 | 0:55:32 | |
"Oh," she said, "I see you've had some breakfast." | 0:55:32 | 0:55:36 | |
He'd only eaten the whole rations for the week! | 0:55:36 | 0:55:38 | |
He didn't know! | 0:55:40 | 0:55:42 | |
Throughout the war, Percy carried with him this photograph of Hilda. | 0:55:42 | 0:55:46 | |
He brought it back with him at the end of the war? | 0:55:46 | 0:55:49 | |
Yes. I have the photograph, | 0:55:49 | 0:55:51 | |
and when he showed it me, I said, "Ooh, it's coloured." | 0:55:51 | 0:55:55 | |
Because I sent it just ordinary. | 0:55:55 | 0:55:58 | |
He said, "Yes. Don't ever lose this," he said. | 0:55:58 | 0:56:01 | |
"I treasure this." I said, "Why?" | 0:56:01 | 0:56:03 | |
He said, "Well, one of my mates had his hands blown off. | 0:56:03 | 0:56:07 | |
"He held a brush in his mouth and tinted it up." | 0:56:09 | 0:56:13 | |
I was very upset about it at the time, | 0:56:15 | 0:56:18 | |
but I've never parted with it. | 0:56:18 | 0:56:20 | |
It doesn't seem to lose any of its colour. | 0:56:20 | 0:56:22 | |
Eileen Lindfield found it hard to adjust to the reappearance in her life of her husband Stan. | 0:56:24 | 0:56:30 | |
We were so independent, and the women did a man's job and they behaved like men... | 0:56:30 | 0:56:36 | |
and I think it took us a little while to sort of get going. | 0:56:36 | 0:56:41 | |
I'm glad I experienced the war, | 0:56:41 | 0:56:44 | |
but I wouldn't like to think it happening again. | 0:56:44 | 0:56:46 | |
Nobody wins a war, | 0:56:46 | 0:56:48 | |
so better without. | 0:56:48 | 0:56:50 | |
Over a single weekend, from first bolt to last, | 0:56:52 | 0:56:56 | |
these workers built this Wellington bomber in 10 minutes less than 24 hours. | 0:56:56 | 0:57:01 | |
They smashed the existing world record by a whole day. | 0:57:01 | 0:57:05 | |
Wellington LN514 took off 24 hours and 48 minutes into the workers' weekend. | 0:57:05 | 0:57:12 | |
Tiny Cooling flew HIS Wellington into action over Germany and France, | 0:57:16 | 0:57:20 | |
Belgium and Egypt, Sicily and Italy, 67 times. | 0:57:20 | 0:57:24 | |
It was always nice when the word came up from under your feet, saying, "Bomb's gone!" | 0:57:25 | 0:57:31 | |
The navigator would be up almost before the words were out of Bill's mouth. | 0:57:33 | 0:57:39 | |
Saying, "Course to steer." | 0:57:39 | 0:57:41 | |
He'd set us on the compass and you'd weave your way home. | 0:57:41 | 0:57:47 | |
And you'd see the flare paths flickering ahead, | 0:57:47 | 0:57:51 | |
and you'd come in on a final approach, | 0:57:51 | 0:57:54 | |
and that lovely softness as you closed your engines down on finals, | 0:57:54 | 0:58:00 | |
and felt for the ground. | 0:58:00 | 0:58:02 | |
And the good old Wimpy just let you down, like a babe on a cushion. | 0:58:02 | 0:58:07 | |
And that was another one over. | 0:58:10 | 0:58:13 | |
In all, during World War II, | 0:58:14 | 0:58:17 | |
British factories turned out 11,461 Wellington bombers. | 0:58:17 | 0:58:23 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:51 | |
E-mail [email protected] | 0:58:51 | 0:58:56 |