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Being blonde, busty and the short skirts - | 0:00:08 | 0:00:11 | |
that was enough to bring the house down. | 0:00:11 | 0:00:14 | |
"I can't go out there. There are bombs, Germans and terrible mayhem!" | 0:00:20 | 0:00:26 | |
You could look and see the Germans looking at you with field glasses. | 0:00:27 | 0:00:33 | |
I've got theatrical experience, I've been to the theatre twice. | 0:00:36 | 0:00:40 | |
"Get off! Show us your..." Oh, dear. | 0:00:40 | 0:00:43 | |
Every night, something awful! | 0:00:43 | 0:00:46 | |
That were what the boys used to call it. | 0:00:46 | 0:00:48 | |
We must have travelled for thousands of miles. | 0:00:55 | 0:00:58 | |
We didn't care. We were entertaining the troops! | 0:00:58 | 0:01:01 | |
I was due to make my debut in show business on 3 September 1939, | 0:01:09 | 0:01:15 | |
would you believe. The day war broke out. | 0:01:15 | 0:01:18 | |
The Government has given instructions | 0:01:18 | 0:01:20 | |
for the following important announcements - | 0:01:20 | 0:01:23 | |
closing of places of entertainment. | 0:01:23 | 0:01:27 | |
All cinemas, theatres and other places of entertainment | 0:01:27 | 0:01:32 | |
are to be closed immediately until further notice. | 0:01:32 | 0:01:36 | |
The first thing I thought, "Well, there goes my career." | 0:01:36 | 0:01:40 | |
You know, there won't be a sort of entertainment during the war. | 0:01:40 | 0:01:46 | |
Everything will be very serious and safety-minded. | 0:01:46 | 0:01:50 | |
But entertainment was far from over. | 0:01:50 | 0:01:53 | |
And one man would make it his mission to ensure | 0:01:53 | 0:01:55 | |
that the world of show business played its part during the war. | 0:01:55 | 0:01:59 | |
Basil Dean was a renowned theatre and film impresario, | 0:01:59 | 0:02:03 | |
a legendary name in the world of entertainment. | 0:02:03 | 0:02:05 | |
During the First World War, he took on the task of | 0:02:05 | 0:02:08 | |
raising the spirits of his fellow soldiers in the battalion. | 0:02:08 | 0:02:12 | |
The commandant was concerned | 0:02:12 | 0:02:13 | |
that something needed to be done for the morale of these men | 0:02:13 | 0:02:17 | |
and Dean was the ideal person to be given the task. | 0:02:17 | 0:02:20 | |
And he went round the area. He looked for singers, dancers, magicians, | 0:02:20 | 0:02:25 | |
and slowly, he poured a wealth of talent in. | 0:02:25 | 0:02:29 | |
Dean certainly commented on the fact he felt morale had been lifted | 0:02:31 | 0:02:35 | |
and it never left him. | 0:02:35 | 0:02:37 | |
As a second world war loomed, | 0:02:37 | 0:02:40 | |
Basil Dean realised he could build on this idea. | 0:02:40 | 0:02:43 | |
He had a vision of a worldwide theatrical operation, | 0:02:43 | 0:02:46 | |
where entertainment would play a key role in keeping up morale | 0:02:46 | 0:02:49 | |
and helping to win the war. | 0:02:49 | 0:02:51 | |
When the war was obviously coming, | 0:02:51 | 0:02:54 | |
he was very active in proposing what became ENSA. | 0:02:54 | 0:02:59 | |
I think he approached the political authorities, | 0:02:59 | 0:03:02 | |
urging the Government to set up something like ENSA. | 0:03:02 | 0:03:04 | |
That is certainly so. | 0:03:04 | 0:03:06 | |
I think he wanted especially the theatre to do its bit in the war | 0:03:06 | 0:03:10 | |
and the people, not only the troops but the factory workers, | 0:03:10 | 0:03:14 | |
needed entertainment. | 0:03:14 | 0:03:15 | |
So, the idea for the Entertainment's National Service Association, ENSA, | 0:03:15 | 0:03:21 | |
began to take shape. | 0:03:21 | 0:03:22 | |
Basil was a man of great drive and extreme energy and vigour. | 0:03:22 | 0:03:27 | |
-Yes. -And a difficult man. | 0:03:27 | 0:03:30 | |
You don't get a mild-mannered man who agrees to run a show like ENSA. | 0:03:30 | 0:03:36 | |
He needs to be a formidable figure. | 0:03:36 | 0:03:38 | |
To me, he was a Diaghilev, he was figure of power. | 0:03:38 | 0:03:42 | |
He was a magical name that people said, "Basil Dean!" | 0:03:42 | 0:03:46 | |
Basil Dean's impressive powers of persuasion finally convinced NAAFI, | 0:03:46 | 0:03:51 | |
the service's trading organisation, | 0:03:51 | 0:03:53 | |
to foot the bill for this ambitious operation. | 0:03:53 | 0:03:56 | |
But it wasn't just officials he could win over. | 0:03:56 | 0:03:58 | |
Due to his connections with West End people, | 0:03:58 | 0:04:01 | |
he got these big stars. | 0:04:01 | 0:04:03 | |
"You will do this, won't you?" "Yes, of course I'll do it." | 0:04:03 | 0:04:06 | |
CHEERING AND APPLAUSE | 0:04:06 | 0:04:09 | |
You should wait till I finish. You shouldn't start mucking about now! | 0:04:11 | 0:04:15 | |
LAUGHTER | 0:04:15 | 0:04:17 | |
Gracie, obviously, was extremely famous - | 0:04:17 | 0:04:21 | |
one of our top performers. | 0:04:21 | 0:04:23 | |
WITH AUDIENCE: # Sally, don't ever wander... # | 0:04:23 | 0:04:31 | |
I think she was everything that they thought of home about. | 0:04:32 | 0:04:35 | |
She looked like a mother, a young mother. | 0:04:35 | 0:04:38 | |
She was, you know, the family, the one they were going back for. | 0:04:38 | 0:04:42 | |
# Sally | 0:04:42 | 0:04:45 | |
# Marry me, Sally... # | 0:04:45 | 0:04:48 | |
And happy forever are we! | 0:04:48 | 0:04:50 | |
Her whole repertoire was songs that they all knew. | 0:04:50 | 0:04:55 | |
And men loved a sing-song. | 0:04:55 | 0:04:56 | |
# You're more than the whole world | 0:04:56 | 0:05:02 | |
# To me-e-e-e-e... # | 0:05:02 | 0:05:09 | |
APPLAUSE | 0:05:09 | 0:05:11 | |
# Hitler can't kid us a lot | 0:05:11 | 0:05:13 | |
# His secret weapon's tommyrot... # | 0:05:13 | 0:05:15 | |
Another glittering star to sign up with ENSA was George Formby. | 0:05:15 | 0:05:19 | |
George Formby was a very popular entertainer. | 0:05:19 | 0:05:21 | |
He did this thing also of getting everybody to come round. | 0:05:21 | 0:05:24 | |
And he played the uke. | 0:05:24 | 0:05:26 | |
He'd do My Little Stick Of Blackpool Rock | 0:05:26 | 0:05:29 | |
and When I'm Cleaning Windows. | 0:05:29 | 0:05:32 | |
Some sort of double entendres in that, which the blokes loved. | 0:05:32 | 0:05:37 | |
# At eight o'clock, a girl she wakes | 0:05:37 | 0:05:40 | |
# At five past eight, a bath she takes | 0:05:40 | 0:05:42 | |
# At ten past eight, me ladder breaks | 0:05:42 | 0:05:44 | |
# When I'm cleaning windows. # | 0:05:44 | 0:05:46 | |
CHEERING | 0:05:46 | 0:05:47 | |
If you had George Formby, | 0:05:47 | 0:05:49 | |
if you had Gracie Fields, who was a tremendous supporter, | 0:05:49 | 0:05:52 | |
others thought, "If they can do it, why can't I?" | 0:05:52 | 0:05:55 | |
With a headquarters complete with staff, | 0:05:57 | 0:06:00 | |
offices and workshops set up at the Theatre Royal in Drury Lane, | 0:06:00 | 0:06:04 | |
Basil Dean was heading up an already formidable organisation. | 0:06:04 | 0:06:07 | |
But to achieve his dream, he needed an army of foot soldiers. | 0:06:07 | 0:06:10 | |
Word went out to the show business world, | 0:06:10 | 0:06:12 | |
that they were needed for the war effort. | 0:06:12 | 0:06:15 | |
And performers - from singers to contortionists, | 0:06:15 | 0:06:18 | |
comedians to jugglers - heeded the call. | 0:06:18 | 0:06:20 | |
I simply saw an advertisement for dancers | 0:06:20 | 0:06:25 | |
to go abroad with ENSA. | 0:06:25 | 0:06:28 | |
I wanted to entertain the troops. | 0:06:28 | 0:06:30 | |
And so I went to Drury Lane Theatre and did an audition. | 0:06:30 | 0:06:36 | |
We were just sort of, as I seemed to remember, | 0:06:38 | 0:06:42 | |
looking out onto a vast blackness. | 0:06:42 | 0:06:45 | |
You did your first audition on THE stage, | 0:06:48 | 0:06:52 | |
and that was frightening, really! | 0:06:52 | 0:06:56 | |
It's a beautiful theatre. Really, one that | 0:06:57 | 0:07:02 | |
has got the ghost of ages there. | 0:07:02 | 0:07:04 | |
But they built on the stage, which was a beautiful big stage, | 0:07:04 | 0:07:08 | |
they built a small stage | 0:07:08 | 0:07:10 | |
because we would never have quite such a big one as that. | 0:07:10 | 0:07:14 | |
In Drury Lane, you had your inoculations there, | 0:07:14 | 0:07:19 | |
and we even had to make a will when we went abroad. | 0:07:19 | 0:07:23 | |
Our roving cameraman takes you behind the scenes | 0:07:23 | 0:07:25 | |
at the headquarters of ENSA, Drury Lane Theatre. | 0:07:25 | 0:07:28 | |
There, the wardrobe girls are dealing with another rush order. | 0:07:28 | 0:07:31 | |
We had to go to the wardrobe. | 0:07:31 | 0:07:33 | |
We had very pretty dresses. | 0:07:33 | 0:07:35 | |
What can't be adapted must be made. | 0:07:35 | 0:07:37 | |
That means a lot of work for the cutters and machinists. | 0:07:37 | 0:07:40 | |
If they didn't fit you, | 0:07:40 | 0:07:41 | |
you had wardrobe mistresses there who altered all the clothes. | 0:07:41 | 0:07:46 | |
If it fits, it's hers to take away. | 0:07:46 | 0:07:48 | |
If it doesn't, the backroom girls' nimble fingers will soon alter it. | 0:07:48 | 0:07:51 | |
It was a complete little factory of its own, really. | 0:07:51 | 0:07:56 | |
The wardrobe is doing a big job in a big way, | 0:07:56 | 0:07:59 | |
playing its part to help the artist play theirs. | 0:07:59 | 0:08:02 | |
And this new army of entertainers was even given its own uniform. | 0:08:02 | 0:08:06 | |
It would identify the ENSA performers when they were abroad, | 0:08:06 | 0:08:09 | |
in case they were mistaken for spies by the enemy. | 0:08:09 | 0:08:12 | |
Dean felt that the war correspondents had a uniform, | 0:08:12 | 0:08:15 | |
other people had a uniform, the American entertainers had a uniform, | 0:08:15 | 0:08:19 | |
why wasn't his people, why weren't they getting a uniform? | 0:08:19 | 0:08:24 | |
And he created a design. | 0:08:24 | 0:08:26 | |
It was a very nice uniform. | 0:08:26 | 0:08:28 | |
We didn't wear trousers. | 0:08:30 | 0:08:33 | |
Girls didn't wear trousers in those days. | 0:08:33 | 0:08:35 | |
It was like the summer khaki uniform. | 0:08:35 | 0:08:40 | |
The same material as the troops wore. | 0:08:40 | 0:08:42 | |
And it was just a skirt | 0:08:42 | 0:08:45 | |
and an army jacket and a hat. | 0:08:45 | 0:08:49 | |
That was a khaki soldier's uniform, officer's uniform, | 0:08:49 | 0:08:56 | |
with the most dreadful flat cap thing, which I never liked, | 0:08:56 | 0:09:03 | |
so I got myself a different one from a boyfriend, | 0:09:03 | 0:09:07 | |
borrowed a Scotch beret and I wore that. | 0:09:07 | 0:09:11 | |
I just thought it looked better, | 0:09:11 | 0:09:13 | |
so, I was a rebel in those days, certainly! | 0:09:13 | 0:09:17 | |
Really, I should be here in battle dress! | 0:09:17 | 0:09:20 | |
When I left England to come and work for ENSA they said, | 0:09:20 | 0:09:23 | |
"You'll have to wear a battle dress." | 0:09:23 | 0:09:25 | |
I said, "What's the idea? | 0:09:25 | 0:09:27 | |
"I mean, after all, I'm an actor, not a soldier." | 0:09:27 | 0:09:29 | |
He said, "You'll have to wear a battle dress | 0:09:29 | 0:09:32 | |
"because if you get captured by the Germans, | 0:09:32 | 0:09:34 | |
"they'll shoot you." | 0:09:34 | 0:09:35 | |
I said, "If the Germans capture me, they're entitled to shoot me." | 0:09:35 | 0:09:38 | |
LAUGHTER | 0:09:38 | 0:09:40 | |
Uniforms fitted, bags packed, the performers were ready to go, | 0:09:40 | 0:09:43 | |
but not before they were briefed on ENSA's rules of engagement. | 0:09:43 | 0:09:47 | |
We had the usual lecture that we had. | 0:09:47 | 0:09:50 | |
It was our duty to go in the mess and talk to them, | 0:09:50 | 0:09:53 | |
they were lonely and they were away from home, | 0:09:53 | 0:09:56 | |
but there was not too much involvement. | 0:09:56 | 0:09:58 | |
No maternity. Right, of course. | 0:09:58 | 0:10:00 | |
In the vastness of Drury Lane, | 0:10:00 | 0:10:02 | |
Leslie Henson is rehearsing his concert party | 0:10:02 | 0:10:04 | |
that NAAFI is sending out to the troops in France. | 0:10:04 | 0:10:07 | |
# Bop, bop, doodle-oodle-ay... # | 0:10:07 | 0:10:10 | |
Performers came from far and wide to play their part in the war effort, | 0:10:10 | 0:10:15 | |
but everyone had their own reasons for signing up. | 0:10:15 | 0:10:18 | |
# ..we'll have a beautiful... | 0:10:18 | 0:10:21 | |
# ..day! # | 0:10:22 | 0:10:26 | |
I was sort of called up, | 0:10:26 | 0:10:28 | |
but I didn't want to be a soldier, | 0:10:28 | 0:10:30 | |
so I appealed against it on the grounds that I was a dancer | 0:10:30 | 0:10:36 | |
and I needed to practice, which was a tiny bit of a fib, I should say! | 0:10:36 | 0:10:41 | |
But they said, "Well, if you join ENSA, that's OK." | 0:10:41 | 0:10:47 | |
So that's what I did, actually. | 0:10:47 | 0:10:49 | |
I got a set fee from ENSA to entertain. | 0:10:49 | 0:10:53 | |
Sometimes it was for the military, | 0:10:53 | 0:10:56 | |
sometimes it was for the factories, sometimes in air raid shelters. | 0:10:56 | 0:11:00 | |
But it was work and it was a payment. | 0:11:00 | 0:11:03 | |
The standard pay was £10 a week. | 0:11:03 | 0:11:07 | |
It was very nice money in those days. | 0:11:07 | 0:11:11 | |
But life as an entertainer was far from an easy option, | 0:11:12 | 0:11:15 | |
as these performers would soon discover. | 0:11:15 | 0:11:18 | |
They were very brave. | 0:11:18 | 0:11:19 | |
They went by ship or air and could easily be torpedoed or shot down. | 0:11:19 | 0:11:24 | |
We were put on board this ship with all our stuff that we brought. | 0:11:25 | 0:11:31 | |
We didn't know where we were going then, but... | 0:11:31 | 0:11:34 | |
..we were in a convoy, of course, and it was a hairy one. | 0:11:35 | 0:11:41 | |
On the boat, you had to drop depth charges, | 0:11:41 | 0:11:43 | |
hoping to keep the submarines away, | 0:11:43 | 0:11:47 | |
cos they were underneath all the time | 0:11:47 | 0:11:49 | |
and they would be dogging the convoy all way, following it along. | 0:11:49 | 0:11:53 | |
And the boat was rocking all over the place! | 0:11:56 | 0:11:59 | |
We ended up in Algiers. | 0:12:04 | 0:12:06 | |
I'd like to introduce you a lovely bit of homework. Joy Tudor! | 0:12:06 | 0:12:10 | |
# If you want to be happy | 0:12:10 | 0:12:13 | |
# If you want to go far | 0:12:13 | 0:12:15 | |
# Then I've a treat in Broadway | 0:12:15 | 0:12:18 | |
# Everyone is a star | 0:12:18 | 0:12:21 | |
# No one there has a fortune | 0:12:21 | 0:12:24 | |
# No, not even a car | 0:12:24 | 0:12:26 | |
# For I've a treat on Broadway | 0:12:26 | 0:12:28 | |
# Everybody's a star... # | 0:12:28 | 0:12:32 | |
The lucky dip, I was a dancer, really. | 0:12:32 | 0:12:35 | |
It was like a little variety thing | 0:12:35 | 0:12:37 | |
and whatever was going, needed, you had to do it. | 0:12:37 | 0:12:40 | |
# ..in Broadway. | 0:12:40 | 0:12:44 | |
# Everybody's a star! # | 0:12:44 | 0:12:48 | |
At that stage, I was doing speciality dancing, | 0:12:50 | 0:12:53 | |
so sometimes I did a Spanish dance, | 0:12:53 | 0:12:56 | |
I had a Spanish dress and frills and black earrings | 0:12:56 | 0:13:00 | |
and black things, a black cross, shawl and all the rest of it. | 0:13:00 | 0:13:05 | |
We were going forward one night to play this petrol depot. | 0:13:11 | 0:13:15 | |
The jerry cans, those big jerry cans were full of petrol | 0:13:15 | 0:13:18 | |
and they were all put in a row | 0:13:18 | 0:13:21 | |
and they built a little stage with planks on this petrol thing. | 0:13:21 | 0:13:25 | |
We had to do the show very quickly and smoothly. | 0:13:30 | 0:13:34 | |
We were shoved off and as we got into our lorry to drive back, | 0:13:38 | 0:13:43 | |
we were sitting in the back of the lorry and WHOOSH! | 0:13:43 | 0:13:45 | |
EXPLOSION | 0:13:45 | 0:13:47 | |
And a flashing of lights and boom, boom! | 0:13:47 | 0:13:50 | |
EXPLOSION | 0:13:50 | 0:13:53 | |
We were safe then | 0:13:53 | 0:13:55 | |
but we had gone right forward into the firing line. | 0:13:55 | 0:13:59 | |
You don't think about the job, you've got a job to do. | 0:13:59 | 0:14:02 | |
It isn't until afterwards that you would think, | 0:14:03 | 0:14:05 | |
"That was a bit dangerous." | 0:14:05 | 0:14:08 | |
AMERICAN ACCENT: Well... | 0:14:08 | 0:14:10 | |
look me over, boys, but don't try to reform me. | 0:14:10 | 0:14:14 | |
Stick around here, honey, you might learn something. | 0:14:14 | 0:14:17 | |
Mavis White set sail with ENSA, aged just 21. | 0:14:17 | 0:14:21 | |
I was a singer and impressionist | 0:14:21 | 0:14:23 | |
and we were a very small, little group | 0:14:23 | 0:14:26 | |
of about eight but we were a very talented little group. | 0:14:26 | 0:14:31 | |
A lot of variety. | 0:14:31 | 0:14:32 | |
Going out on the ship, we didn't know where we were going to. | 0:14:32 | 0:14:38 | |
We landed in North Africa. | 0:14:38 | 0:14:42 | |
"Oh, we're in North Africa!" | 0:14:42 | 0:14:44 | |
Algiers. | 0:14:45 | 0:14:46 | |
We didn't have a limousine to meet us. | 0:14:48 | 0:14:51 | |
We had... | 0:14:51 | 0:14:52 | |
a lorry. | 0:14:52 | 0:14:53 | |
Believe it or not, that's a theatre. | 0:14:53 | 0:14:55 | |
Come round to the stage door | 0:14:55 | 0:14:57 | |
to meet Marylyn and Roma making up for the show. | 0:14:57 | 0:14:59 | |
A strange sight in the middle of the desert. | 0:14:59 | 0:15:02 | |
Here's some of the audience, men with a few hours' leave, | 0:15:02 | 0:15:04 | |
who, in between rounds, are coming in for a sing-song | 0:15:04 | 0:15:07 | |
with an ENSA company on location in Libya. | 0:15:07 | 0:15:09 | |
And we must have travelled for thousands of miles over potholes, | 0:15:09 | 0:15:13 | |
dirt tracks, dust, dirt, flies, mosquitoes. | 0:15:13 | 0:15:19 | |
We didn't care. | 0:15:19 | 0:15:21 | |
We were entertaining the troops. | 0:15:21 | 0:15:23 | |
You'll notice they bring their rifles. | 0:15:23 | 0:15:25 | |
Let there be no misunderstanding - | 0:15:25 | 0:15:27 | |
this roadshow is not so many miles from the enemy lines. | 0:15:27 | 0:15:29 | |
The troops would put one side of the oblong lorry down | 0:15:29 | 0:15:33 | |
and a little upright piano in the corner. That was our stage. | 0:15:33 | 0:15:40 | |
There's always a big hand for the girls, | 0:15:40 | 0:15:42 | |
singing under extremely difficult conditions. | 0:15:42 | 0:15:44 | |
It's not the easiest thing | 0:15:44 | 0:15:46 | |
to put over a song with sand blowing about. | 0:15:46 | 0:15:48 | |
I sang a little song called Tiddley Winkie Woo, | 0:15:48 | 0:15:52 | |
and it was there in the North African desert | 0:15:52 | 0:15:55 | |
that the troops nicknamed me the Tiddley Winkie Girl. | 0:15:55 | 0:16:00 | |
# Tiddley winkie winkie winkie | 0:16:00 | 0:16:02 | |
# Tiddley winkie woo | 0:16:02 | 0:16:04 | |
# I love you | 0:16:04 | 0:16:08 | |
# Tiddley winkie winkie winkie | 0:16:08 | 0:16:10 | |
# Tiddley winkie woo | 0:16:10 | 0:16:12 | |
# Love me, too | 0:16:12 | 0:16:15 | |
# I love you in the morning | 0:16:15 | 0:16:17 | |
# And I love you in the night | 0:16:17 | 0:16:19 | |
# I love you in the evening | 0:16:19 | 0:16:21 | |
# When the stars are shining bright | 0:16:21 | 0:16:24 | |
# Ooh! | 0:16:24 | 0:16:25 | |
# Tiddley winkie winkie winkie | 0:16:25 | 0:16:28 | |
# Tiddley winkie woo | 0:16:28 | 0:16:29 | |
# I... | 0:16:29 | 0:16:32 | |
# ..love you! # | 0:16:32 | 0:16:36 | |
Not bad for 90! | 0:16:37 | 0:16:39 | |
Once we got on stage, it was magic. We were entertaining. | 0:16:41 | 0:16:47 | |
We knew that we were making them happy at this time. | 0:16:48 | 0:16:56 | |
And that's all we cared about... | 0:16:56 | 0:17:00 | |
to hear their laughter. | 0:17:00 | 0:17:02 | |
I loved to make them laugh. | 0:17:02 | 0:17:05 | |
A troop audience was at that time the best in the world. | 0:17:05 | 0:17:11 | |
You could not get better. | 0:17:11 | 0:17:14 | |
The little show has gone down well. | 0:17:14 | 0:17:15 | |
The boys have had a bit of fun before moving up to the line again. | 0:17:15 | 0:17:19 | |
Everybody liked a different sort of entertainment. | 0:17:19 | 0:17:23 | |
You had to give them a mixture of anything that they liked, | 0:17:23 | 0:17:27 | |
and we did that. | 0:17:27 | 0:17:28 | |
The troops loved pretty ladies, of course. | 0:17:41 | 0:17:44 | |
Singers, magicians, jugglers, | 0:17:44 | 0:17:47 | |
four people and a piano on the back of a lorry. | 0:17:47 | 0:17:50 | |
Brilliant, absolutely brilliant. | 0:17:50 | 0:17:52 | |
Contortionists. Of course, the blokes loved that. They had very little on. | 0:17:52 | 0:17:57 | |
It could be a bit saucy. | 0:17:59 | 0:18:01 | |
You didn't really have to do anything. | 0:18:06 | 0:18:08 | |
Being blond, busty and with a short skirt on, | 0:18:08 | 0:18:11 | |
and that was enough to bring the house down! | 0:18:11 | 0:18:15 | |
APPLAUSE | 0:18:16 | 0:18:21 | |
The shows were proving their worth, | 0:18:23 | 0:18:25 | |
as troops wrote in, praising the entertainment. | 0:18:25 | 0:18:28 | |
"You have literally radiated laughter and happiness | 0:18:29 | 0:18:32 | |
"to thousands of troops, whose lot is normally a hard and a dull one." | 0:18:32 | 0:18:35 | |
"Great excitement here last week. An ENSA show turned up." | 0:18:35 | 0:18:39 | |
"We all went to an ENSA concert in the gym | 0:18:39 | 0:18:41 | |
"and had a thoroughly enjoyable time." | 0:18:41 | 0:18:43 | |
Allen Clifford was working as a radio navigator | 0:18:43 | 0:18:46 | |
at RAF Methwold in Norfolk. | 0:18:46 | 0:18:48 | |
As well as entertaining overseas, | 0:18:48 | 0:18:50 | |
ENSA was touring shows around the UK, | 0:18:50 | 0:18:53 | |
and groups would stop off at his base and perform. | 0:18:53 | 0:18:56 | |
At least once a week, somebody came. | 0:18:56 | 0:18:58 | |
It was nice to have fresh people to talk to. | 0:18:58 | 0:19:00 | |
You'd talk to every girl on the station, | 0:19:00 | 0:19:02 | |
but you'd have some new ones coming in who were dressed in bonny things | 0:19:02 | 0:19:06 | |
and had their hair done and lipstick and all that. | 0:19:06 | 0:19:09 | |
It was quite exciting, but also because, after it was over, | 0:19:09 | 0:19:11 | |
you all retired to the mess and had a drink and talked to the girls. | 0:19:11 | 0:19:15 | |
They didn't bugger off, they did actually stop there! | 0:19:15 | 0:19:18 | |
You knew your time was fairly circumscribed, | 0:19:19 | 0:19:22 | |
so it was nice to get something different introduced always. | 0:19:22 | 0:19:27 | |
You felt just a bit civilised for a while. | 0:19:27 | 0:19:29 | |
And the troops themselves were creating their own entertainment. | 0:19:31 | 0:19:35 | |
Henry Lewis, a wireless operator, | 0:19:35 | 0:19:37 | |
performed magic shows at military bases around the UK. | 0:19:37 | 0:19:41 | |
I volunteered for the forces just after the day war was declared, | 0:19:44 | 0:19:48 | |
and as a youngster, | 0:19:48 | 0:19:51 | |
I knew Morse code, | 0:19:51 | 0:19:52 | |
I immediately got taken to the Royal Corps of Signals. | 0:19:52 | 0:19:56 | |
In the evenings, we used to have entertainments, | 0:20:03 | 0:20:06 | |
and various members of the unit were asked | 0:20:06 | 0:20:10 | |
whether they could do anything and so on, | 0:20:10 | 0:20:12 | |
and as I was always interested in magic since the age of eight, | 0:20:12 | 0:20:15 | |
I thought, "I could do something." | 0:20:15 | 0:20:17 | |
And in those days, I could do things with billiard balls | 0:20:17 | 0:20:20 | |
and thimbles and cards and so on. And I volunteered for these shows. | 0:20:20 | 0:20:24 | |
Then, I got transferred to Stars In Battledress, | 0:20:25 | 0:20:28 | |
which was the touring Army show. | 0:20:28 | 0:20:31 | |
But we were a military organisation, and they usually sent us places | 0:20:31 | 0:20:36 | |
where they didn't particularly want the civilian population to go to. | 0:20:36 | 0:20:39 | |
Everything had to be very portable, | 0:20:44 | 0:20:46 | |
and playing cards, making fans and diminishing | 0:20:46 | 0:20:51 | |
and producing them, that sort of thing. | 0:20:51 | 0:20:53 | |
The Army were very good to me. | 0:20:56 | 0:20:58 | |
The Army workshops, if I needed a piece of equipment, | 0:20:58 | 0:21:01 | |
would make it for me. | 0:21:01 | 0:21:03 | |
And that made a lot of difference. | 0:21:03 | 0:21:05 | |
So I was able to do things | 0:21:05 | 0:21:06 | |
which the average performer would have no chance. | 0:21:06 | 0:21:09 | |
We were bound up by the laws of secrecy. | 0:21:09 | 0:21:12 | |
We couldn't tell anybody where we were going. | 0:21:12 | 0:21:15 | |
If I was being sent from, say, Aldershot to Catterick, | 0:21:15 | 0:21:18 | |
I couldn't even tell my mother if I wanted to. | 0:21:18 | 0:21:21 | |
I mean, this was the Army, this was wartime. | 0:21:21 | 0:21:24 | |
If an enemy knew there was going to be a theatre full of soldiers - | 0:21:24 | 0:21:27 | |
what a target! | 0:21:27 | 0:21:29 | |
When you think of all these people who came to these shows, | 0:21:30 | 0:21:34 | |
they all had their own problems. | 0:21:34 | 0:21:37 | |
The fact they could forget all this and come to a show that evening | 0:21:37 | 0:21:41 | |
and laugh and enjoy what people were doing, | 0:21:41 | 0:21:44 | |
and we had some wonderful performers, that made it all worthwhile. | 0:21:44 | 0:21:49 | |
Somewhere in Rhodesia, | 0:21:59 | 0:22:02 | |
this English cadet is training under the Royal Air Force flag, | 0:22:02 | 0:22:05 | |
part of the Empire Training Scheme. | 0:22:05 | 0:22:07 | |
Proud recruits to one of the most gallant brotherhoods, | 0:22:07 | 0:22:10 | |
they are learning to do their job well. | 0:22:10 | 0:22:12 | |
Troops near and far welcomed the chance to see entertainers, | 0:22:12 | 0:22:16 | |
and in remote corners of the world, | 0:22:16 | 0:22:18 | |
it created a much-needed connection with home. | 0:22:18 | 0:22:22 | |
I joined the Air Force in 1943. And I was sent to Southern Rhodesia, | 0:22:22 | 0:22:25 | |
now Zimbabwe, to learn to fly, | 0:22:25 | 0:22:28 | |
and I was there for about a year. | 0:22:28 | 0:22:30 | |
It was full of excitement. On the other hand, we were all very lonely. | 0:22:30 | 0:22:34 | |
We were far away from home. There was very little entertainment. | 0:22:34 | 0:22:37 | |
But one of the most quintessentially English stars of the time | 0:22:38 | 0:22:42 | |
was due to perform at Tony Benn's RAF base. | 0:22:42 | 0:22:44 | |
When I heard that Noel Coward was coming, | 0:22:44 | 0:22:47 | |
a few of my mates and I decided to go to the canteen | 0:22:47 | 0:22:50 | |
inside the camp where we were. | 0:22:50 | 0:22:52 | |
# Mad dogs and Englishmen go out in the midday sun | 0:22:52 | 0:22:55 | |
# The smallest Malay rabbit deplored this foolish habit... # | 0:22:55 | 0:22:59 | |
It was quite a big thing to have a major London actor coming over. | 0:22:59 | 0:23:03 | |
# In Hong Kong, they strike a gong and fire off the noonday gun | 0:23:03 | 0:23:06 | |
# To reprimand each inmate who's in late... # | 0:23:06 | 0:23:09 | |
He was very neatly dressed. I noted in my diary, | 0:23:09 | 0:23:12 | |
"His programme, which lasted a little over an hour, | 0:23:12 | 0:23:15 | |
"was absolutely first rate." | 0:23:15 | 0:23:17 | |
He entered into it exactly as you'd expect Noel Coward would, | 0:23:17 | 0:23:20 | |
into the spirit of it all. | 0:23:20 | 0:23:21 | |
# In the mangrove swaps where the python romps | 0:23:21 | 0:23:24 | |
# There is peace from 12 till two | 0:23:24 | 0:23:27 | |
# Even caribous lie around and snooze | 0:23:27 | 0:23:29 | |
# For there's nothing else to do... # | 0:23:29 | 0:23:30 | |
He put on an absolutely first-rate show, | 0:23:30 | 0:23:32 | |
deliberately, consciously treated it | 0:23:32 | 0:23:34 | |
exactly as if we were a West End audience. | 0:23:34 | 0:23:36 | |
And that made people feel at home and comfortable. | 0:23:36 | 0:23:40 | |
# In Bengal, to move at all is seldom, if ever, done | 0:23:40 | 0:23:44 | |
# But mad dogs and Englishmen go out in the midday, out in the midday | 0:23:44 | 0:23:47 | |
# Out in the midday, out in the midday | 0:23:47 | 0:23:49 | |
# Out in the midday, out in the midday | 0:23:49 | 0:23:50 | |
# Out in the midday sun. # | 0:23:50 | 0:23:52 | |
He was very suave and amusing, and it was a touch of home, | 0:23:52 | 0:23:57 | |
brought to where we were, and therefore was | 0:23:57 | 0:23:59 | |
very, very much appreciated. | 0:23:59 | 0:24:01 | |
But often, the shows weren't up to scratch, | 0:24:01 | 0:24:04 | |
and the troops didn't hold back | 0:24:04 | 0:24:05 | |
in their criticism when writing letters home. | 0:24:05 | 0:24:08 | |
"I wonder if you could see if there are any jobs for me | 0:24:08 | 0:24:10 | |
"around Drury Lane. | 0:24:10 | 0:24:11 | |
"I'm sure I could produce and tour a damned sight better show | 0:24:11 | 0:24:15 | |
"than the abominable tat we get out here. | 0:24:15 | 0:24:17 | |
"I have never in my life seen such an unprofessional | 0:24:17 | 0:24:20 | |
"and incompetent organisation overseas as ENSA. | 0:24:20 | 0:24:23 | |
"You will get my moan in full when I see you." | 0:24:23 | 0:24:26 | |
Word got round, "Oh, Christ, it's an ENSA show, let's not go tonight." | 0:24:30 | 0:24:34 | |
It did have a bad reputation, which, really, it didn't deserve, | 0:24:35 | 0:24:39 | |
except some of the acts weren't 100%. | 0:24:39 | 0:24:44 | |
I saw one show in the whole of my career in the RAF. | 0:24:46 | 0:24:51 | |
I saw one ENSA show. | 0:24:51 | 0:24:53 | |
I came out of it halfway through. | 0:24:53 | 0:24:55 | |
It was pathetic. | 0:24:55 | 0:24:57 | |
We weren't considered the creme de la creme, shall we say. | 0:24:57 | 0:25:03 | |
ENSA didn't have a very good name. | 0:25:03 | 0:25:06 | |
You'd get a rather poor-quality magician out there, | 0:25:07 | 0:25:11 | |
showing you a magic trick | 0:25:11 | 0:25:13 | |
and you've just taken a mine out of the ground and defused it. | 0:25:13 | 0:25:17 | |
You know, which is the better one? | 0:25:17 | 0:25:19 | |
For Basil Dean, this criticism was hard to take. | 0:25:19 | 0:25:23 | |
In his determination to provide entertainment | 0:25:23 | 0:25:25 | |
wherever it was needed, | 0:25:25 | 0:25:26 | |
the quality of ENSA's output had suffered. | 0:25:26 | 0:25:29 | |
He had high ideals. Of course, most of them had to go out the window. | 0:25:29 | 0:25:32 | |
With ENSA, he had to produce a vast amount of stuff | 0:25:32 | 0:25:36 | |
and some of it wasn't very good. | 0:25:36 | 0:25:38 | |
Oh yes, some of it wasn't very good. Well, he admitted all that. | 0:25:38 | 0:25:43 | |
I don't think he quoted the phrase "Every Night Something Awful", | 0:25:43 | 0:25:48 | |
-but that was said of ENSA. -Yes, who was it that made that joke? | 0:25:48 | 0:25:54 | |
"Some low comedian," as Basil would have said. | 0:25:54 | 0:25:57 | |
And it was these "low comedians" | 0:25:57 | 0:25:59 | |
who brought a storm of protests down on ENSA. | 0:25:59 | 0:26:02 | |
Certain comics, desperate for laughs, | 0:26:02 | 0:26:04 | |
were resorting to risque humour once on the road | 0:26:04 | 0:26:06 | |
and away from the rules and regulations of Drury Lane. | 0:26:06 | 0:26:09 | |
Despite having their scripts signed off at HQ, | 0:26:12 | 0:26:15 | |
some still weren't toeing the party line. | 0:26:15 | 0:26:18 | |
This controversy about lewd jokes reared its ugly head | 0:26:18 | 0:26:22 | |
and Dean was insistent that was not what he wanted. | 0:26:22 | 0:26:26 | |
He has a story about listening to a second-rate comic | 0:26:26 | 0:26:32 | |
amusing the troops and the comic wasn't doing very well at all, | 0:26:32 | 0:26:36 | |
and then he produced some rather blue material | 0:26:36 | 0:26:40 | |
and this amused the troops even less, | 0:26:40 | 0:26:42 | |
and Basil, as director, sacked him on the spot. | 0:26:42 | 0:26:45 | |
Managing a giant operation like ENSA was no easy task. | 0:26:45 | 0:26:49 | |
And Basil Dean was starting to make some enemies. | 0:26:49 | 0:26:52 | |
He was fighting a variety of battles. | 0:26:52 | 0:26:55 | |
First of all, the press were in some ways hostile. | 0:26:55 | 0:26:58 | |
He noted that certain agents were unhappy | 0:26:58 | 0:27:03 | |
with the amounts of money that was to be paid to their stars. | 0:27:03 | 0:27:07 | |
There were senior officers who felt they could probably do a better job, | 0:27:07 | 0:27:12 | |
because they had chums in the entertainment world. | 0:27:12 | 0:27:14 | |
And, of course, the heavyweights of the entertainment world | 0:27:14 | 0:27:17 | |
were convinced they could do a better job than Dean. | 0:27:17 | 0:27:20 | |
What they didn't have was Dean's drive and initiative. | 0:27:20 | 0:27:23 | |
Well, it was very ambitious. | 0:27:23 | 0:27:26 | |
He was very ambitious, that's certainly the case. | 0:27:26 | 0:27:29 | |
He was dealing with officials and big boards, | 0:27:29 | 0:27:32 | |
and no doubt rubbed many up the wrong way. | 0:27:32 | 0:27:34 | |
But Basil Dean wouldn't give up on his dream | 0:27:34 | 0:27:37 | |
of providing entertainment at the highest level. | 0:27:37 | 0:27:39 | |
He tried to raise the standard of ENSA's musical entertainment. | 0:27:39 | 0:27:44 | |
There were orchestras, vocalists, all sorts of things, all under ENSA. | 0:27:44 | 0:27:49 | |
And it wasn't just the troops who needed respite from the war. | 0:27:52 | 0:27:56 | |
The civilian population was doing its bit, too. | 0:27:56 | 0:27:58 | |
Factories were working round the clock | 0:27:58 | 0:28:00 | |
to meet demand for the war effort. | 0:28:00 | 0:28:02 | |
Pauline Sadgrove began her ENSA career playing the cello | 0:28:02 | 0:28:06 | |
and touring factories around the UK. | 0:28:06 | 0:28:08 | |
When war broke out, I always felt I'd like to use | 0:28:08 | 0:28:12 | |
my talent for entertaining. | 0:28:12 | 0:28:14 | |
There were three of us, a trio. | 0:28:14 | 0:28:15 | |
Violin, piano and cello. We joined together. | 0:28:15 | 0:28:18 | |
The factories, of course, we gave lunch breaks, | 0:28:18 | 0:28:24 | |
and the lunch breaks had got to be at 12, sort of six o'clock, | 0:28:24 | 0:28:28 | |
any time, four o'clock in the morning or two o'clock in the morning. | 0:28:28 | 0:28:33 | |
So our life was upside down. | 0:28:33 | 0:28:36 | |
All these huge factories, | 0:28:38 | 0:28:41 | |
they'd only had, you know, very popular music | 0:28:41 | 0:28:47 | |
and squeezebox, and a comedian. They gave us a rousing reception. | 0:28:47 | 0:28:54 | |
It was unbelievable. But I think we were an experiment. | 0:28:54 | 0:28:58 | |
That's why they were so surprised | 0:28:58 | 0:29:00 | |
when every factory asked to have us back again. | 0:29:00 | 0:29:03 | |
It gave one a great buzz. | 0:29:04 | 0:29:06 | |
Despite the criticisms, ENSA was on a roll. | 0:29:11 | 0:29:13 | |
And for Basil Dean, the sky was the limit. | 0:29:13 | 0:29:16 | |
I think ENSA was very clever to send the ballet, | 0:29:16 | 0:29:19 | |
because it's so far from everyday life in a sense, isn't it? | 0:29:19 | 0:29:23 | |
And there's wonderful music and a lot of girls. | 0:29:23 | 0:29:26 | |
The troops said to me, "Well, if the ballet's coming out here, | 0:29:34 | 0:29:37 | |
"it must be all right. Can't be dreadful, can it?" | 0:29:37 | 0:29:41 | |
Gillian Lynne was a young dancer | 0:29:41 | 0:29:43 | |
touring the country with the prestigious Sadler's Wells Ballet. | 0:29:43 | 0:29:47 | |
We were in Leeds and we heard this rumour we're going abroad in ENSA. | 0:29:47 | 0:29:52 | |
We went to London, we were all fitted out, | 0:29:52 | 0:29:54 | |
and to be in a uniform with a cap! And we were in officers' uniform! | 0:29:54 | 0:29:59 | |
And we were rather smart | 0:29:59 | 0:30:02 | |
and it was so different from the rest of our lives. | 0:30:02 | 0:30:05 | |
We did feel that we were at last going to have | 0:30:08 | 0:30:12 | |
a really helpful contribution to the war. | 0:30:12 | 0:30:17 | |
I hate to say it, but it was sort of exciting. | 0:30:17 | 0:30:21 | |
Two sections of society that would never probably have met up, | 0:30:24 | 0:30:29 | |
you know, because ballet's a sort of isolated world | 0:30:29 | 0:30:32 | |
and then the troops came from all different walks of life. | 0:30:32 | 0:30:36 | |
To their amazement, the majority adored it, and of course, | 0:30:36 | 0:30:40 | |
it's very physical, and there are girls with long legs and tights. | 0:30:40 | 0:30:45 | |
I mean, they were starved of female companionship | 0:30:45 | 0:30:48 | |
so that went down rather well. | 0:30:48 | 0:30:50 | |
I think it would have been a really lovely eye-opener for them | 0:30:56 | 0:31:01 | |
and they kind of might have forgot a lot of the horror | 0:31:01 | 0:31:05 | |
they were having to go back to. | 0:31:05 | 0:31:07 | |
When we were flying at night, I had to have a curtain round me | 0:31:17 | 0:31:20 | |
so as I could have a light on to do my job. | 0:31:20 | 0:31:24 | |
But everybody else was sitting in the dark, and the first time | 0:31:24 | 0:31:27 | |
I went over a heavily defended target, I was sat behind a pilot. | 0:31:27 | 0:31:30 | |
He said, "Come and have a look at this, Allen." I opened the curtain, | 0:31:30 | 0:31:34 | |
all hell was breaking loose! | 0:31:34 | 0:31:35 | |
So I closed it and got on with my work! | 0:31:35 | 0:31:37 | |
It is a very tense sort of business. For a quarter of an hour, | 0:31:40 | 0:31:44 | |
when you're over the target, it was indescribable. | 0:31:44 | 0:31:47 | |
But for a half hour either side of that, it was pretty rough. | 0:31:47 | 0:31:50 | |
Aircraft going down around you, it's very disconcerting. | 0:31:50 | 0:31:53 | |
On his 22nd flying raid, Allen Clifford was shot down | 0:31:57 | 0:32:01 | |
and captured by the enemy. Held captive for seven months, | 0:32:01 | 0:32:05 | |
he was moved between prisoner of war camps across Germany. | 0:32:05 | 0:32:08 | |
In one, Stalag Luft 7, the inmates would stage shows | 0:32:08 | 0:32:11 | |
in an attempt to lift their spirits. | 0:32:11 | 0:32:14 | |
Well, when I got there, they already had a concert party | 0:32:14 | 0:32:17 | |
and one of the things that the Swiss Red Cross did | 0:32:17 | 0:32:19 | |
was to encourage that sort of thing for morale reasons. | 0:32:19 | 0:32:23 | |
And because they'd negotiated getting musical instruments | 0:32:23 | 0:32:26 | |
and suchlike, when you've got a couple of thousand people, | 0:32:26 | 0:32:29 | |
you've got enough musicians amongst them to make it work. | 0:32:29 | 0:32:33 | |
And apparently it was fairly common in most camps. | 0:32:33 | 0:32:36 | |
Virtually every week there'd be a musical concert, | 0:32:36 | 0:32:39 | |
an hour or something like that. It was fairly amateurish, | 0:32:39 | 0:32:42 | |
but it was very much appreciated and even the Germans liked it. | 0:32:42 | 0:32:46 | |
They would come to it. The costumes were all made. | 0:32:46 | 0:32:49 | |
I don't think any of them were imported. | 0:32:49 | 0:32:52 | |
At that time, there was all sorts of textiles available from blankets | 0:32:52 | 0:32:56 | |
and things like that and towels. It was remarkable what you could do | 0:32:56 | 0:33:00 | |
with dining towels and suchlike. | 0:33:00 | 0:33:02 | |
Prisoners in these camps would often create their own entertainment | 0:33:02 | 0:33:06 | |
by staging extravagant shows. | 0:33:06 | 0:33:08 | |
Making the best of limited resources, | 0:33:08 | 0:33:10 | |
servicemen would be transformed into starlets. | 0:33:10 | 0:33:13 | |
There's always people who like dressing up as girls. | 0:33:13 | 0:33:16 | |
I don't know where they got their make-up from, | 0:33:16 | 0:33:18 | |
I presume the Germans helped there, I suppose. | 0:33:18 | 0:33:21 | |
The girls looked pretty good actually. | 0:33:21 | 0:33:24 | |
-They were always blondes. -HE LAUGHS | 0:33:24 | 0:33:26 | |
We never had any brunettes or red heads on the show. | 0:33:26 | 0:33:28 | |
Always, always blondes. | 0:33:28 | 0:33:31 | |
Subversive comments were made from time to time. | 0:33:31 | 0:33:35 | |
Every now and then the Germans would expostulate, | 0:33:35 | 0:33:38 | |
"No more of this, no more of this." | 0:33:38 | 0:33:40 | |
Most of your life was enlivened by being awkward. | 0:33:40 | 0:33:45 | |
We were up-to-date on what was going on | 0:33:45 | 0:33:48 | |
and where our troops were | 0:33:48 | 0:33:50 | |
so you managed to work in a reference to the places | 0:33:50 | 0:33:52 | |
that we'd occupied that morning. | 0:33:52 | 0:33:55 | |
So they knew it was up-to-date. | 0:33:55 | 0:33:57 | |
You'd say something innocuous like, "What's happening in so and so? | 0:33:57 | 0:34:01 | |
"Quite exciting, isn't it?" Or, "Quite interesting?" | 0:34:01 | 0:34:03 | |
Or, "I don't believe that!" | 0:34:03 | 0:34:06 | |
They frankly weren't as up-to-date as we were on it, actually. | 0:34:06 | 0:34:10 | |
Life as a prisoner of war was brutal and unrelenting. | 0:34:10 | 0:34:13 | |
But during his capture, a moment's kindness from Allen's guard | 0:34:13 | 0:34:17 | |
had made a connection across the greatest of divides. | 0:34:17 | 0:34:21 | |
In the corridor was a grand piano, quite a battered looking one | 0:34:21 | 0:34:24 | |
with no front on. | 0:34:24 | 0:34:25 | |
He was obviously a classical pianist, | 0:34:25 | 0:34:28 | |
he obviously thought, "What would we know that he knew?" | 0:34:28 | 0:34:31 | |
So he started tinkering this out | 0:34:31 | 0:34:34 | |
and I smiled and he said, "Marie Marlene". | 0:34:34 | 0:34:37 | |
I said, "No, Lili Marlene". | 0:34:37 | 0:34:39 | |
"Lili Marlene". | 0:34:39 | 0:34:41 | |
# I'm Lili Marlene | 0:34:41 | 0:34:44 | |
# I'm Lili Marlene... # | 0:34:44 | 0:34:48 | |
It was the one song that we picked up from the Germans. | 0:34:48 | 0:34:52 | |
The Eighth Army brought it home. | 0:34:52 | 0:34:55 | |
It's a very evocative piece. | 0:34:55 | 0:34:57 | |
It was nice, it was a moment's tenderness. | 0:34:57 | 0:34:59 | |
It brings tears to my eyes. | 0:35:01 | 0:35:03 | |
I'm going to have it played at my funeral. | 0:35:03 | 0:35:05 | |
# I'm Lili Marlene... # | 0:35:05 | 0:35:08 | |
-REPORTER: -We won the dogfights and finally the battle, | 0:35:19 | 0:35:22 | |
but many of our pilots were horribly injured | 0:35:22 | 0:35:25 | |
in the wreckage of their Spitfires and Hurricanes. | 0:35:25 | 0:35:29 | |
Meanwhile, other members of the RAF who had been badly burned in action | 0:35:29 | 0:35:33 | |
were convalescing at the Marchwood Park facility near Southampton, | 0:35:33 | 0:35:37 | |
under the care of pioneering plastic surgeon, | 0:35:37 | 0:35:39 | |
Sir Archibald McIndoe. | 0:35:39 | 0:35:41 | |
Brenda Logie had been performing in the south of England | 0:35:41 | 0:35:44 | |
with a concert party and a chance encounter | 0:35:44 | 0:35:47 | |
led to her playing an important part on their road to recovery. | 0:35:47 | 0:35:51 | |
We had been told that they were at Marchwood Park | 0:35:51 | 0:35:56 | |
in the case we should see them. | 0:35:56 | 0:35:59 | |
This particular morning, I'm walking along | 0:35:59 | 0:36:01 | |
and I saw this chap | 0:36:01 | 0:36:03 | |
in RAF uniform coming towards me. | 0:36:03 | 0:36:07 | |
I didn't want him to think he looked any different to anybody else, | 0:36:07 | 0:36:12 | |
so we sort of passed one another and that was that. | 0:36:12 | 0:36:15 | |
When I got back to the office, the boss said, | 0:36:15 | 0:36:18 | |
"You've got to go up to the personnel", he said. | 0:36:18 | 0:36:21 | |
He said, "You passed squadron leader..." whatever his name was, | 0:36:21 | 0:36:26 | |
"..in the yard this morning and you smiled at him. | 0:36:26 | 0:36:28 | |
"Would you like to go to Marchwood? You obviously can cope with it." | 0:36:28 | 0:36:33 | |
He said, "If you would go, you could go and take your pianist with you, | 0:36:33 | 0:36:37 | |
"and do a few songs and talk to them and dance with them, | 0:36:37 | 0:36:43 | |
"if they're having any dancing or anything like that." | 0:36:43 | 0:36:47 | |
And I said, "Yes, sure. I'll go." | 0:36:47 | 0:36:49 | |
Well, they liked sort of sentimental songs | 0:36:51 | 0:36:57 | |
and they liked patriotic songs, that was one of the main things. | 0:36:57 | 0:37:03 | |
They talked about their families and their parents | 0:37:06 | 0:37:11 | |
and all that sort of thing. | 0:37:11 | 0:37:13 | |
And, as I say, once they got to trust you, | 0:37:13 | 0:37:16 | |
they would tell you what operations they were going to have. | 0:37:16 | 0:37:20 | |
I admired them tremendously, I thought they were so brave. | 0:37:20 | 0:37:24 | |
I thought it was absolutely dreadful, you know, what had happened. | 0:37:24 | 0:37:29 | |
And I hope they all realised that I thought that they were | 0:37:29 | 0:37:33 | |
all pretty special people. | 0:37:33 | 0:37:35 | |
If music was good to them and they wanted it done, | 0:37:35 | 0:37:39 | |
I was quite prepared to do it. | 0:37:39 | 0:37:40 | |
Further along the south coast, Betty Hockey was also keen to do | 0:37:51 | 0:37:54 | |
her bit for the war effort and had an idea. | 0:37:54 | 0:37:57 | |
I was passing all these camps under canvas | 0:37:57 | 0:38:01 | |
and general activity and I thought, "I must do something. | 0:38:01 | 0:38:05 | |
"What can I do?" Then I suddenly thought, "I'll run a concert party." | 0:38:05 | 0:38:09 | |
I'd never done it before in my life, but nevertheless I did. | 0:38:09 | 0:38:14 | |
So I chose 16 that wanted to be in the Forces, | 0:38:14 | 0:38:19 | |
but couldn't get released from their jobs, | 0:38:19 | 0:38:22 | |
so that was the nearest they could get. | 0:38:22 | 0:38:24 | |
There was a ventriloquist, | 0:38:24 | 0:38:27 | |
a magician, | 0:38:27 | 0:38:28 | |
and there was a man and wife, accordion and xylophone. | 0:38:28 | 0:38:33 | |
We really had the lot. | 0:38:33 | 0:38:35 | |
We had all sorts of dancers. | 0:38:35 | 0:38:38 | |
There was the hula hula, we used to do. | 0:38:38 | 0:38:41 | |
And we had made skirts out of raffia and straw and things like that. | 0:38:41 | 0:38:46 | |
At one RAF camp, they gave us a lovely parachute. | 0:38:46 | 0:38:51 | |
The men had shirts out of it, we made the shirts. | 0:38:51 | 0:38:54 | |
It was amazing what we did use it for! | 0:38:54 | 0:38:56 | |
Then I suddenly thought of the can-can. | 0:38:58 | 0:39:00 | |
It was risque. | 0:39:00 | 0:39:02 | |
It wasn't considered nice. | 0:39:02 | 0:39:05 | |
Actually, it wasn't allowed in England at that stage, | 0:39:05 | 0:39:08 | |
it was banned. | 0:39:08 | 0:39:11 | |
Nevertheless, the boys loved it and they kept asking us back. | 0:39:11 | 0:39:14 | |
# If I were the only girl... # | 0:39:17 | 0:39:21 | |
One place in particular was to make a lasting impression on Betty. | 0:39:21 | 0:39:25 | |
I shall never forget Hurst Castle. | 0:39:25 | 0:39:28 | |
# Nothing else would matter | 0:39:28 | 0:39:31 | |
# In this world... # | 0:39:31 | 0:39:32 | |
The theatre, of course, was so tiny. | 0:39:32 | 0:39:35 | |
16 of us couldn't get on that stage | 0:39:35 | 0:39:38 | |
so we had to make do and mend. | 0:39:38 | 0:39:42 | |
We did most of the show on the floor in front of the stage. | 0:39:42 | 0:39:46 | |
They were almost on top of us. | 0:39:48 | 0:39:50 | |
I can hear them all singing | 0:39:50 | 0:39:53 | |
and doing their acts. | 0:39:53 | 0:39:55 | |
I really can. It's almost like a ghost. | 0:39:55 | 0:39:58 | |
# If I were | 0:39:58 | 0:40:00 | |
# The only girl | 0:40:00 | 0:40:03 | |
# In the world | 0:40:03 | 0:40:05 | |
# And you were | 0:40:05 | 0:40:08 | |
# The only boy. # | 0:40:08 | 0:40:12 | |
And even on 5th June 1944, the night before D-Day, | 0:40:16 | 0:40:22 | |
Betty and her troupe were in the camp | 0:40:22 | 0:40:24 | |
unaware of what was about to unfold. | 0:40:24 | 0:40:26 | |
Strangely enough, they allowed us to do a show. | 0:40:26 | 0:40:29 | |
I don't know how it happened, but it was at Holmsley. | 0:40:29 | 0:40:32 | |
We guessed something pretty major was going to happen | 0:40:32 | 0:40:37 | |
but nobody really knew. | 0:40:37 | 0:40:39 | |
We had to be very careful what we said and... | 0:40:40 | 0:40:43 | |
But actually, we knew where everybody was. | 0:40:44 | 0:40:47 | |
I could have done a lot of damage. | 0:40:47 | 0:40:50 | |
We really couldn't do the show properly | 0:40:50 | 0:40:52 | |
because they were coming and going the whole evening. | 0:40:52 | 0:40:56 | |
The planes were taking off on one side | 0:40:56 | 0:40:59 | |
and the trucks and the tanks the other side. | 0:40:59 | 0:41:03 | |
It wasn't the normal, happy atmosphere | 0:41:04 | 0:41:07 | |
that there had been before. | 0:41:07 | 0:41:08 | |
They were very agitated, because you knew that the next lot | 0:41:08 | 0:41:14 | |
you were entertaining were the next lot to go. | 0:41:14 | 0:41:17 | |
And half of the others didn't come back, of course. | 0:41:17 | 0:41:21 | |
They sang, they sang. They sang their hearts out. | 0:41:21 | 0:41:27 | |
They knew jolly well what they had ahead of them. | 0:41:27 | 0:41:30 | |
TROOPS SINGING | 0:41:30 | 0:41:36 | |
-REPORTER: -D-Day has come. Early this morning, the Allies began an assault | 0:41:57 | 0:42:01 | |
on the north-western face of Hitler's European fortress. | 0:42:01 | 0:42:05 | |
The first official news came just after half past nine, | 0:42:05 | 0:42:08 | |
when supreme headquarters of the Allied Expeditionary Force | 0:42:08 | 0:42:12 | |
issued communique number one. This said, | 0:42:12 | 0:42:15 | |
"Under the command of General Eisenhower, Allied naval forces, | 0:42:15 | 0:42:19 | |
"supported by strong air forces, | 0:42:19 | 0:42:21 | |
"began landing Allied armies this morning | 0:42:21 | 0:42:24 | |
"on the northern coast of France." | 0:42:24 | 0:42:25 | |
D-Day proved to be a major turning-point in the war | 0:42:34 | 0:42:37 | |
and Basil Dean wanted the entertainment world | 0:42:37 | 0:42:39 | |
to show its mettle and be there for the troops as they went into action. | 0:42:39 | 0:42:43 | |
Dean was desperate, | 0:42:43 | 0:42:45 | |
he would have liked to have been the first entertainment unit ashore. | 0:42:45 | 0:42:50 | |
In his heart of hearts, | 0:42:50 | 0:42:51 | |
he knew that he was going to run second on this one, | 0:42:51 | 0:42:53 | |
because of that business of, should the Germans counter-attack, | 0:42:53 | 0:42:57 | |
then what would happen to the ENSA party. | 0:42:57 | 0:42:59 | |
This time, rather than the civilian entertainers of ENSA, | 0:42:59 | 0:43:03 | |
it was Stars In Battledress - | 0:43:03 | 0:43:05 | |
the military organisation who got there first. | 0:43:05 | 0:43:08 | |
You had a collection of very talented people, | 0:43:08 | 0:43:10 | |
but they could go anywhere and if necessary, | 0:43:10 | 0:43:13 | |
they could defend their location or they could attack if necessary. | 0:43:13 | 0:43:17 | |
But ENSA was hot on their heels. | 0:43:17 | 0:43:19 | |
Just weeks after D-Day, | 0:43:19 | 0:43:21 | |
the organisation sent over one of its best-known stars. | 0:43:21 | 0:43:25 | |
# I'm leaning on a lamp-post at the corner of the street | 0:43:28 | 0:43:31 | |
# In case a certain little lady comes by | 0:43:31 | 0:43:34 | |
# Oh, me, oh, my | 0:43:34 | 0:43:36 | |
# I hope the little lady comes by... # | 0:43:36 | 0:43:41 | |
Other ENSA stars soon followed to do their bit for the troops. | 0:43:41 | 0:43:44 | |
Acts as diverse as Ivor Novello, | 0:43:44 | 0:43:46 | |
Flanagan And Allen and Margaret Rutherford | 0:43:46 | 0:43:49 | |
crossed the Channel in the weeks after D-Day. | 0:43:49 | 0:43:52 | |
And ENSA's army of unknown entertainers weren't far behind. | 0:43:52 | 0:43:58 | |
It was about September before I started going, therefore, | 0:43:58 | 0:44:02 | |
you are three months behind the fighting. | 0:44:02 | 0:44:07 | |
Wherever we went, the devastation was absolutely horrendous. | 0:44:14 | 0:44:20 | |
Every time you entertained the boys, | 0:44:20 | 0:44:22 | |
they were very happy to be alive, I suppose, but a little depressed. | 0:44:22 | 0:44:27 | |
You're so appreciated. | 0:44:31 | 0:44:35 | |
You didn't have to be clever, you just stood on the stage | 0:44:35 | 0:44:37 | |
and that to them, I mean, you can imagine the horrors of war | 0:44:37 | 0:44:43 | |
and everybody, they experienced it, where we only ever saw the aftermath, | 0:44:43 | 0:44:49 | |
which was horrific at places, | 0:44:49 | 0:44:52 | |
but nothing to what the boys were going through. | 0:44:52 | 0:44:56 | |
But ENSA parties travelling and performing | 0:44:57 | 0:45:00 | |
in the midst of war zones themselves | 0:45:00 | 0:45:02 | |
weren't immune to the dangers. | 0:45:02 | 0:45:04 | |
The reality of war was about to hit close to home. | 0:45:04 | 0:45:07 | |
She was blonde and vivacious, a very good dancer, | 0:45:07 | 0:45:12 | |
and she and I got on as sisters. | 0:45:12 | 0:45:16 | |
Vivien Hole had been Audrey's dance partner | 0:45:16 | 0:45:19 | |
before they both joined ENSA. | 0:45:19 | 0:45:20 | |
They were driving from one venue to the other, in the coach. | 0:45:20 | 0:45:28 | |
Unfortunately, they took a wrong turning and went into a minefield | 0:45:28 | 0:45:34 | |
and the wheel over which she was sitting was hit and she died. | 0:45:34 | 0:45:40 | |
I was devastated. | 0:45:42 | 0:45:43 | |
I mean, she was so lovely and 19 years old | 0:45:43 | 0:45:49 | |
and it's just incredible, really. | 0:45:49 | 0:45:52 | |
It comes home to you, when somebody so close to you gets killed. | 0:45:52 | 0:45:57 | |
Troops continued to land at Normandy to support the push into Europe. | 0:46:02 | 0:46:06 | |
Amongst them was a young Eric Sykes, serving with the RAF. | 0:46:06 | 0:46:11 | |
I was a wireless operator, yes, in what was formed, | 0:46:11 | 0:46:14 | |
especially for the invasion of Europe, was a mobile signals unit. | 0:46:14 | 0:46:19 | |
Eric decided to try his luck with show business at the end of the war. | 0:46:19 | 0:46:24 | |
They started a concert party, with a notice on the notice board, | 0:46:24 | 0:46:28 | |
"All those with theatrical experience... | 0:46:28 | 0:46:31 | |
"..report to..." what do you call it. | 0:46:31 | 0:46:34 | |
And I thought, "Yeah, I've got theatrical experience, | 0:46:34 | 0:46:36 | |
"I've been to the theatre twice." | 0:46:36 | 0:46:38 | |
They were mainly troop audiences and, you know, | 0:46:38 | 0:46:42 | |
we went very well, so that's it. | 0:46:42 | 0:46:45 | |
These shows, we all stood on the stage when the curtain went up | 0:46:45 | 0:46:50 | |
and all on chairs, leaning on the back of the chair | 0:46:50 | 0:46:54 | |
and singing our opening number. | 0:46:54 | 0:46:56 | |
But every one of us was in our uniforms | 0:46:56 | 0:46:59 | |
with the badges of rank and everything. | 0:46:59 | 0:47:02 | |
All throughout the show, we never changed out of that uniform, | 0:47:02 | 0:47:06 | |
so we could go straight off the street, | 0:47:06 | 0:47:08 | |
on the stage, do the show, straight out and... | 0:47:08 | 0:47:11 | |
Enough said. | 0:47:13 | 0:47:15 | |
We were a team and that was really enjoyable. | 0:47:15 | 0:47:21 | |
Whilst serving abroad, | 0:47:21 | 0:47:22 | |
Eric found he could tune into his own favourite entertainer. | 0:47:22 | 0:47:26 | |
Being a wireless operator, you see, sometimes, | 0:47:26 | 0:47:28 | |
in between sending out messages and receiving them, | 0:47:28 | 0:47:32 | |
we had quite large breaks, | 0:47:32 | 0:47:34 | |
so we could either get the cricket scores from London | 0:47:34 | 0:47:38 | |
when we were abroad in France or Holland or somewhere, | 0:47:38 | 0:47:41 | |
or we could get Vera Lynn | 0:47:41 | 0:47:44 | |
and I'd prefer Vera Lynn to the cricket scores. | 0:47:44 | 0:47:47 | |
-REPORTER: -From home to the Forces, from Vera Lynn and Fred Hartley. | 0:47:47 | 0:47:51 | |
VERA LYNN: This letter of mine is getting to be a sort of rendezvous, | 0:47:51 | 0:47:55 | |
where husbands and wives, torn apart by war, | 0:47:55 | 0:47:59 | |
can be brought together by music. | 0:47:59 | 0:48:01 | |
On the wings of these melodies, | 0:48:01 | 0:48:04 | |
the sentiments go from me to both of you, from you to her. | 0:48:04 | 0:48:09 | |
Here's our song together tonight. | 0:48:09 | 0:48:12 | |
# Night and day | 0:48:19 | 0:48:23 | |
# You are the one... # | 0:48:23 | 0:48:26 | |
The young star was broadcasting a weekly show, Sincerely Yours, | 0:48:26 | 0:48:30 | |
which conveyed messages between troops and families | 0:48:30 | 0:48:33 | |
separated by the war. | 0:48:33 | 0:48:34 | |
# Whether near to me or far... # | 0:48:34 | 0:48:38 | |
I was getting all these letters from the boys and I thought, "Well, | 0:48:38 | 0:48:42 | |
"I wonder what the possibility is, if I could get out there, | 0:48:42 | 0:48:46 | |
"actually, and sing to them in person | 0:48:46 | 0:48:49 | |
"instead of over the radio and talk to them." | 0:48:49 | 0:48:53 | |
I approached ENSA, so they said, "Well, where would you like to go?" | 0:48:53 | 0:48:57 | |
I said, "Well, if I'm going anywhere, | 0:48:57 | 0:48:58 | |
"I want to go where they don't get any entertainment." | 0:48:58 | 0:49:01 | |
So they said, "Well, Burma is one that gets very little, if anything." | 0:49:01 | 0:49:07 | |
So I said, "Right, that's where I want to go." | 0:49:07 | 0:49:10 | |
The boys never talked about their experiences when they were out there. | 0:49:21 | 0:49:24 | |
I suppose they wanted just to forget it, really. | 0:49:24 | 0:49:29 | |
It was rather a nasty war out there. | 0:49:29 | 0:49:33 | |
Everywhere I went, they said, | 0:49:37 | 0:49:39 | |
"When you go back home, will you tell them about us? | 0:49:39 | 0:49:41 | |
"And remind them that we are here still." The war isn't over for them. | 0:49:41 | 0:49:48 | |
They really did feel they were forgotten. | 0:49:51 | 0:49:54 | |
I was performing in all sorts of places. | 0:49:57 | 0:50:00 | |
It might be in a tent | 0:50:00 | 0:50:01 | |
or it might be a whole crowd of 6,000 in a big open area. | 0:50:01 | 0:50:08 | |
They came from miles and miles around | 0:50:08 | 0:50:12 | |
and it was so lovely to be able to be there and not just sing to them, | 0:50:12 | 0:50:18 | |
but to go round and talk to them | 0:50:18 | 0:50:20 | |
and chat, bring them a little bit of home. | 0:50:20 | 0:50:22 | |
Tell them how we were facing the bombs and everything | 0:50:22 | 0:50:25 | |
and try and cheer them up. Tell them not to worry. You know, | 0:50:25 | 0:50:28 | |
we were OK, we were getting food. | 0:50:28 | 0:50:31 | |
It wasn't just the singing, it was contact with home. | 0:50:31 | 0:50:35 | |
# We'll meet again | 0:50:35 | 0:50:41 | |
# Don't know where, don't know when | 0:50:41 | 0:50:46 | |
# But I know we'll meet again | 0:50:46 | 0:50:51 | |
# Some sunny day... # | 0:50:51 | 0:50:54 | |
It was a very popular song and popular I think | 0:50:54 | 0:50:58 | |
because it was optimistic and it spoke of hope | 0:50:58 | 0:51:05 | |
and better things to come that, you know, that we all would meet again. | 0:51:05 | 0:51:10 | |
# Drive the dark clouds far away... # | 0:51:10 | 0:51:16 | |
Any song she sang, she could sing the advert on a coco tin | 0:51:16 | 0:51:22 | |
and make it sound musical. | 0:51:22 | 0:51:25 | |
She's just that kind of a genius. | 0:51:25 | 0:51:28 | |
What she did give her audiences, | 0:51:28 | 0:51:31 | |
she had that amazing ability to have that quality in her voice | 0:51:31 | 0:51:35 | |
that went home to all the individuals | 0:51:35 | 0:51:38 | |
and everybody that looked it, felt that she was singing just for him. | 0:51:38 | 0:51:44 | |
I feel blessed that I was in a position | 0:51:44 | 0:51:48 | |
that I was able to do something. | 0:51:48 | 0:51:50 | |
# But I know we'll meet again some sunny day... # | 0:51:50 | 0:51:58 | |
CLOCK CHIMES | 0:52:00 | 0:52:03 | |
Hostilities will end, officially, | 0:52:03 | 0:52:07 | |
at one minute after midnight tonight, Tuesday the 8th May. | 0:52:07 | 0:52:14 | |
The German war is therefore at an end. Advance, Britannia! | 0:52:14 | 0:52:21 | |
Long live the cause of freedom. God Save the King! | 0:52:21 | 0:52:26 | |
CHEERING | 0:52:26 | 0:52:30 | |
On the 8th May 1945, | 0:52:30 | 0:52:32 | |
cheering crowds gathered to celebrate victory in Europe. | 0:52:32 | 0:52:35 | |
Just over three months later, Japan surrendered to the Allies. | 0:52:35 | 0:52:40 | |
World War II was finally over. | 0:52:40 | 0:52:42 | |
CROWDS CHEERING | 0:52:42 | 0:52:44 | |
FANFARE | 0:52:47 | 0:52:50 | |
REPORTER: The curtain rises on London's victory parade | 0:52:50 | 0:52:53 | |
as their Majesties leave Buckingham Palace | 0:52:53 | 0:52:55 | |
for the saluting base of the Mall. | 0:52:55 | 0:52:58 | |
The following year saw official celebrations in the victory parade | 0:52:58 | 0:53:02 | |
where all aspects of wartime service were honoured, | 0:53:02 | 0:53:04 | |
from military regiments to broadcasting organisations. | 0:53:04 | 0:53:07 | |
The biggest moment of all was when our own boys appeared, | 0:53:07 | 0:53:12 | |
the men who have fought our battles the world over. | 0:53:12 | 0:53:15 | |
Also taking in the procession, a Movietone sound-recording car, | 0:53:15 | 0:53:18 | |
just one of a fleet which saw service on many battle fronts. | 0:53:18 | 0:53:20 | |
The men and women of the home front were there - | 0:53:20 | 0:53:22 | |
people who kept on working whatever the danger, | 0:53:22 | 0:53:27 | |
turning out the weapons, running our transport, delivering our food. | 0:53:27 | 0:53:30 | |
Yes, they were all there, the ordinary people. | 0:53:30 | 0:53:33 | |
It was their day, a day of rejoicing and of thanks. | 0:53:33 | 0:53:37 | |
But it wasn't to be Basil Dean's day, | 0:53:37 | 0:53:40 | |
there was no place for ENSA in the victory parade. | 0:53:40 | 0:53:44 | |
Every actor and actress would have loved the chance | 0:53:44 | 0:53:47 | |
to have marched on that parade. | 0:53:47 | 0:53:50 | |
They'd been to the most dangerous places in the world. | 0:53:50 | 0:53:52 | |
But were denied this. | 0:53:52 | 0:53:54 | |
All the army were, they have their service medals | 0:53:54 | 0:53:56 | |
and things at the end of the war. | 0:53:56 | 0:53:58 | |
And somewhere, somebody gave us some little bits of ribbon, | 0:53:58 | 0:54:02 | |
all frayed-out with nothing else. | 0:54:02 | 0:54:04 | |
It was just wiped out, more or less. It was a pity. | 0:54:04 | 0:54:09 | |
Between 1939 and 1946, | 0:54:13 | 0:54:14 | |
ENSA had put on over 2.5 million performances, | 0:54:14 | 0:54:18 | |
from Iceland to India, Burma to Berlin. | 0:54:18 | 0:54:21 | |
Along with other entertainment troupes, | 0:54:24 | 0:54:27 | |
the world of show business had done itself proud. | 0:54:27 | 0:54:30 | |
But things were going from bad to worse for Basil Dean. | 0:54:30 | 0:54:33 | |
I do remember a certain rumpus | 0:54:33 | 0:54:37 | |
when an MP made an attack on my father in the House Of Commons. | 0:54:37 | 0:54:41 | |
While I am mentioning expenditure, | 0:54:41 | 0:54:44 | |
might I refer to that very much travelled gentlemen, | 0:54:44 | 0:54:47 | |
the worldwide traveller at public expense, Basil Dean. | 0:54:47 | 0:54:50 | |
With his £3,000 a year salary, his unlimited expenses, | 0:54:50 | 0:54:54 | |
free car and chauffeur, two secretaries | 0:54:54 | 0:54:56 | |
and medical expenses provided and uniforms and ribbons as well. | 0:54:56 | 0:55:01 | |
All paid for by soldiers, sailors and airmen? | 0:55:01 | 0:55:04 | |
He has been, throughout the war, | 0:55:04 | 0:55:06 | |
or at least since NAAFI took over the responsibility, | 0:55:06 | 0:55:09 | |
more generously rewarded than Montgomery. | 0:55:09 | 0:55:12 | |
That deprived him of any kind of serious honour for his ENSA work, | 0:55:12 | 0:55:17 | |
that I do know as a fact. | 0:55:17 | 0:55:19 | |
He got a CBE as quite a lot of other people in ENSA did. | 0:55:19 | 0:55:22 | |
I think he would have got a knighthood. | 0:55:22 | 0:55:25 | |
You see, he put people's backs up, that was the trouble. | 0:55:25 | 0:55:28 | |
But even so, he ought to have been honoured much more often | 0:55:28 | 0:55:31 | |
for ENSA, there's no doubt about that. | 0:55:31 | 0:55:34 | |
ENSA had by this time too many enemies. | 0:55:34 | 0:55:39 | |
Perhaps it's better to say Basil Dean had too many enemies. | 0:55:39 | 0:55:42 | |
People wanted him out of the way. | 0:55:42 | 0:55:44 | |
There were stories of generals who would no longer talk to him in Germany. | 0:55:44 | 0:55:48 | |
So I think he realised the writing was on the wall. | 0:55:48 | 0:55:52 | |
But at the end of the day, | 0:55:52 | 0:55:53 | |
the generals may have had their view, but some of the lads | 0:55:53 | 0:55:58 | |
in far flung places would have said to them, "No, he did a good job. | 0:55:58 | 0:56:02 | |
"I had some entertainment thanks to this man's idea." | 0:56:02 | 0:56:06 | |
Those people who joined ENSA, those soldiers | 0:56:06 | 0:56:10 | |
who put down their rifles and put on a frock and had a dance | 0:56:10 | 0:56:13 | |
and made the boys laugh was just as important as medicine and food. | 0:56:13 | 0:56:20 | |
After ten years of blackout and semi-darkness, | 0:56:20 | 0:56:22 | |
the lights go on again. | 0:56:22 | 0:56:24 | |
# There's no business like show business... # | 0:56:24 | 0:56:28 | |
The war ended, but the invasion of show business started. | 0:56:28 | 0:56:31 | |
Because all of a sudden | 0:56:31 | 0:56:34 | |
you were getting all these talented people coming out | 0:56:34 | 0:56:37 | |
at the same time into the West End of London. | 0:56:37 | 0:56:40 | |
Anybody who thought they could do a turn, anything, coming out. | 0:56:42 | 0:56:46 | |
It was sort of reinvigorating or invigorating the theatres again. | 0:56:46 | 0:56:51 | |
People wanted to be entertained and new names coming all over the place. | 0:56:51 | 0:56:56 | |
Tommy Cooper and Frankie Howerd, Spike. | 0:56:56 | 0:56:59 | |
Peter Sellers, Tony Hancock. | 0:56:59 | 0:57:02 | |
Eric Sykes of course was another one. Dear old Eric. | 0:57:02 | 0:57:05 | |
I desperately wanted to go into show business | 0:57:05 | 0:57:08 | |
after I'd had such a wonderful time at the end of the war. | 0:57:08 | 0:57:11 | |
What was good about it all was the fact that it was all new ground. | 0:57:11 | 0:57:18 | |
And for this band of intrepid entertainers, | 0:57:18 | 0:57:21 | |
the memories of those performances would last a lifetime. | 0:57:21 | 0:57:25 | |
You look back and you think, "Good gracious, we did that. We saw that." | 0:57:25 | 0:57:30 | |
I can't believe it now when I think of it. | 0:57:30 | 0:57:33 | |
It must have been another person. | 0:57:33 | 0:57:35 | |
It can't have been me doing all that, you know? | 0:57:35 | 0:57:39 | |
I wouldn't have thought I had the guts to do it. | 0:57:39 | 0:57:42 | |
I was glad I did it. Very glad I did it. | 0:57:42 | 0:57:46 | |
It's funny to say in a wartime, I wouldn't have missed. | 0:57:46 | 0:57:52 | |
They were some of the happiest days of my life. | 0:57:52 | 0:57:55 | |
# And go on with the show | 0:57:55 | 0:58:03 | |
# There's no people like show people | 0:58:03 | 0:58:07 | |
# They smile when they are low | 0:58:07 | 0:58:10 | |
# Even with a turkey that you know will fold | 0:58:10 | 0:58:14 | |
# You may be stranded out in the cold | 0:58:14 | 0:58:18 | |
# Still you wouldn't change it for a sack of gold | 0:58:18 | 0:58:21 | |
# Let's go on with the show. # | 0:58:21 | 0:58:23 |