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Looking down on our industrial landscape today, | 0:00:04 | 0:00:07 | |
we see the remains of a vanished age. | 0:00:07 | 0:00:09 | |
There are still some pockets of thriving industry, | 0:00:11 | 0:00:14 | |
but these are faint echoes of something much greater - | 0:00:14 | 0:00:17 | |
of the time when Britain was the greatest industrial power on the planet, | 0:00:17 | 0:00:22 | |
and it wasn't so long ago. | 0:00:22 | 0:00:23 | |
This is the story of how our industrial heartlands | 0:00:25 | 0:00:30 | |
have been transformed in the space of a single lifetime. | 0:00:30 | 0:00:33 | |
By comparing aerial images taken 60 years ago with those from today, | 0:00:36 | 0:00:41 | |
we can see the sheer scale and speed of change. | 0:00:41 | 0:00:44 | |
Where there were factories, | 0:00:44 | 0:00:47 | |
there are now fields. | 0:00:47 | 0:00:49 | |
Mining villages no longer have mines. | 0:00:51 | 0:00:54 | |
Docks have become offices and waterside apartments. | 0:00:54 | 0:00:58 | |
Seen from above, it's clear that no other aspect of our nation | 0:00:58 | 0:01:03 | |
has changed so quickly or so profoundly. | 0:01:03 | 0:01:06 | |
This is a story of evolution, | 0:01:06 | 0:01:09 | |
adaptation | 0:01:09 | 0:01:12 | |
and, in many places, extinction | 0:01:12 | 0:01:14 | |
1939. | 0:01:32 | 0:01:33 | |
War is still six months away, and yet in the skies above Britain, | 0:01:33 | 0:01:38 | |
the Germans are already at work | 0:01:38 | 0:01:40 | |
Secretly, the Luftwaffe photograph British industry, | 0:01:42 | 0:01:46 | |
the backbone of the economy. | 0:01:46 | 0:01:48 | |
Over the valleys of South Wales | 0:01:51 | 0:01:54 | |
they see the great coalfields that power the nation, | 0:01:54 | 0:01:57 | |
employing 200,000 miners. | 0:01:57 | 0:02:00 | |
Over Swindon, they look down on the heart of Britain's rail network, | 0:02:02 | 0:02:06 | |
where 14,000 people build steam engines for the world. | 0:02:06 | 0:02:10 | |
Over Manchester, | 0:02:12 | 0:02:14 | |
they see the great port at Salford, | 0:02:14 | 0:02:16 | |
and the world's largest industrial estate, Trafford Park, | 0:02:16 | 0:02:20 | |
where 50,000 people work in manufacturing. | 0:02:20 | 0:02:24 | |
And how do we know this? | 0:02:25 | 0:02:27 | |
Because we have the photographs | 0:02:27 | 0:02:29 | |
This remarkable collection of images | 0:02:29 | 0:02:32 | |
is helping archaeologists like Chris Going | 0:02:32 | 0:02:35 | |
to rediscover Britain's industrial past. | 0:02:35 | 0:02:38 | |
OK, well, what we've got here is a whole collection | 0:02:38 | 0:02:42 | |
of German target documents. | 0:02:42 | 0:02:44 | |
These were captured at the end of the war | 0:02:44 | 0:02:46 | |
and classified by British Intelligence. | 0:02:46 | 0:02:49 | |
This photograph, taken over Manchester, | 0:02:49 | 0:02:52 | |
shows the targets that the Germans were interested in. | 0:02:52 | 0:02:55 | |
The actual target is Salford Quays, | 0:02:55 | 0:02:57 | |
and these are the docks here, outlined in red. | 0:02:57 | 0:03:00 | |
You've got, to the south, the industrial heartland of Manchester, | 0:03:00 | 0:03:04 | |
but the interesting thing is, | 0:03:04 | 0:03:06 | |
all these target documents concern themselves | 0:03:06 | 0:03:09 | |
with just the industrial areas | 0:03:09 | 0:03:11 | |
If we look over here, you can see this really quite graphically. | 0:03:11 | 0:03:15 | |
This rather wacky thing is a night map. | 0:03:15 | 0:03:17 | |
The colouring is designed to be viewed under cockpit lights at night. | 0:03:17 | 0:03:21 | |
The yellow, outlined in red, are the designated targets, | 0:03:21 | 0:03:26 | |
of which there's Salford Quays | 0:03:26 | 0:03:28 | |
And you can see, it's this little industrial zone here, | 0:03:28 | 0:03:31 | |
in the west of Manchester, which interested them most. | 0:03:31 | 0:03:34 | |
So, basically, Britain's industrial strength, if you like, | 0:03:34 | 0:03:39 | |
is caught in these dossiers. | 0:03:39 | 0:03:42 | |
70 years on, the industrial landscape of Britain | 0:03:46 | 0:03:51 | |
is once again being photographed from the air. | 0:03:51 | 0:03:54 | |
Dr Toby Driver is an archaeologist who uses aerial photography | 0:04:03 | 0:04:07 | |
to investigate and document the impact of human activity on the land. | 0:04:07 | 0:04:12 | |
We get into the air to look down at patterns, | 0:04:12 | 0:04:17 | |
shapes that we can see, | 0:04:17 | 0:04:19 | |
and look for those that have been made by people. | 0:04:19 | 0:04:22 | |
Very often, these are invisible at ground level. | 0:04:22 | 0:04:26 | |
The aerial perspective is the only way | 0:04:26 | 0:04:29 | |
to get an overview of what's there. | 0:04:29 | 0:04:32 | |
Today, Toby's flying over the South Wales valleys, | 0:04:34 | 0:04:37 | |
the region where geography and geology has shaped the economy | 0:04:37 | 0:04:41 | |
and the lives of the people who live here. | 0:04:41 | 0:04:43 | |
We're approaching the South Wales valleys from the north here, | 0:04:45 | 0:04:49 | |
over a stunningly beautiful natural landscape - | 0:04:49 | 0:04:53 | |
the eastern part of the Brecon Beacons National Park - | 0:04:53 | 0:04:56 | |
but we'll see the contrast with these beautiful hills | 0:04:56 | 0:04:59 | |
and green fields | 0:04:59 | 0:05:01 | |
with the industrial landscapes we're about to come to, | 0:05:01 | 0:05:05 | |
which many people still find difficult to love, I think. | 0:05:05 | 0:05:08 | |
150 years ago, this pastoral landscape was transformed. | 0:05:11 | 0:05:16 | |
Abandoning its agricultural economy, the valleys of South Wales | 0:05:19 | 0:05:22 | |
were swept into Britain's Industrial Revolution - | 0:05:22 | 0:05:26 | |
a revolution fuelled by the black mineral | 0:05:26 | 0:05:29 | |
buried deep beneath its green hills. | 0:05:29 | 0:05:32 | |
Coal was THE great commodity, the great export, | 0:05:35 | 0:05:39 | |
from this part of Wales. | 0:05:39 | 0:05:41 | |
Parts of South Wales rose very quickly | 0:05:41 | 0:05:44 | |
from being farming landscapes | 0:05:44 | 0:05:46 | |
to this massive explosion of people moving in, | 0:05:46 | 0:05:51 | |
new buildings, fast new transport networks, | 0:05:51 | 0:05:54 | |
and it's the legacy of that explosion of activity | 0:05:54 | 0:05:59 | |
that we're really seeing in the landscape today. | 0:05:59 | 0:06:02 | |
Workers from all over the country | 0:06:05 | 0:06:08 | |
moved to South Wales in search of jobs. | 0:06:08 | 0:06:11 | |
These new miners not only dug coal, | 0:06:11 | 0:06:14 | |
but also created their own unique way of life. | 0:06:14 | 0:06:17 | |
The communities were tight knit | 0:06:17 | 0:06:19 | |
cut off in their own valleys, surrounded by steep hills. | 0:06:19 | 0:06:23 | |
These were the valleys of chapels, socialism, | 0:06:26 | 0:06:30 | |
rugby and male voice choirs. | 0:06:30 | 0:06:32 | |
More than anywhere else in Britain, | 0:06:35 | 0:06:37 | |
we see, from above, communities defined by the landscape. | 0:06:37 | 0:06:41 | |
This is the Rhondda - | 0:06:47 | 0:06:50 | |
two valleys snaking south towards the sea. | 0:06:50 | 0:06:53 | |
In between the hills of coal, people, roads, railways and houses | 0:06:55 | 0:07:00 | |
are crammed into the narrow, deep-winding valleys. | 0:07:00 | 0:07:04 | |
This place has evolved for one purpose. | 0:07:04 | 0:07:08 | |
Every coal pit had its supporting town, | 0:07:09 | 0:07:12 | |
and all the transport infrastructure to get that coal from the valleys, | 0:07:12 | 0:07:16 | |
down to the great ports at Cardiff and Newport and elsewhere, | 0:07:16 | 0:07:21 | |
shipping that coal out around the world. | 0:07:21 | 0:07:24 | |
Based on a single natural resource, | 0:07:27 | 0:07:29 | |
the Rhondda's prosperity was vulnerable. | 0:07:29 | 0:07:32 | |
Falling demand, politics and global competition | 0:07:34 | 0:07:39 | |
have brought the coal industry to its knees. | 0:07:39 | 0:07:42 | |
In 2008, the last pit in South Wales closed. | 0:07:44 | 0:07:48 | |
What we see today are the mortal remains of a mighty industry. | 0:07:48 | 0:07:55 | |
Train graveyards with tracks leading nowhere. | 0:07:56 | 0:08:00 | |
Black spoil tips slowly turning green. | 0:08:03 | 0:08:07 | |
Rusted mining machinery at the mercy of the weather. | 0:08:10 | 0:08:13 | |
Toby Driver has been comparing modern aerial photographs | 0:08:19 | 0:08:24 | |
with RAF images taken just after the Second World War | 0:08:24 | 0:08:27 | |
These pictures tell a devastating story. | 0:08:27 | 0:08:30 | |
The key thing with the industrial landscapes | 0:08:30 | 0:08:33 | |
is that what we see today | 0:08:33 | 0:08:35 | |
is not necessarily what was there 60 years ago. | 0:08:35 | 0:08:37 | |
Step back in time | 0:08:37 | 0:08:40 | |
and we see collieries rise from the green hillsides. | 0:08:40 | 0:08:43 | |
This is a snapshot of the coal industry in its final flourish | 0:08:43 | 0:08:48 | |
a world that has now gone. | 0:08:48 | 0:08:51 | |
It's hard for people to understand | 0:08:52 | 0:08:54 | |
how transient some parts of the modern world can be. | 0:08:54 | 0:08:57 | |
Sometimes landscapes are the way they are for centuries. | 0:08:57 | 0:09:00 | |
But as we've seen in the South Wales valleys, | 0:09:00 | 0:09:03 | |
factories, towns, landscapes | 0:09:03 | 0:09:06 | |
can vanish in a matter of months or years | 0:09:06 | 0:09:10 | |
Since the loss of its main industry, | 0:09:10 | 0:09:13 | |
unemployment in the Rhondda has soared. | 0:09:13 | 0:09:15 | |
Almost a third of working-age people are without jobs, | 0:09:15 | 0:09:19 | |
and almost two-thirds of families survive on an annual income of less than ?10,000. | 0:09:19 | 0:09:25 | |
Wherever communities relied on the pits for work, the story's the same. | 0:09:27 | 0:09:31 | |
The only colliery still operating is Big Pit, at Blaenavon. | 0:09:33 | 0:09:38 | |
But it no longer produces coal | 0:09:38 | 0:09:41 | |
Instead, it's a museum. | 0:09:41 | 0:09:44 | |
For 30 years, John took coal out of the mine | 0:09:49 | 0:09:52 | |
Now he takes school children down to see it. | 0:09:52 | 0:09:56 | |
Some of the children you take underground, especially the girls, | 0:09:56 | 0:09:59 | |
you tell them about Victorian times and pushing drams a tonne in weight. | 0:09:59 | 0:10:03 | |
You ask them if they want to do it and they say no. | 0:10:03 | 0:10:06 | |
Then you say to them, if you want to eat, would you do it? | 0:10:06 | 0:10:09 | |
It makes them think. | 0:10:09 | 0:10:10 | |
John has seen a whole way of life disappear. | 0:10:12 | 0:10:16 | |
Most of the workforce have gone into different jobs, light industry. | 0:10:16 | 0:10:20 | |
Some of the people have moved away, as well. | 0:10:20 | 0:10:23 | |
Back in the '60s, there were about 8,000 people living in Blaenavon. | 0:10:23 | 0:10:27 | |
We're now down to about 3,500 to 4,000. | 0:10:27 | 0:10:30 | |
So we've practically halved. | 0:10:30 | 0:10:32 | |
The irony is that there's still plenty of coal left in South Wales, | 0:10:40 | 0:10:44 | |
but the only way to make a profit from it is with a far smaller workforce | 0:10:44 | 0:10:49 | |
At this vast opencast mine, massive machinery has removed | 0:10:51 | 0:10:55 | |
over 20 million cubic yards of rock and coal | 0:10:55 | 0:11:00 | |
to leave a crater 100 yards deep. | 0:11:00 | 0:11:02 | |
Like this hillside, once the whole region | 0:11:02 | 0:11:06 | |
would have been black with the spoils of mining. | 0:11:06 | 0:11:09 | |
Today, the landscape is re-greening. | 0:11:09 | 0:11:12 | |
Sculpted from the slag heap is Sultan the pit pony, | 0:11:14 | 0:11:18 | |
a symbol of this transformation and the end of a great industry | 0:11:18 | 0:11:22 | |
The very geography which once made this landscape work | 0:11:25 | 0:11:29 | |
now restricts its ability to escape the past. | 0:11:29 | 0:11:33 | |
Not every centre of Victorian industry has suffered the same fate. | 0:11:38 | 0:11:42 | |
This is Swindon, | 0:11:45 | 0:11:46 | |
a town that, like the Rhondda, rose from green fields 150 years ago | 0:11:46 | 0:11:51 | |
a product of the first industrial age. | 0:11:51 | 0:11:54 | |
But unlike the valleys of South Wales, | 0:11:54 | 0:11:57 | |
Swindon has no natural resources. | 0:11:57 | 0:12:00 | |
Instead, it exists entirely because of its location. | 0:12:00 | 0:12:04 | |
Swindon sits at a good sort of crossroads for trade in Britain | 0:12:04 | 0:12:09 | |
and that's enabled it to develop. | 0:12:09 | 0:12:12 | |
When Brunel and the directors of the Great Western Railway came here | 0:12:12 | 0:12:16 | |
at the end of the 1830s, | 0:12:16 | 0:12:18 | |
they looked at the site and they thought, "OK, 1840 onwards | 0:12:18 | 0:12:22 | |
"Swindon will become the epicentre of the Great Western Railway." | 0:12:22 | 0:12:26 | |
They built their great works here, | 0:12:26 | 0:12:28 | |
brought in labourers, and the trains arrived, | 0:12:28 | 0:12:30 | |
whizzing at a tremendous high speed from Paddington to Bristol and back. | 0:12:30 | 0:12:36 | |
At Swindon, Brunel not only created one of the largest engineering complexes in the world, | 0:12:38 | 0:12:44 | |
but pioneered a new age of mass transportation. | 0:12:44 | 0:12:48 | |
The railway changed Britain fundamentally. | 0:12:48 | 0:12:51 | |
It not only created this extraordinary engineering enterprise | 0:12:51 | 0:12:55 | |
and these craft skills, and changed the face, physically, of Britain - | 0:12:55 | 0:12:59 | |
the whole landscape changed with this network of railway lines | 0:12:59 | 0:13:02 | |
but it also created a totally new economy. | 0:13:02 | 0:13:05 | |
From now on, Britain was able to trade internally, as well as externally, | 0:13:05 | 0:13:09 | |
very successfully indeed. | 0:13:09 | 0:13:11 | |
Purely as a result of its location, | 0:13:11 | 0:13:14 | |
the small market town of Swindon became a thriving centre for this new world-beating economy | 0:13:14 | 0:13:20 | |
People poured into the town from all over the country | 0:13:22 | 0:13:25 | |
to make up the 14,000 staff of the Great Western Railway. | 0:13:25 | 0:13:29 | |
Brunel designed planned housing estates to accommodate the newcomers. | 0:13:32 | 0:13:37 | |
From above, we see an ordered, Victorian world, | 0:13:43 | 0:13:47 | |
reflecting a time when a whole community could work for one company, | 0:13:47 | 0:13:52 | |
generation after generation. | 0:13:52 | 0:13:54 | |
But this Victorian way of life couldn't last for ever. | 0:13:54 | 0:13:59 | |
Imagine if you were born in Swindon just after the Second World War | 0:14:00 | 0:14:04 | |
You'd have been brought up in the last, dying days of the steam age. | 0:14:04 | 0:14:07 | |
In fact, the last steam locomotive built for British Railways | 0:14:07 | 0:14:11 | |
was built here at Swindon Works and called Evening Star, | 0:14:11 | 0:14:15 | |
suggesting the end, very much the end, of an era. | 0:14:15 | 0:14:19 | |
That same person then lived on through the consumer boom of the late ' 0s | 0:14:19 | 0:14:23 | |
and then right on through into the world of information superhighway, | 0:14:23 | 0:14:27 | |
internet, mobile phones, fridges, cheap mortgages, | 0:14:27 | 0:14:30 | |
shopping, shopping, shopping, and no-frills flights all around the world. | 0:14:30 | 0:14:34 | |
That would be the very same person living in the steam age as is living today. | 0:14:34 | 0:14:39 | |
That's an extraordinary compression of time. | 0:14:39 | 0:14:42 | |
The closure of Swindon's sole industry | 0:14:44 | 0:14:47 | |
could have spelt disaster for the town. | 0:14:47 | 0:14:50 | |
But instead, what we see from above is a new Swindon | 0:14:50 | 0:14:53 | |
expanding beyond its railway past. | 0:14:53 | 0:14:55 | |
Today, it's one of the fastest-growing towns in Europe | 0:14:57 | 0:15:01 | |
with the lowest unemployment in Britain. | 0:15:01 | 0:15:03 | |
Unlike the Rhondda, | 0:15:03 | 0:15:05 | |
Swindon has not been constricted by its geography. | 0:15:05 | 0:15:09 | |
In fact, its location has enabled it to evolve. | 0:15:09 | 0:15:13 | |
After the canals came the railways, and after the railways came the motorways. | 0:15:13 | 0:15:18 | |
The M4 motorway whizzes through here, and the M4 Corridor | 0:15:18 | 0:15:21 | |
is well known today for the hi-tech industry, | 0:15:21 | 0:15:24 | |
so Swindon's always been a great transport route hub and centre | 0:15:24 | 0:15:28 | |
and, I guess, it always will be | 0:15:28 | 0:15:30 | |
When one of the world's largest car-makers looked for a site | 0:15:33 | 0:15:36 | |
for their European factory, they came to Swindon. | 0:15:36 | 0:15:40 | |
Here, 4,000 people work for the town's largest employer - Honda | 0:15:40 | 0:15:46 | |
On average, a completed car leaves the factory floor every 80 seconds. | 0:16:02 | 0:16:08 | |
After getting the all-clear on the test track, | 0:16:08 | 0:16:11 | |
the car is ready for distribution. | 0:16:11 | 0:16:14 | |
Just as Swindon used to make trains but now makes cars, | 0:16:22 | 0:16:27 | |
so what used to be distributed by rail | 0:16:27 | 0:16:30 | |
is now distributed on the motorway network. | 0:16:30 | 0:16:34 | |
And where the steam engine | 0:16:35 | 0:16:37 | |
transformed Britain's landscape in the 19th century... | 0:16:37 | 0:16:40 | |
..in the 20th century, it was the combustion engine. | 0:16:42 | 0:16:46 | |
Stewart Ainsworth has been studying the evolving industrial landscape. | 0:16:49 | 0:16:54 | |
When you look down over the landscape today, | 0:16:54 | 0:16:56 | |
I think the most dramatic change you see | 0:16:56 | 0:16:59 | |
is motorways. | 0:16:59 | 0:17:02 | |
The sheer scale, the sheer... | 0:17:03 | 0:17:05 | |
almost beauty of those curving interchanges, | 0:17:05 | 0:17:08 | |
wide lanes, traffic moving along them... | 0:17:08 | 0:17:11 | |
It's like the red and white cells in the blood | 0:17:12 | 0:17:16 | |
being delivered from the heart | 0:17:16 | 0:17:18 | |
out to all the organs and the extremities of the body | 0:17:18 | 0:17:21 | |
And the more important the organ, the more circulation is needed | 0:17:21 | 0:17:27 | |
At the epicentre of six motorways is the city of Manchester. | 0:17:29 | 0:17:32 | |
Nowhere illustrates better this change from old industry.. | 0:17:32 | 0:17:36 | |
..to new. | 0:17:38 | 0:17:39 | |
What we see from above | 0:17:39 | 0:17:42 | |
is a city shaped by three centuries of industrial endeavour. | 0:17:42 | 0:17:47 | |
It's a three-dimensional landscape | 0:17:47 | 0:17:49 | |
that you see down below you, | 0:17:49 | 0:17:51 | |
and each level of that landscape | 0:17:51 | 0:17:53 | |
is another tier in that industrialisation process. | 0:17:53 | 0:17:58 | |
In many ways the birthplace of the industrial age, | 0:17:59 | 0:18:03 | |
Manchester owes its existence to its damp climate. | 0:18:03 | 0:18:07 | |
In the 18th century, it was the perfect place to spin cotton | 0:18:07 | 0:18:11 | |
without it snapping. | 0:18:11 | 0:18:12 | |
As a result, Manchester became the global centre of the textile industry | 0:18:15 | 0:18:19 | |
and has consistently pioneered ground-breaking ways to trade with the outside world. | 0:18:19 | 0:18:25 | |
The first entirely artificial waterway, the Bridgewater Canal | 0:18:25 | 0:18:30 | |
was opened in 1761. | 0:18:30 | 0:18:32 | |
In 1830, the world's first passenger train arrived in Manchester. | 0:18:34 | 0:18:40 | |
But perhaps its greatest single feat | 0:18:43 | 0:18:46 | |
was the construction of the Manchester Ship Canal. | 0:18:46 | 0:18:49 | |
This is one of the most important waterways in Britain in its day | 0:18:49 | 0:18:55 | |
It was opened in 1894, | 0:18:55 | 0:18:58 | |
after an awful lot of dispute and debate, | 0:18:58 | 0:19:01 | |
basically to bring the sea into Manchester. | 0:19:01 | 0:19:04 | |
The Ship Canal was large enough to allow ocean-going vessels | 0:19:04 | 0:19:09 | |
to come right into the heart of the city. | 0:19:09 | 0:19:11 | |
Despite being 36 miles inland, | 0:19:11 | 0:19:15 | |
Manchester became the fourth-largest port in Britain. | 0:19:15 | 0:19:18 | |
At the same time, the Ship Canal brought about a complete transformation | 0:19:18 | 0:19:23 | |
of what was a deer park into the world's first planned industrial estate. | 0:19:23 | 0:19:28 | |
Where we're flying at the moment is over Trafford Park, | 0:19:28 | 0:19:34 | |
a real industrial Mecca. | 0:19:34 | 0:19:35 | |
It became the home of engineering, | 0:19:35 | 0:19:38 | |
it became the home of car manufacturing. | 0:19:38 | 0:19:42 | |
Henry Ford moved from America to put manufacturing plants in here | 0:19:42 | 0:19:46 | |
for his Model T Ford. | 0:19:46 | 0:19:48 | |
It became such an important global centre | 0:19:48 | 0:19:51 | |
that America came to Manchester | 0:19:51 | 0:19:54 | |
NEWSREEL: Trafford Park, | 0:19:57 | 0:19:59 | |
where deer once roamed, is now a planned dockside estate | 0:19:59 | 0:20:03 | |
where 200 firms employ nearly 50,000 people. | 0:20:03 | 0:20:08 | |
The goods from Trafford Park were distributed through the Ship Canal | 0:20:10 | 0:20:14 | |
to the four corners of the globe. | 0:20:14 | 0:20:16 | |
The ships carry manufactured goods, textiles, | 0:20:17 | 0:20:20 | |
pottery, cars, chemicals, | 0:20:20 | 0:20:24 | |
machinery, iron and steel - all those products | 0:20:24 | 0:20:28 | |
on which the prosperity of Great Britain depends. | 0:20:28 | 0:20:32 | |
Aerial photographs taken by the German Luftwaffe | 0:20:32 | 0:20:37 | |
show the port in its heyday. | 0:20:37 | 0:20:39 | |
Well, if we look at the photography of 1939-40, | 0:20:39 | 0:20:43 | |
taken courtesy of the German Air Force, | 0:20:43 | 0:20:46 | |
it's a busy scene. | 0:20:46 | 0:20:48 | |
You can see shipping on all of these wharfs and docks. | 0:20:48 | 0:20:53 | |
We've got about 18 or 19 ships | 0:20:53 | 0:20:54 | |
and the warehousing and busy marshalling yards. | 0:20:54 | 0:20:59 | |
If we go forwards in time, | 0:20:59 | 0:21:01 | |
you can see...suddenly... | 0:21:01 | 0:21:04 | |
the shipping has all gone. | 0:21:04 | 0:21:07 | |
Where Trafford Park once relied on its Ship Canal for trade, | 0:21:13 | 0:21:17 | |
today it's the M62 motorway. | 0:21:17 | 0:21:20 | |
And where factories once manufactured, | 0:21:24 | 0:21:27 | |
now giant sheds store the goods that the roads bring to us. | 0:21:27 | 0:21:33 | |
100 years ago, Trafford Park was considered the future. | 0:21:33 | 0:21:37 | |
In this short space of time, this vision has vanished. | 0:21:37 | 0:21:41 | |
And what we see today is the rise of a different kind of economy | 0:21:43 | 0:21:47 | |
Alongside the M62 motorway, what little remained of the old deer park | 0:21:50 | 0:21:55 | |
has been transformed into one of Europe's largest shopping centres. | 0:21:55 | 0:22:00 | |
Linked to the country via the motorway network, | 0:22:06 | 0:22:09 | |
a quarter of the entire British population | 0:22:09 | 0:22:12 | |
is within a 90-minute drive of Manchester's Trafford Centre | 0:22:12 | 0:22:16 | |
32 million shoppers visit the centre each year, | 0:22:18 | 0:22:22 | |
with receipts adding up to almost ?1.5 billion. | 0:22:22 | 0:22:27 | |
We've got this huge, great Trafford Centre down there, | 0:22:27 | 0:22:31 | |
which is a cathedral of consumerism. | 0:22:31 | 0:22:34 | |
It's sucking people in. It's become a leisure activity it's become recreation. | 0:22:34 | 0:22:40 | |
It's become fun to go shopping | 0:22:40 | 0:22:43 | |
While Trafford Park has transformed itself beyond recognition in the last 70 years, | 0:22:50 | 0:22:56 | |
one piece of grass, measuring 105 x 68 metres, | 0:22:56 | 0:23:02 | |
has survived the enormous changes. | 0:23:02 | 0:23:04 | |
The local ground and the teams drew their support from the people who worked in the local industries. | 0:23:04 | 0:23:10 | |
If we change to what it looks like now, it's a world away. | 0:23:10 | 0:23:15 | |
The football ground has expanded, | 0:23:15 | 0:23:17 | |
although the pitch hasn't grown bigger, | 0:23:17 | 0:23:20 | |
but the area around's been bought up, because this is Old Trafford. | 0:23:20 | 0:23:25 | |
In the photo of 1939, we see the home of Manchester United | 0:23:25 | 0:23:29 | |
surrounded by factories and warehouses. | 0:23:29 | 0:23:33 | |
Now they've gone, replaced by car parks | 0:23:33 | 0:23:36 | |
for visitors who travel from further afield to watch the games. | 0:23:36 | 0:23:40 | |
In this stadium now, there are 76,312 seats. | 0:23:41 | 0:23:46 | |
This is the largest club stadium in the United Kingdom... | 0:23:46 | 0:23:49 | |
David Howard gives guided tours of Old Trafford | 0:23:49 | 0:23:52 | |
to fans who travel from around the world to see the club's famous ground | 0:23:52 | 0:23:57 | |
These are the most expensive behind you here. | 0:23:57 | 0:24:00 | |
For these boxes, you close your eyes, you sign your cheque for ?66,90 . | 0:24:00 | 0:24:06 | |
It's a far cry from the days when Manchester United was the local club | 0:24:07 | 0:24:13 | |
for the workers in Trafford Park. | 0:24:13 | 0:24:14 | |
Please don't touch the grass! Thank you. This way, please, folks. | 0:24:14 | 0:24:19 | |
David has lived the change. | 0:24:19 | 0:24:22 | |
In the 1960s, he worked for a local engineering firm. | 0:24:22 | 0:24:26 | |
If you were in Trafford Park, you came to Manchester United. | 0:24:26 | 0:24:29 | |
All the factories here were within walking distance. I'd come here | 0:24:29 | 0:24:33 | |
with my father and my brother. In those days, of course, | 0:24:33 | 0:24:36 | |
we'd all stand to watch the football match. | 0:24:36 | 0:24:38 | |
Manchester United, over the years, | 0:24:41 | 0:24:43 | |
has changed dramatically in terms of its fan base. | 0:24:43 | 0:24:46 | |
We've not got the historic fan base that we had. We've got a massive new fan base, all over the world. | 0:24:46 | 0:24:52 | |
Manchester United is now the richest football club on the planet. | 0:24:52 | 0:24:57 | |
They estimate that they have over 100 million supporters worldwide... | 0:24:57 | 0:25:03 | |
..and today, Old Trafford is exporting a global brand. | 0:25:04 | 0:25:09 | |
Wherever you go in the world, it'd be a big surprise | 0:25:09 | 0:25:12 | |
if you didn't see a Manchester United shirt in a shop somewhere. | 0:25:12 | 0:25:16 | |
People know who Bobby Charlton was, people know who Ronaldo is. | 0:25:16 | 0:25:21 | |
They know he plays in Manchester. | 0:25:21 | 0:25:23 | |
Do they know he plays at a football ground | 0:25:23 | 0:25:25 | |
on the edge of an industrial estate in Manchester, I wonder? | 0:25:25 | 0:25:30 | |
Manchester is now better known around the world | 0:25:32 | 0:25:35 | |
for its football than its manufacturing. | 0:25:35 | 0:25:37 | |
Self-consciously, the city has reinvented itself | 0:25:37 | 0:25:41 | |
leaving its industrial past behind. | 0:25:41 | 0:25:44 | |
Factories have been replaced by leisure and culture. | 0:25:46 | 0:25:50 | |
The working-class way of life in Victorian terraced housing | 0:25:53 | 0:25:56 | |
has been turned into a primetime soap opera. | 0:25:56 | 0:25:59 | |
But perhaps the biggest - certainly the tallest - statement | 0:26:06 | 0:26:10 | |
of Manchester's new aspirations is the Beetham Tower, | 0:26:10 | 0:26:14 | |
rising 48 storeys into the sky over the city centre. | 0:26:14 | 0:26:18 | |
With its 220 bijou flats and 274 luxury hotel rooms, | 0:26:22 | 0:26:29 | |
the tower is Europe's highest residential skyscraper | 0:26:29 | 0:26:33 | |
Its architect, Ian Simpson, has reserved the top floors for himself. | 0:26:33 | 0:26:39 | |
He's in the middle of constructing a two-storey luxury penthouse. | 0:26:40 | 0:26:45 | |
Most architects design these brutalist and modern things | 0:26:45 | 0:26:49 | |
and live in a Georgian terrace | 0:26:49 | 0:26:51 | |
I've never believed in that. | 0:26:51 | 0:26:54 | |
I believe in trying to experience the buildings we design. | 0:26:54 | 0:26:58 | |
This is the formal reception space - | 0:26:58 | 0:27:02 | |
this is the main living area for the apartment. | 0:27:02 | 0:27:05 | |
Through here, we have the olive grove, | 0:27:05 | 0:27:08 | |
which, obviously, at level 48 is quite unique, certainly in this country. | 0:27:08 | 0:27:14 | |
They will actually grow olives | 0:27:14 | 0:27:16 | |
This city now... I mean, a few years ago, it was black and dirty. | 0:27:19 | 0:27:23 | |
There was nobody living here. | 0:27:23 | 0:27:24 | |
Clearly, it had to change, otherwise it would die. | 0:27:24 | 0:27:27 | |
People were leaving the city if they had any money. | 0:27:27 | 0:27:30 | |
The only people left were those who couldn't get out | 0:27:30 | 0:27:33 | |
And we're trying to reverse that now, make it an attractive place. | 0:27:33 | 0:27:37 | |
And a building like this is all about signalling that ambition | 0:27:37 | 0:27:41 | |
and changing the perception of the city internationally. | 0:27:41 | 0:27:44 | |
70 years ago, the Luftwaffe photographed Manchester from the air. | 0:27:48 | 0:27:52 | |
But the city's rebirth came about not as a result of German bombs | 0:27:54 | 0:27:58 | |
but its own evolution. | 0:27:58 | 0:28:02 | |
In one human lifetime, | 0:28:03 | 0:28:05 | |
our industrial landscape has changed beyond recognition | 0:28:05 | 0:28:09 | |
And although the effects are felt most strongly on the ground, | 0:28:09 | 0:28:13 | |
it's only from above that you can really appreciate Britain's amazing transformation. | 0:28:13 | 0:28:18 | |
The industrial landscapes of Great Britain, in their prime, | 0:28:20 | 0:28:24 | |
were just caught in the 1940s and '50s. | 0:28:24 | 0:28:28 | |
And they've completely disappeared since then. | 0:28:28 | 0:28:31 | |
The photography chronicles its disappearance quite clearly | 0:28:31 | 0:28:35 | |
It's an amazing change. It's half a century, | 0:28:35 | 0:28:39 | |
and yet it's as remote in some areas as... | 0:28:39 | 0:28:43 | |
as the Roman period, as the Stone Age. It's gone. | 0:28:43 | 0:28:47 | |
Subtitles by Red Bee Media Ltd | 0:29:07 | 0:29:09 | |
E-mail [email protected] | 0:29:09 | 0:29:13 |