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Every big town in the world, | 0:02:44 | 0:02:46 | |
and most of the little ones, has its markets. | 0:02:46 | 0:02:49 | |
The place where you can pick up anything from a new suit and clothes | 0:02:49 | 0:02:52 | |
to an argument with a copper! | 0:02:52 | 0:02:54 | |
Part of the knack of selling to the general public is you've | 0:02:54 | 0:02:57 | |
got to have a nice voice. | 0:02:57 | 0:02:59 | |
Anybody want this lot for a shilling? | 0:02:59 | 0:03:01 | |
12 bars of chocolate and six purses for a shilling. | 0:03:01 | 0:03:04 | |
Here, a set of aluminium saucepans, | 0:03:04 | 0:03:06 | |
never seen daylight or moonlight or Fanny By Gaslight. | 0:03:06 | 0:03:09 | |
There's one, let's see if you want to boil an egg quick. | 0:03:09 | 0:03:11 | |
Everything you can think of to buy | 0:03:11 | 0:03:13 | |
and a carrier bag to take it away in. | 0:03:13 | 0:03:16 | |
Hello, love. Seen anything you fancy? | 0:03:19 | 0:03:22 | |
Portobello Road is in the Notting Hill district. | 0:03:24 | 0:03:26 | |
You'll find a lot of citizens here from all over the world. | 0:03:26 | 0:03:29 | |
And good places for picking up foreign coins. | 0:03:34 | 0:03:38 | |
I used to collect them when I was a nipper! | 0:03:38 | 0:03:40 | |
Very handy, they were, for the slot machines. | 0:03:40 | 0:03:43 | |
Many's a time I've been here when I've been hard up, | 0:03:45 | 0:03:47 | |
looking for old clothes and a new conscience. | 0:03:47 | 0:03:50 | |
But nowadays when everything's got to be bigger and better, | 0:03:57 | 0:04:00 | |
they've invented the supermarket. | 0:04:00 | 0:04:02 | |
Spick and span and shining bright - a street market with a top hat on. | 0:04:02 | 0:04:06 | |
The supermarket is the same sort of thing as the old market | 0:04:09 | 0:04:12 | |
but it's mainly for food, you see? | 0:04:12 | 0:04:14 | |
And it's a bit more posh and a bit more modern. | 0:04:14 | 0:04:17 | |
Everything is nice and clean and tidy | 0:04:17 | 0:04:19 | |
and when it comes on to rain you've got a roof over your loaf. | 0:04:19 | 0:04:22 | |
But as far as I'm concerned I feel a bit out of it. | 0:04:22 | 0:04:24 | |
At the old street market I meet all my pals, I have a natter, | 0:04:24 | 0:04:28 | |
it's like a club. | 0:04:28 | 0:04:29 | |
But there's showmanship on both sides. Like a coffee? | 0:04:30 | 0:04:33 | |
Now, the coffee is ready to serve so try a sample | 0:04:33 | 0:04:38 | |
and see which flavour you prefer. | 0:04:38 | 0:04:40 | |
How about a drop of sarsaparilla? | 0:04:40 | 0:04:43 | |
Or a bit of fruit? | 0:04:47 | 0:04:49 | |
Yes, there's a lot of big changes taking place | 0:04:52 | 0:04:55 | |
in people's shopping habits | 0:04:55 | 0:04:57 | |
and there's lots of stuff to be bought now | 0:04:57 | 0:04:59 | |
that nobody ever heard of 20 years ago. | 0:04:59 | 0:05:01 | |
There's one thing that's the same in the supermarket | 0:05:15 | 0:05:18 | |
and the street market and that is the end of the day. | 0:05:18 | 0:05:21 | |
Checking up the lolly! | 0:05:21 | 0:05:23 | |
I reckon that's a job I could handle all right! I asked 'em once. | 0:05:23 | 0:05:27 | |
"No, thank you!" they said. | 0:05:27 | 0:05:29 | |
Well, everybody's shoving off to treat themselves | 0:05:29 | 0:05:31 | |
if they've got any money left. | 0:05:31 | 0:05:33 | |
Dear, oh dear, oh dear, look what they've left behind 'em. | 0:05:33 | 0:05:36 | |
On the other hand, at the supermarket at the end of the day, you could still eat your grub | 0:05:36 | 0:05:40 | |
off the floor - like we had to at home, the time I flogged the table! | 0:05:40 | 0:05:43 | |
Ha-ha! | 0:05:43 | 0:05:45 | |
For more than 250 years, the stock exchange has been | 0:05:55 | 0:05:58 | |
the marketplace for stocks and shares, where millions of pounds | 0:05:58 | 0:06:02 | |
are raised for both public and private enterprise. | 0:06:02 | 0:06:04 | |
The men you see in groups or moving about | 0:06:04 | 0:06:07 | |
are members of the stock exchange and their clerks. | 0:06:07 | 0:06:11 | |
The stock exchange motto is dictum meum pactum - | 0:06:11 | 0:06:16 | |
my word is my bond. | 0:06:16 | 0:06:19 | |
In Britain today are millions of small investors. | 0:06:21 | 0:06:26 | |
Nearly everybody is concerned with share values, | 0:06:26 | 0:06:29 | |
people in pension funds for instance, and those with life insurance. | 0:06:29 | 0:06:32 | |
Nobody can say that our factory benches are exactly crowded | 0:06:32 | 0:06:35 | |
with shareholders yet, | 0:06:35 | 0:06:37 | |
But there are some strange new ways of passing the tea break these days. | 0:06:37 | 0:06:41 | |
I wonder if they're worth buying. | 0:06:43 | 0:06:46 | |
Do you want a safe share with small dividends, | 0:06:47 | 0:06:51 | |
or one that yields more but isn't quite so safe? | 0:06:51 | 0:06:53 | |
Are you a bull who thinks prices will rise, | 0:06:53 | 0:06:57 | |
or a bear who thinks they will fall? | 0:06:57 | 0:06:59 | |
The broker makes his suggestion | 0:06:59 | 0:07:01 | |
and calls his partner on the trading floor of the stock exchange. | 0:07:01 | 0:07:05 | |
Here, stamina counts just as much as brains. | 0:07:08 | 0:07:11 | |
It has been worked out that stock exchange clerks walk 8 miles a day. | 0:07:11 | 0:07:15 | |
At the end of a trail, a deal? | 0:07:15 | 0:07:17 | |
I'll sell you 2,400 at 50 and 10p each. Thank you very much. | 0:07:17 | 0:07:23 | |
And so a deal is done. | 0:07:23 | 0:07:25 | |
A word is enough, and only the notebooks show that someone | 0:07:25 | 0:07:29 | |
has bought and someone has sold. | 0:07:29 | 0:07:32 | |
What news? A sporting sensation, gossip? | 0:07:35 | 0:07:37 | |
But now the chances are that the homeward-bound reader | 0:07:37 | 0:07:40 | |
first wants to see how his shares are doing. | 0:07:40 | 0:07:43 | |
For never have so many people owned so many shares. | 0:07:43 | 0:07:47 | |
They share a common faith, faith in industry, faith in their own efforts. | 0:07:49 | 0:07:53 | |
They hold shares in tomorrow. | 0:07:53 | 0:07:57 | |
He's tried everything, including counting sheep. | 0:08:28 | 0:08:31 | |
No, it's no good, he can't make it. | 0:08:34 | 0:08:36 | |
You can't relax on uncomfortable bed. He'll wear that mattress out! | 0:08:36 | 0:08:42 | |
But not a new one. This testing machine takes care of that. | 0:08:42 | 0:08:47 | |
It simulates 24 hours wear in one and a half minutes. | 0:08:47 | 0:08:50 | |
This one is a man sitting on the edge of the bed to put his socks on. | 0:08:53 | 0:08:56 | |
They think of everything! | 0:08:56 | 0:08:58 | |
Ah, he's finally dropping off. Goodnight. | 0:09:07 | 0:09:11 | |
ALARM CLOCK RINGS | 0:09:11 | 0:09:13 | |
How much brushing will a carpet take? | 0:09:18 | 0:09:20 | |
How much strain can knitted fabrics stand? | 0:09:20 | 0:09:23 | |
Some tennis balls wear faster than others. | 0:09:29 | 0:09:31 | |
A washing machine lined with sandpaper tests | 0:09:31 | 0:09:33 | |
the strength of their covers. | 0:09:33 | 0:09:36 | |
Of course, the only way to see if matches strike is to strike them. | 0:09:36 | 0:09:40 | |
How would you think toothbrushes are tested? | 0:09:45 | 0:09:49 | |
The British Standard mark shows it's been tested and proved strong and hard-wearing. | 0:09:56 | 0:10:00 | |
Before any goods can qualify for the Kitemark, as it's called, | 0:10:00 | 0:10:04 | |
they have to stand up to pretty rough usage. | 0:10:04 | 0:10:06 | |
Chairs get 600 bonks at 20 bonks a minute, and pass the test | 0:10:06 | 0:10:10 | |
only if the springs are still springy and the fabric firm. | 0:10:10 | 0:10:13 | |
She is wondering how long mixture will take, | 0:10:17 | 0:10:19 | |
and so did the Consumers Association who, | 0:10:19 | 0:10:21 | |
in their monthly journal, Which, publish results | 0:10:21 | 0:10:24 | |
of tests of all kinds of consumer goods, about 50 of them per year. | 0:10:24 | 0:10:27 | |
And then there's the user tests for barrier creams. | 0:10:31 | 0:10:34 | |
The best ingredients for this one are four pretty girls | 0:10:34 | 0:10:37 | |
and four bowls of really mucky stuff. | 0:10:37 | 0:10:40 | |
Here's the coal, and the garden dirt. | 0:10:40 | 0:10:43 | |
Is there anything stickier than blackcurrant jam? | 0:10:43 | 0:10:46 | |
Well, there's always oil from the car. | 0:10:46 | 0:10:49 | |
The next stage is to wash it all off and see what your hands look like afterwards. | 0:10:49 | 0:10:53 | |
Serving the public interest, one of the many testing and measuring | 0:10:53 | 0:10:57 | |
duties that the weights and measures department carry out | 0:10:57 | 0:11:00 | |
is checking retailers' scales to make sure they are accurate. | 0:11:00 | 0:11:03 | |
1lb of steak, please. | 0:11:08 | 0:11:10 | |
But she is not just an ordinary housewife. | 0:11:13 | 0:11:15 | |
Round the corner is that car again, and in the boot, | 0:11:15 | 0:11:19 | |
a special set of scales to make sure she has been given the full weight. | 0:11:19 | 0:11:22 | |
The box on the wall is part of the new Battle of Britain | 0:11:56 | 0:12:01 | |
now being fought on the factory floor. | 0:12:01 | 0:12:03 | |
It is a fight that never stops, not just to hold Britain's place in the markets of the world, | 0:12:03 | 0:12:07 | |
but to go ahead, to produce more and more, to live better and better. | 0:12:07 | 0:12:11 | |
The battle is so vital that a national productivity year | 0:12:12 | 0:12:16 | |
has been declared. | 0:12:16 | 0:12:17 | |
It is a huge subject involving everybody and there, in the box | 0:12:17 | 0:12:20 | |
on the wall, is one of the ways of helping - by doing a bit of thinking. | 0:12:20 | 0:12:24 | |
Here is a girl who assembles a hot water valve. | 0:12:24 | 0:12:27 | |
An ingenious piece of mechanism that's exported all over Europe. | 0:12:27 | 0:12:31 | |
Before her work was scientifically studied, | 0:12:31 | 0:12:33 | |
it was a tedious business on these lines. | 0:12:33 | 0:12:36 | |
Then the time and motion experts were called in, | 0:12:36 | 0:12:38 | |
and they noted every movement she made in the course of one assembly. | 0:12:38 | 0:12:42 | |
Then they had a long talk with the girl herself, | 0:12:44 | 0:12:47 | |
because an intelligent operator can often see shortcuts that | 0:12:47 | 0:12:50 | |
would help in the work that she is doing. | 0:12:50 | 0:12:52 | |
This is what they found. | 0:12:52 | 0:12:54 | |
To assemble one valve, the girl walked 66 feet | 0:12:54 | 0:12:56 | |
and had to make 94 separate hand movements. | 0:12:56 | 0:13:00 | |
It didn't take long to sort out this little problem. | 0:13:00 | 0:13:02 | |
The various components were quickly rearranged around her, | 0:13:02 | 0:13:05 | |
rather like a cinema organist with all the stops banked up round about him | 0:13:05 | 0:13:09 | |
So the girl scored twice the output for no more effort. | 0:13:09 | 0:13:13 | |
Studies of this sort can even be applied to the home. | 0:13:13 | 0:13:16 | |
They can certainly be applied to shopping. | 0:13:16 | 0:13:19 | |
One big chain store has rearranged the whole of its sales technique in the last few years, | 0:13:19 | 0:13:23 | |
making an enormous saving in paperwork and wasted effort. | 0:13:23 | 0:13:26 | |
This is how it went in the old days - | 0:13:26 | 0:13:28 | |
a customer would come in and ask for a size that the sales girl didn't have on the counter. | 0:13:28 | 0:13:32 | |
The girl would then trot off to the storeroom | 0:13:32 | 0:13:35 | |
where she would peek through the hatch | 0:13:35 | 0:13:37 | |
and apply for the particular garment. | 0:13:37 | 0:13:39 | |
Sales were lost to the long wait getting goods out. | 0:13:39 | 0:13:41 | |
That's how they worked it, almost like Alcatraz. | 0:13:41 | 0:13:44 | |
But today, they put the fullest trust in the staff and, if a customer wants | 0:13:44 | 0:13:48 | |
a size that is not on the counter, | 0:13:48 | 0:13:50 | |
the girl goes straight off and gets it. | 0:13:50 | 0:13:52 | |
There we are, no time wasted. | 0:13:52 | 0:13:54 | |
Simple. No red tape. | 0:13:54 | 0:13:56 | |
If in doubt, cut it out. | 0:13:56 | 0:13:59 | |
That's the motto, and it's paid off | 0:13:59 | 0:14:01 | |
in increased enthusiasm and productivity. | 0:14:01 | 0:14:04 | |
Think what would happen | 0:14:25 | 0:14:26 | |
if advertising suddenly disappeared, like this. | 0:14:26 | 0:14:29 | |
Or like this. | 0:14:29 | 0:14:31 | |
If the windows emptied. | 0:14:33 | 0:14:34 | |
And the posters went blank. | 0:14:37 | 0:14:40 | |
Before long, we'd get this. | 0:14:41 | 0:14:44 | |
That's why we spend something like £500 million | 0:14:49 | 0:14:51 | |
a year on advertising in the broadest sense. | 0:14:51 | 0:14:54 | |
The critics argue that this is too much. | 0:14:54 | 0:14:57 | |
There are critics in everything. | 0:14:57 | 0:14:59 | |
What's really gone up in the last few years | 0:15:00 | 0:15:02 | |
is the personal spending power of so many of us. | 0:15:02 | 0:15:05 | |
We earn more and we can thus buy more. | 0:15:05 | 0:15:08 | |
In the old days, this would have been the housewives' | 0:15:08 | 0:15:11 | |
unrealised dream of a perfect kitchen, | 0:15:11 | 0:15:13 | |
each piece of equipment well beyond ordinary reach. | 0:15:13 | 0:15:16 | |
Today, thanks basically to advertising, | 0:15:16 | 0:15:18 | |
these things can be mass produced to meet a huge demand | 0:15:18 | 0:15:21 | |
and so marketed at a price that brings them | 0:15:21 | 0:15:23 | |
one by one into everyday life. | 0:15:23 | 0:15:26 | |
Marketing and advertising are the crafts behind all our trades. | 0:15:28 | 0:15:31 | |
One tells us what to make and how to sell it. | 0:15:31 | 0:15:35 | |
The other creates the demand. | 0:15:35 | 0:15:37 | |
Between them, they drive the wheels of present-day industry. | 0:15:37 | 0:15:41 | |
Without them, living standards of a modern country would go drifting | 0:15:41 | 0:15:44 | |
downwards inside a few months. | 0:15:44 | 0:15:46 | |
In whatever form it takes, from the humble sandwich man upwards, | 0:15:46 | 0:15:49 | |
be sure of this - | 0:15:49 | 0:15:51 | |
never have we so much needed our marketing skill as we need it | 0:15:51 | 0:15:54 | |
in the international competition of today. | 0:15:54 | 0:15:57 | |
All over Britain we have the vital production lines, of which cars | 0:15:57 | 0:16:01 | |
are but one out of hundreds. | 0:16:01 | 0:16:03 | |
The lines of national prosperity. | 0:16:03 | 0:16:05 | |
It's essential that we all have the urge to buy | 0:16:05 | 0:16:08 | |
and so keep people working to clear the production lines, | 0:16:08 | 0:16:11 | |
not just of cars but of goods of every conceivable kind. | 0:16:11 | 0:16:15 | |
This is a century of mass production. | 0:16:15 | 0:16:18 | |
To succeed in it, we must always be making more and selling more. | 0:16:18 | 0:16:22 | |
But nobody today would rush into big scale production | 0:16:22 | 0:16:25 | |
without knowing the likely public response. | 0:16:25 | 0:16:28 | |
The advertising agency team will visit the factory | 0:16:28 | 0:16:30 | |
and see the product - a new electric razor. | 0:16:30 | 0:16:33 | |
Meanwhile, the agency's creative people | 0:16:33 | 0:16:36 | |
start off by putting their ideas down on paper. | 0:16:36 | 0:16:39 | |
What's in a name? The answer is - plenty. | 0:16:42 | 0:16:44 | |
Finding the right name is an early vital job. | 0:16:45 | 0:16:49 | |
Then a designer gets busy, for the finished product | 0:16:49 | 0:16:51 | |
not only has to be right - | 0:16:51 | 0:16:52 | |
it has to look right. It has to be attractive. | 0:16:52 | 0:16:56 | |
The image that will sell the product is emerging. | 0:16:57 | 0:17:00 | |
Now to move from theory and sketchpad | 0:17:00 | 0:17:02 | |
into the expensive LSD of a live advertising campaign. | 0:17:02 | 0:17:06 | |
There will be photographic sessions. | 0:17:09 | 0:17:12 | |
In all, hundreds of pictures will be taken, many very good, | 0:17:12 | 0:17:15 | |
one or two outstanding. | 0:17:15 | 0:17:17 | |
Finally, the best are selected | 0:17:17 | 0:17:19 | |
so that this part of the campaign can go forward. | 0:17:19 | 0:17:22 | |
And go forward it does - | 0:17:23 | 0:17:25 | |
into the TV commercials, still reflecting the same ideas | 0:17:25 | 0:17:28 | |
and pattern that will make the product recognisable everywhere. | 0:17:28 | 0:17:33 | |
Success is now as near certain as can be. | 0:17:35 | 0:17:37 | |
Not just success at home, | 0:17:38 | 0:17:40 | |
but abroad, for the same ideas may go into the export market. | 0:17:40 | 0:17:43 | |
Despite intense competition from America and Japan, | 0:18:03 | 0:18:06 | |
Britain is still by far the world's biggest bike exporter. | 0:18:06 | 0:18:09 | |
One Nottingham factory alone produces more than 1.5 million bikes a year. | 0:18:09 | 0:18:14 | |
It exports nearly three quarters of them to 140 countries, | 0:18:14 | 0:18:18 | |
earning about £7 million a year in foreign currency. | 0:18:18 | 0:18:22 | |
There are bikes of every shape and size. | 0:18:22 | 0:18:25 | |
Pushbikes, power bikes, racing bikes, folding bikes. | 0:18:25 | 0:18:30 | |
More than 250 varieties on one huge production line. | 0:18:30 | 0:18:33 | |
Talk about British exports, and most people think of this kind of thing. | 0:18:42 | 0:18:46 | |
Cars, tractors, the big-money stuff. | 0:18:46 | 0:18:49 | |
But Britain's selling some rather surprising things | 0:18:51 | 0:18:54 | |
overseas as well these days. | 0:18:54 | 0:18:56 | |
Just outside Carlisle, | 0:18:56 | 0:18:58 | |
there's a farm that spends all its time breeding exports. | 0:18:58 | 0:19:01 | |
Worms. | 0:19:04 | 0:19:05 | |
Yes, worms! | 0:19:05 | 0:19:07 | |
Earthworms help to build up the soil in the infertile | 0:19:08 | 0:19:11 | |
areas of the world by aerating it and creating topsoil. | 0:19:11 | 0:19:15 | |
One million worms left in an acre of earth will produce a ton | 0:19:15 | 0:19:19 | |
of topsoil everyday. | 0:19:19 | 0:19:20 | |
Foreign governments are negotiating not only to buy worms | 0:19:20 | 0:19:23 | |
from Britain but to get advice and equipment to start their own farms. | 0:19:23 | 0:19:27 | |
This factory at Painswick in Gloucestershire also produces | 0:19:27 | 0:19:30 | |
tiny exports. | 0:19:30 | 0:19:32 | |
Paperclips. | 0:19:32 | 0:19:33 | |
Their goods have been going all over the world since 1847, | 0:19:40 | 0:19:44 | |
and today they sent tons of paper clips to places as far apart | 0:19:44 | 0:19:48 | |
as Rhodesia and Trinidad. | 0:19:48 | 0:19:50 | |
Here's a man who's collecting bits of the White Cliffs of Dover | 0:19:57 | 0:20:00 | |
for sale as souvenirs to overseas visitors. | 0:20:00 | 0:20:03 | |
And tourists, most of them American, buy loads of the stuff each year. | 0:20:03 | 0:20:07 | |
Yes, it really is surprising the things people sell. | 0:20:10 | 0:20:14 | |
And the things people buy. | 0:20:14 | 0:20:17 | |
Maybe all over the world there are people who long to sniff | 0:20:17 | 0:20:19 | |
the air of London once again. | 0:20:19 | 0:20:22 | |
Take one Lord Mayor of London. | 0:20:29 | 0:20:31 | |
Take a parade of pipe men and fly them out, | 0:20:31 | 0:20:34 | |
preferably with some of London's pearly kings and queens. | 0:20:34 | 0:20:37 | |
Take a typically British pub, | 0:20:39 | 0:20:40 | |
a London bus or two - double-deckers are essential, | 0:20:40 | 0:20:45 | |
take a few British bobbies to help control the crowds, | 0:20:45 | 0:20:49 | |
a square mile of Union Jacks, and don't forget the guards. | 0:20:49 | 0:20:54 | |
Mix all these together and you've got a British week in a major city abroad. | 0:20:54 | 0:20:57 | |
Months, sometimes years, of preparation go into every | 0:21:01 | 0:21:05 | |
British week to provide a festival atmosphere for selling British goods. | 0:21:05 | 0:21:09 | |
The image may be traditional but try running one of these weeks | 0:21:09 | 0:21:12 | |
without London's double-deckers and you're on the wrong track. | 0:21:12 | 0:21:16 | |
Here in Brussels, it's rush-hour from dawn to dusk | 0:21:16 | 0:21:19 | |
with 45-minute free rides around the city. | 0:21:19 | 0:21:22 | |
The citizens are used to single-deck trams | 0:21:24 | 0:21:28 | |
and have never seen their city from such a height before. | 0:21:28 | 0:21:31 | |
Behind all the ceremonial and tradition, business, trade. | 0:21:34 | 0:21:38 | |
All the way from kilt to miniskirt, a burst of high-pressure selling | 0:21:39 | 0:21:43 | |
that bridges the old and the new Britain. | 0:21:43 | 0:21:46 | |
But no amount of flag-waving and razzmatazz will be any good | 0:21:50 | 0:21:53 | |
if British exporters treat the British week as a nine days' wonder, | 0:21:53 | 0:21:57 | |
for selling is an all-the-year-round game. | 0:21:57 | 0:21:59 | |
In the end, it comes down to the salesman with an air ticket, | 0:22:00 | 0:22:04 | |
plenty of bounce and a product to sell. | 0:22:04 | 0:22:06 | |
Half a million people man the machine known simply as the City. | 0:22:26 | 0:22:30 | |
£200 million a year is a fair estimate of what the city earns | 0:22:30 | 0:22:34 | |
for Britain by its financial and commercial services. | 0:22:34 | 0:22:37 | |
Without them, the nation would long ago have gone bankrupt. | 0:22:37 | 0:22:40 | |
All this prosperity was first founded on a river | 0:22:49 | 0:22:52 | |
and its ships. | 0:22:52 | 0:22:53 | |
In London nearly 300 years ago, as the ships took the cargoes | 0:22:53 | 0:22:56 | |
around the world, a new form of finance grew up - | 0:22:56 | 0:22:59 | |
insurance. It started at Lloyds. | 0:22:59 | 0:23:01 | |
The City of London is accepted as the insurance centre of the world, | 0:23:03 | 0:23:06 | |
so important that more than 200 foreign insurance companies | 0:23:06 | 0:23:10 | |
are represented in its square mile. | 0:23:10 | 0:23:13 | |
But more than anything else perhaps, | 0:23:17 | 0:23:19 | |
the City remains one of the great international markets | 0:23:19 | 0:23:21 | |
into which pours produce from all over the world. | 0:23:21 | 0:23:24 | |
There are about 20 markets for different commodities | 0:23:24 | 0:23:27 | |
in the City, and the brokerage on their turnover | 0:23:27 | 0:23:30 | |
adds many millions to the national income. | 0:23:30 | 0:23:32 | |
There's a market in cocoa. | 0:23:34 | 0:23:37 | |
Mother of pearl is there for the buying, | 0:23:37 | 0:23:40 | |
and ivory, | 0:23:40 | 0:23:42 | |
and cloves - | 0:23:42 | 0:23:43 | |
two remind us that the spice market goes back for centuries. | 0:23:43 | 0:23:46 | |
Ostrich feathers bought for New York are in from Africa. | 0:23:46 | 0:23:50 | |
The same building holds London's rubber exchange. | 0:23:50 | 0:23:53 | |
Here the dealers will often make prices for rubber | 0:23:53 | 0:23:55 | |
in distant Singapore and Malaysia. | 0:23:55 | 0:23:58 | |
It will go straight to a foreign buyer, earning a turn for the City. | 0:23:58 | 0:24:02 | |
All these city activities depend on one key service - banking. | 0:24:02 | 0:24:07 | |
The City banks, serving the international trading community, | 0:24:07 | 0:24:10 | |
earn Britain £50-£75 million a year in foreign exchange. | 0:24:10 | 0:24:15 | |
These massive city earnings are the solid financial foundation | 0:24:21 | 0:24:25 | |
on which Britain's standing as a world trading country depends. | 0:24:25 | 0:24:29 | |
So it was that his Lord Mayor's Show hammered home the point. | 0:24:29 | 0:24:32 | |
The procession, that has become part of the London street scene, | 0:24:32 | 0:24:35 | |
was adapted to give the man in the street a colourful | 0:24:35 | 0:24:38 | |
reminder of what the City really achieves. | 0:24:38 | 0:24:41 | |
Usually, the City does a silent job, | 0:24:41 | 0:24:43 | |
but this time it reminds the world that without | 0:24:43 | 0:24:46 | |
its hidden strength, none of the people of Britain would be able to | 0:24:46 | 0:24:49 | |
maintain their present living standards. | 0:24:49 | 0:24:51 | |
On that strength, Britain depends for her position in the world today. | 0:24:51 | 0:24:57 | |
In the bustle that is London Airport, the busiest in the world | 0:25:15 | 0:25:18 | |
for international travel, thousands now fly as part of their jobs. | 0:25:18 | 0:25:21 | |
Many take planes as casually as taxis. | 0:25:21 | 0:25:26 | |
Overnight, the VC10 has flown from midwinter, across South Atlantic, | 0:25:28 | 0:25:33 | |
over the equator and into high summer. | 0:25:33 | 0:25:35 | |
Alan Richmond, export manager of an Oxfordshire firm which makes | 0:25:38 | 0:25:42 | |
switch gear has done the trip of 5,750 miles | 0:25:42 | 0:25:45 | |
four times in quick succession. | 0:25:45 | 0:25:47 | |
As captain Terry Maddock prepares to land at Rio de Janeiro, | 0:25:47 | 0:25:51 | |
Mr Richmond feels it's rather like arriving at the office. | 0:25:51 | 0:25:54 | |
The heat haze indicate a temperature of more than 100 degrees. | 0:26:01 | 0:26:04 | |
Back in London, it was freezing. | 0:26:04 | 0:26:07 | |
But changes of temperature are all in a day's work too, and Alan Richmond | 0:26:07 | 0:26:11 | |
has landed a million-dollar switch gear contract for Brazil's | 0:26:11 | 0:26:14 | |
biggest power project, against tough international competition. | 0:26:14 | 0:26:20 | |
He has some business calls to make in Rio before flying up country to | 0:26:20 | 0:26:23 | |
the site with his works manager, Jim McCready, | 0:26:23 | 0:26:26 | |
who will supervise the installation of the equipment. | 0:26:26 | 0:26:28 | |
Business and pleasure? | 0:26:36 | 0:26:38 | |
Yes, of course they mix. | 0:26:38 | 0:26:41 | |
It must be a pleasure to meet a business contact | 0:26:41 | 0:26:43 | |
in a setting such as this. | 0:26:43 | 0:26:45 | |
Back in London, the tide of commuters still surges. | 0:26:50 | 0:26:54 | |
They're not only people going abroad in search of orders or to install | 0:26:54 | 0:26:58 | |
new machinery, or discuss joint business enterprises. | 0:26:58 | 0:27:00 | |
They may be going to make a film. | 0:27:00 | 0:27:03 | |
This unit of 73 are off to Switzerland for location shooting | 0:27:03 | 0:27:06 | |
for Women In Love, with their producer, Larry Kramer. | 0:27:06 | 0:27:10 | |
Last aboard are the stars, Alan Bates, Jennie Linden and Oliver Reed. | 0:27:10 | 0:27:16 | |
Jets bringing most of Europe within three hours | 0:27:16 | 0:27:18 | |
have helped to make London a major film production centre. | 0:27:18 | 0:27:21 | |
Gregory Peck signs an autograph before boarding the world's | 0:27:29 | 0:27:32 | |
longest daily scheduled non-stop flight, | 0:27:32 | 0:27:35 | |
which links the studios of Britain and America. | 0:27:35 | 0:27:37 | |
To many of the passengers, | 0:27:46 | 0:27:48 | |
this 5,500-miles polar flight is commonplace, for today | 0:27:48 | 0:27:52 | |
such flights for more and more people are just part of a day's work. | 0:27:52 | 0:27:57 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:53 |