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Good evening. Before you're settled, I'd like to UNSETTLE you | 0:00:02 | 0:00:05 | |
with an absolute bombshell of a statement - | 0:00:05 | 0:00:07 | |
-"Monumental statuary died with the advent of the trouser". -DRAMATIC MUSIC | 0:00:07 | 0:00:11 | |
There, I've said it. Think about that. | 0:00:11 | 0:00:13 | |
You rarely see a statue of a person in trousers and ask yourselves why. | 0:00:13 | 0:00:17 | |
Because trousers on a statue just look like fat legs. | 0:00:17 | 0:00:21 | |
Oh, the sculpturists were on easy street | 0:00:21 | 0:00:23 | |
while all "great men" strode around nude | 0:00:23 | 0:00:26 | |
or in gartered breeches or a toga | 0:00:26 | 0:00:28 | |
but as soon as we began slipping into anything with a belt | 0:00:28 | 0:00:32 | |
or that came in a relaxed fit, the game was up. | 0:00:32 | 0:00:35 | |
They can't even stick our heroes on a horse any more and who, | 0:00:35 | 0:00:38 | |
for crying out loud, wants to see a statue of a king in a car? | 0:00:38 | 0:00:41 | |
That'd be ridiculous! | 0:00:41 | 0:00:44 | |
Even the Flintstones didn't have a stone car, did they? | 0:00:44 | 0:00:46 | |
-I mean, where are we? -NEEDLE SCRATCHES | 0:00:46 | 0:00:48 | |
I'm sorry. | 0:00:48 | 0:00:50 | |
As you can see, this is a highly emotive subject for me | 0:00:50 | 0:00:53 | |
and I'm getting ahead of myself. | 0:00:53 | 0:00:55 | |
Let me start again. | 0:00:55 | 0:00:56 | |
Tonight's programme examines the TV history of statues. | 0:00:56 | 0:01:00 | |
Statues! Oh! It's going to be ripe! | 0:01:00 | 0:01:03 | |
Nobody knows how statues got going. | 0:01:18 | 0:01:21 | |
Not the most academic statement, | 0:01:21 | 0:01:23 | |
but they are bizarre, old things, aren't they? | 0:01:23 | 0:01:26 | |
Possibly, an early caveman looked at a rock and said to his chum, | 0:01:26 | 0:01:31 | |
"Is it me or does that boulder look like John's wife, Wendy?" | 0:01:31 | 0:01:34 | |
Then with a piece of flint he just went ahead and finished the job. | 0:01:34 | 0:01:37 | |
Bingo! Statues have started. Now, they're everywhere. | 0:01:37 | 0:01:40 | |
MUSIC: "Eye Level" by The Simon Park Orchestra | 0:01:40 | 0:01:44 | |
I think it's fair to say we're all mesmerised by statues. | 0:02:15 | 0:02:19 | |
Transfixed. How much easier would it be to get about town | 0:02:19 | 0:02:22 | |
if we didn't always have to stop, ponder, and yes, sometimes weep | 0:02:22 | 0:02:26 | |
at the foot of some newly erected public figure? | 0:02:26 | 0:02:30 | |
Nobody takes them for granted, | 0:02:30 | 0:02:31 | |
despite what some obsessives believe. | 0:02:31 | 0:02:33 | |
Thousands of people must pass this statue every day | 0:02:33 | 0:02:37 | |
without having the faintest idea who it is. | 0:02:37 | 0:02:41 | |
I'm pretty certain you haven't either. | 0:02:41 | 0:02:43 | |
It's Spencer Compton, Eighth Duke of Devonshire. | 0:02:43 | 0:02:47 | |
What was his claim to fame? Well, he had two great claims to fame. | 0:02:47 | 0:02:51 | |
First, he had an absolutely uproarious love affair | 0:02:51 | 0:02:55 | |
with a tart named Skittles. | 0:02:55 | 0:02:56 | |
And his other claim to fame was that on two occasions, | 0:02:56 | 0:03:00 | |
he refused the job of Prime Minister. | 0:03:00 | 0:03:03 | |
That's quite something. | 0:03:03 | 0:03:04 | |
I don't buy a word of that - | 0:03:04 | 0:03:06 | |
although Skittles IS a brilliant name for a tart. | 0:03:06 | 0:03:09 | |
But how can this man, so preoccupied with historic strumpets, | 0:03:09 | 0:03:13 | |
claim WE don't notice a statue of the Eighth Duke Of Devonshire | 0:03:13 | 0:03:17 | |
when he hasn't even noticed that His Grace himself is standing right behind him! | 0:03:17 | 0:03:23 | |
Most likely on his way to a rendezvous with Skittles herself. | 0:03:23 | 0:03:27 | |
Oh, yes, the history of monumental TV is littered with half-truths. | 0:03:27 | 0:03:32 | |
Though, as ever, when in doubt, dial a Dimbleby. | 0:03:32 | 0:03:35 | |
Good evening. Hello. | 0:03:35 | 0:03:38 | |
I've noticed what I dare say many of you have noticed, too, | 0:03:38 | 0:03:40 | |
the extraordinary number of statues that there are about the place. | 0:03:40 | 0:03:44 | |
Now, for example, in Trafalgar Square, | 0:03:44 | 0:03:46 | |
I also found what must be the most beautiful equestrian statue | 0:03:46 | 0:03:50 | |
in London - King Charles I at the top of Whitehall. | 0:03:50 | 0:03:53 | |
I found two statue cleaners from the Ministry of Works, | 0:03:55 | 0:03:58 | |
giving the king a wash and brush up. | 0:03:58 | 0:04:00 | |
And it struck me that they must have a very interesting job. | 0:04:00 | 0:04:04 | |
Polishing a horse's bum? | 0:04:04 | 0:04:05 | |
You know, it strikes me that polishing a horse's arse | 0:04:05 | 0:04:09 | |
is pretty much the sole duty | 0:04:09 | 0:04:11 | |
of Simon Cowell's make-up lady. Ha! Anyway... | 0:04:11 | 0:04:13 | |
Hello, how do you do? You've never fallen off the top of one of those? | 0:04:19 | 0:04:23 | |
-You bet I have! -Which one? | 0:04:23 | 0:04:25 | |
Abraham Lincoln, I lost two teeth! | 0:04:25 | 0:04:28 | |
This is Toxteth, Liverpool. | 0:04:29 | 0:04:31 | |
Here, on the wall of a Methodist church, is the site of a new statue. | 0:04:31 | 0:04:34 | |
A larger than life-size figure of the resurrection by Arthur Dooley. | 0:04:36 | 0:04:40 | |
That's it? OK. | 0:04:40 | 0:04:41 | |
I'll just have a look for the gear. | 0:04:43 | 0:04:45 | |
LOUD WHIRRING | 0:04:49 | 0:04:53 | |
WHIRRING DROWNS SPEECH | 0:04:53 | 0:05:01 | |
LOUD WHIRRING | 0:05:04 | 0:05:07 | |
Oh, don't wince like that! | 0:05:07 | 0:05:09 | |
What you're witnessing here is bold! | 0:05:09 | 0:05:11 | |
It's the Omar Sharif's entrance into Lawrence Of Arabia... | 0:05:11 | 0:05:15 | |
of irritating blender footage. | 0:05:15 | 0:05:17 | |
I suggested, "Let's put a multi-racial Christ up. | 0:05:17 | 0:05:21 | |
"Winning HERE, not in the next world." | 0:05:21 | 0:05:23 | |
That pie-in-the-sky thing has played out. | 0:05:23 | 0:05:27 | |
We want it now, you know? And they bought it. | 0:05:27 | 0:05:30 | |
I don't know exactly what he's going to do, | 0:05:30 | 0:05:32 | |
and I don't think, at this stage, | 0:05:32 | 0:05:34 | |
Arthur fully knows how he's going to work this thing out. | 0:05:34 | 0:05:37 | |
How much remains to be done to the face? | 0:05:37 | 0:05:40 | |
Are you going to give it a great deal more expression | 0:05:40 | 0:05:42 | |
-or are you going to leave it this blank...? -That's the second one. | 0:05:42 | 0:05:46 | |
I took one off that wasn't good enough. | 0:05:46 | 0:05:48 | |
I'm happy with it now I've got something to work on. | 0:05:48 | 0:05:51 | |
So, I'm not even bothered about it. | 0:05:51 | 0:05:53 | |
I unveil this piece of sculpture | 0:05:53 | 0:05:55 | |
depicting the resurrection of Jesus Christ. | 0:05:55 | 0:05:58 | |
GROANS, MURMURING | 0:05:58 | 0:05:59 | |
Praying that God, who inspired the work, | 0:05:59 | 0:06:03 | |
will speak his own word though it. | 0:06:03 | 0:06:05 | |
-What have been the reactions from your congregation? -Very mixed. | 0:06:05 | 0:06:10 | |
Do you think he looks like that? | 0:06:10 | 0:06:12 | |
I mean, no-one's ever really seen him, but, um... | 0:06:12 | 0:06:15 | |
I think it's revolting. | 0:06:15 | 0:06:17 | |
"Revolting"? Too strong. | 0:06:17 | 0:06:19 | |
Though not as harsh as the little kid who made a throwing up noise | 0:06:19 | 0:06:22 | |
when the sheet came off it. | 0:06:22 | 0:06:24 | |
Uggghhh! | 0:06:24 | 0:06:25 | |
The unveiling ceremony, of course, has a powerful hold upon us all. | 0:06:25 | 0:06:29 | |
As a nation, indeed, as a species, | 0:06:29 | 0:06:31 | |
we yearn to see a finely hewn hunk of marble or bronze | 0:06:31 | 0:06:35 | |
dramatically released from its tarpaulin hideaway. | 0:06:35 | 0:06:39 | |
I believe it was Socrates, or possibly Eminem, | 0:06:39 | 0:06:41 | |
who put it best, when they said, "Come on, Pop. | 0:06:41 | 0:06:44 | |
"Let the top drop. And show us the prop." | 0:06:44 | 0:06:46 | |
Mrs Pankhurst has won... | 0:06:46 | 0:06:50 | |
..for herself a niche... | 0:06:51 | 0:06:55 | |
..in the temple of fame | 0:06:55 | 0:06:57 | |
which will last for all time. | 0:06:57 | 0:07:00 | |
SHOUTS OF "HEAR, HEAR!" | 0:07:00 | 0:07:02 | |
APPLAUSE | 0:07:02 | 0:07:05 | |
BRASS BAND PLAYS | 0:07:05 | 0:07:07 | |
SILENCE | 0:07:20 | 0:07:22 | |
Come on, everyone. Applause, applause, applause. | 0:07:24 | 0:07:26 | |
Lord Elpus has come a long way to be with us today! | 0:07:26 | 0:07:29 | |
-APPLAUSE -That's better. | 0:07:29 | 0:07:31 | |
CHEERING AND APPLAUSE | 0:07:31 | 0:07:34 | |
In honour of the memory of Henry Croft, the first Pearly King, | 0:07:38 | 0:07:43 | |
I unveil this statue. | 0:07:43 | 0:07:45 | |
GASPS AND MURMURS | 0:07:48 | 0:07:50 | |
APPLAUSE | 0:07:50 | 0:07:53 | |
Actual gasp of awe, there! That's more like it. | 0:07:53 | 0:07:56 | |
And did you see the size of those crowds? | 0:07:56 | 0:07:58 | |
Now that's a turn out for an unveiling, isn't it? | 0:07:58 | 0:08:02 | |
You wouldn't get that today, I grant you. | 0:08:02 | 0:08:03 | |
But back in the '30s, getting an early glimpse of a new statue wasn't | 0:08:03 | 0:08:07 | |
a niche event, it was a huge national deal. | 0:08:07 | 0:08:10 | |
Sort of Britain's Got Chisels. | 0:08:10 | 0:08:12 | |
Incidentally, did you catch Lord Elpus' | 0:08:12 | 0:08:15 | |
ad-lib at the end of his speech? Listen again. | 0:08:15 | 0:08:18 | |
Just after his fine words climax, | 0:08:18 | 0:08:20 | |
he mutters the stage instruction, "Now the trumpets." | 0:08:20 | 0:08:23 | |
And trumpets there are! | 0:08:23 | 0:08:24 | |
Now the trumpets. | 0:08:25 | 0:08:27 | |
TRUMPETS PLAY | 0:08:27 | 0:08:29 | |
You see? Total control. | 0:08:29 | 0:08:32 | |
And that's why he earned the big bucks for those gigs. He's the best. | 0:08:32 | 0:08:36 | |
Of course, you have to be very careful with these things | 0:08:36 | 0:08:38 | |
that your chosen unveiler doesn't outshine the unveilee. | 0:08:38 | 0:08:42 | |
Perhaps that's why so many committees and corporations | 0:08:42 | 0:08:45 | |
play rather safe when it comes to one particular chosen subject. | 0:08:45 | 0:08:50 | |
Somebody even the Queen herself can barely upstage. | 0:08:50 | 0:08:54 | |
By the way, look out for some champion nervous lip licking here | 0:08:54 | 0:08:57 | |
alongside Her Majesty. | 0:08:57 | 0:08:59 | |
APPLAUSE | 0:09:01 | 0:09:03 | |
NEWSREEL: 'Nearly a tonne of belligerent bronze...' | 0:09:16 | 0:09:18 | |
'Two tonnes of Churchill in bronze.' | 0:09:18 | 0:09:21 | |
Mr McFolley, there are lot of uncomplimentary things that have been | 0:09:23 | 0:09:26 | |
-said about this and the gorilla-like caricature. -Well, you can see for | 0:09:26 | 0:09:31 | |
-yourself they are quite without foundation. -Do you feel you have | 0:09:31 | 0:09:35 | |
-brought out every facet of Sir Winston's character? -No. It wasn't my | 0:09:35 | 0:09:39 | |
endeavour to bring out every facet of his character, but I claim that I | 0:09:39 | 0:09:45 | |
have revealed the most dominant characteristics of Sir Winston, for | 0:09:45 | 0:09:49 | |
example, the great breadth of his brow | 0:09:49 | 0:09:55 | |
and, er.. | 0:09:55 | 0:09:57 | |
the slightly hooded eyelids which reveal his warm humanity. | 0:09:57 | 0:10:01 | |
Now the aim of this programme is to celebrate the sculptor's gift, | 0:10:01 | 0:10:05 | |
not to denigrate. | 0:10:05 | 0:10:06 | |
But the only Winston that thing looks a bit like is Ray. | 0:10:06 | 0:10:09 | |
Maybe the artist has just sculpted the entirely wrong English | 0:10:09 | 0:10:14 | |
hero by mistake. Aiming for Churchill, he has in fact | 0:10:14 | 0:10:18 | |
delivered Noel Coward. | 0:10:18 | 0:10:19 | |
# Mad dogs and Englishmen... # | 0:10:19 | 0:10:21 | |
On the other hand, this is your second attempt, isn't it? | 0:10:21 | 0:10:23 | |
Yes. I offered my sponsors two distinct versions. | 0:10:23 | 0:10:29 | |
My first is shown here. | 0:10:29 | 0:10:33 | |
Sir Winston stands with his fists clenched | 0:10:33 | 0:10:37 | |
and in a somewhat theatrical position. | 0:10:37 | 0:10:41 | |
The test which we applied was to cover the head | 0:10:44 | 0:10:47 | |
and then I asked my sponsors who this could be. | 0:10:47 | 0:10:52 | |
Oh, I don't know, standing like this? Larry Grayson? | 0:10:52 | 0:10:56 | |
See, here's the problem. | 0:10:56 | 0:10:58 | |
Statues famously have permanence. | 0:10:58 | 0:11:01 | |
Sculpting is the only job in the world where you can't use | 0:11:01 | 0:11:04 | |
the phrase, "All right, calm down, it's not set in stone." | 0:11:04 | 0:11:07 | |
The fact is, no public monument ever takes its place in a town square | 0:11:07 | 0:11:11 | |
without having been preceded by a very cultured, very frank, | 0:11:11 | 0:11:15 | |
very adult, very British verbal bloodbath. | 0:11:15 | 0:11:19 | |
Which brings us to the great steel structure Of Sheffield. | 0:11:19 | 0:11:22 | |
They invented stainless steel in Sheffield. | 0:11:22 | 0:11:25 | |
So, I thought very early on how very lovely to have something | 0:11:25 | 0:11:29 | |
made of stainless steel. | 0:11:29 | 0:11:31 | |
Rarely used for sculpture on a large-scale, it's expensive, | 0:11:31 | 0:11:34 | |
very difficult to make. So... | 0:11:34 | 0:11:36 | |
there was my starting point. | 0:11:36 | 0:11:39 | |
He knew what was wanted in terms of scale | 0:11:39 | 0:11:43 | |
and in terms of size or perhaps more importantly | 0:11:43 | 0:11:46 | |
in terms of size and scale | 0:11:46 | 0:11:49 | |
and he, erm... | 0:11:49 | 0:11:51 | |
came up with an idea. | 0:11:51 | 0:11:53 | |
When I saw the first maquette... | 0:11:53 | 0:11:57 | |
A maquette is just a fancy name for a little model. | 0:11:57 | 0:12:00 | |
..I was appalled. I thought it looked awful. | 0:12:00 | 0:12:02 | |
Certainly everybody's opinion is worth listening to, | 0:12:02 | 0:12:05 | |
not necessarily worth taking. | 0:12:05 | 0:12:07 | |
The client is usually deeply concerned and usually | 0:12:07 | 0:12:12 | |
an intelligent fellow like oneself and if he says, don't you think | 0:12:12 | 0:12:15 | |
it should be like this, you either say, by Jove, you're right, | 0:12:15 | 0:12:19 | |
marvellous, that sort of help is terrific... | 0:12:19 | 0:12:23 | |
or you say, no, I don't and these are my reasons. | 0:12:23 | 0:12:25 | |
And if he still doesn't like it, well, then, to hell with him! | 0:12:25 | 0:12:28 | |
We will return to that particular unfolding drama | 0:12:28 | 0:12:30 | |
elsewhere in tonight's programme. Also, if there's time, | 0:12:30 | 0:12:33 | |
I'll be showing you how you can sculpt a tribute | 0:12:33 | 0:12:36 | |
-to the councillor's hair... -I was appalled... | 0:12:36 | 0:12:38 | |
..using just three boxes of Brillo pads and a memory of Danny La Rue | 0:12:38 | 0:12:41 | |
in everyday clothes. | 0:12:41 | 0:12:42 | |
# His name was Rico He wore a diamond. # | 0:12:42 | 0:12:46 | |
Ultimately, of course, you can't please everyone and what one person | 0:12:46 | 0:12:50 | |
sees as the perfect classical melding of form, grandeur | 0:12:50 | 0:12:54 | |
and deep spiritual nourishment might always make the person next to them | 0:12:54 | 0:12:58 | |
go, "Ha-ha-ha!" | 0:12:58 | 0:13:00 | |
This is the spare fig leaf | 0:13:00 | 0:13:02 | |
for the Achilles statue in Hyde Park. | 0:13:02 | 0:13:05 | |
We carry this because when the statue was originally... | 0:13:05 | 0:13:10 | |
erected... | 0:13:10 | 0:13:12 | |
it was completely naked. Achilles was completely naked | 0:13:12 | 0:13:15 | |
and the women of England who had subscribed to the statue | 0:13:15 | 0:13:18 | |
were quite horrified! | 0:13:18 | 0:13:20 | |
Immediately steps were taken to rectify this | 0:13:20 | 0:13:23 | |
and Achilles was provided with a fig leaf. | 0:13:23 | 0:13:27 | |
Some five years or so ago, this fig leaf was removed | 0:13:27 | 0:13:31 | |
and very quickly we had to replace it | 0:13:31 | 0:13:33 | |
and so in case this happens again, we carry a spare one | 0:13:33 | 0:13:36 | |
so that we can immediately take action to cover him up if necessary. | 0:13:36 | 0:13:40 | |
I mean, fair play to him for playing that entire scene | 0:13:40 | 0:13:44 | |
with a straight bat. And, yes, I know, you up the back, | 0:13:44 | 0:13:47 | |
I do know he hesitated fatefully before one particular word. | 0:13:47 | 0:13:51 | |
When the statue was originally... erected... | 0:13:51 | 0:13:54 | |
Oh, please. Stop that tiresome giggling, will you? | 0:13:54 | 0:13:57 | |
May I remind you, your accumulative age as an audience, | 0:13:57 | 0:14:00 | |
based on the most recent figures, is 11,672,000 years old. | 0:14:00 | 0:14:05 | |
Can we grow up a bit? | 0:14:05 | 0:14:07 | |
If we are going to seriously examine public statues then | 0:14:07 | 0:14:10 | |
obviously there's going to be lots and lots of talk about erections. | 0:14:10 | 0:14:14 | |
Many of them sizeable and handsome. Oh, come on! | 0:14:14 | 0:14:18 | |
You may as well snigger at the word "bullocks". | 0:14:18 | 0:14:21 | |
I want to see a statue, a big statue, of a genuine Hereford bull. | 0:14:21 | 0:14:26 | |
The Hereford bull is like the British Empire used to be. | 0:14:26 | 0:14:30 | |
The sun never sets on it. | 0:14:30 | 0:14:32 | |
What do you think about the idea to erect a statue to a Hereford bull | 0:14:32 | 0:14:36 | |
-in town? -It wants it. -It wants it? -Definitely. | 0:14:36 | 0:14:40 | |
Well, it seems a singularly appropriate thing to do. | 0:14:40 | 0:14:43 | |
You mean in the centre of High Town? | 0:14:43 | 0:14:45 | |
We're not sure where they are going to put it. Where would you put it? | 0:14:45 | 0:14:49 | |
I think perhaps in High Town. | 0:14:49 | 0:14:50 | |
I would like to have it put in the middle of a roundabout | 0:14:50 | 0:14:53 | |
situated at the junction of the ring road | 0:14:53 | 0:14:57 | |
with Commercial Street and Commercial Road. | 0:14:57 | 0:15:00 | |
If you consider what they have done in America for Lincoln, | 0:15:00 | 0:15:04 | |
what they used to do for Stalin in Russia before he fell into discredit, | 0:15:04 | 0:15:09 | |
it was two or three times the real size. | 0:15:09 | 0:15:11 | |
-How big would you like to see it? -Tremendous size. | 0:15:11 | 0:15:14 | |
Same size as an ordinary bull. | 0:15:14 | 0:15:16 | |
Big as possible. | 0:15:16 | 0:15:18 | |
Oh, 500 feet! | 0:15:18 | 0:15:20 | |
-About 500 feet? -You like Herefords that much, do you? -Yes. | 0:15:20 | 0:15:24 | |
That pan-Hereford pine for a bovine shrine | 0:15:24 | 0:15:27 | |
actually bore fruit in 2012 when a solid bronze of the revered beast | 0:15:27 | 0:15:32 | |
was finally plonked down in the town centre. | 0:15:32 | 0:15:35 | |
You mean in the centre of High Town? | 0:15:35 | 0:15:37 | |
Though only life-size sadly and not the 500 feet of tribute | 0:15:37 | 0:15:41 | |
as requested by that one blue-sky thinker. | 0:15:41 | 0:15:44 | |
Can you imagine 500 feet of cow flesh? | 0:15:44 | 0:15:48 | |
That's Herculean! | 0:15:48 | 0:15:49 | |
Or, as Eric Pickles calls it, a sandwich. | 0:15:49 | 0:15:53 | |
Oh, and speaking of Hercules... | 0:15:53 | 0:15:54 | |
FEROCIOUS GROWLING | 0:15:54 | 0:15:55 | |
NEWS REPORT: A big statue to remember an even bigger personality. | 0:15:55 | 0:15:58 | |
This life-sized carving of Hercules the bear | 0:15:58 | 0:16:01 | |
has been unveiled in woodland in North Uist. | 0:16:01 | 0:16:04 | |
It's a spot that is very special to Andy and Maggie Robin. | 0:16:04 | 0:16:07 | |
It's the scene of their beloved bear's biggest adventure. | 0:16:07 | 0:16:10 | |
Hercules the grisly bear, | 0:16:10 | 0:16:12 | |
which went missing in the Outer Hebrides last month, has been seen | 0:16:12 | 0:16:15 | |
alive and apparently well. | 0:16:15 | 0:16:17 | |
'Reports of other sightings came in, | 0:16:17 | 0:16:19 | |
'among them Alistair MacDonald and his neighbour, Angus MacDonald.' | 0:16:19 | 0:16:23 | |
-You actually saw the bear? -Yes. -From what distance? | 0:16:23 | 0:16:25 | |
-Be about a mile or so. -And what was he doing? | 0:16:25 | 0:16:30 | |
He was just walking across the moors, you know. | 0:16:30 | 0:16:32 | |
The police chased it for three or four miles | 0:16:32 | 0:16:35 | |
and then it eluded us altogether. | 0:16:35 | 0:16:36 | |
In fact, he was found on North Uist. 15 miles from Benbecula. | 0:16:36 | 0:16:41 | |
The Robins raised Hercules from a cub | 0:16:41 | 0:16:44 | |
and Andy intended to incorporate him in his wrestling act. | 0:16:44 | 0:16:47 | |
Wait, whoa, wait... his wrestling act? | 0:16:47 | 0:16:50 | |
The bear was part of a Highland wrestling act? | 0:16:50 | 0:16:53 | |
How could the reporter just deliver that incendiary titbit so calmly - | 0:16:53 | 0:16:58 | |
no surprise, no chuckle in his voice, no censure. Listen. | 0:16:58 | 0:17:01 | |
'Andy intended to incorporate him in his wrestling act.' | 0:17:01 | 0:17:04 | |
Today on TV there'd be about 20 exclamation marks after that | 0:17:04 | 0:17:07 | |
phrase in case we didn't "get" how insane it is. | 0:17:07 | 0:17:11 | |
A bear in his wrestling act. | 0:17:11 | 0:17:13 | |
Maybe he was making it up. | 0:17:13 | 0:17:15 | |
Oh, no, he wasn't! | 0:17:15 | 0:17:17 | |
I don't think he would ever, ever turn on me, | 0:17:20 | 0:17:22 | |
but don't let's forget it is a very, | 0:17:22 | 0:17:24 | |
very dangerous thing to wrestle Hercules, | 0:17:24 | 0:17:27 | |
because he's 32 stone just now and stretches to nearly seven feet. | 0:17:27 | 0:17:30 | |
And if he hooks you accidentally, catches any part of your body, | 0:17:30 | 0:17:34 | |
you are a goner. | 0:17:34 | 0:17:36 | |
Look at him there. He's just beautiful. | 0:17:36 | 0:17:38 | |
One swipe of these big paws and the wife'd be a goner. | 0:17:38 | 0:17:41 | |
When he was finally found, his Hebridean exploits | 0:17:41 | 0:17:44 | |
shot Hercules to stardom. | 0:17:44 | 0:17:46 | |
He was voted Scottish Personality of the Year. | 0:17:46 | 0:17:48 | |
Well, there's one in the eye for previous winner Sheena Easton. | 0:17:48 | 0:17:52 | |
People have always said that bears have no expressions, | 0:17:52 | 0:17:55 | |
-but you can read his face. -A lot of rubbish. Look at him there. | 0:17:55 | 0:17:59 | |
His expressions change every ten minutes. | 0:17:59 | 0:18:02 | |
I'll just go and get him some Coca-Cola. | 0:18:02 | 0:18:05 | |
Get him some Coca-Cola. | 0:18:05 | 0:18:06 | |
He was eating baked beans and Coca-Cola. Beans and Coca-Cola. | 0:18:06 | 0:18:11 | |
And, be fair, he looked great on it, a lot better than | 0:18:11 | 0:18:14 | |
the only other species who exclusively share that diet - | 0:18:14 | 0:18:18 | |
teenagers. | 0:18:18 | 0:18:19 | |
Seriously, I don't think his tag-team partner did too much | 0:18:19 | 0:18:22 | |
research on bears in the wild before buying Hercules, do you? | 0:18:22 | 0:18:25 | |
Or he would have noticed under "what bears eat", it said, | 0:18:25 | 0:18:29 | |
baked beans - no. Human beans - yes! | 0:18:29 | 0:18:33 | |
FEROCIOUS GROWLING | 0:18:33 | 0:18:34 | |
Let us ingest a small palate cleanser at this point. | 0:18:34 | 0:18:37 | |
Remember David Wynne, the artist | 0:18:37 | 0:18:39 | |
whose bold vision was being worn away by a meddling bureaucracy? | 0:18:39 | 0:18:42 | |
How's he doing? | 0:18:42 | 0:18:44 | |
-I think you want one leg off. -Yes. | 0:18:44 | 0:18:47 | |
-Yes, at least. -I reckon you want to take the two arms... | 0:18:47 | 0:18:51 | |
up there. There's no room for a clean joint. We'll have to cut | 0:18:51 | 0:18:54 | |
straight and that wants to come off about there. | 0:18:54 | 0:18:58 | |
Well, if we're having one leg off | 0:18:58 | 0:19:00 | |
might it not be as well just to have them both off? | 0:19:00 | 0:19:03 | |
Up to you. | 0:19:03 | 0:19:04 | |
Taking the legs off that now. | 0:19:04 | 0:19:06 | |
Seems to me the council didn't so much want the statue | 0:19:06 | 0:19:09 | |
as the plinth it stands on. | 0:19:09 | 0:19:10 | |
Still, that would cut down on maintenance | 0:19:10 | 0:19:13 | |
and be in no doubt, statues require constant maintenance, else lose | 0:19:13 | 0:19:17 | |
ground to their eternal enemy - | 0:19:17 | 0:19:19 | |
the cursed bums of passing birds. | 0:19:19 | 0:19:22 | |
Over the last month, | 0:19:22 | 0:19:23 | |
Nelson's Column has had over 600 weight of droppings cleaned off it. | 0:19:23 | 0:19:27 | |
And the other week I went along there | 0:19:27 | 0:19:29 | |
to see how they were getting on. | 0:19:29 | 0:19:31 | |
-You go first and I'll follow. -OK. | 0:19:31 | 0:19:33 | |
If you're expecting something facetious now | 0:19:33 | 0:19:36 | |
because it's Blue Peter, think again. | 0:19:36 | 0:19:38 | |
This footage is too breathtaking - | 0:19:38 | 0:19:40 | |
children's television as imagined by Alfred Hitchcock | 0:19:40 | 0:19:43 | |
and the entire team deserve nothing but total respect. | 0:19:43 | 0:19:47 | |
I think I'll have a little rest. | 0:19:47 | 0:19:50 | |
'Our cameraman, Terry, was waiting at the top | 0:19:50 | 0:19:53 | |
'and he really did have a bird's-eye view of me | 0:19:53 | 0:19:56 | |
'reaching the worst part of the climb. | 0:19:56 | 0:19:58 | |
'At this level, the plinth on which Nelson stands overhangs the Column. | 0:19:58 | 0:20:02 | |
'I found myself literally hanging from the ladder | 0:20:02 | 0:20:05 | |
'with nothing at all beneath me.' | 0:20:05 | 0:20:07 | |
BIRDS SQUAWK | 0:20:07 | 0:20:10 | |
Ughh! You told me there was overhang | 0:20:15 | 0:20:17 | |
but you didn't tell me it leant to one side. | 0:20:17 | 0:20:19 | |
-No, that was the awkward part! -By gum! | 0:20:19 | 0:20:23 | |
It's a long way up, really, isn't it? | 0:20:23 | 0:20:25 | |
I'm just... that's it. You're all right there. | 0:20:25 | 0:20:28 | |
When you're lowering, you just slacken it off a touch like that. | 0:20:28 | 0:20:32 | |
Don't slacken it off too much. OK? | 0:20:32 | 0:20:34 | |
-Now just look over the edge and see those steps down there. -Yeah. | 0:20:34 | 0:20:37 | |
If you look over the edge, you can see all the footholds. | 0:20:37 | 0:20:40 | |
A note here to anyone under the age of 20. | 0:20:40 | 0:20:43 | |
You may be saying now, "Oh, I know how they do that, it's very clever. | 0:20:43 | 0:20:47 | |
"They put up a green screen | 0:20:47 | 0:20:49 | |
"and then a computer puts all the effects in afterwards!" | 0:20:49 | 0:20:52 | |
Kids... it's not. | 0:20:52 | 0:20:55 | |
Embarrassingly though, this... | 0:20:55 | 0:20:58 | |
is. We can't all be John Noakes, you know. | 0:20:58 | 0:21:01 | |
I'd rather not let go of the edge! | 0:21:01 | 0:21:04 | |
It's one of those sort of sights that you can do without! | 0:21:04 | 0:21:08 | |
Move down a couple of more feet. | 0:21:08 | 0:21:10 | |
That's it, get your hands underneath there. Don't scrape your hands | 0:21:10 | 0:21:13 | |
on there too much. | 0:21:13 | 0:21:15 | |
Once you've got a decent foothold, | 0:21:15 | 0:21:17 | |
you can let yourself down a bit more there. | 0:21:17 | 0:21:19 | |
There's a bit of technique, I suppose, that you... | 0:21:19 | 0:21:21 | |
Yeah, once you have mastered it, you're all right. | 0:21:21 | 0:21:23 | |
-Right. -OK? -Yeah. You coming down to join me? | 0:21:23 | 0:21:27 | |
Yes, I am coming right down there now. | 0:21:27 | 0:21:30 | |
-Ha-ha-ha! -OK? Do you feel all right? -Yeah. Feels fine. -Good. | 0:21:30 | 0:21:34 | |
I tell you what. There's only one bucket, only one trouser. | 0:21:34 | 0:21:38 | |
I'll just swing around and watch you work and see how the experts do it. | 0:21:38 | 0:21:42 | |
That's the stuff, John! | 0:21:44 | 0:21:46 | |
Under the circumstances, you couldn't really blame | 0:21:49 | 0:21:51 | |
John if he had already contributed a bit of that himself there, | 0:21:51 | 0:21:55 | |
could you? Of course, being the Noakes, | 0:21:55 | 0:21:57 | |
he decided that in fact the scenario needed even more peril. | 0:21:57 | 0:22:01 | |
I suppose before I go down I need to go right to the very top. | 0:22:01 | 0:22:06 | |
-Yes, why not? -I'll never do it again. -Go and have another look. | 0:22:06 | 0:22:09 | |
By gum! | 0:22:11 | 0:22:13 | |
Incredible to think that these days there's an express lift | 0:22:22 | 0:22:25 | |
inside that Column that goes right up to the great new restaurant | 0:22:25 | 0:22:29 | |
inside Nelson's hat. Try the Battle Of The Nile Burger, | 0:22:29 | 0:22:32 | |
although if you're weight-watching, specify I See No Chips. | 0:22:32 | 0:22:35 | |
And mention this show for a free Kiss-Me-Hardy Cocktail! | 0:22:35 | 0:22:40 | |
Do you remember David Wynne | 0:22:40 | 0:22:41 | |
and the Sisyphean task he had with his statue in Sheffield? | 0:22:41 | 0:22:45 | |
Well, he eventually won over the dozen members of the council | 0:22:45 | 0:22:48 | |
but then he had to start on the rest of the world. | 0:22:48 | 0:22:51 | |
HORSE WHINNIES | 0:22:52 | 0:22:54 | |
WONDROUS EXCLAMATIONS | 0:22:54 | 0:22:56 | |
REPORT: What do Sheffield's town planners feel about the piece? | 0:22:58 | 0:23:02 | |
Mr Adamson, Chief Planner. | 0:23:02 | 0:23:03 | |
Erm... | 0:23:03 | 0:23:05 | |
-And Chris Goode, Assistant Planner. -I think it's superb. | 0:23:05 | 0:23:07 | |
Sheffield sculpture teacher, Graham King. | 0:23:07 | 0:23:10 | |
I don't like it at all. It's too smooth, ain't it? | 0:23:10 | 0:23:13 | |
One has one's thing and it isn't exactly my thing. | 0:23:13 | 0:23:17 | |
I love the head of Virginia Wade and every time I look at it | 0:23:17 | 0:23:21 | |
I keep going back and thinking, I wish Virginia Wade's head was there. | 0:23:21 | 0:23:24 | |
I think that is absolutely splendid. | 0:23:24 | 0:23:27 | |
So, now what? | 0:23:27 | 0:23:29 | |
Erm... | 0:23:29 | 0:23:30 | |
..there's still, I mean, there's still work to be done. | 0:23:36 | 0:23:39 | |
What I've tried to do is to find a balance between naturalism | 0:23:45 | 0:23:52 | |
and formal classical abstraction. | 0:23:52 | 0:23:56 | |
Oh, well played, mate! | 0:23:56 | 0:23:58 | |
Yes, when losing professional altitude like that, if you can't | 0:23:58 | 0:24:02 | |
find the ejector seat then reach for some challenging modish claptrap. | 0:24:02 | 0:24:05 | |
Usually helps. | 0:24:05 | 0:24:07 | |
Usually. | 0:24:07 | 0:24:08 | |
The one thing that struck me is her shoes. | 0:24:08 | 0:24:11 | |
Shoes with those sort of straps | 0:24:15 | 0:24:17 | |
always look a bit tarty to me. | 0:24:17 | 0:24:20 | |
I can hear my wife saying... | 0:24:20 | 0:24:22 | |
..why is she wearing those shoes? Those shoes... | 0:24:24 | 0:24:27 | |
It's the ankle strap that gives it that... | 0:24:27 | 0:24:29 | |
Are they timeless, classic shoes or are they out-of-date shoes? | 0:24:29 | 0:24:34 | |
The... you know, | 0:24:39 | 0:24:41 | |
I'm happy to look at straps. | 0:24:41 | 0:24:44 | |
The poor bloke. | 0:24:44 | 0:24:45 | |
Commissioned to create a touching lover's tableau | 0:24:45 | 0:24:48 | |
for St Pancras Station and they're making him feel like he's delivered | 0:24:48 | 0:24:52 | |
some sort of sleazy sex doll. Tarty shoes! | 0:24:52 | 0:24:55 | |
There is nothing "tarty" about high-heeled sling-backs, | 0:24:55 | 0:24:58 | |
my provincial pal. | 0:24:58 | 0:24:59 | |
They're hard on the calf muscles for sure, | 0:24:59 | 0:25:02 | |
but some of us prefer to sacrifice comfort for fashion. OK? | 0:25:02 | 0:25:05 | |
I found that a touching, timeless and tasteful effigy, | 0:25:05 | 0:25:09 | |
if you must know. Well, comparatively. | 0:25:09 | 0:25:11 | |
Well, what made you decide on King Kong for a place like Birmingham? | 0:25:11 | 0:25:15 | |
Well... | 0:25:15 | 0:25:17 | |
the work was meant to be... | 0:25:17 | 0:25:19 | |
"city-orientated" was the way it was described | 0:25:19 | 0:25:23 | |
and that immediately made me think of King Kong. | 0:25:23 | 0:25:26 | |
How do you think King Kong is city-orientated? | 0:25:26 | 0:25:29 | |
Well, as... when you think of King Kong, you think of New York. | 0:25:29 | 0:25:33 | |
And as I must... I haven't really compared Birmingham with New York | 0:25:33 | 0:25:37 | |
till I came in on the train this morning, actually. | 0:25:37 | 0:25:40 | |
It did look quite like New York, I thought. | 0:25:40 | 0:25:42 | |
Lord Nelson's Column should be there, Lord Nelson's statue. | 0:25:42 | 0:25:46 | |
Something to stand up for. | 0:25:46 | 0:25:47 | |
It's nothing. What does that represent? | 0:25:47 | 0:25:50 | |
What does it represent? Nothing. | 0:25:50 | 0:25:52 | |
Weirdly, in a complete reversal to the climax of King Kong, | 0:25:52 | 0:25:55 | |
an outraged city soon climbed up the giant gorilla. | 0:25:55 | 0:25:58 | |
No squadron of biplanes were sent to pepper the protestors | 0:25:58 | 0:26:02 | |
with bullets, however - just a pair of half-hearted Old Bill. | 0:26:02 | 0:26:05 | |
This is the property of the people of Birmingham. | 0:26:05 | 0:26:07 | |
It's the property of the town. | 0:26:07 | 0:26:09 | |
This is the property of the town. You've no right to arrest us. | 0:26:09 | 0:26:12 | |
I'm not going anywhere. | 0:26:12 | 0:26:14 | |
PEOPLE REMONSTRATE | 0:26:14 | 0:26:16 | |
And just six months after its... | 0:26:16 | 0:26:19 | |
erection... | 0:26:19 | 0:26:20 | |
the big Baboon Of Birmingham was crated up, shipped off and sold. | 0:26:20 | 0:26:24 | |
Now he's been demoted to selling second-hand cars. | 0:26:24 | 0:26:27 | |
The man who bought King Kong is Mr Mike Shanley. | 0:26:27 | 0:26:30 | |
Mike, why have you bought King Kong? | 0:26:30 | 0:26:33 | |
I think he'll be a good publicity agent for me | 0:26:33 | 0:26:35 | |
-and he'll bring more customers here. -You paid almost £3,000? | 0:26:35 | 0:26:38 | |
-You think it's a good buy for the money? -I think so. | 0:26:38 | 0:26:41 | |
I'm sure he'll bring people here. You've only got to look at the cars | 0:26:41 | 0:26:45 | |
and buses going past. | 0:26:45 | 0:26:46 | |
He paid £3,000 | 0:26:48 | 0:26:51 | |
for a big statue of King Kong. In 1972! | 0:26:51 | 0:26:55 | |
Kids, in 1972, a top footballer's wages was only £4.50 a week. | 0:26:55 | 0:27:00 | |
It's like Jack And The Beanstalk all over again. | 0:27:00 | 0:27:03 | |
His mum gave him £3,000 to go out and buy Man United | 0:27:03 | 0:27:06 | |
and he came home with a giant statue of King Kong. | 0:27:06 | 0:27:09 | |
Yes, people climbed up it. But there was no pot of gold. No singing harp. | 0:27:09 | 0:27:13 | |
Just a couple of Plod yearning for the warmth of their Z-Car. | 0:27:13 | 0:27:17 | |
Anyway, we're nearly done. | 0:27:17 | 0:27:19 | |
Believe it or not, this has been the first ever proper examination | 0:27:19 | 0:27:22 | |
of statues on television. | 0:27:22 | 0:27:25 | |
I guess that's because TV is such an animated, bustling industry | 0:27:25 | 0:27:29 | |
that the static, motionless world of lifeless figures | 0:27:29 | 0:27:32 | |
is a totally alien concept to us. | 0:27:32 | 0:27:35 | |
But perhaps we've helped explode that myth tonight. | 0:27:35 | 0:27:38 | |
Statues - fun, fascinating, controversial, divisive - | 0:27:38 | 0:27:41 | |
and a tremendous amount of hard work | 0:27:41 | 0:27:43 | |
both before completion, during installation and after erection! | 0:27:43 | 0:27:47 | |
I'm all for them! | 0:27:47 | 0:27:49 | |
Good night. | 0:27:49 | 0:27:51 | |
Trumpets now! | 0:27:51 | 0:27:52 | |
# Here comes the equestrian statue | 0:27:52 | 0:27:54 | |
# Prancing up and down the Square | 0:27:56 | 0:27:58 | |
# Little old ladies stop and say, "Well..." | 0:28:00 | 0:28:03 | |
# And declare | 0:28:03 | 0:28:05 | |
# Once a month on a Friday There's a man | 0:28:05 | 0:28:08 | |
# With a mop and bucket in his hand | 0:28:08 | 0:28:12 | |
# To him it's just another working day | 0:28:12 | 0:28:16 | |
# So he whistles as he rubs and scrubs away... # | 0:28:16 | 0:28:21 |