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"I must go down to the sea again to the lonely sea and the sky. | 0:00:02 | 0:00:04 | |
"I left my shoes and socks there, I wonder if they're dry." | 0:00:04 | 0:00:07 | |
Spike Milligan wrote that, | 0:00:07 | 0:00:09 | |
and I think its meaning is as true today as it's ever been. | 0:00:09 | 0:00:12 | |
Inspired by those words, tonight we shall look back on how we have | 0:00:12 | 0:00:15 | |
chronicled this island's fringes on film. | 0:00:15 | 0:00:18 | |
We were going to call it Coast but frustratingly there has | 0:00:18 | 0:00:21 | |
already been a series called that, | 0:00:21 | 0:00:23 | |
so I suggested Danny Baker Meets Sandy Shore | 0:00:23 | 0:00:26 | |
but I'm told that just sounds like a talk show that nobody wants. | 0:00:26 | 0:00:29 | |
So we decided on... | 0:00:29 | 0:00:31 | |
The sea we know is a harsh mistress. | 0:00:45 | 0:00:48 | |
The land it follows must be her long-suffering lover. | 0:00:48 | 0:00:51 | |
So where does it leave that bit in the middle, the beach? | 0:00:51 | 0:00:54 | |
Sometimes it's part of the sea, sometimes it's part of the land. | 0:00:54 | 0:00:57 | |
Sort of a one-night stand in this topographic menage a trois. | 0:00:57 | 0:01:02 | |
Over the next half hour we finally intend to hold this shifty stretch | 0:01:02 | 0:01:06 | |
accountable and say, "Come on, beach - | 0:01:06 | 0:01:08 | |
"quit sitting on the fence, wet or dry?" | 0:01:08 | 0:01:10 | |
And who the hell do you think you are? | 0:01:10 | 0:01:13 | |
Ever since the first humans crawled from the oceans | 0:01:49 | 0:01:53 | |
hundreds of years ago, we've realised what a terrible | 0:01:53 | 0:01:56 | |
blunder that was and have been trying to get back, but we can't. | 0:01:56 | 0:01:59 | |
We traded our gills for lungs and apparently evolution has a stricter | 0:01:59 | 0:02:04 | |
returns policy than Amazon after you've taken the shrink wrap off a | 0:02:04 | 0:02:08 | |
DVD before realising you've already got that one on the shelf upstairs. | 0:02:08 | 0:02:11 | |
They should make the covers of them Fast And Furious films completely | 0:02:11 | 0:02:14 | |
different from each other so you don't waste your money like that. | 0:02:14 | 0:02:18 | |
Sorry, we seem to have veered off topic a bit! | 0:02:18 | 0:02:20 | |
Anyway...we've accepted defeat | 0:02:20 | 0:02:22 | |
when it comes to living in the ocean once more and so, | 0:02:22 | 0:02:25 | |
simply get as close to it as we can these days and, well, hang out. | 0:02:25 | 0:02:30 | |
Like Mick Webb, who's masterminding the biggest hole in Margate, | 0:02:30 | 0:02:33 | |
the grown-ups tend to say they're only doing it for the kids. | 0:02:33 | 0:02:37 | |
It's...uh...for the kids really I suppose...well, me! | 0:02:37 | 0:02:41 | |
I like it as much as the kids. I don't know, it's freedom, isn't it? | 0:02:41 | 0:02:44 | |
You're stuck in the house, you know, in the row of houses. | 0:02:44 | 0:02:47 | |
Looking over the next door neighbour's garden and that | 0:02:47 | 0:02:50 | |
and there's a sort of freeness, you know, | 0:02:50 | 0:02:52 | |
you sort of just do what you like - kind of run down to the beach. | 0:02:52 | 0:02:56 | |
Everyone wears funny hats and that. If you were sort of walking down | 0:02:56 | 0:02:59 | |
your high street like it they'd say, "Look at that funny person there." | 0:02:59 | 0:03:02 | |
But they just don't bother, do they? | 0:03:02 | 0:03:04 | |
When you're out down the seaside on holiday or anything. | 0:03:04 | 0:03:07 | |
Now, normally... What's the time now? | 0:03:07 | 0:03:09 | |
We'd be sitting down eating our Sunday roast. You know? | 0:03:09 | 0:03:12 | |
It's clockwork, you know? | 0:03:12 | 0:03:13 | |
Half past eight, nine o'clock, it's breakfast. | 0:03:13 | 0:03:16 | |
Half past one is dinner. 5:30 is tea. | 0:03:16 | 0:03:20 | |
Kids to bed, and we're down there to watch Stars On Sunday | 0:03:20 | 0:03:23 | |
kind of thing, just as it ends. | 0:03:23 | 0:03:25 | |
And, this is the difference, right, we have a cheese roll, | 0:03:25 | 0:03:28 | |
we get on the old... Get on the old...train, come down here, | 0:03:28 | 0:03:32 | |
we go home tonight and we'll not even have our roast tonight. | 0:03:32 | 0:03:35 | |
Oh, blow it, we won't have it. The kids, what do you want, kids? Something quick and go to bed. | 0:03:35 | 0:03:39 | |
We've done something different. | 0:03:39 | 0:03:40 | |
The beach attracts young and old alike | 0:03:40 | 0:03:42 | |
and somewhere among them are Mr and Mrs Burchill. | 0:03:42 | 0:03:45 | |
We seem to make for the beach every morning automatically. | 0:03:45 | 0:03:49 | |
Straight down to the beach. Collect our deckchairs. Sit down. | 0:03:49 | 0:03:54 | |
The reason we pick the same spot mainly is because we are rather | 0:03:54 | 0:03:57 | |
near the litter bin and they do love picking up little bits | 0:03:57 | 0:04:00 | |
on the beach and running backwards and forward to the litter bin. | 0:04:00 | 0:04:03 | |
They think they're being so clever tidying up the beach. | 0:04:03 | 0:04:06 | |
When I say I'm rather lazy, I just sit. | 0:04:06 | 0:04:10 | |
Dennis digs the hole bigger and bigger. | 0:04:10 | 0:04:13 | |
As fast as he's digging it, Toby's filling it in. | 0:04:13 | 0:04:15 | |
I like to look at people and wonder. What they do for a living. | 0:04:15 | 0:04:18 | |
If they're on holiday. Where they come from. | 0:04:18 | 0:04:22 | |
If they're enjoying themselves | 0:04:22 | 0:04:24 | |
and what type of people they really are when they're out of swimsuits. | 0:04:24 | 0:04:28 | |
Well, I know who two of them were. It's Ron and Russ Mael from Sparks. | 0:04:28 | 0:04:31 | |
# This town ain't big enough for both of us... # | 0:04:31 | 0:04:34 | |
Hello. | 0:04:34 | 0:04:36 | |
Here in Great Britain there are many places that one can enjoy | 0:04:36 | 0:04:40 | |
the sport of shore fishing, and it's the technique of long casting | 0:04:40 | 0:04:44 | |
that we've come here to have a look at. | 0:04:44 | 0:04:46 | |
And who better to explain this than that great exponent of long | 0:04:46 | 0:04:51 | |
casting, Leslie Moncrieff? | 0:04:51 | 0:04:53 | |
How about that? | 0:05:02 | 0:05:03 | |
That was Leslie Moncrieff and we hadn't buried him | 0:05:03 | 0:05:05 | |
up to his knees, you know. | 0:05:05 | 0:05:07 | |
He was in fact just kneeling | 0:05:07 | 0:05:10 | |
and all of this was done just to prove the point that you don't | 0:05:10 | 0:05:13 | |
have to be high-wired and handsome to send that lead winging | 0:05:13 | 0:05:17 | |
way out 100 yards or more over the ocean. | 0:05:17 | 0:05:21 | |
It's skill that counts, skill. | 0:05:21 | 0:05:23 | |
Well, we shall be seeing plenty more of Leslie in a minute. | 0:05:28 | 0:05:31 | |
You know, the one thing his presenting style had | 0:05:31 | 0:05:33 | |
-going for it was that outstanding cardigan. -Hello. | 0:05:33 | 0:05:36 | |
Now he's covered it up, he's lost me, but I'll be honest, | 0:05:36 | 0:05:39 | |
televised fishing loses me. | 0:05:39 | 0:05:41 | |
Staring at some boring man with a pole in his hand might be all | 0:05:41 | 0:05:45 | |
right on election night but it's not great TV. | 0:05:45 | 0:05:47 | |
It might be better radio, actually, | 0:05:47 | 0:05:49 | |
because every angler has an entertaining yarn. | 0:05:49 | 0:05:51 | |
Out on the pier, Reg Schafto is on the countdown | 0:05:51 | 0:05:54 | |
to lift off his 17th cast of the morning. | 0:05:54 | 0:05:57 | |
What was the last fish you caught? | 0:06:02 | 0:06:04 | |
Uh...last fish was last Sunday, an eel. | 0:06:04 | 0:06:06 | |
Weighed exactly a pound. Was a nice fish. | 0:06:06 | 0:06:09 | |
-What happened to the eel? -Oh, that got eaten for supper. | 0:06:09 | 0:06:12 | |
That went down a treat. | 0:06:12 | 0:06:13 | |
My mother-in-law ate that - she loves them. | 0:06:14 | 0:06:16 | |
She's coming up to...she's 87, and she loves an eel. | 0:06:16 | 0:06:23 | |
-Had anything lately? -I had a nice eel last Sunday. | 0:06:23 | 0:06:26 | |
Exactly a pound, it went. We weighed it when we got it home. | 0:06:26 | 0:06:29 | |
-Nice fish. -This easterly wind isn't helping to...take a bite. | 0:06:29 | 0:06:33 | |
-The water's a bit thick for it. -Mother-in-law enjoyed it. | 0:06:33 | 0:06:37 | |
-What? The water? -No, the eel. | 0:06:37 | 0:06:39 | |
Yeah - wasn't going to be anecdotally derailed there, was he? | 0:06:40 | 0:06:44 | |
Mind you, that was his 17th cast of the morning, | 0:06:44 | 0:06:47 | |
which sounds like the rehearsals for that Spice Girls musical. | 0:06:47 | 0:06:51 | |
Leslie Moncrieff will have many rods to show you. | 0:06:51 | 0:06:55 | |
He's a bit of an expert - in fact, he's an engineer | 0:06:55 | 0:06:58 | |
and he designs his own. | 0:06:58 | 0:06:59 | |
So, without more ado, | 0:06:59 | 0:07:01 | |
let's look at Leslie's rods and the way he casts. | 0:07:01 | 0:07:04 | |
If you can imagine 300-400 anglers along this beach, | 0:07:05 | 0:07:10 | |
all casting their average distances of between, say, 60 and 80 yards, | 0:07:10 | 0:07:15 | |
it's quite obvious that they're throwing a weight pattern | 0:07:15 | 0:07:17 | |
in the water | 0:07:17 | 0:07:19 | |
and, of course, the fish react to vibration | 0:07:19 | 0:07:21 | |
and they're not going to move and come closer in | 0:07:21 | 0:07:24 | |
to the source of the trouble. | 0:07:24 | 0:07:26 | |
They're going to move out. | 0:07:26 | 0:07:27 | |
It's here people like Leslie Moncrieff | 0:07:27 | 0:07:29 | |
and other good casters, | 0:07:29 | 0:07:31 | |
they push the fish out to them, | 0:07:31 | 0:07:32 | |
we can reach them, we can catch them. | 0:07:32 | 0:07:34 | |
One of the greatest difficulties I have | 0:07:34 | 0:07:37 | |
is following this terrific speed Leslie creates | 0:07:37 | 0:07:42 | |
when he casts like this. | 0:07:42 | 0:07:43 | |
But one of the things the TV camera can do for you | 0:07:43 | 0:07:47 | |
is to slow this action down. | 0:07:47 | 0:07:48 | |
HORN BLOWS | 0:07:48 | 0:07:51 | |
Now, let's have a look at this in slow motion. | 0:07:51 | 0:07:53 | |
WHOOSH! | 0:08:00 | 0:08:02 | |
And that's the action that Leslie puts into it | 0:08:02 | 0:08:06 | |
that gives you the power - or gives him the power - | 0:08:06 | 0:08:09 | |
to send that terminal tackle winging out over the ocean | 0:08:09 | 0:08:12 | |
at something over 100mph. | 0:08:12 | 0:08:14 | |
That noise you heard ruining his performance there | 0:08:14 | 0:08:17 | |
was a departing train evacuating thousands of overexcited onlookers. | 0:08:17 | 0:08:21 | |
To save us the same exertions, | 0:08:21 | 0:08:24 | |
let's move on to something less demanding - | 0:08:24 | 0:08:26 | |
the historic coastal carnage of the Mods and Rockers. | 0:08:26 | 0:08:29 | |
For all you kids watching BBC Four right now, | 0:08:29 | 0:08:33 | |
let me explain what this was. | 0:08:33 | 0:08:35 | |
Today, you might buy Grand Theft Auto or Assassin's Creed | 0:08:35 | 0:08:39 | |
and hunt down your cyber enemies online. | 0:08:39 | 0:08:41 | |
Well, back in the '60s, there was no internet | 0:08:41 | 0:08:44 | |
so everyone had to arrange to meet on Margate Beach | 0:08:44 | 0:08:47 | |
and do it manually. | 0:08:47 | 0:08:48 | |
When they came off their bikes, | 0:08:49 | 0:08:51 | |
I asked them first how they saw the Mods. | 0:08:51 | 0:08:53 | |
Well... | 0:08:53 | 0:08:55 | |
By the way they dress, | 0:08:56 | 0:08:57 | |
the make-up and that they have on them and the eye shadow, | 0:08:57 | 0:09:01 | |
and high-heel boots and that... | 0:09:01 | 0:09:02 | |
Why, sometimes I fancy them meself. | 0:09:02 | 0:09:04 | |
They think you're a poof. | 0:09:04 | 0:09:05 | |
That's they way they look at you, | 0:09:05 | 0:09:07 | |
as if to say it, you know. | 0:09:07 | 0:09:08 | |
Some people got hurt, thrown off the promenade, | 0:09:08 | 0:09:11 | |
trying to stop the fight - do you think that's funny? | 0:09:11 | 0:09:13 | |
They shouldn't have jumped in. | 0:09:13 | 0:09:14 | |
If you were, say, in Clacton or Brighton at Whitsun, | 0:09:14 | 0:09:17 | |
and a fight started, what would you do? | 0:09:17 | 0:09:19 | |
I'd stand and watch it. | 0:09:19 | 0:09:21 | |
They go..."Pooh! Mods!" | 0:09:21 | 0:09:24 | |
So you just say, "What's the matter?" | 0:09:24 | 0:09:26 | |
They say, "Pooh! Mods!" | 0:09:26 | 0:09:28 | |
Fancy going out with a Mod, and everybody looks at you - | 0:09:28 | 0:09:31 | |
you wouldn't know if you were looking at the girl or the bloke. | 0:09:31 | 0:09:34 | |
She is SO hot. | 0:09:34 | 0:09:36 | |
They say one of the reasons that you people wear boots | 0:09:36 | 0:09:39 | |
is because it helps you put the boot in. | 0:09:39 | 0:09:42 | |
No, I've never yet seen a Rocker put a boot in. | 0:09:42 | 0:09:44 | |
You've got to have it off with somebody, | 0:09:44 | 0:09:46 | |
and who's there, you have it off with. | 0:09:46 | 0:09:47 | |
You've got to have a fight? | 0:09:47 | 0:09:49 | |
Well, what do you do if you don't have a fight? | 0:09:49 | 0:09:51 | |
Oh, don't be so ridiculous, mate. | 0:09:51 | 0:09:53 | |
There's hundreds of things you can do. | 0:09:53 | 0:09:55 | |
You could... | 0:09:55 | 0:09:56 | |
WHOOSH! | 0:10:00 | 0:10:02 | |
All right, fair enough. You win. | 0:10:02 | 0:10:04 | |
So you want a row, then? | 0:10:04 | 0:10:05 | |
This beach - it's one of the five at Newquay - | 0:10:05 | 0:10:08 | |
has all of the hazards that go to make a killer beach. | 0:10:08 | 0:10:11 | |
It looks deceptively flat, | 0:10:11 | 0:10:13 | |
but under the breakers are sudden holes in the sand, | 0:10:13 | 0:10:16 | |
hidden rocks and fierce tide rips that can carry a swimmer out to sea | 0:10:16 | 0:10:20 | |
before he knows what's happening. | 0:10:20 | 0:10:22 | |
You only have to step across the headland there to the next beach | 0:10:22 | 0:10:25 | |
to find holiday madness in full swing. | 0:10:25 | 0:10:28 | |
This is called Crantock Beach | 0:10:28 | 0:10:30 | |
and over there is the perfect place to swim - | 0:10:30 | 0:10:34 | |
flat, calm, smooth sands... | 0:10:34 | 0:10:35 | |
Nothing could go wrong. | 0:10:35 | 0:10:37 | |
But down there, where the river flows into the sea, | 0:10:37 | 0:10:40 | |
it's anything but perfect - it can be extremely dangerous | 0:10:40 | 0:10:44 | |
and there's a very clear notice that says so. | 0:10:44 | 0:10:46 | |
-Are these your children, swimming here? -Mm. | 0:10:46 | 0:10:48 | |
-Can you read that notice over there? -Yes, I can read that notice. | 0:10:48 | 0:10:52 | |
-What does it say? -It says, "Don't bathe in the river." | 0:10:52 | 0:10:55 | |
Do you believe in notices? | 0:10:55 | 0:10:57 | |
Uh...yes, if I see them, I do, certainly. | 0:10:59 | 0:11:01 | |
You really hadn't noticed that one until this moment? | 0:11:01 | 0:11:04 | |
I have just noticed that notice now. | 0:11:04 | 0:11:05 | |
Are you going to do anything about it? | 0:11:07 | 0:11:09 | |
If it says, "Danger, don't bathe in the river," | 0:11:09 | 0:11:11 | |
maybe we'd better not bathe in the river. | 0:11:11 | 0:11:13 | |
-Will you actually stop your children bathing in the river, now? -Yes. | 0:11:13 | 0:11:17 | |
-Have you seen the notices here? -Yes, one over there. | 0:11:17 | 0:11:20 | |
What do you think of them? | 0:11:20 | 0:11:22 | |
Well, provided we keep our eye on him, | 0:11:22 | 0:11:24 | |
I think he should be all right - he's a good swimmer, | 0:11:24 | 0:11:27 | |
he's got a couple of badges. | 0:11:27 | 0:11:28 | |
But I noticed he couldn't actually hold his own against the tide. | 0:11:28 | 0:11:31 | |
He was swimming hard and going slightly backwards. | 0:11:31 | 0:11:34 | |
Yeah, but I'm always here to go in after him. | 0:11:34 | 0:11:36 | |
Have you seen the notices? | 0:11:36 | 0:11:38 | |
-"Danger" over there? -Yes. -Yeah. | 0:11:40 | 0:11:42 | |
-What do you think about them? -I think they're very good. Um... | 0:11:42 | 0:11:45 | |
But she's just been on the side, you know. | 0:11:46 | 0:11:48 | |
We've been keeping a close eye on her. | 0:11:48 | 0:11:51 | |
She's wet up to her neck, | 0:11:51 | 0:11:52 | |
so she must have been... | 0:11:52 | 0:11:53 | |
She'd been on the air bed. | 0:11:53 | 0:11:54 | |
-On the air bed? -Just on the side, though. | 0:11:54 | 0:11:57 | |
Got this one watching them. | 0:11:57 | 0:11:58 | |
Do you know how easily they can be swept off to sea? | 0:11:58 | 0:12:00 | |
-It does happen on this river. -It's bad, is it? -Yes. | 0:12:00 | 0:12:04 | |
-That's why the notices are there. -Oh... | 0:12:04 | 0:12:06 | |
When you see a notice like that, | 0:12:06 | 0:12:08 | |
that says "Danger, do not swim in the river," | 0:12:08 | 0:12:10 | |
how do you react? | 0:12:10 | 0:12:12 | |
Um...myself, personally, | 0:12:12 | 0:12:15 | |
I would keep a very strict eye on the children | 0:12:15 | 0:12:18 | |
if they were in the water. | 0:12:18 | 0:12:19 | |
But I wouldn't swim out there myself, no. | 0:12:19 | 0:12:21 | |
But you'd let the children swim? | 0:12:21 | 0:12:23 | |
Not swim, no. They can't swim. | 0:12:23 | 0:12:25 | |
Now don't get me wrong, it's a serious message, | 0:12:25 | 0:12:28 | |
but that reporter would've found out about a far greater beach danger | 0:12:28 | 0:12:31 | |
had he confronted my old man with that supercilious tone. | 0:12:31 | 0:12:35 | |
Then again, it's the little blond kid's movie, isn't it? | 0:12:35 | 0:12:38 | |
He's been part of at least 30 families on that beach | 0:12:38 | 0:12:40 | |
and turning in some BAFTA award-winning scene-stealing. | 0:12:40 | 0:12:44 | |
I'm frankly amazed he didn't he didn't grow up to be me. | 0:12:44 | 0:12:47 | |
Then, something else happens. | 0:12:47 | 0:12:48 | |
There's a beach bag behind our last hectored punter - | 0:12:48 | 0:12:51 | |
look, there it is - | 0:12:51 | 0:12:52 | |
and it's obviously been expertly packed that morning | 0:12:52 | 0:12:56 | |
by a mum, like only mums can, to make sure no sand | 0:12:56 | 0:12:59 | |
gets into the family's towels, clothes and sandwiches. | 0:12:59 | 0:13:02 | |
But watch now at how the dad skilfully repacks it | 0:13:02 | 0:13:05 | |
after locating his lighter. | 0:13:05 | 0:13:07 | |
-No. -But you'd let the children swim? | 0:13:07 | 0:13:09 | |
Not swim, no. They can't swim. | 0:13:09 | 0:13:11 | |
We keep an eye on them. | 0:13:11 | 0:13:13 | |
-Is the little one all covered with the creams and that? -Yes. | 0:13:13 | 0:13:17 | |
Yeah - only just mentioning it, we can't tell you what to do. | 0:13:17 | 0:13:20 | |
I say... | 0:13:20 | 0:13:21 | |
Come on, off. | 0:13:23 | 0:13:24 | |
You guys get off. | 0:13:26 | 0:13:27 | |
Don't you know it's dangerous, you lot? | 0:13:29 | 0:13:31 | |
Eh? | 0:13:32 | 0:13:33 | |
That's why we've got that sign up there saying..."Danger." | 0:13:35 | 0:13:40 | |
Yeah? | 0:13:40 | 0:13:41 | |
Do you understand this is dangerous? | 0:13:41 | 0:13:43 | |
If they want to break their necks, they can, | 0:13:43 | 0:13:46 | |
but they're being a bloody nuisance, | 0:13:46 | 0:13:47 | |
because they're running round and round and round in circles. | 0:13:47 | 0:13:50 | |
-He got sand in my girl's eyes. -Yeah, yeah. Yeah. | 0:13:50 | 0:13:53 | |
OK, then, lads. Righty-ho - yeah. | 0:13:55 | 0:13:57 | |
Now then, um... | 0:13:59 | 0:14:00 | |
-Don't be doing that any more, OK? -OK. -Right. | 0:14:00 | 0:14:04 | |
No, no, no - OK? | 0:14:04 | 0:14:06 | |
OK, that's it. Yeah. | 0:14:06 | 0:14:08 | |
Right, that's all dangerous, yeah? | 0:14:08 | 0:14:10 | |
Careful...don't be running any more, | 0:14:10 | 0:14:12 | |
cos sand got into some people's eyes, yeah? | 0:14:12 | 0:14:14 | |
All right... | 0:14:14 | 0:14:15 | |
Lifeboat one. | 0:14:17 | 0:14:18 | |
-RADIO: -Yeah, lifeboat one, go ahead. | 0:14:20 | 0:14:21 | |
Uh, Peter, seafront five here. | 0:14:21 | 0:14:24 | |
If you could keep an eye on these groynes. | 0:14:24 | 0:14:27 | |
There seems to be a lot of...unnecessary activity. | 0:14:27 | 0:14:32 | |
I'm trying to keep them off, | 0:14:32 | 0:14:33 | |
but they keep persisting, going back, over. | 0:14:33 | 0:14:35 | |
-RADIO: -Right-o. | 0:14:36 | 0:14:38 | |
Phew...oh, it's hot. | 0:14:39 | 0:14:43 | |
That was patrol-man Peter Crew - the attack dog of Cockleshell Bay. | 0:14:43 | 0:14:47 | |
I don't think I've seen such ineffectual policing | 0:14:47 | 0:14:50 | |
since Top Cat opened a gambling den in Officer Dibble's car. | 0:14:50 | 0:14:54 | |
And talk about a losing battle. | 0:14:54 | 0:14:56 | |
Kids love the beach, they live for it! | 0:14:56 | 0:14:58 | |
From the very first moment | 0:14:58 | 0:14:59 | |
they discover this soft transient wonderland | 0:14:59 | 0:15:02 | |
that starts where the trains have to stop, | 0:15:02 | 0:15:05 | |
it's the only place they ever want to be - | 0:15:05 | 0:15:08 | |
why, I remember my own introduction to it. | 0:15:08 | 0:15:10 | |
I was wearing my favourite yellow top, | 0:15:10 | 0:15:12 | |
and as the coach... | 0:15:12 | 0:15:14 | |
Danny's never seen the sea before. | 0:15:14 | 0:15:15 | |
For Danny, the first in a day of firsts is just coming - | 0:15:18 | 0:15:21 | |
his first time on a beach. | 0:15:21 | 0:15:23 | |
What is it? Feel it. | 0:15:24 | 0:15:26 | |
Don't kick it! Feel it. | 0:15:26 | 0:15:28 | |
-It's lovely and soft. -Sand! -Sand. There you are. | 0:15:28 | 0:15:33 | |
That's sand, isn't it? Eh? | 0:15:33 | 0:15:35 | |
We told him he was going to the seaside | 0:15:36 | 0:15:39 | |
and there was lots of sand, like he has in playschool. | 0:15:39 | 0:15:44 | |
But he didn't imagine what the sea was like. | 0:15:44 | 0:15:47 | |
I don't know what his reaction to that is going to be. | 0:15:47 | 0:15:50 | |
Show him how you jump in the water. | 0:15:51 | 0:15:53 | |
Look - like that. You do it. | 0:15:53 | 0:15:55 | |
Danny... | 0:15:57 | 0:15:58 | |
DANNY CRIES | 0:16:00 | 0:16:03 | |
He don't like it. | 0:16:03 | 0:16:05 | |
Very excited, wasn't he, Kath? All the way along in the coach. | 0:16:05 | 0:16:09 | |
He was singing his little songs as best he could | 0:16:09 | 0:16:11 | |
along with everyone else, you know? | 0:16:11 | 0:16:13 | |
But all we could hear was, "Baa-baa, black sheep". | 0:16:13 | 0:16:16 | |
Yeah, it's great. | 0:16:16 | 0:16:18 | |
Here you are, look. | 0:16:22 | 0:16:24 | |
DANNY CRIES | 0:16:24 | 0:16:25 | |
-He won't go on - he's s nice donkey. -No! | 0:16:25 | 0:16:30 | |
-Look, that little girl... -I don't want it! | 0:16:32 | 0:16:34 | |
You don't like it - all right, then, you needn't go on. | 0:16:34 | 0:16:38 | |
All right, you watch Kerry on it. | 0:16:38 | 0:16:40 | |
Where do you want to go? Tell Nanny and I'll take you. | 0:16:40 | 0:16:43 | |
Where do you want to go, pet? | 0:16:43 | 0:16:45 | |
Where do you want to go, eh? | 0:16:45 | 0:16:48 | |
Go home. | 0:16:48 | 0:16:49 | |
You want to go home? Don't you want to go in the funfair? | 0:16:49 | 0:16:52 | |
Are you tired? He's been up since five o'clock. | 0:16:53 | 0:16:56 | |
And I had. | 0:16:56 | 0:16:57 | |
In fact, I'd already shot two other documentaries that same day - | 0:16:57 | 0:17:01 | |
Inside Andy Pandy | 0:17:01 | 0:17:02 | |
and Edible Plasticine, Food Of The Future. | 0:17:02 | 0:17:05 | |
Also, no, I didn't want to ride on that donkey. | 0:17:05 | 0:17:07 | |
Enormous, great, toothy brutes - | 0:17:07 | 0:17:09 | |
they've got fur like wire wool if you're wearing shorts. | 0:17:09 | 0:17:12 | |
How did they ever come to be beach fixtures? | 0:17:12 | 0:17:15 | |
Donkeys aren't coastal creatures. | 0:17:15 | 0:17:17 | |
Now, riding on a giant crab, I could understand. | 0:17:17 | 0:17:20 | |
But asses? They're all the same, aren't they? | 0:17:20 | 0:17:22 | |
-Do they have distinct personalities of their own? -Every one. | 0:17:22 | 0:17:27 | |
That one there, he's just thick - | 0:17:27 | 0:17:29 | |
hasn't got enough sense to know that he if went that little bit slower, | 0:17:29 | 0:17:32 | |
he wouldn't have all the weight of these other donkeys hanging on him. | 0:17:32 | 0:17:36 | |
That one over there, that there's crafty. | 0:17:36 | 0:17:38 | |
That there's a crafty donkey. | 0:17:38 | 0:17:40 | |
That'll sit down and think things up itself. | 0:17:40 | 0:17:43 | |
You know, that sees you walking in the morning | 0:17:43 | 0:17:46 | |
and see you go near the horsebox | 0:17:46 | 0:17:48 | |
and he's gone - | 0:17:48 | 0:17:49 | |
you've got to catch him, you know? | 0:17:49 | 0:17:51 | |
He knows that he's going to work. | 0:17:51 | 0:17:52 | |
You walk in the rest of the time, don't go near the horsebox | 0:17:52 | 0:17:55 | |
and he won't take no notice of you. | 0:17:55 | 0:17:56 | |
You can go up to him, do what you like. | 0:17:56 | 0:17:59 | |
But first thing in the morning, when it's work time, he's away. | 0:17:59 | 0:18:03 | |
You watch the trippers from London coming down weekend after weekend - | 0:18:03 | 0:18:07 | |
what do they get out of it, do you think? | 0:18:07 | 0:18:09 | |
Slow down. | 0:18:10 | 0:18:12 | |
They slow down a little bit. | 0:18:12 | 0:18:13 | |
They sit still. | 0:18:13 | 0:18:15 | |
You know, these people, could you see them sitting anywhere in London? | 0:18:15 | 0:18:20 | |
People just sitting down on the sands even today, | 0:18:20 | 0:18:23 | |
where would they go and sit in London? Hyde Park? | 0:18:23 | 0:18:25 | |
Yeah, Hyde Park. | 0:18:25 | 0:18:27 | |
Or Regent's Park, Southwark Park, Deptford Park, | 0:18:27 | 0:18:30 | |
Green Park, Greenwich Park, Victoria Park, St James' Park, | 0:18:30 | 0:18:33 | |
Battersea Park, Holland... | 0:18:33 | 0:18:35 | |
FAST-FORWARDS | 0:18:35 | 0:18:39 | |
..Parsons Green, Kensington Gardens, | 0:18:39 | 0:18:41 | |
Peckham Rye, Wimbledon... | 0:18:41 | 0:18:42 | |
Thank you. Good note. | 0:18:43 | 0:18:46 | |
That is what we call in television "a production meeting". | 0:18:46 | 0:18:50 | |
SHE SCREAMS | 0:18:57 | 0:18:58 | |
SHE LAUGHS | 0:18:59 | 0:19:02 | |
Over-excited Angela Rippon capsizing in a land yacht. | 0:19:08 | 0:19:11 | |
Sounds like one of those sentences | 0:19:11 | 0:19:13 | |
that use all the letters of the alphabet, doesn't it? | 0:19:13 | 0:19:16 | |
And it neatly leads us | 0:19:16 | 0:19:17 | |
into the unexpected and wonderful world of beachcombers. | 0:19:17 | 0:19:21 | |
These dedicated traders on the tide trawl the sands, | 0:19:21 | 0:19:24 | |
gathering anything that's washed up. | 0:19:24 | 0:19:26 | |
Not like Peter Andre, | 0:19:26 | 0:19:28 | |
but in the sense of flotsam, jetsam and trove. | 0:19:28 | 0:19:31 | |
Police warn beachcombers not to take cargo washed ashore | 0:19:31 | 0:19:34 | |
on the Devon coast. | 0:19:34 | 0:19:36 | |
Work's going on to make a stricken container at sea safe | 0:19:36 | 0:19:39 | |
as hundreds of people descend on the beaches. | 0:19:39 | 0:19:42 | |
There must've been about 40, 50 people outside that container. | 0:19:42 | 0:19:45 | |
As soon as it was open, more and more people came | 0:19:45 | 0:19:47 | |
to have a look exactly what was in there. | 0:19:47 | 0:19:49 | |
When they saw it was BMW motorbikes, | 0:19:49 | 0:19:51 | |
there were hundreds of people at the container. | 0:19:51 | 0:19:53 | |
No whiskey galore, but wine casks aplenty washed up on the beach. | 0:19:53 | 0:19:58 | |
Many of the most portable and expensive items | 0:19:58 | 0:20:00 | |
have been finding their way off the beach this morning - | 0:20:00 | 0:20:03 | |
steering wheels, exhaust systems among them. | 0:20:03 | 0:20:06 | |
Quite a lot around here, trainers and that. | 0:20:06 | 0:20:10 | |
About my size, I would think. | 0:20:10 | 0:20:12 | |
And, eh...probably, when they're dried out, | 0:20:12 | 0:20:15 | |
they'll be fine. | 0:20:15 | 0:20:16 | |
Good girl... | 0:20:17 | 0:20:18 | |
Morecambe Beach is Madge's favourite place | 0:20:18 | 0:20:21 | |
so her owner, Ken Wilman, brings her here every day. | 0:20:21 | 0:20:24 | |
So when she started sniffing at what appeared to be a piece of rock, | 0:20:24 | 0:20:28 | |
at first, Ken didn't take much notice. | 0:20:28 | 0:20:31 | |
But when he looked more closely, it struck him as odd. | 0:20:31 | 0:20:35 | |
The smell of it, the feel of it, the weight of it... | 0:20:35 | 0:20:38 | |
It just got me...I was just curious. | 0:20:40 | 0:20:43 | |
In Google, I put "whale vomit" | 0:20:43 | 0:20:45 | |
and up came ambergris. | 0:20:45 | 0:20:47 | |
As soon as I saw the pictures of it, | 0:20:48 | 0:20:49 | |
I came straight back down to the beach, | 0:20:49 | 0:20:51 | |
picked it up and brought it home. | 0:20:51 | 0:20:52 | |
And he's delighted he did - as unlikely as it seems, | 0:20:52 | 0:20:56 | |
whale vomit is worth thousands of pounds. | 0:20:56 | 0:21:00 | |
I've spoken to companies in Europe | 0:21:00 | 0:21:02 | |
and I'm potentially holding over 100,000 euros. | 0:21:02 | 0:21:08 | |
One of the most distinctive things about it is the smell - | 0:21:08 | 0:21:12 | |
really quite unpleasant and musky. | 0:21:12 | 0:21:14 | |
So it's surprising it's mainly used for perfume-making. | 0:21:14 | 0:21:18 | |
He found an interesting rock | 0:21:18 | 0:21:19 | |
and went straight home and Googled "whale vomit"? | 0:21:19 | 0:21:22 | |
How would you make THAT connection? | 0:21:22 | 0:21:24 | |
I googled "whale vomit" | 0:21:24 | 0:21:26 | |
and all it said was, "Did You Mean Pinocchio?" | 0:21:26 | 0:21:28 | |
And if whale vomit really is worth more than gold, | 0:21:28 | 0:21:31 | |
why aren't we raising thousands of them | 0:21:31 | 0:21:33 | |
in farms all over Britain, | 0:21:33 | 0:21:35 | |
plying them with bad kebabs and cider | 0:21:35 | 0:21:37 | |
then just waiting for them to cough up the cash? | 0:21:37 | 0:21:40 | |
Well, Prime Minister? Well? | 0:21:40 | 0:21:41 | |
Besides, not everything you find bobbing about on the ebb-tide | 0:21:41 | 0:21:45 | |
is equally as desirable. | 0:21:45 | 0:21:47 | |
Nudists today demand more and more of the world's coves and shorelines | 0:21:47 | 0:21:52 | |
upon which to plonk themselves down naked and stretch out. | 0:21:52 | 0:21:55 | |
Which is why you should never eat a whelk without washing it first. | 0:21:55 | 0:21:59 | |
The nudist argument, just like a full and luscious rump, | 0:21:59 | 0:22:02 | |
divides itself into two, often warring, halves. | 0:22:02 | 0:22:06 | |
What is there about nudists which you think...? | 0:22:06 | 0:22:09 | |
I'm telling you, it'd attract the wrong class of person. | 0:22:09 | 0:22:13 | |
Hooliganism, give extra work to the police, | 0:22:13 | 0:22:15 | |
drinking and everything else. | 0:22:15 | 0:22:17 | |
You'll get all the scoundrels out of hell coming. | 0:22:17 | 0:22:19 | |
-I'd shoot the -BLEEP. | 0:22:19 | 0:22:20 | |
-Why? -Because it's disgusting, that's what I think it is. | 0:22:20 | 0:22:24 | |
The worst thing they can do - you'll bring all the riff-raff | 0:22:24 | 0:22:27 | |
-out of Hull, Leeds and all over, into the town. -Why? | 0:22:27 | 0:22:30 | |
And they'll be breaking in all over the place, and crime. | 0:22:30 | 0:22:34 | |
No comment. | 0:22:35 | 0:22:36 | |
I don't think I'd like to meet a party of nudists. | 0:22:36 | 0:22:39 | |
Among those whom Hornsea can thank for liberalising the human form | 0:22:39 | 0:22:43 | |
is a former mayor of the town, councillor Mrs Sylvia Wood. | 0:22:43 | 0:22:46 | |
I myself have sunbathed in the nude - | 0:22:46 | 0:22:48 | |
not in this country, admittedly. | 0:22:48 | 0:22:50 | |
And I think it's a delightful sensation. | 0:22:50 | 0:22:52 | |
You have freedom of movement, you have no clammy, wet costumes | 0:22:52 | 0:22:56 | |
and I can't see anything wrong with it at all. | 0:22:56 | 0:22:58 | |
The family join me, sunbathing in the nude | 0:22:58 | 0:23:02 | |
and it is a family thing. | 0:23:02 | 0:23:04 | |
Overseas, they think nothing of it. | 0:23:04 | 0:23:06 | |
In Germany, I've done it, | 0:23:06 | 0:23:08 | |
and I've found there's nothing wrong with it. | 0:23:08 | 0:23:11 | |
Yes, it's pleasurable, | 0:23:11 | 0:23:12 | |
and I often bathe off this coast in the nude. | 0:23:12 | 0:23:15 | |
But I take my trunks off in the water | 0:23:15 | 0:23:17 | |
and hang 'em on one of these horrible projections | 0:23:17 | 0:23:20 | |
that have been here for years. | 0:23:20 | 0:23:22 | |
Disgusting. | 0:23:22 | 0:23:24 | |
Disgusting. | 0:23:24 | 0:23:25 | |
Doesn't worry me - I'm all for things like that. | 0:23:25 | 0:23:28 | |
Whatever you want to do. | 0:23:28 | 0:23:31 | |
Whatever your thing is, you do it, I think. | 0:23:31 | 0:23:34 | |
I'm a bit broad-minded, so I don't care. | 0:23:34 | 0:23:36 | |
Hang on! I know that face! | 0:23:36 | 0:23:38 | |
# Don't tell me not to live | 0:23:38 | 0:23:39 | |
# Just sit and putter | 0:23:39 | 0:23:41 | |
# Life's candy and the sun's a ball of butter | 0:23:41 | 0:23:44 | |
# Don't bring around a cloud to rain on my parade... # | 0:23:44 | 0:23:50 | |
Do you propose to come down here regularly? | 0:23:50 | 0:23:52 | |
I'd like to, yes. | 0:23:52 | 0:23:53 | |
What do you say to those in Brighton | 0:23:53 | 0:23:55 | |
who believe there shouldn't be a naturist beach? | 0:23:55 | 0:23:57 | |
Well, if they don't want to take part, | 0:23:57 | 0:23:58 | |
they don't have to and we won't annoy them. | 0:23:58 | 0:24:01 | |
It's just nice to be able to come down and be able to go for a swim. | 0:24:03 | 0:24:06 | |
There have been unofficial beaches around the place, where we've gone, | 0:24:06 | 0:24:09 | |
but always, we've got the worry of having to cover up | 0:24:09 | 0:24:11 | |
if anybody comes along, but here, you get to be quite open. | 0:24:11 | 0:24:14 | |
You're not worried about the watching world? | 0:24:14 | 0:24:17 | |
Not really, no! | 0:24:17 | 0:24:19 | |
The only difference I can think of, the nudist families, | 0:24:19 | 0:24:21 | |
is that part of the beach | 0:24:21 | 0:24:23 | |
seems to stay a lot cleaner | 0:24:23 | 0:24:24 | |
and there seems to be less litter than on the main part of the beach. | 0:24:24 | 0:24:29 | |
Other than that, they're like any other normal family. | 0:24:29 | 0:24:32 | |
This is just a few frustrated old people | 0:24:32 | 0:24:34 | |
HORN SOUND-EFFECT | 0:24:34 | 0:24:35 | |
that...obviously have got Victorian values. | 0:24:35 | 0:24:38 | |
How likely is it that they will actually stop nudism on the beach? | 0:24:38 | 0:24:42 | |
I don't think they will. | 0:24:42 | 0:24:44 | |
I think the minority that want it changed is so small that... | 0:24:44 | 0:24:47 | |
..the National Trust and everybody else, the Home Office, | 0:24:49 | 0:24:52 | |
aren't interested. | 0:24:52 | 0:24:54 | |
And I think we've got a strong case to continue here. | 0:24:54 | 0:24:58 | |
When you say the beach attracts undesirable individuals, | 0:24:58 | 0:25:01 | |
what do you mean by that? | 0:25:01 | 0:25:02 | |
Well, individuals such as... | 0:25:04 | 0:25:06 | |
..men with spanking marks on their bottoms. | 0:25:10 | 0:25:12 | |
What? | 0:25:12 | 0:25:13 | |
I'm not entirely sure | 0:25:13 | 0:25:14 | |
where this murky tide of twisted opinion has drifted us. | 0:25:14 | 0:25:18 | |
I'm sorry you had to hear that. | 0:25:18 | 0:25:20 | |
And while I'm apologising, yes - I saw it. | 0:25:20 | 0:25:23 | |
The old boy who introduced...the old boy. | 0:25:23 | 0:25:26 | |
The director told him and told him | 0:25:26 | 0:25:28 | |
not to move a muscle once we were rolling | 0:25:28 | 0:25:31 | |
and what did he do? | 0:25:31 | 0:25:32 | |
This is just a few frustrated old people | 0:25:32 | 0:25:35 | |
that...obviously have got Victorian values. | 0:25:35 | 0:25:38 | |
Just once more - and this time, | 0:25:38 | 0:25:40 | |
if you press the red button on your remote control, | 0:25:40 | 0:25:43 | |
you can see the footage uncensored. | 0:25:43 | 0:25:45 | |
This is just a few frustrated old people... | 0:25:45 | 0:25:47 | |
Ha-ha - no, you couldn't, and shame on you. | 0:25:47 | 0:25:51 | |
It is, though, revealing just how over-zealous seaside societies get | 0:25:51 | 0:25:56 | |
in protecting their littoral zones from the wrong sort of person. | 0:25:56 | 0:26:00 | |
Like King Canute in reverse, | 0:26:00 | 0:26:02 | |
they stand with their backs to the ocean | 0:26:02 | 0:26:04 | |
and command the onrushing human tide to stay out. | 0:26:04 | 0:26:07 | |
It's a social stand-off as old as the waves themselves | 0:26:07 | 0:26:10 | |
and may the archives show that many of their former targets | 0:26:10 | 0:26:14 | |
are these days, in all probability, | 0:26:14 | 0:26:16 | |
respectably retired to bungalows by the sea themselves. | 0:26:16 | 0:26:19 | |
You tell 'em, Grandad! | 0:26:19 | 0:26:21 | |
# Can't employ you cos you've got long hair... # | 0:26:21 | 0:26:24 | |
Yes, hard times in Newquay, it seems, for the few remaining beatniks | 0:26:24 | 0:26:29 | |
still holding out in this Cornish stronghold | 0:26:29 | 0:26:33 | |
against a very determined urban district council | 0:26:33 | 0:26:36 | |
which has taken some quite unusual steps | 0:26:36 | 0:26:38 | |
to drive out its long-haired visitors. | 0:26:38 | 0:26:41 | |
At the height of the season, | 0:26:41 | 0:26:42 | |
there were perhaps 40 or 50 beatniks here in this north Cornish resort. | 0:26:42 | 0:26:47 | |
Do you think this conspiracy | 0:26:47 | 0:26:48 | |
of shopkeepers and cafe proprietors and innkeepers | 0:26:48 | 0:26:51 | |
to boycott a certain group of people, certain members of the public, | 0:26:51 | 0:26:55 | |
do you think this could stand any very close legal examination? | 0:26:55 | 0:26:59 | |
Probably not. | 0:26:59 | 0:27:00 | |
What action do you take | 0:27:00 | 0:27:01 | |
when any of these beatniks come into your pub here? | 0:27:01 | 0:27:03 | |
I look them over and if I think they're very dirty, | 0:27:03 | 0:27:06 | |
I ask them to leave. | 0:27:06 | 0:27:07 | |
Do you have to do that very often? | 0:27:07 | 0:27:09 | |
I've done it a couple of...dozen times. | 0:27:09 | 0:27:11 | |
How many complaints have you received from holiday-makers | 0:27:11 | 0:27:14 | |
about these beatniks? | 0:27:14 | 0:27:15 | |
Quite frankly, not a great number. | 0:27:15 | 0:27:16 | |
Among your other duties, you're the council treasurer. | 0:27:16 | 0:27:19 | |
Now, what has Newquay lost or suffered | 0:27:19 | 0:27:22 | |
by the arrival of these beatniks? | 0:27:22 | 0:27:24 | |
I would say nothing. | 0:27:24 | 0:27:25 | |
# I wish to the Lord that councillor would die | 0:27:25 | 0:27:29 | |
# Keeps on telling 'em stories about me... # | 0:27:29 | 0:27:33 | |
And do you think it's a good life, being a beatnik? | 0:27:33 | 0:27:36 | |
Oh, yes. I think it's an excellent life, thank you. | 0:27:36 | 0:27:38 | |
Why? What makes you say that? | 0:27:38 | 0:27:39 | |
Well, you have the freedom, a certain amount of freedom. | 0:27:39 | 0:27:42 | |
You can do what you like. I could leave here tonight | 0:27:42 | 0:27:45 | |
and I can travel to Penzance, Land's End or anywhere I like. | 0:27:45 | 0:27:48 | |
Not that you CAN leave here tonight - | 0:27:48 | 0:27:49 | |
I'm told you've GOT TO leave here tonight. | 0:27:49 | 0:27:51 | |
Only this part - they can't very well | 0:27:51 | 0:27:53 | |
make us leave the town completely. | 0:27:53 | 0:27:54 | |
Well, how has this organised disapproval of beatniks affected you? | 0:27:54 | 0:27:59 | |
It hasn't affected me...well, it has, but not very much. | 0:27:59 | 0:28:02 | |
I'm still here, as you can see, one of the few who are still here, | 0:28:02 | 0:28:05 | |
because I can just make a living by playing at barbecues and things. | 0:28:05 | 0:28:08 | |
Well, there we leave Sue, Paddy and Eric, | 0:28:08 | 0:28:13 | |
who are apparently ever so cross down in Newquay in Cornwall. | 0:28:13 | 0:28:17 | |
We began with an ode to the beach and we'll close with one. | 0:28:17 | 0:28:21 | |
It was the renaissance man Gyles Brandreth who penned this. | 0:28:21 | 0:28:24 | |
He wrote it after losing his beloved Border collie Ambrosia | 0:28:24 | 0:28:29 | |
during a winter walk high on the wild cliffs | 0:28:29 | 0:28:31 | |
above the raging sea near The Lizard in Cornwall. | 0:28:31 | 0:28:34 | |
After several hours of lonely, fruitless search, | 0:28:34 | 0:28:37 | |
he eventually located the exhausted animal | 0:28:37 | 0:28:39 | |
on a small stretch of sand near an abandoned smugglers' cave | 0:28:39 | 0:28:43 | |
and, setting himself down in the sodden sand, | 0:28:43 | 0:28:46 | |
holding the shivering creature to his own sobbing breast, | 0:28:46 | 0:28:49 | |
he composed the following poem of thanks to the merciful Fates. | 0:28:49 | 0:28:54 | |
I'd like to do it in its entirety for you now. | 0:28:54 | 0:28:57 | |
O! Wet pet! | 0:28:59 | 0:29:01 | |
Good night. | 0:29:01 | 0:29:02 | |
Where do you want to go, eh? | 0:29:02 | 0:29:05 | |
Go home! | 0:29:05 | 0:29:06 |