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If you go down to the woods today, you're sure of a big surprise. | 0:00:15 | 0:00:18 | |
If you go down to the woods today, you'd better go in disguise. | 0:00:18 | 0:00:22 | |
When Alfred, Lord Tennyson wrote that, sometime in the Middle Ages, | 0:00:22 | 0:00:26 | |
such an ominous warning was understandable. | 0:00:26 | 0:00:28 | |
Woods covered most of what we now call our forested areas, | 0:00:28 | 0:00:32 | |
and they were seen as mysterious, dangerous locations | 0:00:32 | 0:00:35 | |
full of mists, magic, and dragons - decidedly off limits. | 0:00:35 | 0:00:39 | |
We like to think that today, in this age of iron, | 0:00:39 | 0:00:42 | |
we've moved on from such ignorance and superstition. | 0:00:42 | 0:00:44 | |
But tonight, this show looks at the modern TV evidence and asks have we? | 0:00:44 | 0:00:49 | |
Have we really? | 0:00:49 | 0:00:51 | |
WOLF HOWLS | 0:00:51 | 0:00:52 | |
This show may not be for those of you with a nervous | 0:00:52 | 0:00:55 | |
or discerning disposition. | 0:00:55 | 0:00:57 | |
Stay together, everyone. We're going in. | 0:00:57 | 0:01:00 | |
-Have you got five minutes to show me where the best bluebells are? -Yes. | 0:01:05 | 0:01:08 | |
It's impossible to dislocate the jaw of a badger. | 0:01:10 | 0:01:12 | |
If we keep quiet and very still they might come through here. | 0:01:15 | 0:01:19 | |
Come through... | 0:01:19 | 0:01:21 | |
Pick whortleberries and all that kind of thing. | 0:01:23 | 0:01:26 | |
-You know, they could be lying anywhere in this gorge. -Yes. | 0:01:28 | 0:01:30 | |
This pine tree is very fat. | 0:01:30 | 0:01:32 | |
Let's move on. | 0:01:41 | 0:01:42 | |
Now, having grown up in inner London, I'll confess | 0:01:42 | 0:01:45 | |
I knew very little about woods as a kid. | 0:01:45 | 0:01:47 | |
I'd heard of Hollywood, Knock On Wood, Natalie Wood | 0:01:47 | 0:01:50 | |
and Edward Wood...wood. | 0:01:50 | 0:01:52 | |
However, these days you'll rarely find me more than a few feet | 0:01:52 | 0:01:55 | |
from somewhere damp, dark, overgrown and musty. | 0:01:55 | 0:01:58 | |
And I know this much - clothes are key to the entire experience. | 0:01:58 | 0:02:03 | |
And if you think I talk poppycock, you wait till you hear this bloke. | 0:02:03 | 0:02:07 | |
No-one can disagree that the invention of the gumboot was | 0:02:07 | 0:02:10 | |
an important advance in resolving a problem which has baffled | 0:02:10 | 0:02:14 | |
countrymen ever since one old sportsman up here in Norfolk | 0:02:14 | 0:02:17 | |
devised a hat for himself out of a dead hedgehog. | 0:02:17 | 0:02:21 | |
The problem of what to wear in the country. | 0:02:21 | 0:02:25 | |
I wondered if you could help me a little bit | 0:02:25 | 0:02:27 | |
cos I want to go walking in the country, you see, | 0:02:27 | 0:02:29 | |
but I'm not really quite certain the sort of thing that I might need. | 0:02:29 | 0:02:32 | |
-I'd like the full gear now. -Right, yeah, that's no problem. | 0:02:32 | 0:02:34 | |
So what you need's things like shirt, erm, good quality breeches. | 0:02:34 | 0:02:37 | |
This is your tweeds, which you could use in... | 0:02:37 | 0:02:39 | |
It's wool, so you can use that in the wintertime. | 0:02:39 | 0:02:42 | |
Summertime obviously you can use something a little bit lighter. | 0:02:42 | 0:02:44 | |
You've got your moleskins and your corduroy. | 0:02:44 | 0:02:47 | |
Now, there's your corduroys, which are nice and light. | 0:02:47 | 0:02:50 | |
Double seated for the back. Give you plenty of protection | 0:02:50 | 0:02:52 | |
if you're scrambling and things like that. | 0:02:52 | 0:02:54 | |
These breeches have become fashionable now, haven't they? | 0:02:54 | 0:02:56 | |
I mean, you never had them before. | 0:02:56 | 0:02:58 | |
Used to have trousers that went right down to the ground. | 0:02:58 | 0:03:00 | |
Well, your corduroy, they get very dirty and if it's raining | 0:03:00 | 0:03:03 | |
or the grass is wet then obviously the bottom half's going to get wet. | 0:03:03 | 0:03:06 | |
But with these, the rain's just going to run down your naked leg. | 0:03:06 | 0:03:09 | |
Well, you've got your socks on as well, don't forget. | 0:03:09 | 0:03:11 | |
-They come up to your knee. -I'd feel a bit... | 0:03:11 | 0:03:13 | |
-You wouldn't look down. -You need good calves, don't you, for these? | 0:03:13 | 0:03:15 | |
Well, it's adjustable. You've got a Velcro fastening. | 0:03:15 | 0:03:18 | |
-Aah. -Right? -But I'm going to need some over trousers, aren't I? | 0:03:18 | 0:03:21 | |
I'm going to have some... | 0:03:21 | 0:03:22 | |
You're going to need some, erm, some waterproofs, yeah. | 0:03:22 | 0:03:25 | |
-Some trousers over these trousers? -No, no, no. | 0:03:25 | 0:03:27 | |
You don't need anything over that unless the weather's bad. | 0:03:27 | 0:03:30 | |
-But if the weather's bad... -You can get a waterproof. | 0:03:30 | 0:03:32 | |
OK, let's have a look at those and see what else I need. | 0:03:32 | 0:03:35 | |
Yeah, it seemed like our salesman there was herding him | 0:03:36 | 0:03:39 | |
towards one particular type of fabric, didn't it? | 0:03:39 | 0:03:41 | |
Corduroy. | 0:03:41 | 0:03:42 | |
Though be warned, if out camping, never use your corduroy breeches | 0:03:42 | 0:03:46 | |
for a pillow - you'll wake up having made headlines! | 0:03:46 | 0:03:50 | |
Armillaria mellea. Yes, the honey fungus. There it is. | 0:03:50 | 0:03:54 | |
There it is you see. The ring with a yellow edge, darker stem. | 0:03:55 | 0:04:01 | |
Uh... And it's an edible species. | 0:04:01 | 0:04:04 | |
Of course, we always taste them. Always taste the fungus. | 0:04:07 | 0:04:11 | |
It's all right as long as you spit it out. | 0:04:11 | 0:04:13 | |
It's better not to taste some...death caps and things like that. | 0:04:13 | 0:04:16 | |
The erm... I mean, these things have quite a pleasant taste. | 0:04:20 | 0:04:23 | |
This is Lepiota procera. | 0:04:25 | 0:04:27 | |
-You found that in the grass field, I expect. -Just on the edge of it, yes. | 0:04:27 | 0:04:31 | |
Ah, a stinkhorn. Very nice. Yes. | 0:04:31 | 0:04:35 | |
It's only just begun. | 0:04:35 | 0:04:36 | |
-In a short time all the flies will come. -It's a beautiful specimen. | 0:04:38 | 0:04:41 | |
Yes, it's a very good one. | 0:04:41 | 0:04:43 | |
It's just at the beginning and the flies haven't come yet. | 0:04:43 | 0:04:46 | |
-They were on it up there. -All the spores will be taken away. | 0:04:46 | 0:04:50 | |
-Ever tried eating it? -Oh, yes. -You can eat it... | 0:04:50 | 0:04:54 | |
They're not very nice, but... | 0:04:54 | 0:04:56 | |
-I can't imagine why anyone possibly could. -Well, oh, yes, yes. | 0:04:56 | 0:05:00 | |
It's not, I understand, particularly palatable, | 0:05:00 | 0:05:03 | |
but it's certainly a thing you can eat. | 0:05:03 | 0:05:05 | |
When that programme was first aired, it received over 7,000 complaints | 0:05:07 | 0:05:11 | |
from outraged viewers all saying the same thing. | 0:05:11 | 0:05:14 | |
And that is - you wouldn't get a honey fungus | 0:05:14 | 0:05:17 | |
and a Letiola fostella growing in such proximity to each other! | 0:05:17 | 0:05:21 | |
Did the BBC really think they'd get away with broadcasting | 0:05:21 | 0:05:24 | |
such an enormous a cock-up? | 0:05:24 | 0:05:25 | |
A few added that you also shouldn't disturb the undergrowth like that. | 0:05:26 | 0:05:30 | |
But then again, country folk - they have their own ways. | 0:05:30 | 0:05:34 | |
David Lilly is 14 and lives in Suffolk. | 0:05:34 | 0:05:36 | |
He has a very unusual hobby which has to do with dead birds, | 0:05:36 | 0:05:40 | |
which he finds mostly by roads and lakes. | 0:05:40 | 0:05:43 | |
Well, the strange hobby that David has is collecting birds' wings, | 0:05:43 | 0:05:46 | |
which is something I've certainly never heard of before. | 0:05:46 | 0:05:49 | |
David, how did you first get interested? | 0:05:49 | 0:05:51 | |
I started off by collecting feathers | 0:05:51 | 0:05:53 | |
and one day I was given a complete wing. | 0:05:53 | 0:05:56 | |
The person who gave it to me intended me to take the feathers out | 0:05:56 | 0:06:00 | |
and stick them in my scrapbook with the other feathers. | 0:06:00 | 0:06:02 | |
But I liked the wing with all the feathers in it | 0:06:02 | 0:06:04 | |
so much that I decided to keep collecting wings. | 0:06:04 | 0:06:07 | |
-And you've never gone back to just collecting the feathers? -No. | 0:06:07 | 0:06:10 | |
-Have you got the bird that you first collected here? -Yeah, it's a jay. | 0:06:10 | 0:06:14 | |
It's this one here. | 0:06:14 | 0:06:15 | |
You can always tell the jay because of these bright blue | 0:06:15 | 0:06:18 | |
and black bars along the wing there. | 0:06:18 | 0:06:20 | |
-These are beautiful colours, aren't they? -Yeah. | 0:06:20 | 0:06:22 | |
In fact, all of these wings have got incredible colour schemes on them. | 0:06:22 | 0:06:26 | |
-And this one... -Yes, this is a kingfisher. -Beautiful blue. | 0:06:26 | 0:06:29 | |
Blue on the top and then underneath it's bright orange. | 0:06:29 | 0:06:32 | |
Yes, it's very wonderful. | 0:06:32 | 0:06:34 | |
-And they've also got an incredible variation of size. -Yes. | 0:06:34 | 0:06:37 | |
-That one, what's that? -the heron here, it's a fairly large bird. | 0:06:37 | 0:06:41 | |
And then here you see Britain's smallest bird, which is a goldcrest | 0:06:41 | 0:06:45 | |
-and it's a really tiny wing. -It really is. And what's this one? | 0:06:45 | 0:06:49 | |
This is a lovely colour. It's very light, too. | 0:06:49 | 0:06:51 | |
That one's the barn owl. | 0:06:51 | 0:06:54 | |
It's light because all the bones are hollow inside the wing. | 0:06:54 | 0:06:56 | |
Oh, it's all quite fascinating. | 0:06:56 | 0:06:58 | |
Much more to wings than I ever thought there was. | 0:06:58 | 0:07:00 | |
-Thank you very much, David. -Thank you. | 0:07:00 | 0:07:02 | |
Well, fascinating it may be, | 0:07:02 | 0:07:04 | |
but thanks to his macabre collection over two-thirds of the birds | 0:07:04 | 0:07:07 | |
in Suffolk were flying round in circles. | 0:07:07 | 0:07:09 | |
Or perhaps I'm being too much of a townie. | 0:07:09 | 0:07:12 | |
It's very possible that that kid, diligently dissecting ducks, | 0:07:12 | 0:07:16 | |
was much more in touch with nature than I will ever be. | 0:07:16 | 0:07:19 | |
Or ever want to be. | 0:07:19 | 0:07:21 | |
This fella quit his day job in Jethro Tull to begin a new life | 0:07:21 | 0:07:24 | |
under all natural fibres. | 0:07:24 | 0:07:26 | |
He began with his hat but soon expanded the idea. | 0:07:26 | 0:07:29 | |
You have to learn how... | 0:07:29 | 0:07:31 | |
..to live in a tepee. | 0:07:33 | 0:07:35 | |
But once you've learned how to live in a tepee, | 0:07:37 | 0:07:39 | |
then the work involved in keeping the whole of your tepee together | 0:07:39 | 0:07:44 | |
need not be more than about one hour a day. | 0:07:44 | 0:07:47 | |
THEY GIGGLE | 0:07:49 | 0:07:52 | |
You find them out in a field with a packet of space dust playing | 0:07:52 | 0:07:55 | |
Six Million Dollar Man. Um, you know, it's... | 0:07:55 | 0:07:59 | |
They're not missing any of it. | 0:07:59 | 0:08:01 | |
What they aren't doing is constantly exposed to it. | 0:08:01 | 0:08:06 | |
So the Six Million Dollar Man and space dust is a very, | 0:08:06 | 0:08:09 | |
very minute part of their lives and looking after baby lambs | 0:08:09 | 0:08:15 | |
and playing with the horses and digging in their gardens | 0:08:15 | 0:08:20 | |
is a much, much larger part of their lives. | 0:08:20 | 0:08:23 | |
And that is the balance. | 0:08:23 | 0:08:25 | |
Space dust and the Six Million Dollar Man. | 0:08:25 | 0:08:29 | |
I don't think his kids are missing those, | 0:08:29 | 0:08:30 | |
but I think somebody in that whacky wigwam is, don't you? | 0:08:30 | 0:08:34 | |
That's because you can't take to the woods | 0:08:34 | 0:08:36 | |
and keep one foot in corrupt old civilisation. | 0:08:36 | 0:08:39 | |
It's not enough to merely be in the trees, | 0:08:39 | 0:08:41 | |
one must be completely of the trees. | 0:08:41 | 0:08:44 | |
In the lush green fields that surround Powick, | 0:08:44 | 0:08:46 | |
a tiny village near Worcester, there is a dustman who lives up a tree. | 0:08:46 | 0:08:50 | |
He is Mr Frank Gunnell | 0:08:50 | 0:08:52 | |
and he has lived very happily up this tree for 28 years. | 0:08:52 | 0:08:56 | |
He calls his home Little Dene. | 0:08:56 | 0:08:57 | |
Good evening, Mr Gunnell. | 0:08:59 | 0:09:00 | |
Thank you very much for inviting me into your nest, as it were. | 0:09:00 | 0:09:04 | |
Tell me first of all, when did you decide to live in the open air? | 0:09:04 | 0:09:07 | |
-When I was 14. -Really? | 0:09:07 | 0:09:10 | |
And what made you live up a tree, for goodness' sake? | 0:09:10 | 0:09:13 | |
-Well, you see one thing with the flood. -Hmm. | 0:09:13 | 0:09:15 | |
And when it starts coming out it gets about five foot high, | 0:09:15 | 0:09:18 | |
five and a half, five inches. Like five foot five inches. | 0:09:18 | 0:09:21 | |
And I decided, well, I had my little place down there | 0:09:21 | 0:09:24 | |
-and I came up here, you see, out of the flood's way. -I see. | 0:09:24 | 0:09:28 | |
-That was a very good and practical reason. -Yes. | 0:09:28 | 0:09:30 | |
And does the river here, it's the Teme, isn't it? | 0:09:30 | 0:09:33 | |
-Does it flood very often? -Sometimes three times a year. -Really? | 0:09:33 | 0:09:36 | |
And aren't you frightened that you're going to get caught short | 0:09:36 | 0:09:39 | |
one of these days and get flooded out? | 0:09:39 | 0:09:41 | |
Well, not particular cos there's nothing to scare me, you see. | 0:09:41 | 0:09:43 | |
-I've been flooded out once for a fortnight. -For a fortnight? | 0:09:43 | 0:09:46 | |
-For a fortnight. -You were marooned up here? -Yes. | 0:09:46 | 0:09:48 | |
-Marooned up here for a fortnight. -Did you have enough food? -Yes. | 0:09:48 | 0:09:52 | |
Straight to the village and went and got about a month's grub. | 0:09:52 | 0:09:55 | |
And comes back and I had to walk through the flood. You could tell. | 0:09:55 | 0:09:58 | |
It was that much over the top of the garden. | 0:09:58 | 0:10:00 | |
This platform that we're standing on now, | 0:10:00 | 0:10:02 | |
which, with a stretch of the imagination, we could | 0:10:02 | 0:10:04 | |
-call your terrace, it's built on the trunk of the tree, is it? -Yes. | 0:10:04 | 0:10:08 | |
How old is this tree, by the way? | 0:10:08 | 0:10:09 | |
-Well, I reckon to meself he's about 500 years old. -I see. | 0:10:09 | 0:10:13 | |
During the 28 years that you've lived up this tree, have you ever | 0:10:13 | 0:10:16 | |
-spent a night in a house? -No. -You never have? -No. | 0:10:16 | 0:10:20 | |
Finally, don't you ever find it desperately lonely living up here? | 0:10:20 | 0:10:23 | |
-Yes. -Thank you very much indeed, Mr Gunnell. | 0:10:26 | 0:10:28 | |
And I hope you'll spend many, many more very happy years up your tree. | 0:10:28 | 0:10:32 | |
Frank Gunnell. Visit him in branch today. | 0:10:32 | 0:10:36 | |
I must say his woody waterside retreat did look rather idyllic. | 0:10:36 | 0:10:40 | |
But it's not just in timber-lake areas where we find the lone wolves. | 0:10:40 | 0:10:44 | |
No, others tirelessly roam the loamy interiors hoping to record | 0:10:45 | 0:10:49 | |
the forest's fascinating legends for us all. | 0:10:49 | 0:10:52 | |
Kenneth Whitehead is not a man who finds his deepest | 0:10:54 | 0:10:57 | |
satisfactions in the company of his fellow human. | 0:10:57 | 0:11:00 | |
Kenneth makes films of wildlife | 0:11:00 | 0:11:02 | |
and stalking for films is even more difficult than marksman stalking. | 0:11:02 | 0:11:06 | |
You have to get the whole of the animal in shot and for long periods. | 0:11:06 | 0:11:10 | |
He's crazy about deer. He's in love with deer. | 0:11:10 | 0:11:14 | |
What about this thing? | 0:11:14 | 0:11:15 | |
Well, I bought this when petrol started to go up. | 0:11:16 | 0:11:19 | |
I thought if I had to give up my car | 0:11:19 | 0:11:22 | |
I would at least have some transport. | 0:11:22 | 0:11:24 | |
The only trouble is now I've got to buy a horse to pull it. | 0:11:24 | 0:11:27 | |
I thought it might be a little more economic to use | 0:11:28 | 0:11:31 | |
than perhaps my Jaguar. | 0:11:31 | 0:11:33 | |
Must have been rather fun riding in the back of this sledge | 0:11:34 | 0:11:38 | |
with perhaps your girlfriend in the seat and the only trouble is | 0:11:38 | 0:11:42 | |
I haven't got a horse or reindeer to pull it. | 0:11:42 | 0:11:45 | |
Where did you get it? | 0:11:45 | 0:11:47 | |
I bought it in Alderstone of all places in the Lake District. | 0:11:47 | 0:11:51 | |
I like it. | 0:11:51 | 0:11:52 | |
And at last we know what happened to the Ice Queen's charabanc | 0:11:52 | 0:11:55 | |
after Aslan's final victory. | 0:11:55 | 0:11:58 | |
Actually, on that, Narnia is just one example of the persistent | 0:11:58 | 0:12:01 | |
mythology that surrounds even the meanest of dells. | 0:12:01 | 0:12:05 | |
Britain's rich in all that, you know. | 0:12:05 | 0:12:07 | |
Plant a few ferns on a Monday | 0:12:07 | 0:12:09 | |
and by Wednesday the fairy-folk will be revelling all over them. | 0:12:09 | 0:12:12 | |
Even the very trees themselves hold within them ancient secrets... | 0:12:12 | 0:12:17 | |
Can you tell me where your wishing cork tree is, please? | 0:12:17 | 0:12:20 | |
Where it was. | 0:12:20 | 0:12:21 | |
-It's dead, my buddy. -What, there's no wishing cork tree? | 0:12:21 | 0:12:24 | |
No, it's dead. It's dead now. | 0:12:24 | 0:12:26 | |
The man who would know is 77-year-old Leslie Fisher | 0:12:28 | 0:12:31 | |
who told me that he was still cutting off slivers with a bacon slicer | 0:12:31 | 0:12:34 | |
and selling them to the superstitious for 37½ pence a time. | 0:12:34 | 0:12:40 | |
There, above his head, he said, was a picture of the tree in all its glory. | 0:12:40 | 0:12:44 | |
At one time, sales of the cork became a major export industry | 0:12:44 | 0:12:48 | |
bringing in a quarter of a million dollars. | 0:12:48 | 0:12:51 | |
In his Torquay offices, he employed 26 girls packing and posting | 0:12:52 | 0:12:56 | |
and replying to letters of thanks from people all over the world | 0:12:56 | 0:12:59 | |
that had won the pools or found a long-lost relative after | 0:12:59 | 0:13:02 | |
buying a piece of the cork tree. | 0:13:02 | 0:13:04 | |
Now Mr Fisher is down to a one-room office | 0:13:04 | 0:13:07 | |
and goes alone each morning to deal with the mail. | 0:13:07 | 0:13:10 | |
The tree is still there but it's only a trunk. | 0:13:10 | 0:13:13 | |
Don't you think that from seeing your leaflets some people | 0:13:13 | 0:13:16 | |
may have the impression that the tree is still standing three? | 0:13:16 | 0:13:18 | |
Er... | 0:13:20 | 0:13:21 | |
Well, that is possible. Yes, that is possible. | 0:13:21 | 0:13:25 | |
-Well, do you believe the cork is lucky? -No. | 0:13:25 | 0:13:30 | |
You seem to be very carefully playing it both ways, cos even in your | 0:13:30 | 0:13:33 | |
-advertisements at the top of it you say, "I don't believe it." -Yes. | 0:13:33 | 0:13:36 | |
Then at the end you say, "Even I won £6,057 on Vernons Football Pool | 0:13:36 | 0:13:42 | |
-"a short time ago, so there must be something in it." -That's right. | 0:13:42 | 0:13:45 | |
So there must be something in it, yes. | 0:13:45 | 0:13:47 | |
-But just now you said you didn't believe it. -Yeah. | 0:13:47 | 0:13:50 | |
Well, there must be something in it but I don't think it is. | 0:13:50 | 0:13:53 | |
But if you don't believe it, then why do you do it? | 0:13:53 | 0:13:55 | |
Isn't it a bit dishonest? | 0:13:55 | 0:13:57 | |
Well, no, it's not dishonest. No, no. I wouldn't say dishonest at all. | 0:13:59 | 0:14:03 | |
If people believe a certain thing, it's hardly for me | 0:14:03 | 0:14:07 | |
to say that they're wrong if they think they're doing the right thing. | 0:14:07 | 0:14:11 | |
-But is it right for you to encourage them? -I don't encourage them. | 0:14:11 | 0:14:15 | |
No, I don't encourage them | 0:14:15 | 0:14:16 | |
because I start off by saying I don't believe it. | 0:14:16 | 0:14:19 | |
The great cork tree con. | 0:14:19 | 0:14:21 | |
Incidentally, you do know what to do | 0:14:21 | 0:14:23 | |
if you suspect trees of fraud, don't you? | 0:14:23 | 0:14:25 | |
Call the COPSE! I'm absolutely on fire tonight. | 0:14:25 | 0:14:29 | |
Somebody throw me a hedgehog. Why? | 0:14:29 | 0:14:31 | |
Despite their shuffling gait, | 0:14:31 | 0:14:32 | |
hedgehogs are actually quite good climbers. | 0:14:32 | 0:14:34 | |
They can also swim rather well. | 0:14:34 | 0:14:37 | |
They've got poor eyesight, but a very acute sense of smell | 0:14:37 | 0:14:39 | |
and hearing. Now, in the past, | 0:14:39 | 0:14:41 | |
gypsies used to roll these guys up in clay and bake them to eat. | 0:14:41 | 0:14:44 | |
Yes, a very famous face there | 0:14:44 | 0:14:46 | |
dishing out the arboreal survival tips. | 0:14:46 | 0:14:48 | |
In fact, too many of you breathless teens waste your time | 0:14:48 | 0:14:52 | |
hanging about the big cities' nightclubs and red carpets | 0:14:52 | 0:14:55 | |
looking for celebrities when all the real action | 0:14:55 | 0:14:58 | |
is over among the badgers and bluebells | 0:14:58 | 0:14:59 | |
of nature's own Ivy Restaurant. | 0:14:59 | 0:15:02 | |
MUSIC: "Bergerac Theme" | 0:15:02 | 0:15:05 | |
'Jim Bergerac, of course, alias actor John Nettles. | 0:15:12 | 0:15:16 | |
'And this is his favourite place. | 0:15:16 | 0:15:19 | |
'This is Dover's Hill in the very heart of Shakespeare country.' | 0:15:19 | 0:15:23 | |
I like it because it's just the time of year. | 0:15:23 | 0:15:26 | |
Summer's almost gone. We're going into autumn now. | 0:15:26 | 0:15:29 | |
And it's beautiful. The colours start to change, | 0:15:29 | 0:15:31 | |
the sheep, as you see, the lambs have all grown up, | 0:15:31 | 0:15:33 | |
they're crouching under the trees over there. | 0:15:33 | 0:15:35 | |
Actor John Nettles on his favourite corner of the British countryside. | 0:15:35 | 0:15:39 | |
Conkers conquer all on the village green at Ashton in Northamptonshire. | 0:15:39 | 0:15:42 | |
The 14th World Championship brings together conker crackers | 0:15:42 | 0:15:45 | |
of all parts of Britain and overseas. | 0:15:45 | 0:15:47 | |
Conker king Vic Owen presides. | 0:15:51 | 0:15:53 | |
With a house crowd of spectators watching for foul play, | 0:15:56 | 0:15:58 | |
the world championship reaches a climax. | 0:15:58 | 0:16:01 | |
Showbiz joins in - actor Eddie Yeats of TV's Coronation Street. | 0:16:03 | 0:16:06 | |
Proceeds of the day go to help blind people in the area. | 0:16:08 | 0:16:11 | |
This year's target is £1,000. | 0:16:11 | 0:16:14 | |
Les Treliving's the winner. The champion of the world. | 0:16:20 | 0:16:23 | |
Eddie Yeats presents the cup. | 0:16:25 | 0:16:27 | |
This year an English victory, so Eddie offers Les | 0:16:31 | 0:16:34 | |
his conker-atulations from all at Conker-a-nation Street. | 0:16:34 | 0:16:37 | |
"Conker-atulations"? "Conker-a-nation Street."? | 0:16:39 | 0:16:43 | |
Behold the rightful king of the comic voiceover. | 0:16:43 | 0:16:46 | |
That was top drawer stuff. | 0:16:46 | 0:16:48 | |
Too bad he repeatedly confused actor Geoffrey Hughes | 0:16:48 | 0:16:51 | |
with the character he played on TV. | 0:16:51 | 0:16:53 | |
Eddie Yeats presents the cup. | 0:16:53 | 0:16:54 | |
The undisputed show business king of the countryside was always | 0:16:54 | 0:16:58 | |
Mr Percy Edwards, a man who could imitate wildlife | 0:16:58 | 0:17:01 | |
so perfectly he was routinely quarantined | 0:17:01 | 0:17:04 | |
when he attempted to come back into the country. | 0:17:04 | 0:17:06 | |
HE IMITATES A DUCK | 0:17:06 | 0:17:09 | |
To say he had his fans is an understatement. | 0:17:09 | 0:17:12 | |
Peter Sellers kicks off the tributes here and... Well, you'll see... | 0:17:12 | 0:17:16 | |
I don't think anyone had the guts to tell him. | 0:17:16 | 0:17:18 | |
I'd known lots of bird impressionists and lots of whistlers | 0:17:18 | 0:17:22 | |
and ventriloquists and everything. | 0:17:22 | 0:17:24 | |
But there's only one Percy Edwards and Percy Edwards is... | 0:17:25 | 0:17:29 | |
in my estimation, my humblest of estimations, a true star. | 0:17:29 | 0:17:35 | |
HE COOS LIKE A PIGEON | 0:17:35 | 0:17:38 | |
You ask him to do a hippopotamus or anything. | 0:17:40 | 0:17:43 | |
You give him a dormouse to hippopotamus, I mean, he can do it. | 0:17:43 | 0:17:46 | |
HE TWEETS LIKE A BIRD | 0:17:46 | 0:17:48 | |
That slightly amateur feeling, which - I don't use | 0:17:49 | 0:17:52 | |
that in a disparaging way, | 0:17:52 | 0:17:54 | |
on the contrary, it's a compliment. | 0:17:54 | 0:17:56 | |
HE WHISTLES LIKE A BIRD | 0:17:56 | 0:17:58 | |
It must've taken him years to get that right. | 0:17:58 | 0:18:02 | |
HE WHISTLES LIKE A BIRD | 0:18:02 | 0:18:05 | |
Even birds think it's the real thing. | 0:18:05 | 0:18:08 | |
How do you know if they're accurate? | 0:18:08 | 0:18:10 | |
Well, I decoy them and if they come, you know, for instance | 0:18:10 | 0:18:13 | |
if I go out and imitate a robin, almost immediately robins answer. | 0:18:13 | 0:18:18 | |
And the one in the area that's his territory will come | 0:18:18 | 0:18:21 | |
and try to see this other robin off. | 0:18:21 | 0:18:23 | |
They ignore me, but they're searching for this other robin. | 0:18:23 | 0:18:26 | |
And I feel if robins will answer, I don't need any human being to | 0:18:26 | 0:18:30 | |
say, "That's not quite right, old man," | 0:18:30 | 0:18:32 | |
because I'm quite happy with a bird. | 0:18:32 | 0:18:34 | |
Percy spends his time off at a farm down the road. | 0:18:37 | 0:18:40 | |
HE SQUEALS LIKE A PIG | 0:18:40 | 0:18:43 | |
THE PIGS SQUEAL AND SNORT | 0:18:45 | 0:18:48 | |
I love every one of them. | 0:18:50 | 0:18:52 | |
Orwellian stuff. | 0:18:58 | 0:19:00 | |
Percy Edwards down on Animal Farm. Although Esther Rantzen, | 0:19:00 | 0:19:04 | |
closest to the pig shrieks, | 0:19:04 | 0:19:05 | |
probably thought she was in the Room 101 scene from 1984. | 0:19:05 | 0:19:09 | |
What isn't debatable is that Percy was the king...of that, | 0:19:09 | 0:19:14 | |
and proved that while all animal impersonators are created equal, | 0:19:14 | 0:19:17 | |
some are more equal than others. | 0:19:17 | 0:19:20 | |
I went along to meet bird expert Andy Chick. | 0:19:20 | 0:19:22 | |
I wonder why people like owls so much. | 0:19:28 | 0:19:30 | |
If you look at these long-eared owls, | 0:19:30 | 0:19:32 | |
they've got two really large eyes which have been developed | 0:19:32 | 0:19:35 | |
so that they can look for prey during the night, and these eyes | 0:19:35 | 0:19:39 | |
are close together and they make them look really like human. | 0:19:39 | 0:19:42 | |
OWL HOOTS | 0:19:42 | 0:19:44 | |
And it has an amazing call. | 0:19:44 | 0:19:46 | |
It's like the sound of a person blowing over a milk bottle | 0:19:46 | 0:19:50 | |
a sort of a hoo-hoo-hoo-hoo-hoo-hoo-hoo. | 0:19:50 | 0:19:55 | |
Tac-too-coos, Taffy. Tac-too-coos. | 0:19:59 | 0:20:02 | |
The song of the wood pigeon. And here's its picture. | 0:20:02 | 0:20:06 | |
Hello. Do you know the name of the bird that says, | 0:20:06 | 0:20:10 | |
"A little bit of bread and no cheese"? | 0:20:10 | 0:20:12 | |
There it is. A yellowhammer. | 0:20:13 | 0:20:15 | |
Hello. Today's bird of the week is one that's quite common in many | 0:20:15 | 0:20:19 | |
country districts and often in the outskirts of towns as well. | 0:20:19 | 0:20:23 | |
But you don't often see it in the day time. | 0:20:23 | 0:20:25 | |
Anyway. Here's its call. | 0:20:26 | 0:20:28 | |
OWL HOOTS | 0:20:31 | 0:20:32 | |
And here's its picture. Yes, the tawny owl. | 0:20:32 | 0:20:36 | |
Chiff-chaff. Chiff-chaff. Chiff-chaff. | 0:20:36 | 0:20:39 | |
Well, today's bird of the week tells you its own name, doesn't it? Yes. | 0:20:39 | 0:20:44 | |
The chiffchaff. | 0:20:44 | 0:20:46 | |
When I hear the first chiffchaff I know that spring is | 0:20:46 | 0:20:49 | |
really on the way. | 0:20:49 | 0:20:50 | |
Spring. | 0:20:52 | 0:20:53 | |
Delightful. Dr Primrose Camp, | 0:20:53 | 0:20:56 | |
who talked to birds throughout most of the '60s until served with | 0:20:56 | 0:20:59 | |
a breach-of-copyright writ by Dr Doolittle PLC. | 0:20:59 | 0:21:03 | |
Now, I know what you're thinking. | 0:21:03 | 0:21:04 | |
You think I've forgotten that at the top of this programme I claimed that | 0:21:04 | 0:21:08 | |
the woods were malevolent, wicked locations fraught with danger. | 0:21:08 | 0:21:12 | |
Well, the time has come to let all the poisons hatch out. | 0:21:12 | 0:21:16 | |
Three examples of why all of the most chilling fairy tales | 0:21:16 | 0:21:19 | |
have forestry at the centre of their dark hearts. | 0:21:19 | 0:21:23 | |
One - the hunters. | 0:21:23 | 0:21:25 | |
As Oscar Wilde said, "The unusual in pursuit of the unsavoury." | 0:21:25 | 0:21:31 | |
GUNSHOT | 0:21:31 | 0:21:32 | |
Deer hunting is apparently a confused occupation. | 0:21:32 | 0:21:35 | |
WHISTLE BLARES | 0:21:35 | 0:21:36 | |
WHISTLE BLARES | 0:21:37 | 0:21:39 | |
Whooooo! | 0:21:40 | 0:21:44 | |
WHISTLE BLARES | 0:21:46 | 0:21:47 | |
Whooooo! | 0:21:47 | 0:21:50 | |
Ladies and gentlemen, Haysi Fantayzee. | 0:21:50 | 0:21:53 | |
-Four couples. -On his own? -Yes. -Yes, on his own. | 0:21:53 | 0:21:56 | |
And there's four couples on | 0:21:56 | 0:21:58 | |
-in front of the others. -Right. Thank you. | 0:21:58 | 0:22:00 | |
Keep on whistling. | 0:22:00 | 0:22:02 | |
We haven't seen them so much through here. | 0:22:02 | 0:22:05 | |
There was a motorbike in front of us. | 0:22:05 | 0:22:06 | |
The riders have come out of Padham | 0:22:06 | 0:22:08 | |
and come out and gone on... | 0:22:08 | 0:22:11 | |
Did they come up across the field or just ride on? | 0:22:11 | 0:22:14 | |
They keep coming here but why the hell | 0:22:14 | 0:22:16 | |
the hounds don't come, I don't know. | 0:22:16 | 0:22:18 | |
So they must be going out up by the farm. | 0:22:18 | 0:22:22 | |
People up there on the road, weren't there? | 0:22:22 | 0:22:25 | |
Up top. Up on the road. | 0:22:25 | 0:22:27 | |
-The cars haven't gone out then? -Well, there's a lot of cars gone out. | 0:22:27 | 0:22:30 | |
SPEECH INDISTINCT | 0:22:30 | 0:22:36 | |
Hee-hee. The guy's in. | 0:22:36 | 0:22:38 | |
I know. It's a powerful argument they're putting forward there | 0:22:38 | 0:22:41 | |
and the debate continues to rage. | 0:22:41 | 0:22:44 | |
That meet actually carried on like that, without a kill, | 0:22:44 | 0:22:47 | |
for three days until it was invaded by a combined attack | 0:22:47 | 0:22:50 | |
from hunt saboteurs and the Plain English society. | 0:22:50 | 0:22:53 | |
But then...night must fall. | 0:22:53 | 0:22:57 | |
This area around us is the traditional haunt of witches, | 0:22:58 | 0:23:01 | |
of Satanists, of the occult in general. | 0:23:01 | 0:23:04 | |
Around us as we stand now, we've probably got about 30 covens | 0:23:04 | 0:23:09 | |
in the area. | 0:23:09 | 0:23:11 | |
A little over that hill, we have another 20 in the Preston area. | 0:23:11 | 0:23:15 | |
DRUMS AND CHANTING | 0:23:15 | 0:23:17 | |
In a time of economic recession, more and more people have more | 0:23:21 | 0:23:23 | |
and more leisure time. | 0:23:23 | 0:23:24 | |
They're either very poor and on the dole, in which case they'll have | 0:23:24 | 0:23:27 | |
plenty of leisure time, or they're every rich | 0:23:27 | 0:23:29 | |
and therefore have plenty of leisure time. | 0:23:29 | 0:23:31 | |
If you're poor and have plenty of leisure time, occultism is | 0:23:31 | 0:23:34 | |
something that you can pursue | 0:23:34 | 0:23:36 | |
because basically you need only your own consciousness to pursue it with. | 0:23:36 | 0:23:39 | |
Doreen Valiente is a witch | 0:23:43 | 0:23:45 | |
and she believes that witchcraft should never be approached lightly. | 0:23:45 | 0:23:49 | |
By means of our imagination we can make a real contact | 0:23:49 | 0:23:54 | |
with these cosmic forces. | 0:23:54 | 0:23:56 | |
The forces of nature, the forces of life. | 0:23:57 | 0:24:00 | |
And in a wood at midnight on the night of a full moon, | 0:24:00 | 0:24:04 | |
Doreen Valiente carried out her ritual hoping that | 0:24:04 | 0:24:07 | |
in this experiment, never before tried in front of cameras, | 0:24:07 | 0:24:11 | |
some psychic manifestations might appear on the film. | 0:24:11 | 0:24:14 | |
SHE BLOWS A HORN | 0:24:15 | 0:24:19 | |
Diana of the rounded moon. The queen of all enchantments here. | 0:24:29 | 0:24:36 | |
The wind is crying through the trees... | 0:24:36 | 0:24:39 | |
And I'm looking a bit of a berk, I fear. | 0:24:39 | 0:24:42 | |
In fact, no such manifestations did appear. | 0:24:46 | 0:24:49 | |
And this is Mrs Valiente's final comment. | 0:24:49 | 0:24:51 | |
Well, it was very difficult to get the spirit of the old ritual | 0:24:52 | 0:24:59 | |
knowing that you were surrounded by cameras and technicians | 0:24:59 | 0:25:02 | |
and things like that. | 0:25:02 | 0:25:04 | |
But when the ritual was almost at an end, | 0:25:04 | 0:25:08 | |
I began to feel the atmosphere building up, | 0:25:09 | 0:25:12 | |
and I think other people did too. | 0:25:12 | 0:25:15 | |
Shame that. Plainly she didn't have enough time or enough supporters. | 0:25:15 | 0:25:19 | |
Whereas conjuring up spirits can take up to six hours | 0:25:19 | 0:25:22 | |
if you're alone, it can be as little as four in a fan-assisted coven. | 0:25:22 | 0:25:26 | |
OVEN TIMER DINGS | 0:25:26 | 0:25:27 | |
Absurd though that may have looked, can you think of anything worse | 0:25:27 | 0:25:30 | |
to stumble on while you were lost late at night in the undergrowth? | 0:25:30 | 0:25:35 | |
Well, yes actually. | 0:25:35 | 0:25:36 | |
BACKGROUND CHATTER | 0:25:36 | 0:25:42 | |
Why are some of you wearing clothes? | 0:25:45 | 0:25:47 | |
Cos you're supposed to when you play sports. | 0:25:48 | 0:25:50 | |
-What do you mean, "supposed to"? -It's best to. | 0:25:50 | 0:25:54 | |
-Under whose rules? Club rules? -Well... | 0:25:54 | 0:25:56 | |
It's for your own personal safety. | 0:25:59 | 0:26:01 | |
Well, the others don't seem to think much of their own personal safety. | 0:26:01 | 0:26:04 | |
This raw pioneering spirit is very much alive with ditches to be dug | 0:26:08 | 0:26:11 | |
and clearings to be cleared so another convert can pitch his tent. | 0:26:11 | 0:26:15 | |
But life for nudists in particular can become a bed of nettles. | 0:26:15 | 0:26:18 | |
Isn't that a dangerous job? | 0:26:18 | 0:26:20 | |
Er... It could be if you didn't know what you were doing. | 0:26:21 | 0:26:24 | |
Isn't that rather dangerous with no clothes on? | 0:26:28 | 0:26:31 | |
-What about the splinters? -Oh, splinters. | 0:26:31 | 0:26:33 | |
One has to keep an eye on the job, of course. | 0:26:33 | 0:26:35 | |
Wow! Talk about being circumspect! | 0:26:39 | 0:26:42 | |
And that, ladies and gentlemen, is why I will sign any petition | 0:26:42 | 0:26:46 | |
that seeks to cordon off even local commons to all | 0:26:46 | 0:26:49 | |
but magistrates, vicars and veterinarians. Why? | 0:26:49 | 0:26:53 | |
Well, tonight, think about it. We've witnessed witches, wild men, | 0:26:53 | 0:26:56 | |
weapons, winkles - could I offer a clearer warning? | 0:26:56 | 0:27:00 | |
I mean, have you seen the Wicker Man? | 0:27:00 | 0:27:02 | |
what do you need to be a successful lumberjill? | 0:27:05 | 0:27:09 | |
-Good health. -Good health? | 0:27:09 | 0:27:11 | |
-Yeah. Bags of energy. -Yeah, I can see that. | 0:27:11 | 0:27:15 | |
How do you tell when it's about to come down? | 0:27:21 | 0:27:23 | |
-Well, I try and watch this part here. -What happens there? | 0:27:23 | 0:27:28 | |
Well, it's about to go down. I hope it does. That way. | 0:27:28 | 0:27:32 | |
That's the best way. | 0:27:32 | 0:27:33 | |
-It starts to sort of teeter a bit, does it? -Uh-huh. | 0:27:36 | 0:27:39 | |
Oh, careful. | 0:27:43 | 0:27:44 | |
Jolly good. | 0:27:47 | 0:27:48 | |
Yes! More power to the lumberjills! | 0:27:50 | 0:27:53 | |
I think it was Erma Bombeck who said, "Some people like to go | 0:27:53 | 0:27:56 | |
"back to the land. I like to go back to the hotel." | 0:27:56 | 0:27:59 | |
You said it, sister. | 0:27:59 | 0:28:01 | |
And we're nearly out of the woods. Let me see... | 0:28:01 | 0:28:03 | |
It's all right. You can go. | 0:28:09 | 0:28:11 | |
I'm just checking myself for ticks. | 0:28:11 | 0:28:13 | |
Hee-hee. The guy's in. | 0:28:13 | 0:28:15 | |
PLAYED ON KAZOOS AND COMB AND PAPER: "Teddy Bears' Picnic" | 0:28:15 | 0:28:19 |