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The great civilisation of Ancient Egypt, | 0:00:02 | 0:00:05 | |
with its dramatic spectacle and mystery, has always fascinated me. | 0:00:05 | 0:00:09 | |
I've been travelling the country to explore some of the intriguing | 0:00:10 | 0:00:14 | |
stories that have emerged from this historic land. | 0:00:14 | 0:00:18 | |
In this programme, I'm on the trail of a Pharaoh's wife who committed | 0:00:18 | 0:00:22 | |
a crime so terrible they tried to wipe her name from history. | 0:00:22 | 0:00:26 | |
This is the body of Ramses III. | 0:00:48 | 0:00:51 | |
He came to the throne in around 1184 BC, | 0:00:51 | 0:00:54 | |
about 30 years after the death of his illustrious namesake, Ramses II. | 0:00:54 | 0:00:59 | |
He's considered by many to be the last of the truly great Pharaohs. | 0:01:03 | 0:01:07 | |
He went to enormous lengths to ensure his achievements would be remembered. | 0:01:07 | 0:01:12 | |
Many Pharaohs left monuments in stone as witness to their greatness. | 0:01:15 | 0:01:20 | |
They carved their life stories on a scale never seen before. | 0:01:20 | 0:01:23 | |
Ramses III truly seemed worthy to follow his noble predecessors. | 0:01:25 | 0:01:30 | |
Generations to follow would know of his glory and power | 0:01:31 | 0:01:35 | |
because his temples and statues boasted huge wealth | 0:01:35 | 0:01:38 | |
and impressive military victories. | 0:01:38 | 0:01:41 | |
But thanks to a chance discovery of ancient documents, we can go behind | 0:01:45 | 0:01:49 | |
the propaganda of Ramses III, | 0:01:49 | 0:01:52 | |
to reveal a very different Pharaoh from the one he wanted the world to know. | 0:01:52 | 0:01:57 | |
Hidden for 3000 years, these papyri tell a story that was | 0:01:57 | 0:02:01 | |
never supposed to be remembered, a story of betrayal and intrigue | 0:02:01 | 0:02:06 | |
against a flawed Pharaoh. | 0:02:06 | 0:02:08 | |
It's sheer luck that this document has survived to tell the tale. | 0:02:08 | 0:02:12 | |
This is Medinet Habu, one of the largest and best preserved | 0:02:22 | 0:02:25 | |
temples of its time in Egypt. | 0:02:25 | 0:02:27 | |
It was built for Ramses III and it's more of a temple town really, | 0:02:27 | 0:02:32 | |
not just a place of the gods, but a centre | 0:02:32 | 0:02:35 | |
for civil administration and a place of refuge in a time of trouble. | 0:02:35 | 0:02:38 | |
I've come here to understand the two different sides of the life of Ramses III - | 0:02:41 | 0:02:46 | |
the public propaganda and the scandalous hidden story. | 0:02:46 | 0:02:50 | |
Within these walls a powerful drama was played out over 3,000 years ago | 0:02:55 | 0:03:01 | |
that completely changes how we think about this great Pharaoh. | 0:03:01 | 0:03:05 | |
To judge by the mighty scale of this temple, and the images on it, | 0:03:10 | 0:03:14 | |
you'd think that he was the most successful Pharaoh of all time. | 0:03:14 | 0:03:19 | |
Here he is smiting his enemies, | 0:03:19 | 0:03:21 | |
whipping them, almost like a fertility god, virility personified. | 0:03:21 | 0:03:26 | |
But towards the end of his reign, | 0:03:26 | 0:03:29 | |
Ramses was beleaguered, beset, few allies nearby, | 0:03:29 | 0:03:33 | |
civil disobedience undermined the stability of his reign. | 0:03:33 | 0:03:36 | |
And also, he died in strange and mysterious circumstances. | 0:03:36 | 0:03:41 | |
But you wouldn't know any of that from the images carved here. | 0:03:44 | 0:03:48 | |
Ramses ordered this enormous temple to be constructed | 0:03:50 | 0:03:53 | |
on the very first day of his reign. | 0:03:53 | 0:03:55 | |
He must have believed from the start that there would be | 0:03:55 | 0:04:00 | |
plenty of glorious military triumphs to carve upon these vast walls, | 0:04:00 | 0:04:04 | |
that he would be one of the greatest Pharaohs that ever lived. | 0:04:04 | 0:04:08 | |
Ah... | 0:04:13 | 0:04:14 | |
On the walls of the second court of the temple | 0:04:14 | 0:04:18 | |
there are some very gory details | 0:04:18 | 0:04:20 | |
celebrating the Pharaoh's military triumphs. | 0:04:20 | 0:04:24 | |
Up there are piles of severed hands, | 0:04:25 | 0:04:28 | |
each one, of course, representing a dead enemy, | 0:04:28 | 0:04:31 | |
and the hands are being counted by scribes. | 0:04:31 | 0:04:37 | |
There's a chap throwing the hands onto the pile. | 0:04:37 | 0:04:40 | |
There's one, two, three piles of severed hands. | 0:04:40 | 0:04:42 | |
And in front of me... | 0:04:42 | 0:04:45 | |
is a pile of severed penises. | 0:04:45 | 0:04:47 | |
Again, each one...representing... | 0:04:49 | 0:04:51 | |
an enemy who could no longer pose a threat. | 0:04:51 | 0:04:56 | |
This is incredible. | 0:04:57 | 0:04:59 | |
Below me here is a hieroglyph explaining the scenes above. | 0:04:59 | 0:05:03 | |
This surely is a text referring to the severed penises. | 0:05:03 | 0:05:08 | |
And there we see a hieroglyph | 0:05:08 | 0:05:11 | |
for severed enemy penis, I suppose. | 0:05:11 | 0:05:14 | |
How about that? | 0:05:14 | 0:05:16 | |
At the time of Ramses III, Egypt was surrounded by enemies. | 0:05:19 | 0:05:24 | |
He was fighting to save his country from invasion, | 0:05:24 | 0:05:28 | |
although to judge from the depictions on one of the most impressive walls, | 0:05:28 | 0:05:33 | |
the Pharaoh easily swept aside his foes. | 0:05:33 | 0:05:37 | |
The outer surface of the temple wall shows one of the most extraordinary | 0:05:47 | 0:05:51 | |
artistic scenes in Egyptian art. | 0:05:51 | 0:05:54 | |
It is probably the first, | 0:05:54 | 0:05:57 | |
certainly the largest, depiction of a naval battle in history. | 0:05:57 | 0:06:02 | |
An amazing piece of work. | 0:06:02 | 0:06:04 | |
In front of me here, one sees | 0:06:04 | 0:06:07 | |
the swirl of a chaotic naval action. | 0:06:07 | 0:06:12 | |
And here we see ships being boarded, | 0:06:14 | 0:06:17 | |
grappling hooks pulling ships over. | 0:06:17 | 0:06:19 | |
An amazing image of | 0:06:19 | 0:06:23 | |
violence, terror and fighting. | 0:06:23 | 0:06:26 | |
Here... | 0:06:26 | 0:06:27 | |
is the image of the Pharaoh, Ramses III, | 0:06:27 | 0:06:30 | |
in all his power and glory. | 0:06:30 | 0:06:33 | |
A gigantic figure, dominating the scene with his great bow, | 0:06:33 | 0:06:36 | |
clearly directing the actions, making it clear that he was responsible | 0:06:36 | 0:06:41 | |
for the Egyptian victory that was the result of this action. | 0:06:41 | 0:06:44 | |
Propaganda of a very high order. | 0:06:44 | 0:06:47 | |
But Ramses wasn't only proud of his military prowess. | 0:06:47 | 0:06:51 | |
He also seems to have been unusually proud of his harem of women. | 0:06:53 | 0:06:57 | |
All the Pharaohs had many wives | 0:06:59 | 0:07:01 | |
who lived in royal harems all over the country. | 0:07:01 | 0:07:06 | |
But Ramses clearly took particular delight in depicting himself with his women. | 0:07:07 | 0:07:13 | |
I'm in the temple gatehouse, and above me are | 0:07:13 | 0:07:16 | |
the remains of a most extraordinary room, | 0:07:16 | 0:07:20 | |
a prospect room, where the Pharaoh would sit | 0:07:20 | 0:07:23 | |
enjoying the view to the Nile over there and the canal | 0:07:23 | 0:07:27 | |
that once served the temple. | 0:07:27 | 0:07:29 | |
But he'd sit up there, with young females, | 0:07:29 | 0:07:33 | |
presumably females from the harem, | 0:07:33 | 0:07:35 | |
which is somewhere over there, I think. | 0:07:35 | 0:07:37 | |
We know this because the images show the Pharaoh, | 0:07:37 | 0:07:41 | |
sitting with a young girl, chucking her under the chin, | 0:07:41 | 0:07:44 | |
conversing in a casual manner. | 0:07:44 | 0:07:47 | |
And up there with another delightful female. | 0:07:50 | 0:07:54 | |
These are almost unprecedented in Egyptian art, these scenes | 0:07:54 | 0:07:58 | |
of a Pharaoh with his concubines. | 0:07:58 | 0:08:00 | |
Striking, but they have now a strange poignancy because we know that it was | 0:08:01 | 0:08:07 | |
women such as these, women closest to Ramses, | 0:08:07 | 0:08:10 | |
who were to plot his downfall, his murder. | 0:08:10 | 0:08:14 | |
We only know about the dark goings-on that happened here | 0:08:19 | 0:08:23 | |
because of that chance discovery of an extraordinary set of documents. | 0:08:23 | 0:08:28 | |
In the early 19th century, a bundle of papyri, dating from the reign of Ramses III, | 0:08:28 | 0:08:34 | |
turned up on the black market in Cairo. | 0:08:34 | 0:08:37 | |
Papyrus is fragile, disintegrates easily, and some pages were missing. | 0:08:40 | 0:08:44 | |
But enough of these legal and administrative documents survived | 0:08:46 | 0:08:50 | |
to suggest a remarkable tale. | 0:08:50 | 0:08:52 | |
The details are disputed amongst historians | 0:08:52 | 0:08:55 | |
because some of the text is confusing and difficult to interpret, | 0:08:55 | 0:08:59 | |
but piecing together the fragments, what has emerged is a story so scandalous | 0:08:59 | 0:09:03 | |
that the ancient Egyptians tried to wipe it from history. | 0:09:03 | 0:09:08 | |
In fact, they almost succeeded because this papyrus | 0:09:09 | 0:09:13 | |
is the only evidence that these events ever took place. | 0:09:13 | 0:09:17 | |
The documents tell the story of an extraordinary conspiracy against the Pharaoh | 0:09:19 | 0:09:24 | |
that centred around his innermost circle, his harem, | 0:09:24 | 0:09:27 | |
the last place he would have expected betrayal. | 0:09:27 | 0:09:31 | |
In Ancient Egypt, the harem was an important part of the Pharaoh's court, | 0:09:37 | 0:09:42 | |
with unprecedented access to the Pharaoh himself. | 0:09:42 | 0:09:45 | |
The harem housed the royal wives and concubines and their many children, | 0:09:45 | 0:09:50 | |
as well as male administrators, | 0:09:50 | 0:09:52 | |
treasurers and the Pharaoh's household staff. | 0:09:52 | 0:09:56 | |
Because the Pharaoh often married into the most aristocratic Egyptian families, | 0:09:56 | 0:10:00 | |
the harem could contain the sisters, mothers and daughters | 0:10:00 | 0:10:03 | |
of some of the most important people in Egypt. | 0:10:03 | 0:10:07 | |
Each Pharaoh had several harems in palaces and temples around the country, | 0:10:10 | 0:10:15 | |
sometimes adding up to hundreds of wives and concubines. | 0:10:15 | 0:10:19 | |
But he would also have a travelling harem of his favourites that went everywhere with him. | 0:10:19 | 0:10:23 | |
Within these various harems, | 0:10:26 | 0:10:28 | |
there must have been quite a bit of jockeying for position amongst the women, | 0:10:28 | 0:10:33 | |
hoping for favour for themselves and their offspring. | 0:10:33 | 0:10:36 | |
The papyrus suggests that it was in this world of domestic and political intrigue | 0:10:38 | 0:10:43 | |
that Ramses III demonstrated his major failing - | 0:10:43 | 0:10:47 | |
his inability to organise his private life. | 0:10:47 | 0:10:50 | |
It appears that, as his reign went on, this Pharaoh, far from continuing | 0:10:52 | 0:10:57 | |
the glorious traditions of his predecessors, was becoming a weak, | 0:10:57 | 0:11:00 | |
indecisive man, unable to control his own family, let alone his nation. | 0:11:00 | 0:11:05 | |
Some historians believe this failing is confirmed | 0:11:06 | 0:11:10 | |
in a curious detail here at Medinet Habu. | 0:11:10 | 0:11:13 | |
Ramses III was, it seems, a man who was unable to make decisions, | 0:11:17 | 0:11:23 | |
even very important decisions. | 0:11:23 | 0:11:25 | |
All Pharaohs had numerous wives, | 0:11:25 | 0:11:27 | |
but each Pharaoh would choose a great wife. | 0:11:27 | 0:11:31 | |
And that was done for a very simple reason. | 0:11:31 | 0:11:34 | |
It was the great wife who gave birth to the next Pharaoh. | 0:11:34 | 0:11:39 | |
Through her, the line of succession was assured and no-one would argue. | 0:11:39 | 0:11:43 | |
Her child was to rule after the death of the Pharaoh. | 0:11:43 | 0:11:47 | |
But Ramses couldn't choose between two women. | 0:11:47 | 0:11:51 | |
One was Isis and the other contender was Tiye - two women. | 0:11:51 | 0:11:56 | |
And this picture here tells the tale. | 0:11:57 | 0:12:00 | |
You see up there an image with Ramses to the left, | 0:12:00 | 0:12:05 | |
and in front of him, slightly above, | 0:12:05 | 0:12:07 | |
the great queen. | 0:12:07 | 0:12:09 | |
But she hasn't been named. | 0:12:09 | 0:12:11 | |
The cartouche in front of her, | 0:12:11 | 0:12:12 | |
which should bear her name in hieroglyphics, is blank. | 0:12:12 | 0:12:16 | |
This indecision was terrible. | 0:12:16 | 0:12:19 | |
It created chaos in the court when there should be order, and set up | 0:12:19 | 0:12:23 | |
a potential succession crisis. | 0:12:23 | 0:12:26 | |
The competition between these two royal wives, Tiye and Isis, | 0:12:28 | 0:12:32 | |
must have been fierce. | 0:12:32 | 0:12:34 | |
Tiye gave birth to a son called Pentawaret, | 0:12:34 | 0:12:37 | |
which means "son of the great female one". | 0:12:37 | 0:12:40 | |
But Isis also had a son of about the same age. | 0:12:42 | 0:12:45 | |
In Egypt it was by no means automatic | 0:12:47 | 0:12:50 | |
that the eldest son would be chosen to inherit the throne. | 0:12:50 | 0:12:54 | |
So, to avoid a succession crisis, Ramses absolutely had to choose | 0:12:54 | 0:12:59 | |
which of these two sons was to become the crown prince. | 0:12:59 | 0:13:02 | |
And, when he finally made his decision, Ramses did not choose Tiye's son, Pentawaret. | 0:13:04 | 0:13:09 | |
Instead, he chose Isis's son. | 0:13:09 | 0:13:12 | |
And, from the papyrus, | 0:13:14 | 0:13:16 | |
we know that this decision was to have potentially fatal repercussions for the Pharaoh. | 0:13:16 | 0:13:21 | |
Tiye was not the kind of woman to be passed over lightly. | 0:13:21 | 0:13:25 | |
From the documents, it appears she soon began to plot her revenge | 0:13:27 | 0:13:31 | |
and hatched an audacious plan to put her own son on the throne. | 0:13:31 | 0:13:36 | |
It appears there were two parts to Tiye's plot. | 0:13:36 | 0:13:39 | |
The first was to murder her husband, Ramses III. | 0:13:39 | 0:13:42 | |
The second, to provoke an armed uprising | 0:13:42 | 0:13:45 | |
to prevent Isis's son from taking his rightful place as Pharaoh. | 0:13:45 | 0:13:49 | |
The papyrus tells us extraordinary details | 0:13:52 | 0:13:55 | |
of who was involved in the plot. | 0:13:55 | 0:13:57 | |
For a start, Tiye recruited those closest to the Pharaoh, | 0:13:57 | 0:14:01 | |
the harem women. | 0:14:01 | 0:14:02 | |
This is an exact replica of a portion of the papyrus. | 0:14:07 | 0:14:12 | |
And here is Tiye's name mentioned here. | 0:14:12 | 0:14:15 | |
This tells us that she conspired with the head of the harem, | 0:14:15 | 0:14:21 | |
and with the women of the harem, | 0:14:21 | 0:14:24 | |
to incite rebellion against Ramses. | 0:14:24 | 0:14:27 | |
She must have been a pretty compelling person | 0:14:31 | 0:14:34 | |
because she persuaded some of the most important and trusted men of the royal household | 0:14:34 | 0:14:39 | |
to side with her against the Pharaoh and his rightful heir, | 0:14:39 | 0:14:43 | |
not only the head of the harem, but the treasurer, the butlers | 0:14:43 | 0:14:47 | |
and significantly, the food taster. | 0:14:47 | 0:14:49 | |
But the help of these powerful courtiers alone wouldn't be enough. | 0:14:51 | 0:14:55 | |
Tiye still had to convince key generals in the army to commit treason, | 0:14:57 | 0:15:01 | |
to betray their Pharaoh, and join her plot. | 0:15:01 | 0:15:04 | |
We know from this extraordinary document that Tiye and her allies | 0:15:04 | 0:15:09 | |
began writing letters to friends and family outside the harem asking them to join the conspiracy. | 0:15:09 | 0:15:15 | |
And, because many of the harem women came from powerful families, | 0:15:16 | 0:15:20 | |
they were closely related to high-ranking officials in the army and in politics. | 0:15:20 | 0:15:25 | |
If the women of the harem could recruit enough important friends and relatives, | 0:15:27 | 0:15:32 | |
then this conspiracy could be very dangerous for the Pharaoh. | 0:15:32 | 0:15:35 | |
But there's a curious part of this document that gives us an added insight | 0:15:38 | 0:15:42 | |
into the general atmosphere of superstition that | 0:15:42 | 0:15:45 | |
pervaded the court of Ramses III. | 0:15:45 | 0:15:47 | |
Ramses was a great believer in the power of magic. | 0:15:54 | 0:15:59 | |
In fact, most people in Ancient Egypt accepted that magic | 0:15:59 | 0:16:03 | |
could be used to affect the lives of the living, for good or for ill. | 0:16:03 | 0:16:08 | |
Although spells were thought to be the key to achieving a required result, | 0:16:12 | 0:16:16 | |
sometimes the magic also involved administering narcotics. | 0:16:16 | 0:16:20 | |
And we know from the Papyrus that Tiye and her co-conspirators | 0:16:22 | 0:16:26 | |
used Ramses' own spells to help them in their plan. | 0:16:26 | 0:16:29 | |
Ramses' own library contained many papyri | 0:16:32 | 0:16:36 | |
packed with detailed spells, and it's one of these spells that got stolen | 0:16:36 | 0:16:42 | |
by a scribe and given to the plotters to be used against Ramses himself. | 0:16:42 | 0:16:48 | |
It was probably a crime punishable by death even to read the spells | 0:16:48 | 0:16:52 | |
in the Pharaoh's private library, let alone steal one and hand it over | 0:16:52 | 0:16:56 | |
to the Pharaoh's enemies to give them power over him. | 0:16:56 | 0:17:00 | |
But this is what the papyrus says about one of the daring plotters. | 0:17:00 | 0:17:05 | |
He began to make magic spells for hindering and terrifying, | 0:17:05 | 0:17:09 | |
and to make people out of wax for enfeebling the limbs and gave them | 0:17:09 | 0:17:13 | |
into the hands of the head of the harem, in order to hinder the guards. | 0:17:13 | 0:17:18 | |
This wax figurine, a doll really, dates from after the time of Ramses | 0:17:26 | 0:17:31 | |
but it's much like those used during his reign. | 0:17:31 | 0:17:36 | |
It would have represented an individual. | 0:17:36 | 0:17:39 | |
The head here, | 0:17:39 | 0:17:42 | |
the arm of course, and the naval - there's a little sort of twist of hair, | 0:17:42 | 0:17:47 | |
I suppose taken from the person who would be the subject of the spell. | 0:17:47 | 0:17:52 | |
We don't know much about the person, other than seemingly he was a man, | 0:17:52 | 0:17:56 | |
genitals popping up here. | 0:17:56 | 0:17:58 | |
Made of wax so one could stick pins in it if one didn't like the person. | 0:17:58 | 0:18:03 | |
And on the back is a little recess in which there is a bit of papyrus | 0:18:03 | 0:18:10 | |
on which the spell is written, except it can't be read now, it's too fragile. | 0:18:10 | 0:18:15 | |
It would have been over a figure just like this | 0:18:15 | 0:18:19 | |
that the priests cast Tiye's spell, one of which was aimed at | 0:18:19 | 0:18:24 | |
incapacitating the guards round the temple so the plotters | 0:18:24 | 0:18:28 | |
could send letters out into the land to raise rebellion against Ramses. | 0:18:28 | 0:18:33 | |
We know that, by now, | 0:18:36 | 0:18:38 | |
Tiye had successfully recruited many key military leaders to her plot, | 0:18:38 | 0:18:41 | |
including the commander of the archers and army generals. | 0:18:41 | 0:18:46 | |
But the conspirators would need to choose their moment carefully | 0:18:46 | 0:18:50 | |
and events were beginning to play into their hands. | 0:18:50 | 0:18:53 | |
Ramses, now in declining health, had begun to lose popularity amongst | 0:18:55 | 0:18:59 | |
his subjects, because of a series of disastrous political decisions. | 0:18:59 | 0:19:03 | |
Civil unrest against the Pharaoh began to spread through Egypt. | 0:19:03 | 0:19:07 | |
One of the key events happened here in Thebes. | 0:19:09 | 0:19:13 | |
In the 29th year of Ramses' reign, a crisis overtook the country. | 0:19:16 | 0:19:23 | |
Government workers failed to receive their wages, | 0:19:23 | 0:19:25 | |
and this was a very serious matter | 0:19:25 | 0:19:28 | |
since their wages were paid in the form of food. | 0:19:28 | 0:19:32 | |
So what did they do? Well, they took direct action. | 0:19:32 | 0:19:34 | |
They waited two weeks and then went on strike, | 0:19:34 | 0:19:38 | |
and they marched down here to the Ramesseum to confront the scribes. | 0:19:38 | 0:19:42 | |
They came here because the Ramesseum wasn't just a mortuary temple, | 0:19:42 | 0:19:46 | |
but was also a centre of local administration, | 0:19:46 | 0:19:49 | |
and it's where food was stored. | 0:19:49 | 0:19:51 | |
This is where their wages were. | 0:19:51 | 0:19:53 | |
They came here to go to the warehouses over there to take their wages, to take their food. | 0:19:53 | 0:19:59 | |
The workers must have prowled around here, outside these warehouses, | 0:20:02 | 0:20:07 | |
looking for their food, demanding their wages. | 0:20:07 | 0:20:10 | |
The reason why the food had not been handed out was because, ironically, | 0:20:13 | 0:20:18 | |
Ramses was storing up the grain for a big feast to celebrate the 30th anniversary of his glorious reign. | 0:20:18 | 0:20:24 | |
But, in fact, his reign was becoming more and more troubled | 0:20:25 | 0:20:29 | |
and Tiye and her co-conspirators must have been watching with interest. | 0:20:29 | 0:20:33 | |
The discontent went on for months, | 0:20:35 | 0:20:37 | |
and if this was the state of affairs here with the government workers in Thebes, | 0:20:37 | 0:20:42 | |
one can only assume this was the state of affairs throughout the country, | 0:20:42 | 0:20:46 | |
other workers also not receiving their wages. | 0:20:46 | 0:20:48 | |
The country must have been tottering on the edge of insurrection, | 0:20:48 | 0:20:53 | |
a difficult and dangerous place, tottering on the end of chaos. | 0:20:53 | 0:20:57 | |
This chaos would eventually provide the ideal conditions for an uprising against the Pharaoh, | 0:21:00 | 0:21:06 | |
and Tiye's plan was ready to glide into action. | 0:21:06 | 0:21:10 | |
The details are unclear | 0:21:12 | 0:21:14 | |
but it seems that Tiye launched her plot during the next big festival held in Medinet Habu. | 0:21:14 | 0:21:20 | |
And just three weeks later, Ramses III was dead. | 0:21:20 | 0:21:25 | |
This extraordinary story | 0:21:34 | 0:21:36 | |
makes me see the whole temple complex of Medinet Habu afresh. | 0:21:36 | 0:21:39 | |
It's as though it were crime scene. | 0:21:39 | 0:21:42 | |
I'm standing on top of the first pylon. | 0:21:47 | 0:21:49 | |
And from up here you get a very clear feel for the geography of Medinet Habu. | 0:21:49 | 0:21:56 | |
Over there is the entrance gateway. | 0:21:56 | 0:21:59 | |
And that's where the spells, possibly drugs, must have been used to incapacitate the guards. | 0:21:59 | 0:22:05 | |
Behind me is the temple proper | 0:22:06 | 0:22:09 | |
with its courtyards | 0:22:09 | 0:22:11 | |
and second pylon. | 0:22:11 | 0:22:13 | |
During the festival, this would have been packed with courtiers and guests, | 0:22:13 | 0:22:18 | |
the perfect cover for Tiye's plot. | 0:22:18 | 0:22:20 | |
In front of me here are the ruins of the royal palace. | 0:22:23 | 0:22:28 | |
And, presumably, it was in one of the rooms down there | 0:22:28 | 0:22:31 | |
that Ramses III died. | 0:22:31 | 0:22:34 | |
Thanks to mummification, we can still | 0:22:42 | 0:22:45 | |
see the body of the Pharaoh today, over 3,000 years after his death. | 0:22:45 | 0:22:49 | |
Golly, to come face to face with Ramses at last. | 0:23:09 | 0:23:14 | |
Incredible. | 0:23:15 | 0:23:17 | |
What we know is that he died about a month after the harem plot, | 0:23:17 | 0:23:23 | |
so it seems likely that he was murdered - | 0:23:23 | 0:23:27 | |
that the plotters succeeded in their aims of killing the Pharaoh. | 0:23:27 | 0:23:31 | |
If there were a forensic investigation, this mummy | 0:23:32 | 0:23:35 | |
would be dissected and analysed to tell us what happened to him, | 0:23:35 | 0:23:40 | |
but as it stands, there's no conclusive evidence to prove the crime. | 0:23:40 | 0:23:45 | |
What we don't know | 0:23:45 | 0:23:46 | |
is how he died. | 0:23:46 | 0:23:48 | |
His body has never been fully examined. | 0:23:48 | 0:23:52 | |
The head's been X-rayed, and we know | 0:23:52 | 0:23:54 | |
it shows no trauma - he wasn't hit on the head, for example. | 0:23:54 | 0:23:57 | |
But I suppose the most likely cause of death must be poison. | 0:23:57 | 0:24:02 | |
The royal household would have been full of potential poisons, | 0:24:02 | 0:24:06 | |
used in medicine - mandrake, poppies, morphine. | 0:24:06 | 0:24:09 | |
All those could have been introduced into the Pharaoh's food or drink | 0:24:09 | 0:24:13 | |
and could have killed him. | 0:24:13 | 0:24:15 | |
A good clue is that the chap responsible | 0:24:15 | 0:24:19 | |
for the Pharaoh's food and drink was listed among the plotters. | 0:24:19 | 0:24:24 | |
One can't help but feel sad and poignant. | 0:24:24 | 0:24:29 | |
Did he die a slow and lingering death... | 0:24:29 | 0:24:33 | |
..at the hands of these harem women, | 0:24:34 | 0:24:37 | |
the plotters from the palace? | 0:24:37 | 0:24:39 | |
The last people he expected to turn on him. | 0:24:39 | 0:24:44 | |
With the Pharaoh out of the way, | 0:24:46 | 0:24:48 | |
it was time to follow through on the military takeover of the country | 0:24:48 | 0:24:52 | |
and put Tiye's son, Pentawaret, on the throne. | 0:24:52 | 0:24:55 | |
But there's one other papyrus that gives a crucial clue as to what | 0:25:00 | 0:25:04 | |
actually happened next. | 0:25:04 | 0:25:06 | |
This is a portion of the papyrus. | 0:25:09 | 0:25:12 | |
This is the title page, so to speak, of the image. | 0:25:12 | 0:25:17 | |
And this sheds fascinating light | 0:25:17 | 0:25:19 | |
on the events that took place after the death of Ramses. | 0:25:19 | 0:25:23 | |
It states that the Pharaoh to succeed Ramses III was Ramses IV. | 0:25:23 | 0:25:29 | |
Ramses IV was the son... | 0:25:30 | 0:25:33 | |
of Isis. | 0:25:33 | 0:25:34 | |
Tiye's son is not mentioned at all. | 0:25:34 | 0:25:38 | |
That's very serious. His name is consigned to oblivion. | 0:25:38 | 0:25:43 | |
He's utterly forgotten. Clearly, Tiye's rebellion failed. | 0:25:43 | 0:25:47 | |
We don't know why Tiye's plot failed but it was Isis's son, Ramses IV, | 0:25:51 | 0:25:57 | |
who rounded up the conspirators. | 0:25:57 | 0:25:59 | |
The legal documents tell of the trial of Tiye | 0:25:59 | 0:26:02 | |
and the others who'd helped her. | 0:26:02 | 0:26:05 | |
As well as the women from the harem, the list shows the breadth of the support she'd recruited. | 0:26:05 | 0:26:11 | |
It included the head treasurer, the captain of the archers, | 0:26:11 | 0:26:15 | |
the commander of the army, the overseer of the king's harem, | 0:26:15 | 0:26:20 | |
two scribes of the House Of Sacred Writings. | 0:26:20 | 0:26:23 | |
Presumably they were the ones who stole the crucial spells, | 0:26:23 | 0:26:27 | |
four butlers, and six wives of harem guards, | 0:26:27 | 0:26:31 | |
all accused of the plot to overthrow Ramses III. | 0:26:31 | 0:26:35 | |
But even during their trial, the harem women didn't give up the fight. | 0:26:37 | 0:26:41 | |
The document shows they actually tried to use their charms | 0:26:45 | 0:26:48 | |
on four of the trial judges to influence the outcome. | 0:26:48 | 0:26:52 | |
It reads, "The women arrived | 0:26:52 | 0:26:54 | |
"at the abode of the judges and there caroused with them in a drunken orgy." | 0:26:54 | 0:27:00 | |
But the wayward judges were caught, and had their ears and noses cut off. | 0:27:01 | 0:27:06 | |
As for the conspirators, they were all sentenced to death. | 0:27:08 | 0:27:12 | |
Most of the forms of capital punishment at the time were fairly horrible. | 0:27:12 | 0:27:17 | |
One involved skewering people on a spike and leaving them to die. | 0:27:17 | 0:27:22 | |
But, because they were aristocrats, Tiye, her son Pentawaret | 0:27:23 | 0:27:28 | |
and the other conspirators, were given an easier option. | 0:27:28 | 0:27:31 | |
They were allowed to commit suicide, | 0:27:31 | 0:27:34 | |
which they did, most probably with poison. | 0:27:34 | 0:27:37 | |
After this, all mention of Tiye and Pentawaret | 0:27:40 | 0:27:44 | |
was chiselled from history. | 0:27:44 | 0:27:46 | |
Tiye has no tomb, no statue, engraving or wall-painting. | 0:27:46 | 0:27:50 | |
In fact, even though she was a Pharaoh's wife, | 0:27:53 | 0:27:56 | |
the only mention of her name anywhere is in the trial documents. | 0:27:56 | 0:28:00 | |
Who would have thought, all those years ago, | 0:28:04 | 0:28:07 | |
that such a fragile document, | 0:28:07 | 0:28:09 | |
written on papyrus not stone, would survive all these years | 0:28:09 | 0:28:14 | |
and today tell us about these rather dark goings-on? | 0:28:14 | 0:28:18 | |
Without the documents, we would have absolutely no idea | 0:28:23 | 0:28:27 | |
that Tiye had ever existed, or of her conspiracy to murder a Pharaoh. | 0:28:27 | 0:28:33 | |
Next time, I'm tracing the dramatic chain of events | 0:28:46 | 0:28:50 | |
that brought the Ancient Egyptian civilisation to an end. | 0:28:50 | 0:28:53 |