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'The great civilisation of Ancient Egypt, | 0:00:02 | 0:00:05 | |
'with its dramatic spectacle and mystery, has always fascinated me. | 0:00:05 | 0:00:09 | |
'I've been travelling the country to explore some intriguing stories | 0:00:10 | 0:00:14 | |
'that have emerged from this historic land. | 0:00:14 | 0:00:18 | |
'In this programme, my journey takes me the length of the country | 0:00:18 | 0:00:22 | |
'to find out what brought this remarkable civilisation to an abrupt and tragic end.' | 0:00:22 | 0:00:27 | |
'For me, the most striking thing about the Ancient Egyptian civilisation | 0:00:46 | 0:00:51 | |
'is that it lasted so long. | 0:00:51 | 0:00:54 | |
'Astonishingly, for over 3,000 years, | 0:00:54 | 0:00:57 | |
'it had a powerful grip on the imagination of all who lived here. | 0:00:57 | 0:01:02 | |
'The culture of Egypt flourished for longer than any other in history - | 0:01:02 | 0:01:07 | |
'a testament to how compelling their beliefs and traditions were. | 0:01:07 | 0:01:11 | |
'But finally something happened that would utterly destroy | 0:01:12 | 0:01:16 | |
'the entire magnificent civilisation.' | 0:01:16 | 0:01:18 | |
'In this isolated place, there's something very poignant | 0:01:22 | 0:01:26 | |
'that bears witness to the extraordinary tale of the end of Egypt. | 0:01:26 | 0:01:31 | |
'It's the last trace of this great civilisation | 0:01:31 | 0:01:34 | |
'in its death throws.' | 0:01:34 | 0:01:36 | |
This temple contains a very revealing, | 0:01:39 | 0:01:41 | |
and for me, a very moving detail. An inscription. | 0:01:41 | 0:01:46 | |
This is the last hieroglyphic inscription made in Ancient Egypt. | 0:01:48 | 0:01:52 | |
Our ability to read such inscriptions | 0:01:52 | 0:01:54 | |
was lost for nearly 2,000 years. | 0:01:54 | 0:01:57 | |
'After the priests left this temple, | 0:02:01 | 0:02:03 | |
'the entire culture, language, and traditions of Ancient Egypt died. | 0:02:03 | 0:02:07 | |
'Everything that we now think of as distinctly Egyptian came to an end. | 0:02:09 | 0:02:13 | |
'The art and religion would never be practised again. | 0:02:13 | 0:02:17 | |
'There were to be no more pyramids, temples, mummies or hieroglyphs. | 0:02:17 | 0:02:21 | |
'The entire belief system of Ancient Egypt collapsed.' | 0:02:21 | 0:02:25 | |
How did this happen? | 0:02:26 | 0:02:28 | |
'It's a remarkable story, | 0:02:31 | 0:02:33 | |
'in which Egypt would have to face three different onslaughts, | 0:02:33 | 0:02:37 | |
'from powerful rival cultures, before the brutal end came. | 0:02:37 | 0:02:43 | |
'Incredibly, Egypt's ancient traditions | 0:02:43 | 0:02:46 | |
'would survive the first two onslaughts almost intact. | 0:02:46 | 0:02:49 | |
'But the third, the last, would finally bring it down.' | 0:02:49 | 0:02:53 | |
'The story begins here, in the north of Egypt, | 0:02:57 | 0:03:01 | |
'on the Mediterranean coast, where the first of these three onslaughts began in the fourth century BC. | 0:03:01 | 0:03:07 | |
'It came from the Greeks - one of the few civilisations | 0:03:07 | 0:03:10 | |
'with a culture powerful enough to rival that of Ancient Egypt.' | 0:03:10 | 0:03:14 | |
Egypt had been ruled by foreign dynasties in the past, | 0:03:16 | 0:03:20 | |
for example the Persians in the sixth century BC. | 0:03:20 | 0:03:23 | |
It survived that. Its civilization had survived foreign rule. | 0:03:23 | 0:03:28 | |
But a young man arrived here in 332BC. | 0:03:28 | 0:03:34 | |
And on the Mediterranean coast laid out a great city, | 0:03:34 | 0:03:38 | |
a city named after himself - Alexandria. | 0:03:38 | 0:03:41 | |
And that young man was, of course, Alexander The Great - | 0:03:41 | 0:03:46 | |
one of the greatest conquerors the world has ever seen. | 0:03:46 | 0:03:49 | |
'Alexander didn't stay long after he conquered Egypt, | 0:03:52 | 0:03:56 | |
'but he was determined to leave his mark on this ancient land. | 0:03:56 | 0:04:00 | |
'He made this great port, Alexandria, the capital of the country. | 0:04:00 | 0:04:06 | |
'And into this magnificent city flowed all the new Greek ideas.' | 0:04:06 | 0:04:11 | |
'It was these persuasive new ideas that would challenge | 0:04:17 | 0:04:20 | |
'the age-old beliefs of the Egyptian people.' | 0:04:20 | 0:04:23 | |
'After Alexander, | 0:04:29 | 0:04:31 | |
'a Greek dynasty - the Ptolemies - ruled Egypt for 300 years. | 0:04:31 | 0:04:36 | |
'They continued to bring in the latest ideas | 0:04:36 | 0:04:38 | |
'from around the Greek Empire. | 0:04:38 | 0:04:40 | |
'And so, here in Alexandria, | 0:04:40 | 0:04:42 | |
'they built the most remarkable library the world had ever seen. | 0:04:42 | 0:04:47 | |
'It was to be a great centre of Greek culture and learning. | 0:04:47 | 0:04:51 | |
'The original library was destroyed in ancient times, | 0:04:51 | 0:04:54 | |
'but this modern building stands in its place.' | 0:04:54 | 0:04:58 | |
Alexandria, under the Ptolemy's, | 0:04:58 | 0:05:01 | |
was, in a way, the world's intellectual heart. | 0:05:01 | 0:05:04 | |
The old library contained around 700,000 scrolls. | 0:05:04 | 0:05:09 | |
These scrolls, of course, | 0:05:09 | 0:05:11 | |
encapsulated all the learning of the ancient world. | 0:05:11 | 0:05:15 | |
And this place is where the great minds of the ancient world met. | 0:05:15 | 0:05:20 | |
'Because the Ptolemies believed in the superiority of their culture, | 0:05:25 | 0:05:29 | |
'they were determined to make this Egyptian city a centre of Greek learning. | 0:05:29 | 0:05:34 | |
'And so they filled the library | 0:05:34 | 0:05:36 | |
'with the works of the famous Greek philosophers and scientists. | 0:05:36 | 0:05:40 | |
'Aristotle, Plato, Sophocles, and Pythagoras lined the shelves.' | 0:05:40 | 0:05:45 | |
'One might think that some of these ideas would have tempted the Egyptians to abandon their beliefs. | 0:05:46 | 0:05:52 | |
'But they didn't. | 0:05:52 | 0:05:54 | |
'The Egyptians went on practising their ancient religion | 0:05:54 | 0:05:58 | |
'just as they had for thousands of years. | 0:05:58 | 0:06:01 | |
'Instead, the Greek rulers themselves | 0:06:01 | 0:06:04 | |
'began to be seduced by the mystery and magic of Ancient Egypt.' | 0:06:04 | 0:06:08 | |
'After repeated earthquakes, | 0:06:13 | 0:06:15 | |
'the Greek part of Alexandria now lies submerged in the bay | 0:06:15 | 0:06:20 | |
'and tantalising evidence of just how thoroughly the Greeks adopted the Egyptian way of life | 0:06:20 | 0:06:25 | |
'can be seen beneath the waves.' | 0:06:25 | 0:06:27 | |
'Amongst the remains of the great palaces built by the Ptolemies, | 0:06:34 | 0:06:38 | |
'are sphinxes and hieroglyphs, | 0:06:38 | 0:06:40 | |
'and magnificent statues of the Egyptian gods.' | 0:06:40 | 0:06:44 | |
'These Greek rulers had clearly embraced | 0:06:47 | 0:06:50 | |
'Egyptian culture and religion.' | 0:06:50 | 0:06:52 | |
'Archaeologists have recovered some of these colossal statues | 0:06:57 | 0:07:00 | |
'and brought them to the surface.' | 0:07:00 | 0:07:02 | |
The fascinating thing about these statues is that they show Greek rulers, Ptolemies. | 0:07:06 | 0:07:12 | |
Here, a queen and over there a king. | 0:07:12 | 0:07:16 | |
No-one's sure which king or queen, but they probably date from about 200BC. | 0:07:16 | 0:07:23 | |
But the striking thing is that these Greeks | 0:07:23 | 0:07:26 | |
are shown in the guise of traditional Egyptian rulers. | 0:07:26 | 0:07:31 | |
Here, a pharaoh, and there a queen, or indeed a goddess, Hathor-Isis. | 0:07:31 | 0:07:37 | |
'In their head-dresses, in their pose, their hair, | 0:07:38 | 0:07:42 | |
'even the style of their clothes, | 0:07:42 | 0:07:44 | |
'these Greeks are presenting themselves as true Egyptians.' | 0:07:44 | 0:07:49 | |
What this reveals, of course, | 0:07:49 | 0:07:50 | |
is the extent to which the Greeks embraced and used | 0:07:50 | 0:07:54 | |
traditional Egyptian culture and customs. | 0:07:54 | 0:07:58 | |
'Even after Greek ideas, language, and beliefs came flooding in, | 0:08:09 | 0:08:13 | |
'the culture of Ancient Egypt withstood it all and continued to thrive.' | 0:08:13 | 0:08:18 | |
'This is how the last Greek Ptolemy rulers chose to portray themselves. | 0:08:20 | 0:08:25 | |
'They had become the archetypal Egyptians.' | 0:08:25 | 0:08:28 | |
'This is the great queen Cleopatra.' | 0:08:35 | 0:08:37 | |
'Despite her Greek blood, she is perhaps the best symbol | 0:08:39 | 0:08:42 | |
'of the survival and victory of the Egyptian way of life. | 0:08:42 | 0:08:45 | |
'She wore the robes of the Egyptian Goddess Isis, | 0:08:47 | 0:08:50 | |
'built temples to honour the Egyptian gods, | 0:08:50 | 0:08:53 | |
'and she even mastered the art of writing hieroglyphs.' | 0:08:53 | 0:08:56 | |
'And, according to legend, she even died like an Egyptian. | 0:08:59 | 0:09:04 | |
'In 30BC, in one of the great romantic stories of all-time, | 0:09:04 | 0:09:08 | |
'Cleopatra killed herself after the death of her lover, Mark Anthony.' | 0:09:08 | 0:09:14 | |
Famously, she took a snake - an asp - and held it to her breast. | 0:09:14 | 0:09:19 | |
It bit her and she died of its poison. | 0:09:19 | 0:09:22 | |
The manner of her death is so revealing. | 0:09:22 | 0:09:25 | |
An asp was sacred to the old gods of Egypt. | 0:09:25 | 0:09:29 | |
It was a sign of eternity. | 0:09:29 | 0:09:32 | |
So in her death, in a way, Cleopatra was reborn, | 0:09:32 | 0:09:37 | |
reborn among the old gods of Egypt. | 0:09:37 | 0:09:40 | |
And she lived and lives for eternity. | 0:09:40 | 0:09:45 | |
'It's clear from the story of Cleopatra | 0:09:47 | 0:09:50 | |
'that the age-old Egyptian beliefs were not destroyed | 0:09:50 | 0:09:53 | |
'by the invasion of Greek ideas. | 0:09:53 | 0:09:56 | |
'In fact, Egypt's ancient art and religion survived virtually intact | 0:09:56 | 0:10:01 | |
'and continued to dominate the lives of the people of this land.' | 0:10:01 | 0:10:04 | |
'But how would it survive the next cultural invasion, | 0:10:06 | 0:10:10 | |
'from a civilization bent on world domination - | 0:10:10 | 0:10:13 | |
'the Romans?' | 0:10:13 | 0:10:15 | |
'When the Roman army marched into Egypt in 30BC, | 0:10:17 | 0:10:22 | |
'they were determined to make this great land a mere province of the Roman Empire. | 0:10:22 | 0:10:28 | |
'And they stamped their powerful presence on Egypt, | 0:10:28 | 0:10:31 | |
'not through the introduction of new ideas, as the Greeks had done, | 0:10:31 | 0:10:35 | |
'but by bleeding the country dry.' | 0:10:35 | 0:10:37 | |
'Here, in the Roman quarter of Alexandria, | 0:10:41 | 0:10:45 | |
'you get a real insight into Roman rule in Egypt.' | 0:10:45 | 0:10:49 | |
This theatre served as a council chamber. | 0:10:54 | 0:10:57 | |
Here, the Roman elite of the land | 0:10:57 | 0:11:01 | |
would have gathered to decide how this great province, | 0:11:01 | 0:11:05 | |
this colony, would have been governed. | 0:11:05 | 0:11:07 | |
And the thing at the top of the agenda most of the time, | 0:11:07 | 0:11:11 | |
I should imagine, would be how to exploit | 0:11:11 | 0:11:13 | |
the vast resources, the vast natural wealth, of Egypt. | 0:11:13 | 0:11:18 | |
'Rome depended on these riches to sustain its extensive territories | 0:11:21 | 0:11:26 | |
'and Egypt became the bread-basket of the Roman Empire.' | 0:11:26 | 0:11:30 | |
A third of the amount of grain needed | 0:11:30 | 0:11:33 | |
to feed the population of Rome came from Egypt. | 0:11:33 | 0:11:36 | |
It wasn't just grain, other things were brought from Egypt - | 0:11:36 | 0:11:41 | |
money, taxes, the people here were taxed ruthlessly. | 0:11:41 | 0:11:45 | |
And there were minerals, also gold from the south, | 0:11:45 | 0:11:48 | |
and granite from Aswan was used to make Rome a beautiful city. | 0:11:48 | 0:11:53 | |
'With the country's wealth siphoned off to Rome, | 0:11:56 | 0:11:59 | |
'the great Egyptian temples were neglected and the priests, | 0:11:59 | 0:12:03 | |
'once so revered, began to lose their power.' | 0:12:03 | 0:12:06 | |
'And yet, in spite of all they were forced to endure from the Romans, | 0:12:07 | 0:12:12 | |
'the Egyptian people still clung fiercely | 0:12:12 | 0:12:14 | |
'to their ancient customs and beliefs. | 0:12:14 | 0:12:17 | |
'And what's more, even the Roman oppressors themselves | 0:12:17 | 0:12:21 | |
'became seduced by the traditions of this ancient land.' | 0:12:21 | 0:12:24 | |
'Beneath Alexandria is a labyrinth of catacombs, | 0:12:30 | 0:12:34 | |
'where the Roman dead were once buried.' | 0:12:34 | 0:12:37 | |
'Here, you can see how the Roman settlers, | 0:12:41 | 0:12:44 | |
'just like the Greeks before them, embraced ancient Egyptian customs, | 0:12:44 | 0:12:48 | |
'and adopted the Egyptian gods.' | 0:12:48 | 0:12:50 | |
'These Romans even mummified their dead - an Egyptian tradition, | 0:12:55 | 0:12:59 | |
'never practiced in any other part of the Roman Empire.' | 0:12:59 | 0:13:02 | |
'So, for the second time, | 0:13:04 | 0:13:06 | |
'the invasion of a mighty rival culture failed to destroy | 0:13:06 | 0:13:09 | |
'the long-held beliefs at the heart of the Egyptian way of life.' | 0:13:09 | 0:13:13 | |
'But then came the third | 0:13:18 | 0:13:20 | |
'and final assault on the Egyptian Civilisation. | 0:13:20 | 0:13:23 | |
'It was a threat unlike any that had come before. | 0:13:23 | 0:13:27 | |
'And It would prove too powerful to resist.' | 0:13:27 | 0:13:30 | |
In around 4BC, in a small town in the Roman province of Judea, | 0:13:36 | 0:13:42 | |
a child was born - | 0:13:42 | 0:13:43 | |
a child that we now know as Jesus - | 0:13:43 | 0:13:46 | |
and his followers were to destroy the culture of the Pharaohs forever. | 0:13:46 | 0:13:51 | |
'From its humble beginnings, | 0:13:53 | 0:13:55 | |
'Christianity grew so powerful that 300 years after the birth of Christ, | 0:13:55 | 0:14:01 | |
'it became the official religion of the Roman Empire.' | 0:14:01 | 0:14:03 | |
'As Egypt was a province of Rome, | 0:14:09 | 0:14:10 | |
'Christianity would be imposed on the Egyptian people.' | 0:14:10 | 0:14:14 | |
'This cathedral, in the heart of Alexandria, | 0:14:18 | 0:14:21 | |
'is built on the site of the very first church in Africa, | 0:14:21 | 0:14:25 | |
'and it was from here that Christianity began | 0:14:25 | 0:14:28 | |
'its relentless march through Egypt.' | 0:14:28 | 0:14:31 | |
'And in the barren desert plains between Alexandria and Cairo, | 0:14:37 | 0:14:41 | |
'there's a place where we can see how Christianity began to win the battle | 0:14:41 | 0:14:45 | |
'for the very soul of the Egyptian people.' | 0:14:45 | 0:14:48 | |
Born out of the remote solitude of the Egyptian deserts | 0:14:56 | 0:15:00 | |
were the world's first monastic communities. | 0:15:00 | 0:15:03 | |
'And you can still find monks out here in the desert, | 0:15:03 | 0:15:07 | |
'worshiping at one of the earliest monasteries in the world.' | 0:15:07 | 0:15:11 | |
BELLS RING | 0:15:13 | 0:15:16 | |
The monks here speak Coptic, | 0:15:17 | 0:15:20 | |
a language directly descended from the people of Ancient Egypt. | 0:15:20 | 0:15:24 | |
It's as close as you can get to actually hearing the Ancient Egyptians speak. | 0:15:24 | 0:15:29 | |
HE CHANTS | 0:15:29 | 0:15:31 | |
THEY CHANT | 0:15:33 | 0:15:36 | |
This church offers an insight into the early years of monasticism - | 0:15:44 | 0:15:50 | |
simplicity, frugality, | 0:15:50 | 0:15:53 | |
solitude, prayer - | 0:15:53 | 0:15:56 | |
a very powerful place indeed, beautiful, in fact. | 0:15:56 | 0:16:01 | |
This place also offers an understanding | 0:16:01 | 0:16:05 | |
of the early years of Christianity in this land, | 0:16:05 | 0:16:08 | |
how it managed to triumph over the old religion. | 0:16:08 | 0:16:12 | |
For Christians, there was only one God. | 0:16:14 | 0:16:17 | |
'The Greeks and the Romans before had been able | 0:16:17 | 0:16:20 | |
'to blend their many deities with those of Ancient Egypt.' | 0:16:20 | 0:16:26 | |
But Christianity could not tolerate other beliefs. | 0:16:26 | 0:16:31 | |
Old gods were regarded as non-existent or perceived as devils. | 0:16:31 | 0:16:36 | |
'But, surprisingly, in spite of their hostility to the old pagan gods, | 0:16:36 | 0:16:42 | |
'Christians actually borrowed some of the Ancient Egyptian religious practices.' | 0:16:42 | 0:16:48 | |
Some of the rituals of the old religion were appropriated and transformed by Christianity, | 0:16:48 | 0:16:53 | |
even the idea of solitude in a desert, in a monastery, | 0:16:53 | 0:16:59 | |
that was an idea from Ptolemaic times - | 0:16:59 | 0:17:02 | |
priests going off alone to meditate. | 0:17:02 | 0:17:05 | |
And in this way, one sees what's going on here - it's fascinating. | 0:17:05 | 0:17:09 | |
Their ideas are taken, transformed, and robbed of their meaning and, in that way, | 0:17:09 | 0:17:13 | |
the old ideas, the old gods, are finally defeated. | 0:17:13 | 0:17:18 | |
'In fact, by the middle of the fourth century AD, | 0:17:23 | 0:17:27 | |
'half the Egyptians had abandoned the old gods | 0:17:27 | 0:17:29 | |
'and converted to Christianity.' | 0:17:29 | 0:17:32 | |
'500 miles further south, there's an Ancient Egyptian temple | 0:17:35 | 0:17:39 | |
'where we can see exactly what happened to the old sacred sites | 0:17:39 | 0:17:43 | |
'as the Christians grew in power and influence. | 0:17:43 | 0:17:47 | |
'As this new religion swept through the country, the temples built to worship the pagan gods | 0:17:47 | 0:17:52 | |
'were attacked and destroyed.' | 0:17:52 | 0:17:54 | |
'The walls in this temple at Dendera, dedicated to the Goddess Hathor, | 0:17:56 | 0:18:00 | |
'bear witness to this violent history.' | 0:18:00 | 0:18:03 | |
The columned hall is in a wonderful state of preservation. | 0:18:04 | 0:18:08 | |
The only serious damage was done to it in the fourth or fifth century AD | 0:18:08 | 0:18:13 | |
by the Christian Copts, | 0:18:13 | 0:18:15 | |
who attacked it in a sort of frenzied manner. | 0:18:15 | 0:18:19 | |
The heads of the goddess Hathor up there's been damaged horribly - | 0:18:19 | 0:18:23 | |
the face is hacked away. | 0:18:23 | 0:18:25 | |
And on this wall in front of me, | 0:18:25 | 0:18:28 | |
every image has been chiselled. | 0:18:28 | 0:18:31 | |
The bodies, the faces, they've gone. | 0:18:34 | 0:18:36 | |
The hieroglyphs left alone. | 0:18:36 | 0:18:38 | |
Even the hats left alone. | 0:18:38 | 0:18:40 | |
But the bodies have gone. | 0:18:40 | 0:18:41 | |
Clearly Christians perceived these as incarnations of the devil, | 0:18:41 | 0:18:45 | |
pagan idols to be eradicated. | 0:18:45 | 0:18:49 | |
The result now is devastating really - | 0:18:49 | 0:18:52 | |
beauty, history, destroyed | 0:18:52 | 0:18:57 | |
in a frenzied fundamentalist attack. | 0:18:57 | 0:18:59 | |
But this violence wasn't just directed at the images of the old pagan gods. | 0:19:06 | 0:19:10 | |
In the Christian basilica next to the Egyptian temple, | 0:19:10 | 0:19:14 | |
we can see how the sacred buildings themselves were torn down. | 0:19:14 | 0:19:19 | |
This basilica was built in the fifth century by Christians, | 0:19:21 | 0:19:25 | |
using stones robbed from the surrounding temples. | 0:19:25 | 0:19:30 | |
That's very clear if you look down here - there are carved stones | 0:19:30 | 0:19:34 | |
with hieroglyphs, clearly not in the position they're meant to be. | 0:19:34 | 0:19:38 | |
And here even... the top of a column, | 0:19:38 | 0:19:41 | |
clearly taken from the temples each side of me | 0:19:41 | 0:19:45 | |
and I guess all these stones are, | 0:19:45 | 0:19:47 | |
but turned around so that the carvings are not showing. | 0:19:47 | 0:19:50 | |
All this is, of course, a direct attack on the old temples, | 0:19:50 | 0:19:54 | |
the old gods, to kill them, to destroy them, to destroy their images. | 0:19:54 | 0:20:00 | |
And here we see the cross - an abstract sign, really. | 0:20:00 | 0:20:03 | |
And in here the dove, the dove of peace. | 0:20:11 | 0:20:14 | |
Peace? Not much peace or tolerance | 0:20:14 | 0:20:17 | |
towards the old gods of Egypt! | 0:20:17 | 0:20:20 | |
Through here into the church proper... | 0:20:20 | 0:20:26 | |
into the... | 0:20:26 | 0:20:28 | |
nave, really, the hall. | 0:20:28 | 0:20:30 | |
And, um... | 0:20:30 | 0:20:32 | |
extraordinary, this big church. | 0:20:32 | 0:20:35 | |
Christians... | 0:20:35 | 0:20:37 | |
not really prepared to tolerate the old gods. They can't do that. | 0:20:37 | 0:20:41 | |
Only one God, the Christian God. | 0:20:41 | 0:20:43 | |
Other gods must be destroyed and this church built here, | 0:20:43 | 0:20:47 | |
in the middle of this temple complex, | 0:20:47 | 0:20:49 | |
to appropriate ancient sacred land, this sacred ground. | 0:20:49 | 0:20:55 | |
The irony, of course, is that while this church is now a ruin, | 0:20:55 | 0:20:58 | |
the old temples of the old gods survive... | 0:20:58 | 0:21:02 | |
more or less intact. | 0:21:02 | 0:21:04 | |
'The very stones of monuments like these tell the dramatic story of how Christianity conquered Egypt. | 0:21:09 | 0:21:15 | |
'Stealing from the sacred temples to build their own churches | 0:21:15 | 0:21:19 | |
'and vandalising the images of the ancient gods.' | 0:21:19 | 0:21:22 | |
'But what about the people still worshipping in these temples, | 0:21:26 | 0:21:30 | |
'those who clung to the customs and traditions of their ancestors?' | 0:21:30 | 0:21:34 | |
'What happened to them?' | 0:21:35 | 0:21:38 | |
'These people still loyal to the ancient gods | 0:21:50 | 0:21:53 | |
'sought refuge further and further south, | 0:21:53 | 0:21:56 | |
'until there was only one place left for them... | 0:21:56 | 0:21:59 | |
'and that's where the story ends.' | 0:21:59 | 0:22:02 | |
I'm going to a place that's beautiful | 0:22:04 | 0:22:06 | |
and once most sacred to the old gods of this land | 0:22:06 | 0:22:10 | |
and which played an important, indeed poignant, | 0:22:10 | 0:22:14 | |
role in the history of Egypt. | 0:22:14 | 0:22:17 | |
Far in the south of Egypt, on the remote island of Philae in the Nile, | 0:22:28 | 0:22:33 | |
you can see the last moments of the civilisation of the pharaohs. | 0:22:33 | 0:22:38 | |
Here, | 0:22:51 | 0:22:53 | |
in this temple behind me, | 0:22:53 | 0:22:55 | |
on a small island in the Nile, | 0:22:55 | 0:22:58 | |
became the last bastion of those faithful | 0:22:58 | 0:23:02 | |
to the great ancient deities. | 0:23:02 | 0:23:05 | |
This island was dedicated to Isis, | 0:23:05 | 0:23:07 | |
she was meant to protect this land, | 0:23:07 | 0:23:09 | |
but eventually even this bastion succumbed | 0:23:09 | 0:23:13 | |
to the march of Christianity. | 0:23:13 | 0:23:15 | |
'Those who still continued to worship the ancient Egyptian gods | 0:23:21 | 0:23:25 | |
'were persecuted and killed for their beliefs.' | 0:23:25 | 0:23:28 | |
This remains a magical and sacred place. | 0:23:37 | 0:23:41 | |
In front of me, on the great pylon, | 0:23:41 | 0:23:43 | |
are the deities of Ancient Egypt - | 0:23:43 | 0:23:45 | |
Hathor, Horus, Isis - they look down upon me. | 0:23:45 | 0:23:49 | |
And inside I can find clues to help me understand | 0:23:49 | 0:23:53 | |
how the world of these ancient gods finally came to an end. | 0:23:53 | 0:23:58 | |
'And it's in this beautiful isolated temple | 0:24:01 | 0:24:05 | |
'that we can find that last hieroglyph.' | 0:24:05 | 0:24:07 | |
'For me, it's one of the most moving things I've seen in the whole of Egypt.' | 0:24:13 | 0:24:19 | |
'Tucked away in a corner of the temple, | 0:24:24 | 0:24:28 | |
'this tiny detail is almost impossible to find, | 0:24:28 | 0:24:31 | |
'unless you know where to look.' | 0:24:31 | 0:24:32 | |
That detail is this inscription, part here and part over here. | 0:24:34 | 0:24:40 | |
What this says is that, "I am Lethnet, | 0:24:40 | 0:24:45 | |
"scribe in the house of the books of Isis." | 0:24:45 | 0:24:48 | |
So he's in the library - a librarian. | 0:24:48 | 0:24:50 | |
And making a plea here to the god Mandalus, | 0:24:50 | 0:24:55 | |
the son of Horus, | 0:24:55 | 0:24:57 | |
to be benevolent to him, Lethnet, for eternity. | 0:24:57 | 0:25:02 | |
And this inscription was made on the 24th of August, | 0:25:02 | 0:25:06 | |
which is the birthday of Osiris. | 0:25:06 | 0:25:09 | |
And we know, in fact, | 0:25:09 | 0:25:11 | |
that was carved in the year 394AD. | 0:25:11 | 0:25:16 | |
And so, as far as anyone can tell, | 0:25:16 | 0:25:19 | |
these are the last hieroglyphic inscriptions | 0:25:19 | 0:25:22 | |
made in Egypt in historic times. | 0:25:22 | 0:25:26 | |
When we look at these, we are, in effect, | 0:25:26 | 0:25:30 | |
looking at the last moment, the death, of Egyptian culture and civilization. | 0:25:30 | 0:25:36 | |
Priests were the only ones who could understand this archaic language. | 0:25:42 | 0:25:47 | |
When they were forced out of this temple, | 0:25:47 | 0:25:50 | |
their knowledge was lost and forgotten. | 0:25:50 | 0:25:53 | |
The pattern of Christian destruction continued here, | 0:25:58 | 0:26:01 | |
as it had in the other temples. | 0:26:01 | 0:26:05 | |
Up here is Hathor Isis, | 0:26:05 | 0:26:07 | |
but she's been literally, sort of, | 0:26:07 | 0:26:10 | |
scratched to death, gouged out, | 0:26:10 | 0:26:13 | |
removed from the surface of the building. | 0:26:13 | 0:26:16 | |
Quite terrifying, the violence of this sort of clawing action. | 0:26:16 | 0:26:19 | |
And up here there's an inscription that reveals more about all this. | 0:26:19 | 0:26:23 | |
It's written in Greek, put up here by the Coptic Christians. | 0:26:23 | 0:26:28 | |
It congratulates the people that committed vandalism on the building, | 0:26:28 | 0:26:32 | |
saying this great structure has been well cleansed of the images of the pagan gods. | 0:26:32 | 0:26:38 | |
This portion of the temple of Isis | 0:26:47 | 0:26:50 | |
was converted into a Christian church. | 0:26:50 | 0:26:53 | |
The images of the old gods on the walls were plastered over, obscured, | 0:26:53 | 0:26:57 | |
and crosses cut into the walls - I can see one over there. | 0:26:57 | 0:27:02 | |
Originally this was an open court, so life-giving rays of the sun god | 0:27:02 | 0:27:06 | |
could penetrate the temple, | 0:27:06 | 0:27:09 | |
but the Christians wanted to keep the sun god out, | 0:27:09 | 0:27:12 | |
so they covered this court with a dome. | 0:27:12 | 0:27:15 | |
The Ancient Egyptian civilization | 0:27:22 | 0:27:24 | |
had created the magnificent pyramids at Giza, | 0:27:24 | 0:27:27 | |
the spectacular tombs in the Valley Of The Kings | 0:27:27 | 0:27:31 | |
and the treasures of Tutankhamun. | 0:27:31 | 0:27:33 | |
The scale of its achievements were unsurpassed, | 0:27:34 | 0:27:38 | |
set in stone on the walls as remarkable monuments. | 0:27:38 | 0:27:42 | |
This culture and tradition had evolved from the banks of the Nile | 0:27:42 | 0:27:46 | |
for over 3,000 years. | 0:27:46 | 0:27:48 | |
Yet it took only hundreds of years | 0:27:48 | 0:27:50 | |
for Christianity to finally destroy it. | 0:27:50 | 0:27:53 | |
Of course Egypt had lost political independence in the past, | 0:27:56 | 0:28:00 | |
but its culture had always survived. | 0:28:00 | 0:28:04 | |
But now, thousands of years of cultural continuity... | 0:28:04 | 0:28:08 | |
staggered to an end. | 0:28:08 | 0:28:11 | |
It was absolutely tragic really. | 0:28:11 | 0:28:14 | |
The destruction was awful. | 0:28:15 | 0:28:17 | |
The destruction of a way of life, a culture, a civilization, a religion. | 0:28:17 | 0:28:22 | |
But strangely, coming to Egypt, one's aware that all is not dead. | 0:28:22 | 0:28:27 | |
These temples, these mansions of millions of years | 0:28:27 | 0:28:31 | |
attract people in their thousands still. | 0:28:31 | 0:28:33 | |
One feels, in a way, the old gods are still alive. | 0:28:33 | 0:28:38 | |
Subtitles by Red Bee Media Ltd 2005 | 0:28:55 | 0:28:59 | |
E-mail [email protected] | 0:28:59 | 0:29:02 |