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The Tudors are historical superstars, | 0:00:02 | 0:00:04 | |
our most famous royal dynasty. | 0:00:04 | 0:00:06 | |
But there is one Tudor monarch who's been all but forgotten. | 0:00:06 | 0:00:10 | |
Queen Jane. | 0:00:10 | 0:00:12 | |
Lady Jane Grey was a teenager thrust on to the throne, | 0:00:12 | 0:00:16 | |
only to lose her crown after just nine days. | 0:00:16 | 0:00:20 | |
She was the first woman to be proclaimed Queen of England, | 0:00:20 | 0:00:23 | |
but few would recognise the name Queen Jane. | 0:00:23 | 0:00:26 | |
I'm Helen Castor, and over three episodes, | 0:00:28 | 0:00:30 | |
I'm going to take a forensic look at Jane's story. | 0:00:30 | 0:00:33 | |
It's a Tudor thriller, an epic tale of family conflict... | 0:00:36 | 0:00:40 | |
..ambition, and betrayal. | 0:00:42 | 0:00:44 | |
The death of a king covered up... | 0:00:46 | 0:00:47 | |
..and a country torn between two faiths. | 0:00:48 | 0:00:51 | |
Our protagonists include the manipulative duke... | 0:00:53 | 0:00:56 | |
..the wronged princess... | 0:00:58 | 0:01:00 | |
..and the God-fearing 15-year-old | 0:01:02 | 0:01:04 | |
who finds herself caught between them, | 0:01:04 | 0:01:07 | |
and pays with her life. | 0:01:07 | 0:01:08 | |
I'm going to track down original sources, | 0:01:10 | 0:01:13 | |
written as the drama unfolds... | 0:01:13 | 0:01:16 | |
This is the really exciting bit of the job. | 0:01:16 | 0:01:19 | |
..I'll talk to expert colleagues... | 0:01:19 | 0:01:21 | |
I've been in this game for 40 years, and I have to tell you, | 0:01:21 | 0:01:24 | |
there is no trickier Tudor subject that Jane Grey. | 0:01:24 | 0:01:27 | |
..and I'll visit the places where Jane once walked | 0:01:29 | 0:01:32 | |
during the nine days that she reigned. | 0:01:32 | 0:01:34 | |
In this episode, I want to explore | 0:01:34 | 0:01:36 | |
just how this teenage girl became queen, | 0:01:36 | 0:01:39 | |
and as a result, led England to the brink of civil war. | 0:01:39 | 0:01:43 | |
Jane's journey to the throne begins | 0:01:53 | 0:01:56 | |
with the sudden illness of the 15-year-old Tudor king, Edward VI... | 0:01:56 | 0:02:00 | |
..the only son of Henry VIII. | 0:02:02 | 0:02:04 | |
If Edward dies childless, | 0:02:06 | 0:02:08 | |
his sister, Mary, will inherit the throne. | 0:02:08 | 0:02:11 | |
But she's a woman, and worse, | 0:02:13 | 0:02:16 | |
she's a Catholic, an abomination to Edward, | 0:02:16 | 0:02:19 | |
who is fiercely Protestant. | 0:02:19 | 0:02:21 | |
It's a time bomb that will throw the country into chaos. | 0:02:23 | 0:02:27 | |
Catholic or Protestant, | 0:02:31 | 0:02:33 | |
the future of the country depends on Edward's survival. | 0:02:33 | 0:02:36 | |
As the young king lies on his sick bed at Greenwich Palace, | 0:02:45 | 0:02:49 | |
secret dispatches from the Imperial ambassador, Jean Scheyfvre, | 0:02:49 | 0:02:53 | |
described the Protestant king's rapid and brutal decline. | 0:02:53 | 0:02:57 | |
"The king of England is still confined to his chamber, | 0:02:59 | 0:03:02 | |
"and seems to be sensitive to the slightest indisposition or change. | 0:03:02 | 0:03:06 | |
"He suffers a good deal when the fever is upon him, | 0:03:06 | 0:03:10 | |
"especially from a difficulty in drawing his breath." | 0:03:10 | 0:03:13 | |
There may be a lot of gaps in the record, | 0:03:21 | 0:03:24 | |
but the king's health was a subject of intense scrutiny. | 0:03:24 | 0:03:27 | |
We have every grim detail. | 0:03:27 | 0:03:30 | |
"The matter he ejects from his mouth | 0:03:32 | 0:03:34 | |
"is sometimes coloured a greenish yellow and black. | 0:03:34 | 0:03:37 | |
"He is beginning to break out in ulcers." | 0:03:37 | 0:03:40 | |
The illness seemed to take hold and progress frighteningly quickly. | 0:03:41 | 0:03:46 | |
A procession of the best doctors came and went, | 0:03:46 | 0:03:49 | |
but the king was not getting better. | 0:03:49 | 0:03:51 | |
"They feel sure that the king has no chance of recovery, | 0:03:52 | 0:03:56 | |
"unless his health improves during the next month." | 0:03:56 | 0:03:59 | |
As the days pass, rumours of the king's illness | 0:04:02 | 0:04:05 | |
begin to seep through the court, through the capital, | 0:04:05 | 0:04:09 | |
and out into the counties beyond. | 0:04:09 | 0:04:11 | |
Stories of the king's illness were played down, | 0:04:17 | 0:04:20 | |
but here at Greenwich in the corridors of power, | 0:04:20 | 0:04:23 | |
there was growing concern. | 0:04:23 | 0:04:25 | |
People began to speculate about what the death of the king might mean. | 0:04:25 | 0:04:28 | |
That feeling of just terror, | 0:04:30 | 0:04:32 | |
that the entire world was going to devolve into chaos, | 0:04:32 | 0:04:35 | |
must've just been enormous for them. | 0:04:35 | 0:04:38 | |
The most powerful nobles in the country know that they stand to lose | 0:04:43 | 0:04:47 | |
everything in a Catholic regime. | 0:04:47 | 0:04:49 | |
The question of how to hold on to power and keep Mary from the throne | 0:04:50 | 0:04:54 | |
preoccupies the key players at court. | 0:04:54 | 0:04:58 | |
First among them is the Duke of Northumberland. | 0:04:58 | 0:05:00 | |
Northumberland was a soldier, a leader in battle, a politician, | 0:05:03 | 0:05:08 | |
principal adviser and confidant to the young king. | 0:05:08 | 0:05:11 | |
During the dissolution of the monasteries, of course, | 0:05:11 | 0:05:14 | |
Henry VIII seized all of that property | 0:05:14 | 0:05:16 | |
from the Roman Catholic Church, | 0:05:16 | 0:05:18 | |
and used it as a revenue-generating system, and as a reward system. | 0:05:18 | 0:05:23 | |
To what extent was Northumberland personally invested in Protestantism | 0:05:23 | 0:05:28 | |
by Edward's reign? | 0:05:28 | 0:05:30 | |
Northumberland was one of those that enriched himself | 0:05:30 | 0:05:33 | |
enormously through this system. | 0:05:33 | 0:05:36 | |
In 1553, Northumberland was the power behind the throne. | 0:05:39 | 0:05:43 | |
He had been Henry VIII's Lord Admiral. | 0:05:45 | 0:05:48 | |
And now, as head of the Privy Council, | 0:05:48 | 0:05:51 | |
he knows that if Edward dies, | 0:05:51 | 0:05:53 | |
there's a big problem with the succession. | 0:05:53 | 0:05:55 | |
This is the Tudor family tree. | 0:05:57 | 0:05:59 | |
Henry VII had three surviving children. | 0:05:59 | 0:06:02 | |
Margaret... | 0:06:04 | 0:06:06 | |
..Henry... | 0:06:07 | 0:06:08 | |
..and Mary. | 0:06:08 | 0:06:10 | |
Henry, as the only boy, became king as Henry VIII. | 0:06:10 | 0:06:14 | |
And he too had three children. | 0:06:15 | 0:06:17 | |
Mary... | 0:06:19 | 0:06:20 | |
..Elizabeth... | 0:06:20 | 0:06:22 | |
..and Edward. | 0:06:22 | 0:06:24 | |
And Edward was the only boy, so he became king when his father died, | 0:06:25 | 0:06:29 | |
as Edward VI. | 0:06:29 | 0:06:30 | |
But what would happen if Edward died? | 0:06:31 | 0:06:33 | |
He had two sisters, Mary and Elizabeth. | 0:06:34 | 0:06:37 | |
But were there are other options elsewhere on the family tree? | 0:06:37 | 0:06:41 | |
Margaret had married the King of Scotland, and she'd had a son, | 0:06:41 | 0:06:45 | |
but he was already dead. | 0:06:45 | 0:06:46 | |
Leaving a daughter, Mary Queen of Scots. | 0:06:47 | 0:06:51 | |
Mary had had two daughters. | 0:06:51 | 0:06:53 | |
Frances... | 0:06:54 | 0:06:56 | |
..and Eleanor. | 0:06:57 | 0:06:59 | |
Frances had three daughters - Jane, Katherine... | 0:06:59 | 0:07:03 | |
..and Mary, and Eleanor had one, Margaret. | 0:07:05 | 0:07:09 | |
So, if we look around this family tree, | 0:07:10 | 0:07:12 | |
we see that our options are pretty limited. | 0:07:12 | 0:07:14 | |
Eleanor was already dead, but otherwise, | 0:07:14 | 0:07:17 | |
there's Mary, Mary, Elizabeth, | 0:07:17 | 0:07:20 | |
Frances, Jane, Katherine, Mary, and Margaret. | 0:07:20 | 0:07:24 | |
Eight women, not a man in sight. | 0:07:24 | 0:07:28 | |
It was entirely understood that the heir to the throne should be male, | 0:07:28 | 0:07:34 | |
full stop. | 0:07:34 | 0:07:35 | |
And when you're left with the first eight heirs to the throne | 0:07:35 | 0:07:39 | |
being female, the question wasn't "how do we deal with this?" | 0:07:39 | 0:07:43 | |
It was "how do we avoid it?" | 0:07:43 | 0:07:46 | |
So, in 1553, we're talking about a very live political question - | 0:07:46 | 0:07:51 | |
can a woman rule or not? | 0:07:51 | 0:07:54 | |
And you're arguing that Edward's answer is no? | 0:07:54 | 0:07:57 | |
He shared his father's abhorrence of the notion | 0:07:57 | 0:08:01 | |
of a woman ruling the realm. | 0:08:01 | 0:08:03 | |
The issue of a woman ruler was only part of the problem. | 0:08:06 | 0:08:09 | |
Although Henry VIII had made the break with Rome, | 0:08:09 | 0:08:12 | |
it was his son, Edward, who made sweeping changes | 0:08:12 | 0:08:15 | |
to ordinary people's experience of worship. | 0:08:15 | 0:08:17 | |
He got rid of candles, images, rosaries, | 0:08:17 | 0:08:21 | |
and outlawed the Latin mass, | 0:08:21 | 0:08:23 | |
threatening anyone who stepped out of line with imprisonment. | 0:08:23 | 0:08:27 | |
In 1549, | 0:08:29 | 0:08:31 | |
religious conflict had erupted into battles | 0:08:31 | 0:08:34 | |
between Catholics and Edward's men, as described in Edward's own diary. | 0:08:34 | 0:08:38 | |
"The rebels besieged Exeter, where there were many pretty feats of war. | 0:08:42 | 0:08:46 | |
"They gathered at Launceston, | 0:08:46 | 0:08:48 | |
"where the Lord Privy Seal went and overthrew them, | 0:08:48 | 0:08:50 | |
"taking their chiefs and executing them." | 0:08:50 | 0:08:52 | |
But by 1553, one of the greatest champions of Catholicism was Mary, | 0:08:54 | 0:08:59 | |
Henry VIII's eldest child, and the heir to Edward's throne. | 0:08:59 | 0:09:02 | |
Aged 37, Mary was an unrepentant Catholic. | 0:09:07 | 0:09:11 | |
Before her brother's illness, | 0:09:12 | 0:09:14 | |
she had held regular illegal masses at her home. | 0:09:14 | 0:09:17 | |
This act of defiance enraged Edward, | 0:09:18 | 0:09:21 | |
and hardened his resolve that she should never be queen. | 0:09:21 | 0:09:24 | |
The fact that the heir to the throne was Catholic | 0:09:26 | 0:09:29 | |
was a frightening prospect, not only for Edward, | 0:09:29 | 0:09:32 | |
but for the Duke of Northumberland. | 0:09:32 | 0:09:34 | |
Next in line was Henry's 19-year-old daughter, Elizabeth. | 0:09:34 | 0:09:37 | |
And although she was Protestant, like Mary, | 0:09:38 | 0:09:41 | |
she was technically illegitimate. | 0:09:41 | 0:09:43 | |
But as Edward's illness progresses, | 0:09:47 | 0:09:50 | |
a secret document is hastily produced in his sick room. | 0:09:50 | 0:09:54 | |
What was Edward planning, and why? | 0:09:54 | 0:09:56 | |
This is Edward's device for the succession. | 0:10:01 | 0:10:03 | |
It's in his own handwriting, | 0:10:03 | 0:10:05 | |
which was never the most beautiful handwriting in the world, | 0:10:05 | 0:10:08 | |
but it's looking scrappier than it had been, | 0:10:08 | 0:10:10 | |
perhaps because he was already becoming ill. | 0:10:10 | 0:10:13 | |
It's clearly a document written by a teenage boy. | 0:10:13 | 0:10:18 | |
The handwriting isn't very sophisticated, | 0:10:18 | 0:10:21 | |
and neither actually is the language. | 0:10:21 | 0:10:24 | |
"My device for the succession," it says at the top. | 0:10:24 | 0:10:27 | |
And the essence of Edward's plan is clear in the first paragraph, | 0:10:27 | 0:10:31 | |
where one word gets repeated over and over again. | 0:10:31 | 0:10:35 | |
"Male, male, male, male, heirs male." | 0:10:35 | 0:10:40 | |
The problem Edward has is that there aren't any. | 0:10:40 | 0:10:44 | |
He's having to talk about possible heirs male | 0:10:44 | 0:10:47 | |
who might be born in the future. | 0:10:47 | 0:10:49 | |
Obviously, he hopes he'll have a son of his own, | 0:10:49 | 0:10:52 | |
but just in case, | 0:10:52 | 0:10:54 | |
he's decided on a particular female line | 0:10:54 | 0:10:56 | |
through which the crown should pass, | 0:10:56 | 0:10:59 | |
and that's where we come to Jane Grey. | 0:10:59 | 0:11:02 | |
She isn't the first name on the list - that's her mother, Frances. | 0:11:02 | 0:11:06 | |
"For lack of issue with my body, to the Lady Frances's heirs male." | 0:11:06 | 0:11:10 | |
But Lady Frances Grey only had daughters. | 0:11:11 | 0:11:14 | |
So, then after her, | 0:11:15 | 0:11:17 | |
"for lack of such issue before my death | 0:11:17 | 0:11:19 | |
"to the Lady Jane's heirs male," | 0:11:19 | 0:11:22 | |
and then, on to her sisters, to the Lady Katherine's heirs male, | 0:11:22 | 0:11:25 | |
to the Lady Mary's heirs male. | 0:11:25 | 0:11:28 | |
Edward then goes on to an elaborate plan | 0:11:28 | 0:11:30 | |
about what should happen if those baby boys | 0:11:30 | 0:11:33 | |
haven't been born by the time he dies. | 0:11:33 | 0:11:36 | |
But the basic principle is clear, | 0:11:36 | 0:11:38 | |
Edward wants a Protestant king to rule after his death. | 0:11:38 | 0:11:42 | |
There are still questions - it's Edward's handwriting, | 0:11:42 | 0:11:46 | |
but we don't know if it was Edward's idea. | 0:11:46 | 0:11:48 | |
Whether he was under pressure, | 0:11:48 | 0:11:50 | |
or whether this was exactly what he wanted. | 0:11:50 | 0:11:52 | |
As leader of the Privy Council, | 0:11:55 | 0:11:57 | |
the Duke of Northumberland was Edward's closest adviser. | 0:11:57 | 0:12:00 | |
There's a possibility that he had a hand in this document | 0:12:01 | 0:12:04 | |
for his own very personal reasons. | 0:12:04 | 0:12:06 | |
The Grey family has now become the focus of Edward's plans | 0:12:09 | 0:12:12 | |
for the succession. | 0:12:12 | 0:12:14 | |
The device names Jane, Katherine, and Mary Grey, | 0:12:14 | 0:12:18 | |
and their mother, Frances. | 0:12:18 | 0:12:20 | |
Until one of them produces a son, Frances would be a caretaker, | 0:12:21 | 0:12:25 | |
and the throne of England would remain empty. | 0:12:25 | 0:12:28 | |
So, if he died, the throne was going to be empty. | 0:12:30 | 0:12:33 | |
Frances was going to be Governor, working with the Privy Council. | 0:12:33 | 0:12:37 | |
Big problem, terrifying. | 0:12:38 | 0:12:40 | |
You've got out there, you've got the sharks out there, of Charles V, | 0:12:40 | 0:12:43 | |
you know, the King of France... | 0:12:43 | 0:12:45 | |
They might want to put their own candidates on the throne. | 0:12:45 | 0:12:49 | |
So, what's the solution to the difficulty of that empty chair? | 0:12:49 | 0:12:53 | |
Well, I think their immediate solution is to have | 0:12:53 | 0:12:56 | |
a round of marriages, | 0:12:56 | 0:12:58 | |
in the hopes that someone will produce a son before Edward dies. | 0:12:58 | 0:13:01 | |
Basically, everyone of royal blood is married off. | 0:13:01 | 0:13:04 | |
Katherine, who's only 12, | 0:13:04 | 0:13:06 | |
who's going to be married to the son of the Earl of Pembroke, | 0:13:06 | 0:13:10 | |
his son, who's only, I think, 15, | 0:13:10 | 0:13:12 | |
is taken from his sick bed to be married, | 0:13:12 | 0:13:15 | |
sort of bright green in the face. | 0:13:15 | 0:13:16 | |
And you have little Mary Grey, who's eight years old and undersized, | 0:13:17 | 0:13:22 | |
and she is betrothed to a middle-aged man, | 0:13:22 | 0:13:25 | |
Lord Grey of Wilton, who's one of the great warriors of the time. | 0:13:25 | 0:13:28 | |
Hideously disfigured by a sort of pike | 0:13:28 | 0:13:30 | |
that had been thrust through his face. | 0:13:30 | 0:13:32 | |
Of all the royal descendants, | 0:13:34 | 0:13:36 | |
the greatest prize is the eldest of the Grey sisters, 15-year-old Jane. | 0:13:36 | 0:13:40 | |
Growing up in Leicestershire, | 0:13:46 | 0:13:48 | |
Jane Grey's early life gave no indication of what was to come. | 0:13:48 | 0:13:52 | |
Aged around 11, she moved to London, | 0:13:56 | 0:13:58 | |
to live under the wardship of the king's uncle, Thomas Seymour. | 0:13:58 | 0:14:02 | |
It was here that she advanced her education | 0:14:04 | 0:14:07 | |
with the best Protestant tutors the country had to offer. | 0:14:07 | 0:14:10 | |
Jane's education is special. | 0:14:12 | 0:14:15 | |
She's educated to a greater degree even than someone like Princess Mary | 0:14:15 | 0:14:19 | |
or Princess Elizabeth, largely because she has no brothers. | 0:14:19 | 0:14:22 | |
So she becomes the sole recipient, I suppose, of the family resources, | 0:14:22 | 0:14:27 | |
as well as the family ambition. | 0:14:27 | 0:14:29 | |
She is receiving a humanist education. | 0:14:29 | 0:14:32 | |
So she knows Latin, Greek, Hebrew, she's also learning Italian. | 0:14:32 | 0:14:37 | |
She's really, in some ways, | 0:14:37 | 0:14:39 | |
being seen as the future of the Protestant Reformation in England. | 0:14:39 | 0:14:43 | |
Jane's education was facilitated by her father, Henry Grey, | 0:14:48 | 0:14:53 | |
who was a senior nobleman and a member of the Privy Council. | 0:14:53 | 0:14:56 | |
He was close to Northumberland, and together, | 0:14:57 | 0:15:00 | |
they agreed to plan for the marriage of Jane to Northumberland's son, | 0:15:00 | 0:15:03 | |
Guildford, who was also about 15 years old. | 0:15:03 | 0:15:07 | |
For Northumberland, Jane was his route to the power of the crown, | 0:15:10 | 0:15:13 | |
through his son. | 0:15:13 | 0:15:15 | |
He arranged their wedding at one of his lavish London residences, | 0:15:20 | 0:15:25 | |
Durham House on the banks of the Thames. | 0:15:25 | 0:15:27 | |
It was just over there. | 0:15:29 | 0:15:31 | |
Today, it's Victoria Embankment Gardens, | 0:15:31 | 0:15:33 | |
just across from the South Bank. | 0:15:33 | 0:15:35 | |
But in the 16th century, | 0:15:35 | 0:15:37 | |
this was one of the most upmarket addresses in London. | 0:15:37 | 0:15:40 | |
Edward was confined to his sick bed, and unable to attend the marriage. | 0:15:42 | 0:15:47 | |
But a royal warrant was issued, | 0:15:47 | 0:15:49 | |
providing extravagant clothes for the wedding party. | 0:15:49 | 0:15:52 | |
Jane was really quite reluctant to enter this marriage, I think. | 0:15:55 | 0:15:59 | |
I think you can document that in the sources. | 0:15:59 | 0:16:02 | |
She agreed to do it because her parents sort of pushed her into it. | 0:16:03 | 0:16:08 | |
In Richard Davey's 1909 book, The Nine Days' Queen, | 0:16:15 | 0:16:19 | |
we have the following passage... | 0:16:19 | 0:16:21 | |
"Her parents ordered her to marry the young gentleman, | 0:16:21 | 0:16:24 | |
"and according to an Italian chronicler, | 0:16:24 | 0:16:27 | |
"she at first stoutly refused. | 0:16:27 | 0:16:29 | |
"The Duke harshly reiterated his command, | 0:16:32 | 0:16:35 | |
"and according to the chronicler, | 0:16:35 | 0:16:37 | |
"even struck his daughter several hard blows." | 0:16:37 | 0:16:40 | |
Whether or not there was violence, | 0:16:44 | 0:16:45 | |
Jane was certainly put under pressure to be married, | 0:16:45 | 0:16:48 | |
and with good reason. The king's health was failing. | 0:16:48 | 0:16:51 | |
As the weeks tick past, and Jane embarks on married life, | 0:16:58 | 0:17:03 | |
Edward shows no sign of recovery. | 0:17:03 | 0:17:05 | |
The realisation dawns that there's no prospect | 0:17:06 | 0:17:09 | |
of any male heirs being born in time. | 0:17:09 | 0:17:12 | |
We don't know the date or the precise details, | 0:17:13 | 0:17:16 | |
but some time in the weeks before his death, | 0:17:16 | 0:17:19 | |
a final and critical change is made to the device. | 0:17:19 | 0:17:23 | |
It's a change that will have a devastating impact | 0:17:23 | 0:17:26 | |
on the life of Lady Jane Grey. | 0:17:26 | 0:17:28 | |
Two small words have been added in Edward's own handwriting. | 0:17:34 | 0:17:39 | |
Two words that would change the course of England's history. | 0:17:39 | 0:17:42 | |
"And her." | 0:17:43 | 0:17:45 | |
Before, it said, the Lady Jane's heirs male. | 0:17:48 | 0:17:53 | |
Now after this change, it says the Lady Jane and her heirs male. | 0:17:53 | 0:18:00 | |
They were suddenly faced with the fact that a woman | 0:18:04 | 0:18:07 | |
simply was going to have to inherit the throne, | 0:18:07 | 0:18:09 | |
whether any of them liked it or not. | 0:18:09 | 0:18:12 | |
And the only woman available for that, at that moment, was Jane Grey. | 0:18:12 | 0:18:16 | |
You also have to remember, I'm really sorry to have to say this | 0:18:16 | 0:18:19 | |
in the 21st century, but she's a woman, and she's a young woman. | 0:18:19 | 0:18:22 | |
And in the 16th century, there were no equal opportunities. | 0:18:22 | 0:18:26 | |
Women were considered to be creatures of emotion, | 0:18:26 | 0:18:29 | |
rather than of reason. | 0:18:29 | 0:18:31 | |
It was considered that a woman couldn't hold the throne of England. | 0:18:31 | 0:18:34 | |
So, this decision to make Jane queen was absolutely transformational. | 0:18:36 | 0:18:41 | |
It was about to propel her from being a minor member | 0:18:41 | 0:18:44 | |
of the royal family, to the English throne. | 0:18:44 | 0:18:47 | |
And she knew nothing about it. | 0:18:47 | 0:18:49 | |
The device is an incendiary document. | 0:18:54 | 0:18:58 | |
Northumberland knows that once Edward's sister, Mary, | 0:18:58 | 0:19:00 | |
discovers that she's been cut out of the succession, | 0:19:00 | 0:19:04 | |
it could start a civil war. | 0:19:04 | 0:19:06 | |
For now, he needs to keep the device under wraps. | 0:19:09 | 0:19:12 | |
So, he bides his time, | 0:19:13 | 0:19:15 | |
and gathers a tight-knit group of counsellors around him. | 0:19:15 | 0:19:18 | |
Mary, Jane's rival for the throne, | 0:19:20 | 0:19:23 | |
had been growing increasingly suspicious | 0:19:23 | 0:19:26 | |
that all was not well at court. | 0:19:26 | 0:19:28 | |
Just a few days before Edward's death, | 0:19:29 | 0:19:31 | |
Northumberland had tried to lure her to London. | 0:19:31 | 0:19:34 | |
She gets a tip-off from someone at court, | 0:19:39 | 0:19:42 | |
a warning that Edward is dying, | 0:19:42 | 0:19:45 | |
and that the summons to court that she's received | 0:19:45 | 0:19:48 | |
shouldn't be followed, | 0:19:48 | 0:19:50 | |
that she shouldn't go back to court, she shouldn't respond to it, | 0:19:50 | 0:19:53 | |
because there is a plan to capture her when she comes to court | 0:19:53 | 0:19:58 | |
on the pretence of coming to see her dying brother. | 0:19:58 | 0:20:01 | |
Fearing that Northumberland will try to capture or even kill her, | 0:20:04 | 0:20:08 | |
Mary goes into hiding. | 0:20:08 | 0:20:10 | |
She's got to get ahead, | 0:20:11 | 0:20:13 | |
she's got to get some miles between her and Northumberland. | 0:20:13 | 0:20:16 | |
Because of course, she's been summoned to court, | 0:20:16 | 0:20:18 | |
and she hasn't gone to court. | 0:20:18 | 0:20:20 | |
You know, the assumption is therefore that Northumberland | 0:20:20 | 0:20:22 | |
or someone will come out and get her. | 0:20:22 | 0:20:24 | |
HE COUGHS | 0:20:37 | 0:20:39 | |
On the 6th of July, at about 8pm, | 0:20:39 | 0:20:42 | |
the 15-year-old king says he feels faint. | 0:20:42 | 0:20:44 | |
A few minutes later, he dies. | 0:20:47 | 0:20:50 | |
For Northumberland, the game is on. | 0:20:56 | 0:20:59 | |
He needs to consolidate his position, and place Jane, | 0:20:59 | 0:21:02 | |
now his daughter-in-law, on the throne before Mary finds out. | 0:21:02 | 0:21:06 | |
Immediately, the Council sprung into action | 0:21:08 | 0:21:11 | |
to do what needed to be done to effect a new reign. | 0:21:11 | 0:21:16 | |
Just rapid, furious movement, I'm sure, | 0:21:16 | 0:21:19 | |
as people began to consolidate and solidify positions, | 0:21:19 | 0:21:23 | |
and get everyone into place. | 0:21:23 | 0:21:26 | |
That night, there's no announcement that the king is dead. | 0:21:28 | 0:21:32 | |
Nor the next day. | 0:21:32 | 0:21:33 | |
The public don't know. | 0:21:34 | 0:21:36 | |
Not even Jane is aware of her new role as Queen of England. | 0:21:36 | 0:21:40 | |
At first light, Northumberland sends his son, Robert, | 0:21:47 | 0:21:50 | |
and 300 soldiers to catch Mary | 0:21:50 | 0:21:52 | |
before she has time to gather support. | 0:21:52 | 0:21:55 | |
Mary's been in hiding with Catholic supporters, and that same day, | 0:21:57 | 0:22:01 | |
word reaches her that her brother is dead. | 0:22:01 | 0:22:04 | |
Robert Raynes, a London goldsmith who'd worked for Mary, | 0:22:08 | 0:22:11 | |
heard the story that the king was dead and immediately fled the city, | 0:22:11 | 0:22:15 | |
riding 80 miles at breakneck speed to Mary in Norfolk. | 0:22:15 | 0:22:20 | |
He did so to make sure she'd heard the news. | 0:22:21 | 0:22:24 | |
With Mary in hiding, | 0:22:26 | 0:22:27 | |
Northumberland and his supporters in the Privy Council | 0:22:27 | 0:22:31 | |
turned their attention to securing the greatest fortress in England, | 0:22:31 | 0:22:36 | |
the Tower of London. | 0:22:36 | 0:22:37 | |
Like the rest of the court, | 0:22:41 | 0:22:42 | |
the Privy Council have been here in Greenwich for the last few weeks, | 0:22:42 | 0:22:46 | |
at the bedside of the dying king. | 0:22:46 | 0:22:48 | |
Suddenly, they're packing their things and clambering | 0:22:53 | 0:22:56 | |
into the royal barges over there at the water's edge. | 0:22:56 | 0:22:59 | |
They disappear that way, upriver to London. | 0:22:59 | 0:23:03 | |
It takes 45 minutes to get from Greenwich to the Tower | 0:23:08 | 0:23:11 | |
by royal boat, if you're rowing with the tide. | 0:23:11 | 0:23:14 | |
In the 16th century, to hold the Tower was to hold power. | 0:23:18 | 0:23:23 | |
The Council came to occupy the Tower, and just as importantly, | 0:23:23 | 0:23:27 | |
to ensure that Mary could not. | 0:23:27 | 0:23:29 | |
The Tower of London was founded in 1066 following the Norman Conquest. | 0:23:31 | 0:23:36 | |
It was one of the strongest, most imposing castles of the Middle Ages. | 0:23:38 | 0:23:43 | |
It was a royal residence, a jail for the most prized prisoners, | 0:23:43 | 0:23:47 | |
and the state armoury, | 0:23:47 | 0:23:50 | |
containing huge stores of munitions and gunpowder. | 0:23:50 | 0:23:53 | |
The Tower was feared and looked on with awe. | 0:23:55 | 0:23:58 | |
People believed that whoever controlled the Tower | 0:23:59 | 0:24:02 | |
controlled the country. | 0:24:02 | 0:24:03 | |
Northumberland knew it was vital to strengthen the battlements | 0:24:03 | 0:24:07 | |
to defend the tower from attack. | 0:24:07 | 0:24:09 | |
Great guns were to be placed in the White Tower, | 0:24:09 | 0:24:12 | |
and additional troops drafted in to man the perimeter walls. | 0:24:12 | 0:24:15 | |
They were preparing to put their candidate, Lady Jane Grey, | 0:24:15 | 0:24:19 | |
on the throne, and bracing themselves | 0:24:19 | 0:24:21 | |
against a potential counterattack from Mary. | 0:24:21 | 0:24:24 | |
Throughout the 8th of July, | 0:24:28 | 0:24:29 | |
Northumberland quietly moves reinforcements loyal to his cause | 0:24:29 | 0:24:34 | |
across the country. | 0:24:34 | 0:24:36 | |
Key officers of state are hastily secured for his allies. | 0:24:36 | 0:24:41 | |
Behind the scenes... | 0:24:41 | 0:24:42 | |
..ships were sent north to protect the coast, | 0:24:43 | 0:24:46 | |
to prevent Mary from fleeing overseas. | 0:24:46 | 0:24:49 | |
There were changes in many of the fortresses in and around London, | 0:24:49 | 0:24:53 | |
where people who had been in office in those fortresses were removed, | 0:24:53 | 0:24:58 | |
because they were known not to support the plan. | 0:24:58 | 0:25:01 | |
And new people were installed that had vested financial interest | 0:25:01 | 0:25:05 | |
in supporting this plan. | 0:25:05 | 0:25:07 | |
In the 48 hours since Edward's death, | 0:25:09 | 0:25:12 | |
Northumberland has succeeded in carrying out the first phase | 0:25:12 | 0:25:16 | |
of the Protestant plan. | 0:25:16 | 0:25:17 | |
He holds the Tower, the weapons, and crucially, | 0:25:19 | 0:25:24 | |
he has the dead king's device for the succession, | 0:25:24 | 0:25:27 | |
naming his daughter-in-law as queen. | 0:25:27 | 0:25:30 | |
But the frenzied activity and movement of guards | 0:25:30 | 0:25:33 | |
has not gone unnoticed. | 0:25:33 | 0:25:36 | |
By the time the sun set on Saturday the 8th of July, 1553, | 0:25:36 | 0:25:40 | |
almost all the key political players in London and beyond | 0:25:40 | 0:25:44 | |
knew that Edward was dead, and that Jane would be queen, | 0:25:44 | 0:25:47 | |
though no public statement had been made. | 0:25:47 | 0:25:50 | |
The one person of note who didn't yet know was Jane. | 0:25:51 | 0:25:54 | |
And I believe that that action in and of itself | 0:25:56 | 0:26:00 | |
is a clear indication of how Northumberland | 0:26:00 | 0:26:03 | |
and the Privy Council viewed Jane. | 0:26:03 | 0:26:06 | |
She was effectively a cipher. | 0:26:06 | 0:26:09 | |
They intended to control her in some manner from the get-go. | 0:26:09 | 0:26:15 | |
She was to be a figurehead, and she was, as a woman, inconsequential. | 0:26:15 | 0:26:19 | |
By the 9th of July, Edward has been dead for three days. | 0:26:27 | 0:26:31 | |
Northumberland is ready for phase two of his plan. | 0:26:31 | 0:26:34 | |
It's time for the Privy Council to seize the moment, | 0:26:37 | 0:26:41 | |
and their new queen... | 0:26:41 | 0:26:42 | |
..Jane Grey. | 0:26:43 | 0:26:45 | |
Publicly, nobody considers Jane to be particularly important. | 0:26:49 | 0:26:53 | |
Publicly, nobody knows that the order of succession | 0:26:53 | 0:26:56 | |
has been changed. And that includes Jane. | 0:26:56 | 0:26:59 | |
Early on the 9th, Northumberland sends for Jane. | 0:27:01 | 0:27:05 | |
But she has no idea why. | 0:27:05 | 0:27:07 | |
He instructs that she should be brought immediately, by river, | 0:27:08 | 0:27:12 | |
to his house at Syon. | 0:27:12 | 0:27:14 | |
If necessary, by force. | 0:27:14 | 0:27:16 | |
Today's professional rivermen move quicker than their Tudor forebears. | 0:27:23 | 0:27:28 | |
-Hello! -Hiya. -Hello. -Hi, I'm Helen. -Hello, Helen. | 0:27:29 | 0:27:32 | |
London VTS, city swim safety run. | 0:27:32 | 0:27:35 | |
But the idea is the same. | 0:27:36 | 0:27:38 | |
We live in an age of instant information | 0:27:40 | 0:27:43 | |
and instant communication. | 0:27:43 | 0:27:45 | |
It's a blessing and a curse. | 0:27:45 | 0:27:48 | |
Not so, Jane. | 0:27:48 | 0:27:49 | |
With a team of oarsmen, | 0:27:49 | 0:27:51 | |
Jane's journey to Syon took more than an hour and a half. | 0:27:51 | 0:27:54 | |
She was completely in the dark about why she'd been summoned, | 0:27:59 | 0:28:04 | |
and could never have imagined what lay in store. | 0:28:04 | 0:28:07 | |
This is where Jane arrives, Syon House. | 0:28:11 | 0:28:14 | |
Today, the front of the house is on the other side, | 0:28:14 | 0:28:17 | |
but in the 16th century, it was here, | 0:28:17 | 0:28:19 | |
the side accessible from the river. | 0:28:19 | 0:28:21 | |
Syon House in 1553 was home to the Duke of Northumberland, | 0:28:27 | 0:28:31 | |
and remains so to this day. | 0:28:31 | 0:28:34 | |
It's still recognisable as the house where Jane arrived | 0:28:35 | 0:28:38 | |
on the 9th of July. | 0:28:38 | 0:28:40 | |
The story goes that this is the room, the Long Gallery, | 0:28:42 | 0:28:45 | |
where Jane heard that she was to be queen. | 0:28:45 | 0:28:48 | |
So on the 9th, Jane is sent for, and in fact, | 0:28:52 | 0:28:56 | |
she is brought here into this very place, at Syon. | 0:28:56 | 0:29:01 | |
She is told that now she is going to be queen. | 0:29:01 | 0:29:04 | |
And the French ambassador reports what she said. | 0:29:18 | 0:29:21 | |
"This is not for me. The rightful heir is Mary." | 0:29:22 | 0:29:26 | |
The traditional story has it that she burst into tears | 0:29:29 | 0:29:33 | |
and didn't want to be queen, she expressed a desire not to be queen. | 0:29:33 | 0:29:37 | |
But if you look at her own account that she conveyed to Queen Mary | 0:29:37 | 0:29:41 | |
some weeks after the event, | 0:29:41 | 0:29:43 | |
she does describe bursting into tears. | 0:29:43 | 0:29:46 | |
But it's very clear, if you read it closely, | 0:29:46 | 0:29:48 | |
that those tears were for the death of Edward VI, | 0:29:48 | 0:29:52 | |
they weren't for the circumstance she was in. | 0:29:52 | 0:29:54 | |
Northumberland gave her a lecture on the illegitimacy of Mary, | 0:29:54 | 0:29:58 | |
and the illegitimacy of Elizabeth. | 0:29:58 | 0:30:00 | |
And then, Jane's parents arrived. | 0:30:00 | 0:30:02 | |
Parental pressure that pushed her, that pushed her over. | 0:30:02 | 0:30:06 | |
She prayed to God to give her the strength to do the job | 0:30:06 | 0:30:10 | |
that had been given to her. | 0:30:10 | 0:30:12 | |
Which indicates to me that she was somewhat accepting, | 0:30:13 | 0:30:16 | |
albeit reluctantly, | 0:30:16 | 0:30:18 | |
that this was the role God had chosen for her, | 0:30:18 | 0:30:21 | |
so she had to make the best of it. | 0:30:21 | 0:30:23 | |
Bolstered by her faith, Jane accepts the crown that afternoon. | 0:30:24 | 0:30:28 | |
The die is cast. | 0:30:32 | 0:30:34 | |
That evening, Northumberland throws an opulent banquet. | 0:30:35 | 0:30:39 | |
It's a celebration of Jane's accession as queen. | 0:30:39 | 0:30:43 | |
But he's also demonstrating to his supporters | 0:30:44 | 0:30:46 | |
that they're right to be backing him. | 0:30:46 | 0:30:49 | |
This was a grand alliance they should be proud to be part of. | 0:30:50 | 0:30:54 | |
For Jane, the 9th of July marks the day she prepares | 0:31:01 | 0:31:05 | |
to become the first Queen of England. | 0:31:05 | 0:31:07 | |
For Mary, the 9th of July marks the beginning | 0:31:11 | 0:31:14 | |
of her fight for the throne. | 0:31:14 | 0:31:16 | |
Having outrun Northumberland's men for the moment, | 0:31:18 | 0:31:21 | |
she's now arrived at her seat in Kenninghall. | 0:31:21 | 0:31:24 | |
Initially, the pen is mightier than the sword. | 0:31:26 | 0:31:30 | |
She writes to harness support around the country. | 0:31:30 | 0:31:33 | |
We came here to the Inner Temple Library | 0:31:35 | 0:31:38 | |
to see Edward VI's device for the succession. | 0:31:38 | 0:31:42 | |
But the archivist has brought me something else to look at, | 0:31:42 | 0:31:45 | |
which I haven't seen before, and it's absolutely fascinating! | 0:31:45 | 0:31:48 | |
It's written on the 9th of July, | 0:31:48 | 0:31:51 | |
at her manor of Kenninghall in Norfolk. | 0:31:51 | 0:31:54 | |
Now the 9th of July is the day when Jane was taken to Syon House | 0:31:54 | 0:31:59 | |
to be told that she would be the next queen. | 0:31:59 | 0:32:02 | |
But that's clearly a course of events | 0:32:02 | 0:32:05 | |
that Mary was not prepared to accept, | 0:32:05 | 0:32:07 | |
because Mary has signed this letter, Mary the Queen. | 0:32:07 | 0:32:11 | |
"By the Queen," it says at the top. | 0:32:11 | 0:32:14 | |
The 9th of July is Sunday, | 0:32:14 | 0:32:16 | |
Edward had died on the night of Thursday the 6th. | 0:32:16 | 0:32:19 | |
So, Mary has moved into action with enormous courage, | 0:32:19 | 0:32:24 | |
and enormous speed. | 0:32:24 | 0:32:26 | |
She asserts that she is the queen, "by Act of Parliament, | 0:32:26 | 0:32:31 | |
"and the Testament and Last Will | 0:32:31 | 0:32:33 | |
"of our late dearest father, King Henry VIII." | 0:32:33 | 0:32:37 | |
There can be no question in Mary's mind | 0:32:37 | 0:32:39 | |
that she is the lawful sovereign. | 0:32:39 | 0:32:42 | |
The letter is addressed to Sir Edward Hastings, | 0:32:43 | 0:32:46 | |
an influential landowner. | 0:32:46 | 0:32:48 | |
She's asking Hastings to protect her and her realm by raising forces | 0:32:49 | 0:32:56 | |
within the county of Middlesex. | 0:32:56 | 0:32:59 | |
And the particularly interesting thing, looking at this letter, | 0:32:59 | 0:33:02 | |
is that it looks to me very much as though a gap has been left, | 0:33:02 | 0:33:06 | |
and Middlesex added later. | 0:33:06 | 0:33:09 | |
In other words, that this was a form document. | 0:33:09 | 0:33:11 | |
Clerks were writing out the same letter again and again | 0:33:11 | 0:33:15 | |
to be sent to different places, | 0:33:15 | 0:33:17 | |
and this one happened to go to Sir Edward Hastings. | 0:33:17 | 0:33:20 | |
Mary's machinery of support is moving into action. | 0:33:20 | 0:33:24 | |
But would Mary have any chance against Northumberland | 0:33:27 | 0:33:30 | |
and the power of the state? | 0:33:30 | 0:33:32 | |
The prospects of Mary winning were so slim. | 0:33:34 | 0:33:36 | |
She's a woman with a household in East Anglia | 0:33:36 | 0:33:39 | |
that's full of local yokel Catholic gentry men, you know, | 0:33:39 | 0:33:43 | |
nobody who's got any political experience. | 0:33:43 | 0:33:45 | |
As you know, everything is under the control | 0:33:45 | 0:33:48 | |
of the Duke of Northumberland, | 0:33:48 | 0:33:49 | |
so no-one rates Mary's chances whatsoever. | 0:33:49 | 0:33:52 | |
10th of July. | 0:33:56 | 0:33:58 | |
As the day dawns, the Tower is now secure for the Protestant cause. | 0:33:58 | 0:34:02 | |
Northumberland's plan is going well, | 0:34:04 | 0:34:06 | |
and he decides it's time to break the news to the people. | 0:34:06 | 0:34:09 | |
It's time for Jane to make her first public appearance | 0:34:12 | 0:34:16 | |
as England's queen. | 0:34:16 | 0:34:17 | |
And the very next day, after being told that she was the new queen, | 0:34:20 | 0:34:23 | |
Jane was heading for the Tower. | 0:34:23 | 0:34:25 | |
We're still well outside the city of London, the city walls proper, | 0:34:36 | 0:34:40 | |
as they were in the 16th century. | 0:34:40 | 0:34:42 | |
So, on Jane's journey, there were fields still to north and south. | 0:34:43 | 0:34:48 | |
Now, it's surrounded by buildings of glass and steel. | 0:34:50 | 0:34:54 | |
But in the 16th century, | 0:34:55 | 0:34:57 | |
it was the most imposing building for miles around. | 0:34:57 | 0:35:00 | |
From further down the river, it looks a bit as though the Tower | 0:35:04 | 0:35:06 | |
might be dwarfed by office blocks. | 0:35:06 | 0:35:08 | |
But actually, when you get up close, it still has an authority. | 0:35:08 | 0:35:12 | |
It's a strange idea, a young woman making this exact journey, | 0:35:14 | 0:35:18 | |
with one life left behind her in Chelsea, and another up ahead. | 0:35:18 | 0:35:23 | |
And though she doesn't realise it yet, | 0:35:23 | 0:35:25 | |
there's no going back down this river. | 0:35:25 | 0:35:28 | |
No going back to her old home, her old title, her old friends, | 0:35:28 | 0:35:33 | |
her old life. | 0:35:33 | 0:35:34 | |
For Jane, everything changes at the end of this river journey. | 0:35:34 | 0:35:38 | |
Jane's entrance to the Tower is full of pomp and ceremony. | 0:35:46 | 0:35:50 | |
It's a moment of pure propaganda. | 0:35:51 | 0:35:53 | |
But almost immediately, | 0:35:59 | 0:36:00 | |
the first stirrings of disquiet begin to spread | 0:36:00 | 0:36:04 | |
among the assembled crowd. | 0:36:04 | 0:36:06 | |
We know this thanks to two letters that came to light in 2013, | 0:36:07 | 0:36:12 | |
believed to be written by a Venetian diplomat. | 0:36:12 | 0:36:14 | |
They were written by someone who was present in London, | 0:36:16 | 0:36:19 | |
who was seeing these events going on, was writing home, saying, | 0:36:19 | 0:36:23 | |
"This is what's happening here, here's the news." | 0:36:23 | 0:36:25 | |
The letters describe Queen Jane being accompanied into the Tower | 0:36:26 | 0:36:30 | |
by her mother, Frances Grey. | 0:36:30 | 0:36:32 | |
"And among the ladies, the mother, who as greatest in precedence, | 0:36:33 | 0:36:36 | |
"held the train of the gown. | 0:36:36 | 0:36:38 | |
"Now you say to me that this seems to you a monstrosity, | 0:36:39 | 0:36:42 | |
"to see a child queen and mother living, | 0:36:42 | 0:36:45 | |
"to speak with her and to serve her on bended knee." | 0:36:45 | 0:36:48 | |
Frances Grey had a better claim to the throne than her daughter. | 0:36:50 | 0:36:54 | |
But of course, she wasn't married to Northumberland's son. | 0:36:54 | 0:36:57 | |
The reason people were shocked, of course, | 0:36:58 | 0:37:00 | |
was because that she was the mother, | 0:37:00 | 0:37:01 | |
she was superior in line of succession. | 0:37:01 | 0:37:03 | |
So why is she carrying her daughter's train? | 0:37:03 | 0:37:06 | |
And this was incredibly shocking to people at the time, | 0:37:06 | 0:37:10 | |
because of the whole way they saw their world, | 0:37:10 | 0:37:13 | |
and indeed the universe. | 0:37:13 | 0:37:15 | |
Because they believed that God had created the universe from chaos, | 0:37:15 | 0:37:20 | |
he had created a harmonious universe, in which everything, | 0:37:20 | 0:37:24 | |
everything had its place in a sort of great chain of being. | 0:37:24 | 0:37:27 | |
Everyone is a part of this chain, and who rebels against it? | 0:37:27 | 0:37:32 | |
Satan rebels against it, Satan rebels against it. | 0:37:32 | 0:37:36 | |
He wants to bring chaos, civil war, horror back to the earth. | 0:37:36 | 0:37:41 | |
And for the whole universe to return to darkness and chaos. | 0:37:41 | 0:37:46 | |
So, this small business of Frances carrying her daughter's train is, | 0:37:46 | 0:37:52 | |
in a sense, opening the gates to hell. | 0:37:52 | 0:37:54 | |
And unease was further stirred by the unusual prominence | 0:37:57 | 0:38:01 | |
in the procession of Northumberland's son, | 0:38:01 | 0:38:04 | |
Jane's new husband. | 0:38:04 | 0:38:06 | |
A teenage boy with no claim to the throne at all. | 0:38:06 | 0:38:10 | |
"The husband stood with hat in hand, not only in front of the queen, | 0:38:13 | 0:38:16 | |
"but in front of father and mother. | 0:38:16 | 0:38:18 | |
"All the other lords making a show of themselves, | 0:38:18 | 0:38:21 | |
"putting the knee on the ground." | 0:38:21 | 0:38:22 | |
We see Guildford in a whole different light in these letters. | 0:38:28 | 0:38:31 | |
He assumes a position of prominence, even physically, | 0:38:31 | 0:38:36 | |
to the extent that he's at the front of the procession, | 0:38:36 | 0:38:39 | |
in front of his parents, and in front of Jane. | 0:38:39 | 0:38:42 | |
Which tells us that he was intended from the get-go | 0:38:42 | 0:38:46 | |
to be king through her. | 0:38:46 | 0:38:49 | |
And that idea was spreading fast. | 0:38:49 | 0:38:51 | |
After receiving news of Edward's death, | 0:38:51 | 0:38:54 | |
the French Ambassador wrote home, referring to "le nouveau roi", | 0:38:54 | 0:38:57 | |
the new king. | 0:38:57 | 0:38:59 | |
Do you think part of the plan for this marriage was that, | 0:39:01 | 0:39:06 | |
if Jane becomes queen, then Guildford Dudley becomes king? | 0:39:06 | 0:39:10 | |
Oh, absolutely. | 0:39:10 | 0:39:11 | |
There had never, ever been a king come to the throne | 0:39:11 | 0:39:15 | |
in right of his wife. | 0:39:15 | 0:39:17 | |
We speak quite often of people taking titles, | 0:39:17 | 0:39:20 | |
lower titles of nobility, in right of their wife. | 0:39:20 | 0:39:24 | |
But not the crown, that is the ultimate title. | 0:39:24 | 0:39:28 | |
And I think the ultimate goal was to make Guildford king. | 0:39:28 | 0:39:33 | |
The recently discovered letters say the people whispered | 0:39:33 | 0:39:37 | |
against Northumberland, that that one had poisoned the king. | 0:39:37 | 0:39:41 | |
And because the Duke saw it was not possible | 0:39:42 | 0:39:44 | |
to seize the crown of England himself, for that reason, | 0:39:44 | 0:39:48 | |
he designed to seize it by surprise, by means of a relative. | 0:39:48 | 0:39:51 | |
Northumberland had so much to gain from pulling off this coup. | 0:39:53 | 0:39:57 | |
As Edward's chief minister, he had been close to royal power, | 0:39:58 | 0:40:02 | |
but this was his chance to take the crown for his own family. | 0:40:02 | 0:40:06 | |
Was Northumberland behind the change to Edward's device? | 0:40:10 | 0:40:14 | |
We'll never know for sure. | 0:40:14 | 0:40:16 | |
But what's certain is that he was a hated figure. | 0:40:16 | 0:40:19 | |
Northumberland, remember, is very unpopular in the country. | 0:40:21 | 0:40:24 | |
Why? Because he's the guy who put down the popular revolts of 1549, | 0:40:24 | 0:40:28 | |
using German and Genoese mercenaries. | 0:40:28 | 0:40:31 | |
Yes, he put down the rebellion, and he did so rather savagely. | 0:40:34 | 0:40:38 | |
And that earned him a great deal of hatred from the people. | 0:40:38 | 0:40:42 | |
On the 10th of July, Northumberland knew he had to convince the people | 0:40:47 | 0:40:51 | |
that Jane was the right and true queen. | 0:40:51 | 0:40:54 | |
So, his council does something unprecedented in English history. | 0:40:55 | 0:41:00 | |
They order multiple copies of her proclamation to the throne | 0:41:00 | 0:41:03 | |
to be printed and distributed. | 0:41:03 | 0:41:06 | |
It was the first time that a new monarch was announced in print. | 0:41:06 | 0:41:10 | |
And it exists to this day, here at the Society of Antiquaries. | 0:41:11 | 0:41:16 | |
This is a volume of royal proclamations. | 0:41:19 | 0:41:21 | |
And what I've got here is the proclamation of the accession | 0:41:23 | 0:41:26 | |
of King Edward VI, back in 1547. | 0:41:26 | 0:41:30 | |
It's a straightforward example of its kind. | 0:41:31 | 0:41:34 | |
It's hand-written, it's short, | 0:41:34 | 0:41:36 | |
it's the text of what the Herald said on the streets of London | 0:41:36 | 0:41:39 | |
when they explained that Edward was now king. | 0:41:39 | 0:41:42 | |
Henry VIII has died, Edward, his son, has inherited, | 0:41:42 | 0:41:46 | |
and Edward promises to rule well. | 0:41:46 | 0:41:48 | |
Everyone must be loyal to him. | 0:41:48 | 0:41:50 | |
Job done. | 0:41:50 | 0:41:51 | |
But this isn't what I've come to see. | 0:41:51 | 0:41:53 | |
Further on in the volume, | 0:41:54 | 0:41:56 | |
there is a copy of the proclamation of the accession of Queen Jane Grey. | 0:41:56 | 0:42:01 | |
Here it is. | 0:42:01 | 0:42:03 | |
And what I can see straightaway is that it's something very different. | 0:42:03 | 0:42:06 | |
It goes on for three pages. | 0:42:06 | 0:42:08 | |
There's a lot to explain, there's nothing straightforward about this. | 0:42:09 | 0:42:13 | |
Jane is now, it says, by the grace of God, Queen of England. | 0:42:13 | 0:42:17 | |
But the first thing you has to do is explain what the arrangements | 0:42:18 | 0:42:21 | |
for the succession were, that means going back to Henry's will, | 0:42:21 | 0:42:25 | |
to explaining that he left the throne to Mary and Elizabeth. | 0:42:25 | 0:42:29 | |
But then the proclamation goes on to show that they were illegitimate, | 0:42:29 | 0:42:32 | |
and Edward had made different arrangements. | 0:42:32 | 0:42:35 | |
By this stage, we're over the page. | 0:42:36 | 0:42:38 | |
The proclamation explains the whole of Edward's device | 0:42:38 | 0:42:41 | |
for the succession. | 0:42:41 | 0:42:43 | |
It's a complicated business. | 0:42:43 | 0:42:44 | |
And it's not until | 0:42:46 | 0:42:47 | |
the bottom of page two, the beginning of page three, | 0:42:47 | 0:42:50 | |
that we learn that Jane will rule, and all her subjects must obey her. | 0:42:50 | 0:42:55 | |
This took a long time for the heralds to read out, | 0:42:56 | 0:43:00 | |
on streets that were silent, | 0:43:00 | 0:43:02 | |
full of puzzled people, trying to work out what was going on. | 0:43:02 | 0:43:06 | |
And the other difference is that this proclamation is printed, | 0:43:07 | 0:43:11 | |
and that's because the presses had to work overnight | 0:43:11 | 0:43:15 | |
to get multiple copies of all this information out, | 0:43:15 | 0:43:18 | |
so that they could be pasted up around the streets of the city. | 0:43:18 | 0:43:22 | |
A new regime was in place, and it was a shock. | 0:43:22 | 0:43:25 | |
Seeing an original copy of that proclamation was amazing. | 0:43:30 | 0:43:33 | |
It looked like it could have been printed yesterday. | 0:43:33 | 0:43:36 | |
And the sheer size of it gives a real sense | 0:43:36 | 0:43:40 | |
of how big a problem Jane was facing. | 0:43:40 | 0:43:42 | |
It was against the right order of things, | 0:43:43 | 0:43:45 | |
it was against the natural order. | 0:43:45 | 0:43:46 | |
And if it was against right order and the natural order, | 0:43:46 | 0:43:49 | |
then what lay beyond that? Chaos. Anarchy, violence, horror. | 0:43:49 | 0:43:53 | |
Just as she enters the Tower, | 0:43:58 | 0:43:59 | |
and that sort of terrible image one has of the doors | 0:43:59 | 0:44:02 | |
of the Tower closing, and they will never open again for Jane. | 0:44:02 | 0:44:06 | |
An account by an Italian resident in London | 0:44:13 | 0:44:15 | |
said that when the proclamation was read, | 0:44:15 | 0:44:18 | |
not one showed any expression of joy, | 0:44:18 | 0:44:21 | |
rather than the celebrations that usually greeted a new monarch. | 0:44:21 | 0:44:24 | |
Dissent came at a price. | 0:44:26 | 0:44:29 | |
One person spoke out against Queen Jane. | 0:44:29 | 0:44:33 | |
His name was Gilbert Pot. | 0:44:33 | 0:44:35 | |
And he was promptly arrested, he was put on the pillory, | 0:44:36 | 0:44:40 | |
his ears were nailed to the pillory, and to be released from the pillory, | 0:44:40 | 0:44:43 | |
he had to suffer to have his ears cut off. | 0:44:43 | 0:44:46 | |
This first-hand account comes from the diary of the merchant | 0:44:47 | 0:44:49 | |
Henry Machyn. | 0:44:49 | 0:44:51 | |
That's the sort of thing that could happen to you, | 0:44:52 | 0:44:55 | |
if you just so much as said, "Jane doesn't have the rightful claim." | 0:44:55 | 0:44:59 | |
-Much better to keep quiet? -Much better! Much safer. | 0:44:59 | 0:45:03 | |
Northumberland believes his plan is working. | 0:45:04 | 0:45:07 | |
The capital is under his control, | 0:45:07 | 0:45:09 | |
and Jane is in full command of the Tower of London. | 0:45:09 | 0:45:12 | |
She's surrounded by the Privy Council. | 0:45:12 | 0:45:15 | |
They have authority over the realm, | 0:45:15 | 0:45:17 | |
they have control of the country's finances, | 0:45:17 | 0:45:20 | |
and an arsenal of weapons at their disposal. | 0:45:20 | 0:45:22 | |
But then, some time on the 10th, Jane's first day as queen, | 0:45:28 | 0:45:32 | |
a dispatch arrives at the Tower from Princess Mary. | 0:45:32 | 0:45:36 | |
Mary's letter calls upon the council to display their loyalty | 0:45:37 | 0:45:41 | |
to her just and right cause. | 0:45:41 | 0:45:44 | |
It declares her ready to pardon them, but if they didn't surrender, | 0:45:44 | 0:45:48 | |
they would face bloodshed and civil war. | 0:45:48 | 0:45:52 | |
And of course, this is a sense that this is the moment | 0:45:55 | 0:45:57 | |
that I've been waiting for, this is what my life has been all about. | 0:45:57 | 0:46:01 | |
You know, I'm ready to claim the throne, | 0:46:01 | 0:46:03 | |
this is the moment where I'm going to restore England back to Rome, | 0:46:03 | 0:46:06 | |
which of course is what God wants. | 0:46:06 | 0:46:08 | |
So, you know, it couldn't be a bigger moment for Mary. | 0:46:08 | 0:46:12 | |
For Northumberland and the council, the stakes had just been raised. | 0:46:12 | 0:46:16 | |
They'd been offered a pardon if they abandoned Jane, | 0:46:16 | 0:46:19 | |
or the threat of civil war if they didn't. | 0:46:19 | 0:46:21 | |
And the personal consequences of that warning | 0:46:21 | 0:46:24 | |
for each of them were clear. | 0:46:24 | 0:46:25 | |
The loss of titles and wealth, imprisonment, perhaps execution. | 0:46:27 | 0:46:31 | |
By the evening of the 10th, it's do or die for Jane's supporters. | 0:46:35 | 0:46:40 | |
If they're having doubts, now is the moment to turn back. | 0:46:40 | 0:46:44 | |
But they don't. | 0:46:45 | 0:46:47 | |
Instead, they draft a letter in response to Mary's challenge | 0:46:51 | 0:46:55 | |
for Jane to sign, | 0:46:55 | 0:46:57 | |
the first that will carry her signature as Jane the Queen. | 0:46:57 | 0:47:01 | |
A signature that, in a few days' time, | 0:47:03 | 0:47:06 | |
would be held as evidence of treason. | 0:47:06 | 0:47:09 | |
When was this letter written, and who was it written to? | 0:47:11 | 0:47:14 | |
So, it's written on the 10th of July, 1553, | 0:47:14 | 0:47:18 | |
on the day that Jane entered the Tower of London as Queen of England. | 0:47:18 | 0:47:23 | |
And at the top of the letter, we can see it's been signed by Jane | 0:47:23 | 0:47:26 | |
as Jane the Queen. | 0:47:26 | 0:47:28 | |
-And we know this is her handwriting? -This is definitely her hand, yes. | 0:47:28 | 0:47:32 | |
And it was one of a number of letters that... | 0:47:32 | 0:47:35 | |
..were sent out to the Lords Lieutenant of the country. | 0:47:36 | 0:47:40 | |
This one in particular was sent to William Parr, | 0:47:40 | 0:47:43 | |
who was the Marquess of Northampton. | 0:47:43 | 0:47:45 | |
So the letter announces that Jane has entered | 0:47:45 | 0:47:49 | |
"into our rightful possession of this kingdom." | 0:47:49 | 0:47:53 | |
And then the local officers, or the Lords Lieutenant, | 0:47:54 | 0:47:57 | |
were called upon "to defend our just title." | 0:47:57 | 0:48:02 | |
But also, "to assist us in our rightful possession of this kingdom, | 0:48:02 | 0:48:08 | |
"and to disturb, repel, | 0:48:08 | 0:48:11 | |
"and resist the famed and untrue claim of the Lady Mary, | 0:48:11 | 0:48:16 | |
"bastard daughter to our great-uncle, | 0:48:16 | 0:48:19 | |
"Henry VIII of famous memory." | 0:48:19 | 0:48:22 | |
So, this isn't a normal part of an accession? | 0:48:22 | 0:48:25 | |
A normal king or queen would expect the machinery of government | 0:48:25 | 0:48:29 | |
to fall into place, but Jane's having to protest | 0:48:29 | 0:48:31 | |
a little bit too much, | 0:48:31 | 0:48:32 | |
because she's facing a challenge from her rival, Mary? | 0:48:32 | 0:48:35 | |
Yes. By this stage, they would have been very aware | 0:48:35 | 0:48:38 | |
that Mary was gathering forces, and preparing to fight back. | 0:48:38 | 0:48:43 | |
And there's a note that's been added here, to the letter that says, | 0:48:43 | 0:48:49 | |
in Latin, | 0:48:49 | 0:48:50 | |
-"Jane not queen"? -Mm. | 0:48:51 | 0:48:54 | |
Do we know where that came from? | 0:48:54 | 0:48:57 | |
Well, it's in a later hand, | 0:48:57 | 0:48:59 | |
so it's almost as if somebody's wanted to correct the record, | 0:48:59 | 0:49:03 | |
and point out that Jane wasn't actually queen. | 0:49:03 | 0:49:07 | |
Despite having signed the letter with such confidence... | 0:49:07 | 0:49:10 | |
-Yes. -At the top, "Jane the Queen"? | 0:49:10 | 0:49:13 | |
-The correction here says history says otherwise. -Yep. | 0:49:13 | 0:49:18 | |
These letters stand as proof of the enormous tensions | 0:49:19 | 0:49:22 | |
of day one of Jane's reign. | 0:49:22 | 0:49:25 | |
They are a clear response to Mary's threat. | 0:49:25 | 0:49:28 | |
Jane's first day as the first Queen of England | 0:49:32 | 0:49:35 | |
is coming to a close, | 0:49:35 | 0:49:38 | |
and there's been a dramatic change in her. | 0:49:38 | 0:49:40 | |
Just one day earlier, when told that she was to be queen, | 0:49:45 | 0:49:49 | |
Jane was very reluctant to accept the role. | 0:49:49 | 0:49:52 | |
Now she's asking for reinforcements, | 0:49:55 | 0:49:57 | |
for military might to defend her claim. | 0:49:57 | 0:50:01 | |
Now, Jane is prepared to go to war. | 0:50:01 | 0:50:04 | |
If Mary believes she has a right to the throne, | 0:50:05 | 0:50:08 | |
she'll have to take it by force. | 0:50:08 | 0:50:11 | |
As day breaks on the 11th, | 0:50:18 | 0:50:20 | |
Northumberland sends recruiting parties out on to the streets, | 0:50:20 | 0:50:24 | |
to build up a force to suppress Mary's rebellion. | 0:50:24 | 0:50:27 | |
They didn't have standing armies, | 0:50:29 | 0:50:31 | |
they didn't have any of the security mechanisms | 0:50:31 | 0:50:35 | |
that we like to think we have today. | 0:50:35 | 0:50:37 | |
So that if an unexpected event came up, it was chaos, | 0:50:37 | 0:50:42 | |
you never knew which way things were going to go. | 0:50:42 | 0:50:45 | |
They relied on the nobility, the gentry, and ultimately, | 0:50:45 | 0:50:50 | |
ordinary people to support them. | 0:50:50 | 0:50:51 | |
They were just one man, or in the case of Jane, one woman, | 0:50:51 | 0:50:55 | |
and you needed people to want to back you and support you, | 0:50:55 | 0:50:59 | |
and fight for you. | 0:50:59 | 0:51:01 | |
You couldn't sort of force them to. | 0:51:01 | 0:51:02 | |
It's telling that Northumberland has to offer almost twice | 0:51:03 | 0:51:07 | |
the usual daily rate to recruit an army. | 0:51:07 | 0:51:11 | |
Well, even then, to muster an army within London, | 0:51:11 | 0:51:14 | |
he had to offer an outrageously high pay rate, that was so outrageous | 0:51:14 | 0:51:19 | |
that everyone felt the need to record it. | 0:51:19 | 0:51:22 | |
"Oh, my God, he's paying this much per day, | 0:51:22 | 0:51:25 | |
"that's so out of the ordinary." | 0:51:25 | 0:51:26 | |
So, it's clear that the only thing that was getting people to muster | 0:51:26 | 0:51:30 | |
to Northumberland was money. | 0:51:30 | 0:51:32 | |
Mary has also put out a call to arms. | 0:51:33 | 0:51:36 | |
She's mobilising an army, ready to fight, | 0:51:39 | 0:51:41 | |
and I think that's really important. | 0:51:41 | 0:51:43 | |
I mean, she's not cowering away here, | 0:51:43 | 0:51:45 | |
she is ready to assert her claim to the throne. | 0:51:45 | 0:51:47 | |
But this is dangerous at this point, you know, | 0:51:47 | 0:51:49 | |
she cannot be sure who to trust. | 0:51:49 | 0:51:52 | |
And she doesn't quite know, of course, either, | 0:51:52 | 0:51:54 | |
where the Duke of Northumberland or any of his henchmen are. | 0:51:54 | 0:51:58 | |
And that's the great fear at this moment. | 0:51:58 | 0:52:00 | |
Meanwhile in the Tower of London, Jane continues to send out letters, | 0:52:02 | 0:52:07 | |
rallying key supporters throughout the realm. | 0:52:07 | 0:52:10 | |
She's growing in confidence as the days pass. | 0:52:11 | 0:52:14 | |
She's always cast as the very innocent, very pious, | 0:52:17 | 0:52:22 | |
sort of demure... | 0:52:22 | 0:52:24 | |
..submissive puppet of the men around her. | 0:52:25 | 0:52:29 | |
Jane was a much more interesting individual than that. | 0:52:29 | 0:52:32 | |
She had strong views. | 0:52:32 | 0:52:33 | |
As a child, she was surrounded by influential figures who were tough, | 0:52:33 | 0:52:38 | |
uncompromising, and not afraid to voice their own opinion. | 0:52:38 | 0:52:42 | |
What might be surprising is how many of them were women. | 0:52:43 | 0:52:46 | |
She was exposed not only to Catherine Parr, | 0:52:46 | 0:52:49 | |
who was a very assertive woman, | 0:52:49 | 0:52:51 | |
and would argue religion with her husband, the king. | 0:52:51 | 0:52:55 | |
And very nearly lost her own life for doing so. | 0:52:55 | 0:52:58 | |
But at the same time, she was exposed to other very strong-willed, | 0:52:58 | 0:53:02 | |
highly educated women like Mildred Cecil, | 0:53:02 | 0:53:05 | |
the wife of William Cecil, | 0:53:05 | 0:53:07 | |
who would go on to become Elizabeth's Chief Minister. | 0:53:07 | 0:53:10 | |
She was exposed to Catherine Willoughby, | 0:53:10 | 0:53:13 | |
the last wife of Charles Brandon, | 0:53:13 | 0:53:15 | |
who was herself a very assertive, competent, educated woman. | 0:53:15 | 0:53:20 | |
Jane witnessed all this growing up, she absorbed it, | 0:53:20 | 0:53:23 | |
and she was able to project that back out | 0:53:23 | 0:53:25 | |
once she was in a position to assert her own authority. | 0:53:25 | 0:53:28 | |
Perhaps she wasn't the puppet history paints her as. | 0:53:32 | 0:53:35 | |
So, the idea that she would simply roll over | 0:53:37 | 0:53:40 | |
and do whatever her husband and her father-in-law, | 0:53:40 | 0:53:42 | |
and her father told her... | 0:53:42 | 0:53:44 | |
..seems to have been a miscalculation from the beginning? | 0:53:45 | 0:53:48 | |
Mary was a strong and assertive woman, | 0:53:48 | 0:53:50 | |
Elizabeth was a strong and assertive woman. | 0:53:50 | 0:53:53 | |
And we're asked to believe that their cousin, Jane, | 0:53:53 | 0:53:57 | |
would somehow suddenly be submissive? | 0:53:57 | 0:53:59 | |
No, she was part of that Tudor dynamic, | 0:53:59 | 0:54:01 | |
and she knew how to put herself forward, | 0:54:01 | 0:54:03 | |
she knew how to violate norms, | 0:54:03 | 0:54:05 | |
and she knew how to do that in a relatively acceptable way. | 0:54:05 | 0:54:09 | |
And she did it with the crown. | 0:54:09 | 0:54:10 | |
Jane does something that Northumberland | 0:54:16 | 0:54:18 | |
could never have predicted. | 0:54:18 | 0:54:20 | |
Jane was alone when the crown was brought to her. | 0:54:25 | 0:54:28 | |
According to Girolamo Pollini, an Italian friar, | 0:54:31 | 0:54:35 | |
the Lord Treasurer said he just wanted her to put it on | 0:54:35 | 0:54:39 | |
to see how it suited her. | 0:54:39 | 0:54:40 | |
Then the Lord Treasurer said a new one would be made for Guildford. | 0:54:45 | 0:54:49 | |
A king, after all, needed a crown. | 0:54:49 | 0:54:51 | |
Jane thought for a moment. | 0:54:52 | 0:54:54 | |
Then she said, no, she would make her husband a duke, but not a king. | 0:54:54 | 0:54:59 | |
Given Northumberland's plans, | 0:55:02 | 0:55:04 | |
this was an extraordinary act of independence. | 0:55:04 | 0:55:07 | |
When Guildford heard her decision, he tried to argue, | 0:55:10 | 0:55:13 | |
but there was no changing her mind. | 0:55:13 | 0:55:16 | |
Jane was queen, and she would rule alone. | 0:55:16 | 0:55:19 | |
She says, "Well, you can forget that for a game of soldiers. | 0:55:19 | 0:55:22 | |
"The most I'm going to do for you is make you a Duke," | 0:55:22 | 0:55:24 | |
to which Guildford Dudley replies, | 0:55:24 | 0:55:26 | |
"If that's the case, you know, no king, no sex." No sex, no successor. | 0:55:26 | 0:55:31 | |
And he has to be sort of appeased and sort of carted off | 0:55:32 | 0:55:34 | |
by the Earls of Arundel and Pembroke. | 0:55:34 | 0:55:36 | |
This is the moment we see Jane take control. | 0:55:40 | 0:55:43 | |
If the plan was to install a king by default, Jane wasn't having it. | 0:55:43 | 0:55:48 | |
The men had made their plans, they tried to control the crown, | 0:55:48 | 0:55:52 | |
the country, Mary, and Jane. | 0:55:52 | 0:55:54 | |
And she said no. | 0:55:56 | 0:55:58 | |
This was her moment. | 0:55:58 | 0:55:59 | |
I think that was absolutely the critical turning point | 0:56:02 | 0:56:05 | |
in the entire succession crisis. | 0:56:05 | 0:56:08 | |
I think had she agreed to make him king outright, | 0:56:08 | 0:56:11 | |
had she acquiesced and been the submissive, | 0:56:11 | 0:56:13 | |
docile puppet that they wanted, | 0:56:13 | 0:56:15 | |
things might have gone a little differently. | 0:56:15 | 0:56:17 | |
She was the sort of person we might recognise today. | 0:56:17 | 0:56:20 | |
She's a sort of teenage religious ideologue | 0:56:20 | 0:56:23 | |
who's prepared to die for her religious cause. | 0:56:23 | 0:56:27 | |
For Jane, everything has changed. | 0:56:30 | 0:56:33 | |
The carefree life of a privileged young girl from Leicestershire | 0:56:34 | 0:56:38 | |
has been swept aside by a plot to make her queen. | 0:56:38 | 0:56:41 | |
In two days, Jane has occupied the throne and the role entirely. | 0:56:44 | 0:56:49 | |
Her transformation is complete. | 0:56:52 | 0:56:54 | |
Her rule has begun. | 0:56:55 | 0:56:57 | |
But Northumberland and the Privy Council's plans are unravelling. | 0:56:59 | 0:57:03 | |
Their assumption that Jane would bend to their bidding was mistaken. | 0:57:05 | 0:57:09 | |
Their belief that Guildford would become king was wrong. | 0:57:12 | 0:57:16 | |
And their certainty that Mary would simply go quietly | 0:57:17 | 0:57:21 | |
was the biggest miscalculation of all. | 0:57:21 | 0:57:24 | |
In a country that had never had a ruling queen, | 0:57:26 | 0:57:29 | |
this was now a battle between two women, | 0:57:29 | 0:57:32 | |
both determined to fight for the throne, | 0:57:32 | 0:57:35 | |
both believing that this was their time. | 0:57:35 | 0:57:37 | |
Next time, Northumberland's iron grip on power begins to slip. | 0:57:47 | 0:57:51 | |
He wasn't expecting Mary to go to battle, | 0:57:52 | 0:57:55 | |
and that was Northumberland's biggest mistake. | 0:57:55 | 0:58:00 | |
Against the odds, Mary's support is growing. | 0:58:00 | 0:58:03 | |
We see that the impossible gradually becomes possible. | 0:58:03 | 0:58:07 | |
And Jane finds herself under threat from the rebels. | 0:58:07 | 0:58:10 | |
With that artillery, she could've blown a hole | 0:58:10 | 0:58:13 | |
in the side of the Tower. | 0:58:13 | 0:58:14 | |
Those that end up on the losing side will pay with their lives. | 0:58:14 | 0:58:18 |