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The Tudors are historical superstars, | 0:00:02 | 0:00:04 | |
our most famous Royal Dynasty. | 0:00:04 | 0:00:06 | |
But there is one Tudor monarch who's been all but forgotten - | 0:00:06 | 0:00:10 | |
Queen Jane. | 0:00:10 | 0:00:12 | |
Lady Jane Grey was a teenager thrust onto the throne, | 0:00:12 | 0:00:16 | |
only to lose her crown after just nine days. | 0:00:16 | 0:00:20 | |
She was the first woman to be proclaimed Queen of England, | 0:00:20 | 0:00:24 | |
but few would recognise the name Queen Jane. | 0:00:24 | 0:00:27 | |
I'm Helen Castor, and over three episodes I'm going to take | 0:00:28 | 0:00:31 | |
a forensic look at Jane's story. | 0:00:31 | 0:00:34 | |
It is a Tudor thriller, an epic tale of family conflict... | 0:00:36 | 0:00:40 | |
..ambition and betrayal. | 0:00:42 | 0:00:44 | |
The death of a King covered up | 0:00:46 | 0:00:48 | |
and a country torn between two faiths. | 0:00:48 | 0:00:51 | |
Our protagonists include the manipulative Duke... | 0:00:53 | 0:00:56 | |
..the wronged princess... | 0:00:58 | 0:01:00 | |
..and the God-fearing 15-year-old | 0:01:02 | 0:01:04 | |
who finds herself caught between them, | 0:01:04 | 0:01:07 | |
and pays with her life. | 0:01:07 | 0:01:09 | |
I'm going to track down original sources, | 0:01:10 | 0:01:13 | |
written as the drama unfolds. | 0:01:13 | 0:01:15 | |
This is the really exciting bit of the job. | 0:01:16 | 0:01:19 | |
I'll talk to expert colleagues. | 0:01:19 | 0:01:21 | |
I've been in this game for 40 years, | 0:01:21 | 0:01:23 | |
and I have to tell you, there is no trickier Tudor subject | 0:01:23 | 0:01:26 | |
than Jane Grey. | 0:01:26 | 0:01:27 | |
And I'll visit the places where Jane once walked | 0:01:29 | 0:01:32 | |
during the nine days that she reigned. | 0:01:32 | 0:01:34 | |
In this episode I'll unpick the story of the next five days | 0:01:34 | 0:01:37 | |
of Jane's reign, and the dramatic events that will decide | 0:01:37 | 0:01:41 | |
the identity of England's Queen and its religion. | 0:01:41 | 0:01:45 | |
It's 12th July, 1553. | 0:01:53 | 0:01:56 | |
Jane Grey is Queen, | 0:01:58 | 0:02:00 | |
but Mary Tudor intends to do everything in her power to seize the crown. | 0:02:00 | 0:02:04 | |
Jane is in the Tower of London, | 0:02:04 | 0:02:07 | |
Mary's at Kenninghall in Norfolk. | 0:02:07 | 0:02:09 | |
Jane has the support of the Privy Council, | 0:02:09 | 0:02:11 | |
the whole machinery of state, | 0:02:11 | 0:02:13 | |
and has the Tower's weapons at her command. | 0:02:13 | 0:02:16 | |
Mary has none of these things. | 0:02:18 | 0:02:19 | |
No-one believes she's got a chance. | 0:02:21 | 0:02:23 | |
She's a woman with a household in East Anglia | 0:02:23 | 0:02:25 | |
that's full of local yokel Catholic gentry men, | 0:02:25 | 0:02:28 | |
you know, nobody who's got any political experience. | 0:02:28 | 0:02:32 | |
And, instead, Lady Jane Grey is | 0:02:32 | 0:02:34 | |
in the Tower of London, of course, the great fortress of the city, | 0:02:34 | 0:02:38 | |
the armoury, the munitions, | 0:02:38 | 0:02:39 | |
you know, everything is under the control of Lady Jane Grey | 0:02:39 | 0:02:42 | |
and the Duke of Northumberland. | 0:02:42 | 0:02:44 | |
No-one rates Mary's chances whatsoever. | 0:02:44 | 0:02:47 | |
Until just a few months ago, | 0:02:48 | 0:02:50 | |
Mary, a devout Catholic, was heir to the throne, but her brother, | 0:02:50 | 0:02:55 | |
Edward VI, who was determined that the country should remain Protestant | 0:02:55 | 0:03:00 | |
had secretly changed the succession in favour of their cousin, Jane Grey. | 0:03:00 | 0:03:05 | |
When Edward died, a powerful group of noblemen, | 0:03:05 | 0:03:09 | |
led by the Duke of Northumberland, | 0:03:09 | 0:03:11 | |
declared Jane Queen before Mary could protest. | 0:03:11 | 0:03:15 | |
On 12th July, it seems as though | 0:03:21 | 0:03:24 | |
Jane and her supporters have won. | 0:03:24 | 0:03:26 | |
Jane is confidently signing letters, "Jane the Queen". | 0:03:26 | 0:03:30 | |
But Mary, at her manor of Kenninghall, has also been sending out letters - | 0:03:32 | 0:03:37 | |
hers signed, "Mary the Queen" - | 0:03:37 | 0:03:40 | |
summon her loyal subjects to resist Jane | 0:03:40 | 0:03:43 | |
and to rally in support of her own claim to the throne. | 0:03:43 | 0:03:47 | |
And by 12th July, | 0:03:49 | 0:03:51 | |
this call to arms, issued by a lone woman, | 0:03:51 | 0:03:54 | |
is beginning to work. | 0:03:54 | 0:03:56 | |
Mary's forces are able to gather together very quickly, | 0:03:58 | 0:04:01 | |
one, because they're local, | 0:04:01 | 0:04:03 | |
and, two, because they believe in her cause. | 0:04:03 | 0:04:05 | |
And this is why she's gone to East Anglia in the first place, | 0:04:05 | 0:04:08 | |
because she's also a major landowner there, | 0:04:08 | 0:04:11 | |
so she's pulling all the threads of her... | 0:04:11 | 0:04:14 | |
possible roots of allegiance together. | 0:04:14 | 0:04:17 | |
Some of them would have been there because they had an obligation, | 0:04:17 | 0:04:21 | |
being tenants of Mary, probably a lot of them are Catholics, | 0:04:21 | 0:04:25 | |
but even if they aren't Catholics, they believe | 0:04:25 | 0:04:28 | |
she is the rightful claimant to the throne. | 0:04:28 | 0:04:30 | |
From farm workers to local landowners, | 0:04:31 | 0:04:34 | |
men begin to arrive at Kenninghall to show their support. | 0:04:34 | 0:04:38 | |
On the morning of the 12th Mary makes the bold decision | 0:04:40 | 0:04:44 | |
to relocate her gathering forces, of around 600 at this point, | 0:04:44 | 0:04:48 | |
South East to Framlingham Castle in Suffolk. | 0:04:48 | 0:04:51 | |
Why would Mary take such a risk? | 0:04:54 | 0:04:56 | |
And how does she manage the perilous journey with such limited resources? | 0:04:56 | 0:05:01 | |
-Mark. -Hello, Helen, nice to meet you. -Lovely to meet you. | 0:05:01 | 0:05:04 | |
Jane's in the Tower, | 0:05:05 | 0:05:07 | |
Mary's in Norfolk with her cobbled-together forces, | 0:05:07 | 0:05:10 | |
and she has to move from Kenninghall to Framlingham. | 0:05:10 | 0:05:14 | |
How did armies move with all their gear? | 0:05:14 | 0:05:17 | |
How exposed were they on the road? | 0:05:17 | 0:05:19 | |
They'd certainly be visible. | 0:05:19 | 0:05:20 | |
Moving around the countryside, would draw attention. | 0:05:20 | 0:05:22 | |
And the problem is, she wants to move quite fast, | 0:05:22 | 0:05:25 | |
so she's not got a huge baggage train with her, | 0:05:25 | 0:05:27 | |
so men are living off the land, | 0:05:27 | 0:05:29 | |
and because they don't have carts and things with them, | 0:05:29 | 0:05:32 | |
they're most likely wearing everything that they're going to be needing. | 0:05:32 | 0:05:36 | |
If we're looking at the sort of people who are coming out | 0:05:36 | 0:05:38 | |
to support Mary, then we're looking at local militias, | 0:05:38 | 0:05:40 | |
we're looking at people who are wearing maybe Grandad's old armour | 0:05:40 | 0:05:44 | |
from Bosworth, or maybe not even as good as that. | 0:05:44 | 0:05:48 | |
So, what was on their backs? | 0:05:48 | 0:05:50 | |
Well, this is called a brigandine, | 0:05:50 | 0:05:53 | |
it's like, almost like a modern army flak vest. | 0:05:53 | 0:05:56 | |
Then of course we have the most important part of the body's armour - your head. | 0:05:56 | 0:06:00 | |
So, this is an armet, it's a very complicated continental helmet. | 0:06:00 | 0:06:04 | |
You can't afford one of those if you're a local yokel, | 0:06:04 | 0:06:07 | |
so, I'm afraid, if you are someone of the lower orders | 0:06:07 | 0:06:11 | |
you're going to be equipped with a simple skullcap, like this. | 0:06:11 | 0:06:14 | |
-A tin can. -Simply a tin can, a bit sturdy, not a thing of beauty. | 0:06:14 | 0:06:19 | |
And, more importantly, doesn't really protect the face, | 0:06:19 | 0:06:22 | |
or especially the throat. | 0:06:22 | 0:06:25 | |
Medieval and Renaissance warfare is brutal, | 0:06:25 | 0:06:27 | |
it's up close, it's very, very... It's a tough guy's world. | 0:06:27 | 0:06:31 | |
Mary is leading her men over open country in active rebellion against Jane... | 0:06:36 | 0:06:42 | |
..to a 12th-century fortress that formed part of her East Anglian estates. | 0:06:43 | 0:06:48 | |
Why did Mary come here to Framlingham? | 0:06:56 | 0:07:00 | |
Well, she was growing out of Kenninghall. | 0:07:00 | 0:07:02 | |
I mean, Kenninghall was a manor house, | 0:07:02 | 0:07:05 | |
but, you know, forces were now gathering in several thousand, | 0:07:05 | 0:07:08 | |
and so, it wasn't really a place from which to | 0:07:08 | 0:07:11 | |
mobilise a force or muster a force, and of course it wasn't a place | 0:07:11 | 0:07:14 | |
where she could make a statement of her intent. | 0:07:14 | 0:07:17 | |
Of course she'd by now proclaimed herself Queen, | 0:07:17 | 0:07:19 | |
so she needed a fortress, she needed a base from which to rally forces, | 0:07:19 | 0:07:23 | |
but also get ready to engage for battle. | 0:07:23 | 0:07:26 | |
And it's well situated, looks over the East Suffolk countryside. | 0:07:29 | 0:07:34 | |
It would be a place where she can keep an eye out for forces from London, | 0:07:34 | 0:07:37 | |
she could rally her troops, | 0:07:37 | 0:07:38 | |
and it was somewhere which could be defended. | 0:07:38 | 0:07:41 | |
Mary's right to be on the lookout for troops from London | 0:07:50 | 0:07:54 | |
as she makes her dash to Framlingham, because | 0:07:54 | 0:07:57 | |
Northumberland is in the Tower readying an army to confront her. | 0:07:57 | 0:08:01 | |
The 12th July is a critical point in Jane's nine-day reign, | 0:08:02 | 0:08:07 | |
with events moving quickly on both sides. | 0:08:07 | 0:08:10 | |
Local merchant Henry Machyn describes the ammunition and weapons | 0:08:10 | 0:08:14 | |
he saw being brought into the Tower on the 12th. | 0:08:14 | 0:08:17 | |
He recorded, "Three carts full of all manner of ordnance, | 0:08:17 | 0:08:21 | |
"such as great guns and small bows, | 0:08:21 | 0:08:24 | |
"bills, spears, Moorish pikes, | 0:08:24 | 0:08:26 | |
"armour, arrows, gunpowder and stakes, | 0:08:26 | 0:08:29 | |
"a great number of cannonballs." | 0:08:29 | 0:08:31 | |
With so much sophisticated weaponry, | 0:08:32 | 0:08:34 | |
Jane and Northumberland have no reason to be concerned, | 0:08:34 | 0:08:38 | |
so they take their time responding to Mary's challenge. | 0:08:38 | 0:08:41 | |
He would have thought, "Well, you know, | 0:08:41 | 0:08:44 | |
"she's got lots of peasants on her side. | 0:08:44 | 0:08:47 | |
"I have the guns, | 0:08:47 | 0:08:48 | |
"I have the cavalry, | 0:08:48 | 0:08:50 | |
"I have," you know, "the power that matters." | 0:08:50 | 0:08:52 | |
Northumberland was the puppet master who'd placed Jane on the throne - | 0:08:54 | 0:08:58 | |
the most powerful man in England, | 0:08:58 | 0:09:01 | |
supremely confident in his abilities. | 0:09:01 | 0:09:04 | |
He was clearly an exceptionally skilled politician. | 0:09:05 | 0:09:10 | |
He must have had outstanding | 0:09:10 | 0:09:12 | |
interpersonal skills, as we would say today. | 0:09:12 | 0:09:14 | |
He was non-titled, | 0:09:14 | 0:09:16 | |
he was not hereditary nobility. | 0:09:16 | 0:09:18 | |
Through his own sheer ability, | 0:09:18 | 0:09:22 | |
he had worked his way up and became Admiral of the Fleet. | 0:09:22 | 0:09:26 | |
He had served in the military and put down rebellions in the north. | 0:09:26 | 0:09:30 | |
He was clearly someone who had enormous ability as a bureaucrat, | 0:09:30 | 0:09:37 | |
as a governor, as a military leader, as a politician. | 0:09:37 | 0:09:41 | |
And I think we need to admire him to a certain extent for that. | 0:09:41 | 0:09:44 | |
Northumberland has focused on securing the Tower and the machinery of state. | 0:09:46 | 0:09:50 | |
It suggests that at this point he doesn't see Mary as a serious threat. | 0:09:50 | 0:09:55 | |
Somebody said at the time about Northumberland, | 0:09:57 | 0:09:59 | |
he despised the plans of a mere woman, meaning Mary, | 0:09:59 | 0:10:03 | |
but he wasn't alone in that. | 0:10:03 | 0:10:04 | |
They all underestimated her, | 0:10:04 | 0:10:06 | |
and that was Northumberland's biggest mistake. | 0:10:06 | 0:10:12 | |
-That he had Westminster blinkers on... -Exactly. | 0:10:12 | 0:10:14 | |
..that he thought if he controlled all the levers of power | 0:10:14 | 0:10:17 | |
at the centre, everything else would just fall into place. | 0:10:17 | 0:10:19 | |
Exactly. But she was already gathering forces | 0:10:19 | 0:10:22 | |
but, to his mind, not very impressive forces. | 0:10:22 | 0:10:25 | |
They were largely the common people, ordinary people. | 0:10:25 | 0:10:28 | |
They weren't the great nobles. | 0:10:28 | 0:10:30 | |
The great nobles, on the whole, all supported Jane. | 0:10:30 | 0:10:33 | |
He wasn't expecting Mary to decide to raise a standard | 0:10:33 | 0:10:37 | |
and go to battle - that was a huge and tremendous shock, | 0:10:37 | 0:10:40 | |
not just to him, but to the whole Privy Council, | 0:10:40 | 0:10:42 | |
they simply couldn't believe it and were absolutely horrified. | 0:10:42 | 0:10:45 | |
And raising forces was a key question in all of this, wasn't it? | 0:10:45 | 0:10:49 | |
Because the Crown didn't have a police force | 0:10:49 | 0:10:52 | |
or a standing army at its disposal. | 0:10:52 | 0:10:55 | |
Yes, I think that's one of the interesting things about | 0:10:55 | 0:10:57 | |
the English monarchy, they didn't have armies of their own. | 0:10:57 | 0:11:01 | |
Certainly you could pay for them, | 0:11:01 | 0:11:03 | |
and Jane did offer double the normal rate | 0:11:03 | 0:11:07 | |
to anyone who was prepared to fight for her against Mary. | 0:11:07 | 0:11:10 | |
Despite offering high wages, Jane's camp struggles to attract an army, | 0:11:13 | 0:11:18 | |
but people are joining Mary by choice. | 0:11:18 | 0:11:21 | |
Why do they flock to her, even though she's the underdog? | 0:11:21 | 0:11:24 | |
Why do so many ordinary people believe in her claim to the crown? | 0:11:24 | 0:11:29 | |
To find answers, we need to go back to her childhood. | 0:11:29 | 0:11:32 | |
What was Mary's life like in the years before | 0:11:34 | 0:11:37 | |
-the succession crisis of 1553? -Well, how long have you got? | 0:11:37 | 0:11:41 | |
She had an epic life. | 0:11:41 | 0:11:43 | |
I mean, Mary's life to be characterised by fortune and adversity. | 0:11:43 | 0:11:48 | |
I mean, it swung from royal favour to profound neglect. | 0:11:48 | 0:11:52 | |
She was born, of course, | 0:11:53 | 0:11:55 | |
the first child of Catherine of Aragon and Henry VIII, | 0:11:55 | 0:11:57 | |
and was described at the time as a token of hope. | 0:11:57 | 0:12:00 | |
But then, of course, it all changed with Henry becoming infatuated with | 0:12:00 | 0:12:04 | |
Anne Boleyn, and then the 20-year marriage between Mary's parents | 0:12:04 | 0:12:09 | |
was, of course, as we all know, brought to an end | 0:12:09 | 0:12:11 | |
with the break with Rome. And with the birth of Elizabeth, | 0:12:11 | 0:12:14 | |
Mary basically went from being a princess to a royal bastard. | 0:12:14 | 0:12:19 | |
She became the King's illegitimate daughter. | 0:12:19 | 0:12:21 | |
She was stripped of her status, she became Lady Mary. | 0:12:21 | 0:12:25 | |
Absolutely extreme turn of events. | 0:12:25 | 0:12:28 | |
When Henry divorced Catherine and then executed Anne Boleyn, | 0:12:29 | 0:12:32 | |
Mary and Elizabeth were both declared to be illegitimate | 0:12:32 | 0:12:36 | |
and cut from the line of succession. | 0:12:36 | 0:12:38 | |
But later, Henry made clear that | 0:12:38 | 0:12:40 | |
if his only son, Edward, were to die childless, | 0:12:40 | 0:12:43 | |
he still wanted his daughters to inherit the throne. | 0:12:43 | 0:12:47 | |
During Henry's reign, by his will and by Act of Parliament in 1544, | 0:12:48 | 0:12:53 | |
the succession is Edward, to be followed, | 0:12:53 | 0:12:56 | |
in the event of Edward not having any heirs himself, | 0:12:56 | 0:13:00 | |
first by Mary and then Elizabeth. | 0:13:00 | 0:13:02 | |
So although both Mary and Elizabeth were actually regarded as | 0:13:02 | 0:13:04 | |
illegitimate, they're back in the succession. | 0:13:04 | 0:13:07 | |
And so it was quite easy for Mary to say | 0:13:07 | 0:13:10 | |
"Look, I am the rightful heir under my father's will." | 0:13:10 | 0:13:13 | |
That was approved not just once by Parliament, | 0:13:13 | 0:13:16 | |
but in two Parliamentary Acts. | 0:13:16 | 0:13:18 | |
And she was simply, you know, defending her right. | 0:13:18 | 0:13:22 | |
But Edward, on his deathbed, | 0:13:24 | 0:13:26 | |
removed his half sisters from the succession again, | 0:13:26 | 0:13:29 | |
and undid what all of England considered the natural order. | 0:13:29 | 0:13:32 | |
I mean, basically Edward thought that, just like Dad, | 0:13:34 | 0:13:38 | |
he had the right to dictate his own succession settlement. | 0:13:38 | 0:13:41 | |
He was absolutely determined that he was going to exclude | 0:13:43 | 0:13:45 | |
his two half-sisters, Mary and Elizabeth, from the succession | 0:13:45 | 0:13:49 | |
because he maintained that they were illegitimate, | 0:13:49 | 0:13:52 | |
and, of course, they had been proclaimed as bastards | 0:13:52 | 0:13:54 | |
by Parliament, by Edward's father. | 0:13:54 | 0:13:57 | |
But as far as the public were concerned, Mary had the blood claim | 0:13:59 | 0:14:03 | |
to the throne, no matter what Westminster said. | 0:14:03 | 0:14:06 | |
And there was another reason just as powerful. | 0:14:07 | 0:14:10 | |
And of course, religion came very much into it, | 0:14:12 | 0:14:15 | |
because Edward had brought in a Protestant settlement | 0:14:15 | 0:14:19 | |
with his advisers, and was himself a bigoted Protestant. | 0:14:19 | 0:14:23 | |
And of course, Mary was a Catholic. | 0:14:23 | 0:14:25 | |
Following on from his father's break with Rome, | 0:14:27 | 0:14:30 | |
Edward had been intent on ridding the country of Catholicism. | 0:14:30 | 0:14:34 | |
Church walls were whitewashed, | 0:14:35 | 0:14:37 | |
statues and stained glass destroyed, | 0:14:37 | 0:14:40 | |
and the Prayer Book was radically changed. | 0:14:40 | 0:14:42 | |
I think it's difficult to overstate how dramatic this change would have been. | 0:14:44 | 0:14:48 | |
Religion was so fundamental a part of people's lives. | 0:14:48 | 0:14:52 | |
To make even the smallest change in that would really | 0:14:52 | 0:14:55 | |
undermine people's sense not only of faith, but of normalcy, | 0:14:55 | 0:15:01 | |
of the sense in which there was something that | 0:15:01 | 0:15:04 | |
they could depend on and trust. | 0:15:04 | 0:15:06 | |
If we take, for example, | 0:15:07 | 0:15:09 | |
the removal of the sung Masses for the souls of the dead. | 0:15:09 | 0:15:12 | |
If you've always been taught that in order for your loved one's soul | 0:15:12 | 0:15:17 | |
to go to heaven you have to have this sung Mass, | 0:15:17 | 0:15:20 | |
to suddenly have that taken away from you, | 0:15:20 | 0:15:22 | |
well, not only do you worry about the soul of your family member, | 0:15:22 | 0:15:26 | |
your loved one, but you start to wonder whether or not that was | 0:15:26 | 0:15:30 | |
necessary in the first place, who gets to decide these things? | 0:15:30 | 0:15:33 | |
Is there any sort of foundational basis that you can trust | 0:15:33 | 0:15:37 | |
in order to base your belief? | 0:15:37 | 0:15:39 | |
So, your sense of the world, this life and the next one, | 0:15:39 | 0:15:43 | |
is being changed before your very eyes. | 0:15:43 | 0:15:45 | |
I think it's important to keep in mind that it's not just changes in | 0:15:45 | 0:15:49 | |
the practice of religion, but changes in people's very mind-sets. | 0:15:49 | 0:15:52 | |
They are being told what to think and what to believe, | 0:15:52 | 0:15:55 | |
and whenever you attempt to do that, you're going to create division, | 0:15:55 | 0:15:59 | |
and that's exactly what we see happening. | 0:15:59 | 0:16:01 | |
In July 1553, the choice the country faced was not just Jane or Mary, | 0:16:01 | 0:16:07 | |
it was Protestant or Catholic. | 0:16:07 | 0:16:09 | |
Mary had no intention of abandoning her devoutly held beliefs. | 0:16:09 | 0:16:13 | |
She had carried on celebrating the Catholic Mass even while her brother | 0:16:13 | 0:16:18 | |
was alive, and that had caused a deep rift between them. | 0:16:18 | 0:16:21 | |
We know this because, unusually for a King, Edward tells us himself. | 0:16:23 | 0:16:27 | |
He kept a diary. Not a record of his innermost thoughts, | 0:16:27 | 0:16:31 | |
but a chronicle of the events of his own reign. | 0:16:31 | 0:16:33 | |
Edward wrote his diary between 1547 and 1552. | 0:16:35 | 0:16:40 | |
It's a remarkable document that gives us glimpses of Mary's past, | 0:16:40 | 0:16:44 | |
and helps explain what sort of opponent she was. | 0:16:44 | 0:16:48 | |
This is the really exciting bit of the job. | 0:16:48 | 0:16:50 | |
I've read the text of Edward's diary before, | 0:16:51 | 0:16:54 | |
but I've never seen the original manuscript until today. | 0:16:54 | 0:16:57 | |
-Hello, Andrea. -Hi, hi. | 0:16:58 | 0:17:00 | |
Thank you so much for bringing this. | 0:17:00 | 0:17:01 | |
-It looks like it's holding up well. -Yes. | 0:17:03 | 0:17:05 | |
Oh, so it's got some of his... These letters to start with. | 0:17:06 | 0:17:09 | |
Some of his letters at the very beginning. | 0:17:09 | 0:17:12 | |
This is a letter in Edward's hand. | 0:17:14 | 0:17:16 | |
And this is the beginning of his diary. | 0:17:18 | 0:17:21 | |
"18th August, 1550. | 0:17:21 | 0:17:23 | |
"My Lord Warwick was made General Warden of the North, | 0:17:23 | 0:17:25 | |
"and Mr Herbert..." | 0:17:25 | 0:17:26 | |
"A shilling fell from ninepence to sixpence, | 0:17:26 | 0:17:28 | |
"a groat from threepence to twopence..." | 0:17:28 | 0:17:30 | |
"I wrote back a letter saying that I marvelled that he could refuse" to sign that Bill... | 0:17:30 | 0:17:34 | |
It's an extraordinary thing to read the King's own record | 0:17:36 | 0:17:40 | |
of his daily life, in his own handwriting. | 0:17:40 | 0:17:43 | |
And to touch the paper that Edward touched is spine-tingling. | 0:17:43 | 0:17:47 | |
The diary makes clear Mary's strength of character | 0:17:48 | 0:17:51 | |
in resisting Edward's Protestant reforms. | 0:17:51 | 0:17:54 | |
Mary becomes this figure of opposition. | 0:17:54 | 0:17:56 | |
Edward, young brother, is going, | 0:17:56 | 0:17:58 | |
"Right, we're going to really kick on with the Reformation." | 0:17:58 | 0:18:01 | |
Mary is defiant in her Catholicism, | 0:18:01 | 0:18:03 | |
and so brother and sister have these really full-on spats. | 0:18:03 | 0:18:07 | |
"18th March, 1551. | 0:18:08 | 0:18:10 | |
"The Lady Mary, my sister, came to me at Westminster." | 0:18:10 | 0:18:14 | |
She came, but she came with a show of defiance. | 0:18:15 | 0:18:19 | |
She rode through London with 130 attendants, | 0:18:19 | 0:18:22 | |
each one holding a rosary as a sign of their outlawed Catholic faith. | 0:18:22 | 0:18:26 | |
Edward challenged his sister directly... | 0:18:28 | 0:18:30 | |
..and the two had terrible arguments. | 0:18:32 | 0:18:34 | |
Mary's saying to Edward, you know, "You're my little brother. | 0:18:37 | 0:18:39 | |
"I'm not listening to you, I'm not taking orders from you." | 0:18:39 | 0:18:42 | |
And he's saying to Mary, his older sister, "But I'm the King. | 0:18:42 | 0:18:45 | |
"You need to stop saying Mass," and Mary's like, "Absolutely not." | 0:18:45 | 0:18:49 | |
And massive pressure's being put on her. | 0:18:49 | 0:18:52 | |
Some of her household officers are imprisoned for refusing | 0:18:52 | 0:18:55 | |
to stop saying the Mass, you know, in Mary's household, | 0:18:55 | 0:18:58 | |
and it really does get pretty emotional. | 0:18:58 | 0:19:01 | |
But of course, it has a much bigger, dangerous, you know, context, | 0:19:04 | 0:19:07 | |
which is Catholic versus Protestant, what is the future going to be? | 0:19:07 | 0:19:11 | |
Protestantism has marginalised and oppressed Mary, | 0:19:12 | 0:19:16 | |
but her brother's death is her opportunity to claim the throne, | 0:19:16 | 0:19:19 | |
and she's determined to grasp it. | 0:19:19 | 0:19:21 | |
She had survived the break with Rome, | 0:19:22 | 0:19:25 | |
she had survived her brother's Reformation, and I believe | 0:19:25 | 0:19:28 | |
she was intent on surviving this latest crisis as well. | 0:19:28 | 0:19:32 | |
She saw this as her, kind of, divine duty. | 0:19:33 | 0:19:37 | |
You know, God was preserving her through these years | 0:19:37 | 0:19:40 | |
in order to bring about the Catholic Restoration. | 0:19:40 | 0:19:43 | |
And in the attempt to achieve her goal, | 0:19:43 | 0:19:46 | |
Mary had two important advantages. | 0:19:46 | 0:19:48 | |
While some people had embraced the new Protestant faith, | 0:19:50 | 0:19:53 | |
large parts of the country were still attached to traditional forms | 0:19:53 | 0:19:56 | |
of worship, and in Mary they saw a champion of the old ways. | 0:19:56 | 0:20:01 | |
Not only that, but most people in England saw Mary as | 0:20:01 | 0:20:05 | |
the rightful heir, while Jane was barely known. | 0:20:05 | 0:20:09 | |
Not a Queen, but a usurper of the Tudor line. | 0:20:09 | 0:20:12 | |
And, as a result, increasing numbers of both Catholics and Protestants | 0:20:13 | 0:20:17 | |
were rallying to Mary's cause. | 0:20:17 | 0:20:20 | |
As Mary's support grows, | 0:20:27 | 0:20:29 | |
Jane's camp are still planning their countermove. | 0:20:29 | 0:20:33 | |
In the Tower, the Privy Council have chosen Jane's father, Henry Grey, | 0:20:33 | 0:20:37 | |
a Duke with no track record as a military leader, | 0:20:37 | 0:20:40 | |
to command the army against Mary. | 0:20:40 | 0:20:42 | |
Such a bad idea. | 0:20:44 | 0:20:46 | |
He'd no military training, no military experience. | 0:20:46 | 0:20:49 | |
No ability at anything very much. | 0:20:49 | 0:20:51 | |
No, I mean, Henry VIII had deliberately excluded Henry Grey | 0:20:51 | 0:20:57 | |
from the Garter for year after year after year after year. | 0:20:57 | 0:21:02 | |
Henry VIII was a good judge of character, | 0:21:02 | 0:21:05 | |
he knew what men had ability and what men did not. | 0:21:05 | 0:21:08 | |
Jane's father had ambition, but no discernible talent. | 0:21:08 | 0:21:11 | |
I think he had ambition... | 0:21:11 | 0:21:14 | |
..and no ability, and no desire to work toward that ambition. | 0:21:15 | 0:21:20 | |
He wanted it handed to him on a plate. | 0:21:20 | 0:21:23 | |
The Order of the Garter was a chivalric honour given by the King, | 0:21:27 | 0:21:31 | |
and Henry VIII hadn't thought Henry Grey much of a soldier. | 0:21:31 | 0:21:34 | |
Now, some time during the 12th, there was a change of plan. | 0:21:35 | 0:21:39 | |
Some accounts say that Jane refused to let her father leave London | 0:21:41 | 0:21:45 | |
because she was afraid it was too dangerous. | 0:21:45 | 0:21:47 | |
Some say that Henry Grey had begun to have fainting fits. | 0:21:47 | 0:21:51 | |
Perhaps he was ill, or perhaps the pressure was taking its toll. | 0:21:51 | 0:21:54 | |
Jane decides to keep her father back in safety. | 0:21:57 | 0:22:00 | |
Instead, she confirms that Northumberland will replace her father on the battlefield. | 0:22:00 | 0:22:05 | |
Of course, what Jane wanted was that her father, | 0:22:07 | 0:22:10 | |
who'd been originally given the job, shouldn't do it. | 0:22:10 | 0:22:13 | |
Jane did not want her father to risk his life and career by, | 0:22:13 | 0:22:17 | |
you know, riding out on a risky expedition. | 0:22:17 | 0:22:20 | |
And so they sent Northumberland instead. | 0:22:20 | 0:22:23 | |
Northumberland was quite reluctant to go, of course, because | 0:22:23 | 0:22:25 | |
he knew that if he left London things could, you know, collapse. | 0:22:25 | 0:22:28 | |
In that specific sense, then, | 0:22:28 | 0:22:30 | |
in deciding that Northumberland must lead the army instead of her father, | 0:22:30 | 0:22:35 | |
could we argue that Jane was the architect of her own fall? | 0:22:35 | 0:22:39 | |
Well, you could, but it wouldn't have been a conscious decision | 0:22:39 | 0:22:42 | |
because she wasn't thinking of it in that sort of way. | 0:22:42 | 0:22:45 | |
I mean, we still have to come back to the fact that Jane is really being used here by the men. | 0:22:45 | 0:22:51 | |
I mean, she is Queen, but only in a titular sense. | 0:22:51 | 0:22:56 | |
In sending Northumberland instead of her father, | 0:23:02 | 0:23:05 | |
you could argue that Jane's made a rational choice. | 0:23:05 | 0:23:08 | |
Northumberland's the most experienced soldier on the Council, | 0:23:08 | 0:23:12 | |
clearly the best man for the job, | 0:23:12 | 0:23:14 | |
and she doesn't want her father to stick his neck out | 0:23:14 | 0:23:17 | |
and be the person to arrest Mary. | 0:23:17 | 0:23:19 | |
But it turns out that Jane's decision to let Northumberland | 0:23:20 | 0:23:24 | |
leave London is a fatal error. | 0:23:24 | 0:23:26 | |
Northumberland can't be everywhere at once, | 0:23:27 | 0:23:30 | |
and he can't hold this coup together. | 0:23:30 | 0:23:32 | |
Had he had able lieutenants, | 0:23:32 | 0:23:35 | |
and clearly Henry Grey was not that able lieutenant, | 0:23:35 | 0:23:39 | |
things might have held together a little bit longer, | 0:23:39 | 0:23:41 | |
but there was just no-one there. | 0:23:41 | 0:23:43 | |
All of the - quote - "good" people he took with him going north, | 0:23:43 | 0:23:47 | |
and we were left with old... | 0:23:47 | 0:23:50 | |
essentially older men, | 0:23:50 | 0:23:52 | |
people of experience but people who were not themselves known | 0:23:52 | 0:23:56 | |
to be skilful politicians. | 0:23:56 | 0:23:58 | |
They were administrators but they were not politicians, | 0:23:58 | 0:24:02 | |
and what was needed was a good politician, | 0:24:02 | 0:24:04 | |
and that was Northumberland. | 0:24:04 | 0:24:06 | |
For good or ill, Jane has made up her mind. | 0:24:06 | 0:24:10 | |
Northumberland is to lead the attack on Mary. | 0:24:10 | 0:24:13 | |
He begins to position his pieces on the battlefield. | 0:24:13 | 0:24:17 | |
What was Northumberland's plan before he set out from London, | 0:24:20 | 0:24:24 | |
in terms of what forces he was going to get | 0:24:24 | 0:24:27 | |
and what he wanted to do with them? | 0:24:27 | 0:24:30 | |
Well, we place him here in London. | 0:24:30 | 0:24:32 | |
At this stage, Mary - he knows - is in Framlingham. | 0:24:32 | 0:24:35 | |
-Here in Suffolk. -Exactly, there. | 0:24:35 | 0:24:38 | |
And he's not overly concerned with time at this stage. | 0:24:38 | 0:24:41 | |
Time, he thinks, is on his side, | 0:24:41 | 0:24:43 | |
because he and the Privy Council | 0:24:43 | 0:24:45 | |
hold all the cards. | 0:24:45 | 0:24:47 | |
They have control over the levers of power, | 0:24:47 | 0:24:50 | |
most of the military force, including the artillery | 0:24:50 | 0:24:53 | |
in the country, are in his hands, | 0:24:53 | 0:24:55 | |
and he cannot have believed that Mary can actually put | 0:24:55 | 0:24:59 | |
a very effective military force in the field. | 0:24:59 | 0:25:02 | |
Therefore, he needs to move slowly but surely | 0:25:02 | 0:25:06 | |
to the west of her position, and not come in from the south. | 0:25:06 | 0:25:09 | |
If he'd actually marched through Chelmsford towards her, | 0:25:09 | 0:25:12 | |
it would have given her the opportunity to leave | 0:25:12 | 0:25:15 | |
by the northern route, as it were. | 0:25:15 | 0:25:17 | |
So his plan is to move towards Cambridge, | 0:25:17 | 0:25:19 | |
where he's going to link up with his son, | 0:25:19 | 0:25:22 | |
and therefore they will effectively put themselves as a blocking force, | 0:25:22 | 0:25:26 | |
not allowing Mary to move in a westerly direction. | 0:25:26 | 0:25:30 | |
But she also can't move east either, | 0:25:30 | 0:25:32 | |
because the Privy Council has ordered the Royal Navy, | 0:25:32 | 0:25:35 | |
or at least six of the major warships of the Royal Navy, | 0:25:35 | 0:25:38 | |
to move up and block the coast, | 0:25:38 | 0:25:41 | |
preventing her from escaping, | 0:25:41 | 0:25:43 | |
but also any Imperial forces from aiding her. | 0:25:43 | 0:25:45 | |
He has pretty much got her, in his mind, or will soon have her, | 0:25:45 | 0:25:49 | |
in the two jaws of a vice. | 0:25:49 | 0:25:52 | |
Strategically, Northumberland has the upper hand, | 0:25:53 | 0:25:56 | |
and there's no doubt his forces are armed in a way Mary's men can only dream of. | 0:25:56 | 0:26:01 | |
What kind of weapons were their soldiers going to be able to wield? | 0:26:02 | 0:26:07 | |
Jane's very lucky. She has all the arms and armour in the Tower of London. | 0:26:07 | 0:26:11 | |
There's a huge national depository of pikes | 0:26:11 | 0:26:14 | |
and bills and swords and bows and arrows. | 0:26:14 | 0:26:17 | |
There might be a million arrows stored in there. | 0:26:17 | 0:26:20 | |
But this is going to be a battle at close quarters, | 0:26:20 | 0:26:22 | |
so we are looking at the swords. | 0:26:22 | 0:26:24 | |
It's a cut and thrust sword, | 0:26:24 | 0:26:26 | |
but this is really designed for going straight in. | 0:26:26 | 0:26:28 | |
See here, this is the tin can opener of the 15th and 16th century. | 0:26:29 | 0:26:34 | |
This is the poleaxe. | 0:26:34 | 0:26:37 | |
This is going to go through armour, this is going to cut flesh, | 0:26:37 | 0:26:41 | |
that's going to stab through any gaps. | 0:26:41 | 0:26:43 | |
But again, it's a complicated weapon and it's an expensive weapon, | 0:26:43 | 0:26:46 | |
and it shows that you're somebody of a decent rank. | 0:26:46 | 0:26:49 | |
You are a man at arms, you've probably got a decent bit of armour. | 0:26:49 | 0:26:52 | |
Some of Jane's more ordinary troops, you are looking at things like this. | 0:26:52 | 0:26:58 | |
A glaive with a nasty fluke on it, so you can really push that home, | 0:26:59 | 0:27:03 | |
and there's a secondary cutting edge there. | 0:27:03 | 0:27:05 | |
We are getting into a very, very brutal, | 0:27:05 | 0:27:08 | |
very, very nasty style of fighting. | 0:27:08 | 0:27:10 | |
You can see that in the remains of soldiers who've been excavated | 0:27:10 | 0:27:13 | |
from battlefields across the medieval world. | 0:27:13 | 0:27:16 | |
So, should we imagine either Jane or Mary having any firepower at their disposal? | 0:27:16 | 0:27:23 | |
Well, Jane's got the Tower of London arsenal. | 0:27:23 | 0:27:25 | |
We know there are muskets, arquebuses, | 0:27:25 | 0:27:27 | |
and we know there's gunpowder and shot. | 0:27:27 | 0:27:29 | |
Mary would have been reliant on anything that's local. | 0:27:29 | 0:27:32 | |
They're few and far between, to be quite honest, | 0:27:32 | 0:27:35 | |
compared with what Jane can bring to bear. | 0:27:35 | 0:27:37 | |
But, of course, they still need training, | 0:27:37 | 0:27:39 | |
they still need people who know, understand. | 0:27:39 | 0:27:42 | |
They still need people who understand how to not only use | 0:27:42 | 0:27:44 | |
but make gunpowder as well. It's a rare substance in England. | 0:27:44 | 0:27:47 | |
Basically, if you have more gunpowder and more cannons | 0:27:47 | 0:27:49 | |
than anybody else, then technically you've won. | 0:27:49 | 0:27:52 | |
You can bring more stuff to bear. | 0:27:52 | 0:27:54 | |
Finally, at about eight in the evening on 12th July, | 0:27:55 | 0:27:58 | |
Mary arrives at Framlingham Castle in Suffolk | 0:27:58 | 0:28:02 | |
and is greeted by an overwhelming display of support. | 0:28:02 | 0:28:05 | |
We know from accounts that when she arrives at Framlingham | 0:28:05 | 0:28:08 | |
the commons and gentry, you know, | 0:28:08 | 0:28:10 | |
several hundred thousands are gathered in the Deer Park, | 0:28:10 | 0:28:13 | |
which must be a kind of heartening experience, | 0:28:13 | 0:28:16 | |
to come here and see the local people here ready to greet her, | 0:28:16 | 0:28:19 | |
ready to defend her. | 0:28:19 | 0:28:21 | |
This was going to be the base, if you like, | 0:28:21 | 0:28:23 | |
from which she was going to engage the enemy, | 0:28:23 | 0:28:25 | |
so this was going to be really important for the next few days. | 0:28:25 | 0:28:28 | |
So, to come here to a fortress, a stronghold, | 0:28:28 | 0:28:31 | |
with an army camped outside and to feel that she was embedded | 0:28:31 | 0:28:34 | |
within the support of the local community. | 0:28:34 | 0:28:37 | |
Really important. I think she could probably, for the first time, | 0:28:37 | 0:28:40 | |
maybe take a small sigh of relief, | 0:28:40 | 0:28:41 | |
and then obviously galvanise herself, get ready to galvanise | 0:28:41 | 0:28:44 | |
the army, ready for what would seem to have been the impending battle. | 0:28:44 | 0:28:48 | |
It's remarkable that, in a matter of days, | 0:28:51 | 0:28:53 | |
Mary has been able to rally such substantial forces. | 0:28:53 | 0:28:57 | |
No-one expected Mary to be so organised. | 0:28:58 | 0:29:01 | |
Mary had never shown this sort of capacity | 0:29:01 | 0:29:04 | |
for organising, essentially, | 0:29:04 | 0:29:05 | |
not only really anything of great substance, | 0:29:05 | 0:29:08 | |
but also military force in that amount of time. | 0:29:08 | 0:29:11 | |
Mary ended the 12th in a far stronger position than she had begun it. | 0:29:12 | 0:29:17 | |
The next 24 hours would prove critical. | 0:29:17 | 0:29:20 | |
On the morning of the 13th, | 0:29:32 | 0:29:34 | |
there a frenzy of activity at Durham House on the banks of the Thames. | 0:29:34 | 0:29:38 | |
Northumberland's army are about to ride out to Framlingham, | 0:29:38 | 0:29:42 | |
and they are a formidable sight. | 0:29:42 | 0:29:44 | |
He's got very good reason to be confident. | 0:29:45 | 0:29:47 | |
The military force that she has available to her, in his mind, | 0:29:47 | 0:29:51 | |
is probably armed peasants. | 0:29:51 | 0:29:53 | |
They will not be that effectively armed. | 0:29:53 | 0:29:56 | |
He, on the other hand, has a much more experienced and well-armed force. | 0:29:56 | 0:30:00 | |
Probably the total size of the force that he puts together | 0:30:00 | 0:30:03 | |
is about 3,000 strong. And while that doesn't sound that many, | 0:30:03 | 0:30:06 | |
2,000 of those soldiers are cavalry - | 0:30:06 | 0:30:10 | |
men at arms who are heavily armoured. | 0:30:10 | 0:30:13 | |
In battle they would have, you know, looked almost like a tank. | 0:30:13 | 0:30:17 | |
These are men clad from head to foot in armour, | 0:30:17 | 0:30:20 | |
armed with lances and swords and maces, and they could do | 0:30:20 | 0:30:24 | |
an awful lot of damage against poorly-armed peasants. | 0:30:24 | 0:30:29 | |
That's the sort of battle he's expecting, but just in case, | 0:30:29 | 0:30:32 | |
he's also going to take along a very powerful artillery force | 0:30:32 | 0:30:35 | |
of at least 30 pieces of cannon, and he must believe at this point, | 0:30:35 | 0:30:40 | |
or at least he DOES believe at this point, | 0:30:40 | 0:30:42 | |
that Mary is going to have no cannon to oppose him with. | 0:30:42 | 0:30:45 | |
And so all the cards at this early stage seem to be in his favour. | 0:30:45 | 0:30:49 | |
As Northumberland prepared to leave, | 0:30:49 | 0:30:52 | |
he took one last opportunity to address the Council. | 0:30:52 | 0:30:55 | |
He spoke on behalf of, "The whole army that now goes forth | 0:30:55 | 0:30:59 | |
"for the establishing of the Queen's Highness." | 0:30:59 | 0:31:02 | |
He reminded them of the "Sacred, holy oath of allegiance | 0:31:02 | 0:31:05 | |
"made freely by you to this virtuous lady." | 0:31:05 | 0:31:08 | |
"Jane," he said, "was only there by your and our enticement." | 0:31:08 | 0:31:13 | |
And he warned them that "If you mean deceit, God will revenge the same." | 0:31:13 | 0:31:18 | |
Northumberland's speech, | 0:31:21 | 0:31:23 | |
reported by someone who was in the Tower of London when he made it, | 0:31:23 | 0:31:27 | |
betrays the fracture lines in Jane's Council. | 0:31:27 | 0:31:30 | |
This is an impassioned reminder that they signed their names | 0:31:31 | 0:31:35 | |
to the device that put her on the throne, and they must stand by it. | 0:31:35 | 0:31:40 | |
As Northumberland leads his army through the streets of London, | 0:31:43 | 0:31:46 | |
the crowds gather to see him pass... | 0:31:46 | 0:31:49 | |
..but the cheering he expects doesn't come. | 0:31:51 | 0:31:54 | |
And outside the capital, | 0:31:57 | 0:31:59 | |
Northumberland can expect an even more hostile reception. | 0:31:59 | 0:32:03 | |
Northumberland, remember, is very unpopular in the country. | 0:32:05 | 0:32:08 | |
Why? Cos he's the guy who put down the popular revolts of 1549 | 0:32:08 | 0:32:12 | |
using German and Genoese mercenaries. | 0:32:12 | 0:32:15 | |
Four years earlier, Northumberland had been dispatched to East Anglia, | 0:32:21 | 0:32:25 | |
the very same place he's heading now, | 0:32:25 | 0:32:28 | |
to put down a rebellion of local people with his well-armed troops. | 0:32:28 | 0:32:32 | |
Yes, it all kicked off in East Anglia, | 0:32:34 | 0:32:37 | |
and this was described as Kett's Rebellion, led by Robert Kett. | 0:32:37 | 0:32:42 | |
What motivates someone to go out and protest, just like today, | 0:32:42 | 0:32:45 | |
is a variety of factors, but here in particular, | 0:32:45 | 0:32:47 | |
it was socioeconomic factors, it was people were really cross about | 0:32:47 | 0:32:52 | |
large landowners enclosing land, and people just had had enough. | 0:32:52 | 0:32:56 | |
People felt like they weren't being listened to, | 0:32:56 | 0:32:58 | |
they went being respected, all of that. | 0:32:58 | 0:33:00 | |
And so when a rebellion kicks off, it is always dangerous. | 0:33:00 | 0:33:04 | |
Northumberland's response was vicious. | 0:33:05 | 0:33:08 | |
Ringleaders were rounded up and brutally executed. | 0:33:09 | 0:33:13 | |
When he reaches Framlingham, | 0:33:15 | 0:33:17 | |
he'll be facing people who remember the rebellion... | 0:33:17 | 0:33:20 | |
..people who have reason to hate him, | 0:33:21 | 0:33:23 | |
who've joined Mary because they have a score to settle. | 0:33:23 | 0:33:26 | |
Mary has now been at Framlingham for 24 hours, | 0:33:29 | 0:33:33 | |
and gradually events are beginning to swing in her favour. | 0:33:33 | 0:33:36 | |
She looks out into the deer park, and she sees local gentry, | 0:33:37 | 0:33:42 | |
commons gathering, and of course those people will become her army. | 0:33:42 | 0:33:46 | |
For her, she believes that those will be the people | 0:33:46 | 0:33:48 | |
who will secure the throne for her. | 0:33:48 | 0:33:50 | |
You know, and these are unprecedented times. | 0:33:50 | 0:33:52 | |
I mean, here we have a woman fighting for the throne, | 0:33:52 | 0:33:56 | |
and the gathered forces are looking at her as their military commander, | 0:33:56 | 0:34:01 | |
as a woman. So, completely unprecedented times, | 0:34:01 | 0:34:05 | |
and they're happy to potentially lay down their life | 0:34:05 | 0:34:07 | |
in defence of her claim to the throne. | 0:34:07 | 0:34:09 | |
So, you know, the stakes could not have been higher. | 0:34:09 | 0:34:12 | |
Momentum is moving to Mary all the time, | 0:34:14 | 0:34:17 | |
happening so rapidly over days, sometimes even hours, | 0:34:17 | 0:34:21 | |
so decisions are having to be made on a split second. | 0:34:21 | 0:34:24 | |
You know, you could almost count from morning to afternoon | 0:34:24 | 0:34:27 | |
the vast increase in the number of people that are moving north | 0:34:27 | 0:34:30 | |
to surround Mary, to protect her, to support her, and to promote her. | 0:34:30 | 0:34:34 | |
Grassroots support for Mary begins to have a surprising effect | 0:34:36 | 0:34:39 | |
on the higher ranks of society - | 0:34:39 | 0:34:42 | |
people who have, until now, been loyal to Jane. | 0:34:42 | 0:34:45 | |
The gentry are beginning to move to her. | 0:34:45 | 0:34:48 | |
We have a lot of people with knighthoods, you know, | 0:34:48 | 0:34:51 | |
the sort of Sirs of the realm. | 0:34:51 | 0:34:53 | |
And there's one event in Ipswich, 20 miles from Framlingham, | 0:34:54 | 0:34:58 | |
which appears to confirm the tide is decisively turning against Jane. | 0:34:58 | 0:35:02 | |
It involves a local dignitary, | 0:35:02 | 0:35:04 | |
one who's well-respected in East Anglia, Sir Thomas Cornwallis. | 0:35:04 | 0:35:09 | |
Sir Thomas Cornwallis is the Sheriff of Norfolk and Suffolk. | 0:35:12 | 0:35:16 | |
He's backing Jane, the Queen chosen by the Privy Council. | 0:35:16 | 0:35:19 | |
Cornwallis gives Jane a strategically powerful ally | 0:35:19 | 0:35:23 | |
and significant military resources. | 0:35:23 | 0:35:25 | |
More significant still because he's based in Mary's heartland. | 0:35:25 | 0:35:29 | |
When one of Mary's men arrived at the market place in Ipswich | 0:35:31 | 0:35:36 | |
and proclaims Mary the Queen of England, | 0:35:36 | 0:35:38 | |
Cornwallis immediately protests. | 0:35:38 | 0:35:40 | |
One eyewitness says that popular support for Mary was so great | 0:35:43 | 0:35:47 | |
that Cornwallis stood in grave peril of his life for supporting Jane. | 0:35:47 | 0:35:51 | |
Cornwallis realises that he's dangerously underestimated | 0:35:55 | 0:35:59 | |
the popularity of Mary among the ordinary people. | 0:35:59 | 0:36:02 | |
He comes here to Framlingham, where he gets an audience with Mary. | 0:36:04 | 0:36:08 | |
He kneels before her and begs her forgiveness. | 0:36:08 | 0:36:11 | |
This is a big deal, | 0:36:11 | 0:36:13 | |
and this is what we see gradually over the days of July, | 0:36:13 | 0:36:17 | |
that, in a way, the impossible gradually becomes possible. | 0:36:17 | 0:36:21 | |
People, significant figures in East Anglia, you know, | 0:36:21 | 0:36:24 | |
the local lieutenants who would never, you would imagine, | 0:36:24 | 0:36:28 | |
have declared for Mary, actually initially declare for Lady Jane | 0:36:28 | 0:36:32 | |
and then change their allegiance. | 0:36:32 | 0:36:34 | |
The defection of Cornwallis isn't an isolated incident. | 0:36:36 | 0:36:40 | |
Across the country, noblemen are finding themselves unexpectedly under pressure. | 0:36:40 | 0:36:45 | |
It becomes apparent that the common mood of the realm is pro-Mary. | 0:36:47 | 0:36:53 | |
Noblemen discovered that their tenants were refusing to fight | 0:36:53 | 0:36:57 | |
for them, and just as a King needed his nobles to fight for him, | 0:36:57 | 0:37:00 | |
nobles needed their tenants to fight for them. | 0:37:00 | 0:37:02 | |
That's how it all works, you know, everyone worked for everyone else. | 0:37:02 | 0:37:06 | |
And, again, if you're a noblemen and your tenants aren't going to support | 0:37:06 | 0:37:09 | |
you, your affinity aren't going to support you, you're nothing. | 0:37:09 | 0:37:12 | |
You're nobody, you're just a bloke. | 0:37:12 | 0:37:14 | |
The Earl of Oxford finds himself facing exactly this dilemma. | 0:37:17 | 0:37:21 | |
When he's summoned to support Jane, dozens of his own men confront him. | 0:37:22 | 0:37:27 | |
They say that if he doesn't defect to Mary, they'll go without him. | 0:37:27 | 0:37:32 | |
And he has to give in. | 0:37:33 | 0:37:35 | |
Oxford and his men join Mary's forces. | 0:37:35 | 0:37:38 | |
We're seeing something extraordinary. | 0:37:40 | 0:37:43 | |
How the feeling that Jane is the wrong woman on the throne | 0:37:43 | 0:37:46 | |
has started with the people, but it's so powerful that it begins | 0:37:46 | 0:37:50 | |
to force the political elite into action. | 0:37:50 | 0:37:52 | |
And that's what's so precarious in this July crisis, | 0:37:54 | 0:37:57 | |
that some of these key figures in East Anglia, who initially | 0:37:57 | 0:38:01 | |
declare for Lady Jane, then suddenly swing and support Mary. | 0:38:01 | 0:38:05 | |
And it's by turning their loyalty from one side to the other | 0:38:05 | 0:38:09 | |
that they basically bring an army of hundreds and potentially | 0:38:09 | 0:38:12 | |
several thousand people in defence of Mary, | 0:38:12 | 0:38:15 | |
as opposed to Lady Jane, which makes all the difference. | 0:38:15 | 0:38:18 | |
Mary, the old King's daughter, is a powerful figurehead | 0:38:18 | 0:38:21 | |
for whom people are prepared to lay down their lives. | 0:38:21 | 0:38:25 | |
Jane is the exact opposite. | 0:38:25 | 0:38:27 | |
So young and almost completely unknown, | 0:38:27 | 0:38:30 | |
at this critical point hidden away in the Tower, | 0:38:30 | 0:38:33 | |
she's a distant figure to the people whose Queen she claims to be. | 0:38:33 | 0:38:37 | |
As a privileged young girl, Jane's life had been sheltered. | 0:38:44 | 0:38:48 | |
She saw little of the world outside her home in the Royal Court. | 0:38:48 | 0:38:52 | |
And, more significantly in this moment of crisis, | 0:38:52 | 0:38:55 | |
the world had rarely seen her. | 0:38:55 | 0:38:57 | |
This is the geography of Jane's world. | 0:38:58 | 0:39:00 | |
There are five key places - | 0:39:00 | 0:39:03 | |
Syon House, | 0:39:03 | 0:39:05 | |
Chelsea, | 0:39:05 | 0:39:07 | |
Durham House, | 0:39:07 | 0:39:08 | |
The Tower of London, | 0:39:08 | 0:39:10 | |
and Greenwich Palace. | 0:39:10 | 0:39:12 | |
They cluster along the river, and for very good reason. | 0:39:13 | 0:39:17 | |
Everyone depended on the river for travel. | 0:39:17 | 0:39:20 | |
For Jane, it was the thread that connected the places in her life. | 0:39:20 | 0:39:24 | |
The streets of London were narrow, cramped and dangerous. | 0:39:34 | 0:39:38 | |
Hello, Mark. Lovely to see you. | 0:39:38 | 0:39:42 | |
Like the rest of the Court, | 0:39:43 | 0:39:45 | |
Jane relied on the relative safety and comfort of travelling by river. | 0:39:45 | 0:39:49 | |
Try and get in time, number two. | 0:39:55 | 0:39:58 | |
Is this the closest I'm ever going to get to | 0:40:05 | 0:40:07 | |
-being on a 16th century barge? -It really is, yes. | 0:40:07 | 0:40:11 | |
Other than the fact that this wasn't actually built in the 16th century, | 0:40:11 | 0:40:14 | |
it's only 25 years old, this is, in effect, a 16th century barge. | 0:40:14 | 0:40:18 | |
Mark Edwards made the present Queen's barge, | 0:40:20 | 0:40:22 | |
and this Tudor replica was built using traditional techniques. | 0:40:22 | 0:40:26 | |
It's the same design, built in the same way. | 0:40:28 | 0:40:31 | |
It really is, yes. | 0:40:31 | 0:40:32 | |
Should I be imagining Jane Grey sitting under a canopy like this? | 0:40:40 | 0:40:43 | |
This is a fairly ornamental, | 0:40:43 | 0:40:45 | |
but very practical, canopy for sun and light rain. | 0:40:45 | 0:40:50 | |
They did have a much more homely set-up where they had great hoops... | 0:40:50 | 0:40:54 | |
..pulled across, and they'd literally bring out a tapestry | 0:40:56 | 0:40:59 | |
or something like a carpet, and bring that right the way across, | 0:40:59 | 0:41:02 | |
so we'd actually be in the dark here, much more isolated. | 0:41:02 | 0:41:06 | |
Unlike Mary, Jane's life up to this point had not been a public one. | 0:41:10 | 0:41:16 | |
Her time had been spent in study and prayer... | 0:41:17 | 0:41:20 | |
..and as a result, she had become a role model | 0:41:21 | 0:41:24 | |
for other Protestant noblewomen. | 0:41:24 | 0:41:26 | |
She's educated to be an example to others. | 0:41:28 | 0:41:31 | |
When she's only sort of 14, she's getting letters from adult women | 0:41:31 | 0:41:36 | |
saying that they admire her for her learning and holiness. | 0:41:36 | 0:41:39 | |
So she already realises that she's up there on a pedestal. | 0:41:39 | 0:41:43 | |
Jane's power base is starting to look dangerously narrow, | 0:41:45 | 0:41:49 | |
pitted against Mary's popularity with the people. | 0:41:49 | 0:41:52 | |
And without Northumberland to hold the Privy Council together, | 0:41:54 | 0:41:58 | |
cracks are beginning to show. | 0:41:58 | 0:42:00 | |
When Northumberland left the Council, he'd created a vacuum, | 0:42:02 | 0:42:06 | |
so that there began to be a struggle between those who still supported | 0:42:06 | 0:42:11 | |
Northumberland, and those who were wavering on the fence | 0:42:11 | 0:42:15 | |
and reacted quite negatively to Jane's assertion | 0:42:15 | 0:42:18 | |
that she would not make Guildford King. | 0:42:18 | 0:42:20 | |
Jane knows that if the Privy Council begin to waver in their support for her, | 0:42:20 | 0:42:25 | |
it will be a catastrophe that will leave her vulnerable and exposed. | 0:42:25 | 0:42:30 | |
But for now, alone in the Tower, | 0:42:30 | 0:42:33 | |
there are only limited ways in which she can play the part of Queen. | 0:42:33 | 0:42:37 | |
She calls for a list to be drawn up of royal jewels and other valuables, | 0:42:38 | 0:42:42 | |
which, as monarch, are now her property. | 0:42:42 | 0:42:45 | |
An inventory was made for Jane on 14th July, | 0:42:45 | 0:42:49 | |
the fifth day of the reign. | 0:42:49 | 0:42:51 | |
What was it listing? | 0:42:51 | 0:42:53 | |
It was listing almost 600 items of jewellery that were | 0:42:53 | 0:42:59 | |
part of the Royal Wardrobe of Westminster. | 0:42:59 | 0:43:02 | |
So, the Royal Wardrobe was something that supplied everything | 0:43:02 | 0:43:05 | |
a monarch could need. It wasn't just clothing and jewellery, | 0:43:05 | 0:43:08 | |
it was everything from, sort of, spices to gunpowder, | 0:43:08 | 0:43:11 | |
anything that the King or Queen might need. | 0:43:11 | 0:43:14 | |
But this is particularly jewellery that you would wear. | 0:43:14 | 0:43:17 | |
Not the Crown Jewels, but things like | 0:43:17 | 0:43:19 | |
the decoration that would go around a woman's headdress, jewelled. | 0:43:19 | 0:43:23 | |
Things like the gold and silver tips that would go on the laces | 0:43:23 | 0:43:27 | |
that would tie, you know, your sleeves to your bodice. | 0:43:27 | 0:43:31 | |
And also, sort of, brooches, crosses. | 0:43:31 | 0:43:34 | |
Why do you think Jane was asking for this list to be made? | 0:43:34 | 0:43:38 | |
I would love to know. | 0:43:38 | 0:43:40 | |
I wonder whether she was potentially looking for the types of things | 0:43:40 | 0:43:45 | |
she should wear now that were appropriate for her new royal standing. | 0:43:45 | 0:43:49 | |
Of course, power dressing is incredibly important to the Tudors. | 0:43:49 | 0:43:54 | |
And whatever her own feelings might have been about plainer dressing, | 0:43:54 | 0:43:58 | |
it was still very important, | 0:43:58 | 0:43:59 | |
this conspicuous consumption for the Royal family, | 0:43:59 | 0:44:03 | |
and particularly for the monarch, for the sovereign, | 0:44:03 | 0:44:05 | |
to be seen as this glittering person that really was the top of society. | 0:44:05 | 0:44:11 | |
And we can see that from the first Protestant coronation, | 0:44:11 | 0:44:14 | |
the coronation of Edward VI her cousin, that he isn't downplayed. | 0:44:14 | 0:44:19 | |
He's wearing things just as luscious and sumptuous as all the previous coronations. | 0:44:19 | 0:44:23 | |
For Jane, the symbols of power, like power itself, | 0:44:23 | 0:44:27 | |
would never really be hers. | 0:44:27 | 0:44:30 | |
She would not reign long enough for a coronation to take place. | 0:44:30 | 0:44:33 | |
On 15th July, Northumberland's forces are heading for Cambridge, | 0:44:41 | 0:44:45 | |
where he plans to pause and wait for his artillery train and infantry to catch up. | 0:44:45 | 0:44:50 | |
And we think he reaches Cambridge probably by the evening of the 15th, | 0:44:52 | 0:44:55 | |
so he is in position up in Cambridge, | 0:44:55 | 0:44:59 | |
and you can see quite clearly, I hope, now, Helen, | 0:44:59 | 0:45:02 | |
that his position there is a strategic position. | 0:45:02 | 0:45:05 | |
It's going to take him longer to get to Framlingham, | 0:45:05 | 0:45:08 | |
but actually it makes a certain amount of logical military sense. | 0:45:08 | 0:45:11 | |
Because then she's in a stranglehold, | 0:45:11 | 0:45:13 | |
his land forces are on one side of her, | 0:45:13 | 0:45:16 | |
the ships he sent are at sea on the other side of her - | 0:45:16 | 0:45:19 | |
there's really nowhere for her to go. | 0:45:19 | 0:45:21 | |
Exactly. What can go wrong? | 0:45:21 | 0:45:23 | |
Northumberland has Mary surrounded, and although she has a growing army, | 0:45:26 | 0:45:31 | |
she can't match his firepower. | 0:45:31 | 0:45:34 | |
But it's here that Northumberland has a massive stroke of bad luck. | 0:45:34 | 0:45:38 | |
Well, it is a sequence of very unfortunate events, actually, | 0:45:39 | 0:45:42 | |
and the first of them, and we often forget the importance of weather, | 0:45:42 | 0:45:46 | |
but the first of them is climatic, | 0:45:46 | 0:45:49 | |
in the sense that there was a heavy | 0:45:49 | 0:45:52 | |
north-easterly wind driving the Royal ships | 0:45:52 | 0:45:56 | |
that were actually supposed to be stationed offshore, | 0:45:56 | 0:45:59 | |
not actually that close to the coast, a couple of leagues offshore, | 0:45:59 | 0:46:02 | |
which is going to allow them to remain in a blocking position, | 0:46:02 | 0:46:05 | |
but the bad weather forces them to take refuge in the Orwell Estuary. | 0:46:05 | 0:46:10 | |
As chance would have it, one of Mary's household, Henry Jerningham, | 0:46:10 | 0:46:14 | |
is in a local tavern and falls to talking about the naval forces off the coast. | 0:46:14 | 0:46:20 | |
Some time during the evening, he learns that ships laden | 0:46:22 | 0:46:25 | |
with soldiers and weaponry are anchored nearby at Orwell Haven. | 0:46:25 | 0:46:29 | |
The crews are owed money. | 0:46:29 | 0:46:32 | |
Jerningham spots an opportunity. | 0:46:32 | 0:46:34 | |
Riding to the harbour, Jerningham finds the ships | 0:46:36 | 0:46:39 | |
and succeeds in persuading the unhappy captain and crew | 0:46:39 | 0:46:42 | |
to change sides in favour of Mary. | 0:46:42 | 0:46:45 | |
Now, this was a massive coup, because, you know, | 0:46:46 | 0:46:48 | |
these are ships that have been sent on behalf of Lady Jane, | 0:46:48 | 0:46:52 | |
essentially representing the Government at that point. | 0:46:52 | 0:46:55 | |
Now, in part, they were protesting because of pay and conditions, as often is the case, | 0:46:55 | 0:46:59 | |
but they were also declaring in support of the Mary. | 0:46:59 | 0:47:02 | |
And that mutiny brings her more men, it brings her control of the coast, | 0:47:02 | 0:47:07 | |
and it brings her guns. | 0:47:07 | 0:47:09 | |
Yes, I mean, all of this is important, because her army is | 0:47:09 | 0:47:12 | |
growing, and, of course, you know, she needs more munitions. | 0:47:12 | 0:47:16 | |
Mary has no cannon at Framlingham. | 0:47:16 | 0:47:18 | |
All of a sudden, five of the six ships are now going to help Mary | 0:47:18 | 0:47:23 | |
by unloading their cannon and moving them, dragging them, | 0:47:23 | 0:47:27 | |
quite a serious logistical feat, towards Framlingham Castle, where, | 0:47:27 | 0:47:31 | |
when they are in position there, they will actually outgun the number | 0:47:31 | 0:47:35 | |
of cannon that Northumberland is bringing with him from London. | 0:47:35 | 0:47:38 | |
And, not only do you get the cannon and their ammunition, | 0:47:38 | 0:47:41 | |
but you also get trained gunners, | 0:47:41 | 0:47:43 | |
and the Royal Navy at this time is undergoing something of | 0:47:43 | 0:47:46 | |
a revolution, but it is one of the finest in the world, | 0:47:46 | 0:47:49 | |
and those guns are going to prove very effective in a fight. | 0:47:49 | 0:47:53 | |
The mutiny is one of the key moments that shows that, suddenly, | 0:47:54 | 0:47:59 | |
Mary is not only gaining support rapidly, | 0:47:59 | 0:48:02 | |
but actually becoming more than simply a contender and is actually | 0:48:02 | 0:48:06 | |
seriously now challenging the claim of Lady Jane, and in a decisive way. | 0:48:06 | 0:48:10 | |
Up until this point, Mary's had support but no artillery. | 0:48:11 | 0:48:16 | |
Now she has both. | 0:48:16 | 0:48:17 | |
Jane's hold on the throne is looking increasingly vulnerable. | 0:48:19 | 0:48:22 | |
On 16th July, the devastating news of the mutiny sends shock waves | 0:48:34 | 0:48:39 | |
through the Privy Council. They begin to ask if | 0:48:39 | 0:48:42 | |
it's God's punishment for denying Mary her blood right. | 0:48:42 | 0:48:46 | |
And the sheer numbers of ordinary people turning to Mary | 0:48:47 | 0:48:51 | |
is unnerving even the most ardent supporters of Jane. | 0:48:51 | 0:48:54 | |
Then more alarming news reaches the Tower - | 0:48:55 | 0:48:58 | |
local leaders in Buckinghamshire and Oxfordshire have declared for Mary | 0:48:58 | 0:49:02 | |
and raised a militia against Jane. | 0:49:02 | 0:49:04 | |
Without Northumberland, | 0:49:04 | 0:49:06 | |
there's no-one Jane can trust to take control of the situation. | 0:49:06 | 0:49:10 | |
Well, there's still an opportunity for the Royal forces to put them down | 0:49:10 | 0:49:14 | |
if the various Justices of the Peace had acted in accordance | 0:49:14 | 0:49:18 | |
with the instructions being sent out from London to make sure | 0:49:18 | 0:49:21 | |
that if there's any rising of pro-Mary forces in the country, | 0:49:21 | 0:49:25 | |
they are dealt with. And some of them were, | 0:49:25 | 0:49:27 | |
some of them were ignoring, and some of them were supporting Mary, | 0:49:27 | 0:49:30 | |
but I think the overall lesson to learn from this is that | 0:49:30 | 0:49:33 | |
Northumberland and the members of the Privy Council | 0:49:33 | 0:49:36 | |
underestimated the level of latent support, | 0:49:36 | 0:49:40 | |
which later became overt support, for Mary in the country as a whole. | 0:49:40 | 0:49:43 | |
Jane's house of cards is beginning to collapse. | 0:49:43 | 0:49:47 | |
Mary's no longer trapped in East Anglia, | 0:49:47 | 0:49:50 | |
and her support is spreading through the Thames Valley as far as London. | 0:49:50 | 0:49:53 | |
London was under threat. | 0:49:54 | 0:49:56 | |
The old city had to look to its defences. | 0:49:56 | 0:49:59 | |
Orders were given to lock up the Tower | 0:49:59 | 0:50:01 | |
and post guards on the city gates. | 0:50:01 | 0:50:03 | |
London, a fortified city, was making ready for attack. | 0:50:03 | 0:50:07 | |
To see how London became a Tudor fortress, | 0:50:11 | 0:50:14 | |
I've come to see the first-ever printed map of the city, | 0:50:14 | 0:50:18 | |
dating from 1572. | 0:50:18 | 0:50:19 | |
Wow, this is some volume. | 0:50:23 | 0:50:25 | |
You get an immediate sense of how the Tower here, on the east side, | 0:50:25 | 0:50:30 | |
role as the defence of the city against shipping | 0:50:30 | 0:50:33 | |
-coming in from the east. -Absolutely, there it is, | 0:50:33 | 0:50:36 | |
the southeast extent of the city rather well fortified. | 0:50:36 | 0:50:39 | |
And also quite threatening and foreboding. You have here a cell, | 0:50:39 | 0:50:44 | |
a caged cell on the water line, | 0:50:44 | 0:50:45 | |
where people could be subjected to the tides, | 0:50:45 | 0:50:48 | |
and some spiked heads on sticks. | 0:50:48 | 0:50:50 | |
Oh, my goodness, you need good eyes to see those! | 0:50:50 | 0:50:53 | |
But, yes, so this is a real statement of Royal power. | 0:50:53 | 0:50:56 | |
Absolutely, a statement of Royal power, | 0:50:56 | 0:50:58 | |
and foreboding for anybody entering the city. | 0:50:58 | 0:51:00 | |
In terms of the city itself... | 0:51:00 | 0:51:02 | |
..you can really get a sense of... | 0:51:03 | 0:51:06 | |
..how defensible it might be. | 0:51:07 | 0:51:10 | |
Absolutely, and what's fascinating about that is how that was obviously | 0:51:10 | 0:51:13 | |
a concern of the early map-makers, | 0:51:13 | 0:51:16 | |
and the royal family and the leaders. | 0:51:16 | 0:51:19 | |
If you put the Tower together with this city wall that goes | 0:51:19 | 0:51:23 | |
right round the city, and gates at various points that could be shut... | 0:51:23 | 0:51:27 | |
Absolutely, and indeed a moat. | 0:51:27 | 0:51:29 | |
And the fact that there's only one bridge, of course means the river | 0:51:29 | 0:51:32 | |
-is also a natural defence. -Only one bridge with gates on the bridge | 0:51:32 | 0:51:35 | |
-and a wooden section that could be burned. -Thought of everything! -Yep. | 0:51:35 | 0:51:38 | |
Five days ago, the city and its Tower had been Jane's power base, | 0:51:38 | 0:51:42 | |
but now the tables have turned, and she's preparing it against attack. | 0:51:42 | 0:51:47 | |
The powerful nobles surrounding Jane are beginning to fear that | 0:51:47 | 0:51:50 | |
they have backed the wrong Queen, and they're well aware what | 0:51:50 | 0:51:54 | |
their fate might be if that proves to be the case. | 0:51:54 | 0:51:57 | |
What would a convicted traitor have to look forward to, | 0:51:57 | 0:52:01 | |
if that's the right word? | 0:52:01 | 0:52:02 | |
That would depend very much on your social status. | 0:52:02 | 0:52:05 | |
If you were a peer of the realm or a female equivalent, | 0:52:05 | 0:52:07 | |
you would be executed by beheading, | 0:52:07 | 0:52:09 | |
which is a fairly quick, fairly clean death. | 0:52:09 | 0:52:12 | |
If you are a commoner, you could be subjected to | 0:52:12 | 0:52:15 | |
hanging, drawing and quartering, which is absolutely horrendous. | 0:52:15 | 0:52:18 | |
This involves being hanged symbolically, | 0:52:18 | 0:52:22 | |
so you're cut down while you're still alive, | 0:52:22 | 0:52:24 | |
you're then disembowelled, you're castrated, | 0:52:24 | 0:52:27 | |
your entrails and your private parts are burned in a brazier, in a fire, | 0:52:27 | 0:52:32 | |
on the actual scaffold. | 0:52:32 | 0:52:34 | |
And you're then beheaded and quartered - | 0:52:34 | 0:52:37 | |
your body is cut into four quarters, | 0:52:37 | 0:52:38 | |
which are exhibited on top of castle gates, etc. | 0:52:38 | 0:52:41 | |
There's a variety of things that can happen to you, none of them very pleasant. | 0:52:41 | 0:52:45 | |
Jane, too, knows from personal experience how quickly | 0:52:45 | 0:52:49 | |
fortunes can change, with deadly consequences. | 0:52:49 | 0:52:52 | |
At the age of ten or 11, | 0:52:52 | 0:52:54 | |
she was sent from her home at Bradgate in Leicestershire | 0:52:54 | 0:52:57 | |
to a household in London. | 0:52:57 | 0:52:59 | |
Jane was to be the ward of Thomas Seymour and his new wife, | 0:52:59 | 0:53:02 | |
Catherine Parr, the widowed Queen of Henry VIII. | 0:53:02 | 0:53:05 | |
It was a politically advantageous arrangement for the Grey family. | 0:53:05 | 0:53:09 | |
Jane had been with the Seymours for a year when Catherine Parr | 0:53:11 | 0:53:14 | |
gave birth, and six days later, died. | 0:53:14 | 0:53:17 | |
Jane returned home, but stayed in close contact with her guardian. | 0:53:18 | 0:53:22 | |
This is the letter Jane wrote to Thomas Seymour | 0:53:24 | 0:53:27 | |
in the autumn of 1548. | 0:53:27 | 0:53:29 | |
"These, my letters, shall be to testify unto you that, | 0:53:29 | 0:53:32 | |
"like as you have become towards me a loving and kind father, | 0:53:32 | 0:53:37 | |
"so I shall be always most ready to obey your godly monitions | 0:53:37 | 0:53:43 | |
"and good instructions." | 0:53:43 | 0:53:45 | |
Jane was about 11 when she wrote this letter. | 0:53:46 | 0:53:49 | |
She's writing to someone who's become a father figure to her. | 0:53:49 | 0:53:53 | |
But Seymour was a man of vast ambition, | 0:53:54 | 0:53:57 | |
and a few months later his pursuit of power led to his downfall. | 0:53:57 | 0:54:00 | |
He was even accused of trying to kidnap the King | 0:54:02 | 0:54:04 | |
here at Hampton Court Palace. | 0:54:04 | 0:54:07 | |
It was reported that he was caught trying to break into | 0:54:08 | 0:54:11 | |
the Royal apartments when the King's dog started to bark | 0:54:11 | 0:54:14 | |
and, in a panic, Thomas killed it. | 0:54:14 | 0:54:16 | |
He was arrested and sent to the Tower. | 0:54:16 | 0:54:19 | |
The man who had been Jane's guardian was now sentenced to death as a traitor. | 0:54:20 | 0:54:26 | |
The brutal reality of politics at the highest level | 0:54:28 | 0:54:31 | |
was a lesson Jane had learn very young. | 0:54:31 | 0:54:34 | |
But even though she knows the risks, there is no going back for Jane. | 0:54:37 | 0:54:42 | |
She has worn the crown, she has taken a stand, | 0:54:42 | 0:54:45 | |
now she must see it through. | 0:54:45 | 0:54:47 | |
Her last hope lies in keeping the loyalty of the Privy Council. | 0:54:47 | 0:54:52 | |
But without Northumberland's reassuring presence, | 0:54:52 | 0:54:55 | |
they begin to falter. | 0:54:55 | 0:54:57 | |
In the corridors and the quiet places of the Tower, | 0:54:57 | 0:55:00 | |
the men of the Privy Council were unnerved. | 0:55:00 | 0:55:02 | |
Sir Edmund Peckham, one of the Royal treasurers, | 0:55:02 | 0:55:05 | |
had already gone missing. | 0:55:05 | 0:55:07 | |
Jane responds by ordering a strong guard | 0:55:07 | 0:55:09 | |
to be mounted around the Tower walls. | 0:55:09 | 0:55:12 | |
If Jane couldn't count on the loyalty of her Council, | 0:55:12 | 0:55:15 | |
she'd imprison them with her in her fortress. | 0:55:15 | 0:55:18 | |
Jane commanded that they be locked into the Tower | 0:55:18 | 0:55:21 | |
and the keys turned over to her personally. | 0:55:21 | 0:55:23 | |
So, you get this incredibly poignant sense that the Tower | 0:55:23 | 0:55:27 | |
is shifting around Jane, shifting from palace to prison. | 0:55:27 | 0:55:31 | |
She did become a prisoner without knowing it, | 0:55:31 | 0:55:34 | |
because these members of the Council that were beginning to revolt, | 0:55:34 | 0:55:37 | |
if you will, or shift direction, had moved out of the Tower, | 0:55:37 | 0:55:41 | |
so she didn't have any direct knowledge of what they were up to. | 0:55:41 | 0:55:44 | |
Jane continues to assert her power, | 0:55:45 | 0:55:47 | |
sending out letters to key officials to demand their support. | 0:55:47 | 0:55:52 | |
That, and her decision to hold the keys to the Tower herself, | 0:55:52 | 0:55:56 | |
might look like an assertion of power | 0:55:56 | 0:55:59 | |
but, in fact, it's a response to an increasingly precarious position. | 0:55:59 | 0:56:03 | |
Outside the Tower's walls, there's a growing sense | 0:56:04 | 0:56:07 | |
that she's standing in the way of the rightful successor, Mary. | 0:56:07 | 0:56:12 | |
I mean, there's really a sense that more and more people now | 0:56:12 | 0:56:15 | |
are supporting Mary and, of course, when you see that there's | 0:56:15 | 0:56:18 | |
this real contender, then suddenly it convinces other people | 0:56:18 | 0:56:21 | |
to actually throw in their lot with her because, ultimately, | 0:56:21 | 0:56:24 | |
no-one wants to be on the wrong, on the losing side, as it were. | 0:56:24 | 0:56:28 | |
So, it's not until Mary begins to actually look like she's got | 0:56:28 | 0:56:30 | |
a chance that people begin to really throw their lot in with her, | 0:56:30 | 0:56:34 | |
and that becomes absolutely crucial. | 0:56:34 | 0:56:36 | |
At this stage, Northumberland's army are still in Cambridge. | 0:56:37 | 0:56:40 | |
He's joined by his sons and more troops, | 0:56:40 | 0:56:43 | |
but he doesn't yet know that his mission is in grave danger. | 0:56:43 | 0:56:47 | |
So, he's now outnumbered, probably by as many as three-to-one, | 0:56:48 | 0:56:51 | |
but that itself may not have been enough to deter him from continuing on. | 0:56:51 | 0:56:55 | |
But Mary now has artillery, | 0:56:55 | 0:56:57 | |
and it's probable that the force of artillery at Framlingham even | 0:56:57 | 0:57:02 | |
outmatches his own, and so not only is he outnumbered, he's outgunned. | 0:57:02 | 0:57:06 | |
Over the course of five days, Jane's fortunes have changed dramatically. | 0:57:08 | 0:57:13 | |
On the 12th, she had the machinery of the Tudor state behind her. | 0:57:13 | 0:57:18 | |
By the 16th, her palace is becoming a prison, | 0:57:18 | 0:57:22 | |
and Northumberland, her protector, is far from London. | 0:57:22 | 0:57:25 | |
Meanwhile, Mary now has a powerful army. | 0:57:26 | 0:57:30 | |
She has the support of the people, | 0:57:30 | 0:57:32 | |
and the political elite are beginning to join her. | 0:57:32 | 0:57:34 | |
Everything now depends on Jane's ability to hold her camp together... | 0:57:36 | 0:57:41 | |
..but with their allegiances shifting by the day, | 0:57:42 | 0:57:45 | |
she's starting to look dangerously isolated. | 0:57:45 | 0:57:47 | |
And if she loses this battle for the crown, | 0:57:47 | 0:57:51 | |
she'll pay with her life. | 0:57:51 | 0:57:53 | |
Next time... | 0:57:55 | 0:57:57 | |
Jane's support is crumbling... | 0:57:57 | 0:57:59 | |
It's like one penny drops, the rest go, it's like dominoes. | 0:57:59 | 0:58:03 | |
..a Queen becomes a prisoner, | 0:58:03 | 0:58:05 | |
and in the end she's sentenced to death. | 0:58:05 | 0:58:08 | |
Jane had to walk out here, | 0:58:08 | 0:58:10 | |
lay her head on the block | 0:58:10 | 0:58:13 | |
and wait for the blade. | 0:58:13 | 0:58:14 | |
But in her last moments, Jane leaves some private messages for posterity. | 0:58:16 | 0:58:20 | |
So this is the book she actually carried onto the scaffold | 0:58:22 | 0:58:25 | |
and handed over just before the blindfolding and the kneeling. | 0:58:25 | 0:58:29 |