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In the days before rail and road opened Scotland up to mass tourism, | 0:00:04 | 0:00:09 | |
getting around could be uncomfortable and time-consuming. | 0:00:09 | 0:00:13 | |
But there was a place where early visitors could enjoy the full range | 0:00:14 | 0:00:18 | |
of awe-inspiring landscapes without ever having to endure | 0:00:18 | 0:00:22 | |
the inconvenience of travelling huge distances. | 0:00:22 | 0:00:26 | |
So I've packed my old guidebook, | 0:00:26 | 0:00:29 | |
and I'm off on a Grand Tour of Arran, | 0:00:29 | 0:00:32 | |
an island that claims to be Scotland in miniature. | 0:00:32 | 0:00:36 | |
First published in 1846, | 0:00:39 | 0:00:42 | |
Black's Picturesque Guide To Scotland is a lavishly illustrated | 0:00:42 | 0:00:46 | |
encyclopaedia of where to go, what to see, and how to get there. | 0:00:46 | 0:00:51 | |
It was the Lonely Planet Guide of its day, | 0:00:53 | 0:00:56 | |
packed full of useful hints on everything | 0:00:56 | 0:00:59 | |
from native customs, tipping, and the etiquette of wearing a kilt. | 0:00:59 | 0:01:03 | |
It once guided my own family when we went on holiday, | 0:01:05 | 0:01:09 | |
and 40 years on, I'm dusting it down and setting off to explore | 0:01:09 | 0:01:13 | |
the highways and byways of 21st century Scotland, | 0:01:13 | 0:01:18 | |
using Black's as both an inspiration and a reference. | 0:01:18 | 0:01:22 | |
For my first Grand Tour, I'm heading for the island that claims | 0:01:22 | 0:01:26 | |
to have a little bit of everything. | 0:01:26 | 0:01:29 | |
Arran is just 56 miles in circumference | 0:01:43 | 0:01:46 | |
but according to my guide, it's a microcosm of Scotland. | 0:01:46 | 0:01:51 | |
Black's says, "From the rugged mountain to the swelling hill, | 0:01:51 | 0:01:55 | |
"the open valley, or the contracted glen, there is that diversity | 0:01:55 | 0:02:01 | |
"of surface that is rarely found condensed into so small a compass." | 0:02:01 | 0:02:05 | |
For Victorian travellers, this was the ideal destination, | 0:02:08 | 0:02:12 | |
a place with stunning scenery, ancient history | 0:02:12 | 0:02:17 | |
and beautiful beaches. | 0:02:17 | 0:02:19 | |
A place that's a distillation of all that's best in Scotland. | 0:02:19 | 0:02:23 | |
A place tourists can explore without too much tedious travel. | 0:02:23 | 0:02:27 | |
I'm making a trip around Arran's rugged coastline, | 0:02:32 | 0:02:35 | |
scaling the magnificent Goatfell, | 0:02:35 | 0:02:38 | |
searching for the island's wildlife | 0:02:38 | 0:02:41 | |
and hanging out at Scotland's only nudist beach. | 0:02:41 | 0:02:44 | |
But my journey begins on the western shore, here at Drumadoon Bay | 0:02:48 | 0:02:52 | |
and the scene of a famous encounter. | 0:02:52 | 0:02:55 | |
The King's Cave is one of several large caves along this coastline. | 0:03:02 | 0:03:07 | |
And according to local legend, as they say, | 0:03:07 | 0:03:10 | |
none other than King Robert the Bruce | 0:03:10 | 0:03:12 | |
found inspiration here to overcome the oppression of the English. | 0:03:12 | 0:03:17 | |
In a cave just up there, Bruce saw the spider. | 0:03:17 | 0:03:21 | |
Every school kid knows the story. | 0:03:25 | 0:03:28 | |
Outlawed and on the run after countless defeats, | 0:03:28 | 0:03:32 | |
Robert the Bruce shelters in a cave. | 0:03:32 | 0:03:35 | |
His situation seems beyond hope. | 0:03:35 | 0:03:37 | |
Wow, this is a huge space in here. | 0:03:40 | 0:03:43 | |
Depressed, he watches a spider spin a web. | 0:03:44 | 0:03:47 | |
But the wind breaks it. | 0:03:48 | 0:03:51 | |
Undaunted, the spider tries again. | 0:03:51 | 0:03:54 | |
Again, the web breaks. | 0:03:59 | 0:04:01 | |
This keeps on happening, and the spider keeps on trying | 0:04:01 | 0:04:06 | |
until it's successful. | 0:04:06 | 0:04:08 | |
Robert the Bruce is impressed. | 0:04:08 | 0:04:10 | |
He'll be like the spider. | 0:04:10 | 0:04:12 | |
He'll try and try again until he defeats the English. | 0:04:12 | 0:04:16 | |
Now it's a great story, but unfortunately it's entirely made up. | 0:04:18 | 0:04:23 | |
And even if there had been a cave, it wouldn't have been here, | 0:04:23 | 0:04:26 | |
but on Rathlin Island off the coast of Ulster. | 0:04:26 | 0:04:30 | |
And as for the spider... | 0:04:30 | 0:04:31 | |
Well, history is entirely silent on the subject, | 0:04:31 | 0:04:35 | |
until Sir Walter Scott picks up the story | 0:04:35 | 0:04:38 | |
and weaves an altogether different kind of web. | 0:04:38 | 0:04:42 | |
Pure fiction. | 0:04:42 | 0:04:43 | |
There is evidence in these caves of a long history of human occupation. | 0:04:46 | 0:04:52 | |
The first people to use them | 0:04:52 | 0:04:53 | |
were probably hunters who moved here thousands of years ago | 0:04:53 | 0:04:57 | |
as glaciers melted at the end of the last Ice Age. | 0:04:57 | 0:05:01 | |
But it was Scott's fanciful interpretation of history | 0:05:03 | 0:05:06 | |
that prompted Arran hoteliers to peddle the myth | 0:05:06 | 0:05:09 | |
of Bruce and the spider, | 0:05:09 | 0:05:11 | |
and to refer to this cave as the King's Cave, | 0:05:11 | 0:05:15 | |
making it a convenient location where Victorian tourists | 0:05:15 | 0:05:18 | |
could encounter a critical moment in Scotland's history. | 0:05:18 | 0:05:22 | |
The thing that does strike me is all the graffiti. | 0:05:23 | 0:05:28 | |
The walls are covered with it. | 0:05:28 | 0:05:29 | |
And this isn't just modern graffiti. | 0:05:29 | 0:05:31 | |
It dates back to the beginnings of tourism in Scotland. | 0:05:31 | 0:05:37 | |
There's one there from 1879. It's outrageous! | 0:05:37 | 0:05:40 | |
These Victorian visitors came to the island in their thousands | 0:05:44 | 0:05:48 | |
in the summer season. | 0:05:48 | 0:05:49 | |
Many of them would have arrived at my next destination, | 0:05:49 | 0:05:52 | |
Lochranza, the northern gateway to the island. | 0:05:52 | 0:05:55 | |
These seekers of summer fun transformed Arran | 0:05:59 | 0:06:03 | |
into one of Scotland's best-loved holiday destinations. | 0:06:03 | 0:06:08 | |
But it wasn't seekers of summer fun | 0:06:08 | 0:06:10 | |
who blazed the holiday trail on Arran. | 0:06:10 | 0:06:13 | |
The first visitors weren't interested | 0:06:13 | 0:06:15 | |
in frolicking on the beach. | 0:06:15 | 0:06:17 | |
They wanted to bang rocks. | 0:06:17 | 0:06:19 | |
Geology was the great scientific obsession of the 18th century, | 0:06:20 | 0:06:26 | |
and Arran's ancient rock formations would provide vital clues | 0:06:26 | 0:06:30 | |
to the most pressing scientific question of the time, | 0:06:30 | 0:06:33 | |
the age of the Earth. | 0:06:33 | 0:06:35 | |
One of the best ways to see Arran's coastal rock formations | 0:06:35 | 0:06:39 | |
is from the sea, so I'm taking to the waves with my guide, | 0:06:39 | 0:06:44 | |
Calum McNicol, who knows every inch of this beautiful coastline. | 0:06:44 | 0:06:48 | |
So, Calum, I understand the first tourists to come to Arran | 0:06:48 | 0:06:51 | |
were interested in rocks and not beaches, is that right? | 0:06:51 | 0:06:55 | |
Aye, that's right. This section of coastline here | 0:06:55 | 0:06:57 | |
really started the industry of tourism back in the 1800s. | 0:06:57 | 0:07:01 | |
The first visitors to the islands were geologists. | 0:07:01 | 0:07:04 | |
There was a Scottish farmer turned scientist called James Hutton | 0:07:04 | 0:07:08 | |
and some would say he was the forefather of geology. | 0:07:08 | 0:07:10 | |
He was quite a radical thinker, you know, | 0:07:10 | 0:07:13 | |
and the age of the Earth was really an unknown. | 0:07:13 | 0:07:16 | |
Hutton came up with a theory that the rocks | 0:07:16 | 0:07:19 | |
had been lain down on the ocean bed | 0:07:19 | 0:07:21 | |
over the course of tens or hundreds of millions of years. | 0:07:21 | 0:07:25 | |
In 1787, he visited the island | 0:07:26 | 0:07:30 | |
and he used this stretch of coastline here to back up his theory. | 0:07:30 | 0:07:33 | |
Now, I've read that the thing that really put Arran on the map | 0:07:34 | 0:07:38 | |
was this exquisitely-named Hutton's Unconformity. | 0:07:38 | 0:07:42 | |
Now, what on earth is that? | 0:07:42 | 0:07:45 | |
Well, Hutton's Unconformity is an area of coastline | 0:07:45 | 0:07:50 | |
which shows us two distinct, different rock formations. | 0:07:50 | 0:07:54 | |
This was really quite a significant moment. | 0:07:54 | 0:07:56 | |
In scientific history, it was incredibly important. | 0:07:56 | 0:07:59 | |
Well, I can't wait to see this Unconformity. | 0:07:59 | 0:08:03 | |
I can see some sandstone up there. | 0:08:03 | 0:08:05 | |
Other sorts of stone covered in seaweed. | 0:08:05 | 0:08:08 | |
Hello! | 0:08:08 | 0:08:10 | |
Have you seen Hutton's Unconformity? | 0:08:10 | 0:08:13 | |
It's up here somewhere. | 0:08:13 | 0:08:15 | |
It's unmistakable. | 0:08:15 | 0:08:17 | |
Yeah, this is it here. | 0:08:17 | 0:08:19 | |
This is what turned the world on its head in the 1800s. | 0:08:19 | 0:08:21 | |
I'm not really convinced I can see what you're talking about, Calum. | 0:08:21 | 0:08:25 | |
To the untrained eye, it's nothing more than a bunch of rocks, | 0:08:25 | 0:08:28 | |
but to a geologist, it's an incredible sight. | 0:08:28 | 0:08:30 | |
The rocks on the right are folding in one direction | 0:08:30 | 0:08:33 | |
and the rocks on the left are folding in a completely | 0:08:33 | 0:08:35 | |
different direction. And that contradiction of the folds | 0:08:35 | 0:08:39 | |
suggested to Hutton, back in the day, | 0:08:39 | 0:08:42 | |
that they came from a different era in geological time. | 0:08:42 | 0:08:46 | |
Must admit I'm a bit underwhelmed, Calum. | 0:08:46 | 0:08:48 | |
In 1785, Hutton first published his Theory Of The Earth, | 0:08:52 | 0:08:57 | |
which challenged conventional ideas on how our planet was formed. | 0:08:57 | 0:09:02 | |
He controversially asserted that the world was much older | 0:09:02 | 0:09:06 | |
than previously thought and concluded, | 0:09:06 | 0:09:09 | |
"We find no vestige of a beginning, no prospect of an end." | 0:09:09 | 0:09:13 | |
So he sat here and he mused upon nature, these rocks, | 0:09:14 | 0:09:18 | |
and came up with a revolutionary theory | 0:09:18 | 0:09:20 | |
that people have been in awe of ever since. | 0:09:20 | 0:09:23 | |
And to this day, we get geologists from all over the world | 0:09:23 | 0:09:26 | |
who ply back and forward along this stretch of the coastline | 0:09:26 | 0:09:29 | |
looking at the rocks and getting excited about his theory. | 0:09:29 | 0:09:33 | |
And after Hutton, and after the Victorian scientific tourists, | 0:09:33 | 0:09:38 | |
came tourists in search of nothing more than pleasure, | 0:09:38 | 0:09:42 | |
and they still come. And I guess, | 0:09:42 | 0:09:45 | |
doing what we're doing is a perfect way of combining | 0:09:45 | 0:09:48 | |
a little bit of history, little bit of geology | 0:09:48 | 0:09:51 | |
and a lot of fantastic scenery. | 0:09:51 | 0:09:53 | |
For many visitors, a trip to Arran is not complete | 0:09:57 | 0:10:01 | |
without climbing the mountain which dominates its landscape - | 0:10:01 | 0:10:04 | |
Goatfell. | 0:10:04 | 0:10:06 | |
I'm about to do just that. | 0:10:06 | 0:10:08 | |
For the intrepid Victorian tourist, | 0:10:10 | 0:10:13 | |
an ascent of this summit was de rigueur. | 0:10:13 | 0:10:16 | |
And my copy of Black's urges its reader upwards. | 0:10:16 | 0:10:20 | |
"The spectator finds himself surrounded by a sea | 0:10:23 | 0:10:27 | |
"of jagged peaks and massive boulders. | 0:10:27 | 0:10:30 | |
"His eye may wander down into | 0:10:34 | 0:10:36 | |
"the vast hollows beneath his feet. | 0:10:36 | 0:10:38 | |
"The view on a clear day amply repays the labour." | 0:10:44 | 0:10:48 | |
Goatfell is a fascinating mountain. | 0:10:55 | 0:10:58 | |
It's part of a range of jagged peaks that once formed | 0:10:58 | 0:11:01 | |
the rim of a gigantic, collapsed volcano. | 0:11:01 | 0:11:05 | |
And to do all the peaks in this mountain range, | 0:11:05 | 0:11:08 | |
it's quite a challenge, especially when the cloud is coming down, | 0:11:08 | 0:11:12 | |
cos it's very easy to get lost on these narrow, twisting ridges. | 0:11:12 | 0:11:16 | |
Now I think that the weather is beginning to deteriorate, | 0:11:16 | 0:11:19 | |
so I'm going to play it safe, and head back down the hill. | 0:11:19 | 0:11:23 | |
Like all Scottish mountains, | 0:11:25 | 0:11:27 | |
Goatfell is not to be under-estimated | 0:11:27 | 0:11:30 | |
and has claimed the lives of several walkers | 0:11:30 | 0:11:33 | |
since visitors first began scaling its heights for pleasure. | 0:11:33 | 0:11:37 | |
But not all the fatalities were accidents. | 0:11:37 | 0:11:40 | |
Back in Victorian times, one tourist met a grisly end | 0:11:41 | 0:11:45 | |
in these dramatic surroundings. | 0:11:45 | 0:11:48 | |
Descending to the appropriately bleak Glen Sannox, | 0:11:49 | 0:11:54 | |
I meet up with local historian, Stuart Gough, | 0:11:54 | 0:11:56 | |
who is well-versed in the secrets of Goatfell's sometimes bloody past. | 0:11:56 | 0:12:03 | |
Now, Stuart, there was a very infamous death | 0:12:03 | 0:12:05 | |
took place up on Goatfell. What happened and who was involved? | 0:12:05 | 0:12:09 | |
It was in July 1889 when two men - a Scotsman, John Watson Laurie, | 0:12:09 | 0:12:16 | |
and Englishman, Edwin Robert Rose, | 0:12:16 | 0:12:20 | |
walked together up Goatfell, but only one came back down. | 0:12:20 | 0:12:24 | |
-Only one came... Who came back down? -Laurie came back. | 0:12:24 | 0:12:27 | |
-Laurie the Scotsman came back down. -The Scotsman came back. | 0:12:27 | 0:12:30 | |
And what happened to Rose? | 0:12:30 | 0:12:32 | |
Well, his body was discovered two weeks later | 0:12:32 | 0:12:35 | |
in Glen Sannox there, behind us. | 0:12:35 | 0:12:37 | |
In a bad state. | 0:12:37 | 0:12:39 | |
Decomposed, and head smashed in. | 0:12:39 | 0:12:41 | |
Hidden under a huge boulder. | 0:12:41 | 0:12:44 | |
-So the suspicion was that Laurie had wielded a boulder... -Yes. | 0:12:44 | 0:12:47 | |
-..and smashed in Rose's head. -Correct. | 0:12:47 | 0:12:50 | |
-And then tried to hide the corpse. -Hide the body, hide the corpse. | 0:12:50 | 0:12:53 | |
What I think's curious, though, Stuart, is the fact that | 0:12:55 | 0:12:58 | |
-both these men were tourists. -Yes, indeed. | 0:12:58 | 0:13:02 | |
They were both on holiday and met up on a pleasure cruise. | 0:13:02 | 0:13:06 | |
It wasn't such a pleasurable cruise, was it? | 0:13:06 | 0:13:08 | |
-One did the other one to death. -Indeed. | 0:13:08 | 0:13:10 | |
Two men went up and only one came back. | 0:13:10 | 0:13:13 | |
And here lies the body of poor Rose | 0:13:15 | 0:13:19 | |
who died up on the hill and it's... | 0:13:19 | 0:13:21 | |
-Absolutely. -..strangely poetic, really, because... -Yeah. | 0:13:21 | 0:13:23 | |
..he was found under a boulder and he remains under a boulder here. | 0:13:23 | 0:13:28 | |
It's very poetic, as you say. | 0:13:28 | 0:13:29 | |
When Rose's body was discovered, Laurie went on the run. | 0:13:29 | 0:13:34 | |
But after a nationwide manhunt, he was captured. | 0:13:34 | 0:13:37 | |
There was a trial, what happened to him? | 0:13:39 | 0:13:41 | |
Well, the verdict was guilty. | 0:13:41 | 0:13:44 | |
The sentence was death by hanging. | 0:13:44 | 0:13:46 | |
And two days before he was due to be hanged in Greenock Jail, | 0:13:46 | 0:13:50 | |
Queen Victoria commuted his sentence to life imprisonment. | 0:13:50 | 0:13:55 | |
He ended up going to jail for 41 years, dying in Perth Prison. | 0:13:55 | 0:14:00 | |
He was Britain's longest-serving prisoner. | 0:14:00 | 0:14:04 | |
There's a grisly twist to this story. | 0:14:04 | 0:14:07 | |
The murder victim's boots were missing. | 0:14:07 | 0:14:09 | |
During the trial, the local police admitted to removing them | 0:14:09 | 0:14:13 | |
and burying them on the beach. | 0:14:13 | 0:14:15 | |
There's an old tradition on Arran | 0:14:17 | 0:14:19 | |
that if a murdered man's boots | 0:14:19 | 0:14:21 | |
are not given this ritualistic treatment, | 0:14:21 | 0:14:23 | |
then his ghost will walk the hills until judgment day. | 0:14:23 | 0:14:27 | |
Back on the shoreline, | 0:14:33 | 0:14:35 | |
I'm indulging in an altogether more innocent pursuit. | 0:14:35 | 0:14:39 | |
A favourite Victorian family pastime was rock pooling, | 0:14:43 | 0:14:49 | |
a simple pleasure involving a shrimp net and a bucket. | 0:14:49 | 0:14:54 | |
Now, of course, you had to remove your shoes and socks, | 0:14:54 | 0:14:57 | |
expose bare flesh and dip a toe in water. | 0:14:57 | 0:15:01 | |
Very daring! | 0:15:02 | 0:15:03 | |
Of course, we're not put on this Earth to enjoy ourselves, | 0:15:06 | 0:15:11 | |
and in the 1800s, a lot of people had difficulty in accepting | 0:15:11 | 0:15:16 | |
pleasure for pleasure's sake. | 0:15:16 | 0:15:18 | |
So they tried to dress it up as being educational, | 0:15:19 | 0:15:22 | |
or morally beneficial. | 0:15:22 | 0:15:24 | |
Rock pooling was a classic example of this | 0:15:26 | 0:15:29 | |
and it was a brilliant way of justifying a trip to the seaside | 0:15:29 | 0:15:34 | |
because it chimed in perfectly with good old Victorian values. | 0:15:34 | 0:15:38 | |
What on earth's that? | 0:15:38 | 0:15:41 | |
How strange. | 0:15:41 | 0:15:42 | |
Writers of the day were keen to endorse rock pooling. | 0:15:46 | 0:15:50 | |
The Reverend Charles Kingsley, | 0:15:50 | 0:15:52 | |
who penned the best-selling moral fable, The Water Babies, | 0:15:52 | 0:15:56 | |
wrote in glowing terms about the noble hobby. | 0:15:56 | 0:16:01 | |
"Let no-one think that this is a pursuit fitted | 0:16:01 | 0:16:04 | |
"only for effeminate or pedantic men. | 0:16:04 | 0:16:07 | |
"Rather, that the qualifications required | 0:16:07 | 0:16:11 | |
"are as many and as lofty as those | 0:16:11 | 0:16:13 | |
"for the perfect knight-errant of the Middle Ages." | 0:16:13 | 0:16:17 | |
Heroic stuff indeed! | 0:16:17 | 0:16:20 | |
Now, in days gone by, | 0:16:22 | 0:16:23 | |
rock-poolers like Kingsley would have taken the specimens | 0:16:23 | 0:16:27 | |
they found on the shore home with them at the end of their holiday. | 0:16:27 | 0:16:30 | |
Now today, this isn't encouraged. | 0:16:30 | 0:16:32 | |
Instead, looking and learning and leaving behind is the best policy. | 0:16:32 | 0:16:36 | |
Anyway, let's face it, wee crabs like this make rubbish pets. | 0:16:36 | 0:16:41 | |
Ouch! Get off! | 0:16:41 | 0:16:43 | |
By the early 1900s, | 0:16:45 | 0:16:47 | |
Arran had become THE place for the in crowd. | 0:16:47 | 0:16:51 | |
Wealthy families would rent houses for the whole summer. | 0:16:51 | 0:16:55 | |
And one of the most influential Scottish families | 0:16:55 | 0:16:59 | |
holidayed here at Brodick Castle, | 0:16:59 | 0:17:01 | |
where I'm headed next. | 0:17:01 | 0:17:04 | |
I've been invited to the Castle, to drop in on Lady Jean Fforde, | 0:17:04 | 0:17:08 | |
who's a direct descendent of the powerful Dukes of Hamilton, | 0:17:08 | 0:17:12 | |
who once owned the entire island and a good deal more besides. | 0:17:12 | 0:17:17 | |
Brodick Castle dates back to 1510, when the Hamiltons | 0:17:22 | 0:17:26 | |
were closely connected to the Scottish Royal Family. | 0:17:26 | 0:17:30 | |
Today, it's owned by the National Trust, | 0:17:30 | 0:17:33 | |
but back in the 1930s, this was where the young Lady Jean | 0:17:33 | 0:17:37 | |
spent her holidays. | 0:17:37 | 0:17:39 | |
Lady Jean, this is an absolutely wonderful house. | 0:17:39 | 0:17:41 | |
And you spent every summer here? | 0:17:41 | 0:17:44 | |
Every summer. | 0:17:44 | 0:17:45 | |
1st of May until the 30th of September. | 0:17:45 | 0:17:49 | |
It must have been wonderful as a child. | 0:17:49 | 0:17:51 | |
Yes, but it was strict manners. | 0:17:51 | 0:17:54 | |
-Really? -Oh, yes. | 0:17:54 | 0:17:55 | |
A child doesn't know what grandeur is... | 0:17:55 | 0:17:58 | |
It's home. | 0:17:58 | 0:18:00 | |
There were enamel and gold swans over here... | 0:18:00 | 0:18:06 | |
and ducks, which were very exotic. | 0:18:06 | 0:18:10 | |
And we'd come running in here and she'd say, "Mind the ducks!" | 0:18:10 | 0:18:14 | |
That has passed on in the family. If you're about to put your foot in it, | 0:18:14 | 0:18:17 | |
the other members said, "Mind the ducks." | 0:18:17 | 0:18:20 | |
And you have no idea how frightening it is to go through that door | 0:18:20 | 0:18:23 | |
to go to bed, and the whole of the wall of the staircase | 0:18:23 | 0:18:27 | |
is covered with stags' heads | 0:18:27 | 0:18:30 | |
and they all had glass eyes. | 0:18:30 | 0:18:34 | |
And the light caught the glass eyes | 0:18:34 | 0:18:35 | |
and you ran up those stairs at the rate of knots... | 0:18:35 | 0:18:39 | |
-Pretty scary stags. -..with these animals looking at you. | 0:18:39 | 0:18:43 | |
What was it like here in the 1930s? | 0:18:43 | 0:18:45 | |
Well, it was great fun, really, | 0:18:45 | 0:18:48 | |
because there were a lot of friends round about, you know, | 0:18:48 | 0:18:51 | |
a lot of tennis parties and then riding. | 0:18:51 | 0:18:54 | |
You're riding side saddle, look at that. | 0:18:54 | 0:18:57 | |
We had a boat, we went out, | 0:18:57 | 0:19:00 | |
netting fish and lobster potting. | 0:19:00 | 0:19:03 | |
So, would it be right to say that at that time, in the 1930s, | 0:19:03 | 0:19:06 | |
-there was such a thing as an Arran set? -Oh, yes. | 0:19:06 | 0:19:09 | |
Yes, you certainly could. | 0:19:09 | 0:19:11 | |
People came down for a month and stayed. | 0:19:11 | 0:19:16 | |
And the same people took the same house year in, year out. | 0:19:16 | 0:19:18 | |
And you had some fairly illustrious people staying here as well. | 0:19:18 | 0:19:23 | |
Yes. Prince Rainier. | 0:19:23 | 0:19:25 | |
This is the European royalty we're talking about here. | 0:19:25 | 0:19:28 | |
Yes, absolutely. | 0:19:28 | 0:19:29 | |
On several occasions, | 0:19:31 | 0:19:32 | |
Lady Jean's cousin, Prince Rainier of Monaco, | 0:19:32 | 0:19:36 | |
came to Arran on holiday. | 0:19:36 | 0:19:38 | |
Here, he's wearing a kilt. | 0:19:38 | 0:19:40 | |
A kilt with, it looks like, a leopard-skin sporran | 0:19:42 | 0:19:44 | |
-which I think... -It does look like. -..wouldn't be allowed today . | 0:19:44 | 0:19:48 | |
No, it wouldn't. | 0:19:48 | 0:19:49 | |
What did Prince Rainier and his family make of Scotland? | 0:19:49 | 0:19:53 | |
Oh, they loved it. | 0:19:53 | 0:19:55 | |
It was so different to what they were accustomed to. | 0:19:56 | 0:20:01 | |
This is on Arran. That's Prince Rainier. | 0:20:02 | 0:20:05 | |
Princess Antoinette, known as Tiny. And me. | 0:20:05 | 0:20:09 | |
In 1956, Prince Rainier married movie star Grace Kelly, | 0:20:10 | 0:20:16 | |
although Arran was not their honeymoon destination. | 0:20:16 | 0:20:20 | |
But she was the most adorable person. | 0:20:20 | 0:20:23 | |
I mean, film star, nothing, or princess, nothing, | 0:20:23 | 0:20:26 | |
as a person to meet, she was very nice. | 0:20:26 | 0:20:30 | |
Really nice. | 0:20:30 | 0:20:31 | |
As Lady Jean grew up, Arran remained close to her heart, | 0:20:31 | 0:20:36 | |
and the summers spent here as a child and a young woman | 0:20:36 | 0:20:40 | |
have provided her with countless precious memories. | 0:20:40 | 0:20:44 | |
Well it sounds to me, | 0:20:46 | 0:20:47 | |
Lady Jean, as if you had very happy times here as a child. | 0:20:47 | 0:20:50 | |
Oh, yes. Oh, very. | 0:20:50 | 0:20:52 | |
Very happy. | 0:20:52 | 0:20:54 | |
Leaving the genteel surroundings of the Castle behind, | 0:20:59 | 0:21:04 | |
I take to the water again, | 0:21:04 | 0:21:05 | |
to head down to the southern tip of the island at Kildonan. | 0:21:05 | 0:21:09 | |
Now, being in a kayak is a brilliant way of spotting wildlife, | 0:21:13 | 0:21:17 | |
but there's one beautiful creature I'm desperate to see, | 0:21:17 | 0:21:20 | |
and that's the elusive otter. | 0:21:20 | 0:21:23 | |
Now I'm paddling ashore to meet a woman who can help me find one. | 0:21:23 | 0:21:27 | |
This coastline is one of the best places to see the otter, | 0:21:27 | 0:21:31 | |
but you have to know where to look. | 0:21:31 | 0:21:34 | |
This is a fantastic stretch of coastline. | 0:21:34 | 0:21:37 | |
We usually see seals and other sea birds, gannets, | 0:21:37 | 0:21:40 | |
golden eagles, and hen harriers and red deer. | 0:21:40 | 0:21:43 | |
It's just a brilliant place for watching wildlife. | 0:21:43 | 0:21:46 | |
'Lucy Wallace lives here and runs tours | 0:21:46 | 0:21:48 | |
'for keen wildlife enthusiasts.' | 0:21:48 | 0:21:50 | |
So is that quite a new development, | 0:21:50 | 0:21:52 | |
do you think, in tourism, | 0:21:52 | 0:21:54 | |
people coming to a place like Arran to enjoy the wildlife? | 0:21:54 | 0:21:57 | |
I think people have always come to Arran to enjoy the wildlife, | 0:21:57 | 0:22:00 | |
but I think that perhaps the tourism industry | 0:22:00 | 0:22:03 | |
is learning to value its wildlife a little bit better, | 0:22:03 | 0:22:07 | |
and starting to understand and appreciate | 0:22:07 | 0:22:09 | |
what our wildlife means to our visitors, | 0:22:09 | 0:22:12 | |
and make the most of that. | 0:22:12 | 0:22:16 | |
-Well, let's hope we can see an otter. -Fingers crossed. | 0:22:16 | 0:22:19 | |
-It's a heron. -A heron. | 0:22:24 | 0:22:26 | |
Now, Lucy, I've always wanted to know the answer to this question. | 0:22:27 | 0:22:31 | |
Are sea otters, the ones that live in the sea, | 0:22:31 | 0:22:34 | |
are they the same or different from the otters you find in rivers? | 0:22:34 | 0:22:38 | |
In the UK, the only otter species we have | 0:22:38 | 0:22:41 | |
is the Eurasian Otter, Lutra lutra. | 0:22:41 | 0:22:43 | |
-Lutra lutra! -Lutra lutra. | 0:22:43 | 0:22:45 | |
And they are found both in the rivers and along the coastline. | 0:22:45 | 0:22:48 | |
-Right, so they are the same animal. -They are the same animal, yeah. | 0:22:48 | 0:22:51 | |
Members of the weasel family, so Mustelas. | 0:22:51 | 0:22:53 | |
Are they really? Are they weasels? | 0:22:53 | 0:22:55 | |
-They are, they're big aquatic weasels. -Right. | 0:22:55 | 0:22:57 | |
A large aquatic weasel. | 0:22:57 | 0:22:58 | |
Well, I still haven't seen this large aquatic weasel yet. | 0:22:58 | 0:23:02 | |
I know. Starting to worry me. | 0:23:02 | 0:23:03 | |
Along the coast we go. | 0:23:05 | 0:23:07 | |
'As the light begins to fade, | 0:23:07 | 0:23:09 | |
'it looks like we might be out of luck, and then...' | 0:23:09 | 0:23:12 | |
-Ooh! I've got an otter. -Got an otter? | 0:23:12 | 0:23:15 | |
I've got an otter. Just there on the rock. | 0:23:15 | 0:23:17 | |
-Where? -Er, flat-top rock... | 0:23:17 | 0:23:19 | |
-Yeah. -Just at the back there, yeah. | 0:23:19 | 0:23:21 | |
-Oh, I see it. -Yeah. | 0:23:21 | 0:23:23 | |
Very well camouflaged, though. Almost the same colour as the rock. | 0:23:23 | 0:23:26 | |
Yeah, they're... | 0:23:26 | 0:23:28 | |
That chocolate-brown colour makes them quite hard to spot. | 0:23:28 | 0:23:31 | |
They dive down for, ooh, maybe 20 seconds or so. | 0:23:31 | 0:23:34 | |
20 seconds, well, that must be about 20 seconds now. | 0:23:34 | 0:23:37 | |
-So... -Oh, there he is! Well done. | 0:23:37 | 0:23:40 | |
-And he's disappeared again. Just a tail. -Up and down. | 0:23:40 | 0:23:43 | |
Diving straight down. | 0:23:43 | 0:23:45 | |
-We see it for a second and it disappears. -Yes. | 0:23:45 | 0:23:48 | |
You do have to kind of keep your wits about you and... | 0:23:48 | 0:23:52 | |
..it can be very, very fleeting. | 0:23:53 | 0:23:55 | |
-Wait a minute. There's another one. -So that's lovely. | 0:23:55 | 0:23:58 | |
It's absolutely brilliant, isn't it? | 0:23:58 | 0:24:00 | |
These wild animals are swimming around just so close to our shore | 0:24:00 | 0:24:04 | |
and they're really not aware of it. | 0:24:04 | 0:24:07 | |
They're not bothered by us, are they? | 0:24:07 | 0:24:09 | |
-No. -They're just getting on with wild, natural behaviour, | 0:24:09 | 0:24:13 | |
as it should be. It's just lovely to see. | 0:24:13 | 0:24:16 | |
Well it's a great privilege, it really is. | 0:24:16 | 0:24:19 | |
Very often when people come out with me, and I can really sympathise, | 0:24:19 | 0:24:22 | |
cos it was the same for me before I moved to Arran, | 0:24:22 | 0:24:24 | |
-they've, they've never seen an otter before. -Ah-ha. | 0:24:24 | 0:24:27 | |
So to be able to stand and watch one for a few minutes like this is... | 0:24:27 | 0:24:30 | |
-Well, that's an indulgence. -..really fantastic. | 0:24:30 | 0:24:32 | |
It is an indulgence, isn't it? We're really lucky. | 0:24:32 | 0:24:35 | |
I once saw an otter wrestling with a lobster | 0:24:35 | 0:24:38 | |
-that was bigger than it. -Really? | 0:24:38 | 0:24:40 | |
-Mmm. -Who came off best? | 0:24:40 | 0:24:41 | |
-The otter. -Really? | 0:24:41 | 0:24:42 | |
Oh, yes. | 0:24:42 | 0:24:43 | |
Fantastic. | 0:24:45 | 0:24:46 | |
And how are the otter numbers doing, then? | 0:24:50 | 0:24:52 | |
Well, anecdotally we think their numbers are growing, so... | 0:24:52 | 0:24:56 | |
-That's a great thing, all right. -..they seem to be doing really well. | 0:24:56 | 0:24:59 | |
So many animals are actually in decline. | 0:24:59 | 0:25:01 | |
-It's great to hear a good news story about otters. -That's right, | 0:25:01 | 0:25:04 | |
and as you probably know, | 0:25:04 | 0:25:05 | |
otters went into a drastic decline in the 20th century, | 0:25:05 | 0:25:09 | |
but they seem to be bouncing back now, | 0:25:09 | 0:25:12 | |
-and that's definitely associated with a decreasing pollution. -OK. | 0:25:12 | 0:25:16 | |
And the Clyde, the Firth of Clyde is definitely | 0:25:16 | 0:25:18 | |
a lot cleaner than it was, which is good news for otters. | 0:25:18 | 0:25:22 | |
Good news for otters and good news for Arran. | 0:25:23 | 0:25:26 | |
Oh, you... | 0:25:28 | 0:25:30 | |
'But as any tourist to Scotland will tell you, | 0:25:32 | 0:25:35 | |
'there's one Scottish creature you really want to avoid.' | 0:25:35 | 0:25:39 | |
Urgh! | 0:25:39 | 0:25:40 | |
Ah! | 0:25:40 | 0:25:41 | |
Now it's often struck me as mysterious, to say the least, | 0:25:41 | 0:25:45 | |
that the dreaded midge - phew! - | 0:25:45 | 0:25:47 | |
never gets a mention in Black's | 0:25:47 | 0:25:50 | |
or any of the other guidebooks and journals that I've read. | 0:25:50 | 0:25:55 | |
Now, why is this? | 0:25:55 | 0:25:56 | |
Were there fewer midges in those days? | 0:25:56 | 0:25:58 | |
Are the ones that plague us today the result of global warming? | 0:25:58 | 0:26:03 | |
Well, no-one can tell me, | 0:26:03 | 0:26:05 | |
but personally, I suspect a conspiracy of silence. | 0:26:05 | 0:26:09 | |
Even modern tourist literature is silent | 0:26:09 | 0:26:12 | |
on the subject of these horrible little beasts. | 0:26:12 | 0:26:15 | |
And no wonder. We don't want to put off the tourists, do we? | 0:26:15 | 0:26:19 | |
The Highland Midge has a reputation | 0:26:19 | 0:26:22 | |
for being one of the most ferocious biting insects | 0:26:22 | 0:26:25 | |
in Scotland, if not the world. | 0:26:25 | 0:26:28 | |
I actually seem to have midges inside this net. | 0:26:28 | 0:26:32 | |
And how did they get in there? | 0:26:32 | 0:26:34 | |
'It's actually the female midge that does the biting - | 0:26:34 | 0:26:37 | |
'no surprise there - | 0:26:37 | 0:26:39 | |
'and they can make the summer months pretty unpleasant.' | 0:26:39 | 0:26:43 | |
Not supposed to fly in wind. And these ones do. | 0:26:44 | 0:26:48 | |
'The best way to avoid being bitten is simply to cover up, | 0:26:48 | 0:26:52 | |
'which makes my final destination all the more surprising. | 0:26:52 | 0:26:56 | |
'To finish off my tour of Arran, | 0:26:57 | 0:27:00 | |
'I'm heading for Cleat's Shore, | 0:27:00 | 0:27:02 | |
'a beach which attracts a very different type of holidaymaker, | 0:27:02 | 0:27:05 | |
'and one who would certainly have been frowned upon in Black's day. | 0:27:05 | 0:27:10 | |
'Believe it or not, | 0:27:16 | 0:27:17 | |
'Arran is home to Scotland's only official nudist beach. | 0:27:17 | 0:27:23 | |
'Europeans have been happily casting aside their clothing | 0:27:26 | 0:27:29 | |
'in the name of healthy living and exercise | 0:27:29 | 0:27:32 | |
'since the start of the 20th century. | 0:27:32 | 0:27:35 | |
'But it wasn't until the 1920s that British naturism flourished, | 0:27:38 | 0:27:43 | |
'complete with its own philosophy of life. | 0:27:43 | 0:27:46 | |
'The first official nudist beach in Britain | 0:27:52 | 0:27:54 | |
'opened on the south coast of England in 1978. | 0:27:54 | 0:27:59 | |
'Although this was followed by several more, | 0:27:59 | 0:28:02 | |
'there is only one in Scotland. | 0:28:02 | 0:28:05 | |
'I wonder why.' | 0:28:06 | 0:28:07 | |
This is most strange. It's very peculiar. | 0:28:13 | 0:28:17 | |
I followed the track through a couple of fields, | 0:28:17 | 0:28:20 | |
I've come down to the beach. | 0:28:20 | 0:28:21 | |
But as you can see, the place is utterly deserted! | 0:28:21 | 0:28:24 | |
There's no pink flesh on display at all, apart from my own. | 0:28:24 | 0:28:30 | |
Now, having come this far, | 0:28:30 | 0:28:32 | |
I think it would be a mistake for me not to face the challenge | 0:28:32 | 0:28:36 | |
and take the plunge. | 0:28:36 | 0:28:38 | |
Brace yourself! Here we go! | 0:28:38 | 0:28:40 | |
Oh! Oh! Brrr! | 0:28:40 | 0:28:43 | |
Join me on my next Grand Tour, | 0:28:45 | 0:28:48 | |
when I'm heading to the south-west to discover my feminine side. | 0:28:48 | 0:28:52 | |
Right, OK... | 0:28:56 | 0:28:58 | |
Subtitles by Red Bee Media Ltd | 0:29:03 | 0:29:05 | |
One, two, three... | 0:29:05 | 0:29:07 |