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Today's tourists, heading north to the rugged grandeur of the Highlands, | 0:00:02 | 0:00:06 | |
sometimes overlook the south-west of Scotland. | 0:00:06 | 0:00:10 | |
Here the landscape has a very different character | 0:00:10 | 0:00:13 | |
and the big skies, rolling hills | 0:00:13 | 0:00:16 | |
and spectacular coastline were much admired by early travellers. | 0:00:16 | 0:00:21 | |
Two hundred years ago, | 0:00:22 | 0:00:24 | |
this was considered to be a challenging landscape | 0:00:24 | 0:00:28 | |
and very much a man's world, full of unseen perils | 0:00:28 | 0:00:32 | |
to be faced down by the brave and definitely not a place for women. | 0:00:32 | 0:00:38 | |
At least, that's what men thought! | 0:00:38 | 0:00:40 | |
But the ladies came anyway. | 0:00:41 | 0:00:44 | |
They were just as eager to explore the highways and byways of Scotland | 0:00:45 | 0:00:49 | |
as their men-folk and soon tourist guidebooks began to appear, | 0:00:49 | 0:00:54 | |
catering for feminine tastes and sensibilities. | 0:00:54 | 0:00:57 | |
Black's Picturesque Guide to Scotland | 0:00:58 | 0:01:00 | |
was one of the first to address a female readership. | 0:01:00 | 0:01:03 | |
Published in 1846 by Charles and Adam Black, | 0:01:03 | 0:01:08 | |
it became the Victorian tourists' bible. | 0:01:08 | 0:01:11 | |
A copy of this fascinating guide inspired my parents | 0:01:11 | 0:01:15 | |
to explore Scotland. | 0:01:15 | 0:01:17 | |
Four decades on, I'm retracing some of the routes | 0:01:17 | 0:01:20 | |
we followed as a family. | 0:01:20 | 0:01:22 | |
Heading to the south-west, | 0:01:22 | 0:01:24 | |
I'm on a journey with a decidedly feminine touch. | 0:01:24 | 0:01:27 | |
Starting at the border village of Gretna Green, | 0:01:40 | 0:01:43 | |
I'm heading west to Dumfries, taking a detour to Leadhills, | 0:01:43 | 0:01:47 | |
travelling to the Solway coast before finishing up | 0:01:47 | 0:01:50 | |
within sight of Ireland at Portpatrick. | 0:01:50 | 0:01:53 | |
This is Gretna Green, | 0:01:56 | 0:01:58 | |
just a few metres from the English border. | 0:01:58 | 0:02:02 | |
According to Black's, Gretna Green is, | 0:02:02 | 0:02:04 | |
"A hamlet long-famous for clandestine marriages." | 0:02:04 | 0:02:08 | |
I suppose you could argue that among the first female tourists | 0:02:09 | 0:02:13 | |
to come to Scotland were young brides | 0:02:13 | 0:02:16 | |
who had eloped across the border. | 0:02:16 | 0:02:18 | |
Now they came because under Scots law, | 0:02:18 | 0:02:21 | |
it was possible to get married at the age of 16 | 0:02:21 | 0:02:24 | |
without your parents' consent and being the first village in Scotland, | 0:02:24 | 0:02:28 | |
Gretna Green quickly became a haven for young lovers on the run. | 0:02:28 | 0:02:34 | |
And this is where they came - the now world-famous blacksmiths' workshop | 0:02:36 | 0:02:41 | |
and it was in these plain, and at first glance decidedly unromantic, | 0:02:41 | 0:02:46 | |
surroundings that the bonds of matrimony were once forged. | 0:02:46 | 0:02:50 | |
In Scotland, lovers didn't need a priest to marry them | 0:02:52 | 0:02:55 | |
because the law recognised any marriage made by | 0:02:55 | 0:02:58 | |
"A respectable member of the community," and traditionally, | 0:02:58 | 0:03:02 | |
this was the blacksmith and here at Gretna Green, | 0:03:02 | 0:03:06 | |
anvil priests, as they were called, made a fortune | 0:03:06 | 0:03:09 | |
forging quickie weddings, right here. | 0:03:09 | 0:03:12 | |
The first anvil priest to cater for love tourists from England | 0:03:15 | 0:03:19 | |
was Joseph Paisley, who made a fortune marrying girl brides | 0:03:19 | 0:03:24 | |
by striking a hammer on his anvil. | 0:03:24 | 0:03:26 | |
But Paisley didn't cope well with success | 0:03:27 | 0:03:30 | |
and seems to have over-indulged. In later life he was described as, | 0:03:30 | 0:03:34 | |
"Grossly ignorant and insufferably coarse. An overgrown mass of fat, | 0:03:34 | 0:03:39 | |
"weighing at least 25 stone, who drank a good deal more | 0:03:39 | 0:03:43 | |
"than was necessary to his thirst". | 0:03:43 | 0:03:45 | |
The tradition of the anvil priest continued up until the 1940s | 0:03:47 | 0:03:52 | |
when a change in the law forced them to hang up their hammers. | 0:03:52 | 0:03:57 | |
But lovers continued to make their way here | 0:03:57 | 0:04:00 | |
and Gretna Green is still a big place for weddings. | 0:04:00 | 0:04:03 | |
Amazingly, one in eight of all Scottish weddings | 0:04:03 | 0:04:07 | |
take place in the village. | 0:04:07 | 0:04:10 | |
Why did you choose Gretna Green, why come to Scotland? | 0:04:10 | 0:04:12 | |
-Because we've run away! -You ran away? | 0:04:12 | 0:04:14 | |
Seriously, yeah! No-one knows! | 0:04:14 | 0:04:15 | |
-No-one knows? -No! | 0:04:15 | 0:04:17 | |
It's the famous place to come! | 0:04:17 | 0:04:18 | |
We wanted a quiet ceremony just for us | 0:04:18 | 0:04:21 | |
and we wanted to go somewhere that was traditional | 0:04:21 | 0:04:23 | |
and obviously special. | 0:04:23 | 0:04:25 | |
Leaving Gretna Green in a blizzard of confetti, | 0:04:27 | 0:04:30 | |
I'm travelling further across the border | 0:04:30 | 0:04:32 | |
in a suitably period conveyance. | 0:04:32 | 0:04:35 | |
Much favoured by ladies as a way of getting about, | 0:04:36 | 0:04:39 | |
the pony and trap recalls the days of early tourism, | 0:04:39 | 0:04:43 | |
and a time when females seldom, if ever, travelled alone. | 0:04:43 | 0:04:48 | |
It says everything about the social position of women in those days, | 0:04:48 | 0:04:52 | |
that they needed to be chaperoned. | 0:04:52 | 0:04:55 | |
You see, the fair sex were considered to be too weak to cope by themselves | 0:04:55 | 0:04:59 | |
and needed a man's chivalrous helping hand. | 0:04:59 | 0:05:03 | |
To discover why women were considered to be so useless | 0:05:05 | 0:05:10 | |
and how they fought back, I'm giving a lift to writer and historian, | 0:05:10 | 0:05:14 | |
Betty Hagglund, on the road to Dumfries. | 0:05:14 | 0:05:17 | |
Betty, back in the 18th and 19th centuries, | 0:05:18 | 0:05:20 | |
women weren't exactly encouraged to be adventurous travellers. | 0:05:20 | 0:05:23 | |
I think that's true, I think there were fears that for some women | 0:05:23 | 0:05:26 | |
the sublimity of the landscape would be too much, | 0:05:26 | 0:05:29 | |
that they would be overwhelmed by it, that they would be frightened by it. | 0:05:29 | 0:05:32 | |
And get the vapours and faint? | 0:05:32 | 0:05:34 | |
Yes. They were expected to defer to their husbands. | 0:05:34 | 0:05:38 | |
They, of course, had no independent money. Many women, of course, as well | 0:05:38 | 0:05:42 | |
were pregnant almost constantly | 0:05:42 | 0:05:44 | |
throughout their married lives. | 0:05:44 | 0:05:46 | |
It was not uncommon for women | 0:05:46 | 0:05:48 | |
to have 18 to 20 pregnancies. | 0:05:48 | 0:05:51 | |
That limits how much you can travel. | 0:05:51 | 0:05:53 | |
But some women did escape the domestic realm. | 0:05:55 | 0:05:58 | |
In 1803, Dorothy Wordsworth, sister of the poet William, | 0:05:58 | 0:06:03 | |
embarked on a celebrated tour of Scotland. | 0:06:03 | 0:06:06 | |
Dorothy Wordsworth was travelling initially with her brother | 0:06:08 | 0:06:11 | |
and with Samuel Coleridge who was, of course, | 0:06:11 | 0:06:13 | |
a great friend of Dorothy and William Wordsworth. | 0:06:13 | 0:06:16 | |
Now how did that work out for Dorothy, travelling with two poets? | 0:06:16 | 0:06:19 | |
My feeling is that the two poets probably wouldn't have got past | 0:06:19 | 0:06:22 | |
-Gretna Green if Dorothy hadn't been with them. -Right. | 0:06:22 | 0:06:26 | |
She was the practical one. | 0:06:26 | 0:06:27 | |
The capable Dorothy led the poets on a literary pilgrimage | 0:06:31 | 0:06:36 | |
through the south-west, searching for the legacy of another poet, | 0:06:36 | 0:06:41 | |
Robert Burns. | 0:06:41 | 0:06:42 | |
This is Dumfries, the town where Scotland's national Bard | 0:06:45 | 0:06:49 | |
lived for three years until his death. | 0:06:49 | 0:06:51 | |
You can imagine Burns as a sort of early Elvis Presley | 0:06:53 | 0:06:57 | |
and just as Presley's home, Graceland, became hallowed ground, | 0:06:57 | 0:07:02 | |
so too did the humble home of Robert Burns | 0:07:02 | 0:07:05 | |
when he died here in Dumfries in 1796. | 0:07:05 | 0:07:09 | |
The Wordsworths, like other fans of the Bard, came here in the hope | 0:07:13 | 0:07:17 | |
of finding Burns' widow at home, or perhaps glimpsing the children. | 0:07:17 | 0:07:21 | |
But Jean Armour wasn't in that day. | 0:07:23 | 0:07:26 | |
Instead, the Wordsworths paid their respects at the poet's grave. | 0:07:26 | 0:07:30 | |
But reverence for greatness can sometimes show itself in unexpected ways. | 0:07:30 | 0:07:36 | |
Three decades after Dorothy's visit, Burns' grave was broken into. | 0:07:36 | 0:07:42 | |
It seems almost unimaginable to us now, but in 1834, | 0:07:42 | 0:07:47 | |
under cover of darkness, four respectable men of the town, | 0:07:47 | 0:07:51 | |
including the newspaper editor and a surgeon, | 0:07:51 | 0:07:55 | |
broke into Burns' tomb and removed his skull. | 0:07:55 | 0:07:59 | |
But this seemingly macabre act of desecration | 0:08:01 | 0:08:05 | |
was done with the highest motives - to further our understanding of human genius. | 0:08:05 | 0:08:11 | |
Megan Coyer tells me about the link between Burns and phrenology, | 0:08:11 | 0:08:16 | |
an early science that tried to map the organs of the intellect | 0:08:16 | 0:08:20 | |
by measuring the contours of the skull. | 0:08:20 | 0:08:23 | |
Well, this is called "An Introduction To Phrenology" | 0:08:23 | 0:08:26 | |
and the front plate is actually really useful | 0:08:26 | 0:08:28 | |
for illustrating the science | 0:08:28 | 0:08:30 | |
and there you can see there is the skull here | 0:08:30 | 0:08:33 | |
and there is a map with little numbers on it | 0:08:33 | 0:08:35 | |
and each of the numbers correspond to an individual organ. | 0:08:35 | 0:08:38 | |
Do you think the men who came here that night | 0:08:38 | 0:08:40 | |
were trying to further Burns' reputation, | 0:08:40 | 0:08:44 | |
to somehow bolster it and put him on a pedestal | 0:08:44 | 0:08:47 | |
and say, "Here is this man | 0:08:47 | 0:08:49 | |
"and we've discovered the seat of his poetic genius?" | 0:08:49 | 0:08:51 | |
There was a great deal of interest in Burns | 0:08:51 | 0:08:54 | |
because of the fact that he is a class-transcendent genius, | 0:08:54 | 0:08:58 | |
the "heaven-taught ploughman." The phrenologists were very much | 0:08:58 | 0:09:02 | |
on the side of nature over nurture | 0:09:02 | 0:09:05 | |
and if we could show by reading Burns' brain | 0:09:05 | 0:09:10 | |
that he was naturally poetic, | 0:09:10 | 0:09:13 | |
that would be a big triumph for phrenology. | 0:09:13 | 0:09:15 | |
One organ that they particularly fixated on was his organ of benevolence, | 0:09:15 | 0:09:19 | |
which was particularly large, and the poem To A Mouse | 0:09:19 | 0:09:22 | |
was one that they said illustrated that very nicely. | 0:09:22 | 0:09:26 | |
One that they were quite surprised about | 0:09:26 | 0:09:28 | |
was that he had a very small organ of amativeness. | 0:09:28 | 0:09:31 | |
-Of what? -Amativeness. | 0:09:31 | 0:09:33 | |
-Amativeness? -Amativeness. It's the organ of sexual passion. | 0:09:33 | 0:09:36 | |
Well, that's not what I heard, | 0:09:36 | 0:09:37 | |
I thought he was quite well-endowed in that department! | 0:09:37 | 0:09:40 | |
Well, according to his biography and poetry, | 0:09:40 | 0:09:42 | |
one would think that he would have a large organ of amativeness | 0:09:42 | 0:09:45 | |
but the phrenologists, and this is one of the things that they're a little bit crafty with, | 0:09:45 | 0:09:49 | |
if one organ was a bit small and didn't match up with the character, | 0:09:49 | 0:09:52 | |
they could find another one that would counter-balance it, | 0:09:52 | 0:09:55 | |
in this case they went to adhesiveness. | 0:09:55 | 0:09:57 | |
-Right, does that compensate? -Yes, that compensated. | 0:09:57 | 0:10:00 | |
-It's nice to know... -For the small amativeness! | 0:10:00 | 0:10:02 | |
It's nice to know that size doesn't always matter, I suppose! | 0:10:02 | 0:10:05 | |
After they had finished taking their measurements, | 0:10:07 | 0:10:10 | |
the literary gents took a plaster cast of Burns' skull, | 0:10:10 | 0:10:14 | |
all to back up the claims of a highly dubious science, | 0:10:14 | 0:10:18 | |
but if poetic genius can't be found so easily in the head, | 0:10:18 | 0:10:22 | |
then perhaps it's in the heart after all, | 0:10:22 | 0:10:25 | |
which is what I'm going to discover on the next leg of my journey. | 0:10:25 | 0:10:28 | |
Just a few miles south of Dumfries is a picturesque ruin | 0:10:30 | 0:10:34 | |
with a delightfully feminine name, and feminine atmosphere. | 0:10:34 | 0:10:39 | |
Sweetheart Abbey is a testament in stone to a woman's enduring love. | 0:10:43 | 0:10:50 | |
Black's Guide Book sets the scene, describing how Devo Giller, | 0:10:50 | 0:10:54 | |
the wife of John Balliol, erected the abbey in 1275 as a tribute | 0:10:54 | 0:11:00 | |
to the memory of her husband. | 0:11:00 | 0:11:03 | |
Devo Giller's story is straight out of high romance. | 0:11:03 | 0:11:07 | |
She was a Gaelic-speaking princess and was just 13 years of age | 0:11:07 | 0:11:11 | |
when she married the Anglo-Norman knight, John Balliol | 0:11:11 | 0:11:15 | |
and when Balliol died she had his heart removed | 0:11:15 | 0:11:19 | |
and placed in a special, ornate casket | 0:11:19 | 0:11:22 | |
which she carried around with her for the rest of her life. | 0:11:22 | 0:11:26 | |
Devoting herself to good works, | 0:11:29 | 0:11:31 | |
Devo Giller funded the construction of this magnificent abbey | 0:11:31 | 0:11:36 | |
and founded the famous Balliol College in Oxford. | 0:11:36 | 0:11:39 | |
When it was time for her to depart this life, | 0:11:41 | 0:11:44 | |
she was buried here with her husband's heart placed over her own | 0:11:44 | 0:11:49 | |
and ever since, this place has been known as Sweetheart Abbey. | 0:11:49 | 0:11:53 | |
Now this is exactly the sort of romantic story | 0:11:53 | 0:11:56 | |
that Black's considered to be appropriate fayre | 0:11:56 | 0:11:59 | |
for a Victorian lady tourist. | 0:11:59 | 0:12:01 | |
But for a more serious-minded and independent lady traveller | 0:12:03 | 0:12:07 | |
like Dorothy Wordsworth, interest lay elsewhere. | 0:12:07 | 0:12:11 | |
Leaving Sweetheart Abbey, I'm following Dorothy Wordsworth north | 0:12:13 | 0:12:18 | |
and into the hills to a village that claims to be the highest in Scotland. | 0:12:18 | 0:12:22 | |
This is Wanlockhead, | 0:12:27 | 0:12:28 | |
a place not mentioned by my edition of Black's at all. | 0:12:28 | 0:12:32 | |
Most lady tourists were drawn to rose gardens or big country houses | 0:12:34 | 0:12:39 | |
but not Dorothy Wordsworth. She was more interested | 0:12:39 | 0:12:43 | |
in the lives of the ordinary people she met on her travels. | 0:12:43 | 0:12:46 | |
For centuries, miners worked these mineral-rich hills. | 0:12:47 | 0:12:52 | |
In the middle ages, gold was extracted here | 0:12:52 | 0:12:56 | |
and when Dorothy visited in 1803, there were extensive silver and lead mines. | 0:12:56 | 0:13:01 | |
Although the last mine here closed long ago, | 0:13:02 | 0:13:05 | |
it's still possible for tourists to explore them. | 0:13:05 | 0:13:08 | |
Guide Annie Gough takes me underground. | 0:13:08 | 0:13:12 | |
Mind your head, there. | 0:13:12 | 0:13:14 | |
Like Dorothy, tourists today are amazed by the dangerous | 0:13:14 | 0:13:18 | |
and difficult conditions that so many working people, | 0:13:18 | 0:13:22 | |
men and young boys, once had to endure. | 0:13:22 | 0:13:27 | |
They only got paid once a year | 0:13:27 | 0:13:29 | |
because it wasn't just mining the lead, | 0:13:29 | 0:13:31 | |
it was smelting it and selling it overseas. | 0:13:31 | 0:13:34 | |
They didn't get any money until that was done, | 0:13:34 | 0:13:37 | |
so they would have to wait usually a year for their money, | 0:13:37 | 0:13:40 | |
sometimes even two years. | 0:13:40 | 0:13:41 | |
Two years without being paid? | 0:13:41 | 0:13:43 | |
Up to two years sometimes, so everything they needed | 0:13:43 | 0:13:46 | |
they had to go on credit from the company store. | 0:13:46 | 0:13:48 | |
-Amazing. -And then when they got paid at the end of the year or two years, | 0:13:48 | 0:13:51 | |
they would have to pay back everything they owed. | 0:13:51 | 0:13:54 | |
They were debt slaves really. | 0:13:54 | 0:13:55 | |
Basically, yeah, and once you were in debt, you had to keep working | 0:13:55 | 0:14:01 | |
until hopefully eventually you could pay everything back. | 0:14:01 | 0:14:04 | |
It is hard for us to comprehend the lives that were lived down here | 0:14:05 | 0:14:09 | |
in the cold and the dark and definitely not the sort of thing | 0:14:09 | 0:14:14 | |
you would expect an 18th century lady to be interested in, | 0:14:14 | 0:14:18 | |
but Dorothy Wordsworth had broken the mould, | 0:14:18 | 0:14:21 | |
becoming a pioneering industrial tourist. | 0:14:21 | 0:14:24 | |
Back in the open air, | 0:14:27 | 0:14:28 | |
I reflect on the grim conditions | 0:14:28 | 0:14:31 | |
underground and on the equally grim | 0:14:31 | 0:14:34 | |
challenge faced by many early tourists to Scotland... | 0:14:34 | 0:14:37 | |
The traditional Scotch menu. | 0:14:37 | 0:14:40 | |
When Dorothy Wordsworth came to Scotland in 1803, | 0:14:40 | 0:14:44 | |
the country wasn't really geared up to cater | 0:14:44 | 0:14:46 | |
for the tastes of southern tourists. Hotels were few and far between | 0:14:46 | 0:14:51 | |
and the food presented something of a challenge for more sophisticated palates. | 0:14:51 | 0:14:56 | |
In other words, it was hard to stomach. | 0:14:56 | 0:15:00 | |
But Dorothy Wordsworth was made of sterner stuff. | 0:15:00 | 0:15:04 | |
When male stomachs turned, she tucked in. | 0:15:04 | 0:15:08 | |
"The first dish was too Scottish - a boiled sheep's head | 0:15:08 | 0:15:12 | |
"with the hair singed off and I ate heartily of it." | 0:15:12 | 0:15:15 | |
Yum, yum! | 0:15:15 | 0:15:17 | |
Fortunately, the Scottish tourist menu has changed a good deal | 0:15:17 | 0:15:21 | |
since Dorothy's day and to recapture the flavour of our collective past, | 0:15:21 | 0:15:26 | |
I am in the kitchen of cookery writer Sue Lawrence. | 0:15:26 | 0:15:29 | |
Now Sue, a cod's head is not particularly appetising. | 0:15:29 | 0:15:32 | |
What's going on here? | 0:15:32 | 0:15:33 | |
Well, it's for a dish called "Crappit Heid," | 0:15:33 | 0:15:35 | |
a very old traditional dish, basically stuffed head | 0:15:35 | 0:15:38 | |
-and we're using a cod. -Crappit? -"Crappit" means to stuff. -Right. | 0:15:38 | 0:15:42 | |
Crappit Heid is a waste-not, want-not sort of dish | 0:15:42 | 0:15:45 | |
that even makes use of the eyes of the fish. | 0:15:45 | 0:15:48 | |
They are edible and you can actually poach them in the liquor | 0:15:48 | 0:15:50 | |
and they are supposed to be like soft boiled eggs. | 0:15:50 | 0:15:53 | |
Now why would anyone want to eat a cod's head? | 0:15:53 | 0:15:56 | |
It's not the first thing that comes to mind! | 0:15:56 | 0:15:58 | |
I know, I know! Well, I mean a couple of things. | 0:15:58 | 0:16:00 | |
First of all, it's sort of called a piscatorial haggis, | 0:16:00 | 0:16:02 | |
-so it's a fishy haggis, so it was through necessity. -Right. | 0:16:02 | 0:16:06 | |
People were hungry, what would you do? We would just fling it out now, probably. | 0:16:06 | 0:16:09 | |
They wouldn't have done in the olden days and what did they have nearby? They had oatmeal. | 0:16:09 | 0:16:13 | |
And you mixed the liver, either from the cod or preferably haddock, | 0:16:13 | 0:16:18 | |
cos cod's liver tends to be full of horrible little worms, | 0:16:18 | 0:16:20 | |
which is fine, but you've just got to get rid of them, | 0:16:20 | 0:16:23 | |
and you mix that with equal quantities of oatmeal, | 0:16:23 | 0:16:26 | |
season it, and just stuff it in the head. | 0:16:26 | 0:16:28 | |
This recipe is not for the faint-hearted | 0:16:30 | 0:16:34 | |
and just combining the ingredients requires a strong constitution. | 0:16:34 | 0:16:37 | |
You're meant to go with your hands. | 0:16:37 | 0:16:39 | |
I will have to do that later! But at this stage... | 0:16:39 | 0:16:42 | |
I mean you really are putting together some of the most unpleasant | 0:16:42 | 0:16:45 | |
-and unlikely ingredients in this. -Exactly! | 0:16:45 | 0:16:47 | |
Fish eyes and minging liver! Oh dear! | 0:16:47 | 0:16:50 | |
HE LAUGHS | 0:16:50 | 0:16:51 | |
-I think we'll get to the stuffing now! -You're very brave, Sue! | 0:16:51 | 0:16:54 | |
-With my hands... -You're very brave! | 0:16:54 | 0:16:57 | |
With my hands, and stuff it, and get it right in. | 0:16:57 | 0:17:00 | |
I suppose, you know, I'm now thinking it's like the Christmas turkey, so it's fine. | 0:17:00 | 0:17:04 | |
Right, uh-huh. After Sue has worked her magic, | 0:17:04 | 0:17:06 | |
she boils the cod's head for 30 minutes and then lets it cool | 0:17:06 | 0:17:10 | |
before presenting me with Crappit Heid in all its glory. | 0:17:10 | 0:17:15 | |
Which part would you recommend I sample first? | 0:17:15 | 0:17:18 | |
I think probably this bit of the cheek would be lovely, | 0:17:18 | 0:17:20 | |
and if you want to have a wee bit of that, | 0:17:20 | 0:17:22 | |
maybe with some of the stuffing, that should be... | 0:17:22 | 0:17:25 | |
Oh, really? Some of the stuffing as well? | 0:17:25 | 0:17:26 | |
Yes. That should be utterly delicious, I would have thought.. maybe! | 0:17:26 | 0:17:30 | |
Right. So there's a little bit there, pop it in the mouth. | 0:17:30 | 0:17:33 | |
Yeah, yeah, it should be fine, it should be fine. | 0:17:33 | 0:17:36 | |
I'll just join you in that. | 0:17:36 | 0:17:37 | |
-That's all right. -Yeah. | 0:17:40 | 0:17:41 | |
-It doesn't actually taste of anything at all. -No. | 0:17:41 | 0:17:43 | |
-It's like cold fish. -So now it's the rather challenging stuffing | 0:17:43 | 0:17:46 | |
-with the liver. -Right, OK. Do you really want me to try this? -Yes. | 0:17:46 | 0:17:49 | |
From the stuffing that is protruding through the eye sockets? | 0:17:49 | 0:17:53 | |
From the eye sockets, yes. I think that is.. | 0:17:53 | 0:17:55 | |
Scrummy, yummy, yummy it is! Here we go. | 0:17:55 | 0:17:58 | |
One, two, three. | 0:17:58 | 0:18:01 | |
It's not bad, is it? It's definitely liver-ish though, isn't it? | 0:18:03 | 0:18:07 | |
-Mm-hm. -Are you OK? | 0:18:07 | 0:18:10 | |
-I'm just remembering... -Drink of water? | 0:18:10 | 0:18:12 | |
How we prepared it. | 0:18:12 | 0:18:14 | |
-It's really quite strong, that liver taste, isn't it? -Mm-hm. | 0:18:14 | 0:18:18 | |
Still, it could be worse, there could be worms in it! | 0:18:18 | 0:18:20 | |
THEY LAUGH | 0:18:20 | 0:18:22 | |
You shouldn't have said that, Sue! Oh, dear! | 0:18:22 | 0:18:25 | |
To give my tastebuds a chance to recover from the shock of Crappit Heid, | 0:18:28 | 0:18:33 | |
I head for the hills where I fill my lungs with fresh, clean air. | 0:18:33 | 0:18:38 | |
It's great to be outside! | 0:18:38 | 0:18:40 | |
In Victorian times, few women ventured into this landscape | 0:18:42 | 0:18:46 | |
and although the mountains here are not as high as in the Highlands, | 0:18:46 | 0:18:50 | |
they're still challenging, | 0:18:50 | 0:18:51 | |
which is why the ladies were encouraged to stay at home. | 0:18:51 | 0:18:54 | |
In Glentrool, high in the Galloway hills, | 0:18:57 | 0:18:59 | |
I meet up with Fran Loots, who runs classes to encourage women | 0:18:59 | 0:19:04 | |
to get more out of this beautiful countryside. | 0:19:04 | 0:19:07 | |
-So, it's pretty detailed then, this map, isn't it? -Yeah it is, yeah. | 0:19:07 | 0:19:10 | |
This scale shows a lot so it is shows a track going off which leads to the house over there that you can see. | 0:19:10 | 0:19:14 | |
Having got our bearings, | 0:19:14 | 0:19:16 | |
we set out on a hike through picture-perfect woods and hills. | 0:19:16 | 0:19:20 | |
Fran, do you think that men and women really appreciate nature differently? | 0:19:20 | 0:19:26 | |
I think there are differences, | 0:19:26 | 0:19:29 | |
I think women enjoy just savouring that environment that they're in | 0:19:29 | 0:19:33 | |
a little bit more. Often when I've gone out with my male friends | 0:19:33 | 0:19:37 | |
it's a bit of a clock-watch job and we've got this destination, | 0:19:37 | 0:19:40 | |
this goal that we are going to do today, we are going to go and conquer this hill | 0:19:40 | 0:19:45 | |
and they just charge off. Not all of them, but quite a few, | 0:19:45 | 0:19:49 | |
whereas women tend to savour it a bit more. | 0:19:49 | 0:19:52 | |
Do you think a lot of women feel that they are missing out | 0:19:52 | 0:19:55 | |
or do you think that a lot of women are possibly missing out on this experience? | 0:19:55 | 0:19:58 | |
I think so. When I have taken women who have not had much experience | 0:19:58 | 0:20:03 | |
of being out in the great outdoors, they just love it. | 0:20:03 | 0:20:07 | |
I mean they do find it literally awe-inspiring, | 0:20:07 | 0:20:10 | |
that appreciation of just even tiny little things, | 0:20:10 | 0:20:13 | |
but just away from the hustle and bustle and just enjoying the beauty | 0:20:13 | 0:20:19 | |
and the size of it all, yeah. | 0:20:19 | 0:20:21 | |
Having tramped for hours, I feel the need to cool my feet, | 0:20:26 | 0:20:31 | |
so leaving the ladies to navigate home, | 0:20:31 | 0:20:33 | |
I make my own way to the coast. | 0:20:33 | 0:20:36 | |
One of the simplest holiday pastimes has to be paddling in the sea | 0:20:36 | 0:20:41 | |
where you can luxuriate in salt water | 0:20:41 | 0:20:44 | |
and let the sand tickle over your toes, but down on the Solway coast | 0:20:44 | 0:20:49 | |
here you are faced with a bit of a problem | 0:20:49 | 0:20:51 | |
because when the tide goes out, it leaves behind miles and miles and miles | 0:20:51 | 0:20:57 | |
of thick, sticky mud, but for some people this is absolutely ideal. | 0:20:57 | 0:21:02 | |
Squelching my way across a huge expanse of warm, oozing mud, | 0:21:06 | 0:21:11 | |
I meet up with Vivian Brown, who is a big fan of the ancient | 0:21:11 | 0:21:15 | |
and honourable sport of floundering, | 0:21:15 | 0:21:19 | |
when folk go barefoot in search of the humble flat fish. | 0:21:19 | 0:21:23 | |
-Yuck, this is really, really muddy! -HE LAUGHS | 0:21:23 | 0:21:27 | |
Are you enjoying this? | 0:21:27 | 0:21:29 | |
I don't think it is unpleasant! | 0:21:29 | 0:21:32 | |
Is this what flounderers look for | 0:21:32 | 0:21:34 | |
when they come tramping for flounders, a lot of mud? | 0:21:34 | 0:21:37 | |
A lot of mud, that's the main part of it. | 0:21:37 | 0:21:40 | |
The flounders are kind of secondary, I think! | 0:21:40 | 0:21:42 | |
What are we looking for, how do we catch a flounder? | 0:21:42 | 0:21:46 | |
You stand on them, | 0:21:46 | 0:21:47 | |
but your natural instinct if you stand on a fish obviously is... | 0:21:47 | 0:21:50 | |
-Is to jump away! -To jump away, so you have got to be really brave | 0:21:50 | 0:21:53 | |
and keep your foot on and then pick it up. | 0:21:53 | 0:21:58 | |
So you don't spear them? | 0:21:58 | 0:21:59 | |
No, we are not allowed to do that any more. | 0:21:59 | 0:22:01 | |
So you don't eat them then? | 0:22:01 | 0:22:03 | |
People have eaten them in the past, | 0:22:03 | 0:22:05 | |
but we now return the fish to the water afterwards, yes. | 0:22:05 | 0:22:08 | |
-Is that just to be kind to flounders? -To be kind to flounders, yes. | 0:22:08 | 0:22:11 | |
And then go home for a fish tea? | 0:22:11 | 0:22:13 | |
That's right! Fish fingers! | 0:22:13 | 0:22:14 | |
It is a strange old world! | 0:22:14 | 0:22:16 | |
Absolutely! | 0:22:16 | 0:22:17 | |
This part of the Solway coast was for many years famous | 0:22:20 | 0:22:23 | |
for holding a mass flounder-tramping competition. | 0:22:23 | 0:22:27 | |
It was a major event, attracting hundreds of eager entrants | 0:22:27 | 0:22:31 | |
and has recently been revived. | 0:22:31 | 0:22:33 | |
-This was really a big event. -It was, yes. | 0:22:35 | 0:22:37 | |
-Well, this is the World Championship! -Really? | 0:22:37 | 0:22:39 | |
Yes. People come from all over the world. | 0:22:39 | 0:22:42 | |
Are there other international venues | 0:22:42 | 0:22:44 | |
that are famous for flounder-tramping or whatever? | 0:22:44 | 0:22:46 | |
-No, this is the only one! -This is it? -This is it. | 0:22:46 | 0:22:49 | |
So, as an experienced flounder-tramper, | 0:22:49 | 0:22:51 | |
-you must know the best spots, really. -Oh, yes. | 0:22:51 | 0:22:56 | |
I'm relying on your native instinct here to lead me | 0:22:56 | 0:22:59 | |
to catch the biggest flounder ever caught on the Solway coast! | 0:22:59 | 0:23:03 | |
SHE LAUGHS | 0:23:03 | 0:23:05 | |
As we reach our floundering hunting-ground, | 0:23:05 | 0:23:09 | |
I'm having second thoughts about this peculiar spot. | 0:23:09 | 0:23:13 | |
So, it is a really kind of odd experience, Vivian. | 0:23:13 | 0:23:15 | |
We're probing into this mud, into this silt. | 0:23:15 | 0:23:19 | |
We can't really see what we are doing, it's all by touch | 0:23:19 | 0:23:21 | |
and it is really quite disgusting! Ugh, what's that? Ugh! | 0:23:21 | 0:23:23 | |
SHE LAUGHS | 0:23:23 | 0:23:24 | |
I put my foot on something there! | 0:23:24 | 0:23:26 | |
Ugh! Ugh! | 0:23:26 | 0:23:30 | |
Despite many fishy false alarms, | 0:23:30 | 0:23:33 | |
my untrained toes failed to locate the elusive flounder. | 0:23:33 | 0:23:37 | |
-Now, that tide, is it coming in or is it going out? -It is coming in. | 0:23:37 | 0:23:40 | |
-Right. -Yes. | 0:23:40 | 0:23:41 | |
So, we had better not get cut off by the tide, Vivian, | 0:23:41 | 0:23:44 | |
-that would be disastrous! -That would be just terrible! | 0:23:44 | 0:23:46 | |
We would just have to spend the day here! | 0:23:46 | 0:23:48 | |
I think we would have to swim! | 0:23:48 | 0:23:50 | |
THEY LAUGH | 0:23:50 | 0:23:51 | |
Floundering with Vivian has whetted my appetite for the hunt. | 0:23:57 | 0:24:01 | |
Travelling along the coast, | 0:24:01 | 0:24:03 | |
I take the opportunity to try my luck in deeper waters. | 0:24:03 | 0:24:07 | |
The Solway Firth provides some of the finest sea angling | 0:24:07 | 0:24:12 | |
anywhere in Europe. | 0:24:12 | 0:24:13 | |
I am in the capable hands of Christine Burrett, | 0:24:13 | 0:24:16 | |
who I hope is going to help me land a whopper. | 0:24:16 | 0:24:19 | |
To get me in the mood, we stop for a spot of mackerel fishing, | 0:24:20 | 0:24:24 | |
and it is not long before my rod is twitching! | 0:24:24 | 0:24:27 | |
Oh, something is biting here! | 0:24:27 | 0:24:28 | |
Oh, there you go! Have you got something? | 0:24:28 | 0:24:30 | |
Oh, you have, you have got mackerel coming up, yeah. | 0:24:30 | 0:24:32 | |
I have got something here. Here we go! | 0:24:32 | 0:24:34 | |
Yeah, we have got them as well. | 0:24:34 | 0:24:36 | |
I've got a beauty! I've got a beauty! There we are! | 0:24:36 | 0:24:40 | |
-Look at that! -There you go! | 0:24:40 | 0:24:42 | |
-You've got one as well! -I've got two! | 0:24:42 | 0:24:43 | |
You've got two! You beat me! | 0:24:43 | 0:24:45 | |
What is the normal kind of protocol for this sort of thing? | 0:24:45 | 0:24:49 | |
I mean, do you take a lot of fish back to eat? | 0:24:49 | 0:24:52 | |
-Well, no, we try and put everything back, you know. -Why is that? | 0:24:52 | 0:24:55 | |
I thought the point of fishing was to take something home for your tea! | 0:24:55 | 0:24:58 | |
Not always, not always. It's sport fishing, really, round here. | 0:24:58 | 0:25:02 | |
Most anglers want to help conserve depleted fish stocks, | 0:25:02 | 0:25:06 | |
so returning their catch makes perfect sense. | 0:25:06 | 0:25:10 | |
But fishing is an extremely popular pastime, isn't it? | 0:25:10 | 0:25:13 | |
Oh, yes, it is growing as well | 0:25:13 | 0:25:14 | |
and you find more and more women getting involved as well now. | 0:25:14 | 0:25:17 | |
-Yes? -Yep. | 0:25:17 | 0:25:19 | |
I've got one, I've got one, here we go. | 0:25:19 | 0:25:21 | |
How many have you got this time then, Paul? | 0:25:21 | 0:25:24 | |
A lot, I think. | 0:25:24 | 0:25:25 | |
You've got a full string, have you? | 0:25:25 | 0:25:28 | |
Not necessarily a full string. Oh, no, I have got four! | 0:25:28 | 0:25:30 | |
I have got four! | 0:25:30 | 0:25:33 | |
Four fish coming aboard. | 0:25:33 | 0:25:35 | |
One, two, three... | 0:25:35 | 0:25:37 | |
What a weight! | 0:25:37 | 0:25:39 | |
SHE LAUGHS | 0:25:39 | 0:25:40 | |
The mackerel are coming thick and fast but it is time to move on, | 0:25:40 | 0:25:45 | |
to try for a fish that is considered to be a more sporting catch, | 0:25:45 | 0:25:49 | |
the pollock. | 0:25:49 | 0:25:50 | |
So basically, I am just sitting here watching this float bob up and down | 0:25:50 | 0:25:54 | |
and that is the sport part? | 0:25:54 | 0:25:56 | |
That is the sport. Well, that's the relaxing part. | 0:25:56 | 0:25:59 | |
-It is very relaxing. -Yes, it is very relaxing, | 0:25:59 | 0:26:01 | |
especially on a day like this, isn't it. | 0:26:01 | 0:26:03 | |
I am just wondering, Christine, if there is a difference of approach | 0:26:03 | 0:26:07 | |
between men and women to the art of fishing? | 0:26:07 | 0:26:10 | |
-To the art of fishing? -Yes. | 0:26:10 | 0:26:13 | |
Well, I think all women just like to beat the men, | 0:26:13 | 0:26:15 | |
-that is one thing about it, oh, yeah! -So you are quite competitive? | 0:26:15 | 0:26:18 | |
We are very competitive, yes. | 0:26:18 | 0:26:20 | |
Christine has just thrown down the gauntlet | 0:26:20 | 0:26:23 | |
and I can't resist the challenge to beat her at her own game | 0:26:23 | 0:26:27 | |
by catching my whopper. Got it! | 0:26:27 | 0:26:30 | |
-Now do you feel the fish biting? -Yes, whoah! Whoah! | 0:26:30 | 0:26:33 | |
Try and lift your rod out of the water. | 0:26:33 | 0:26:36 | |
This is the sport! Whoa! It is huge! | 0:26:36 | 0:26:37 | |
-That's it. -This is a big one! Look at that! | 0:26:37 | 0:26:40 | |
-That is a better one, yes. -This is a cracker! | 0:26:40 | 0:26:42 | |
Well done! | 0:26:42 | 0:26:43 | |
HE LAUGHS | 0:26:43 | 0:26:44 | |
Wow! How about that for your tea! Look at this one! | 0:26:44 | 0:26:50 | |
Try and get your rod tip up. | 0:26:50 | 0:26:52 | |
Enormous! Look at the size of that! | 0:26:52 | 0:26:56 | |
Wow, look at that! | 0:26:56 | 0:26:58 | |
-Look at this beauty! -SHE LAUGHS | 0:26:58 | 0:27:00 | |
And look at the man that caught it, eh? | 0:27:00 | 0:27:03 | |
But just seconds later, Christine catches a whopper of her own. | 0:27:03 | 0:27:07 | |
Aha! Mine is bigger than yours! | 0:27:07 | 0:27:11 | |
I don't think so, Christine! I think mine was considerably bigger | 0:27:11 | 0:27:13 | |
-than that, and you know! -OK then. | 0:27:13 | 0:27:16 | |
What more fitting end to a grand day out | 0:27:16 | 0:27:20 | |
than to see our pollock swim away to his fishy home. | 0:27:20 | 0:27:24 | |
I am coming to the end of my grand tour of the south-west | 0:27:27 | 0:27:32 | |
which started on the border with England and finishes | 0:27:32 | 0:27:35 | |
within sight of Ireland. | 0:27:35 | 0:27:37 | |
This is Portpatrick. | 0:27:40 | 0:27:42 | |
Black's Guide Book explains that the town owes its name to a visit from St Patrick | 0:27:42 | 0:27:48 | |
who is said to have stepped ashore one day. | 0:27:48 | 0:27:51 | |
It is not surprising that Portpatrick | 0:27:53 | 0:27:55 | |
has so many Irish connections - it's just 21 miles from the Irish coast | 0:27:55 | 0:28:01 | |
and for centuries there has been a constant stream of people | 0:28:01 | 0:28:05 | |
going backwards and forwards across the sea. | 0:28:05 | 0:28:08 | |
Being so close to Ireland, Portpatrick became the Gretna Green | 0:28:08 | 0:28:13 | |
of the far west and in the 18th century, love-struck runaways | 0:28:13 | 0:28:17 | |
from the Emerald Isle made their way here by boat | 0:28:17 | 0:28:21 | |
and got married in a fever, which is a suitably romantic note for me | 0:28:21 | 0:28:25 | |
to end my Grand Tour of Scotland with a feminine touch. | 0:28:25 | 0:28:29 | |
Join me on my next Grand Tour of Scotland | 0:28:31 | 0:28:35 | |
when I will be crossing the country from coast to coast. | 0:28:35 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:41 | 0:28:44 |