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Some people come to Scotland to explore the past. | 0:00:02 | 0:00:06 | |
Some come to witness the spectacular landscapes. | 0:00:07 | 0:00:10 | |
But increasingly, many come here to enjoy the splendours of nature. | 0:00:10 | 0:00:15 | |
For me, there's nowhere else like this in the whole of the UK, | 0:00:20 | 0:00:23 | |
and if you want to experience the wild side of life, | 0:00:23 | 0:00:27 | |
then this is where you have to be! | 0:00:27 | 0:00:29 | |
But getting to Scotland's spectacular locations | 0:00:33 | 0:00:37 | |
has always been something of a challenge for the average tourist. | 0:00:37 | 0:00:41 | |
In Victorian times, Black's Picturesque Guide To Scotland came to the rescue, | 0:00:41 | 0:00:47 | |
suggesting a multitude of different routes across the country. | 0:00:47 | 0:00:51 | |
For the more intrepid tourists, Black's included a variety of long-distance walks | 0:00:53 | 0:00:59 | |
that led adventurous Victorians into the wilderness. | 0:00:59 | 0:01:02 | |
Using Black's as my inspiration and guide, | 0:01:04 | 0:01:07 | |
I'm, travelling off the beaten track, crossing the country from coast to coast, | 0:01:07 | 0:01:12 | |
and retracing the steps of these first nature lovers. | 0:01:12 | 0:01:15 | |
My Grand Tour across Scotland begins on a remote peninsula | 0:01:28 | 0:01:32 | |
overlooking the Dornoch Firth, | 0:01:32 | 0:01:35 | |
heads towards historic Cromarty, | 0:01:35 | 0:01:37 | |
and then takes the high road into a Caledonian pine forest, | 0:01:37 | 0:01:42 | |
on an ancient route to the west coast. | 0:01:42 | 0:01:44 | |
I'm starting my journey at a place that's very familiar to me. | 0:01:46 | 0:01:51 | |
Tarbat Ness Lighthouse, overlooking the Dornoch Firth. | 0:01:52 | 0:01:55 | |
These treacherous rocks claimed numerous lives before Tarbat Ness lighthouse | 0:01:58 | 0:02:04 | |
was built in 1830. | 0:02:04 | 0:02:05 | |
At 40 metres, it's one of the tallest in Scotland. | 0:02:07 | 0:02:11 | |
Seeing this old lighthouse brings back all kinds of memories. | 0:02:14 | 0:02:19 | |
When I was 17, Tarbat Ness was, for a brief period, the place I called home. | 0:02:19 | 0:02:25 | |
Back in 1978 I had a job with the Northern Lighthouse Board, | 0:02:28 | 0:02:33 | |
and Tarbat Ness was one of the lighthouses I was stationed at. | 0:02:33 | 0:02:38 | |
When I worked here in the 1970s, the principal lighthouse keeper lived in this house here, | 0:02:43 | 0:02:50 | |
and his assistant lived in this one. | 0:02:50 | 0:02:52 | |
Now it was my dubious pleasure to be accommodated over there in the bothy. | 0:02:52 | 0:02:59 | |
Now, I have to say that tending the light here wasn't perhaps | 0:02:59 | 0:03:03 | |
the most glamorous or interesting of lifestyles, | 0:03:03 | 0:03:06 | |
but occasionally the monotony was broken by a visiting tourist, | 0:03:06 | 0:03:09 | |
who was curious to find out what we did here and how we lived. | 0:03:09 | 0:03:13 | |
And it was usually left up to me to show them around. | 0:03:13 | 0:03:16 | |
This brings back memories. | 0:03:23 | 0:03:25 | |
Of course, all the tourists wanted to go to the top of the tower. | 0:03:26 | 0:03:31 | |
But as we climbed the steps, they little realised | 0:03:31 | 0:03:34 | |
that their dirty boots were making more work for me. | 0:03:34 | 0:03:38 | |
There are 219 steps in this lighthouse. | 0:03:38 | 0:03:41 | |
Now, that's a number that's seared into my memory, | 0:03:41 | 0:03:44 | |
because when I worked here it was my job to clean them all, by hand, | 0:03:44 | 0:03:50 | |
with cotton waste soaked in paraffin. | 0:03:50 | 0:03:53 | |
And because the fire regulations were such that you weren't allowed to take the paraffin with you, | 0:03:53 | 0:03:58 | |
I had to soak it in the basement and climb 219 steps, | 0:03:58 | 0:04:04 | |
clean 5 steps, descend 214 steps, | 0:04:04 | 0:04:09 | |
and repeat the process over and over again | 0:04:09 | 0:04:13 | |
until the principal keeper was satisfied with my handiwork. | 0:04:13 | 0:04:18 | |
Oh, happy days(!) | 0:04:18 | 0:04:20 | |
'Being a lighthouse keeper wouldn't be for everyone, | 0:04:23 | 0:04:27 | |
'and not just because of all the stairs. | 0:04:27 | 0:04:30 | |
'There was a long tradition of discipline and rigorous timekeeping | 0:04:30 | 0:04:34 | |
'that, as a teenager, I found pretty hard going.' | 0:04:34 | 0:04:37 | |
Now, this is completely different from when I worked here. | 0:04:40 | 0:04:45 | |
Back in my day, a paraffin lamp stood there, | 0:04:45 | 0:04:48 | |
and it was my job to maintain the pressure inside. | 0:04:48 | 0:04:52 | |
It was also my job to wind up the clockwork mechanism that kept the whole thing turning. | 0:04:52 | 0:04:58 | |
And when tourists came up here and saw all of that, | 0:04:58 | 0:05:01 | |
they were absolutely amazed - it seemed so primitive and old-fashioned. | 0:05:01 | 0:05:06 | |
And of course it was, and I was part of a tradition that was at least a century old. | 0:05:06 | 0:05:13 | |
Now, that makes me feel pretty ancient! | 0:05:13 | 0:05:15 | |
Today, modern lighthouses are fully automated, | 0:05:20 | 0:05:25 | |
meaning there's no longer any need for keepers to be stationed here. | 0:05:25 | 0:05:29 | |
But one thing that hasn't changed are the stunning views | 0:05:29 | 0:05:33 | |
over the Dornoch Firth to the North, and the Cromarty Firth to the south, | 0:05:33 | 0:05:38 | |
which is where my route takes me next. | 0:05:38 | 0:05:41 | |
These are The Soutars, | 0:05:45 | 0:05:46 | |
two massive headlands that guard the entrance to the Cromarty Firth. | 0:05:46 | 0:05:51 | |
Black's describes this arm of the sea as | 0:05:51 | 0:05:54 | |
"a first-rate harbour or refuge, being completely sheltered." | 0:05:54 | 0:05:59 | |
But many of today's visitors come to catch sight of something | 0:05:59 | 0:06:02 | |
that's not even hinted at in my old Victorian guidebook. | 0:06:02 | 0:06:07 | |
From May to September, small boats take tourists across the waters of the Cromarty Firth | 0:06:07 | 0:06:13 | |
in search of the much loved but elusive Tursiops truncatus, | 0:06:13 | 0:06:18 | |
better known as the bottlenose dolphin. | 0:06:18 | 0:06:21 | |
Oh, missed it! | 0:06:21 | 0:06:23 | |
We're very lucky to have a resident population | 0:06:25 | 0:06:28 | |
of these bottlenose dolphins up here, | 0:06:28 | 0:06:30 | |
and it's lovely to be able to see them 12 months of the year. | 0:06:30 | 0:06:34 | |
Photographer and naturalist Charlie Phillips works for | 0:06:34 | 0:06:38 | |
the world's leading dolphin conservation society. | 0:06:38 | 0:06:41 | |
Charlie has been studying these amazing animals since the 1980s. | 0:06:41 | 0:06:46 | |
His remarkable pictures brilliantly demonstrate | 0:06:51 | 0:06:54 | |
just why they're such crowd pleasers. | 0:06:54 | 0:06:56 | |
How many dolphins live in this area? | 0:07:00 | 0:07:02 | |
The entire population, just below 200, maybe about 195, 196. | 0:07:02 | 0:07:07 | |
-200! -Yeah, but that's spread out all the way down the east coast of Scotland. | 0:07:07 | 0:07:10 | |
That's a large number. | 0:07:10 | 0:07:12 | |
It's not really, not when you're talking about a population of big predators. | 0:07:12 | 0:07:16 | |
How long have the dolphins been in this area? | 0:07:16 | 0:07:19 | |
We can look back historical records to about the late 1800s. | 0:07:19 | 0:07:24 | |
This being part of the North Sea, there probably have always been citations of some sort going about, | 0:07:24 | 0:07:30 | |
but we're not quite sure exactly when these dolphins turned up in the first place. | 0:07:30 | 0:07:35 | |
-It's extraordinary to think that these animals, these wild animals, are just off our coast. -Yeah. | 0:07:35 | 0:07:40 | |
A lot of people have never seen them before. I didn't realise that. | 0:07:40 | 0:07:43 | |
Yeah, we don't... You know, you really don't need to go very far around the coast of Scotland | 0:07:43 | 0:07:48 | |
before you'll see something that makes your jaw drop, believe me. | 0:07:48 | 0:07:52 | |
I've been doing this a long time now, | 0:07:52 | 0:07:53 | |
and every time I see these beautiful, big animals, my heart beats a little bit faster. | 0:07:53 | 0:07:58 | |
You can come up to the Highlands on holiday | 0:08:09 | 0:08:12 | |
and be confronted with bottlenose dolphins maybe ten feet from you. | 0:08:12 | 0:08:16 | |
That's something that's going to remain in your brain for a long, long time. | 0:08:16 | 0:08:21 | |
I love them because they are big, intelligent predators that have a complicated life. | 0:08:21 | 0:08:26 | |
So they've got quite a tough job just living day-to-day, and I admire them for what they do. | 0:08:26 | 0:08:30 | |
Well, I hope we see some more today. | 0:08:30 | 0:08:32 | |
'And I'm also hoping Charlie can give me some tips on how he manages to take such amazing pictures.' | 0:08:34 | 0:08:40 | |
I keep missing it. | 0:08:45 | 0:08:46 | |
There's one thing spotting a dolphin, | 0:08:46 | 0:08:49 | |
and there's another matter entirely capturing it on film. | 0:08:49 | 0:08:52 | |
Yeah, getting them on camera can be tricky. | 0:08:52 | 0:08:54 | |
Sometimes it's luck. There are certain animals that you can almost predict what they're going to do, | 0:08:59 | 0:09:03 | |
but every now and again they do stuff that you've just never seen before. | 0:09:03 | 0:09:08 | |
'These northern dolphins are a hardy bunch. | 0:09:11 | 0:09:14 | |
'The cold waters mean they need more blubber than their southern cousins in warmer seas. | 0:09:14 | 0:09:19 | |
'An adult male can grow to a staggering four metres long.' | 0:09:22 | 0:09:26 | |
I keep missing it! | 0:09:30 | 0:09:31 | |
'But this doesn't make it any easier for me to get my picture. | 0:09:31 | 0:09:35 | |
'I'm beginning to think they're teasing me.' | 0:09:36 | 0:09:38 | |
Saying farewell to Charlie and the dolphins, | 0:09:41 | 0:09:44 | |
I head back to dry land to continue my journey. | 0:09:44 | 0:09:46 | |
My next port of call is Cromarty. | 0:09:47 | 0:09:51 | |
In Black's time, this was a bustling port, | 0:09:51 | 0:09:55 | |
and today much of its historic architecture has been preserved. | 0:09:55 | 0:09:59 | |
The herring boats which once made this a boom town are long gone, | 0:09:59 | 0:10:05 | |
but according to my copy of Black's, Cromarty's chief claim to fame | 0:10:05 | 0:10:10 | |
is as the birthplace of a Victorian celebrity. | 0:10:10 | 0:10:14 | |
My guide says, "An Obelisk has been erected near the town to the memory of Hugh Miller, | 0:10:14 | 0:10:22 | |
"the author of Old Red Sandstone and other well-known works." | 0:10:22 | 0:10:26 | |
Now, I have to confess my ignorance, here. | 0:10:28 | 0:10:30 | |
I've never actually heard of Hugh Miller before, | 0:10:30 | 0:10:33 | |
or of his celebrated book, Old Red Sandstone. | 0:10:33 | 0:10:37 | |
So I think it would be perverse of me in the extreme | 0:10:37 | 0:10:40 | |
to turn down the opportunity for a little enlightenment. | 0:10:40 | 0:10:43 | |
Hugh Miller was a stonemason and self-taught geologist. | 0:10:44 | 0:10:50 | |
His famous book, The Old Red Sandstone, published in 1841, | 0:10:50 | 0:10:55 | |
documented his discovery of fossils in sedimentary rocks, | 0:10:55 | 0:10:59 | |
proving that now extinct species had inhabited the earth many millions of years ago. | 0:10:59 | 0:11:06 | |
Miller's work was enormously influential, | 0:11:06 | 0:11:09 | |
and his importance is recognised by scientists and scholars today. | 0:11:09 | 0:11:12 | |
'But to most people, he's largely forgotten,' | 0:11:14 | 0:11:16 | |
'so to find out more about him, I've come to the cottage where he was born.' | 0:11:16 | 0:11:20 | |
-Alix. -Hello, welcome to Hugh Miller's birthplace cottage. -Thanks very much. -Come in. | 0:11:20 | 0:11:24 | |
'It's now a museum dedicated to his life and work,' | 0:11:24 | 0:11:26 | |
'and Alix Powers-Jones is the curator.' | 0:11:26 | 0:11:30 | |
-A lovely wee room! -It is, but watch your head. It's very low ceilings. | 0:11:30 | 0:11:35 | |
Alix, I know next to nothing about Hugh Miller. But why should I, who was he? | 0:11:35 | 0:11:41 | |
Hugh Miller was an amazing man, a remarkable man, | 0:11:41 | 0:11:45 | |
because he was a writer, a geologist, a stonemason, | 0:11:45 | 0:11:49 | |
a campaigner, a social commentator. | 0:11:49 | 0:11:52 | |
He observed everything around him, | 0:11:52 | 0:11:55 | |
and he wrote about everything around him. | 0:11:55 | 0:11:58 | |
He'd got a big wash of red hair and mutton chop whiskers, | 0:11:58 | 0:12:02 | |
and he strode through Edinburgh with a shepherd's plaid, a tartan, | 0:12:02 | 0:12:07 | |
tossed over his shoulder, and he would stride through Edinburgh. | 0:12:07 | 0:12:10 | |
-Was this for sartorial effect? -I think so, yes, he just sort of... | 0:12:10 | 0:12:14 | |
This was his persona that he created. | 0:12:14 | 0:12:17 | |
He had a real character. | 0:12:17 | 0:12:20 | |
And was born right here in this cottage? | 0:12:20 | 0:12:22 | |
He was, he was born upstairs, | 0:12:22 | 0:12:25 | |
one of four generations of Miller, in a tiny little room. | 0:12:25 | 0:12:28 | |
As a child, Hugh Miller listened to his mother's stories in this cottage, | 0:12:28 | 0:12:33 | |
and developed a love of folklore that fired his imagination. | 0:12:33 | 0:12:37 | |
Venturing out into the landscape where these tales were set, | 0:12:38 | 0:12:43 | |
the young Hugh became fascinated with the plant life and geology that he found there. | 0:12:43 | 0:12:48 | |
He wrote, "Life itself is a school, and nature always a fresh study." | 0:12:49 | 0:12:57 | |
But at the height of his fame, Miller's life ended tragically. | 0:12:57 | 0:13:01 | |
Alix, what happened to Hugh Miller? | 0:13:01 | 0:13:03 | |
Well, it was very sad. He shot himself. | 0:13:03 | 0:13:06 | |
He suffered from very severe headaches. | 0:13:06 | 0:13:09 | |
Modern doctors today, reading what he wrote, | 0:13:09 | 0:13:12 | |
think that he had a brain tumour. | 0:13:12 | 0:13:14 | |
But he was in very extreme pain, he didn't know what was happening. | 0:13:14 | 0:13:18 | |
-Uh-huh. -And in extreme circumstances people do extreme things. | 0:13:18 | 0:13:22 | |
Was he celebrated in death as he had been in life? | 0:13:23 | 0:13:27 | |
He was. His funeral in Edinburgh brought the city to a standstill. | 0:13:27 | 0:13:33 | |
People acknowledged the impact that he had made upon their lives, | 0:13:33 | 0:13:37 | |
and this place, the thatched cottage, became a museum in 1890. | 0:13:37 | 0:13:43 | |
So only about 40 years after he died. | 0:13:43 | 0:13:46 | |
So even then, a generation later, his importance had been recognised. | 0:13:46 | 0:13:49 | |
Absolutely, people wanted to know, they wanted to come and see where he'd lived, where he'd been born. | 0:13:49 | 0:13:55 | |
Some of the first tourists to come to Cromarty would have come here | 0:13:55 | 0:13:58 | |
-to have a look at the birthplace of Hugh Miller. -They would, yes, absolutely. | 0:13:58 | 0:14:02 | |
-And they're still coming, I presume. -And they are still coming. | 0:14:02 | 0:14:05 | |
Hugh Miller wanted people to see the world anew, | 0:14:10 | 0:14:13 | |
to see the world through fresh eyes. | 0:14:13 | 0:14:16 | |
And his passion for the environment teaches us how everything is connected. | 0:14:16 | 0:14:22 | |
And anyone who enjoys tramping through the countryside today | 0:14:22 | 0:14:26 | |
isn't just following in Miller's footsteps, but also sharing his vision. | 0:14:26 | 0:14:31 | |
Inspired by Hugh Miller's passion for exploring wild places, | 0:14:37 | 0:14:42 | |
I'm leaving the east coast behind and heading inland | 0:14:42 | 0:14:46 | |
towards the Highlands. | 0:14:46 | 0:14:48 | |
Glen Affric is often described | 0:14:48 | 0:14:50 | |
as "the most beautiful glen in Scotland." | 0:14:50 | 0:14:54 | |
And on a day like today, who can disagree? | 0:15:02 | 0:15:06 | |
Ahead of me lies 30 miles of ancient woodland, | 0:15:08 | 0:15:12 | |
spectacular glens, lochs, rivers and hills. | 0:15:12 | 0:15:16 | |
the landscape here was the inspiration for many Victorian artists, | 0:15:17 | 0:15:22 | |
most famously Edwin Landseer, | 0:15:22 | 0:15:25 | |
who used this setting for his best-known painting, Monarch of the Glen. | 0:15:25 | 0:15:31 | |
And to get me over the mountains, I've chosen a traditional mode of transport. | 0:15:31 | 0:15:36 | |
PONY NEIGHS | 0:15:36 | 0:15:38 | |
Good boy, Come on. | 0:15:42 | 0:15:44 | |
'Meet Rogie, my companion for this part of my journey. | 0:15:44 | 0:15:49 | |
'Rogie knows this path well, although I have to say he has a mind of his own, | 0:15:51 | 0:15:56 | |
'preferring the heather verge to the stony track. | 0:15:56 | 0:16:00 | |
'The trees we are riding among are the largest surviving remnant | 0:16:00 | 0:16:04 | |
'of the once-mighty Caledonian pine forest | 0:16:04 | 0:16:07 | |
'that stretched across Scotland after the last Ice Age. | 0:16:07 | 0:16:12 | |
'And Black's paints a dramatic picture. | 0:16:12 | 0:16:16 | |
'"Here, you can get a sense of its primeval grandeur. | 0:16:16 | 0:16:20 | |
'"Gigantic birch trees and towering, pyramidal firs cast their sombre shadows | 0:16:20 | 0:16:25 | |
'"over the restless stream, which brawls below."' | 0:16:25 | 0:16:28 | |
Come on, Rogie! | 0:16:42 | 0:16:44 | |
'In Victorian times, the horse was indispensable to visitors travelling to the remote Highlands. | 0:16:44 | 0:16:50 | |
'Black's even offers advice on the average cost of rental. | 0:16:50 | 0:16:54 | |
'A horse like Rogie would set you back six or seven shillings for the day.' | 0:16:54 | 0:16:58 | |
When you realise that the average weekly wage for a manual labourer back then | 0:17:00 | 0:17:05 | |
was just six shillings, you get an idea of how wealthy you had to be | 0:17:05 | 0:17:10 | |
to be able to afford the privilege of horsepower. | 0:17:10 | 0:17:13 | |
And for those that could afford it, riding high gave them an added sense of superiority, | 0:17:13 | 0:17:19 | |
as they could enjoy the pleasure of looking down on mere pedestrians. | 0:17:19 | 0:17:25 | |
Walk on boy, come on. | 0:17:25 | 0:17:27 | |
Trying to keep Rogie on the straight and narrow, I continue up the glen. | 0:17:34 | 0:17:39 | |
PONY NEIGHS | 0:17:39 | 0:17:41 | |
The scenery gradually changes, and trees give way to more open country. | 0:17:41 | 0:17:46 | |
-Hi, Sasha. -Hi there. -Good to see you. | 0:17:48 | 0:17:51 | |
'In this wild and remote location, I meet up with trekking guide, Sasha Pocock, | 0:17:51 | 0:17:56 | |
'to ride the glen together, as Highlanders have done for centuries.' | 0:17:56 | 0:17:59 | |
It's a fantastic way of seeing the countryside Sasha! | 0:17:59 | 0:18:02 | |
Oh, the best way of seeing the countryside. | 0:18:02 | 0:18:06 | |
-And what sort of animals are we actually riding today? -These are both Highland ponies. | 0:18:06 | 0:18:11 | |
And these would have been the horses that Victorian tourists | 0:18:11 | 0:18:13 | |
-would have hired for their six shillings a day? -Exactly. | 0:18:13 | 0:18:16 | |
What would they have been used for in the old days, then? | 0:18:16 | 0:18:19 | |
They'd have been used for a variety of things. | 0:18:19 | 0:18:22 | |
-They'd have been used as local transport... -Uh-huh? | 0:18:22 | 0:18:25 | |
..to get people to and from, if they went down to the local town, | 0:18:25 | 0:18:28 | |
-you know, maybe once or twice a year. -Right. -They'd have pulled a cart. | 0:18:28 | 0:18:31 | |
They'd have also used them for a lot of their own farm work, | 0:18:31 | 0:18:34 | |
-ploughing, dragging firewood... -Right. -..taking the peats in for burning on the fire. | 0:18:34 | 0:18:40 | |
-So the all-round horse? -All-round, very, very much, yeah. | 0:18:40 | 0:18:43 | |
'Native to the Highlands, these creatures needed to be hardy. | 0:18:46 | 0:18:49 | |
'They have thick coats to protect them from the harsh weather, | 0:18:51 | 0:18:55 | |
'and a natural sure-footedness to carry them over bog and scree. | 0:18:55 | 0:18:59 | |
'They were first put to work on crofts, working the land or carrying heavy loads. | 0:18:59 | 0:19:05 | |
'They had other uses, too - sometimes they smuggled whisky, or went to war. | 0:19:05 | 0:19:11 | |
'King Robert The Bruce is said to have faced the English astride a Highland pony. | 0:19:11 | 0:19:17 | |
'Later, these hardy beasts carried the gentry into the hills to hunt, | 0:19:18 | 0:19:23 | |
'and bring back the deer they'd bagged. | 0:19:23 | 0:19:26 | |
'One of their most endearing qualities is their good nature, | 0:19:29 | 0:19:33 | |
'and, you know, I think Rogie and I may have finally come to an understanding.' | 0:19:33 | 0:19:36 | |
-It's about control. Who's in charge. -Yep. | 0:19:38 | 0:19:41 | |
-I'm in charge, Rogie. -You're in charge. -Don't you forget it. -You're the boss. | 0:19:41 | 0:19:45 | |
PONY NEIGHS | 0:19:45 | 0:19:47 | |
'But it's a real treat to ride a creature so well-suited to the wilds of Scotland. | 0:19:47 | 0:19:53 | |
'It's also a pleasure that's enjoyed by increasing numbers of folk who go pony trekking.' | 0:19:53 | 0:19:59 | |
-Now, you run a trekking business? -Yes. -What kind of people are interested in that? | 0:19:59 | 0:20:04 | |
You get mainly people who don't get to experience this sort of wilderness, | 0:20:04 | 0:20:09 | |
so it's people from the cities and towns who really want to escape into the wilderness for a few days. | 0:20:09 | 0:20:15 | |
-This really is wilderness, isn't it? -Yes, oh, there's nothing. | 0:20:15 | 0:20:19 | |
-No mobile phones. -No reception, no. | 0:20:19 | 0:20:23 | |
-It's like... heaven! -It is heaven. | 0:20:23 | 0:20:26 | |
'Thanks to Sasha and my faithful steed, Rogie, I've made real progress up Glen Affric. | 0:20:33 | 0:20:38 | |
'But now it's time to say farewell and continue my journey on foot.' | 0:20:38 | 0:20:42 | |
-Thanks. Cheers! -Thank you very much! | 0:20:42 | 0:20:44 | |
The track I'm following is an ancient right of way. | 0:20:49 | 0:20:52 | |
For centuries it was used as a drove road, and as a coffin road, | 0:20:52 | 0:20:57 | |
so-called because mourners and pallbearers used it to carry their dead | 0:20:57 | 0:21:03 | |
to distant burial grounds. | 0:21:03 | 0:21:06 | |
But in the past, the people who lived in the glen were forced off the land | 0:21:06 | 0:21:11 | |
to make way for sheep, and then later, for deer. | 0:21:11 | 0:21:14 | |
The fact is, people have not always been made to feel welcome in these parts. | 0:21:14 | 0:21:20 | |
In Victorian times, simple pleasures like tramping the hills | 0:21:20 | 0:21:25 | |
fraught with all kinds of difficulties. | 0:21:25 | 0:21:28 | |
I don't just mean boggy ground or having to ford a stream. | 0:21:28 | 0:21:32 | |
Now, back then, access to a wilderness area like this | 0:21:32 | 0:21:36 | |
was something of an issue for all but the very wealthy. | 0:21:36 | 0:21:39 | |
-Mr Simpson, Sir, I doff my cap. -Hello, Paul. | 0:21:44 | 0:21:47 | |
'Historian Eric Simpson has walked these hills since he was a young man. | 0:21:47 | 0:21:53 | |
'He's climbed all the Munros, and now in his 80s, he's tackling some for a second time. | 0:21:53 | 0:22:00 | |
'Eric has fully exercised his right to roam, | 0:22:00 | 0:22:02 | |
'but there was a time when the rich tried to keep the riffraff off this land.' | 0:22:02 | 0:22:08 | |
Now, Eric, back in Victorian times, this was just one vast estate was it not? | 0:22:10 | 0:22:16 | |
Indeed, yeah. A lot of the Scottish landowners needed extra money, and they were quite willing, | 0:22:16 | 0:22:20 | |
either had to sell their estates or to lease them to wealthy businessmen | 0:22:20 | 0:22:25 | |
and industrialists from the south. | 0:22:25 | 0:22:27 | |
They'd taken over this area because they had the shooting rights. | 0:22:27 | 0:22:32 | |
-Uh-huh. -And they didn't want the deer | 0:22:32 | 0:22:34 | |
scared off their piece of land onto their neighbour's. | 0:22:34 | 0:22:38 | |
And there was one particular incomer called Walter Winans, | 0:22:38 | 0:22:43 | |
he was a very rich American, and he leased a large part of the Highlands, this area included, | 0:22:43 | 0:22:50 | |
and he tried to prevent other people from coming in to what he considered his territory. | 0:22:50 | 0:22:57 | |
He employed a large number of gillies and keepers | 0:22:57 | 0:23:01 | |
-to act as sentries in different places. -Right. | 0:23:01 | 0:23:05 | |
-Some of them even were in sentry boxes. -You're joking? -No, no. | 0:23:05 | 0:23:08 | |
And anyone who strayed from the right of way, | 0:23:08 | 0:23:14 | |
then his strong-arm men could take action. | 0:23:14 | 0:23:18 | |
Was that quite a common thing in those days, | 0:23:18 | 0:23:21 | |
that landowners of his ilk, were they very protective of their property? | 0:23:21 | 0:23:25 | |
Yes, yes. Fortunately you had people who tried to | 0:23:25 | 0:23:29 | |
open up access to the hills, | 0:23:29 | 0:23:31 | |
that they looked at the existing rights of way | 0:23:31 | 0:23:36 | |
and saw how the rights were being eroded, | 0:23:36 | 0:23:38 | |
and they took legal action to prevent landowners from blocking them. | 0:23:38 | 0:23:44 | |
'Campaigners undertook a series of court battles, | 0:23:44 | 0:23:47 | |
'challenging the legal right of landowners to refuse access. | 0:23:47 | 0:23:51 | |
'In 1847 they scored a significant victory.' | 0:23:51 | 0:23:55 | |
Glen Tilt, the Duke of Atholl resisted a party of students from Edinburgh University, | 0:23:55 | 0:24:01 | |
botany students, led by their Professor, picking up flowers and plants - oh, dear(!) | 0:24:01 | 0:24:07 | |
-Pretty innocent thing to do! -How terrible(!) | 0:24:07 | 0:24:10 | |
And the Duke of Atholl was there with his gillies to prevent them, and this led to a legal case | 0:24:10 | 0:24:17 | |
which asserted the right of botanists and people like us to go through Glen Tilt. | 0:24:17 | 0:24:23 | |
So now we do have the right to walk along this track? | 0:24:23 | 0:24:27 | |
Yes, they've... Early walkers, like us today, | 0:24:27 | 0:24:31 | |
-regard it as part of our heritage. -Exactly. | 0:24:31 | 0:24:33 | |
And it's a landscape that we want to see, | 0:24:33 | 0:24:36 | |
and want to encourage people to come into and enjoy. | 0:24:36 | 0:24:39 | |
Everyone should have this experience because it is just so glorious. | 0:24:39 | 0:24:43 | |
'As more and more people exercised their newly-won rights to explore the remote wilderness, | 0:24:43 | 0:24:50 | |
'many also sought a bed to rest their weary bones for the night. | 0:24:50 | 0:24:54 | |
'And even here, miles from anywhere, | 0:24:54 | 0:24:56 | |
'we are greeted by the welcome sight of the Glen Affric Youth Hostel.' | 0:24:56 | 0:25:02 | |
We're in the middle of nowhere, | 0:25:02 | 0:25:04 | |
there are no proper roads anywhere around, | 0:25:04 | 0:25:07 | |
and that place claims to be the most remote Youth Hostel in the whole of the UK. | 0:25:07 | 0:25:12 | |
I hope it's not haunted! | 0:25:12 | 0:25:14 | |
'The next morning, refreshed and rejuvenated, | 0:25:23 | 0:25:26 | |
'I'm ready to continue my journey westward to the coast. | 0:25:26 | 0:25:30 | |
'The right to roam encouraged more people to head out into the hills, | 0:25:32 | 0:25:37 | |
'and it began a new craze, | 0:25:37 | 0:25:39 | |
'which was seen as not only good for the body, | 0:25:39 | 0:25:43 | |
'but also good for the soul.' | 0:25:43 | 0:25:45 | |
Throughout the 19th century, there was a growing, church-inspired movement | 0:25:45 | 0:25:50 | |
to get the young up and off their knees and out tramping the hills. | 0:25:50 | 0:25:56 | |
'Rambling was all the rage, and the Scottish Ramblers Alliance was formed. | 0:26:00 | 0:26:05 | |
'But walking in the countryside was no mere country pursuit - | 0:26:06 | 0:26:11 | |
'it was to be educative, social and highly moral. | 0:26:11 | 0:26:15 | |
'Mixed walking was frowned upon. | 0:26:16 | 0:26:18 | |
'Falling in step with a member of the opposite sex | 0:26:19 | 0:26:23 | |
'might lead innocent ramblers to stray from the path of righteousness! | 0:26:23 | 0:26:27 | |
'But it was in the early 20th century that walking really took off, | 0:26:28 | 0:26:33 | |
'and everyone, regardless of class or gender, | 0:26:33 | 0:26:38 | |
'could enjoy the benefits of a right good yomp.' | 0:26:38 | 0:26:42 | |
To boost morale and help focus the mind, | 0:26:42 | 0:26:45 | |
clubs encouraged wholesome, merry singing to keep good Christian souls in step, | 0:26:45 | 0:26:52 | |
and this is one of them entitled The Foot Traveller's Song. | 0:26:52 | 0:26:57 | |
-HE RECITES: -On foot I gaily make my way. Hurrah! | 0:26:57 | 0:27:00 | |
Where mountains bare And meadows gay. Hurrah! | 0:27:00 | 0:27:04 | |
But he who is not of my mind Another travelling mate may find | 0:27:04 | 0:27:08 | |
For he may not go with me. Hurrah! | 0:27:08 | 0:27:13 | |
Tra-la, la-la, la-la! | 0:27:13 | 0:27:15 | |
I don't think that's quite the right tune, but you get the idea. | 0:27:15 | 0:27:18 | |
'My spirits raised by the jolly traveller's song, | 0:27:21 | 0:27:25 | |
I'm making the final push to journey's end, | 0:27:25 | 0:27:28 | |
heading for the shores of Loch Duich | 0:27:28 | 0:27:30 | |
and an icon of Scottish tourism. | 0:27:30 | 0:27:33 | |
'This is Eilean Donan castle. | 0:27:36 | 0:27:39 | |
'It's an image that's adorned millions of shortbread tins the world over. | 0:27:39 | 0:27:44 | |
'There's been a castle here since the 13th century, | 0:27:44 | 0:27:47 | |
'but it was completely destroyed following the failed Jacobite rising of 1715. | 0:27:47 | 0:27:54 | |
'What stands here today was actually built in the 1930s. | 0:27:54 | 0:27:57 | |
'But nonetheless, many people see it | 0:27:57 | 0:27:59 | |
'as the quintessential Scottish castle, | 0:27:59 | 0:28:03 | |
'and it does have star quality. | 0:28:03 | 0:28:06 | |
'Eilean Donan has been the setting for several Hollywood movies, | 0:28:06 | 0:28:10 | |
'which has made it into one of the most recognised and visited tourist attractions in Scotland.' | 0:28:10 | 0:28:17 | |
I have to say that despite its celebrity status and Hollywood associations, | 0:28:17 | 0:28:22 | |
I feel too tired to visit Eilean Donan today. | 0:28:22 | 0:28:26 | |
I think maybe I've been in the wilds a bit too long, | 0:28:26 | 0:28:29 | |
and to be honest, I don't think I could face those crowds. | 0:28:29 | 0:28:33 | |
And anyway, after my journey from coast to coast, | 0:28:33 | 0:28:36 | |
I've only got the energy to sit here, admire the view, | 0:28:36 | 0:28:42 | |
and maybe wash my socks! | 0:28:42 | 0:28:45 | |
Join me on my next Grand Tour of Scotland, | 0:28:51 | 0:28:55 | |
when I'll be looking for a bed for the night. | 0:28:55 | 0:28:57 | |
Subtitles by Red Bee Media Ltd | 0:29:04 | 0:29:08 |