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For 200 years, Scotland has attracted visitors with | 0:00:03 | 0:00:07 | |
its magnificent scenery. | 0:00:07 | 0:00:09 | |
But to get to these inspiring places, early tourists often | 0:00:10 | 0:00:14 | |
had to endure a degree of unaccustomed hardship. | 0:00:14 | 0:00:18 | |
To experience "Caledonia stern and wild", | 0:00:18 | 0:00:22 | |
many early, well-heeled tourists were faced with a bit of a problem, | 0:00:22 | 0:00:26 | |
because the further they travelled from home, the more they had to | 0:00:26 | 0:00:29 | |
sacrifice, well, certain standards of luxury which, understandably, | 0:00:29 | 0:00:34 | |
they were rather reluctant to do. | 0:00:34 | 0:00:37 | |
Scotland's reputation for comfort left a lot to be desired, | 0:00:39 | 0:00:44 | |
and some early travellers were shocked by their experience. | 0:00:44 | 0:00:47 | |
They found the standard of accommodation variable, | 0:00:47 | 0:00:50 | |
to say the least. | 0:00:50 | 0:00:51 | |
Often, there were bedbugs. | 0:00:51 | 0:00:54 | |
Sometimes there was no mattress at all! | 0:00:54 | 0:00:56 | |
And there was always the possibility of being forced to share | 0:00:56 | 0:01:01 | |
with a stranger. | 0:01:01 | 0:01:02 | |
To help anxious tourists avoid such embarrassing pitfalls, | 0:01:04 | 0:01:08 | |
guidebooks began to appear, | 0:01:08 | 0:01:10 | |
and Black's Picturesque Guide to Scotland was one of the first. | 0:01:10 | 0:01:14 | |
Published in 1846, it became the tourists' Bible. | 0:01:18 | 0:01:21 | |
A copy of this fascinating book inspired my own family when | 0:01:21 | 0:01:26 | |
we went on holiday. | 0:01:26 | 0:01:27 | |
Having salvaged Black's from the back of a bookcase, | 0:01:28 | 0:01:32 | |
I'm letting its pages guide me on a Grand Tour of Scotland, | 0:01:32 | 0:01:36 | |
following in the footsteps of the first tourists who came here, | 0:01:36 | 0:01:39 | |
hoping find a decent bed for the night. | 0:01:39 | 0:01:43 | |
My route takes me from the shores of the Firth of Forth to | 0:01:56 | 0:01:59 | |
the ancient kingdom of Fife, then on to Stirling and into | 0:01:59 | 0:02:03 | |
the luxurious and exclusive depths of rural Perthshire. | 0:02:03 | 0:02:07 | |
This is South Queensferry, described by Black's as | 0:02:11 | 0:02:15 | |
"A quaint little place at the foot of steep heights, | 0:02:15 | 0:02:19 | |
"which hem in the Firth of Forth." | 0:02:19 | 0:02:21 | |
In Black's day, tourists heading north passed along these streets | 0:02:23 | 0:02:28 | |
to take the "Queen's ferry." | 0:02:28 | 0:02:30 | |
This crossing on the Forth ran for centuries, right up until the 1960s, | 0:02:30 | 0:02:34 | |
when the traffic that kept it going was diverted, literally, overhead. | 0:02:34 | 0:02:39 | |
It's hard to imagine South Queensferry without a view of | 0:02:40 | 0:02:44 | |
these magnificent bridges, but when my copy of Black's was | 0:02:44 | 0:02:49 | |
published, they weren't here at all. | 0:02:49 | 0:02:51 | |
Now together, they may have put paid to the old Queen's ferry that | 0:02:51 | 0:02:55 | |
used to leave from this quay, but they are a magnificent sight. | 0:02:55 | 0:02:59 | |
To the west, is the road bridge, which has been carrying | 0:02:59 | 0:03:04 | |
traffic since the 1960s, while behind me here is | 0:03:04 | 0:03:07 | |
the truly spectacular rail bridge. | 0:03:07 | 0:03:10 | |
When it was opened in 1890, | 0:03:10 | 0:03:12 | |
it was the longest bridge in the entire world. | 0:03:12 | 0:03:16 | |
When the rail bridge was completed, | 0:03:19 | 0:03:21 | |
it was heralded as a symbol of modernity, | 0:03:21 | 0:03:24 | |
allowing tourists and passengers to travel north in | 0:03:24 | 0:03:27 | |
comfort and style like never before. | 0:03:27 | 0:03:31 | |
But the bridge that stands here today wasn't the one | 0:03:31 | 0:03:34 | |
originally planned. | 0:03:34 | 0:03:35 | |
It was actually redesigned after the failure of another bridge. | 0:03:35 | 0:03:40 | |
To find out more, I'm meeting architectural historian | 0:03:41 | 0:03:44 | |
Olivia Horsfall Turner. | 0:03:44 | 0:03:47 | |
Olivia, this is a fantastic, magnificent structure but it | 0:03:47 | 0:03:50 | |
could have turned out very differently. | 0:03:50 | 0:03:51 | |
dt could have looked utterly different. | 0:03:51 | 0:03:54 | |
The original design for the bridge over the Forth was | 0:03:54 | 0:03:56 | |
a suspension bridge | 0:03:56 | 0:03:58 | |
that was proposed by the engineer Thomas Bouch. | 0:03:58 | 0:04:00 | |
He had been the engineer who had produced the design for | 0:04:00 | 0:04:04 | |
the Tay Bridge, which had been hailed | 0:04:04 | 0:04:06 | |
as an amazing engineering achievement at the time. | 0:04:06 | 0:04:09 | |
But when it collapsed, public confidence was completely undermined | 0:04:09 | 0:04:14 | |
in his abilities as an engineer. | 0:04:14 | 0:04:16 | |
So how was Bouch's project picked up, then, | 0:04:16 | 0:04:19 | |
after he was effectively sacked? | 0:04:19 | 0:04:21 | |
Well, two new engineers were brought onto the project. | 0:04:21 | 0:04:24 | |
John Fowler and Benjamin Baker. | 0:04:24 | 0:04:27 | |
And they came up with a completely new design, a different | 0:04:27 | 0:04:30 | |
way of crossing the Forth, using the cantilever principle | 0:04:30 | 0:04:33 | |
rather than a suspension bridge. | 0:04:33 | 0:04:35 | |
The cantilever structure itself was very different from | 0:04:35 | 0:04:39 | |
the design for the Tay Bridge. | 0:04:39 | 0:04:41 | |
The cantilever means that the bridge is self-supporting, so | 0:04:41 | 0:04:45 | |
that different members are in compression and tension, | 0:04:45 | 0:04:49 | |
and, in fact, when it has weight on it, it becomes more strong. | 0:04:49 | 0:04:52 | |
This amazing structure has always been more than just a bridge. | 0:04:54 | 0:04:59 | |
Even before it opened, tourists from far and wide came to gaze in wonder | 0:04:59 | 0:05:03 | |
at the sheer spectacle emerging on the Forth. | 0:05:03 | 0:05:08 | |
Very quickly, while it was being constructed, | 0:05:08 | 0:05:10 | |
people started to visit | 0:05:10 | 0:05:12 | |
and were actively encouraged to visit, as well. | 0:05:12 | 0:05:14 | |
The Shah of Persia and the Emperor of Brazil | 0:05:14 | 0:05:17 | |
were both visitors at the time. | 0:05:17 | 0:05:19 | |
120 years after the opening ceremony, | 0:05:22 | 0:05:26 | |
the bridge is still regarded as an engineering marvel. | 0:05:26 | 0:05:30 | |
It's the first ever steel bridge to be built in Britain. | 0:05:30 | 0:05:34 | |
It carries a double-tracked railway two and a half kilometres across the Firth of Forth. | 0:05:34 | 0:05:39 | |
The rail deck is 46 metres above sea level, | 0:05:40 | 0:05:44 | |
while the supporting towers | 0:05:44 | 0:05:46 | |
soar 100 metres above the ships passing beneath. | 0:05:46 | 0:05:49 | |
Instantly recognisable, | 0:05:51 | 0:05:53 | |
the Forth Bridge has become a symbol of Scottishness. | 0:05:53 | 0:05:57 | |
Crossing the Firth of Forth, my journey takes me | 0:06:00 | 0:06:03 | |
to the Ancient Kingdom of Fife and a place of pilgrimage, | 0:06:03 | 0:06:07 | |
where some found a peculiarly cold bed for the night. | 0:06:07 | 0:06:10 | |
This is Dunfermline Abbey. | 0:06:15 | 0:06:17 | |
Black's makes much of Dunfermline's royal connections, | 0:06:17 | 0:06:22 | |
and to prove the point, it quotes from an ancient ballad. | 0:06:22 | 0:06:26 | |
"The king, he sits in Dunfermline toon | 0:06:26 | 0:06:30 | |
"Drinking the blood red wine." | 0:06:30 | 0:06:32 | |
The wine was drunk years ago, | 0:06:32 | 0:06:35 | |
but the king remains as, well, remains. | 0:06:35 | 0:06:39 | |
Because he's buried here. | 0:06:39 | 0:06:42 | |
As the last resting place of royalty, Dunfermline counts | 0:06:44 | 0:06:48 | |
as Scotland's Westminster Abbey. | 0:06:48 | 0:06:52 | |
There are at least eight great kings buried here, | 0:06:52 | 0:06:54 | |
including Robert the Bruce, | 0:06:54 | 0:06:56 | |
five queens, six princes, and two princesses. | 0:06:56 | 0:07:01 | |
But crucially to the story of Scottish tourism, | 0:07:01 | 0:07:05 | |
Dunfermline is the last resting place of a saintly Royal. | 0:07:05 | 0:07:08 | |
Historian Richard Oram explains how the first tourists here | 0:07:08 | 0:07:13 | |
were in fact 12th century pilgrims. | 0:07:13 | 0:07:16 | |
The most important, in many ways, of all these royals | 0:07:16 | 0:07:18 | |
that's buried here is Queen Margaret, | 0:07:18 | 0:07:20 | |
the wife of King Malcolm III, | 0:07:20 | 0:07:22 | |
and she is made a saint and she attracts pilgrims. | 0:07:22 | 0:07:27 | |
How did she get to be a saint? | 0:07:27 | 0:07:30 | |
It's the example of her life and her works in life on the one hand, | 0:07:30 | 0:07:35 | |
and then also the miraculous cures that she works after death. | 0:07:35 | 0:07:41 | |
Going on a pilgrimage had great significance in medieval Europe, | 0:07:42 | 0:07:47 | |
and Dunfermline was an internationally important destination. | 0:07:47 | 0:07:51 | |
And with the jostling, holy crowds | 0:07:51 | 0:07:54 | |
came the unholy chance to make money. | 0:07:54 | 0:07:57 | |
The descriptions we've got here are on the big feast days, | 0:07:57 | 0:08:00 | |
and the major days when the shrines were to be opened up. | 0:08:00 | 0:08:03 | |
You've got merchants, you've got hawkers, you've got pedlars. | 0:08:03 | 0:08:06 | |
They're selling what we might class as, you know, tourist tat. | 0:08:06 | 0:08:09 | |
-Right. This is an early form of tourism, of course. -Absolutely. | 0:08:09 | 0:08:13 | |
And it really powers forward a whole new segment in the economy. | 0:08:13 | 0:08:19 | |
The biggest player in this economy was the church. | 0:08:21 | 0:08:24 | |
At Dunfermline, pilgrims paid for the privilege of sleeping | 0:08:24 | 0:08:29 | |
beside St Margaret's shrine, all in the hope of a cure. | 0:08:29 | 0:08:32 | |
They'll be brought in here by their friends and a bed will be made up for them. | 0:08:34 | 0:08:38 | |
They'll sleep here overnight, and in their dream, Margaret will appear. | 0:08:38 | 0:08:43 | |
And what they're getting is a very, very clear set of instructions | 0:08:43 | 0:08:47 | |
as to what it is they've done wrong and how they can remedy the situation. | 0:08:47 | 0:08:51 | |
So you came here as a pilgrim, you were cured. | 0:08:51 | 0:08:54 | |
So you left happy, and the church is happy because you paid for the privilege. | 0:08:54 | 0:08:58 | |
Yes. And what they're doing in the middle decades of the 13th century | 0:08:58 | 0:09:04 | |
is they're compiling a portfolio of these miracles to report to Rome | 0:09:04 | 0:09:09 | |
so that Margaret can be officially canonised and made Saint Margaret. | 0:09:09 | 0:09:13 | |
Any latter-day pilgrim looking for a cure will be disappointed. | 0:09:16 | 0:09:20 | |
Although the base of St Margaret's tomb survived the Reformation, | 0:09:20 | 0:09:25 | |
her mortal remains were lost to time and memory centuries ago. | 0:09:25 | 0:09:30 | |
Travelling north from royal and saintly Dunfermline, | 0:09:32 | 0:09:36 | |
my Grand Tour of Scotland leads me to the Ochil Hills, | 0:09:36 | 0:09:40 | |
where the River Devon cuts a spectacular route through solid rock. | 0:09:40 | 0:09:44 | |
This is Rumbling Brig famed from the early days of tourism for its sublime grandeur. | 0:09:47 | 0:09:54 | |
Tourists today have the benefit of paths and handrails | 0:09:56 | 0:10:00 | |
to help them explore the dramatic gorge here, | 0:10:00 | 0:10:03 | |
but 200 years ago, this was a wild and dangerous place. | 0:10:03 | 0:10:07 | |
The scenery around here was enthusiastically described | 0:10:09 | 0:10:13 | |
by Sarah Murray, who's my all-time favourite lady tourist. | 0:10:13 | 0:10:17 | |
In 1796, she spent three months rattling around Scotland | 0:10:17 | 0:10:23 | |
in her horse and carriage, and what she found here, at Rumbling Brig, | 0:10:23 | 0:10:27 | |
chimed with the values of the age. | 0:10:27 | 0:10:30 | |
A wild beauty that spoke straight to the heart. | 0:10:30 | 0:10:34 | |
"I was conducted to a place where few, if any, women had ever ventured: the Rumbling Brig. | 0:10:35 | 0:10:43 | |
"The whole scenery is to a very great degree romantic and beautiful, | 0:10:43 | 0:10:47 | |
"and fills my mind with harmony and delight." | 0:10:47 | 0:10:51 | |
To get the best view, this redoubtable lady climbed 120 feet | 0:10:53 | 0:10:58 | |
down to the bottom of the gorge, where she sketched the scene. | 0:10:58 | 0:11:02 | |
Sarah, of course, wore a skirt and petticoats for the occasion, | 0:11:02 | 0:11:08 | |
but today, my attire is a little more practical. | 0:11:08 | 0:11:11 | |
Now I'm about to attempt to follow Sarah Murray's footsteps | 0:11:11 | 0:11:14 | |
and abseil into the gorge, | 0:11:14 | 0:11:17 | |
not that she ever abseiled, but it's the only way I'm going to get there. | 0:11:17 | 0:11:20 | |
To be honest, I'm feeling a bit apprehensive, a bit nervous, | 0:11:20 | 0:11:24 | |
but I'm in good hands, I hope, Steve. What we going to do? | 0:11:24 | 0:11:28 | |
OK, what we're going to do here is actually a series of activities. | 0:11:28 | 0:11:32 | |
-It's not just an abseil. -It's what, it's what we call a small canyoning session. -Right. | 0:11:32 | 0:11:36 | |
Albeit it's quite a big abseil, it's just a small canyoning session. | 0:11:36 | 0:11:39 | |
Canyoning is a series of activities. | 0:11:39 | 0:11:41 | |
Now, er, have many people done this abseil before into the gorge? | 0:11:41 | 0:11:45 | |
Not this particular one here, no, and I think something that I did want to stress is that | 0:11:45 | 0:11:49 | |
there are people out there that do things like this for a living, | 0:11:49 | 0:11:52 | |
they'll quite happily take people down into situations like this, | 0:11:52 | 0:11:55 | |
-but it's not something that people want to be doing on their own. -Right. | 0:11:55 | 0:11:58 | |
To my knowledge, I don't believe anybody's ever abseiled down into this canyon. | 0:11:58 | 0:12:02 | |
That's brilliant. This is pioneering stuff then. | 0:12:02 | 0:12:04 | |
-This is, this is pioneering stuff. -And I am a pioneer. -Yes, so you are, yeah. | 0:12:04 | 0:12:07 | |
-Brilliant. Let's go pioneering, then. -Let's go pioneering. | 0:12:07 | 0:12:10 | |
Obviously, abseiling wasn't an option for the intrepid Mrs Murray, | 0:12:10 | 0:12:17 | |
but I think she'd have loved this, and perhaps even more than me. | 0:12:17 | 0:12:21 | |
Sarah Murray was drawn to dramatic locations, | 0:12:22 | 0:12:26 | |
and went to great lengths, and considerable risk, | 0:12:26 | 0:12:29 | |
to experience the thrill and raw power of nature. | 0:12:29 | 0:12:33 | |
In her journal, she describes how she tried to draw the view, | 0:12:39 | 0:12:43 | |
sitting on a huge rock in the middle of the torrent. | 0:12:43 | 0:12:47 | |
"In such a situation, | 0:12:47 | 0:12:49 | |
"it is almost impossible to preserve one's head from swimming. | 0:12:49 | 0:12:53 | |
"In my attempt to sketch the scenery, I was several times obliged to shut my eyes | 0:12:53 | 0:12:58 | |
"and take fast hold of the rock, least I should drop from it into the whirling, foaming stream." | 0:12:58 | 0:13:04 | |
As you can see, this is a stupendous location. | 0:13:07 | 0:13:11 | |
And Sarah Murray would have whipped out her sketchbook and her watercolours | 0:13:11 | 0:13:15 | |
and have been busy drawing the scene. | 0:13:15 | 0:13:18 | |
Now, I'm no artist, so my camera will just have to do. | 0:13:18 | 0:13:21 | |
Mission accomplished, but now I'm faced with a bit of a problem. | 0:13:23 | 0:13:28 | |
I can't climb back up the 120-foot cliffs on either side of the gorge. | 0:13:28 | 0:13:33 | |
They are too steep and too slippery. | 0:13:33 | 0:13:35 | |
There's only one way out of here, and that's to throw myself | 0:13:35 | 0:13:39 | |
into the river and swim for it! | 0:13:39 | 0:13:41 | |
'In the middle of all this extreme sports madness, | 0:13:46 | 0:13:49 | |
'it's impossible not to ask the question - how on earth did the genteel Sarah Murray | 0:13:49 | 0:13:54 | |
'get to the bottom of this amazing gorge and start sketching?' | 0:13:54 | 0:13:59 | |
Ah! Look at that! | 0:13:59 | 0:14:01 | |
'She must have found an easier way down here, surely.' | 0:14:01 | 0:14:04 | |
This is the "Woeful town of Dollar", | 0:14:10 | 0:14:12 | |
as Sarah Murray described the place back in 1796. | 0:14:12 | 0:14:16 | |
Not to be put off, this is where I hope to recover | 0:14:16 | 0:14:19 | |
from my adventures and get a bed for the night. | 0:14:19 | 0:14:22 | |
Black's is really handy in situations like this. | 0:14:22 | 0:14:26 | |
It's absolutely stuffed full of useful tips about where to stay and how much it costs. | 0:14:26 | 0:14:33 | |
It makes fascinating reading. | 0:14:33 | 0:14:35 | |
Back then, just two shillings would get you a bed for the night. | 0:14:37 | 0:14:41 | |
But, disturbingly, a bottle of sherry | 0:14:41 | 0:14:44 | |
cost more than your accommodation. | 0:14:44 | 0:14:47 | |
Even worse, there was sometimes no wine available at all. | 0:14:47 | 0:14:50 | |
Oh, dear(!) | 0:14:50 | 0:14:52 | |
It's a relief to discover that things have moved on since Black's day. | 0:14:53 | 0:14:58 | |
There's a fully-stocked bar at the hotel in town, | 0:14:58 | 0:15:02 | |
which is where I meet up with historian Kevin James | 0:15:02 | 0:15:05 | |
over a glass or two of Rioja. | 0:15:05 | 0:15:07 | |
Kevin, what was the standard of accommodation like back then? | 0:15:07 | 0:15:10 | |
What kind of quality of bed for the night could they expect? | 0:15:10 | 0:15:14 | |
They might not be able to expect a very high quality one at all. | 0:15:14 | 0:15:17 | |
I mean, there are lots and lots of references in travelogues, | 0:15:17 | 0:15:21 | |
before the era of mass tourism, if we want to call it that, | 0:15:21 | 0:15:24 | |
of people encountering fleas | 0:15:24 | 0:15:26 | |
and sleeping on boards and even on dirt floors. | 0:15:26 | 0:15:29 | |
By Victorian times, more tourists were coming to Scotland | 0:15:29 | 0:15:32 | |
looking for accommodation, | 0:15:32 | 0:15:33 | |
and people saw a business opportunity there. | 0:15:33 | 0:15:36 | |
And there was one character in particular that became | 0:15:36 | 0:15:38 | |
quite notorious, shall we say. | 0:15:38 | 0:15:39 | |
Oh, absolutely. I mean, this is a figure who appears in | 0:15:39 | 0:15:43 | |
all kinds of both guidebooks | 0:15:43 | 0:15:44 | |
and travelogues, the so-called Scotch innkeeper. | 0:15:44 | 0:15:47 | |
And what he's most famous for is just his miserliness. | 0:15:47 | 0:15:51 | |
And exorbitant rates for food and drink, too. | 0:15:51 | 0:15:54 | |
And so a lot of travellers leave complaining that although | 0:15:54 | 0:15:56 | |
the accommodation, for instance, | 0:15:56 | 0:15:58 | |
and the board might not have been too expensive, | 0:15:58 | 0:16:02 | |
once they left the hotel, or were leaving the hotel, | 0:16:02 | 0:16:06 | |
they were presented with a bill that contained all of these additional charges | 0:16:06 | 0:16:10 | |
that added up to, occasionally, | 0:16:10 | 0:16:12 | |
much more than the cost of a night's stay, too. | 0:16:12 | 0:16:15 | |
But not a great advertisement for Scotland, surely? | 0:16:15 | 0:16:17 | |
Rather, you know, short-sighted. | 0:16:17 | 0:16:19 | |
You're not going to get very many returning guests. | 0:16:19 | 0:16:21 | |
No, it's... There's a paradox, | 0:16:21 | 0:16:24 | |
though, to the figure of the Scotch innkeeper, | 0:16:24 | 0:16:26 | |
and that is that to some extent, | 0:16:26 | 0:16:28 | |
I think people went out in search of him. | 0:16:28 | 0:16:30 | |
I think the traveller went out in search of him, | 0:16:30 | 0:16:33 | |
in part because they didn't want to stay in some anodyne hotel, | 0:16:33 | 0:16:36 | |
some cosmopolitan hotel with a German manager and a Swiss waiter. | 0:16:36 | 0:16:40 | |
Part of their motivation was to experience the culture | 0:16:40 | 0:16:43 | |
of Scotland as they saw it. The culture, in particular, | 0:16:43 | 0:16:45 | |
of the Highlanders, of the Celt, as they often described it. | 0:16:45 | 0:16:48 | |
And this meant this kind of primitive accommodation, | 0:16:48 | 0:16:51 | |
this sort of miserly figure, | 0:16:51 | 0:16:53 | |
somehow authenticated the travel experience for them. | 0:16:53 | 0:16:57 | |
Leaving Kevin to polish off the last of the Rioja, | 0:16:58 | 0:17:02 | |
I'm back on the road again. | 0:17:02 | 0:17:04 | |
'But to get to my next destination, | 0:17:04 | 0:17:06 | |
'I'm going to have to use a little ingenuity and my thumb.' | 0:17:06 | 0:17:09 | |
Now, this is something I've not done for years. | 0:17:11 | 0:17:15 | |
But as a kid, hitchhiking was the only way a 15-year-old | 0:17:15 | 0:17:20 | |
with no money could explore Scotland. | 0:17:20 | 0:17:23 | |
And I went everywhere by thumb power. | 0:17:23 | 0:17:26 | |
Nope. Better luck next time. | 0:17:31 | 0:17:33 | |
Back in the day, hitchhiking was my passport to adventure, | 0:17:35 | 0:17:39 | |
and I travelled all over Scotland | 0:17:39 | 0:17:41 | |
and the Continent with my old mate, Gus. | 0:17:41 | 0:17:44 | |
Though how we managed to get anywhere looking like this | 0:17:44 | 0:17:47 | |
is something of a marvel. | 0:17:47 | 0:17:49 | |
'But things have changed and the whole tradition of hitchhiking | 0:17:49 | 0:17:52 | |
'has been given a bad press. | 0:17:52 | 0:17:55 | |
'So let's see if anyone is brave enough to pick me up!' | 0:17:55 | 0:17:59 | |
Peugeot. Excellent! | 0:17:59 | 0:18:01 | |
Getting a lift, yes, fantastic. | 0:18:01 | 0:18:04 | |
'Result! And after only ten minutes, | 0:18:04 | 0:18:06 | |
'which has to be something of a personal record, | 0:18:06 | 0:18:09 | |
'and definitely less time than waiting for a bus.' | 0:18:09 | 0:18:13 | |
That's fantastic. Thanks very much. | 0:18:13 | 0:18:15 | |
I'll just strap myself in. | 0:18:17 | 0:18:19 | |
-Judith. -Tell me, do you often pick up hitchhikers? -No, I don't. | 0:18:19 | 0:18:23 | |
-Right. Only the respectable-looking ones. -Only respectable-looking. | 0:18:23 | 0:18:26 | |
No, actually it's something that I used to do many years ago. | 0:18:26 | 0:18:30 | |
'I'm encouraged to be given a lift so quickly. | 0:18:30 | 0:18:33 | |
'It's like going back to the days when drivers and hitchhikers | 0:18:33 | 0:18:37 | |
'shared a cheerful sense of highway camaraderie.' | 0:18:37 | 0:18:40 | |
Why do you think it is that today | 0:18:41 | 0:18:43 | |
you see fewer hitchhikers on the roads? | 0:18:43 | 0:18:46 | |
Because they're kind of like a dying breed. | 0:18:46 | 0:18:50 | |
Well...I suppose safety is a big aspect. | 0:18:50 | 0:18:55 | |
Erm... | 0:18:55 | 0:18:56 | |
But I have to say, of all the drivers who are least likely | 0:18:56 | 0:18:59 | |
to pick up a hitchhiker, | 0:18:59 | 0:19:01 | |
I would have thought a single woman would be the least likely. | 0:19:01 | 0:19:03 | |
-SHE LAUGHS -Oh, I'm quite brave. -You were the first one. | 0:19:03 | 0:19:06 | |
Am I? You can't always judge a book by the cover, as they say. | 0:19:06 | 0:19:09 | |
My brave lady driver drops me off where the River Forth | 0:19:11 | 0:19:15 | |
meanders through flat countryside near the city of Stirling. | 0:19:15 | 0:19:19 | |
I'm surprised by the sight of folks boating on the river, | 0:19:22 | 0:19:25 | |
something I've always associated with the gentler climes | 0:19:25 | 0:19:29 | |
of the English Home Counties. | 0:19:29 | 0:19:31 | |
Oarsman David Plank keeps me straight on the history | 0:19:34 | 0:19:37 | |
of Scottish rowing | 0:19:37 | 0:19:39 | |
as we pull upstream towards the city of Stirling. | 0:19:39 | 0:19:43 | |
I've always associated this type of rowing with, I suppose, | 0:19:43 | 0:19:47 | |
your privileged classes. | 0:19:47 | 0:19:49 | |
Now, is that fair? | 0:19:49 | 0:19:51 | |
Certainly not in Scotland, no. | 0:19:51 | 0:19:53 | |
It was working class people, railway porters was one group of people | 0:19:53 | 0:19:57 | |
that had their own facility in Glasgow. | 0:19:57 | 0:20:00 | |
They were a rowing club from Glasgow. So, definitely not. | 0:20:00 | 0:20:04 | |
It's a great way of exploring the city. | 0:20:04 | 0:20:07 | |
I mean, the views you get from here are really quite exceptional. | 0:20:07 | 0:20:12 | |
Well, Stirling's a lovely city anyway. | 0:20:12 | 0:20:15 | |
And to see it from our aspect is just superb. | 0:20:16 | 0:20:19 | |
'As we row on the river, we're actually following an old steamer route, | 0:20:21 | 0:20:25 | |
'which in Black's day carried tourists from South Queensferry, | 0:20:25 | 0:20:29 | |
'all the way to Stirling - a distance of 36 miles. | 0:20:29 | 0:20:33 | |
'But after the First World War, the upper reaches of the Forth | 0:20:33 | 0:20:37 | |
'ceased to carry shipping of any kind. | 0:20:37 | 0:20:40 | |
'And now, even the memory of them is fading.' | 0:20:40 | 0:20:43 | |
Back on dry land, I head into rural Perthshire, | 0:20:44 | 0:20:48 | |
looking for a bed for the night, | 0:20:48 | 0:20:50 | |
though I fear it may be a rather damp one. | 0:20:50 | 0:20:54 | |
Deep in a roan-soaked wood, I share a novel type of camping experience | 0:20:54 | 0:20:58 | |
with travel writer Jennifer Cox, | 0:20:58 | 0:21:01 | |
sheltering in an exotic tent known as a Swedish kata. | 0:21:01 | 0:21:05 | |
Well, Jennifer, sadly this is not the best weather to experience | 0:21:07 | 0:21:10 | |
life outside, but camping's got a long and illustrious history. | 0:21:10 | 0:21:15 | |
Yeah, absolutely. If you imagine | 0:21:15 | 0:21:16 | |
right the way back to the military campaigns, | 0:21:16 | 0:21:18 | |
you would have seen great quantities of men camping in the field, | 0:21:18 | 0:21:22 | |
moving from place to place. | 0:21:22 | 0:21:24 | |
And then people sort of developed a sense for being outdoors | 0:21:24 | 0:21:28 | |
but in a more controlled environment. | 0:21:28 | 0:21:30 | |
So if you think about, say, safaris, where you would take your life | 0:21:30 | 0:21:33 | |
out under the canvas, and enjoy nature, | 0:21:33 | 0:21:37 | |
but with lots of home comforts, really good cooking, | 0:21:37 | 0:21:40 | |
lots of servants, lots of feather beds. | 0:21:40 | 0:21:43 | |
So you would literally have a huge train travelling with you. | 0:21:43 | 0:21:47 | |
But in the meantime, at home, you would see things like | 0:21:47 | 0:21:50 | |
the Boys' Brigade, the Scouts, people going off and understanding | 0:21:50 | 0:21:55 | |
that nature was something special. | 0:21:55 | 0:21:58 | |
The outdoor life was celebrated and encouraged. | 0:21:59 | 0:22:03 | |
As leisure time increased, camping became an affordable holiday option, | 0:22:03 | 0:22:09 | |
especially in the years after the Second World War. | 0:22:09 | 0:22:13 | |
But affordability was also the reason for camping's demise. | 0:22:13 | 0:22:16 | |
As foreign package holidays became cheaper, | 0:22:16 | 0:22:19 | |
the simple pleasures of life under canvas fell out of favour | 0:22:19 | 0:22:23 | |
as we embraced modern luxuries. | 0:22:23 | 0:22:26 | |
But Jennifer says we lost something along the way. | 0:22:26 | 0:22:29 | |
Ironically, as we became more prosperous, | 0:22:30 | 0:22:34 | |
the idea that we were too pampered, | 0:22:34 | 0:22:37 | |
the idea that everything was laid on, | 0:22:37 | 0:22:41 | |
that everything was affordable, that technology was taking over, | 0:22:41 | 0:22:45 | |
-nature started to become more fashionable again. -Ah-ha. | 0:22:45 | 0:22:51 | |
And the idea that camping meant going out and experiencing | 0:22:51 | 0:22:56 | |
a more spiritual side, not just of nature, but of ourselves, | 0:22:56 | 0:23:01 | |
that became increasingly desirable, | 0:23:01 | 0:23:04 | |
and increasingly a holiday movement. | 0:23:04 | 0:23:08 | |
Well, do you feel we've gone back to nature here? | 0:23:08 | 0:23:10 | |
I'm looking at a gorgeous stream. | 0:23:10 | 0:23:13 | |
-Surrounded by trees. Slightly chilly. -Slightly chilly. | 0:23:13 | 0:23:16 | |
-It's got to be nature! -It's May and I can see your breath. | 0:23:16 | 0:23:19 | |
-Exactly! -That's pretty primitive. | 0:23:19 | 0:23:22 | |
THEY LAUGH | 0:23:22 | 0:23:25 | |
'Having slept like an emperor in my kata, it's time to face the elements once again. | 0:23:27 | 0:23:33 | |
'I've had enough of camping and hitching. I need to treat myself.' | 0:23:33 | 0:23:36 | |
Not too bad. Drying up. | 0:23:36 | 0:23:38 | |
'Hence, my new conveyance. | 0:23:38 | 0:23:40 | |
'A chauffeur-driven, vintage Rolls-Royce.' | 0:23:40 | 0:23:44 | |
HORN TOOTS | 0:23:44 | 0:23:45 | |
'A vehicle like this is the apotheosis of classic luxury. | 0:23:50 | 0:23:54 | |
'The smell of plush leather and polished walnut fills my nostrils | 0:23:54 | 0:23:58 | |
'as we glide through the countryside in style. | 0:23:58 | 0:24:03 | |
-'What a way to watch the world... -HORN TOOTS | 0:24:03 | 0:24:06 | |
'..and the less fortunate, go by. | 0:24:06 | 0:24:08 | |
'By the 1930s, a range of guidebooks had appeared, | 0:24:10 | 0:24:14 | |
'aimed at the growing number of people | 0:24:14 | 0:24:16 | |
'taking motoring holidays in Scotland. | 0:24:16 | 0:24:18 | |
'The motor car gave tourists a previously unimagined | 0:24:18 | 0:24:22 | |
'degree of freedom, allowing their wealthy owners | 0:24:22 | 0:24:25 | |
'to travel through the countryside in comfort and luxury.' | 0:24:25 | 0:24:29 | |
The last leg of my Grand Tour takes me into the heart of privilege, | 0:24:34 | 0:24:39 | |
where a bed for the night comes at a premium. | 0:24:39 | 0:24:42 | |
The Gleneagles Hotel is familiar | 0:24:45 | 0:24:47 | |
to the powerful and wealthy from around the world. | 0:24:47 | 0:24:51 | |
'The Scottish RAC guidebook of 1927 | 0:24:54 | 0:24:57 | |
'listed Gleneagles as 'the most expensive hotel, | 0:24:57 | 0:25:01 | |
'costing a staggering 19 shillings and sixpence a night, | 0:25:01 | 0:25:05 | |
'which comes out at 95 pence in today's money.' | 0:25:05 | 0:25:08 | |
All this and you still get change from a pound! | 0:25:08 | 0:25:12 | |
'Of course, the reality was that 19 shillings and sixpence | 0:25:13 | 0:25:17 | |
'was the equivalent of a week's wages for a manual labourer in 1927. | 0:25:17 | 0:25:22 | |
'So not so cheap after all.' | 0:25:22 | 0:25:25 | |
Now, the Royal Scottish Automobile Association imposed a rather | 0:25:25 | 0:25:29 | |
curious condition on any hotel that wanted to be included in its guidebook, | 0:25:29 | 0:25:35 | |
and that was the stipulation for a ten-yard hose. | 0:25:35 | 0:25:39 | |
And the reason was quite simple. | 0:25:39 | 0:25:41 | |
It's so that your chauffeur could wash your car. | 0:25:41 | 0:25:44 | |
Gleneagles opened in 1924 as a luxury golf hotel resort. | 0:25:47 | 0:25:53 | |
Built by the Caledonian Railway Company, with its own station, | 0:25:53 | 0:25:57 | |
Gleneagles was hailed as a Riviera in the Highlands, | 0:25:57 | 0:26:01 | |
and the eighth Wonder Of The World. | 0:26:01 | 0:26:03 | |
And the BBC acknowledged the hotel's superior credentials | 0:26:04 | 0:26:10 | |
when it chose Gleneagles as the location for the first-ever | 0:26:10 | 0:26:14 | |
Scottish radio broadcast. | 0:26:14 | 0:26:16 | |
Henry Hall, the popular composer of the time, | 0:26:16 | 0:26:20 | |
conducted his dance orchestra for the benefit of guests | 0:26:20 | 0:26:24 | |
and wireless listeners across the Empire. | 0:26:24 | 0:26:27 | |
'Leaving my chauffeur, George, to wash the car, | 0:26:28 | 0:26:32 | |
'I check into the most expensive suite at Gleneagles, | 0:26:32 | 0:26:35 | |
'The Royal Lochnagar. | 0:26:35 | 0:26:38 | |
'The manager, Patrick Elsmie, shows me around.' | 0:26:38 | 0:26:42 | |
It's a fabulous room, Patrick. | 0:26:42 | 0:26:45 | |
I suppose that Gleneagles has really kind of based its reputation | 0:26:45 | 0:26:48 | |
on the idea of privilege and exclusivity, is that not right? | 0:26:48 | 0:26:52 | |
I think people have always enjoyed coming to Gleneagles. | 0:26:52 | 0:26:54 | |
This part of Perthshire is such a fabulous place. | 0:26:54 | 0:26:57 | |
And what Gleneagles offers, and what Scotland's offered over the years | 0:26:57 | 0:27:00 | |
has really attracted people who've really wanted to come | 0:27:00 | 0:27:02 | |
to Gleneagles to enjoy accommodations like this. | 0:27:02 | 0:27:05 | |
How much would a room, or a suite like this cost you? | 0:27:05 | 0:27:08 | |
Well, of course it depends what time of the year people come, but it varies. | 0:27:08 | 0:27:12 | |
Usually during our summer months it's around £1,800 a night. | 0:27:12 | 0:27:16 | |
£1,800 a night. Is that all-in? | 0:27:16 | 0:27:19 | |
-Does that include dinner, drinks, or is that just your bed? -Bed, breakfast and VAT. | 0:27:19 | 0:27:23 | |
Now, presumably you have quite a lot of famous people staying here. | 0:27:23 | 0:27:26 | |
Well, over the years Gleneagles built its reputation, I think, on those that have come to stay here. | 0:27:26 | 0:27:31 | |
Now let me guess. | 0:27:31 | 0:27:33 | |
Is it possible that one of the Blairs or perhaps the Bushs stayed here? | 0:27:33 | 0:27:37 | |
Well, we obviously had eight very important guests that stayed at Gleneagles, | 0:27:37 | 0:27:41 | |
so you can rest assured that one of them was definitely in this particular suite, yes. | 0:27:41 | 0:27:45 | |
'Thinking of the political greats who've dipped their toe here before me, | 0:27:46 | 0:27:50 | |
'I anticipate the delights of the slipper bath.' | 0:27:50 | 0:27:54 | |
CORK POPS | 0:27:54 | 0:27:55 | |
'As I wallow in this luxury, | 0:27:57 | 0:27:59 | |
'I think of the early tourists who came to Scotland. | 0:27:59 | 0:28:02 | |
'They wanted to experience the novelty of being somewhere different, | 0:28:02 | 0:28:06 | |
'somewhere wild and romantic. | 0:28:06 | 0:28:09 | |
'But 100 years later, it's easy to find yourself shut off from the real Scotland | 0:28:09 | 0:28:15 | |
'by all this finery, and to forget the adventures of Sarah Murray and her like.' | 0:28:15 | 0:28:21 | |
Not that I'm complaining in any way. | 0:28:21 | 0:28:23 | |
And there's still plenty of adventure to be had for those willing to look for it. | 0:28:23 | 0:28:28 | |
And since I'm here, I may as well enjoy myself. | 0:28:28 | 0:28:31 | |
After all, this is a pretty fine bed for the night. | 0:28:31 | 0:28:35 | |
-Ahhh! -HE SIGHS CONTENTEDLY | 0:28:35 | 0:28:39 | |
Luxury! | 0:28:39 | 0:28:41 | |
Join me on my next Grand Tour Of Scotland | 0:28:42 | 0:28:47 | |
when I'm in Ayrshire, travelling from Burns to Butlins. | 0:28:47 | 0:28:50 |