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In the heart of central Scotland lies an area of exceptional beauty - | 0:00:07 | 0:00:12 | |
a place of quiet lochs, mesmerising reflections and mysterious woods. | 0:00:12 | 0:00:18 | |
This is an enchanted land. | 0:00:19 | 0:00:22 | |
It is hard to believe out here, but I'm just an hour's drive north | 0:00:23 | 0:00:27 | |
of Scotland's biggest bustling city, | 0:00:27 | 0:00:30 | |
and there's not a soul to be seen | 0:00:30 | 0:00:32 | |
in a stunningly beautiful landscape | 0:00:32 | 0:00:35 | |
that has cast a romantic spell over visitors for centuries. | 0:00:35 | 0:00:39 | |
Lochs are Scotland's gift to the world. | 0:00:42 | 0:00:45 | |
It's reckoned that there are more than 31,000 of them. | 0:00:45 | 0:00:50 | |
They come in all shapes and sizes, long fjord-like sea lochs, | 0:00:50 | 0:00:55 | |
great freshwater lochs of the Central Highlands, | 0:00:55 | 0:00:58 | |
and the innumerable lochans that stud the open moors | 0:00:58 | 0:01:01 | |
or nestle beneath high summits in dark mountain corries. | 0:01:01 | 0:01:05 | |
In this series I'm on a loch-hopping journey | 0:01:06 | 0:01:09 | |
across Scotland, | 0:01:09 | 0:01:11 | |
discovering how lochs have shaped the character of the people | 0:01:11 | 0:01:14 | |
who live close to their shores. | 0:01:14 | 0:01:16 | |
For this grand tour I'm heading to a place | 0:01:18 | 0:01:21 | |
where water and lochs have an almost magical quality. | 0:01:21 | 0:01:24 | |
My journey takes me from a loch | 0:01:39 | 0:01:41 | |
famous for being a lake, to the romantic charm | 0:01:41 | 0:01:45 | |
and beauty of Loch Katrine and Loch Achray in the Trossachs, | 0:01:45 | 0:01:49 | |
to finish on the summit of God's own mountain in miniature, Ben Venue. | 0:01:49 | 0:01:53 | |
This is the Lake of Menteith, | 0:01:57 | 0:02:00 | |
and is famously known as the only lake in Scotland. | 0:02:00 | 0:02:04 | |
But how did this loch become known as a lake? | 0:02:04 | 0:02:08 | |
The story goes that a 16th century Dutch map-maker was enchanted | 0:02:08 | 0:02:13 | |
and delighted by this beautiful body of water, | 0:02:13 | 0:02:16 | |
but he didn't know its name. | 0:02:16 | 0:02:18 | |
When he asked local people, | 0:02:18 | 0:02:20 | |
they thought he was referring to the whole area round about, | 0:02:20 | 0:02:24 | |
which is known in the dialect as the laich of Menteith | 0:02:24 | 0:02:28 | |
meaning a low place, a boggy place. | 0:02:28 | 0:02:31 | |
The map-maker misheard, | 0:02:31 | 0:02:33 | |
and thought they had just called this loch a lake. | 0:02:33 | 0:02:37 | |
And the name has stuck ever since. | 0:02:37 | 0:02:39 | |
The lake covers just two and a half square kilometres | 0:02:44 | 0:02:47 | |
and has three islands. | 0:02:47 | 0:02:49 | |
The largest, Inchmahome, | 0:02:49 | 0:02:51 | |
is big enough to have supported a 13th-century priory. | 0:02:51 | 0:02:55 | |
In spring and summer, a ferry carries passengers to the island. | 0:02:55 | 0:02:59 | |
Aha! Are you the ferryman? | 0:03:00 | 0:03:02 | |
-I am indeed. -Simon Lennox ferries me over. | 0:03:02 | 0:03:05 | |
He knows the lake and its history well. | 0:03:05 | 0:03:09 | |
We are heading to Inchmahome, is that right? | 0:03:09 | 0:03:10 | |
That's right, yeah. So that's Inchmahome, "inch" obviously island, | 0:03:10 | 0:03:14 | |
so island of Malcolm or island of Colm if you go | 0:03:14 | 0:03:16 | |
further back into the kind of... into the Gaelic on that. | 0:03:16 | 0:03:19 | |
So it's Malky's Island, then? | 0:03:19 | 0:03:21 | |
Malky's Island, basically, | 0:03:21 | 0:03:22 | |
if you want to drop into the vernacular on that one. | 0:03:22 | 0:03:25 | |
And who was Malky? | 0:03:25 | 0:03:27 | |
Malky was a Christian missionary back in the Dark Ages | 0:03:27 | 0:03:31 | |
who came out to spread the word of Christianity. | 0:03:31 | 0:03:35 | |
And who would have been out there? Would it have been monks out there? | 0:03:35 | 0:03:37 | |
Well, it was canons out there. | 0:03:37 | 0:03:39 | |
One of the reasons people ask why it is a priory | 0:03:39 | 0:03:41 | |
is because it was run by a prior, | 0:03:41 | 0:03:42 | |
but also it was canons there rather than monks, | 0:03:42 | 0:03:45 | |
and canons actually had a pastoral duty. | 0:03:45 | 0:03:47 | |
So rather than just being completely secluded and isolated | 0:03:47 | 0:03:50 | |
on the island, they went out to the community, effectively, | 0:03:50 | 0:03:52 | |
and kind of spread the good word, | 0:03:52 | 0:03:54 | |
ministered to the locals, all that kind of stuff. | 0:03:54 | 0:03:56 | |
Throughout history, | 0:04:02 | 0:04:04 | |
islands have been sought out as refuges from the world, | 0:04:04 | 0:04:07 | |
places of peace and quiet and contemplation. | 0:04:07 | 0:04:11 | |
An island in a loch is even more special, | 0:04:12 | 0:04:15 | |
a form of double isolation from the everyday. | 0:04:15 | 0:04:18 | |
For such a small island, | 0:04:20 | 0:04:22 | |
there's a lot of history packed into Inchmahome, | 0:04:22 | 0:04:25 | |
and it has been visited by the great and the good | 0:04:25 | 0:04:28 | |
down the centuries. | 0:04:28 | 0:04:30 | |
Robert the Bruce, no less, visited, | 0:04:30 | 0:04:32 | |
and so, too, did many of his Stuart descendants | 0:04:32 | 0:04:34 | |
including Mary Queen of Scots. | 0:04:34 | 0:04:38 | |
And when she came here, | 0:04:38 | 0:04:39 | |
she was just a little princess and only four years of age. | 0:04:39 | 0:04:42 | |
She and her mother, | 0:04:46 | 0:04:47 | |
the French Queen Marie de Guise, were hiding from an English army. | 0:04:47 | 0:04:52 | |
Henry VIII of England had wanted to force a marriage | 0:04:52 | 0:04:55 | |
between Princess Mary and his sickly son, Edward. | 0:04:55 | 0:04:59 | |
To achieve this union, an English army invaded Scotland, | 0:04:59 | 0:05:04 | |
a bloody episode known to history as the Rough Wooing. | 0:05:04 | 0:05:07 | |
Desperate to avoid capture, | 0:05:08 | 0:05:10 | |
the future Mary Queen of Scots spent three weeks on Inchmahome | 0:05:10 | 0:05:15 | |
before she and her mother fled to France. | 0:05:15 | 0:05:18 | |
It is amazing how quickly legends can develop. | 0:05:18 | 0:05:21 | |
Mary Queen of Scots was only on Inchmahome for, what, | 0:05:21 | 0:05:24 | |
less than a month, | 0:05:24 | 0:05:26 | |
but she is supposed to have planted this boxwood bower. | 0:05:26 | 0:05:29 | |
When she wasn't busy gardening or doing needlework, | 0:05:29 | 0:05:32 | |
or even learning languages, | 0:05:32 | 0:05:34 | |
she played at being Queen with an imaginary court | 0:05:34 | 0:05:38 | |
attended by the four Marys, | 0:05:38 | 0:05:40 | |
"Mary Beaton, Mary Seton, Mary Carmichael and me," | 0:05:40 | 0:05:44 | |
as the old song goes. | 0:05:44 | 0:05:45 | |
It sounds to me that Mary Queen of Scots | 0:05:45 | 0:05:48 | |
might have been a bit of a princess, | 0:05:48 | 0:05:50 | |
which is what she was. | 0:05:50 | 0:05:52 | |
It's highly unlikely that even the gifted Child Queen | 0:05:58 | 0:06:01 | |
planted the boxwood, but I'm told it's very old. | 0:06:01 | 0:06:07 | |
Old enough indeed to have been around | 0:06:07 | 0:06:09 | |
when the future Queen of Scots hid on this sequestered isle. | 0:06:09 | 0:06:12 | |
Leaving Inchmahome, | 0:06:15 | 0:06:17 | |
I head back to the shore | 0:06:17 | 0:06:18 | |
to meet my new steed which will get me to my next destination | 0:06:18 | 0:06:22 | |
in classic style. | 0:06:22 | 0:06:24 | |
Now I've very kindly and rather generously | 0:06:24 | 0:06:28 | |
been lent this 1957 Francis Barnett motorbike | 0:06:28 | 0:06:32 | |
which, I have to say, I'm approaching with some trepidation, | 0:06:32 | 0:06:36 | |
partly because she's extremely old and valuable, | 0:06:36 | 0:06:40 | |
and partly because I've only just passed my motorbike test. | 0:06:40 | 0:06:45 | |
ENGINE REVS | 0:06:45 | 0:06:48 | |
This is trickier than I thought | 0:06:54 | 0:06:56 | |
because the gear is where I would normally expect | 0:06:56 | 0:06:58 | |
the brake to be. | 0:06:58 | 0:06:59 | |
And that is because this is an old British bike, | 0:06:59 | 0:07:02 | |
and everything is a wee bit back to front. | 0:07:02 | 0:07:04 | |
Oh, let's see, get in the right gear. | 0:07:04 | 0:07:07 | |
Thankfully, it doesn't take that long to adjust. | 0:07:07 | 0:07:10 | |
And it's a rare pleasure to be rolling along | 0:07:10 | 0:07:13 | |
in the spring sunshine. | 0:07:13 | 0:07:14 | |
Heading west without mishap, I reach the village of Aberfoyle, | 0:07:19 | 0:07:23 | |
which narrowly avoided being rebranded as Scotland's fairyland. | 0:07:23 | 0:07:29 | |
Some welcome sign that would have made. | 0:07:29 | 0:07:31 | |
The reason for the rebranding proposal | 0:07:31 | 0:07:34 | |
was to market the area's fairy connections, | 0:07:34 | 0:07:37 | |
which begin and end in the old graveyard | 0:07:37 | 0:07:40 | |
just outside the village at Kirkton. | 0:07:40 | 0:07:44 | |
By a strange twist of serendipity, fate or whatever, | 0:07:44 | 0:07:48 | |
the minister of Kirkton was a Kirk in his own right, | 0:07:48 | 0:07:53 | |
being the Reverend Robert Kirk, | 0:07:53 | 0:07:55 | |
author of the celebrated book | 0:07:55 | 0:07:57 | |
The Secret Commonwealth Of Elves, Fauns And Fairies, | 0:07:57 | 0:08:01 | |
which he completed in the year of our Lord 1691. | 0:08:01 | 0:08:05 | |
And this grave marks the spot where his body lies. | 0:08:05 | 0:08:09 | |
Or does it? | 0:08:12 | 0:08:14 | |
The Reverend was a local man, | 0:08:17 | 0:08:19 | |
steeped in the Gaelic folklore of the area. | 0:08:19 | 0:08:23 | |
He claimed second sight | 0:08:23 | 0:08:24 | |
which gave him privileged access to the invisible world | 0:08:24 | 0:08:27 | |
of the fairy folk. | 0:08:27 | 0:08:29 | |
To get to know them better, | 0:08:30 | 0:08:32 | |
he took to walking on the wooded slopes of a hill | 0:08:32 | 0:08:34 | |
overlooking the village. | 0:08:34 | 0:08:36 | |
Called Doon Hill, this is the gateway to fairyland. | 0:08:36 | 0:08:40 | |
In his secret commonwealth, | 0:08:43 | 0:08:45 | |
the Reverend Kirk wrote about the spiritual beings, | 0:08:45 | 0:08:48 | |
the Sidhe of Celtic folklore that he'd encountered on the hill. | 0:08:48 | 0:08:52 | |
He explained how they lived unseen amongst us, | 0:08:52 | 0:08:56 | |
and how many human beings have a spectral fairy double. | 0:08:56 | 0:09:00 | |
There is a bit of a fairy in all of us, it seems. | 0:09:00 | 0:09:04 | |
But within a year of finishing his book, Kirk was dead. | 0:09:04 | 0:09:08 | |
And his body, or what appeared to be his body, | 0:09:08 | 0:09:11 | |
was found up here on Doon Hill. | 0:09:11 | 0:09:14 | |
But local people said that it wasn't Kirk, | 0:09:14 | 0:09:17 | |
instead, they said it was his fairy double. | 0:09:17 | 0:09:21 | |
Kirk himself had been imprisoned by the Sidhe | 0:09:21 | 0:09:24 | |
whose trust he had betrayed | 0:09:24 | 0:09:26 | |
by writing the book in the first place. | 0:09:26 | 0:09:28 | |
And some local people believe that Kirk's soul is still here, | 0:09:28 | 0:09:33 | |
trapped beneath the roots of this ancient tree, | 0:09:33 | 0:09:37 | |
the only pine... | 0:09:37 | 0:09:39 | |
..in a forest of oaks, which is really rather strange. | 0:09:40 | 0:09:44 | |
An air of enchantment hangs over Doon Hill to this day, | 0:09:48 | 0:09:53 | |
amplified by the messages and wishes | 0:09:53 | 0:09:56 | |
pinned and hung on trees and branches all around. | 0:09:56 | 0:09:59 | |
It's an echo of an ancient Highland custom | 0:09:59 | 0:10:02 | |
that the Reverend Kirk would have understood. | 0:10:02 | 0:10:06 | |
But do people here still believe in fairies? | 0:10:06 | 0:10:09 | |
Personally, I like to keep an open mind. | 0:10:10 | 0:10:13 | |
Now, I'm not saying I believe in fairies, | 0:10:13 | 0:10:15 | |
but I'm not saying I DON'T believe in fairies either. | 0:10:15 | 0:10:18 | |
Just remember what happened to the poor Reverend Kirk. | 0:10:18 | 0:10:22 | |
And be careful what you wish for. | 0:10:22 | 0:10:24 | |
Fortunately, my disappearance is only momentary, | 0:10:27 | 0:10:30 | |
and I continue my journey, unharmed by my encounter with the fairy folk, | 0:10:30 | 0:10:35 | |
following a path through ancient oak woods, | 0:10:35 | 0:10:38 | |
which once provided cover | 0:10:38 | 0:10:40 | |
for one of the most notorious outlaws in Scottish history - | 0:10:40 | 0:10:44 | |
Rob Roy MacGregor. | 0:10:44 | 0:10:46 | |
Rob Roy lived with other MacGregors in the area around Loch Arklet. | 0:10:48 | 0:10:52 | |
From here, he combined cattle raiding | 0:10:53 | 0:10:56 | |
with his support for the Jacobite cause | 0:10:56 | 0:10:58 | |
which was dedicated to restoring | 0:10:58 | 0:11:00 | |
the exiled Stuart monarchy to the British throne. | 0:11:00 | 0:11:05 | |
But defeat in 1715 brought government reprisals. | 0:11:05 | 0:11:09 | |
Troops burned houses and drove off livestock. | 0:11:09 | 0:11:13 | |
Rob Roy fled, | 0:11:13 | 0:11:14 | |
and the army built a garrison to crush future lawlessness. | 0:11:14 | 0:11:18 | |
Now that's what I call a view and a half. | 0:11:19 | 0:11:23 | |
But it's one that's changed a lot since the days of Rob Roy MacGregor. | 0:11:23 | 0:11:27 | |
Now, I've got an old map here from about 1700, | 0:11:27 | 0:11:32 | |
which shows Loch Arklet as it was | 0:11:32 | 0:11:35 | |
before it was dammed and the land flooded, back in the 19th century. | 0:11:35 | 0:11:40 | |
It's about half the size on this map as it is today. | 0:11:40 | 0:11:43 | |
Now, over there, you can see some trees, the tops of some fir trees, | 0:11:43 | 0:11:48 | |
now that is a place called Corrie Arklet. | 0:11:48 | 0:11:51 | |
It's where Rob Roy MacGregor married Helen Campbell | 0:11:51 | 0:11:54 | |
before the place was burned to the ground | 0:11:54 | 0:11:57 | |
by government troops, stationed here at A, | 0:11:57 | 0:12:02 | |
the garrison. | 0:12:02 | 0:12:03 | |
Looking for evidence of those times, | 0:12:07 | 0:12:09 | |
I make my way to the site of the garrison. | 0:12:09 | 0:12:12 | |
Unrecognisable today, it's now a bed and breakfast | 0:12:12 | 0:12:15 | |
run by Kelly Bray and her husband. | 0:12:15 | 0:12:18 | |
-Nice to meet you. -And you. | 0:12:18 | 0:12:19 | |
So this is the garrison? | 0:12:19 | 0:12:21 | |
Yeah, welcome to the Garrison of Inversnaid. | 0:12:21 | 0:12:23 | |
Doesn't look much like a garrison to me. | 0:12:23 | 0:12:25 | |
It's been put to other use, I think, since then. | 0:12:25 | 0:12:27 | |
It has indeed. So, originally it was... | 0:12:27 | 0:12:30 | |
..built by the Duke of Montrose in 1718, | 0:12:31 | 0:12:34 | |
after the first Jacobite rebellion of 1715. | 0:12:34 | 0:12:37 | |
This was a three-storey barrack block in front of us here. | 0:12:37 | 0:12:40 | |
And then our barn was a three-storey barrack block. | 0:12:40 | 0:12:42 | |
Our house is in the location | 0:12:42 | 0:12:43 | |
of what would have been a two-storey guardhouse. | 0:12:43 | 0:12:46 | |
This was the original external wall. | 0:12:46 | 0:12:48 | |
There would have been a bakehouse on the corner there | 0:12:48 | 0:12:50 | |
and another external wall there and a perimeter external wall, as well. | 0:12:50 | 0:12:54 | |
We're standing in the middle of the old parade ground, | 0:12:54 | 0:12:57 | |
and although the garrison is now enjoying life as a smallholding, | 0:12:57 | 0:13:01 | |
there's still compelling evidence as to its former usage. | 0:13:01 | 0:13:05 | |
So, just here, Paul, | 0:13:05 | 0:13:07 | |
this is where the guys when they were barracked here, | 0:13:07 | 0:13:09 | |
would sharpen their bayonets as they walked through the door here. | 0:13:09 | 0:13:12 | |
That's amazing, isn't it? | 0:13:12 | 0:13:14 | |
And it's still here. It's like a signature, almost. | 0:13:14 | 0:13:16 | |
Yeah, 300-year-old signature of the guys that were stationed here. | 0:13:16 | 0:13:20 | |
Now, the barracks are converted | 0:13:22 | 0:13:24 | |
to house Kelly's extraordinary menagerie of animals. | 0:13:24 | 0:13:28 | |
So we have two Highland heifer calves, | 0:13:30 | 0:13:32 | |
we have two pigs and four piglets, they have now. | 0:13:32 | 0:13:35 | |
We have three ewes and two lambs off of one of them. | 0:13:35 | 0:13:38 | |
We have nine hens, one cockerel, two geese. | 0:13:38 | 0:13:41 | |
And you know them all? | 0:13:41 | 0:13:42 | |
I know them all. | 0:13:42 | 0:13:43 | |
And what happens when you have to send them off to market? | 0:13:43 | 0:13:46 | |
My husband does that bit. | 0:13:46 | 0:13:47 | |
-Does he? -Yeah. I'm a vegetarian. | 0:13:47 | 0:13:49 | |
I give them love and the rearing that they need | 0:13:49 | 0:13:51 | |
to make sure that they're good meat. | 0:13:51 | 0:13:53 | |
And then he takes them off for market, yeah. | 0:13:53 | 0:13:55 | |
Leaving Kelly to feed the animals, | 0:13:58 | 0:14:00 | |
I head towards Stronachlachar, | 0:14:00 | 0:14:02 | |
which nestles on the shores of Loch Katrine, | 0:14:02 | 0:14:05 | |
by far the biggest loch in the Trossachs. | 0:14:05 | 0:14:08 | |
Since Victorian times, | 0:14:08 | 0:14:10 | |
it has supplied the city of Glasgow with drinking water. | 0:14:10 | 0:14:14 | |
Clean water's something we all take for granted | 0:14:14 | 0:14:17 | |
and don't really give much thought to at all. | 0:14:17 | 0:14:20 | |
But 150, 160 years ago, | 0:14:20 | 0:14:22 | |
it was a scarce resource in a rapidly changing world. | 0:14:22 | 0:14:26 | |
By the 19th century, | 0:14:29 | 0:14:31 | |
Glasgow's burgeoning population | 0:14:31 | 0:14:33 | |
was in desperate need of a freshwater supply. | 0:14:33 | 0:14:36 | |
Hundreds of thousands of Glaswegians | 0:14:36 | 0:14:38 | |
depended on the polluted River Clyde, | 0:14:38 | 0:14:41 | |
and drew water from just 30 wells. | 0:14:41 | 0:14:44 | |
In 1832 and in 1848, two major cholera outbreaks killed thousands. | 0:14:44 | 0:14:51 | |
Spurred into action, | 0:14:51 | 0:14:53 | |
the Corporation of Glasgow took control | 0:14:53 | 0:14:55 | |
of the city's failing water companies, | 0:14:55 | 0:14:58 | |
and set about finding a clean and healthy supply. | 0:14:58 | 0:15:01 | |
In 1856, work began to bring the crystal clear waters of Loch Katrine | 0:15:02 | 0:15:08 | |
to the heart of the industrial city. | 0:15:08 | 0:15:11 | |
Now, this was a monumental task | 0:15:11 | 0:15:13 | |
and the engineers at the time boasted | 0:15:13 | 0:15:16 | |
that nothing like it had been seen since the days of ancient Rome. | 0:15:16 | 0:15:19 | |
To show me around this monument to Victorian ingenuity and ambition, | 0:15:23 | 0:15:28 | |
I'm meeting up with Archie Stevenson | 0:15:28 | 0:15:30 | |
who shows me where Loch Katrine water | 0:15:30 | 0:15:32 | |
begins its long journey to Glasgow. | 0:15:32 | 0:15:35 | |
It flows about 26 miles from this point, | 0:15:35 | 0:15:38 | |
a drop of probably about ten inches every mile. | 0:15:38 | 0:15:42 | |
It just drops down gradually. | 0:15:42 | 0:15:44 | |
It's a great feat of engineering. | 0:15:44 | 0:15:45 | |
That's incredible. Do you know what the flow is here? | 0:15:45 | 0:15:49 | |
At the start it was 40 million gallons a day, which was... | 0:15:49 | 0:15:54 | |
They thought would be enough, but as it's developed, | 0:15:54 | 0:15:57 | |
Glasgow takes almost 90 million gallons a day. | 0:15:57 | 0:16:00 | |
-Really? -Somebody's obviously liking the water. | 0:16:00 | 0:16:03 | |
Loch Katrine lies about 41km from Glasgow, | 0:16:04 | 0:16:08 | |
and the challenges to get such huge amounts of water | 0:16:08 | 0:16:12 | |
to Scotland's largest city were immense. | 0:16:12 | 0:16:15 | |
Over the course of three years, 80 tunnels, | 0:16:16 | 0:16:19 | |
some over two and a half kilometres long, | 0:16:19 | 0:16:21 | |
were dug through the hills. | 0:16:21 | 0:16:23 | |
And 22 bridges carry the water high over river valleys. | 0:16:23 | 0:16:28 | |
Over 3,000 navvies were employed | 0:16:28 | 0:16:30 | |
to complete this extraordinary undertaking. | 0:16:30 | 0:16:34 | |
You're talking about 1850s, | 0:16:34 | 0:16:36 | |
there wouldn't have been any electric lights. | 0:16:36 | 0:16:38 | |
They didn't have any mechanical digging equipment, did they? | 0:16:38 | 0:16:41 | |
This is all hewn out by human muscle, blood, sweat and tears. | 0:16:41 | 0:16:45 | |
Blood, sweat and tears, and a real undertaking. | 0:16:45 | 0:16:47 | |
Now, tell me, what's the water like here to taste? | 0:16:47 | 0:16:50 | |
It's probably the best water in the world, so it is. | 0:16:50 | 0:16:53 | |
Biased, but by far the best. | 0:16:53 | 0:16:56 | |
The opening ceremony | 0:16:58 | 0:17:00 | |
of the Loch Katrine water supply took place in 1859, | 0:17:00 | 0:17:04 | |
with Queen Victoria as guest of honour. | 0:17:04 | 0:17:07 | |
Now, it was, of course, | 0:17:08 | 0:17:10 | |
a very wet day when the great Queen arrived with Prince Albert | 0:17:10 | 0:17:14 | |
and two of her daughters, | 0:17:14 | 0:17:15 | |
as reported by the Scotsman of the time. | 0:17:15 | 0:17:17 | |
"The rain," it says, "poured down in incessant torrents, | 0:17:17 | 0:17:21 | |
"soaking everyone to the skin." | 0:17:21 | 0:17:24 | |
Fortunately, the Queen was able to avail herself of all the mod cons | 0:17:27 | 0:17:32 | |
of the modern world in a purpose-built cottage nearby, | 0:17:32 | 0:17:36 | |
just in case she was caught short. | 0:17:36 | 0:17:38 | |
Royal Cottage, as it's now known, was a very expensive umbrella, | 0:17:40 | 0:17:44 | |
with royal loos attached. | 0:17:44 | 0:17:46 | |
Meanwhile, the Queen turned a ceremonial handle, | 0:17:46 | 0:17:50 | |
opening the sluice gates to allow Loch Katrine's water | 0:17:50 | 0:17:53 | |
to begin its slow progress to Glasgow. | 0:17:53 | 0:17:56 | |
And in the pouring rain, a military band played the National Anthem, | 0:17:56 | 0:18:00 | |
and several cannons fired a Royal Salute. | 0:18:00 | 0:18:04 | |
CANNONS FIRE | 0:18:04 | 0:18:06 | |
GLASS SHATTERS | 0:18:08 | 0:18:09 | |
According to popular myth, | 0:18:09 | 0:18:11 | |
the shock waves produced by so much explosive going off | 0:18:11 | 0:18:15 | |
shattered the windows of the Queen's cottage. | 0:18:15 | 0:18:17 | |
When the time came for the Queen to leave, | 0:18:21 | 0:18:24 | |
she was transported across the loch by a steamer, | 0:18:24 | 0:18:28 | |
a stylish and noble tradition that continues to this day. | 0:18:28 | 0:18:31 | |
STEAMER HORN BLOWS | 0:18:31 | 0:18:33 | |
This is the steamship Sir Walter Scott, | 0:18:34 | 0:18:37 | |
named after the famous author | 0:18:37 | 0:18:39 | |
who did so much to popularise this part of Scotland | 0:18:39 | 0:18:42 | |
with his romantic novels and poems. | 0:18:42 | 0:18:45 | |
Up on the bridge, I joined the captain, Debbie Whyte. | 0:18:45 | 0:18:49 | |
Why were you so keen to become a skipper of a steamship? | 0:18:49 | 0:18:51 | |
I don't know. I really liked being out on the boat. | 0:18:53 | 0:18:56 | |
It's so different, you know, | 0:18:56 | 0:18:58 | |
it's not like being in an office or anything like that. | 0:18:58 | 0:19:02 | |
It was one of the other skippers, actually, | 0:19:02 | 0:19:04 | |
who'd said to me, "Why don't you go for it?" | 0:19:04 | 0:19:05 | |
And I kind of laughed at him. And he was like, "What's so funny?" | 0:19:05 | 0:19:08 | |
And I went, "I've never really thought about it." | 0:19:08 | 0:19:10 | |
-So I just... It felt like a challenge. -Yeah? -Yeah. | 0:19:10 | 0:19:13 | |
I've been here for six years. | 0:19:13 | 0:19:14 | |
The surroundings are still amazing. | 0:19:14 | 0:19:16 | |
There is a lot going on in your head, though... | 0:19:16 | 0:19:19 | |
..because you're always constantly aware of what could go wrong, | 0:19:20 | 0:19:23 | |
or the weather, things like that. | 0:19:23 | 0:19:26 | |
So, my head's very busy. | 0:19:26 | 0:19:29 | |
-A lot to think about. -Yeah. | 0:19:29 | 0:19:30 | |
There's an awful lot to think about. | 0:19:30 | 0:19:32 | |
And this is a really historic boat, as well. | 0:19:32 | 0:19:34 | |
Yeah, 118 years old. | 0:19:34 | 0:19:36 | |
118 years old? | 0:19:36 | 0:19:37 | |
-Yeah. -Do you know where she was built? | 0:19:37 | 0:19:40 | |
She was built in Dumbarton, by William Denny Brothers. | 0:19:40 | 0:19:43 | |
-Right. -Then she did her sea trials to Arran and back. | 0:19:43 | 0:19:47 | |
Dismantled, put into sections, took her up the River Leven, | 0:19:47 | 0:19:51 | |
across Loch Lomond to Inversnaid. | 0:19:51 | 0:19:53 | |
Then they got horse and carts to drag her to Stronachlachar. | 0:19:53 | 0:19:56 | |
-In bits? -In pieces, yeah. | 0:19:56 | 0:19:58 | |
-Five sections. -Really? | 0:19:58 | 0:19:59 | |
Yeah, then they reassembled her and launched her in October of 1899. | 0:19:59 | 0:20:03 | |
And she's been sailing here ever since. | 0:20:03 | 0:20:05 | |
Can I possibly have a shot? | 0:20:05 | 0:20:06 | |
-Aye, of course you can. -Really? -Yeah. | 0:20:06 | 0:20:08 | |
Fantastic. Being at the helm of such a historic boat. | 0:20:09 | 0:20:14 | |
Debbie communicates with the engine room using the ship's telegraph, | 0:20:18 | 0:20:22 | |
which signals everything from full steam ahead, dead slow, to stop. | 0:20:22 | 0:20:26 | |
Leaving her at the wheel, | 0:20:29 | 0:20:31 | |
I head off to find out what powers this little ship. | 0:20:31 | 0:20:33 | |
Below deck, I squeeze in beside the ship's engineer, Derek Dunn. | 0:20:35 | 0:20:39 | |
We're standing beside an extraordinary piece of engineering. | 0:20:39 | 0:20:43 | |
What is this machine? | 0:20:43 | 0:20:44 | |
She is an 1899 Matthew and Paul triple expansion steam engine | 0:20:44 | 0:20:49 | |
built in Dumbarton. | 0:20:49 | 0:20:51 | |
And she's never really been touched very much. | 0:20:51 | 0:20:55 | |
-She's almost original. -Mostly original? | 0:20:55 | 0:20:57 | |
-Mostly original. -That's amazing, isn't it? | 0:20:57 | 0:20:59 | |
And this is steam that's propelling us along? | 0:20:59 | 0:21:02 | |
Hot water, boiling water. | 0:21:02 | 0:21:03 | |
Yes. I think she is the only steam propelled, | 0:21:03 | 0:21:06 | |
passenger-carrying vessel on fresh water in Scotland. | 0:21:06 | 0:21:10 | |
But I can tell from the way you're talking about this engine, | 0:21:10 | 0:21:12 | |
you're quite passionate about steam. | 0:21:12 | 0:21:15 | |
Well, I was a ship's engineer, and I started off life on steamships. | 0:21:15 | 0:21:19 | |
And then coming here at the end of my working career, | 0:21:19 | 0:21:22 | |
it's an absolute pleasure to be on the vessel. | 0:21:22 | 0:21:24 | |
-It really is. -Yeah. -I've been here about three and a half years now, | 0:21:24 | 0:21:27 | |
and every day's an experience. | 0:21:27 | 0:21:29 | |
I suppose it's an honour to be associated with this engine, | 0:21:31 | 0:21:34 | |
and to give a couple of years of my life | 0:21:34 | 0:21:36 | |
just to maintain her and make sure she continues to run. | 0:21:36 | 0:21:39 | |
And, hopefully, when I go, | 0:21:39 | 0:21:41 | |
somebody else will take on the mantle and run her properly. | 0:21:41 | 0:21:44 | |
It's clear that Derek is a man in love with engineering, | 0:21:46 | 0:21:50 | |
which is just as well, given the heat and noise of the engine room. | 0:21:50 | 0:21:54 | |
But for me, it's time to take some fresh air and a turn on deck, | 0:21:54 | 0:21:59 | |
where I admire the passing scenery, | 0:21:59 | 0:22:01 | |
and reflect on the man this little ship is named after - | 0:22:01 | 0:22:05 | |
Sir Walter Scott, whose pen made the loch world-famous. | 0:22:05 | 0:22:09 | |
Now, views like these inspired Sir Walter Scott | 0:22:09 | 0:22:13 | |
to write his epic poem | 0:22:13 | 0:22:15 | |
The Lady Of The Lake. | 0:22:15 | 0:22:17 | |
And when it was published in 1810, it caused a sensation, | 0:22:17 | 0:22:21 | |
selling over 25,000 copies in just six months. | 0:22:21 | 0:22:26 | |
The lake of his poem was Loch Katrine, | 0:22:29 | 0:22:32 | |
and the lady in question, | 0:22:32 | 0:22:34 | |
Ellen Douglas, was caught in a web of love, intrigue and murder. | 0:22:34 | 0:22:39 | |
The book triggered floods of visitors | 0:22:39 | 0:22:42 | |
to see for themselves the scenes of the drama. | 0:22:42 | 0:22:44 | |
Scott believed that wild nature was the guiding force of mankind, | 0:22:47 | 0:22:53 | |
not reason or logic. | 0:22:53 | 0:22:54 | |
Other famous romantics followed him, | 0:22:56 | 0:22:58 | |
including the poets Wordsworth and Coleridge, | 0:22:58 | 0:23:01 | |
and painters like John Knox, | 0:23:01 | 0:23:04 | |
who transformed the landscape they saw | 0:23:04 | 0:23:06 | |
into an idealised romantic world. | 0:23:06 | 0:23:09 | |
About 50 years later, | 0:23:10 | 0:23:12 | |
two like-minded friends and a young bride | 0:23:12 | 0:23:15 | |
followed the romantic trail | 0:23:15 | 0:23:16 | |
right here to the heart of the Trossachs. | 0:23:16 | 0:23:19 | |
They were the Pre-Raphaelite painter John Millais, his friend, | 0:23:19 | 0:23:23 | |
the great Victorian art critic, John Ruskin, | 0:23:23 | 0:23:27 | |
and his young bride Effie Gray. | 0:23:27 | 0:23:28 | |
What happened when they holidayed here together at Brig o' Turk, | 0:23:29 | 0:23:33 | |
near the shores of the magical and mysterious Loch Achray | 0:23:33 | 0:23:38 | |
caused a scandal and a flood of speculation. | 0:23:38 | 0:23:42 | |
Millais joined Ruskin and his wife Effie on holiday | 0:23:44 | 0:23:48 | |
because he'd been commissioned to paint Ruskin's portrait. | 0:23:48 | 0:23:52 | |
After a long search, he found the perfect location in Glen Finglas, | 0:23:52 | 0:23:57 | |
above the village. | 0:23:57 | 0:23:58 | |
Now, my own quest is to find the exact same spot, | 0:23:58 | 0:24:02 | |
which isn't easy after all those years. | 0:24:02 | 0:24:05 | |
But to help me, I've got this postcard of the portrait, | 0:24:05 | 0:24:09 | |
which must have been made somewhere down here near the river. | 0:24:09 | 0:24:12 | |
OK, a bit slippery, these rocks here, got to be careful. | 0:24:15 | 0:24:18 | |
But I think this may well be Ruskin's stone, | 0:24:18 | 0:24:22 | |
the spot that Ruskin stood on for has portrait painting by Millais. | 0:24:22 | 0:24:26 | |
He must have been over there somewhere. | 0:24:26 | 0:24:28 | |
We've got the waterfall behind me. | 0:24:28 | 0:24:30 | |
We've got a waterfall behind Ruskin here. | 0:24:30 | 0:24:33 | |
You can clearly see a rock, looks like the head of a lizard, | 0:24:33 | 0:24:36 | |
very similar to that rock behind me. | 0:24:36 | 0:24:39 | |
Now, since then, obviously, that tree has fallen, filling in the gap. | 0:24:39 | 0:24:43 | |
But I reckon this is the spot where this portrait was made. | 0:24:43 | 0:24:47 | |
And the whole idea behind it was to try and express something | 0:24:47 | 0:24:50 | |
that both Ruskin and Millais shared about the nature of art | 0:24:50 | 0:24:53 | |
and the kind of art that Millais excelled at, | 0:24:53 | 0:24:57 | |
and that was painting from nature in the open air. | 0:24:57 | 0:25:01 | |
But it did more than that, | 0:25:01 | 0:25:03 | |
because it helped end Ruskin's marriage to Effie Gray. | 0:25:03 | 0:25:06 | |
Effie was young, outgoing and playful, | 0:25:09 | 0:25:12 | |
unlike her socially awkward husband Ruskin, | 0:25:12 | 0:25:14 | |
who was ten years her senior. | 0:25:14 | 0:25:17 | |
He'd met Effie when she was just nine, | 0:25:17 | 0:25:20 | |
and had courted her for many years. | 0:25:20 | 0:25:23 | |
Seeing off younger rivals, | 0:25:23 | 0:25:24 | |
he'd narrowly avoided a duel because of her. | 0:25:24 | 0:25:27 | |
But their marriage was a disaster, | 0:25:28 | 0:25:31 | |
and Effie fell in love with the charismatic Millais here | 0:25:31 | 0:25:34 | |
among the hills and lochs of the Trossachs. | 0:25:34 | 0:25:37 | |
She eventually asked for an annulment | 0:25:37 | 0:25:39 | |
on the grounds that her union with Ruskin had never been consummated. | 0:25:39 | 0:25:45 | |
The hearing that followed led to salacious gossip and rumour, | 0:25:45 | 0:25:49 | |
which Ruskin did nothing to contradict. | 0:25:49 | 0:25:51 | |
It was even suggested that Ruskin had never seen a naked woman before | 0:25:52 | 0:25:57 | |
in the flesh, and was shocked to discover | 0:25:57 | 0:26:00 | |
that the female body was not like the smooth and unblemished forms, | 0:26:00 | 0:26:04 | |
that, as an art critic, he was used to. | 0:26:04 | 0:26:07 | |
Odd for a man who believed in the moral power of raw nature. | 0:26:07 | 0:26:11 | |
I just wonder what Ruskin was thinking about | 0:26:13 | 0:26:15 | |
when he posed for his portrait. | 0:26:15 | 0:26:17 | |
Did he know that Effie and Millais were already in love? | 0:26:17 | 0:26:21 | |
Whatever the truth behind this love triangle, | 0:26:21 | 0:26:24 | |
Effie, at least, seems to have found happiness, | 0:26:24 | 0:26:27 | |
because she went on to have eight children with Millais. | 0:26:27 | 0:26:30 | |
Ruskin, on the other hand, never married again. | 0:26:30 | 0:26:33 | |
The enchanted landscape of loch and wooded hill | 0:26:39 | 0:26:43 | |
had woven its spell over Ruskin and Millais. | 0:26:43 | 0:26:46 | |
Love had blossomed and died beneath the shadow | 0:26:46 | 0:26:49 | |
of one of the prettiest mountains in Scotland, | 0:26:49 | 0:26:52 | |
which is my final destination in my grand tour from lake to loch. | 0:26:52 | 0:26:57 | |
Ben Venue is a Highland mountain in miniature, | 0:27:00 | 0:27:03 | |
rising in rugged grandeur above Loch Achray and Loch Katrine. | 0:27:03 | 0:27:08 | |
Early guidebooks to the area waxed lyrical about Ben Venue, | 0:27:10 | 0:27:14 | |
and quoted Scott's Lady Of The Lake to make the point. | 0:27:14 | 0:27:18 | |
"Crags and knolls and mounds confusedly hurled | 0:27:18 | 0:27:21 | |
"The fragments of an earlier world." | 0:27:21 | 0:27:24 | |
Because of Scott's famous poem, | 0:27:25 | 0:27:27 | |
Ben Venue became one of the earliest and most popular peaks | 0:27:27 | 0:27:31 | |
to be climbed for pleasure in Scotland. | 0:27:31 | 0:27:34 | |
Since then, clothing and footwear might have changed a good deal, | 0:27:34 | 0:27:39 | |
but the mountain in miniature hasn't got any lower, | 0:27:39 | 0:27:42 | |
and it's still a stiff climb to reach the summit, | 0:27:42 | 0:27:45 | |
where countless thousands have stood before. | 0:27:45 | 0:27:49 | |
Ooh! Here we are. | 0:27:49 | 0:27:51 | |
At last. At last, at last. | 0:27:51 | 0:27:55 | |
The summit of Ben Venue. | 0:27:55 | 0:27:56 | |
Just kiss the cairn, as you do. | 0:27:58 | 0:27:59 | |
Now, this might not be a particularly mighty peak, | 0:28:01 | 0:28:04 | |
but the views live up to all the expectations of Scott | 0:28:04 | 0:28:08 | |
and the Romantic artists that came after him. | 0:28:08 | 0:28:11 | |
Down there is Loch Arklet, and behind me is Loch Katrine, | 0:28:11 | 0:28:16 | |
and down there is Loch Achray, | 0:28:16 | 0:28:19 | |
which makes this the perfect place for me | 0:28:19 | 0:28:22 | |
to end my grand tour from lake to loch. | 0:28:22 | 0:28:26 |