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'For centuries, travellers have found a safe haven | 0:00:05 | 0:00:09 | |
'and sanctuary among the islands of the Hebrides.' | 0:00:09 | 0:00:12 | |
This landscape of sheltered bays, sweeping horizons | 0:00:14 | 0:00:18 | |
and distant headlands has drawn a host of visitors, | 0:00:18 | 0:00:22 | |
all looking to escape the turmoil of the modern world. | 0:00:22 | 0:00:26 | |
'In this series, I'm on a grand tour of the Scottish islands, | 0:00:28 | 0:00:32 | |
'visiting the Orkneys in the north, | 0:00:32 | 0:00:35 | |
'and travelling as far as the island of Gigha in the southwest. | 0:00:35 | 0:00:39 | |
'Generations of travellers have set out to explore | 0:00:42 | 0:00:44 | |
'the magic of the Scottish islands. | 0:00:44 | 0:00:47 | |
'I'm following in their footsteps, exploring remote | 0:00:47 | 0:00:51 | |
'and fascinating places scattered around our coastline | 0:00:51 | 0:00:54 | |
'and meeting the people who call these islands home.' | 0:00:54 | 0:00:59 | |
-Hairpin left. Oh, sorry about that. -Come on, Paul, keep up. | 0:00:59 | 0:01:02 | |
'For this grand tour, I'm heading for Mull | 0:01:02 | 0:01:04 | |
'and its satellite islands, discovering why they've | 0:01:04 | 0:01:08 | |
'become bolt holes from the hustle and bustle of the modern world.' | 0:01:08 | 0:01:12 | |
The Isle of Mull is the second largest island | 0:01:25 | 0:01:28 | |
of the Inner Hebrides, lying close to the coast of Argyll. | 0:01:28 | 0:01:32 | |
My voyage takes me around its deeply indented 300-mile coastline, | 0:01:32 | 0:01:38 | |
where I'll visit offshore islands | 0:01:38 | 0:01:40 | |
that have offered both a refuge and an inspiration. | 0:01:40 | 0:01:43 | |
'I've joined the crew of this traditional fishing boat | 0:01:46 | 0:01:49 | |
'as we set off to sail around the Ross of Mull - | 0:01:49 | 0:01:53 | |
'a long peninsula that thrusts into the dangerous Atlantic.' | 0:01:53 | 0:01:57 | |
I'm heading to the beautifully named island of Erraid, | 0:01:58 | 0:02:02 | |
sailing through a scattering of rocky islets and skerries. | 0:02:02 | 0:02:05 | |
It's just over there. | 0:02:05 | 0:02:07 | |
'Mark Jardine is the skipper of this beautifully restored ketch, | 0:02:10 | 0:02:13 | |
'which operates as a charter vessel in the waters around Mull.' | 0:02:13 | 0:02:18 | |
It's a very gentle breeze, but it's just serving our purpose. | 0:02:18 | 0:02:21 | |
How long do you think it will take us at this speed? | 0:02:21 | 0:02:24 | |
-We're doing 1.4 knots. -It could take... -A couple of hours. | 0:02:24 | 0:02:26 | |
It could take a day trip to go just to Erraid today. | 0:02:26 | 0:02:29 | |
'The seas here are full of hazards to shipping - | 0:02:31 | 0:02:35 | |
'reefs and skerries known collectively as the Torran Rocks.' | 0:02:35 | 0:02:39 | |
In this day and age, with modern navigational aids, | 0:02:40 | 0:02:43 | |
it's a lot easier, but it's still an area to treat with respect. | 0:02:43 | 0:02:48 | |
-A lot of those rocks are just below the surface. -Deadly, then. | 0:02:48 | 0:02:52 | |
-Just ready to get you. -Hopefully we're going to avoid them. | 0:02:52 | 0:02:56 | |
The great thing is to avoid getting | 0:02:56 | 0:02:58 | |
a rock named after your skipper, you know? | 0:02:58 | 0:03:00 | |
The Torran Rocks took such a toll | 0:03:02 | 0:03:04 | |
on shipping that a lighthouse was eventually commissioned. | 0:03:04 | 0:03:08 | |
Designed by Thomas Stevenson, of the famous family of civil engineers, | 0:03:08 | 0:03:13 | |
it's known as the lighthouse of Dubh Artach - the black rock. | 0:03:13 | 0:03:17 | |
Construction began in 1867 and ran for five years. | 0:03:20 | 0:03:25 | |
Thomas Stevenson was the father of Robert Louis Stevenson, | 0:03:25 | 0:03:29 | |
who penned such classics as Kidnapped and Treasure Island. | 0:03:29 | 0:03:33 | |
As a young boy, | 0:03:33 | 0:03:35 | |
Stevenson came to know this corner of Scotland very well indeed. | 0:03:35 | 0:03:39 | |
Erraid is a small island, covering just one square mile. | 0:03:42 | 0:03:48 | |
When the lighthouse of Dubh Artach was under construction, | 0:03:48 | 0:03:51 | |
Erraid became the workers' base. | 0:03:51 | 0:03:54 | |
The young Robert Louis Stevenson visited here, | 0:03:54 | 0:03:57 | |
walking along these shell sands, drinking in the atmosphere. | 0:03:57 | 0:04:01 | |
This was the imaginative source | 0:04:03 | 0:04:05 | |
behind Stevenson's tropical Treasure Island | 0:04:05 | 0:04:08 | |
and also the location that the writer chose | 0:04:08 | 0:04:11 | |
for the shipwrecked hero of Kidnapped, David Balfour, | 0:04:11 | 0:04:14 | |
to pull himself ashore, | 0:04:14 | 0:04:16 | |
having spent the night clinging to a broken mast. | 0:04:16 | 0:04:19 | |
"In about an hour of kicking and splashing, | 0:04:23 | 0:04:25 | |
"I had got well in between the points of a sandy bay | 0:04:25 | 0:04:29 | |
"surrounded by low hills. | 0:04:29 | 0:04:32 | |
"The sea was here quite quiet. | 0:04:32 | 0:04:34 | |
"There was no sound of any surf and I thought in my heart I had | 0:04:34 | 0:04:38 | |
"never seen a place so desert and desolate." | 0:04:38 | 0:04:43 | |
David Balfour thought he was marooned here on Erraid, | 0:04:43 | 0:04:47 | |
cut off from the outside world. | 0:04:47 | 0:04:49 | |
And, for a few days, he was forced to eat a diet of | 0:04:49 | 0:04:52 | |
shellfish and limpets, | 0:04:52 | 0:04:54 | |
until he discovered that Erraid is an island only at high tide. | 0:04:54 | 0:05:00 | |
At low tide, it was quite possible to walk from the island to Mull. | 0:05:00 | 0:05:04 | |
He must have felt such a chump! | 0:05:04 | 0:05:07 | |
Reaching Mull - without getting my feet wet - I'm faced with | 0:05:11 | 0:05:14 | |
the problem of how to explore the island's many highways and byways. | 0:05:14 | 0:05:20 | |
In order to get around this beautiful island, | 0:05:20 | 0:05:23 | |
I've chosen a green form of transport - | 0:05:23 | 0:05:26 | |
this electric bike. | 0:05:26 | 0:05:28 | |
Now, I've been told that the batteries are charged | 0:05:28 | 0:05:30 | |
with electricity that comes from wind turbines. | 0:05:30 | 0:05:33 | |
So let's see if I can go like the wind! | 0:05:33 | 0:05:37 | |
Ooh! Yes, yes, we're off! | 0:05:37 | 0:05:40 | |
'Hmm. No faster than a moderate breeze. | 0:05:43 | 0:05:47 | |
'But quietly comfortable and sedate. | 0:05:47 | 0:05:50 | |
'Plenty of time to take in the scenery | 0:05:50 | 0:05:52 | |
'as I make my way around the rocky coast | 0:05:52 | 0:05:55 | |
'and through a landscape of towering rocks and big skies. | 0:05:55 | 0:05:59 | |
'Close to the village of Bunessan, | 0:06:02 | 0:06:04 | |
'I come to a memorial at a crossroads.' | 0:06:04 | 0:06:07 | |
This unassuming monument is dedicated to | 0:06:08 | 0:06:10 | |
the memory of Mary MacDonald, who was born in 1789. | 0:06:10 | 0:06:15 | |
Now, Mary never left the island but her legacy travelled the world. | 0:06:15 | 0:06:21 | |
ORGAN PLAYS: Morning Has Broken | 0:06:21 | 0:06:23 | |
'Mary wrote the original Gaelic hymn which, in the 20th century, became | 0:06:23 | 0:06:28 | |
'Morning Has Broken - a smash hit that was covered by many a popster, | 0:06:28 | 0:06:34 | |
'from Cat Stevens, Demis Roussos and even the whistling Roger Whittaker. | 0:06:34 | 0:06:39 | |
'With the tune of Morning Has Broken going around inside my head, | 0:06:44 | 0:06:49 | |
'I cycle to towards Glen Forsa, which, according to the guide books, | 0:06:49 | 0:06:53 | |
'is the location for one of the prettiest airports in the country. | 0:06:53 | 0:06:58 | |
'Or should that be airfield? | 0:06:58 | 0:07:00 | |
'I meet the manager, David Howitt, at the control tower-cum-shed. | 0:07:03 | 0:07:08 | |
'David's connection with Glen Forsa goes back to the early days | 0:07:10 | 0:07:13 | |
'when the airfield was opened in 1966. | 0:07:13 | 0:07:17 | |
'Since then, he's met a host of illustrious aviators | 0:07:17 | 0:07:20 | |
'who've touched down here.' | 0:07:20 | 0:07:23 | |
They've varied. | 0:07:23 | 0:07:24 | |
From Robert Morley, Robert Wagner, Bette Davis, | 0:07:24 | 0:07:29 | |
Tom Cruise. | 0:07:29 | 0:07:30 | |
-Tom Cruise came here? -Yeah. -Top Gun himself? -Top Gun himself. | 0:07:30 | 0:07:34 | |
Yes indeed. Delightful man as well. | 0:07:34 | 0:07:35 | |
I had the pleasure of driving him around the island. | 0:07:35 | 0:07:38 | |
Among the rich and famous to visit Glen Forsa was a veteran pilot and | 0:07:40 | 0:07:44 | |
musician who arrived on Christmas Eve 1975 to celebrate his birthday. | 0:07:44 | 0:07:50 | |
Peter Gibbs would become the focus of this country's | 0:07:51 | 0:07:54 | |
most perplexing aviation mystery. | 0:07:54 | 0:07:56 | |
During World War II, he had been a Spitfire pilot, | 0:07:59 | 0:08:02 | |
seeing action in North Africa and at D-Day. | 0:08:02 | 0:08:06 | |
In peacetime, he began a musical career as a professional violinist. | 0:08:06 | 0:08:12 | |
That Christmas Eve, | 0:08:12 | 0:08:14 | |
he enjoyed a birthday meal with his girlfriend and then surprised | 0:08:14 | 0:08:18 | |
everyone by deciding to fly a night-time circuit of the airfield. | 0:08:18 | 0:08:22 | |
He was never seen alive again. | 0:08:23 | 0:08:25 | |
What he did is he took off, climbed out over the Sound of Mull | 0:08:25 | 0:08:28 | |
and then performed a basic circuit as it's called in aviation. | 0:08:28 | 0:08:32 | |
And you saw this take place? | 0:08:32 | 0:08:33 | |
Oh, I was standing right there, watching it. | 0:08:33 | 0:08:36 | |
The basic circuit is downwind and then you turn on what is | 0:08:36 | 0:08:39 | |
known as base leg, before you turn onto what is known as final - | 0:08:39 | 0:08:42 | |
the final approach. You usually lose aircraft behind the trees - | 0:08:42 | 0:08:46 | |
you can see the trees there - | 0:08:46 | 0:08:47 | |
when they go to turn onto final, for a minute or so, | 0:08:47 | 0:08:52 | |
maybe not as long as that. 30 seconds or so. | 0:08:52 | 0:08:54 | |
They're obscured by the trees. | 0:08:54 | 0:08:56 | |
So we were expecting him to come back in but he never did. | 0:08:56 | 0:08:58 | |
It soon became clear that Peter Gibbs was never coming back. | 0:09:01 | 0:09:06 | |
Despite the efforts of an RAF search and rescue team, | 0:09:06 | 0:09:09 | |
neither he nor his aircraft could be found. | 0:09:09 | 0:09:13 | |
It was as if Peter Gibbs had vanished from the face of the earth. | 0:09:13 | 0:09:17 | |
Four months later, his body was found by a shepherd, | 0:09:19 | 0:09:21 | |
Donald MacKinnon. It was found 400 feet up a hill just about a mile | 0:09:21 | 0:09:25 | |
-and a half down the road from here. -Was there an autopsy on the body? | 0:09:25 | 0:09:28 | |
Oh, yes. An RAF dentist actually confirmed, | 0:09:28 | 0:09:31 | |
without any doubt at all, it was Peter Gibbs by dental records. And... | 0:09:31 | 0:09:35 | |
-And what was the cause of death? -Exposure. -Exposure? -Yeah. | 0:09:35 | 0:09:39 | |
-There were no injuries? -Slight grazing on the left shin. | 0:09:39 | 0:09:43 | |
That was it. | 0:09:43 | 0:09:44 | |
If Peter Gibbs had been killed in a plane crash, | 0:09:45 | 0:09:48 | |
you would expect him to have suffered serious injuries. | 0:09:48 | 0:09:52 | |
You'd also expect wreckage to have been found nearby. | 0:09:52 | 0:09:56 | |
But there was nothing. | 0:09:56 | 0:09:58 | |
So where was the missing plane? | 0:09:58 | 0:10:01 | |
The aircraft had done a...you know, just disappeared completely | 0:10:01 | 0:10:05 | |
but the tyre and wheel, which I still have here, | 0:10:05 | 0:10:07 | |
they were washed up across the shore. | 0:10:07 | 0:10:09 | |
Since Peter Gibbs' mysterious death, | 0:10:13 | 0:10:15 | |
there have been several claims to have found | 0:10:15 | 0:10:17 | |
the aircraft in the seas around Mull, none of them conclusive. | 0:10:17 | 0:10:22 | |
So did Gibbs ditch in the sea and swim ashore? | 0:10:22 | 0:10:27 | |
What militates against that is the fact that the fatal accident enquiry, | 0:10:27 | 0:10:30 | |
both the RAF doctor and the pathologist, | 0:10:30 | 0:10:32 | |
said there was absolutely no trace of saltwater or marine deposits | 0:10:32 | 0:10:36 | |
in the flying boots or the clothing or the watch. | 0:10:36 | 0:10:39 | |
-It's a mystery, isn't it? I mean, I'm flummoxed. -Inexplicable. | 0:10:39 | 0:10:43 | |
All kinds of wild speculation has grown up | 0:10:46 | 0:10:49 | |
around the mysterious death of Peter Gibbs | 0:10:49 | 0:10:52 | |
and it's incredible to think that, after all these years, | 0:10:52 | 0:10:56 | |
there's so many questions that remain unanswered. | 0:10:56 | 0:10:59 | |
'Leaving the perplexing and disturbing tale | 0:11:03 | 0:11:06 | |
'of Peter Gibbs behind, it's time to move on. | 0:11:06 | 0:11:09 | |
'Lying close to Mull's western shore is Ulva - the wolf's island. | 0:11:10 | 0:11:16 | |
'Today, it's almost forgotten by the world | 0:11:16 | 0:11:18 | |
'but, like a lot of Scottish islands, | 0:11:18 | 0:11:21 | |
'its current status belies its historical importance. | 0:11:21 | 0:11:24 | |
'From Ulva Ferry, a short crossing in an open boat takes | 0:11:26 | 0:11:29 | |
'visitors from Mull to the island.' | 0:11:29 | 0:11:32 | |
For over 1,000 years, | 0:11:33 | 0:11:35 | |
Ulva was owned by the ancient Clan MacQuarrie | 0:11:35 | 0:11:38 | |
until the last chief was forced to sell up | 0:11:38 | 0:11:40 | |
to pay off his debts in the 18th century. | 0:11:40 | 0:11:43 | |
Back then, about 700 people lived on the island. | 0:11:43 | 0:11:47 | |
Today, the population is just seven | 0:11:47 | 0:11:50 | |
and none of them are MacQuarries. | 0:11:50 | 0:11:52 | |
But, despite the loss their ancestral home, | 0:11:52 | 0:11:54 | |
the influence of Clan MacQuarrie on world affairs has been enormous. | 0:11:54 | 0:11:59 | |
Lachlan MacQuarrie was born on Ulva in 1762, | 0:12:02 | 0:12:07 | |
a poor relative of the last MacQuarrie chief. | 0:12:07 | 0:12:10 | |
Like many impoverished Gaels, | 0:12:10 | 0:12:12 | |
Lachlan found an opportunity for advancement in the Army. | 0:12:12 | 0:12:16 | |
Rising through the ranks, MacQuarrie was appointed | 0:12:17 | 0:12:20 | |
governor of New South Wales and the notorious prison colony there. | 0:12:20 | 0:12:24 | |
'His enlightened and progressive approach to governorship | 0:12:24 | 0:12:28 | |
'helped Australia to become established as a country | 0:12:28 | 0:12:31 | |
'and not just a dumping ground for convicts.' | 0:12:31 | 0:12:34 | |
MacQuarrie's success earned him the fortune he desired as a young man | 0:12:36 | 0:12:40 | |
and, at the age of 45, he was able to return to Mull | 0:12:40 | 0:12:44 | |
and buy his uncle's estate. | 0:12:44 | 0:12:45 | |
'But Lachlan's homecoming wasn't easy. | 0:12:49 | 0:12:52 | |
'The government refused to award him | 0:12:52 | 0:12:54 | |
'the pension he thought he was entitled to. | 0:12:54 | 0:12:57 | |
'On a trip to London to plead his case, he fell ill and died. | 0:12:57 | 0:13:02 | |
'According to his wishes, he was buried on Mull, | 0:13:04 | 0:13:07 | |
'close to the island of his birth.' | 0:13:07 | 0:13:09 | |
This inscription proclaims him as "the father of Australia" | 0:13:12 | 0:13:17 | |
and, with so many places named after him, | 0:13:17 | 0:13:19 | |
from MacQuarrie Street in Sydney to the MacQuarrie River, | 0:13:19 | 0:13:23 | |
perhaps that's no exaggeration. | 0:13:23 | 0:13:25 | |
For a man who'd spent all his adult life overseas, | 0:13:26 | 0:13:30 | |
it's appropriate that Lachlan MacQuarrie chose | 0:13:30 | 0:13:33 | |
to end his days here, enfolded among the hills of his native land. | 0:13:33 | 0:13:38 | |
It is very peaceful here. | 0:13:39 | 0:13:41 | |
ENGINE ROARS | 0:13:41 | 0:13:43 | |
Mull might be an idyllic island sanctuary but, once a year, | 0:13:46 | 0:13:50 | |
the tranquillity is shattered by the arrival of 150 rally cars, | 0:13:50 | 0:13:55 | |
taking part in the famous Mull Rally. | 0:13:55 | 0:13:58 | |
'Emerging through the dust cloud is rally driver Louise Thomson, | 0:14:05 | 0:14:09 | |
'a Mull local and one of the few female competitors.' | 0:14:09 | 0:14:13 | |
Louise, that was quite an entrance. How are you doing? | 0:14:13 | 0:14:16 | |
-I'm good, thank you. Lovely to meet you. -And you, too. -Yeah. | 0:14:16 | 0:14:19 | |
Now, the Mull Rally, Louise, | 0:14:19 | 0:14:21 | |
is a really important event in the motorsport calendar. | 0:14:21 | 0:14:23 | |
-How did you get involved in it? -I got involved through | 0:14:23 | 0:14:26 | |
my family being involved 45 years ago when the rally first started. | 0:14:26 | 0:14:31 | |
My father was involved with the organising committee | 0:14:31 | 0:14:34 | |
-and then he competed as well. -Right, so it's in your blood, is it? -Yes. | 0:14:34 | 0:14:38 | |
Yeah, it is. I navigated first with a female driver | 0:14:38 | 0:14:42 | |
and I competed, I think, about six times as a navigator. | 0:14:42 | 0:14:46 | |
-But I always thought that women had a terrible sense of direction. -Oh! | 0:14:46 | 0:14:49 | |
The female navigators are very, very good. | 0:14:49 | 0:14:52 | |
I'm thinking of possibly joining you cos I'm a pretty good map reader, | 0:14:52 | 0:14:56 | |
very good navigator, so I reckon that I'd love the opportunity | 0:14:56 | 0:15:00 | |
of sitting beside you for a while and see if I can't get you lost. | 0:15:00 | 0:15:03 | |
-No, that's absolutely great, yeah. -OK? -Yeah, no problem. Let's jump in. | 0:15:03 | 0:15:08 | |
ENGINE ROARS/TYRES SCREECH | 0:15:08 | 0:15:10 | |
-Is it a serious competition... -Yes. -..the Mull Rally? -Very serious. | 0:15:13 | 0:15:17 | |
People take it very seriously. It's a challenge. | 0:15:17 | 0:15:20 | |
It's a very tough challenge on the driver and on the car. | 0:15:20 | 0:15:23 | |
How is it rated in the rallying world? | 0:15:24 | 0:15:27 | |
-It's rated as the best rally in the world. -Really? -Yes. | 0:15:27 | 0:15:31 | |
Do you think the single-track roads have got something to do with that? | 0:15:31 | 0:15:35 | |
Absolutely, yes. | 0:15:35 | 0:15:36 | |
And how fast do these cars go? | 0:15:36 | 0:15:38 | |
This little car can do probably close to 100mph | 0:15:39 | 0:15:43 | |
and the top guys, at top speed, are probably going 120, 130-plus mph. | 0:15:43 | 0:15:50 | |
At these speeds, and on these roads, reaction time is key. | 0:15:50 | 0:15:56 | |
I'm beginning to see how crucial the navigator's job is. | 0:15:56 | 0:16:00 | |
I need to know... When you're driving at high speed, you need to know | 0:16:00 | 0:16:03 | |
whether the bend's going left or right and the degree of the bend. | 0:16:03 | 0:16:08 | |
Otherwise, if you get it wrong, we could have a serious accident. | 0:16:08 | 0:16:11 | |
'Oh, dear. | 0:16:13 | 0:16:15 | |
'I hope I haven't overestimated my navigation skills.' | 0:16:15 | 0:16:18 | |
A flat crest and flat... Oh! | 0:16:19 | 0:16:23 | |
-Hairpin left? -A hairpin left. | 0:16:23 | 0:16:27 | |
-Oh, sorry about that. -Come on, Paul, keep up. -A long square right. | 0:16:27 | 0:16:31 | |
Caution. Medium left over bridge. | 0:16:32 | 0:16:35 | |
Flat right. 500. | 0:16:37 | 0:16:40 | |
Flat left over crest. | 0:16:46 | 0:16:47 | |
400. | 0:16:50 | 0:16:51 | |
Well, I think I've passed the test. | 0:16:55 | 0:16:58 | |
We've managed to cover what seems to be most of Mull | 0:16:58 | 0:17:01 | |
in the blink of an eye and without serious incident. | 0:17:01 | 0:17:05 | |
But I can't say I'll be sorry to get back on my bike | 0:17:05 | 0:17:08 | |
and make a more sedate entrance at my next destination. | 0:17:08 | 0:17:12 | |
Tobermory - Mary's Well in Gaelic - is the capital of Mull | 0:17:16 | 0:17:21 | |
and largest town and home to about 700 people. | 0:17:21 | 0:17:25 | |
Although, in the summer months, | 0:17:25 | 0:17:28 | |
tourists swell the population several times over. | 0:17:28 | 0:17:31 | |
Tobermory Bay is a great natural harbour | 0:17:31 | 0:17:34 | |
and has been used as a safe anchorage for centuries. | 0:17:34 | 0:17:38 | |
In a yacht moored in the bay, | 0:17:39 | 0:17:41 | |
I'm meeting a man for whom sailing became a way of life | 0:17:41 | 0:17:45 | |
and a means of escaping the pressures of the modern world. | 0:17:45 | 0:17:49 | |
'Hamish Haswell-Smith has been voyaging among the Scottish islands | 0:17:49 | 0:17:53 | |
'for over 50 years.' | 0:17:53 | 0:17:55 | |
Hamish, you are the author of the celebrated, I have to say, | 0:17:55 | 0:17:59 | |
Scottish Islands, a true Bible for any sailor or | 0:17:59 | 0:18:02 | |
lover of the West Coast of Scotland, and it's very many varied islands. | 0:18:02 | 0:18:06 | |
In fact, this is part of the inspiration behind my own journey. | 0:18:06 | 0:18:09 | |
Now, I'm fascinated to know | 0:18:09 | 0:18:11 | |
what was your attraction to the Scottish islands? | 0:18:11 | 0:18:14 | |
I think it's the sheer variety | 0:18:14 | 0:18:18 | |
but coupled with the fact of the number of lovely anchorages. | 0:18:18 | 0:18:23 | |
And the other thing I like with Scotland is you can | 0:18:23 | 0:18:25 | |
get on some of the small, uninhabited islands and you can feel, | 0:18:25 | 0:18:30 | |
"I'm the first person ever to stand on this island," | 0:18:30 | 0:18:33 | |
which you know you're not, really, but you can imagine you are. | 0:18:33 | 0:18:37 | |
One of the delightful things about this book, | 0:18:37 | 0:18:39 | |
apart from the historical information, is the way that | 0:18:39 | 0:18:42 | |
you've illustrated it with your own line drawings and watercolours. | 0:18:42 | 0:18:47 | |
Now, for someone without an artistic sensibility, | 0:18:47 | 0:18:51 | |
what's so inspiring about the islands of the West Coast? | 0:18:51 | 0:18:55 | |
Well, I think the light is certainly one of the things. | 0:18:55 | 0:18:58 | |
You get all the effects of light here. | 0:18:58 | 0:19:01 | |
A place like, say, Iona has attracted so many painters | 0:19:01 | 0:19:04 | |
because the light is something that's quite different. | 0:19:04 | 0:19:07 | |
You've got beautiful, white shell sands, you've got wonderful sea | 0:19:09 | 0:19:15 | |
of turquoises and greens and blues and all sorts of lovely colours. | 0:19:15 | 0:19:19 | |
'I love taking photographs. | 0:19:19 | 0:19:22 | |
'But, unlike me, Hamish captures treasured moments with | 0:19:22 | 0:19:26 | |
'exquisitely drawn sketches and water colours. | 0:19:26 | 0:19:31 | |
'He makes it look so easy.' | 0:19:31 | 0:19:33 | |
Is this Castlebay? It's just a few lines | 0:19:34 | 0:19:36 | |
but it's instantly recognisable | 0:19:36 | 0:19:38 | |
because of Kisimul Castle. It's wonderful. | 0:19:38 | 0:19:42 | |
Even when it's raining, | 0:19:42 | 0:19:44 | |
if you're out at sea and suddenly a little bit clears | 0:19:44 | 0:19:48 | |
and there's a shaft of sunlight comes shining down and it catches | 0:19:48 | 0:19:53 | |
an island or some distant mountains, | 0:19:53 | 0:19:57 | |
the number of potential paintings that you can make out of all that | 0:19:57 | 0:20:03 | |
is absolutely fantastic. | 0:20:03 | 0:20:05 | |
The ancient and mysterious Inch Kenneth is one of the many | 0:20:07 | 0:20:11 | |
islands described in Hamish's book. | 0:20:11 | 0:20:15 | |
For centuries, people have come here to find peace and sanctuary. | 0:20:15 | 0:20:19 | |
Inch Kenneth is one of | 0:20:19 | 0:20:21 | |
the most historically important islands in all of Scotland. | 0:20:21 | 0:20:24 | |
Like Iona, it was once a significant religious centre and, as a result, | 0:20:24 | 0:20:29 | |
there are a number of high status burials | 0:20:29 | 0:20:31 | |
surrounding the island's ruined chapel. | 0:20:31 | 0:20:34 | |
'It's the tiniest of islands - a sheltered crescent of fertile land | 0:20:38 | 0:20:43 | |
'nestling beneath the stark and forbidding cliffs of Ben More.' | 0:20:43 | 0:20:47 | |
As well as high-ranking members of Clan MacLean, | 0:20:49 | 0:20:53 | |
kings of Scotland and Norway are also buried here. | 0:20:53 | 0:20:57 | |
Perhaps the island's most famous recent owners were the Mitfords, | 0:20:58 | 0:21:02 | |
a minor aristocratic English family. | 0:21:02 | 0:21:05 | |
They bought the island in the politically turbulent 1930s | 0:21:05 | 0:21:09 | |
and they themselves were ideologically divided | 0:21:09 | 0:21:12 | |
between communism on one side and fascism on the other. | 0:21:12 | 0:21:16 | |
During the war, Inch Kenneth became a refuge | 0:21:18 | 0:21:20 | |
for the most notorious member of the family - | 0:21:20 | 0:21:23 | |
the hapless Unity Mitford, who took her love for fascism | 0:21:23 | 0:21:28 | |
and for Adolf Hitler to personal extremes. | 0:21:28 | 0:21:31 | |
'Writer Lorn Macintyre, himself from Mull, takes me into | 0:21:33 | 0:21:37 | |
'the Mitfords' island home where Unity Mitford hid from the world.' | 0:21:37 | 0:21:41 | |
How did she get to know Hitler? How did Unity get to know him? | 0:21:42 | 0:21:45 | |
-Well, Unity is an example of a modern stalker. -Right. | 0:21:45 | 0:21:50 | |
She went to a restaurant in Munich | 0:21:50 | 0:21:52 | |
called the Osteria Bavaria and she sat, day after day, | 0:21:52 | 0:21:55 | |
Friday after Friday, cos she knew that Hitler | 0:21:55 | 0:21:58 | |
and his henchmen, plus his dog, came in for lunch. | 0:21:58 | 0:22:03 | |
And, in time, it paid off | 0:22:03 | 0:22:05 | |
because Hitler then invited her across for lunch. | 0:22:05 | 0:22:08 | |
And, of course, he became smitten with her | 0:22:08 | 0:22:10 | |
because he saw her as an English rose. | 0:22:10 | 0:22:13 | |
She was a very beautiful woman, she was aristocratic, etc. | 0:22:13 | 0:22:16 | |
Unity Mitford became the English voice of the Nazi Party in Germany. | 0:22:19 | 0:22:24 | |
In the lead up to war, she addressed massed political rallies | 0:22:24 | 0:22:28 | |
and delivered anti-Semitic speeches. | 0:22:28 | 0:22:31 | |
She was infatuated with Hitler. | 0:22:31 | 0:22:34 | |
When Austria was taken over by the Nazis in 1938, | 0:22:34 | 0:22:37 | |
she had special tickets to go there | 0:22:37 | 0:22:39 | |
and she raced her car to Vienna to welcome her beloved Fuehrer. | 0:22:39 | 0:22:44 | |
-She was... For Unity... -Oh, yes, she... | 0:22:44 | 0:22:46 | |
-..the Fuehrer was "the beloved Fuehrer". -Oh, yes. | 0:22:46 | 0:22:48 | |
The beloved Fuehrer, until the end of her days. | 0:22:48 | 0:22:52 | |
In this house... | 0:22:52 | 0:22:53 | |
..Hitler could do no wrong. | 0:22:54 | 0:22:56 | |
When Unity was told about the millions of Jews | 0:22:56 | 0:23:00 | |
that had died in gas chambers, she said, "Not at all. | 0:23:00 | 0:23:03 | |
"They died in an epidemic." | 0:23:03 | 0:23:05 | |
Idolising the Fuehrer, Unity loved being at Hitler's side. | 0:23:07 | 0:23:12 | |
But when Britain declared war on Germany in 1939, | 0:23:12 | 0:23:17 | |
her world fell apart. | 0:23:17 | 0:23:19 | |
How did Unity react when war was declared on Germany? | 0:23:20 | 0:23:23 | |
She had a little revolver. | 0:23:23 | 0:23:25 | |
She went into the English garden on the Sunday morning in Munich | 0:23:25 | 0:23:29 | |
and she shot herself in the head because she said she could | 0:23:29 | 0:23:32 | |
not bear her beloved Germany and her beloved Britain to be at war. | 0:23:32 | 0:23:39 | |
Unity was a broken woman when she returned to Inch Kenneth | 0:23:41 | 0:23:45 | |
with a bullet lodged in her brain. | 0:23:45 | 0:23:47 | |
Her condition and the remoteness of Inch Kenneth made Unity | 0:23:50 | 0:23:54 | |
an exile from the world. | 0:23:54 | 0:23:56 | |
Isolated and alone, she spent the last few years | 0:23:57 | 0:24:00 | |
of her life in a fantasy world, | 0:24:00 | 0:24:03 | |
conducting imaginary services in the ruined chapel | 0:24:03 | 0:24:06 | |
and staring out to sea, | 0:24:06 | 0:24:08 | |
perhaps in the hope of signalling to a passing U-boat. | 0:24:08 | 0:24:11 | |
The end came in 1948. | 0:24:12 | 0:24:15 | |
'She contracted meningitis and was taken to the mainland, | 0:24:15 | 0:24:19 | |
'where she died with the bullet still in her brain.' | 0:24:19 | 0:24:22 | |
She was just 34. | 0:24:23 | 0:24:25 | |
'It's time to put some distance between me, | 0:24:28 | 0:24:30 | |
'Inch Kenneth and the doleful memories of sad Unity Mitford | 0:24:30 | 0:24:35 | |
'and her devotion to the Nazi cause. | 0:24:35 | 0:24:38 | |
'In fact, I feel it's time for a little therapy.' | 0:24:38 | 0:24:42 | |
And to get it, I'm heading for the Treshnish Islands, | 0:24:42 | 0:24:45 | |
which lie in a chain about three miles west of Mull. | 0:24:45 | 0:24:50 | |
'To get to there, I'm joining Iain Morrison, who regularly makes | 0:24:50 | 0:24:54 | |
'the crossing with visitors who are all hoping to meet | 0:24:54 | 0:24:57 | |
'the island's rather special inhabitants.' | 0:24:57 | 0:25:00 | |
-Iain, what is the island right on the bow here? -That's Lunga. | 0:25:00 | 0:25:04 | |
This is the one we are headed for now. This is where we go every day. | 0:25:04 | 0:25:08 | |
Does anyone live on Lunga? | 0:25:08 | 0:25:10 | |
No. No. Just puffins and guillemots and razorbills and kittiwakes | 0:25:10 | 0:25:15 | |
and fulmars and shags and a whole lot of other birds. | 0:25:15 | 0:25:18 | |
-So it's a sea bird city. -Absolutely. Absolutely. | 0:25:18 | 0:25:21 | |
For those uninitiated in the ways of the wild, | 0:25:23 | 0:25:26 | |
getting ashore on Lunga can be something of an ordeal. | 0:25:26 | 0:25:30 | |
'And once safely on land, you are here to stay, | 0:25:30 | 0:25:33 | |
'at least until the boat returns with the jetty. | 0:25:33 | 0:25:37 | |
'And then what? | 0:25:38 | 0:25:40 | |
'There's nothing much here. | 0:25:40 | 0:25:41 | |
'Except the puffins, of course. | 0:25:41 | 0:25:43 | |
'And there are plenty of them to entertain | 0:25:43 | 0:25:46 | |
'even the most cynical of city dwellers.' | 0:25:46 | 0:25:49 | |
-Iain, why do people come out here to Lunga? -Well, you can see them | 0:25:49 | 0:25:52 | |
all arrayed along the edge of the cliff there. These are the boys, | 0:25:52 | 0:25:55 | |
these puffins. That's the whole reason. | 0:25:55 | 0:25:57 | |
But they do come out for all the other birdlife as well. | 0:25:57 | 0:25:59 | |
Thousands of guillemots and lots of other sea birds. | 0:25:59 | 0:26:02 | |
That's the main reason. | 0:26:02 | 0:26:03 | |
What would you say is the great allure of puffins | 0:26:03 | 0:26:06 | |
over other sea birds? | 0:26:06 | 0:26:08 | |
They're very, very attractive. Very comical. | 0:26:08 | 0:26:11 | |
Some places, they call them sea parrots. | 0:26:11 | 0:26:15 | |
Various other names that they've got that indicate a comical creature, | 0:26:15 | 0:26:20 | |
I think. And the way they get about, they kind of puff around. | 0:26:20 | 0:26:23 | |
-Do you think we identify with them in some way? -Probably. | 0:26:23 | 0:26:26 | |
I think we're probably quite like them, really. | 0:26:26 | 0:26:28 | |
I believe that's why they're studying us. You know, | 0:26:28 | 0:26:30 | |
I tell people that they're doing an ongoing study of homo sapiens | 0:26:30 | 0:26:34 | |
and they should be...the people should be on their best behaviour. | 0:26:34 | 0:26:37 | |
Iain describes these encounters as puffin therapy - | 0:26:39 | 0:26:42 | |
a way of decluttering the urban mind and getting close to nature. | 0:26:42 | 0:26:47 | |
People feel, or seem to be a lot happier | 0:26:48 | 0:26:51 | |
when they come off this island after two hours communing with | 0:26:51 | 0:26:54 | |
these creatures than they are when they arrive. | 0:26:54 | 0:26:57 | |
I love them more than any other little bird on this whole planet. | 0:26:58 | 0:27:02 | |
I just adore them. | 0:27:02 | 0:27:03 | |
They don't seem bothered when we're, you know, inches away. | 0:27:04 | 0:27:07 | |
They seem quite happy. | 0:27:07 | 0:27:09 | |
It seems some kind of mutual respect between humans and animals. | 0:27:09 | 0:27:12 | |
It's brilliant. I've never seen it anywhere else. | 0:27:12 | 0:27:15 | |
Last year we missed out on this tour. We couldn't get on it. | 0:27:15 | 0:27:18 | |
So we came back, really, this year, just to come and see the puffins | 0:27:18 | 0:27:22 | |
and it's been incredible. | 0:27:22 | 0:27:23 | |
I think that's what I love about them. | 0:27:23 | 0:27:26 | |
The humour of the birds. They're very funny. | 0:27:26 | 0:27:28 | |
I just wish I could talk their language. | 0:27:28 | 0:27:31 | |
Having achieved a positive and contented mental state, | 0:27:35 | 0:27:38 | |
I leave the puffins and their soothing vibes, | 0:27:38 | 0:27:41 | |
to wander higher on the island. | 0:27:41 | 0:27:43 | |
'Until the 1820s, | 0:27:45 | 0:27:47 | |
'Lunga was inhabited and boasted a population of about 20. | 0:27:47 | 0:27:52 | |
'Amazing to think that people once lived out here. | 0:27:52 | 0:27:55 | |
'Leaving the empty houses with the ghosts of a lost way of life, | 0:27:59 | 0:28:02 | |
'I climb to the highest point on this tiny island.' | 0:28:02 | 0:28:06 | |
Wow. Look at that. The view from here is truly magnificent. | 0:28:08 | 0:28:12 | |
A great sweep of islands on the horizon, | 0:28:12 | 0:28:16 | |
from Iona and Erraid to the south of me, | 0:28:16 | 0:28:19 | |
behind me, Ben More and Ulva | 0:28:19 | 0:28:22 | |
and, below me, the Treshnish islands, | 0:28:22 | 0:28:25 | |
all of them offering respite from the modern world. | 0:28:25 | 0:28:29 | |
'Join me on my next Grand Tour | 0:28:31 | 0:28:34 | |
'when I'll be lost in the mists on Jura, | 0:28:34 | 0:28:37 | |
'and luxuriating in the gardens of Gigha.' | 0:28:37 | 0:28:41 |