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The islands of the west coast of Scotland are not just beautiful, | 0:00:06 | 0:00:10 | |
they are incredibly varied. | 0:00:10 | 0:00:12 | |
Hop on a ferry from one to the other | 0:00:12 | 0:00:15 | |
and it's like travelling to another country. | 0:00:15 | 0:00:17 | |
And while the islands I'm travelling to | 0:00:20 | 0:00:22 | |
are very different in character, | 0:00:22 | 0:00:25 | |
they each have their own allure - | 0:00:25 | 0:00:28 | |
the romantic idea of escape and sanctuary. | 0:00:28 | 0:00:31 | |
For centuries, the magic of the Scottish islands | 0:00:35 | 0:00:38 | |
has drawn travellers to these shores. | 0:00:38 | 0:00:41 | |
'I'm exploring the remote and fascinating places | 0:00:44 | 0:00:47 | |
'scattered around our coastline...' | 0:00:47 | 0:00:49 | |
Any chance of a lift? | 0:00:49 | 0:00:50 | |
'..and meeting the people who call these islands home.' | 0:00:50 | 0:00:54 | |
Hold on to your hats! | 0:00:54 | 0:00:55 | |
This time, the islands I'm visiting are striking in their contrast - | 0:00:55 | 0:01:01 | |
from the lush and fertile Gigha | 0:01:01 | 0:01:03 | |
to the rugged wilderness of Jura. | 0:01:03 | 0:01:06 | |
Both have become destinations for people | 0:01:06 | 0:01:08 | |
who are looking for a new island life. | 0:01:08 | 0:01:11 | |
My grand tour down the west coast of Scotland | 0:01:22 | 0:01:25 | |
sees me set sail | 0:01:25 | 0:01:27 | |
for the often overlooked islands of the Inner Hebrides. | 0:01:27 | 0:01:31 | |
My first stop is the beautiful island of Gigha, | 0:01:31 | 0:01:34 | |
and from there, I'll be heading for Jura | 0:01:34 | 0:01:37 | |
and attempting to navigate | 0:01:37 | 0:01:38 | |
the infamous waters of the Corryvreckan | 0:01:38 | 0:01:41 | |
before scaling the famous Paps. | 0:01:41 | 0:01:44 | |
My journey starts with a short ferry crossing | 0:01:45 | 0:01:48 | |
to tiny Gigha. | 0:01:48 | 0:01:49 | |
It's a place of Vikings and saints, | 0:01:50 | 0:01:53 | |
and because of its fertile soils and fair climate, | 0:01:53 | 0:01:57 | |
it was once known as "God's Island". | 0:01:57 | 0:02:00 | |
Gigha is a charming island with a unique character. | 0:02:02 | 0:02:06 | |
In 1773, this was a port of call | 0:02:07 | 0:02:10 | |
for the extremely well-travelled Welsh naturalist Thomas Pennant. | 0:02:10 | 0:02:15 | |
Pennant was on a mission to report and inform - | 0:02:18 | 0:02:22 | |
he believed that most people in Britain | 0:02:22 | 0:02:24 | |
knew more about foreign countries than they did about their own. | 0:02:24 | 0:02:28 | |
So to remedy this, he embarked on a Hebridean voyage. | 0:02:28 | 0:02:32 | |
In his journal, he wrote - "Land on Gigha - | 0:02:36 | 0:02:40 | |
"an island about six miles long and one broad. | 0:02:40 | 0:02:44 | |
"The most eastern of the Hebrides, | 0:02:44 | 0:02:46 | |
"with its vast bed of most pure and fine sand. | 0:02:46 | 0:02:50 | |
"A mixture of rock, pasture and arable land | 0:02:50 | 0:02:53 | |
"with no high hills." | 0:02:53 | 0:02:55 | |
He also observed something else | 0:02:58 | 0:03:00 | |
that is not often said about a Scottish island. | 0:03:00 | 0:03:03 | |
"The weather is extremely fine." | 0:03:03 | 0:03:05 | |
And it's true - it is! | 0:03:06 | 0:03:09 | |
What with its sandy bays and balmy sea air, | 0:03:09 | 0:03:12 | |
at times, it seems almost tropical. | 0:03:12 | 0:03:15 | |
BIRDS CALL, BEES BUZZ | 0:03:15 | 0:03:18 | |
"Gigha" might mean "God's Island", | 0:03:23 | 0:03:25 | |
but God didn't create this Arcadian paradise. | 0:03:25 | 0:03:30 | |
Everything that you see here is the work of mortal human hands, | 0:03:30 | 0:03:35 | |
inspired by the vision of a man | 0:03:35 | 0:03:37 | |
who believed that a good night's rest | 0:03:37 | 0:03:39 | |
was more than just a dream. | 0:03:39 | 0:03:41 | |
Colonel Sir James Horlick was heir to the vast empire | 0:03:45 | 0:03:49 | |
that was built on the world's most famous malted drink - Horlick's. | 0:03:49 | 0:03:54 | |
For Colonel Horlick, sleep was the basis of a vast fortune. | 0:03:55 | 0:03:59 | |
And with the millions he amassed, he bought this island | 0:04:01 | 0:04:04 | |
and set about creating these beautiful gardens at Achamore. | 0:04:04 | 0:04:09 | |
'I've come to meet one of its horticulturalists, | 0:04:10 | 0:04:13 | |
'Helen McBrearty, to find out why he chose Gigha.' | 0:04:13 | 0:04:17 | |
Helen, Achamore Gardens is really quite fantastic - | 0:04:18 | 0:04:21 | |
I feel as if I'm in a sub-tropical forest here. | 0:04:21 | 0:04:24 | |
We're very lucky here. | 0:04:24 | 0:04:25 | |
We've got the Gulf Stream that influences our weather, | 0:04:25 | 0:04:28 | |
which means that it's very mild. | 0:04:28 | 0:04:30 | |
Colonel Horlick came here in the '40s, | 0:04:30 | 0:04:33 | |
-specifically because of the climate. -Right. | 0:04:33 | 0:04:36 | |
He was an avid collector of plants | 0:04:36 | 0:04:38 | |
and he wanted somewhere for them to thrive | 0:04:38 | 0:04:40 | |
and this was the place he chose. | 0:04:40 | 0:04:42 | |
'The new laird didn't just transform these gardens - | 0:04:44 | 0:04:47 | |
'Horlick also used his considerable business experience | 0:04:47 | 0:04:51 | |
'to develop the island's economy. | 0:04:51 | 0:04:54 | |
'And many visitors, including royalty, | 0:04:54 | 0:04:57 | |
'came to marvel at what he created here.' | 0:04:57 | 0:05:00 | |
-Beautiful in here, isn't it? -Yeah. -Lovely aroma, too. | 0:05:00 | 0:05:03 | |
Now, what would this garden have been used for originally, | 0:05:03 | 0:05:06 | |
the walled part here? | 0:05:06 | 0:05:07 | |
The walled garden, the two acres, | 0:05:07 | 0:05:09 | |
were used for vegetable growing and fruit. | 0:05:09 | 0:05:12 | |
Gigha used to be famous for the quality of its fruit and veg. | 0:05:12 | 0:05:15 | |
So the house would have been self-sufficient, presumably. | 0:05:15 | 0:05:18 | |
It would have had to have been, | 0:05:18 | 0:05:19 | |
yeah - if they didn't grow it, they didn't eat it. | 0:05:19 | 0:05:21 | |
Colonel Sir James Horlick died in 1972 | 0:05:24 | 0:05:28 | |
and was laid to rest on Gigha. | 0:05:28 | 0:05:30 | |
'Following in his horticultural footsteps, | 0:05:34 | 0:05:36 | |
'Helen came here from England. | 0:05:36 | 0:05:38 | |
'She now helps to maintain the gardens | 0:05:38 | 0:05:41 | |
'where visitors can enjoy the results | 0:05:41 | 0:05:43 | |
'of one man's energy and enthusiasm.' | 0:05:43 | 0:05:47 | |
He was just passionate about plants | 0:05:47 | 0:05:48 | |
and passionate about the island and the gardens | 0:05:48 | 0:05:51 | |
and created what we have today. | 0:05:51 | 0:05:53 | |
In the years following, | 0:05:53 | 0:05:55 | |
the island fell into the hands of a series of absentee landlords. | 0:05:55 | 0:06:00 | |
They didn't have the same commitment | 0:06:00 | 0:06:03 | |
that Colonel Horlick had shown to Gigha. | 0:06:03 | 0:06:05 | |
It was only fairly recently that things changed. | 0:06:06 | 0:06:09 | |
About ten years ago, | 0:06:11 | 0:06:12 | |
there was a quiet revolution here on Gigha. | 0:06:12 | 0:06:15 | |
Disillusioned with the landlords, | 0:06:15 | 0:06:17 | |
local people formed a community trust | 0:06:17 | 0:06:19 | |
and bought the island when it came on the market in 2002. | 0:06:19 | 0:06:24 | |
And since then, the place has flourished. | 0:06:24 | 0:06:27 | |
Local control, it seems, has reversed the age-old problem | 0:06:27 | 0:06:31 | |
of population decline | 0:06:31 | 0:06:33 | |
and attracted businesses | 0:06:33 | 0:06:35 | |
and families to the island. | 0:06:35 | 0:06:36 | |
And I'm going to meet one islander | 0:06:39 | 0:06:41 | |
who came here after the community buyout - | 0:06:41 | 0:06:44 | |
dairy farmer John Earnshaw, | 0:06:44 | 0:06:46 | |
who is now celebrating ten years on Gigha. | 0:06:46 | 0:06:49 | |
I'm originally from Gargrave, Skipton. | 0:06:50 | 0:06:53 | |
Is that Yorkshire? | 0:06:53 | 0:06:55 | |
It is - it's not England. | 0:06:55 | 0:06:57 | |
-LAUGHING: -Right! OK. | 0:06:57 | 0:06:58 | |
Why did you choose Gigha? | 0:07:00 | 0:07:02 | |
I don't know whether we chose Gigha or it just happened. | 0:07:02 | 0:07:06 | |
-Or Gigha chose you? -Fate. | 0:07:06 | 0:07:08 | |
We came with two young children | 0:07:08 | 0:07:11 | |
and we thought there was a future. | 0:07:11 | 0:07:14 | |
We came and we gave it a shot | 0:07:14 | 0:07:16 | |
and I would say it's been OK for us. | 0:07:16 | 0:07:19 | |
And what's it like, living on an island, | 0:07:19 | 0:07:21 | |
compared to living in Yorkshire? | 0:07:21 | 0:07:24 | |
Totally different. It's different challenges | 0:07:24 | 0:07:27 | |
and different problems to get over. | 0:07:27 | 0:07:31 | |
You have to either work together with the other farmers | 0:07:31 | 0:07:35 | |
or you're stuck. | 0:07:35 | 0:07:36 | |
John is continuing a long tradition of dairy farming on Gigha. | 0:07:38 | 0:07:41 | |
But the island's position as a significant milk producer | 0:07:43 | 0:07:46 | |
is due in no small part to the work of Sir James Horlick. | 0:07:46 | 0:07:51 | |
As laird, he set about modernising the way that milk was produced here. | 0:07:51 | 0:07:55 | |
Of course, the Horlicks would have had an interest in milk, anyway, | 0:07:56 | 0:07:59 | |
with their milk-based drink! | 0:07:59 | 0:08:01 | |
Yes - I think they were the driving force for Gigha | 0:08:01 | 0:08:06 | |
into dairy and the improvement of the land. | 0:08:06 | 0:08:10 | |
It was a tremendously productive place. | 0:08:10 | 0:08:14 | |
So Gigha and dairy go together, do they? | 0:08:14 | 0:08:16 | |
I would think so, yes. | 0:08:16 | 0:08:17 | |
And keeping that milk production up is certainly important for Gigha, | 0:08:17 | 0:08:22 | |
I think, anyway. | 0:08:22 | 0:08:23 | |
Most of the milk produced on Gigha goes to the mainland to make cheese, | 0:08:25 | 0:08:29 | |
so the next time you're enjoying a slice of Scottish cheddar, | 0:08:29 | 0:08:33 | |
you can ponder that the milk might have come from cows | 0:08:33 | 0:08:37 | |
fed on these fertile slopes, | 0:08:37 | 0:08:39 | |
and perhaps from one of John's 100-strong herd. | 0:08:39 | 0:08:43 | |
Come on, girls. | 0:08:43 | 0:08:44 | |
-They all have names. -Really? | 0:08:45 | 0:08:47 | |
There's Ina, just going down. | 0:08:47 | 0:08:49 | |
There's Faye, Kirsty, Snowball, Rosebud... | 0:08:49 | 0:08:55 | |
Continuing my journey, | 0:08:57 | 0:08:58 | |
I'm leaving the balmy and verdant Gigha behind. | 0:08:58 | 0:09:02 | |
I'm making the short journey north to the island of Jura. | 0:09:03 | 0:09:08 | |
And here, I find a very different landscape. | 0:09:08 | 0:09:11 | |
Jura is bigger, much more rugged | 0:09:11 | 0:09:14 | |
and huge tracts of the island are uninhabited. | 0:09:14 | 0:09:18 | |
Its 142 square miles | 0:09:18 | 0:09:21 | |
is home to just 200 people, | 0:09:21 | 0:09:23 | |
and most of them live in the only village on the island, Craighouse. | 0:09:23 | 0:09:28 | |
The early travel writer Thomas Pennant also visited here | 0:09:28 | 0:09:33 | |
and the contrast with Gigha was not lost on him. | 0:09:33 | 0:09:36 | |
He described Jura as, | 0:09:36 | 0:09:39 | |
"The most rugged of the Hebrides, composed chiefly of vast mountains, | 0:09:39 | 0:09:43 | |
"naked, and without the possibility of cultivation." | 0:09:43 | 0:09:47 | |
Pennant sketched the rudimentary shelters | 0:09:48 | 0:09:51 | |
used by goat-herds in the summer months. | 0:09:51 | 0:09:53 | |
He remarked upon how the people risked starvation | 0:09:53 | 0:09:57 | |
for the benefits of a dram - | 0:09:57 | 0:09:58 | |
they diverted grain which should have gone to make bread | 0:09:58 | 0:10:02 | |
to produce the spirit they adored. | 0:10:02 | 0:10:05 | |
The islanders could ill afford the luxury of whisky. | 0:10:07 | 0:10:11 | |
But who could blame them seeking a little cheer | 0:10:11 | 0:10:13 | |
from the water of life? | 0:10:13 | 0:10:15 | |
Because their lives were unimaginably hard. | 0:10:15 | 0:10:18 | |
The people living on Jura | 0:10:23 | 0:10:25 | |
had to be resilient and self-sufficient. | 0:10:25 | 0:10:27 | |
And that meant making the most of the island's natural resources. | 0:10:29 | 0:10:34 | |
Life may be easier today, but for some people, | 0:10:36 | 0:10:40 | |
the opportunity to live a simpler existence | 0:10:40 | 0:10:42 | |
is part of the appeal of Jura. | 0:10:42 | 0:10:44 | |
So, what, you're just lifting the turf off just now, | 0:10:48 | 0:10:50 | |
going to lift the turf off the peat? | 0:10:50 | 0:10:52 | |
-That's right, aye. -So you have to get rid of that | 0:10:52 | 0:10:54 | |
-before you start getting into the bank? -That's right, aye. | 0:10:54 | 0:10:57 | |
'Neil Cameron wasn't born here, | 0:10:57 | 0:11:00 | |
'but since arriving on Jura 14 years ago, | 0:11:00 | 0:11:03 | |
'he's taught himself one of the traditional skills | 0:11:03 | 0:11:07 | |
'which kept islanders warm and dry for centuries.' | 0:11:07 | 0:11:10 | |
Do many people still cut peats on the island, then, Neil? | 0:11:10 | 0:11:13 | |
I think, this year, there's... | 0:11:13 | 0:11:15 | |
-..four. -Just four of you? | 0:11:16 | 0:11:18 | |
-From a population of 200? That's not many. -Not many. | 0:11:18 | 0:11:22 | |
We're pretty close to the road, the main road, here, | 0:11:22 | 0:11:24 | |
so I get a toot of encouragement from a lot of people. | 0:11:24 | 0:11:27 | |
-They do, yeah. -People like to see someone | 0:11:27 | 0:11:29 | |
-carrying out the traditional... -Perhaps, aye. | 0:11:29 | 0:11:32 | |
-..the traditional peat-cutting way of life. -Yeah. | 0:11:32 | 0:11:35 | |
Maintaining the traditions. | 0:11:35 | 0:11:37 | |
NEWSREEL: Patiently, methodically, | 0:11:42 | 0:11:44 | |
they cut the peat, they pile the peat, | 0:11:44 | 0:11:47 | |
they carry it away, they stack it up to dry, | 0:11:47 | 0:11:49 | |
to dry and burn for fuel. | 0:11:49 | 0:11:51 | |
I'm actually quite desperate to have a shot at this myself. | 0:11:55 | 0:11:58 | |
-Can I have a go with your peat cutter? -Yeah. -Right. | 0:11:58 | 0:12:01 | |
So, I just push in here... | 0:12:03 | 0:12:04 | |
Just follow the same angle, cos otherwise, | 0:12:04 | 0:12:07 | |
you'll end up with an enormous thing. | 0:12:07 | 0:12:09 | |
-Goes through pretty easily, doesn't it? -Yeah. | 0:12:09 | 0:12:12 | |
Now give it a little twist | 0:12:12 | 0:12:14 | |
up towards you - that's it. | 0:12:14 | 0:12:17 | |
My first peat cut - look. | 0:12:17 | 0:12:19 | |
-There you are. -First piece of turf. -That's right. | 0:12:21 | 0:12:23 | |
-And then just repeat. -Repeat that. | 0:12:23 | 0:12:25 | |
Do you think one of the pleasures, is the fact that you don't have to spend a lot of money? | 0:12:25 | 0:12:30 | |
-I feel obliged to do it. -You feel obliged? | 0:12:30 | 0:12:32 | |
Well - just to keep the house warm. | 0:12:32 | 0:12:34 | |
Yeah, I mean, I enjoy doing this sort of thing as well. | 0:12:34 | 0:12:38 | |
But if you've got all this at your doorstep, | 0:12:38 | 0:12:41 | |
why give the energy companies a big, fat cheque? | 0:12:41 | 0:12:46 | |
If you do things for yourself... | 0:12:46 | 0:12:47 | |
..it's nice, isn't it? | 0:12:49 | 0:12:50 | |
-Home-made is better, eh? I think so. -You're absolutely right. | 0:12:50 | 0:12:55 | |
And home-made heat. | 0:12:55 | 0:12:57 | |
-NEWSREEL: -The unique scent of the Hebrides is peat - | 0:12:57 | 0:13:00 | |
the barren earth grows fuel | 0:13:00 | 0:13:02 | |
and cutting it becomes a family occupation, | 0:13:02 | 0:13:05 | |
almost a ritual. | 0:13:05 | 0:13:06 | |
Stripping the peat is a masculine prerogative. | 0:13:08 | 0:13:10 | |
The women carry it. | 0:13:10 | 0:13:13 | |
It's quite pleasing, isn't it? | 0:13:15 | 0:13:17 | |
-Watching that knife go into the peat. -Aye. | 0:13:17 | 0:13:21 | |
It's like cutting through a large slice of chocolate brownie. | 0:13:21 | 0:13:24 | |
-It's a monster, that. -It's a monster, is it? | 0:13:24 | 0:13:27 | |
But it'll dry. It'll get dried. That's fine. | 0:13:27 | 0:13:29 | |
'After the peat is cut, | 0:13:32 | 0:13:33 | |
'it has be dried by the wind in stooks like these, | 0:13:33 | 0:13:38 | |
'and regularly turned, | 0:13:38 | 0:13:39 | |
'before being stacked and taken home, ready for burning.' | 0:13:39 | 0:13:44 | |
-You get into a rhythm, don't you? -Aye. | 0:13:44 | 0:13:46 | |
-And meditative too, this. -Mm-hm, mm-hm. | 0:13:46 | 0:13:48 | |
'Neil's main challenge is protecting his day's work | 0:13:51 | 0:13:55 | |
'from some of the inquisitive locals - | 0:13:55 | 0:13:57 | |
'but he's found a novel way of doing that.' | 0:13:57 | 0:14:00 | |
All around the peat bank, | 0:14:00 | 0:14:02 | |
you've got these stakes and wire between them. | 0:14:02 | 0:14:05 | |
And they're blowing in the wind and making this extraordinary noise. | 0:14:05 | 0:14:08 | |
WIRES WOBBLE | 0:14:08 | 0:14:11 | |
The deer will come in and wander over the peat | 0:14:11 | 0:14:15 | |
and knock the stacks down | 0:14:15 | 0:14:16 | |
and maybe the freshly-cut peat, if they walk over that, | 0:14:16 | 0:14:19 | |
they could break them and ruin. | 0:14:19 | 0:14:20 | |
It already happened - I started cutting peat | 0:14:20 | 0:14:22 | |
and then came down the next day and there had been deer in, | 0:14:22 | 0:14:25 | |
so I got these up, pronto. | 0:14:25 | 0:14:27 | |
-Right. -It's low-tech, but it works! | 0:14:27 | 0:14:29 | |
'And it would seem that there's enough peat on Jura | 0:14:29 | 0:14:32 | |
'to keep Neil going for a few years yet.' | 0:14:32 | 0:14:35 | |
-You're not going to run out. -No, I don't think so, no. | 0:14:36 | 0:14:38 | |
-You've got...thousands of years left to go! -Aye. | 0:14:38 | 0:14:44 | |
THEY LAUGH | 0:14:44 | 0:14:45 | |
My day's work is done. | 0:14:47 | 0:14:49 | |
-Day's work is done. Time for a pint. -Thirsty, yes. | 0:14:49 | 0:14:52 | |
Continuing my journey, | 0:15:01 | 0:15:03 | |
I'm heading up to the north end of Jura | 0:15:03 | 0:15:05 | |
to a stretch of water that has struck fear | 0:15:05 | 0:15:08 | |
into the heart of sailors for centuries - | 0:15:08 | 0:15:10 | |
the notorious Corryvreckan. | 0:15:10 | 0:15:13 | |
WAVES RUSH | 0:15:13 | 0:15:16 | |
It's like sailing across the surface of a boiling cauldron. | 0:15:23 | 0:15:27 | |
And I can feel that force on the boat. | 0:15:32 | 0:15:34 | |
It can actually move the boat round and round in circles, | 0:15:34 | 0:15:36 | |
which, you know, you can feel yourself. | 0:15:36 | 0:15:39 | |
You need lots of power to be able to hang about the Corryvreckan. | 0:15:39 | 0:15:43 | |
Even an experienced seafarer, like local boatman Nicol MacKinnon, | 0:15:43 | 0:15:48 | |
is extremely cautious in this stretch of water. | 0:15:48 | 0:15:50 | |
It's got "unnavigable" on the chart. | 0:15:52 | 0:15:55 | |
It's got "unnavigable"? | 0:15:55 | 0:15:57 | |
You'll get massive standing waves, which could be 15, 17 metres high. | 0:15:57 | 0:16:04 | |
You get circles, you get whirling circles, | 0:16:04 | 0:16:07 | |
right up to 50 metres diameter. | 0:16:07 | 0:16:10 | |
-A 50-metre diameter whirlpool? You've seen that? -Yeah, yeah. | 0:16:10 | 0:16:13 | |
It can be up to three or four metres deep in the middle. | 0:16:13 | 0:16:16 | |
It must have claimed quite a few lives over the centuries. | 0:16:16 | 0:16:20 | |
Yeah, well, there was lots of boats lost years ago | 0:16:20 | 0:16:23 | |
and you certainly don't want to fall in, anyway. | 0:16:23 | 0:16:25 | |
What would happen if you did? | 0:16:25 | 0:16:27 | |
I think, years ago, they put in test dummies with monitors on them | 0:16:27 | 0:16:32 | |
to see what happened. | 0:16:32 | 0:16:33 | |
And they went down 500 feet and came up four miles away. | 0:16:33 | 0:16:38 | |
This dangerous channel between the north end of Jura | 0:16:38 | 0:16:42 | |
and the Isle of Scarba is created by an underwater ridge | 0:16:42 | 0:16:47 | |
which rises to a pinnacle 30 metres below the surface. | 0:16:47 | 0:16:51 | |
-There's the pinnacle right in front of us now, see? -I see it - amazing. | 0:16:51 | 0:16:55 | |
That shows you the huge, big channel that flows right down the middle. | 0:16:55 | 0:16:59 | |
So the pinnacle's beneath us? | 0:16:59 | 0:17:01 | |
Yeah, at the moment, yes. | 0:17:01 | 0:17:02 | |
'On an ebb tide, | 0:17:04 | 0:17:05 | |
'as the water flows back into the channel from the Atlantic, | 0:17:05 | 0:17:09 | |
'hundreds of whirlpools can form as the sea rushes over the pinnacle, | 0:17:09 | 0:17:13 | |
'creating a terrifying maelstrom of water.' | 0:17:13 | 0:17:16 | |
And you've got that huge volume of the Atlantic | 0:17:19 | 0:17:21 | |
trying to get through the Sound of Scarba | 0:17:21 | 0:17:23 | |
and it hits that pinnacle. | 0:17:23 | 0:17:25 | |
It just hits the pinnacle and there's nowhere to go but up. | 0:17:25 | 0:17:29 | |
And that's what creates the effect. | 0:17:29 | 0:17:31 | |
'And these whirlpools almost claimed the life | 0:17:31 | 0:17:35 | |
'of one of the 20th century's most famous writers.' | 0:17:35 | 0:17:38 | |
Now, Nicol, I understand | 0:17:38 | 0:17:39 | |
that the writer George Orwell and his son | 0:17:39 | 0:17:42 | |
almost came to grief here. | 0:17:42 | 0:17:44 | |
Yes, that's correct, yeah. | 0:17:44 | 0:17:46 | |
They were trying to pass over from Jura, across to Scarba, | 0:17:46 | 0:17:52 | |
and with the flood tide on, | 0:17:52 | 0:17:55 | |
it was going west, it got too rough for them | 0:17:55 | 0:17:58 | |
and they got caught up in some big waves. | 0:17:58 | 0:18:00 | |
'Orwell became Jura's best-known resident | 0:18:03 | 0:18:05 | |
'when, in 1946, he sought out the isolation of island life | 0:18:05 | 0:18:10 | |
'to create his dystopian vision of the future, | 0:18:10 | 0:18:14 | |
'the novel 1984. | 0:18:14 | 0:18:17 | |
'Taking a break from writing, | 0:18:17 | 0:18:19 | |
'he attempted to navigate this fearsome stretch of water | 0:18:19 | 0:18:22 | |
'in a small boat with his three-year-old son.' | 0:18:22 | 0:18:26 | |
-And Orwell was trying to row across here with his son. -Yeah. | 0:18:28 | 0:18:31 | |
-In an open boat, through this? -A small dinghy, yeah. | 0:18:31 | 0:18:34 | |
The waves washed the dinghy right up onto the rock face, | 0:18:39 | 0:18:42 | |
turned upside down and washed them back out, | 0:18:42 | 0:18:46 | |
with George Orwell and his son trapped underneath the dinghy. | 0:18:46 | 0:18:49 | |
The dinghy got washed out | 0:18:51 | 0:18:52 | |
and then got washed back in with the next wave | 0:18:52 | 0:18:55 | |
and they managed to catch the rope off the dinghy | 0:18:55 | 0:18:58 | |
and pulled it onto the island, this white rock face up here. | 0:18:58 | 0:19:01 | |
'Eventually, they were rescued by a passing lobster boat.' | 0:19:03 | 0:19:07 | |
You just think, had they not made it, | 0:19:08 | 0:19:10 | |
the world would never have had the book 1984. | 0:19:10 | 0:19:13 | |
That's right - if that island wasn't there, | 0:19:13 | 0:19:14 | |
where would they have gone to? | 0:19:14 | 0:19:17 | |
-Down there. -Yeah. | 0:19:17 | 0:19:18 | |
For Orwell, Jura was, in his own words, | 0:19:23 | 0:19:27 | |
"a very ungettable place." | 0:19:27 | 0:19:30 | |
And that's certainly the case for my next destination. | 0:19:30 | 0:19:34 | |
I'm heading to the west coast of Jura, | 0:19:34 | 0:19:36 | |
known as the "Empty Quarter". | 0:19:36 | 0:19:38 | |
This has to be one of the wildest, | 0:19:38 | 0:19:41 | |
roughest stretches of coastline in Europe. | 0:19:41 | 0:19:44 | |
It's unremittingly bleak - and awe-inspiring. | 0:19:44 | 0:19:48 | |
Because much of the terrain on this side of the island | 0:19:51 | 0:19:54 | |
consists of often impassable bog and heather, | 0:19:54 | 0:19:57 | |
the best way to get here is by boat. | 0:19:57 | 0:20:01 | |
I'm landing at beautiful - and deserted - Glengarrisdale Bay. | 0:20:02 | 0:20:06 | |
No-one's lived here now for almost 100 years, | 0:20:10 | 0:20:13 | |
but it's still a welcoming destination | 0:20:13 | 0:20:15 | |
to a variety of adventurous souls. | 0:20:15 | 0:20:19 | |
I've come to what was the last working croft on this part of Jura. | 0:20:25 | 0:20:30 | |
And if you want to get a sense of just how remote and isolated | 0:20:33 | 0:20:37 | |
some of the communities on Jura used to be, | 0:20:37 | 0:20:40 | |
then this is the place to come. | 0:20:40 | 0:20:42 | |
Today, the house is a bothy, | 0:20:48 | 0:20:50 | |
providing shelter for walkers, stalkers, kayakers | 0:20:50 | 0:20:54 | |
and assorted refugees from urban life. | 0:20:54 | 0:20:57 | |
Well, it's a bit basic in here | 0:20:59 | 0:21:00 | |
but I can imagine, with a fire going and... | 0:21:00 | 0:21:04 | |
maybe a drink or two to warm the cockles of your heart, | 0:21:04 | 0:21:08 | |
this would be a really pleasant place to stay. | 0:21:08 | 0:21:11 | |
But I won't be laying my weary head here tonight, | 0:21:15 | 0:21:18 | |
I'm pressing on to meet a couple | 0:21:18 | 0:21:20 | |
who've taken on the challenge of a new life here on Jura. | 0:21:20 | 0:21:24 | |
This is Ardlussa House, | 0:21:28 | 0:21:31 | |
home to Andy Fletcher, | 0:21:31 | 0:21:32 | |
his wife, Claire, | 0:21:32 | 0:21:34 | |
and their four girls. | 0:21:34 | 0:21:36 | |
Now, Claire, you're not a native Jura person, are you? | 0:21:37 | 0:21:41 | |
I'm not, no, I'm an incomer. | 0:21:41 | 0:21:42 | |
-Er, I'm from London originally. -Uh-huh. | 0:21:42 | 0:21:44 | |
LONDON ACCENT: "Saaf o' the river." | 0:21:44 | 0:21:46 | |
Right, so how did you end up here? | 0:21:46 | 0:21:47 | |
It's a very long story with a little bit of romance. | 0:21:47 | 0:21:49 | |
I used to work for the music industry. | 0:21:49 | 0:21:51 | |
There was a band called the KLF | 0:21:51 | 0:21:53 | |
and they had an all-night rave, basically, | 0:21:53 | 0:21:55 | |
and we were here to film a video. | 0:21:55 | 0:21:56 | |
So an all-night rave here on Jura with the KLF? | 0:21:56 | 0:21:58 | |
Yep. Yep, and that was how I met my husband. | 0:21:58 | 0:22:01 | |
-And you stayed here ever since? -I have, on and off, yes. | 0:22:01 | 0:22:04 | |
So what's the appeal? | 0:22:04 | 0:22:06 | |
You either get it or you don't, actually. | 0:22:06 | 0:22:08 | |
The wilderness, the quality of life, | 0:22:08 | 0:22:11 | |
the fact that we can live and work as a family - | 0:22:11 | 0:22:13 | |
you can't buy that kind of lifestyle. | 0:22:13 | 0:22:16 | |
There's such a contrast in lifestyles, | 0:22:16 | 0:22:18 | |
compared to what you had before. | 0:22:18 | 0:22:19 | |
It is, massively so. | 0:22:19 | 0:22:21 | |
It was something I never thought for a minute, you know, | 0:22:21 | 0:22:24 | |
on that Midsummer's night in '93 or whenever it was, | 0:22:24 | 0:22:27 | |
that I would end up living here full-time with four kids. | 0:22:27 | 0:22:29 | |
No, not a hope. | 0:22:29 | 0:22:31 | |
The man Claire met that night was Andy Fletcher. | 0:22:33 | 0:22:37 | |
He was born and brought up on the mainland, | 0:22:37 | 0:22:40 | |
but inherited Ardlussa House and the 18,000 acres that go with it. | 0:22:40 | 0:22:45 | |
-How long have you lived here then, Andy? -Seven years. | 0:22:45 | 0:22:49 | |
Andy's giving me a tour of his domain | 0:22:49 | 0:22:52 | |
and, to get around such a vast area of rough ground, | 0:22:52 | 0:22:55 | |
we'll be making use of his ARGOCAT. | 0:22:55 | 0:22:59 | |
Hold on to your hats! | 0:22:59 | 0:23:00 | |
Whoa! | 0:23:00 | 0:23:02 | |
Unlike Gigha, which is owned by the community, | 0:23:02 | 0:23:05 | |
Jura is divided up into seven separate private estates | 0:23:05 | 0:23:09 | |
and Andy and Claire are the only owners | 0:23:09 | 0:23:12 | |
to live full-time on the island. | 0:23:12 | 0:23:14 | |
It may not be the most fertile of islands, | 0:23:16 | 0:23:19 | |
but it's perfect for deer. | 0:23:19 | 0:23:21 | |
So deer are a very important part of Jura. | 0:23:24 | 0:23:28 | |
In fact, it's part of the name, is it not? | 0:23:28 | 0:23:30 | |
It is, it's the Norse word, Jura, meaning the island of deer, | 0:23:30 | 0:23:33 | |
so that is part of it. They are very essential, | 0:23:33 | 0:23:36 | |
that is a major part of the income of the island. | 0:23:36 | 0:23:39 | |
They're wonderful, special thing in Scotland, red deer, | 0:23:39 | 0:23:41 | |
and this is the perfect setting for them. | 0:23:41 | 0:23:44 | |
Any idea of the number of deer that there are on the island? | 0:23:44 | 0:23:46 | |
There's around 5,000 deer on the island. | 0:23:46 | 0:23:48 | |
So the deer outnumber the people, getting my maths right, about 25-1. | 0:23:48 | 0:23:52 | |
Yep, they do indeed. | 0:23:52 | 0:23:53 | |
-We prefer it that way! -THEY LAUGH | 0:23:53 | 0:23:56 | |
'Andy runs Ardlussa as a sporting estate | 0:23:56 | 0:23:59 | |
'and deer stalking is very much part of the island's tradition. | 0:23:59 | 0:24:04 | |
'Ever since wealthy Victorians discovered their passion | 0:24:04 | 0:24:07 | |
'for hunting, shooting and fishing, Jura's population of deer | 0:24:07 | 0:24:11 | |
'has attracted people to this wild landscape. | 0:24:11 | 0:24:15 | |
'And that's still the case today.' | 0:24:15 | 0:24:17 | |
-What kind of clients do you have coming here? -All nationalities. | 0:24:17 | 0:24:21 | |
They are city people who are looking for an escape, | 0:24:21 | 0:24:24 | |
are looking to come to the Scottish wilderness | 0:24:24 | 0:24:27 | |
and see no other people | 0:24:27 | 0:24:29 | |
when we take them out on a guided stalking tour or whatever. | 0:24:29 | 0:24:32 | |
If you've got bankers coming up from London, | 0:24:32 | 0:24:34 | |
what are their expectations, what are they coming here for? | 0:24:34 | 0:24:37 | |
People come here for the space, not just to shoot things - | 0:24:37 | 0:24:39 | |
they come here to see the eagles, | 0:24:39 | 0:24:41 | |
they come here to be part and parcel of the whole thing, the landscape. | 0:24:41 | 0:24:44 | |
I mean, this is one of the few wildernesses left | 0:24:44 | 0:24:47 | |
and it's fabulous. | 0:24:47 | 0:24:48 | |
It's great. People like to get out there and be in amongst it | 0:24:48 | 0:24:51 | |
and see no other people. | 0:24:51 | 0:24:52 | |
But while many people have romantic notions about remote island life, | 0:24:52 | 0:24:57 | |
it's that very remoteness | 0:24:57 | 0:24:59 | |
which can make it a challenging place to bring up a family. | 0:24:59 | 0:25:02 | |
It's the logistics sometimes, you know, are a complete nightmare. | 0:25:03 | 0:25:06 | |
The travel to school is an issue. | 0:25:06 | 0:25:08 | |
Our eldest started secondary school, | 0:25:08 | 0:25:10 | |
she's got to go to another island just get to high school, come August. | 0:25:10 | 0:25:14 | |
-So it's not easy, is it? -It's hard. | 0:25:14 | 0:25:15 | |
If you make a commitment to a place like this, | 0:25:15 | 0:25:17 | |
-you've got to put a lot of effort into it. -You really do | 0:25:17 | 0:25:19 | |
and it's a real privilege to live somewhere like this | 0:25:19 | 0:25:22 | |
but it is really hard work. | 0:25:22 | 0:25:24 | |
And there are times in the middle of the winter when you just think, | 0:25:24 | 0:25:27 | |
"Why am I bothering?" But, um... | 0:25:27 | 0:25:28 | |
I think it is THE most incredible place to raise a family. | 0:25:28 | 0:25:32 | |
They have total freedom | 0:25:32 | 0:25:33 | |
and I think there'll be much more interest in places like this | 0:25:33 | 0:25:36 | |
as the world gets busier and more...complicated, you know? | 0:25:36 | 0:25:39 | |
These kinds of retreats are going to be what people want to do. | 0:25:39 | 0:25:42 | |
Well, standing here in your garden, | 0:25:42 | 0:25:44 | |
-it feels like a perfect place to be on a day like today. -It is amazing. | 0:25:44 | 0:25:48 | |
Before I leave the island, | 0:25:52 | 0:25:54 | |
there's one final thing I have to do. | 0:25:54 | 0:25:57 | |
There are several mountains in Scotland | 0:25:57 | 0:26:01 | |
with female names and associations, | 0:26:01 | 0:26:03 | |
and some scholars believe that this is a reminder | 0:26:03 | 0:26:07 | |
of an ancient, pre-Christian Celtic mother goddess | 0:26:07 | 0:26:10 | |
with connections to the land. | 0:26:10 | 0:26:12 | |
The hills of Arran are a case in point | 0:26:12 | 0:26:15 | |
and, in front of me, the famous Paps of Jura. | 0:26:15 | 0:26:19 | |
Of course, the distinctive shape of these peaks | 0:26:19 | 0:26:23 | |
could have rather a lot to do with the name! | 0:26:23 | 0:26:26 | |
But there the similarity ends. | 0:26:27 | 0:26:29 | |
What awaits me is a ghastly slog over peat bog, heather | 0:26:31 | 0:26:36 | |
and a purgatory of steep-angled scree slopes. | 0:26:36 | 0:26:39 | |
As my fellow traveller, Thomas Pennant, said, | 0:26:43 | 0:26:46 | |
"It is a task of much labour and difficulty, | 0:26:46 | 0:26:50 | |
"being composed of vast stones. | 0:26:50 | 0:26:52 | |
"The whole mountain forms a vast cairn." | 0:26:52 | 0:26:55 | |
To make things even worse, | 0:26:57 | 0:27:00 | |
the summits of the Paps are shrouded in mist. | 0:27:00 | 0:27:03 | |
Ah. Now, here we are. At last. | 0:27:09 | 0:27:13 | |
The summit cairn. | 0:27:13 | 0:27:14 | |
I'm going to add to this vast pile of stones with one of my own | 0:27:14 | 0:27:19 | |
and a wish for better weather and a view. | 0:27:19 | 0:27:24 | |
As I begin my descent through the clouds, | 0:27:27 | 0:27:30 | |
I reflect on all the people I've met on this grand tour | 0:27:30 | 0:27:34 | |
who've taken on the challenge of island life. | 0:27:34 | 0:27:37 | |
Then, unexpectedly, the weather improves | 0:27:39 | 0:27:44 | |
and I'm reminded of just why people come here. | 0:27:44 | 0:27:47 | |
The mist is lifting and the views are superb! | 0:27:51 | 0:27:55 | |
The great sweep of the Kintyre peninsula | 0:27:59 | 0:28:02 | |
and, in the distance, Gigha - my starting point. | 0:28:02 | 0:28:05 | |
Jura and Gigha are both so very different. | 0:28:07 | 0:28:12 | |
But that's what makes the Scottish islands special - | 0:28:12 | 0:28:15 | |
each one has its own unique character and appeal. | 0:28:15 | 0:28:19 | |
I can't think of a better place | 0:28:23 | 0:28:25 | |
to end this Grand Tour of the Scottish Islands. | 0:28:25 | 0:28:30 |