Browse content similar to From Berneray to Pabbay: The Riddle of the Sands. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The islands that lie off the coast of North Uist in the Western Isles | 0:00:04 | 0:00:08 | |
form a labyrinth of narrow sea channels and shallow water. | 0:00:08 | 0:00:12 | |
All kinds of hazards lurk just beneath the surface to catch the | 0:00:15 | 0:00:20 | |
unwary mariner. Reefs, submerged rocks, skerries, sandbanks | 0:00:20 | 0:00:25 | |
make navigating this coast a bit like solving a riddle. | 0:00:25 | 0:00:29 | |
The riddle of the sands. | 0:00:29 | 0:00:31 | |
I'm continuing my epic island-hopping odyssey, | 0:00:34 | 0:00:37 | |
trying to unravel the secrets | 0:00:37 | 0:00:39 | |
of some of Scotland's most fascinating places... | 0:00:39 | 0:00:42 | |
Oh! | 0:00:42 | 0:00:43 | |
..and meeting the people who live here. | 0:00:45 | 0:00:48 | |
But I'm used to travelling first class, Donald. | 0:00:48 | 0:00:50 | |
-This IS first class! -I think this is steerage. | 0:00:50 | 0:00:53 | |
It's impossible to be precise about the total number of islands that are | 0:00:53 | 0:00:58 | |
scattered around Scotland's untameable coast. | 0:00:58 | 0:01:01 | |
But not counting the numerous rocks and skerries, it's well over 250. | 0:01:01 | 0:01:07 | |
And at the end of the jetty, | 0:01:07 | 0:01:09 | |
an old vehicle driven by a collie dog to take us ashore. | 0:01:09 | 0:01:12 | |
DOG BARKS | 0:01:12 | 0:01:14 | |
On this Grand Tour, I'm threading a course around North Uist, | 0:01:15 | 0:01:20 | |
visiting some of its least known and most beautiful locations. | 0:01:20 | 0:01:24 | |
My journey takes me to a cluster of islands in the Outer Hebrides. | 0:01:37 | 0:01:41 | |
Lying just off the North Uist Coast is princely Berneray, | 0:01:42 | 0:01:46 | |
where my journey begins. | 0:01:46 | 0:01:48 | |
From there, I head south to capture the colours of Grimsay, | 0:01:48 | 0:01:52 | |
and then weave through the marram grass of Kirkibost to end on the | 0:01:52 | 0:01:56 | |
deserted whisky island of Pabbay. | 0:01:56 | 0:01:58 | |
And where better to begin my meandering island sojourn than on | 0:02:02 | 0:02:06 | |
this stunning beach? | 0:02:06 | 0:02:09 | |
The island of Berneray, or Bernera, as it's sometimes known, | 0:02:09 | 0:02:12 | |
should never be confused with other islands like Great Bernera up in | 0:02:12 | 0:02:17 | |
Lewis, or Berneray down at Barra Head, or even Little Bernera. | 0:02:17 | 0:02:21 | |
Now, all these islands have basically the same name, | 0:02:21 | 0:02:25 | |
which means bear island, | 0:02:25 | 0:02:27 | |
so back in the past I imagine there must have been a lot of bears hereabouts. | 0:02:27 | 0:02:33 | |
Which is odd, really, because there are no woods. | 0:02:33 | 0:02:37 | |
Bears or not, this is an astonishingly beautiful island. | 0:02:40 | 0:02:44 | |
And the great sweep of sand that makes up the west bay is the jewel | 0:02:44 | 0:02:48 | |
in its crown. | 0:02:48 | 0:02:50 | |
And one that was stolen by the Thai tourist board. | 0:02:51 | 0:02:55 | |
They used a photograph of these turquoise seas and white sands | 0:02:57 | 0:03:02 | |
to promote beaches in Thailand. | 0:03:02 | 0:03:04 | |
The cheek! | 0:03:05 | 0:03:06 | |
Berneray is home to around 150 people and is thought to have been | 0:03:09 | 0:03:14 | |
inhabited since the Bronze Age. | 0:03:14 | 0:03:16 | |
But none of its many sons and daughters achieved the stature of | 0:03:16 | 0:03:21 | |
Angus McAskill, born here in 1825. | 0:03:21 | 0:03:25 | |
Angus was one of ten children. | 0:03:26 | 0:03:29 | |
But when he was born he was considered to be, well, | 0:03:29 | 0:03:32 | |
the runt of the pack because he was so small and scrawny. | 0:03:32 | 0:03:37 | |
In fact, his parents were worried that he might not survive into adulthood. | 0:03:37 | 0:03:41 | |
But instead, to their surprise and delight, Angus grew and he grew | 0:03:41 | 0:03:46 | |
and he grew, until he stood a staggering 7'9" in his stockinged feet, | 0:03:46 | 0:03:53 | |
the same height as this cairn that's been erected to mark | 0:03:53 | 0:03:57 | |
his birthplace. | 0:03:57 | 0:03:58 | |
Now, when he grew up, Angus became the tallest Scotsman ever to have lived. | 0:03:58 | 0:04:04 | |
The family emigrated to Nova Scotia and Angus joined PT Barnum's Circus, | 0:04:06 | 0:04:11 | |
appearing with one of the world's smallest men, General Tom Thumb. | 0:04:11 | 0:04:15 | |
Angus was hailed as the world's tallest true giant, | 0:04:18 | 0:04:21 | |
renowned for incredible feats of strength, such as lifting a ship's anchor chest-high. | 0:04:21 | 0:04:29 | |
So I tip my hat in tall Angus's direction. | 0:04:29 | 0:04:33 | |
When he performed for Queen Victoria at Windsor Castle, she declared him | 0:04:33 | 0:04:37 | |
"the tallest, stoutest and strongest man ever to have entered the palace". | 0:04:37 | 0:04:42 | |
As I make my way across Berneray, | 0:04:49 | 0:04:52 | |
it's apparent that the traditional island way of life still exists for many. | 0:04:52 | 0:04:58 | |
SHEEP BLEAT | 0:04:58 | 0:05:00 | |
You might still find your progress slowed by crofters moving sheep across the island. | 0:05:00 | 0:05:05 | |
You can't really use passing places in the conventional way | 0:05:13 | 0:05:16 | |
-when you are driving sheep, can you? -No. | 0:05:16 | 0:05:18 | |
If you were caught behind a flock of sheep here in 1987, you may well | 0:05:18 | 0:05:23 | |
have spotted a very famous face driving them. | 0:05:23 | 0:05:26 | |
Berneray was thrust into the spotlight of international press attention | 0:05:26 | 0:05:31 | |
when it was discovered that the heir to the throne had been living | 0:05:31 | 0:05:34 | |
secretly on the island. | 0:05:34 | 0:05:37 | |
In a bizarre twist on The Prince And The Pauper story, | 0:05:37 | 0:05:40 | |
Prince Charles became a crofter and learned how to cut peat, | 0:05:40 | 0:05:44 | |
lift potatoes and dip sheep. | 0:05:44 | 0:05:47 | |
He found the experience inspirational and used much of what he learned | 0:05:47 | 0:05:52 | |
to form his own philosophy on organic farming. | 0:05:52 | 0:05:56 | |
So, in the same spirit, I'm going to do my own Prince Charles lifestyle | 0:05:56 | 0:06:01 | |
immersive thingy, | 0:06:01 | 0:06:02 | |
and help out with a long-standing tradition for the shepherds of Berneray. | 0:06:02 | 0:06:06 | |
These sheep are being taken to their summer grazing grounds, | 0:06:10 | 0:06:14 | |
but getting them there involves a little more effort than you might expect. | 0:06:14 | 0:06:19 | |
These crofters are about to make a trip which is very much an annual Berneray tradition. | 0:06:21 | 0:06:27 | |
For as long as anyone can remember, the shepherds of Berneray have moved | 0:06:34 | 0:06:39 | |
their flocks to graze on one of the nearby islands. | 0:06:39 | 0:06:42 | |
So, to find out what it takes to go to sea with several dozen sheep, | 0:06:50 | 0:06:55 | |
I'm joining the crew headed up by Donald MacLean. | 0:06:55 | 0:06:58 | |
-Are you counting them? -I was counting them, yes. I count them in my sleep, usually. | 0:07:00 | 0:07:04 | |
-You'll be counting them tonight. -Never for real. -You'll be counting them tonight. | 0:07:04 | 0:07:07 | |
But I'm used to travelling first class, Donald. | 0:07:07 | 0:07:10 | |
-This IS first class! -I think this is steerage. | 0:07:10 | 0:07:12 | |
THEY LAUGH | 0:07:12 | 0:07:13 | |
But it's amazing, because they are relatively calm, I mean... | 0:07:16 | 0:07:18 | |
-Oh, once they get on they're fine. -Once they're in a flock they kind of calm down, once they're together. | 0:07:18 | 0:07:23 | |
-They're good. -Then they get settled. | 0:07:23 | 0:07:25 | |
-If one jumps over, they'll all jump over. -That's the problem. Would they really? | 0:07:25 | 0:07:28 | |
-Yes. -Right. | 0:07:28 | 0:07:30 | |
On a small island like Berneray, land comes at a premium and has to | 0:07:30 | 0:07:34 | |
be put to the best possible use. | 0:07:34 | 0:07:37 | |
So nearby uninhabited islands provide good grazing for the sheep over the summer. | 0:07:37 | 0:07:43 | |
We're headed for Opasay, just five miles south-east of here. | 0:07:43 | 0:07:48 | |
Donald's made this journey countless times and seems remarkably calm | 0:07:48 | 0:07:53 | |
given the unpredictable nature of his passengers. | 0:07:53 | 0:07:55 | |
Sheep being sheep, it never works the same two days, because one day | 0:07:55 | 0:07:59 | |
you might have to handle every one of them aboard, | 0:07:59 | 0:08:01 | |
the next day, you might not go near any of them, they'll just run aboard. | 0:08:01 | 0:08:04 | |
-Is that right? Just straight on board? -Yes. | 0:08:04 | 0:08:06 | |
-And they all have minds of their own. -They're very unpredictable. | 0:08:06 | 0:08:10 | |
This is a family business. | 0:08:10 | 0:08:12 | |
And for Donald's uncle Neil, it's a familiar journey. | 0:08:12 | 0:08:17 | |
Neil, how long have you been making this crossing? | 0:08:17 | 0:08:20 | |
-70 years. -Never. | 0:08:20 | 0:08:22 | |
-70 years? -And more. | 0:08:22 | 0:08:24 | |
Well, just about 70. | 0:08:24 | 0:08:26 | |
-I bet you've seen some weather, though? -Oh, good and bad. | 0:08:26 | 0:08:30 | |
It's difficult to land on the islands if it's windy and stormy. | 0:08:30 | 0:08:35 | |
This film was made 35 years ago and shows just how challenging this journey can be. | 0:08:38 | 0:08:44 | |
Thankfully, we don't have snow to contend with, | 0:08:53 | 0:08:56 | |
and so far the weather has held. | 0:08:56 | 0:08:59 | |
But we do have challenges of our own to face. | 0:08:59 | 0:09:04 | |
HE SPEAKS IN GAELIC | 0:09:04 | 0:09:08 | |
The engine's overheating? | 0:09:08 | 0:09:10 | |
-It's running hot. -Right, so, the thermostat's gone? | 0:09:10 | 0:09:13 | |
-I don't know, it's... -Because that's the only bit of the Gaelic I understood. | 0:09:13 | 0:09:16 | |
Aye, he does that! | 0:09:16 | 0:09:18 | |
And that's not our only problem. | 0:09:18 | 0:09:20 | |
THEY SPEAK IN GAELIC | 0:09:23 | 0:09:29 | |
Thanks to Donald and his crew's speedy response, this little guy | 0:09:43 | 0:09:48 | |
is safely back on board. | 0:09:48 | 0:09:50 | |
He's a good swimmer, that lamb. | 0:09:50 | 0:09:51 | |
Yeah. | 0:09:51 | 0:09:53 | |
You all right, boy? | 0:09:53 | 0:09:54 | |
Now, time to sort out that little engine problem. | 0:09:57 | 0:10:01 | |
HE SPEAKS IN GAELIC | 0:10:01 | 0:10:04 | |
Ever resourceful, our island crofters have to be multi-skilled. | 0:10:04 | 0:10:08 | |
After a bit of head scratching, Donald soon gets to the root of the problem. | 0:10:10 | 0:10:15 | |
And we're back underway again. | 0:10:16 | 0:10:19 | |
We had some dramas on the high seas, there. | 0:10:19 | 0:10:21 | |
-What was going on? -That. | 0:10:21 | 0:10:23 | |
So you had that, that was blocking... | 0:10:23 | 0:10:24 | |
That was blocking it, that was in the filter. | 0:10:24 | 0:10:26 | |
-So you had a blockage? -And it blocked the system. | 0:10:26 | 0:10:29 | |
That was floating, probably in the harbour before we left. | 0:10:29 | 0:10:33 | |
Very reassuring to have those vibrations of full revs going beneath our feet now. | 0:10:33 | 0:10:37 | |
Yes, so hopefully this is it now. | 0:10:37 | 0:10:39 | |
Yeah, well, fingers crossed. | 0:10:39 | 0:10:40 | |
-Fingers crossed. -Oh! I spoke too soon. -Aye! | 0:10:40 | 0:10:43 | |
Being wedged in amongst 50 sheep does have its advantages. | 0:10:45 | 0:10:50 | |
When the swell picks up, at least I've got something to hold on to. | 0:10:50 | 0:10:54 | |
This wind's a bit stronger today, so our landing on the island is not ideal. | 0:10:58 | 0:11:02 | |
But we'll see what it's like when we get there. | 0:11:02 | 0:11:06 | |
-Won't be long now? -No. -Unless another lamb jumps over the side. | 0:11:06 | 0:11:09 | |
I think they can smell the land, they are getting quite excited. | 0:11:11 | 0:11:15 | |
Thankfully, our very able seamen get us safely to Opasay. | 0:11:18 | 0:11:22 | |
And I get the impression that our passengers are keen to disembark | 0:11:24 | 0:11:29 | |
at their summer holiday island. | 0:11:29 | 0:11:30 | |
That's it, let them go. | 0:11:32 | 0:11:34 | |
That's them. | 0:11:35 | 0:11:36 | |
-That's it. That's perfect. -Off you go! | 0:11:40 | 0:11:42 | |
All right? | 0:11:44 | 0:11:45 | |
But just as it looks as if they're home and dry, | 0:11:45 | 0:11:49 | |
Donald has to swing into action again. | 0:11:50 | 0:11:53 | |
There's always one. | 0:12:01 | 0:12:03 | |
Probably the same bloody one! | 0:12:03 | 0:12:05 | |
THEY LAUGH | 0:12:05 | 0:12:06 | |
All that's left to do is to swab the decks, before making my way | 0:12:08 | 0:12:12 | |
to my next destination. | 0:12:12 | 0:12:14 | |
The tidal island of Grimsay lies in a maze of shifting sandbanks and sea lochs. | 0:12:19 | 0:12:25 | |
It's linked to North Uist by one of the many causeways that connect this | 0:12:27 | 0:12:31 | |
island chain together. | 0:12:31 | 0:12:33 | |
Since I'm travelling on foot and the tide is low, I prefer to make my own way | 0:12:36 | 0:12:41 | |
across the sands, which also gives me time to reflect on the | 0:12:41 | 0:12:46 | |
alluring nature of this place. | 0:12:46 | 0:12:48 | |
Whether it's the colour of the sea or the quality of the light, | 0:12:49 | 0:12:53 | |
many artists have been inspired by this landscape. | 0:12:53 | 0:12:56 | |
These stunning watercolours are the work of acclaimed US-based artist Rhod Evans. | 0:13:08 | 0:13:14 | |
This is Loch Hornary. | 0:13:15 | 0:13:18 | |
It's very secluded, very quiet, | 0:13:18 | 0:13:20 | |
and it's one of these places I like to come and sketch on a good day. | 0:13:20 | 0:13:24 | |
Rhod has brought me here for a masterclass in landscape painting. | 0:13:24 | 0:13:29 | |
-I've got my pencil. -Right. | 0:13:29 | 0:13:31 | |
-I normally start by finding a horizon and deciding where to put the horizon. -Uh-huh. | 0:13:31 | 0:13:37 | |
-I tend to sketch quite rapidly. -Uh-huh. | 0:13:37 | 0:13:39 | |
I'm a scribbler rather than a detail person. | 0:13:39 | 0:13:43 | |
You've been to a lot of islands, have you not? | 0:13:43 | 0:13:46 | |
Yeah, over the years, I suppose my career has taken me to... | 0:13:46 | 0:13:51 | |
Because I was a conservation manager, that's what I actually did, and... | 0:13:51 | 0:13:56 | |
Was it a job that took you to islands? | 0:13:56 | 0:13:58 | |
Yeah... Well, I think I probably had a thing, I still have a bit of a thing about islands. | 0:13:58 | 0:14:04 | |
When did you learn the art of watercolour painting? | 0:14:04 | 0:14:07 | |
Totally self-taught. | 0:14:07 | 0:14:09 | |
Misspent time when I should have been... | 0:14:09 | 0:14:12 | |
..counting birds, or something. | 0:14:13 | 0:14:15 | |
One of the things I've done over the years is hours and hours | 0:14:19 | 0:14:24 | |
-of experiments with colours, you know? -Uh-huh. | 0:14:24 | 0:14:26 | |
Getting to know the colours really well. | 0:14:26 | 0:14:30 | |
What mixes together, what makes absolute mud, you know? | 0:14:30 | 0:14:35 | |
I think I'm verging on the mud. | 0:14:35 | 0:14:37 | |
If you think about an artist, people say, | 0:14:37 | 0:14:41 | |
"Oh, I can't get it to look like it's meant to look." | 0:14:41 | 0:14:44 | |
-Yeah. -But it isn't about that, is it, you know? | 0:14:44 | 0:14:47 | |
Partly it's about the scene, it's partly about how you feel, as well... | 0:14:47 | 0:14:52 | |
-Uh-huh. -..when you're doing it. | 0:14:52 | 0:14:53 | |
So, you might be cold, you might be cranky, | 0:14:53 | 0:14:57 | |
and you might do slashing kind of marks, you know? | 0:14:57 | 0:15:00 | |
Zigzags, whatever. Whereas if you're feeling more serene and cool, | 0:15:00 | 0:15:05 | |
you do a very soft watercolour sort of thing. | 0:15:05 | 0:15:09 | |
Or if you're feeling vaguely incompetent, like I am, | 0:15:09 | 0:15:13 | |
it all looks a bit blotchy. | 0:15:13 | 0:15:15 | |
Eventually, I mean, people get to like your stuff and you realise | 0:15:15 | 0:15:20 | |
that actually, what you're doing is OK. | 0:15:20 | 0:15:24 | |
-It's totally absorbing, isn't it? -It is. | 0:15:24 | 0:15:27 | |
I mean, if you can find something, whatever it is, | 0:15:27 | 0:15:30 | |
that you get really absorbed in, I think that's probably the best therapy there is. | 0:15:30 | 0:15:35 | |
Whether it's fishing, or whatever, | 0:15:35 | 0:15:38 | |
but it totally takes all of your concentration. | 0:15:38 | 0:15:40 | |
I think this is better than fishing, because you've always got a result. | 0:15:40 | 0:15:44 | |
I've spent many days fishing and come home with nothing. | 0:15:44 | 0:15:47 | |
True that, been there. | 0:15:47 | 0:15:48 | |
Generally just finish off a sketch with just a little bit of | 0:15:50 | 0:15:56 | |
scratching with a knife. | 0:15:56 | 0:15:58 | |
-Scratching with a knife? -Yeah, scratch out... | 0:15:58 | 0:16:01 | |
-Oh, I see. -..the white bits. You see? Like that. | 0:16:02 | 0:16:05 | |
It almost looks like vandalism. | 0:16:05 | 0:16:07 | |
-Yeah. -I'm quite pleased with that. -Yeah. That's nice. | 0:16:07 | 0:16:10 | |
I thought it was going to be a disaster. | 0:16:10 | 0:16:12 | |
-I like the way you've sort of made it into an amphitheatre. -Mmm. | 0:16:12 | 0:16:15 | |
-That's how it struck me. -Because, in a way, that's what it is. Yeah. | 0:16:15 | 0:16:18 | |
Yours has got depth and atmosphere. | 0:16:18 | 0:16:21 | |
Well, I suppose it's just very much an impression of the scene. | 0:16:21 | 0:16:25 | |
There's not much detail there at all. | 0:16:26 | 0:16:28 | |
Well, I'm exhausted. | 0:16:28 | 0:16:30 | |
-Mentally draining. -Absolutely, because it takes so much attention. | 0:16:31 | 0:16:35 | |
And you're so focused. | 0:16:35 | 0:16:36 | |
As I continue my journey, my newly developed artistic eye is drawn to | 0:16:41 | 0:16:46 | |
several picturesque thatched cottages that dot the landscape. | 0:16:46 | 0:16:50 | |
At one time, every home would have had this kind of roof, | 0:16:52 | 0:16:55 | |
but modern building techniques and materials made the thatched roof almost obsolete. | 0:16:55 | 0:17:01 | |
Recently, however, they've enjoyed a bit of a revival | 0:17:01 | 0:17:05 | |
and the skill of the thatcher has been rediscovered. | 0:17:05 | 0:17:08 | |
I'm joining Neil Nicholson to size up his latest project. | 0:17:09 | 0:17:14 | |
Yeah, this is a very old roof, this one, | 0:17:14 | 0:17:17 | |
it's one of the oldest in Uist, and it's been over-thatched and now | 0:17:17 | 0:17:22 | |
we're basically going to strip it back a lot, | 0:17:22 | 0:17:24 | |
taking it back to basically a layer which went on originally, | 0:17:24 | 0:17:28 | |
-which is probably over 100 years now. -You're kidding? | 0:17:28 | 0:17:31 | |
Yeah, yeah. | 0:17:31 | 0:17:32 | |
You've got 100 years of thatching going on. | 0:17:32 | 0:17:34 | |
Yeah. I can see what kind of thatchers we had for the past 100 years. | 0:17:34 | 0:17:38 | |
You've got all these layers of kind of, like, history, really. | 0:17:38 | 0:17:41 | |
-It's a bit like archaeology. -It is, yes, yeah. | 0:17:41 | 0:17:44 | |
And you're going to replace it with this grass here, so... | 0:17:44 | 0:17:47 | |
Now, how much of this stuff, Neil, are you going to need to rethatch that wee cottage? | 0:17:47 | 0:17:51 | |
I would say roughly it'd be two football pitches. | 0:17:51 | 0:17:53 | |
-That's a hell of a lot. Two football pitches? -It's a lot of grass, yeah. | 0:17:53 | 0:17:57 | |
This is marram grass, | 0:17:57 | 0:17:59 | |
and sourcing it in the kind of quantities needed isn't as easy | 0:17:59 | 0:18:03 | |
as you might expect. | 0:18:03 | 0:18:04 | |
We're heading to a place where Neil can gather this very special | 0:18:08 | 0:18:11 | |
building material, the tiny tidal island of Kirkibost. | 0:18:11 | 0:18:15 | |
It is an amazing stretch of coast, this. It's so low-lying, isn't it? | 0:18:18 | 0:18:21 | |
It is, yeah. | 0:18:21 | 0:18:22 | |
It wouldn't take much for the sea to encroach all the way across. | 0:18:22 | 0:18:26 | |
No, it wouldn't, no. | 0:18:26 | 0:18:27 | |
It's very tidal here, so we just have to be careful of sandbanks. | 0:18:27 | 0:18:31 | |
We try and come out when the tide's turning. | 0:18:32 | 0:18:35 | |
You haven't got much clearance here, have you? | 0:18:35 | 0:18:37 | |
-No. -You could almost stand up in this. | 0:18:37 | 0:18:39 | |
You could nearly, aye, there's about a metre there. | 0:18:39 | 0:18:42 | |
And at low tide this dries out almost completely, doesn't it? | 0:18:42 | 0:18:45 | |
-It does, yes. -It's an amazing thought. | 0:18:45 | 0:18:49 | |
-This is us in the marram grass fields. -Yeah. | 0:18:49 | 0:18:53 | |
-It grows really well here, doesn't it? -Yeah, it does. | 0:18:53 | 0:18:55 | |
In amongst the dunes. | 0:18:55 | 0:18:57 | |
The traditional way of harvesting this grass is with a scythe, | 0:18:57 | 0:19:01 | |
but Neil has something a bit more powerful. | 0:19:01 | 0:19:03 | |
Now, mowing the lawn is one thing, | 0:19:10 | 0:19:12 | |
but mowing a beach is quite another. | 0:19:12 | 0:19:15 | |
This has a powerful engine, sharp blades | 0:19:15 | 0:19:19 | |
and an inexperienced operator. | 0:19:19 | 0:19:22 | |
Whoa! | 0:19:22 | 0:19:23 | |
Whoa! | 0:19:25 | 0:19:26 | |
Neil? | 0:19:27 | 0:19:28 | |
Neil?! I've got a problem! | 0:19:28 | 0:19:30 | |
It's also noisy, | 0:19:30 | 0:19:32 | |
so Neil can't hear my increasingly desperate cries for help. | 0:19:32 | 0:19:38 | |
I can't stop! | 0:19:38 | 0:19:40 | |
I'm exhausted! | 0:19:41 | 0:19:42 | |
-You've got to take control of it, you know? -Yeah. | 0:19:44 | 0:19:46 | |
-That's knackering. Are you sure it isn't easier with a scythe? -No, no. | 0:19:46 | 0:19:50 | |
Bringing in the sheaths, it's now time to get down to the real task, | 0:19:53 | 0:19:58 | |
restoring the roof of this delightful old cottage. | 0:19:58 | 0:20:01 | |
Prepare it for the roof. | 0:20:04 | 0:20:06 | |
Clean it, pull it, | 0:20:06 | 0:20:08 | |
-place it in place. -Uh-huh. | 0:20:09 | 0:20:11 | |
-The tool. -Right. | 0:20:12 | 0:20:14 | |
So, basically, I stick it in there until I think it's sitting right on the roof. | 0:20:14 | 0:20:19 | |
So you're just sticking it into basically turf, aren't you? | 0:20:19 | 0:20:21 | |
-In turf, yeah. -That's all that's anchoring it? | 0:20:21 | 0:20:23 | |
-You're sewing it into it. -Right. | 0:20:23 | 0:20:25 | |
-So, do you want to try and put some in? -I'll try. I'll have a wee shot. -Yep. | 0:20:25 | 0:20:29 | |
45 degrees angle. | 0:20:29 | 0:20:31 | |
Push, push, push. | 0:20:31 | 0:20:33 | |
That's you. | 0:20:33 | 0:20:35 | |
That's it. Now, you want to see where... | 0:20:36 | 0:20:38 | |
-Take it down. -Uh-huh. | 0:20:38 | 0:20:40 | |
-You want to see. -It's a bit short, isn't it? | 0:20:40 | 0:20:42 | |
It's a bit short, but you can pull it back a wee bit and that should be fine. | 0:20:42 | 0:20:45 | |
-Right. -So... | 0:20:45 | 0:20:47 | |
It is amazingly flimsy material, isn't it? | 0:20:49 | 0:20:52 | |
When you think of the wind you so often associate with Uist, | 0:20:52 | 0:20:56 | |
-you think it's all going to blow away. -Yeah. | 0:20:56 | 0:20:58 | |
It's this netting that makes it really different. | 0:20:58 | 0:21:01 | |
And then you anchor the whole thing down with some knuckle-break stones. | 0:21:01 | 0:21:04 | |
That's it, yeah. | 0:21:04 | 0:21:07 | |
That's it. It's quite satisfying, isn't it? | 0:21:07 | 0:21:09 | |
Yeah, it is very satisfying. | 0:21:09 | 0:21:11 | |
It's great to learn new skills. | 0:21:11 | 0:21:13 | |
-It is, yes. -How long's it going to take you to do this? | 0:21:13 | 0:21:17 | |
-How much would you get done in a day? -This corner went up in, like, one day, a full day. | 0:21:17 | 0:21:21 | |
So you've got one, two, three, four... | 0:21:21 | 0:21:23 | |
-You've got three weeks' work, do you think? -Aye, roughly, yeah, weather permitting. | 0:21:23 | 0:21:26 | |
-Quick calculation. -Yeah. | 0:21:26 | 0:21:29 | |
Unfortunately, I won't to be able to help Neil finish the job, | 0:21:29 | 0:21:33 | |
because I'm setting out to sea again, | 0:21:33 | 0:21:35 | |
this time heading around the west coast to my final destination, | 0:21:35 | 0:21:39 | |
the uninhabited island of Pabbay. | 0:21:39 | 0:21:43 | |
So, we're approaching Pabbay. Got a wee jetty here. | 0:21:49 | 0:21:54 | |
And at the end of the jetty | 0:21:54 | 0:21:57 | |
there's an old vehicle driven by a collie dog to take us ashore. | 0:21:57 | 0:22:01 | |
DOG BARKS | 0:22:01 | 0:22:03 | |
And the dog appears to have brought some humans along. | 0:22:03 | 0:22:08 | |
Hi, guys. | 0:22:08 | 0:22:09 | |
So, here we are, setting foot on Pabbay for the very first time. | 0:22:11 | 0:22:15 | |
Really nice to meet you. | 0:22:15 | 0:22:17 | |
This is my guide on the island. | 0:22:17 | 0:22:19 | |
Raymond Campbell manages these three square miles of mostly pasture land. | 0:22:19 | 0:22:25 | |
And thankfully he and not just the dog will be doing the driving. | 0:22:25 | 0:22:30 | |
So, Raymond, it's so green on this island | 0:22:30 | 0:22:33 | |
it looks almost like a golf course. | 0:22:33 | 0:22:35 | |
It makes me think you must have a team of very conscientious green keepers hard at work. | 0:22:35 | 0:22:39 | |
Yes, we do that. | 0:22:39 | 0:22:41 | |
-Sheep keepers, we have. -You've got sheep keepers? -Yes. | 0:22:41 | 0:22:44 | |
So you've got sheep keeping the grass so cropped and neat looking? | 0:22:44 | 0:22:48 | |
-Yes, we've got 700. -700? That's a lot for a small island. | 0:22:48 | 0:22:53 | |
Yes. | 0:22:53 | 0:22:54 | |
SHEEP BLEAT | 0:22:54 | 0:22:55 | |
Pabbay has been uninhabited for more than 150 years, | 0:22:55 | 0:22:59 | |
but it's clear, as I see more of the island, that this was once a thriving place. | 0:22:59 | 0:23:05 | |
I can see all of the ruins here of the houses. | 0:23:05 | 0:23:08 | |
-Not much left of them. -No, no. -But that must be a village? | 0:23:08 | 0:23:11 | |
-Yes, Baile na Cille. -Baile na Cille? -Yes. | 0:23:11 | 0:23:14 | |
Well, I reckon by my rudimentary knowledge of Gaelic, that would mean | 0:23:14 | 0:23:17 | |
the village of the church, would it? | 0:23:17 | 0:23:19 | |
Yes, that's the one, yeah. | 0:23:19 | 0:23:21 | |
-Is that the church over there? -Yes, you can see the church there. -Right. | 0:23:21 | 0:23:25 | |
In fact, at its height, there were three villages here, a castle, | 0:23:28 | 0:23:33 | |
an ancient chapel and a population of nearly 300. | 0:23:33 | 0:23:38 | |
-See you later. -See you, Paul. -Cheers. | 0:23:38 | 0:23:40 | |
In the Middle Ages, the powerful Clan MacLeod held sway over much of the Hebrides. | 0:23:46 | 0:23:51 | |
And Pabbay, which means priest's island in Gaelic, | 0:23:51 | 0:23:54 | |
was one of their principal strongholds and the MacLeods loved it here. | 0:23:54 | 0:24:00 | |
I can see why. | 0:24:00 | 0:24:01 | |
It wasn't just Pabbay's strategic position in the Sound of Harris that | 0:24:04 | 0:24:08 | |
made it important. | 0:24:08 | 0:24:10 | |
The soil was also extremely fertile and the harvests bountiful. | 0:24:10 | 0:24:15 | |
Unfortunately for the MacLeods, their sworn enemies, the MacDonalds, | 0:24:17 | 0:24:22 | |
wanted a piece of Pabbay for themselves | 0:24:22 | 0:24:25 | |
and decided to attack the island. | 0:24:25 | 0:24:27 | |
And on a fateful day, the two clans met in a terrible battle, | 0:24:30 | 0:24:33 | |
which took place right here along the banks of this wee burn. | 0:24:33 | 0:24:37 | |
Now the MacDonalds were slaughtered to a man. | 0:24:37 | 0:24:40 | |
It's almost impossible to imagine the bloodshed that happened right here, | 0:24:47 | 0:24:51 | |
especially on a day like today, which somehow seems to epitomise | 0:24:51 | 0:24:55 | |
the essence of peace and tranquillity. | 0:24:55 | 0:24:58 | |
But then again, islands have always been deceptive. | 0:24:58 | 0:25:01 | |
It wasn't clan warfare that eventually saw the last of Pabbay's | 0:25:05 | 0:25:09 | |
residents leave in 1846. | 0:25:09 | 0:25:13 | |
In fact, the island and its people were thriving. | 0:25:13 | 0:25:16 | |
They were growing an abundance of wheat, oats, and, of course, barley. | 0:25:17 | 0:25:21 | |
That was the main ingredient in the production of whisky, | 0:25:22 | 0:25:26 | |
something which the Pabbay folk were rather fond of. | 0:25:26 | 0:25:30 | |
And despite repeated attempts by government inspectors to catch them in the act, | 0:25:30 | 0:25:35 | |
they produced barrel loads of the stuff. | 0:25:35 | 0:25:39 | |
To hear how this would lead to their eventual demise, I meet up with | 0:25:39 | 0:25:43 | |
Raymond's father Ken Campbell, whose family have a long connection with the island. | 0:25:43 | 0:25:48 | |
Kenneth, it's a beautiful, fertile island here. | 0:25:48 | 0:25:51 | |
Historically, Pabbay's been a very important island, because of its rich soil. | 0:25:51 | 0:25:57 | |
Yes, indeed, yes, it was known as the granary of Harris, | 0:25:57 | 0:26:01 | |
especially for the grain that it produced for the making of the whisky. | 0:26:01 | 0:26:06 | |
The excise man was on the go, you know, | 0:26:06 | 0:26:10 | |
and they were chasing people here, there and everywhere, | 0:26:10 | 0:26:13 | |
and they managed to get to Pabbay, | 0:26:13 | 0:26:15 | |
but the boatman had an arrangement with them, | 0:26:15 | 0:26:19 | |
-a special sale if he had the excise man on board. -Right. | 0:26:19 | 0:26:24 | |
-So, there would be boatmen bringing the excise men here... -Yes. | 0:26:24 | 0:26:27 | |
..and he was in cahoots with the folk here, | 0:26:27 | 0:26:29 | |
-so he'd warn them? -Yes, yes, and that was his way of doing it, you know? | 0:26:29 | 0:26:32 | |
A different colour sail. | 0:26:32 | 0:26:34 | |
If you suddenly had a yellow sail up, it meant "I've got an excise man on board"? | 0:26:35 | 0:26:41 | |
Aye, yeah, warning. | 0:26:41 | 0:26:43 | |
I think it was hidden away. | 0:26:43 | 0:26:45 | |
But they got caught out when there was a change of boatman. | 0:26:45 | 0:26:49 | |
-So caught red-handed? -Yeah. | 0:26:49 | 0:26:51 | |
And things changed then. | 0:26:51 | 0:26:53 | |
Oh, they were evicted because they were convicted | 0:26:53 | 0:26:56 | |
-or suspected of being involved in this illicit trade? -Trade, yeah. | 0:26:56 | 0:27:00 | |
I suppose they wanted to turn it into a sheep farm. | 0:27:00 | 0:27:03 | |
And, well, that was the trend in various estates of those days, | 0:27:03 | 0:27:08 | |
sheep farms and that. | 0:27:08 | 0:27:09 | |
Sadly, it's an all too familiar story. | 0:27:15 | 0:27:19 | |
And as I leave Ken and the ruins of Baile-lingay, | 0:27:19 | 0:27:22 | |
I consider the irony of how the painful history of the Hebrides | 0:27:22 | 0:27:26 | |
is so often set against a wildly beautiful backdrop. | 0:27:26 | 0:27:30 | |
I'm making the gentle climb to the summit of Ben a Charnain. | 0:27:33 | 0:27:37 | |
It's only about 600 feet high, but it's my final destination | 0:27:37 | 0:27:42 | |
and the ideal place to reflect on my journey. | 0:27:42 | 0:27:44 | |
So, here we are, the summit of Pabbay, the cairn of Ben a Charnain, | 0:27:47 | 0:27:53 | |
where, I have to say, the views are absolutely breathtaking. | 0:27:53 | 0:27:59 | |
You can see the whole sweep of the Sound of Harris from here, | 0:27:59 | 0:28:03 | |
studded with the wee islands that make navigation so difficult. | 0:28:03 | 0:28:06 | |
It's actually clear enough for me today to see all the way to Saint Kilda, | 0:28:06 | 0:28:11 | |
45 miles away. | 0:28:11 | 0:28:13 | |
Now, this really is a perfect place to drink in the view, | 0:28:13 | 0:28:17 | |
which is a cue for me to have a wee drink for myself. | 0:28:17 | 0:28:21 | |
A wee sensation to remind me of what once made Pabbay famous. | 0:28:21 | 0:28:26 | |
Slainte. | 0:28:26 | 0:28:27 | |
Join me on my next Grand Tour, when I'll be bridging the gap | 0:28:33 | 0:28:36 | |
and travelling from Scarp to Scalpay. | 0:28:36 | 0:28:40 |