Browse content similar to Bridging the Gap: Scarp, Great Bernera and Scalpay. Check below for episodes and series from the same categories and more!
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Around the Scottish coast, there are dozens of islands - | 0:00:05 | 0:00:09 | |
some great, others small - which are separated from the mainland | 0:00:09 | 0:00:13 | |
by just a short stretch of water, sometimes just yards across. | 0:00:13 | 0:00:18 | |
Early people were drawn to islands because, well, they're just that - | 0:00:19 | 0:00:24 | |
separate, surrounded by water, | 0:00:24 | 0:00:27 | |
an easily defended piece of land that's a world apart. | 0:00:27 | 0:00:31 | |
But today, the very things that once made islands attractive | 0:00:31 | 0:00:35 | |
have become obstacles, | 0:00:35 | 0:00:37 | |
and many islanders find that just how the watery gap is overcome | 0:00:37 | 0:00:43 | |
makes all the difference between staying or leaving. | 0:00:43 | 0:00:46 | |
In this series, I'm on an island-hopping journey, | 0:00:48 | 0:00:52 | |
which takes me to the Northern Isles, | 0:00:52 | 0:00:54 | |
explores the Hebrides and tries to unravel the secrets | 0:00:54 | 0:00:58 | |
of some of the remotest and most mysterious places in Europe. | 0:00:58 | 0:01:02 | |
It's impossible to be precise | 0:01:04 | 0:01:06 | |
about the total number of islands off Scotland's fabulous coast, | 0:01:06 | 0:01:10 | |
but for my island-bagging purposes, I claim it's well over 250, | 0:01:10 | 0:01:16 | |
and that's not counting the myriad of stacks, | 0:01:16 | 0:01:18 | |
rocks and skerries lying just offshore. | 0:01:18 | 0:01:21 | |
For this grand tour, I'm crossing the kyles | 0:01:23 | 0:01:26 | |
to reach some of the smallest islands | 0:01:26 | 0:01:28 | |
that lie close to Harris and Lewis. | 0:01:28 | 0:01:31 | |
My journey takes me around the coast | 0:01:46 | 0:01:48 | |
of the Long Island of Harris and Lewis, | 0:01:48 | 0:01:51 | |
beginning on Scarp, travelling north to Great Bernera | 0:01:51 | 0:01:55 | |
and then south-east to Scalpay. | 0:01:55 | 0:01:57 | |
I'm starting on the rugged north coast of Harris, | 0:01:59 | 0:02:03 | |
where I'm making the short half-mile crossing over the kyle | 0:02:03 | 0:02:06 | |
to my first destination. | 0:02:06 | 0:02:09 | |
The island of Scarp is a place I've always wanted to visit. | 0:02:09 | 0:02:13 | |
It's over there, literally a few hundred yards | 0:02:13 | 0:02:15 | |
from where I'm standing, on the Isle of Harris, | 0:02:15 | 0:02:18 | |
yet it's frustratingly difficult to get to. | 0:02:18 | 0:02:21 | |
There's no regular ferry service, no bridge, | 0:02:21 | 0:02:24 | |
so to cross over, you have to make your own way. | 0:02:24 | 0:02:27 | |
To get to Scarp today, I've hired a RIB. | 0:02:31 | 0:02:35 | |
Making the crossing with me are two Scarp veterans, | 0:02:35 | 0:02:38 | |
Donald John MacInnes and Hugh Dan MacLennan. | 0:02:38 | 0:02:41 | |
My mother is the oldest | 0:02:43 | 0:02:45 | |
living person at the moment who was born on Scarp. | 0:02:45 | 0:02:47 | |
She's heading for her 91st birthday soon. | 0:02:47 | 0:02:51 | |
And we used to come here every summer for our holidays. | 0:02:51 | 0:02:55 | |
It has a hugely strong emotional attachment for me. | 0:02:55 | 0:02:59 | |
I was born and brought up here. I was born here in 1947, | 0:02:59 | 0:03:04 | |
and my family lived here until 1971. | 0:03:04 | 0:03:08 | |
We were the last family - | 0:03:08 | 0:03:09 | |
traditional family - to leave the island. | 0:03:09 | 0:03:11 | |
Despite being so close to Harris, | 0:03:14 | 0:03:16 | |
Scarp never had a proper ferry service. | 0:03:16 | 0:03:19 | |
This was one of the reasons | 0:03:19 | 0:03:21 | |
that people like Donald John's family began to leave, | 0:03:21 | 0:03:25 | |
until the island was abandoned in the 1970s. | 0:03:25 | 0:03:28 | |
Back in the 1950s, Scarp was a wholly Gaelic-speaking community. | 0:03:30 | 0:03:36 | |
There were 19 families living in the village, | 0:03:36 | 0:03:39 | |
which had a population of about 70 souls. | 0:03:39 | 0:03:42 | |
Donald John takes us through the ruins | 0:03:43 | 0:03:46 | |
to the house where he was born. | 0:03:46 | 0:03:48 | |
This is where it all started for you, then, Donald John? | 0:03:48 | 0:03:50 | |
-Is that right? -Yes, I suppose. | 0:03:50 | 0:03:52 | |
I was born in this house. | 0:03:52 | 0:03:54 | |
Originally, when the house was built in 1882, | 0:03:54 | 0:03:57 | |
this was my grandfather's shop in here. | 0:03:57 | 0:04:01 | |
-It's quite a small shop. -It was a small shop | 0:04:01 | 0:04:04 | |
but he had lots in it, apparently. Sold boots and... | 0:04:04 | 0:04:07 | |
-Boots? -Boots and food and fish | 0:04:07 | 0:04:09 | |
and all sorts of things that people needed at that time. | 0:04:09 | 0:04:12 | |
-This was the supermarket of North Harris. -Really? -Yeah, yeah. | 0:04:12 | 0:04:16 | |
So, people would come from communities | 0:04:16 | 0:04:18 | |
-on the mainland across here? -Well, yes. | 0:04:18 | 0:04:20 | |
And he had boats and he would serve these communities, as well, | 0:04:20 | 0:04:23 | |
so he did home deliveries, as well. | 0:04:23 | 0:04:25 | |
-That's amazing. -This online thing is not a new thing at all. | 0:04:25 | 0:04:29 | |
-It goes way, way back. -Shop, we drop. | 0:04:29 | 0:04:31 | |
I mean, what's it like for you, | 0:04:31 | 0:04:32 | |
sort of standing here in amongst the stones of the house | 0:04:32 | 0:04:35 | |
where you were born? It must be quite a poignant place to come to. | 0:04:35 | 0:04:39 | |
Poignant? Maybe not poignant. | 0:04:41 | 0:04:43 | |
I like the idea of it going back to nature. | 0:04:43 | 0:04:46 | |
Over the years, a lot of people have said to me, | 0:04:46 | 0:04:48 | |
"Why don't you rebuild it?" | 0:04:48 | 0:04:50 | |
But it would only ever be rebuilt as a holiday house, | 0:04:50 | 0:04:53 | |
and I'm not so sure if I like that idea. | 0:04:53 | 0:04:56 | |
I'd rather it just go back to the way it was. | 0:04:56 | 0:04:59 | |
'Just down from Donald John's old family home | 0:05:02 | 0:05:05 | |
'is a house that holds special memories for Hugh Dan. | 0:05:05 | 0:05:09 | |
'Number 14, Scarp, is now a holiday home, | 0:05:09 | 0:05:12 | |
'but this is where Hugh Dan's uncle and aunt lived | 0:05:12 | 0:05:15 | |
'after they were married in 1952.' | 0:05:15 | 0:05:18 | |
This old home movie captures the happy occasion, | 0:05:21 | 0:05:24 | |
when the bride and groom were ferried and piped across the island | 0:05:24 | 0:05:28 | |
in true Hebridean style. | 0:05:28 | 0:05:30 | |
But things began to go awry | 0:05:31 | 0:05:33 | |
when the newlyweds entered the matrimonial home. | 0:05:33 | 0:05:37 | |
Somehow, they contrived | 0:05:37 | 0:05:38 | |
when they were going to change back into their wedding finery | 0:05:38 | 0:05:41 | |
to go and have the reception down in the schoolhouse, | 0:05:41 | 0:05:44 | |
they went into the bedroom and locked the bedroom door, | 0:05:44 | 0:05:47 | |
and couldn't get out because the key jammed or something like that. | 0:05:47 | 0:05:50 | |
So, the end result was that they had to come out... | 0:05:50 | 0:05:53 | |
-They were trapped. -Well, they were, | 0:05:53 | 0:05:55 | |
and they had to come out of this window here | 0:05:55 | 0:05:57 | |
in all their wedding finery. | 0:05:57 | 0:05:59 | |
They had to be helped through this window | 0:05:59 | 0:06:01 | |
before they then took off down with the whole mass, the whole island, | 0:06:01 | 0:06:05 | |
down to the huge wedding reception | 0:06:05 | 0:06:07 | |
which was taking place in the schoolhouse. | 0:06:07 | 0:06:09 | |
-You remember that event, too. -I do. I was five years old, | 0:06:09 | 0:06:12 | |
and my memory of it was the following morning | 0:06:12 | 0:06:16 | |
going to school, walking right past here | 0:06:16 | 0:06:19 | |
at something like half past eight in the morning going to the school, | 0:06:19 | 0:06:22 | |
thinking that we were going to have a school day that day. | 0:06:22 | 0:06:26 | |
And so we went across, we saw the last boats leaving the island | 0:06:26 | 0:06:30 | |
-carrying the wedding guests... -The stragglers. | 0:06:30 | 0:06:32 | |
The stragglers who had been up all night. | 0:06:32 | 0:06:35 | |
..and the schoolteacher waving them goodbye. | 0:06:35 | 0:06:37 | |
And as we went up to the school, the schoolteacher saw us. | 0:06:37 | 0:06:40 | |
He was horrified and said, "There's no school today. | 0:06:40 | 0:06:42 | |
"Off you go back home. Go home, go home!" | 0:06:42 | 0:06:45 | |
The low stone walls below number 14 | 0:06:47 | 0:06:50 | |
are the ruins of the old village street. | 0:06:50 | 0:06:53 | |
This is where the Scarp parliament met, | 0:06:53 | 0:06:56 | |
taking significant decisions that affected the whole community. | 0:06:56 | 0:07:01 | |
My grandfather was one of the senior elders | 0:07:01 | 0:07:04 | |
in the structure they operated at the time. | 0:07:04 | 0:07:06 | |
And he's the central figure in the picture | 0:07:06 | 0:07:09 | |
of the Scarp parliament which we have. | 0:07:09 | 0:07:11 | |
They would decide what they were going to do for the rest of the day, | 0:07:11 | 0:07:14 | |
for the rest of the week. | 0:07:14 | 0:07:15 | |
They would decide that on the basis of what time of year it was, | 0:07:15 | 0:07:19 | |
what needed to be done. | 0:07:19 | 0:07:20 | |
-And very significantly, no women. -No women. -A male-only parliament. | 0:07:20 | 0:07:24 | |
Yes, it was, and that's just the way it was, | 0:07:24 | 0:07:27 | |
because the women had different tasks | 0:07:27 | 0:07:29 | |
and they would have been in the shearings, | 0:07:29 | 0:07:31 | |
they were milking and they had other things to do. | 0:07:31 | 0:07:34 | |
It was just the way it was. | 0:07:34 | 0:07:36 | |
So, the men spent their morning making decisions | 0:07:36 | 0:07:39 | |
while the women did all the work. | 0:07:39 | 0:07:42 | |
In recognition of the good old days of patriarchy, | 0:07:42 | 0:07:45 | |
I take a picture of Hugh Dan | 0:07:45 | 0:07:47 | |
occupying his grandfather's seat in parliament. | 0:07:47 | 0:07:51 | |
Scarp might have been remote, | 0:07:54 | 0:07:56 | |
but it was endowed with many of the institutions | 0:07:56 | 0:07:59 | |
that make up civil society - | 0:07:59 | 0:08:01 | |
a parliament, a church and, of course, a school. | 0:08:01 | 0:08:05 | |
-That's where you hang your... -Cloakroom, yeah. | 0:08:06 | 0:08:08 | |
Big coat pegs for little people. | 0:08:08 | 0:08:11 | |
And then into the single-room school here. | 0:08:11 | 0:08:14 | |
-Primary school. -This was the classroom? | 0:08:14 | 0:08:17 | |
This was it, this was it. Chimney in the corner there. | 0:08:17 | 0:08:21 | |
In the old days, | 0:08:21 | 0:08:22 | |
-everybody would bring a peat every day for the fire. -Really? | 0:08:22 | 0:08:27 | |
The teachers here were very encouraging of kids | 0:08:27 | 0:08:30 | |
to go and explore the world. | 0:08:30 | 0:08:32 | |
Basically to educate yourself out of the place, in a way. | 0:08:32 | 0:08:36 | |
That's the paradox of it, I suspect - | 0:08:36 | 0:08:38 | |
that the people who were born and brought up here | 0:08:38 | 0:08:42 | |
were invited to go and do things all over the world, | 0:08:42 | 0:08:45 | |
but not on the island where they were born. | 0:08:45 | 0:08:49 | |
Donald John went on to university | 0:08:52 | 0:08:54 | |
and ended up working for the Scottish Government in Brussels, | 0:08:54 | 0:08:58 | |
promoting economic development. | 0:08:58 | 0:09:01 | |
The irony of coming from an underdeveloped island like Scarp | 0:09:01 | 0:09:05 | |
isn't lost on him. | 0:09:05 | 0:09:07 | |
Do you think the decline was inevitable, then? | 0:09:07 | 0:09:10 | |
It was inexorable, for sure. Whether it was inevitable... | 0:09:10 | 0:09:14 | |
I suspect that they could have built a causeway or a bridge across. | 0:09:14 | 0:09:20 | |
-A bridge would have been a handy thing. -Oh, yeah, that's right. | 0:09:20 | 0:09:23 | |
A helicopter, even, would have been really good. | 0:09:23 | 0:09:25 | |
An aerial link was, in fact, proposed for Scarp. | 0:09:27 | 0:09:31 | |
Not a helicopter, but a rocket. | 0:09:31 | 0:09:34 | |
The story starts in the 1930s | 0:09:34 | 0:09:37 | |
with the arrival of a young, self-styled entrepreneur | 0:09:37 | 0:09:40 | |
and inventor from Germany, Gerhard Zucker. | 0:09:40 | 0:09:44 | |
He decided he had a solution, or he said he had a solution, | 0:09:44 | 0:09:49 | |
by proposing that rockets be launched from Scarp | 0:09:49 | 0:09:53 | |
to the mainland of Harris | 0:09:53 | 0:09:55 | |
which would carry communications such as letters and so on. | 0:09:55 | 0:09:59 | |
Zucker arrived on Scarp on the 12th of July, 1934. | 0:10:00 | 0:10:05 | |
He'd already pre-sold the idea, | 0:10:05 | 0:10:08 | |
raising cash and producing special postage stamps | 0:10:08 | 0:10:11 | |
to commemorate the occasion. | 0:10:11 | 0:10:13 | |
These adorned letters, including one addressed to King George, | 0:10:13 | 0:10:19 | |
but the demonstration was an embarrassing failure. | 0:10:19 | 0:10:22 | |
Zucker's rocket exploded on the launch pad, | 0:10:22 | 0:10:25 | |
showering Scarp with its payload of letters. | 0:10:25 | 0:10:29 | |
To commemorate Zucker's failed space-age postal venture, | 0:10:29 | 0:10:33 | |
I'm going to try sending my own rocket mail. | 0:10:33 | 0:10:35 | |
Now, I've got a rocket here | 0:10:35 | 0:10:38 | |
and I've written a letter to my dear old ma in Argyll, | 0:10:38 | 0:10:42 | |
and it's simply a matter of attaching the letter to the rocket | 0:10:42 | 0:10:47 | |
with the use of this attaching device known as a rubber band... | 0:10:47 | 0:10:50 | |
..lighting the green touchpaper, in this case, and retiring. | 0:10:52 | 0:10:56 | |
So, fingers crossed. | 0:10:56 | 0:10:57 | |
Into the launcher... | 0:10:59 | 0:11:01 | |
..and... | 0:11:03 | 0:11:04 | |
..and retire. | 0:11:06 | 0:11:08 | |
Go, Zucker! | 0:11:08 | 0:11:10 | |
Wa-hey! | 0:11:12 | 0:11:13 | |
EXPLOSION | 0:11:13 | 0:11:17 | |
Looks like Ma's letter's gone up in smoke. | 0:11:17 | 0:11:19 | |
Zucker's rocket post | 0:11:22 | 0:11:23 | |
was never going to solve Scarp's communication problems, | 0:11:23 | 0:11:27 | |
and as I set off for my next destination, | 0:11:27 | 0:11:30 | |
I wonder how the island might have fared | 0:11:30 | 0:11:32 | |
had the gap to the mainland been bridged. | 0:11:32 | 0:11:35 | |
Travelling through Harris, | 0:11:37 | 0:11:39 | |
I'm heading now to Great Bernera. | 0:11:39 | 0:11:41 | |
Like Scarp, it's separated | 0:11:41 | 0:11:44 | |
from the mainland by a narrow stretch of water, | 0:11:44 | 0:11:47 | |
but unlike Scarp, it has a bridge, | 0:11:47 | 0:11:50 | |
though, famously, there was a fight to get it built. | 0:11:50 | 0:11:53 | |
It was a struggle against bureaucracy | 0:11:55 | 0:11:58 | |
and the intransigence of the authorities. | 0:11:58 | 0:12:00 | |
Without a bridge, the very future of the community was under threat. | 0:12:00 | 0:12:05 | |
After a strenuous campaign, the islanders won the argument, | 0:12:05 | 0:12:09 | |
and when this bridge was finally opened in 1953, | 0:12:09 | 0:12:13 | |
over 4,000 people turned out for the occasion. | 0:12:13 | 0:12:16 | |
Great Bernera is a lovely island. | 0:12:21 | 0:12:25 | |
It's only six miles long, | 0:12:25 | 0:12:28 | |
but the population of around 300 has a noble reputation | 0:12:28 | 0:12:32 | |
for understanding the value of direct action. | 0:12:32 | 0:12:36 | |
In the 19th century, at the height of the Highland Clearances, | 0:12:36 | 0:12:40 | |
a group of young men threw stones at three bailiffs | 0:12:40 | 0:12:43 | |
who'd come here to serve eviction notices on 57 homes. | 0:12:43 | 0:12:48 | |
Now, one of the bailiffs was so incensed at this | 0:12:48 | 0:12:51 | |
that he said to the young men, | 0:12:51 | 0:12:52 | |
"If I had a gun, I'd shoot the lot of you," | 0:12:52 | 0:12:55 | |
which just inflamed the situation. | 0:12:55 | 0:12:58 | |
A fight broke out, punches were thrown and a jacket torn. | 0:12:58 | 0:13:03 | |
A few days later, | 0:13:06 | 0:13:07 | |
one of the young men involved | 0:13:07 | 0:13:09 | |
was arrested in Stornoway. | 0:13:09 | 0:13:11 | |
When news reached Bernera, | 0:13:11 | 0:13:13 | |
the community reacted angrily, | 0:13:13 | 0:13:15 | |
and marched on the town demanding justice. | 0:13:15 | 0:13:18 | |
It was a bold act of defiance, | 0:13:18 | 0:13:21 | |
which resulted in a famous victory for the crofters, | 0:13:21 | 0:13:24 | |
paving the way to securing crofters' rights. | 0:13:24 | 0:13:28 | |
A few years ago, this cairn was built | 0:13:28 | 0:13:30 | |
to commemorate what's become known as the Great Bernera Riot. | 0:13:30 | 0:13:34 | |
And rather fittingly, | 0:13:34 | 0:13:36 | |
it's made of stones that come from all the crofts on the island. | 0:13:36 | 0:13:40 | |
It's really a very appropriate symbol | 0:13:40 | 0:13:42 | |
of unity and collective action. | 0:13:42 | 0:13:45 | |
Walking to the north end of the island, | 0:13:54 | 0:13:56 | |
I'd come to an extraordinarily beautiful beach. | 0:13:56 | 0:14:00 | |
This is Bosta, one of the jewels of the Hebrides. | 0:14:00 | 0:14:04 | |
There are layers of history in the sand here | 0:14:06 | 0:14:09 | |
that testify to human settlement going back thousands of years. | 0:14:09 | 0:14:14 | |
In 1993, a storm uncovered a rare archaeological gem | 0:14:15 | 0:14:20 | |
that gives a unique insight | 0:14:20 | 0:14:22 | |
into what Hebridean life was like 2,000 years ago. | 0:14:22 | 0:14:26 | |
Hi, Elizabeth. | 0:14:26 | 0:14:27 | |
-Hello, and welcome to Bosta. -Nice to meet you. | 0:14:27 | 0:14:30 | |
'This is the Bosta Iron Age House, | 0:14:30 | 0:14:33 | |
'where Elizabeth MacLeod plays host to visitors | 0:14:33 | 0:14:35 | |
'curious about the distant past.' | 0:14:35 | 0:14:38 | |
Right, I'm going to mind my head coming in here. | 0:14:38 | 0:14:40 | |
-We're going underground. -Very dark for a few minutes, as well. | 0:14:40 | 0:14:44 | |
Wow. What an amazing space in here, Elizabeth. | 0:14:44 | 0:14:47 | |
-It's much bigger than I thought it was going to be. -It is. | 0:14:47 | 0:14:49 | |
It's deceiving from the outside | 0:14:49 | 0:14:51 | |
because when you come in, you're coming underground. | 0:14:51 | 0:14:54 | |
From the outside, you only see the roof. | 0:14:54 | 0:14:56 | |
20 years ago, | 0:15:00 | 0:15:01 | |
archaeologists excavated five Iron Age houses at Bosta. | 0:15:01 | 0:15:06 | |
We're standing in a reconstruction | 0:15:06 | 0:15:09 | |
based on the exact floor plans of what was discovered. | 0:15:09 | 0:15:13 | |
And how many people do you think would have | 0:15:13 | 0:15:14 | |
been living in this house back in the Iron Age? | 0:15:14 | 0:15:17 | |
I can imagine ten, 15 living comfortably in each house, | 0:15:17 | 0:15:20 | |
-if not more. -And that would be, what, an extended family? | 0:15:20 | 0:15:24 | |
The extended families. | 0:15:24 | 0:15:25 | |
You could easily have three generations in the one house. | 0:15:25 | 0:15:28 | |
-Right, right. -Quite comfortably. | 0:15:28 | 0:15:29 | |
You'd have the children sleeping on the platforms. | 0:15:29 | 0:15:31 | |
-Just above you, there's a platform. -Oh, so there is. | 0:15:31 | 0:15:34 | |
And a ladder going up. | 0:15:34 | 0:15:36 | |
-So, when it was bedtime, the children were put upstairs... -Yes. | 0:15:36 | 0:15:39 | |
..and leave the adults to kind of talk around the fire. | 0:15:39 | 0:15:42 | |
Yes, and they could watch them, | 0:15:42 | 0:15:43 | |
peeping over, listening to the old stories. | 0:15:43 | 0:15:46 | |
Elizabeth spends much of her time here | 0:15:48 | 0:15:51 | |
experimenting with Iron Age domestic life. | 0:15:51 | 0:15:54 | |
She has cooked over the peat fire | 0:15:54 | 0:15:56 | |
and has even learnt ancient pottery skills. | 0:15:56 | 0:16:00 | |
With the Hebridean pottery, | 0:16:00 | 0:16:02 | |
they would get their clay in river banks, streams, lochs. | 0:16:02 | 0:16:05 | |
Then the clay would be taken home and worked at till it got smooth. | 0:16:05 | 0:16:08 | |
And once the clay was smooth, | 0:16:08 | 0:16:09 | |
-they would coil them. No wheel used. -Right. | 0:16:09 | 0:16:11 | |
So, coiling them, building them up bit by bit | 0:16:11 | 0:16:14 | |
and then leaving them to dry. | 0:16:14 | 0:16:15 | |
They'd be fired by having a pit outside, | 0:16:15 | 0:16:18 | |
light the peat fire, put the pot on top, cover with peat, | 0:16:18 | 0:16:21 | |
leave in the fire for a number of hours, | 0:16:21 | 0:16:23 | |
then taken out, and while the pots were still hot out of the fire, | 0:16:23 | 0:16:27 | |
they'd be put into milk just for about 10, 20 seconds, | 0:16:27 | 0:16:32 | |
lifted out, left to cool, | 0:16:32 | 0:16:33 | |
and it's the fat of the milk that steeps through the pot, | 0:16:33 | 0:16:36 | |
giving them that waterproof coating. | 0:16:36 | 0:16:37 | |
-Really? That's the glaze? -That's the glaze. -That's the milk glaze? | 0:16:37 | 0:16:40 | |
-And is it fireproof? -Yes. | 0:16:40 | 0:16:41 | |
You can put it on the peat fire and you can cook in it? | 0:16:41 | 0:16:44 | |
And I've tried doing that, and it does work. | 0:16:44 | 0:16:46 | |
Oh, amazing. Well, I'm very impressed. | 0:16:46 | 0:16:49 | |
Standing here is like going back in time. | 0:16:49 | 0:16:51 | |
-It is. -Back to the Iron Age. | 0:16:51 | 0:16:53 | |
Leaving Elizabeth, the peat smoke and the past behind, | 0:16:57 | 0:17:01 | |
I say farewell to Bosta and head south to the island of Harris, | 0:17:01 | 0:17:06 | |
where I take the old postman's path to Reinigeadal. | 0:17:06 | 0:17:10 | |
Until quite recent times, | 0:17:10 | 0:17:12 | |
many scattered communities along the east coast of Harris | 0:17:12 | 0:17:15 | |
were only accessible by boat or rough track. | 0:17:15 | 0:17:20 | |
In 1990, the tiny township of Reinigeadal | 0:17:20 | 0:17:23 | |
became the last place in the whole of Britain | 0:17:23 | 0:17:26 | |
to be connected to the road network. | 0:17:26 | 0:17:29 | |
It's amazing to think that, until 1990, | 0:17:29 | 0:17:34 | |
school kids from Reinigeadal would use this track twice a week | 0:17:34 | 0:17:38 | |
to get to secondary school in Tarbert. | 0:17:38 | 0:17:41 | |
This was literally the school run, | 0:17:41 | 0:17:44 | |
but it must have been horrendous in winter. | 0:17:44 | 0:17:47 | |
Today, this is a road of ghosts. | 0:17:52 | 0:17:55 | |
Walking the track, I'm following in the footsteps | 0:17:55 | 0:17:58 | |
of countless generations of islanders | 0:17:58 | 0:18:01 | |
who came from several now lost communities along the coast. | 0:18:01 | 0:18:05 | |
Places like Molinginish and Garyaloteger | 0:18:05 | 0:18:08 | |
reduced to a sad huddle of stones | 0:18:08 | 0:18:10 | |
and half-remembered names on the map. | 0:18:10 | 0:18:13 | |
After a three-hour hike, I meet up with Kenny MacKay. | 0:18:16 | 0:18:20 | |
Until the new road opened in 1990, | 0:18:20 | 0:18:23 | |
Kenny was the postman who made a 14-mile return trip | 0:18:23 | 0:18:26 | |
three times a week. | 0:18:26 | 0:18:29 | |
-Enjoyed the walk? -I have indeed. How long were you the postman for? | 0:18:29 | 0:18:33 | |
Well, 30 years. Oh, I enjoyed it quite a lot. | 0:18:33 | 0:18:37 | |
Especially when the weather was good, | 0:18:37 | 0:18:40 | |
-you could enjoy it and always meeting interesting people. -Mm-hm. | 0:18:40 | 0:18:45 | |
'During his career as a postman, | 0:18:45 | 0:18:47 | |
'Kenny carried the mail a total distance | 0:18:47 | 0:18:50 | |
'in excess of 26,000 miles. | 0:18:50 | 0:18:54 | |
'Come rain or shine, the post had to get through.' | 0:18:54 | 0:18:58 | |
There was no telephone or anything. | 0:18:58 | 0:19:00 | |
It was the postman that took all the local news into the village. | 0:19:00 | 0:19:04 | |
-Mm-hm? -Yes. -So, you were like a sort of bush telegraph system. | 0:19:04 | 0:19:08 | |
Exactly, yes. There was no drums, just the postman. | 0:19:08 | 0:19:13 | |
You must have been very well known to the community, then... | 0:19:13 | 0:19:15 | |
-Oh, yes. -..all round here. -Yes. -They'd keep an eye open for you. | 0:19:15 | 0:19:18 | |
As long as you didn't take any bills, | 0:19:18 | 0:19:20 | |
-you were popular enough. -Right! HE LAUGHS | 0:19:20 | 0:19:22 | |
I can't imagine there would have been many bills. | 0:19:22 | 0:19:24 | |
-Wouldn't have been any electricity bills, would there? -No, no. | 0:19:24 | 0:19:27 | |
The shop that was down there, | 0:19:27 | 0:19:29 | |
it was mostly bartering with eggs and tweeds and socks and things. | 0:19:29 | 0:19:33 | |
-There was a shop here? -Yes, there was a shop | 0:19:33 | 0:19:35 | |
-and a store just here. -Really? -Yes. -What on earth did they sell? | 0:19:35 | 0:19:39 | |
-Everything. -Really? -Yes. Oh, everything. | 0:19:39 | 0:19:43 | |
Yeah, from a pair of boots to a gallon of paraffin. | 0:19:43 | 0:19:46 | |
'This is a truly wild place | 0:19:47 | 0:19:50 | |
'and people didn't choose to settle this coast. | 0:19:50 | 0:19:54 | |
'They were dumped here by their landlords in the 19th century - | 0:19:54 | 0:19:58 | |
'men, women, children, the old - and told to get on with it.' | 0:19:58 | 0:20:05 | |
There's a lot of these wee villages all round the coast of Harris | 0:20:05 | 0:20:10 | |
because they came here during the Clearances. | 0:20:10 | 0:20:13 | |
They had no choice but trying to make a living off the coast. | 0:20:13 | 0:20:17 | |
It must have been desperate | 0:20:17 | 0:20:19 | |
because there's nowhere to grow crops or anything here. | 0:20:19 | 0:20:22 | |
No, there would be nothing here. | 0:20:22 | 0:20:24 | |
It was just a struggle to survive more than anything else. | 0:20:24 | 0:20:29 | |
With no road, the struggle was hopeless. | 0:20:30 | 0:20:33 | |
Cut off, the communities eventually died. | 0:20:33 | 0:20:37 | |
The same fate may well have befallen the village of Reinigeadal, | 0:20:39 | 0:20:43 | |
where the postman's path meets the new road which opened in 1990. | 0:20:43 | 0:20:48 | |
It was a lifeline and arrived just in time | 0:20:48 | 0:20:51 | |
to secure the future of this little township. | 0:20:51 | 0:20:54 | |
Leaving Kenny, I continue my grand tour | 0:20:58 | 0:21:01 | |
towards my final destination, | 0:21:01 | 0:21:04 | |
the island of Scalpay. | 0:21:04 | 0:21:06 | |
Like Great Bernera, | 0:21:09 | 0:21:10 | |
Scalpay is connected to the Long Island by a bridge, | 0:21:10 | 0:21:14 | |
in this case, a rather fine and impressive one | 0:21:14 | 0:21:17 | |
which spans the narrow kyle. | 0:21:17 | 0:21:19 | |
Before this bridge was built, you needed a boat to get to Scalpay, | 0:21:20 | 0:21:25 | |
and a wee ferry crossed the kyle from a slipway just down there. | 0:21:25 | 0:21:29 | |
The turntable ferry was once a common sight | 0:21:34 | 0:21:37 | |
up and down the Scottish coast, | 0:21:37 | 0:21:39 | |
and provided a picturesque way of getting to island destinations, | 0:21:39 | 0:21:43 | |
but was hardly convenient. | 0:21:43 | 0:21:45 | |
Today, the bridge that replaces the ferry connects a busy little island. | 0:21:47 | 0:21:52 | |
At two miles square, Scalpay is fairly built-up, | 0:21:52 | 0:21:56 | |
with a population of around 300. | 0:21:56 | 0:21:59 | |
Although crofting has always been | 0:21:59 | 0:22:01 | |
an important part of life here on Scalpay, | 0:22:01 | 0:22:05 | |
for many years, much of the island's income | 0:22:05 | 0:22:08 | |
has been derived from the sea. | 0:22:08 | 0:22:11 | |
WOMEN SING IN GAELIC | 0:22:11 | 0:22:16 | |
During the great herring fishing boom | 0:22:16 | 0:22:18 | |
in the early years of the 20th century, | 0:22:18 | 0:22:20 | |
Scalpay was a busy, cosmopolitan place, | 0:22:20 | 0:22:23 | |
with boats, crews and fisher girls coming to an island | 0:22:23 | 0:22:27 | |
where music and song played an important part in daily life, | 0:22:27 | 0:22:31 | |
especially in the production of the cloth | 0:22:31 | 0:22:34 | |
for which the islands are famous - tweed. | 0:22:34 | 0:22:37 | |
WOMEN SING IN GAELIC | 0:22:37 | 0:22:42 | |
Morag MacLeod has kindly gathered together | 0:22:47 | 0:22:50 | |
some of the ladies of Scalpay | 0:22:50 | 0:22:52 | |
to demonstrate the ancient tradition of waulking the tweed, | 0:22:52 | 0:22:56 | |
where songs accompanied the work of treating the cloth. | 0:22:56 | 0:22:59 | |
-What's the song all about, Morag? -It's a love song. | 0:23:04 | 0:23:09 | |
Well, you could call it a love song. It's a mixture of texts. | 0:23:09 | 0:23:11 | |
And the last verse that Chrissie sings is, | 0:23:11 | 0:23:14 | |
"I'm longing for you to come with your pigidh..." | 0:23:14 | 0:23:18 | |
Now, I'm not sure what... It's... | 0:23:18 | 0:23:21 | |
-Sounds a bit rude. -No, no. -WOMEN LAUGH | 0:23:21 | 0:23:24 | |
It's a thing for carrying whisky, | 0:23:24 | 0:23:26 | |
-which would be the drink for them to get betrothed. -Oh, right. | 0:23:26 | 0:23:31 | |
Is that kind of a betrothal drink | 0:23:31 | 0:23:32 | |
-he's going to bring? -Yes, yes. -Right. | 0:23:32 | 0:23:35 | |
'For some reason, I feel compelled to join in, | 0:23:35 | 0:23:38 | |
'and I'm more than happy to prove my rhythmic prowess | 0:23:38 | 0:23:42 | |
'to the ladies of Scalpay.' | 0:23:42 | 0:23:43 | |
And why are we doing this? What's the point of this beating? | 0:23:45 | 0:23:48 | |
-To shrink the tweed. -Right. | 0:23:48 | 0:23:51 | |
-It's got to go from 32in to 28. -Really? | 0:23:51 | 0:23:56 | |
So, it needs to be beaten and waulked to tighten up the weave. | 0:23:56 | 0:24:02 | |
-And it's all about keeping up a rhythm. -Yes. | 0:24:02 | 0:24:06 | |
I suppose that is partly why music lends itself to this activity. | 0:24:06 | 0:24:11 | |
So, Chrissie, are you going to give us a wee song? | 0:24:11 | 0:24:14 | |
A longing song? | 0:24:14 | 0:24:15 | |
THEY SING IN GAELIC | 0:24:17 | 0:24:21 | |
The waulking tradition is an ancient one, | 0:24:25 | 0:24:28 | |
and was firmly part of the female domain. | 0:24:28 | 0:24:30 | |
It gave women the opportunity to catch up, to sing, | 0:24:30 | 0:24:34 | |
tell stories and jokes, | 0:24:34 | 0:24:36 | |
all without the bothersome interference of their menfolk, | 0:24:36 | 0:24:39 | |
a communal activity that produced the fabric | 0:24:39 | 0:24:42 | |
that has become world-famous. | 0:24:42 | 0:24:44 | |
But it's not just tweed that's woven here. | 0:24:45 | 0:24:48 | |
Sheila Roderick is a Harris weaver. Her cloth of choice is linen, | 0:24:48 | 0:24:54 | |
and it's worn by dream weavers of stage and screen. | 0:24:54 | 0:24:57 | |
Now, Sheila, I'm familiar with Harris tweed, | 0:24:57 | 0:25:00 | |
made from wool, woven on Harris. We're on Scalpay. | 0:25:00 | 0:25:03 | |
This has been woven by you, but this is linen. | 0:25:03 | 0:25:07 | |
Yes, made of linen. Yes, Belgian linen. | 0:25:07 | 0:25:09 | |
And it's made on a Hattersley loom, | 0:25:09 | 0:25:11 | |
exactly the same way as Harris tweed, | 0:25:11 | 0:25:13 | |
using the same patterns, the same drafts, everything, | 0:25:13 | 0:25:16 | |
but using linen instead of wool. | 0:25:16 | 0:25:19 | |
Sheila trained as a traditional Harris tweed weaver 20 years ago, | 0:25:19 | 0:25:23 | |
but then began to experiment and extend her repertoire. | 0:25:23 | 0:25:27 | |
I decided I would use my skills on the loom | 0:25:27 | 0:25:30 | |
and I would just look for something different to weave, | 0:25:30 | 0:25:33 | |
and after a bit of discussion, I decided to go for linen. | 0:25:33 | 0:25:37 | |
Knew nothing about linen at all. Literally nothing. | 0:25:37 | 0:25:40 | |
I had to go to the library and take out a book about linen. | 0:25:40 | 0:25:43 | |
I don't think I'd even seen a piece of linen before. | 0:25:43 | 0:25:45 | |
This is the raw material that linen is woven from. | 0:25:47 | 0:25:51 | |
It's flax. | 0:25:51 | 0:25:53 | |
It starts out looking like the end of Harry Potter's broom, | 0:25:53 | 0:25:57 | |
but after being worked to pound down its woody stems, | 0:25:57 | 0:26:01 | |
it ends up as these beautiful, silk-like fibres. | 0:26:01 | 0:26:04 | |
I mean, it's just like hair. It's like a beautiful wig. | 0:26:04 | 0:26:07 | |
This is the original flaxen hair, isn't it? | 0:26:07 | 0:26:09 | |
Flaxen hair, absolutely. | 0:26:09 | 0:26:10 | |
-Flaxen-haired girl would have had hair like this. -Mm-hm. | 0:26:10 | 0:26:13 | |
I can't believe, you know, the contrast between the two | 0:26:13 | 0:26:16 | |
because it's actually the same material... | 0:26:16 | 0:26:18 | |
-Yes, it is. -..having gone through a process. | 0:26:18 | 0:26:20 | |
Sheila's talent with textiles has won her orders for her designs | 0:26:21 | 0:26:25 | |
from major film and television studios. | 0:26:25 | 0:26:28 | |
Her credits include Captain Corelli's Mandolin, | 0:26:28 | 0:26:32 | |
Casanova, | 0:26:32 | 0:26:33 | |
The Pirates Of The Caribbean and The Hobbit. | 0:26:33 | 0:26:37 | |
Do you have any samples that you can show me | 0:26:37 | 0:26:40 | |
-that have graced the silver screen? -Yes, I've got one up here. | 0:26:40 | 0:26:44 | |
This is the grey one that's up here is Gandalf's robe in The Hobbit. | 0:26:44 | 0:26:50 | |
-Really? -We did a lot of linen for that. | 0:26:50 | 0:26:53 | |
-It's a bit like the Turin Shroud, isn't it? -Yes. | 0:26:53 | 0:26:56 | |
A hallowed piece of cloth. THEY LAUGH | 0:26:56 | 0:26:58 | |
-Maybe slightly exaggerated. -Well, it was quite... | 0:26:58 | 0:27:01 | |
I suppose it was the biggest production | 0:27:01 | 0:27:04 | |
that we've actually been in, | 0:27:04 | 0:27:05 | |
and I did a huge amount of material for it, I have to say. | 0:27:05 | 0:27:09 | |
Do you get Hobbit fans coming here | 0:27:09 | 0:27:11 | |
-in search of a piece of the original cloth? -Never had a Hobbit fan in. | 0:27:11 | 0:27:14 | |
-Well, you might get one or two later on now, I think. -Maybe, yes. | 0:27:14 | 0:27:19 | |
-Can I touch it? -Yes, you may touch it! | 0:27:19 | 0:27:22 | |
I'm going to now touch Gandalf's gown. | 0:27:22 | 0:27:27 | |
Wow, so close to stardom here on Scalpay. | 0:27:29 | 0:27:33 | |
Who would have thought? | 0:27:35 | 0:27:36 | |
Leaving Sheila and her beautiful linen, | 0:27:40 | 0:27:43 | |
I buy enough cloth for a jacket and head back outside | 0:27:43 | 0:27:46 | |
to climb Scalpay's not-very-high highest hill, | 0:27:46 | 0:27:51 | |
to get a fresh perspective of this fascinating island. | 0:27:51 | 0:27:55 | |
Wow. The views from this wee hill are truly superb. | 0:27:57 | 0:28:02 | |
Down there, you can just make out the bridge | 0:28:02 | 0:28:04 | |
connecting Scalpay to Harris. | 0:28:04 | 0:28:07 | |
And through the mist is Clisham, | 0:28:07 | 0:28:09 | |
the highest mountain in the Western Isles. | 0:28:09 | 0:28:12 | |
And down there is the famous lighthouse, | 0:28:12 | 0:28:15 | |
the first ever to be built in the Hebrides. | 0:28:15 | 0:28:18 | |
And all around are islands both great and small, | 0:28:18 | 0:28:22 | |
making this unassuming hill | 0:28:22 | 0:28:25 | |
the perfect spot to end my grand tour. | 0:28:25 | 0:28:29 | |
My next grand tour takes me north to Shetland, | 0:28:31 | 0:28:35 | |
where I'll be travelling across the islands from west to east. | 0:28:35 | 0:28:39 |