Bridging the Gap: Scarp, Great Bernera and Scalpay Grand Tours of the Scottish Islands


Bridging the Gap: Scarp, Great Bernera and Scalpay

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Around the Scottish coast, there are dozens of islands -

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some great, others small - which are separated from the mainland

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by just a short stretch of water, sometimes just yards across.

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Early people were drawn to islands because, well, they're just that -

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separate, surrounded by water,

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an easily defended piece of land that's a world apart.

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But today, the very things that once made islands attractive

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have become obstacles,

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and many islanders find that just how the watery gap is overcome

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makes all the difference between staying or leaving.

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In this series, I'm on an island-hopping journey,

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which takes me to the Northern Isles,

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explores the Hebrides and tries to unravel the secrets

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of some of the remotest and most mysterious places in Europe.

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It's impossible to be precise

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about the total number of islands off Scotland's fabulous coast,

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but for my island-bagging purposes, I claim it's well over 250,

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and that's not counting the myriad of stacks,

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rocks and skerries lying just offshore.

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For this grand tour, I'm crossing the kyles

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to reach some of the smallest islands

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that lie close to Harris and Lewis.

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My journey takes me around the coast

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of the Long Island of Harris and Lewis,

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beginning on Scarp, travelling north to Great Bernera

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and then south-east to Scalpay.

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I'm starting on the rugged north coast of Harris,

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where I'm making the short half-mile crossing over the kyle

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to my first destination.

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The island of Scarp is a place I've always wanted to visit.

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It's over there, literally a few hundred yards

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from where I'm standing, on the Isle of Harris,

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yet it's frustratingly difficult to get to.

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There's no regular ferry service, no bridge,

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so to cross over, you have to make your own way.

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To get to Scarp today, I've hired a RIB.

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Making the crossing with me are two Scarp veterans,

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Donald John MacInnes and Hugh Dan MacLennan.

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My mother is the oldest

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living person at the moment who was born on Scarp.

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She's heading for her 91st birthday soon.

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And we used to come here every summer for our holidays.

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It has a hugely strong emotional attachment for me.

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I was born and brought up here. I was born here in 1947,

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and my family lived here until 1971.

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We were the last family -

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traditional family - to leave the island.

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Despite being so close to Harris,

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Scarp never had a proper ferry service.

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This was one of the reasons

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that people like Donald John's family began to leave,

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until the island was abandoned in the 1970s.

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Back in the 1950s, Scarp was a wholly Gaelic-speaking community.

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There were 19 families living in the village,

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which had a population of about 70 souls.

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Donald John takes us through the ruins

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to the house where he was born.

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This is where it all started for you, then, Donald John?

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-Is that right?

-Yes, I suppose.

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I was born in this house.

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Originally, when the house was built in 1882,

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this was my grandfather's shop in here.

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-It's quite a small shop.

-It was a small shop

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but he had lots in it, apparently. Sold boots and...

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-Boots?

-Boots and food and fish

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and all sorts of things that people needed at that time.

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-This was the supermarket of North Harris.

-Really?

-Yeah, yeah.

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So, people would come from communities

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-on the mainland across here?

-Well, yes.

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And he had boats and he would serve these communities, as well,

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so he did home deliveries, as well.

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-That's amazing.

-This online thing is not a new thing at all.

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-It goes way, way back.

-Shop, we drop.

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I mean, what's it like for you,

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sort of standing here in amongst the stones of the house

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where you were born? It must be quite a poignant place to come to.

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Poignant? Maybe not poignant.

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I like the idea of it going back to nature.

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Over the years, a lot of people have said to me,

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"Why don't you rebuild it?"

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But it would only ever be rebuilt as a holiday house,

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and I'm not so sure if I like that idea.

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I'd rather it just go back to the way it was.

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'Just down from Donald John's old family home

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'is a house that holds special memories for Hugh Dan.

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'Number 14, Scarp, is now a holiday home,

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'but this is where Hugh Dan's uncle and aunt lived

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'after they were married in 1952.'

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This old home movie captures the happy occasion,

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when the bride and groom were ferried and piped across the island

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in true Hebridean style.

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But things began to go awry

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when the newlyweds entered the matrimonial home.

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Somehow, they contrived

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when they were going to change back into their wedding finery

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to go and have the reception down in the schoolhouse,

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they went into the bedroom and locked the bedroom door,

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and couldn't get out because the key jammed or something like that.

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So, the end result was that they had to come out...

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-They were trapped.

-Well, they were,

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and they had to come out of this window here

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in all their wedding finery.

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They had to be helped through this window

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before they then took off down with the whole mass, the whole island,

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down to the huge wedding reception

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which was taking place in the schoolhouse.

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-You remember that event, too.

-I do. I was five years old,

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and my memory of it was the following morning

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going to school, walking right past here

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at something like half past eight in the morning going to the school,

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thinking that we were going to have a school day that day.

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And so we went across, we saw the last boats leaving the island

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-carrying the wedding guests...

-The stragglers.

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The stragglers who had been up all night.

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..and the schoolteacher waving them goodbye.

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And as we went up to the school, the schoolteacher saw us.

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He was horrified and said, "There's no school today.

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"Off you go back home. Go home, go home!"

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The low stone walls below number 14

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are the ruins of the old village street.

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This is where the Scarp parliament met,

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taking significant decisions that affected the whole community.

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My grandfather was one of the senior elders

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in the structure they operated at the time.

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And he's the central figure in the picture

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of the Scarp parliament which we have.

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They would decide what they were going to do for the rest of the day,

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for the rest of the week.

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They would decide that on the basis of what time of year it was,

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what needed to be done.

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-And very significantly, no women.

-No women.

-A male-only parliament.

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Yes, it was, and that's just the way it was,

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because the women had different tasks

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and they would have been in the shearings,

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they were milking and they had other things to do.

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It was just the way it was.

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So, the men spent their morning making decisions

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while the women did all the work.

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In recognition of the good old days of patriarchy,

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I take a picture of Hugh Dan

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occupying his grandfather's seat in parliament.

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Scarp might have been remote,

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but it was endowed with many of the institutions

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that make up civil society -

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a parliament, a church and, of course, a school.

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-That's where you hang your...

-Cloakroom, yeah.

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Big coat pegs for little people.

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And then into the single-room school here.

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-Primary school.

-This was the classroom?

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This was it, this was it. Chimney in the corner there.

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In the old days,

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-everybody would bring a peat every day for the fire.

-Really?

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The teachers here were very encouraging of kids

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to go and explore the world.

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Basically to educate yourself out of the place, in a way.

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That's the paradox of it, I suspect -

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that the people who were born and brought up here

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were invited to go and do things all over the world,

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but not on the island where they were born.

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Donald John went on to university

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and ended up working for the Scottish Government in Brussels,

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promoting economic development.

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The irony of coming from an underdeveloped island like Scarp

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isn't lost on him.

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Do you think the decline was inevitable, then?

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It was inexorable, for sure. Whether it was inevitable...

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I suspect that they could have built a causeway or a bridge across.

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-A bridge would have been a handy thing.

-Oh, yeah, that's right.

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A helicopter, even, would have been really good.

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An aerial link was, in fact, proposed for Scarp.

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Not a helicopter, but a rocket.

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The story starts in the 1930s

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with the arrival of a young, self-styled entrepreneur

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and inventor from Germany, Gerhard Zucker.

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He decided he had a solution, or he said he had a solution,

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by proposing that rockets be launched from Scarp

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to the mainland of Harris

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which would carry communications such as letters and so on.

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Zucker arrived on Scarp on the 12th of July, 1934.

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He'd already pre-sold the idea,

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raising cash and producing special postage stamps

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to commemorate the occasion.

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These adorned letters, including one addressed to King George,

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but the demonstration was an embarrassing failure.

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Zucker's rocket exploded on the launch pad,

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showering Scarp with its payload of letters.

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To commemorate Zucker's failed space-age postal venture,

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I'm going to try sending my own rocket mail.

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Now, I've got a rocket here

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and I've written a letter to my dear old ma in Argyll,

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and it's simply a matter of attaching the letter to the rocket

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with the use of this attaching device known as a rubber band...

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..lighting the green touchpaper, in this case, and retiring.

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So, fingers crossed.

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Into the launcher...

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..and...

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..and retire.

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Go, Zucker!

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Wa-hey!

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EXPLOSION

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Looks like Ma's letter's gone up in smoke.

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Zucker's rocket post

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was never going to solve Scarp's communication problems,

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and as I set off for my next destination,

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I wonder how the island might have fared

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had the gap to the mainland been bridged.

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Travelling through Harris,

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I'm heading now to Great Bernera.

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Like Scarp, it's separated

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from the mainland by a narrow stretch of water,

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but unlike Scarp, it has a bridge,

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though, famously, there was a fight to get it built.

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It was a struggle against bureaucracy

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and the intransigence of the authorities.

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Without a bridge, the very future of the community was under threat.

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After a strenuous campaign, the islanders won the argument,

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and when this bridge was finally opened in 1953,

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over 4,000 people turned out for the occasion.

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Great Bernera is a lovely island.

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It's only six miles long,

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but the population of around 300 has a noble reputation

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for understanding the value of direct action.

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In the 19th century, at the height of the Highland Clearances,

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a group of young men threw stones at three bailiffs

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who'd come here to serve eviction notices on 57 homes.

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Now, one of the bailiffs was so incensed at this

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that he said to the young men,

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"If I had a gun, I'd shoot the lot of you,"

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which just inflamed the situation.

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A fight broke out, punches were thrown and a jacket torn.

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A few days later,

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one of the young men involved

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was arrested in Stornoway.

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When news reached Bernera,

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the community reacted angrily,

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and marched on the town demanding justice.

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It was a bold act of defiance,

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which resulted in a famous victory for the crofters,

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paving the way to securing crofters' rights.

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A few years ago, this cairn was built

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to commemorate what's become known as the Great Bernera Riot.

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And rather fittingly,

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it's made of stones that come from all the crofts on the island.

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It's really a very appropriate symbol

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of unity and collective action.

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Walking to the north end of the island,

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I'd come to an extraordinarily beautiful beach.

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This is Bosta, one of the jewels of the Hebrides.

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There are layers of history in the sand here

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that testify to human settlement going back thousands of years.

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In 1993, a storm uncovered a rare archaeological gem

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that gives a unique insight

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into what Hebridean life was like 2,000 years ago.

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Hi, Elizabeth.

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-Hello, and welcome to Bosta.

-Nice to meet you.

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'This is the Bosta Iron Age House,

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'where Elizabeth MacLeod plays host to visitors

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'curious about the distant past.'

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Right, I'm going to mind my head coming in here.

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-We're going underground.

-Very dark for a few minutes, as well.

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Wow. What an amazing space in here, Elizabeth.

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-It's much bigger than I thought it was going to be.

-It is.

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It's deceiving from the outside

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because when you come in, you're coming underground.

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From the outside, you only see the roof.

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20 years ago,

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archaeologists excavated five Iron Age houses at Bosta.

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We're standing in a reconstruction

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based on the exact floor plans of what was discovered.

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And how many people do you think would have

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been living in this house back in the Iron Age?

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I can imagine ten, 15 living comfortably in each house,

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-if not more.

-And that would be, what, an extended family?

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The extended families.

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You could easily have three generations in the one house.

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-Right, right.

-Quite comfortably.

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You'd have the children sleeping on the platforms.

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-Just above you, there's a platform.

-Oh, so there is.

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And a ladder going up.

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-So, when it was bedtime, the children were put upstairs...

-Yes.

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..and leave the adults to kind of talk around the fire.

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Yes, and they could watch them,

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peeping over, listening to the old stories.

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Elizabeth spends much of her time here

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experimenting with Iron Age domestic life.

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She has cooked over the peat fire

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and has even learnt ancient pottery skills.

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With the Hebridean pottery,

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they would get their clay in river banks, streams, lochs.

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Then the clay would be taken home and worked at till it got smooth.

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And once the clay was smooth,

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-they would coil them. No wheel used.

-Right.

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So, coiling them, building them up bit by bit

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and then leaving them to dry.

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They'd be fired by having a pit outside,

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light the peat fire, put the pot on top, cover with peat,

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leave in the fire for a number of hours,

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then taken out, and while the pots were still hot out of the fire,

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they'd be put into milk just for about 10, 20 seconds,

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lifted out, left to cool,

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and it's the fat of the milk that steeps through the pot,

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giving them that waterproof coating.

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-Really? That's the glaze?

-That's the glaze.

-That's the milk glaze?

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-And is it fireproof?

-Yes.

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You can put it on the peat fire and you can cook in it?

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And I've tried doing that, and it does work.

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Oh, amazing. Well, I'm very impressed.

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Standing here is like going back in time.

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-It is.

-Back to the Iron Age.

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Leaving Elizabeth, the peat smoke and the past behind,

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I say farewell to Bosta and head south to the island of Harris,

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where I take the old postman's path to Reinigeadal.

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Until quite recent times,

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many scattered communities along the east coast of Harris

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were only accessible by boat or rough track.

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In 1990, the tiny township of Reinigeadal

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became the last place in the whole of Britain

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to be connected to the road network.

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It's amazing to think that, until 1990,

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school kids from Reinigeadal would use this track twice a week

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to get to secondary school in Tarbert.

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This was literally the school run,

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but it must have been horrendous in winter.

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Today, this is a road of ghosts.

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Walking the track, I'm following in the footsteps

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of countless generations of islanders

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who came from several now lost communities along the coast.

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Places like Molinginish and Garyaloteger

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reduced to a sad huddle of stones

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and half-remembered names on the map.

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After a three-hour hike, I meet up with Kenny MacKay.

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Until the new road opened in 1990,

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Kenny was the postman who made a 14-mile return trip

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three times a week.

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-Enjoyed the walk?

-I have indeed. How long were you the postman for?

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Well, 30 years. Oh, I enjoyed it quite a lot.

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Especially when the weather was good,

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-you could enjoy it and always meeting interesting people.

-Mm-hm.

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'During his career as a postman,

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'Kenny carried the mail a total distance

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'in excess of 26,000 miles.

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'Come rain or shine, the post had to get through.'

0:18:540:18:58

There was no telephone or anything.

0:18:580:19:00

It was the postman that took all the local news into the village.

0:19:000:19:04

-Mm-hm?

-Yes.

-So, you were like a sort of bush telegraph system.

0:19:040:19:08

Exactly, yes. There was no drums, just the postman.

0:19:080:19:13

You must have been very well known to the community, then...

0:19:130:19:15

-Oh, yes.

-..all round here.

-Yes.

-They'd keep an eye open for you.

0:19:150:19:18

As long as you didn't take any bills,

0:19:180:19:20

-you were popular enough.

-Right! HE LAUGHS

0:19:200:19:22

I can't imagine there would have been many bills.

0:19:220:19:24

-Wouldn't have been any electricity bills, would there?

-No, no.

0:19:240:19:27

The shop that was down there,

0:19:270:19:29

it was mostly bartering with eggs and tweeds and socks and things.

0:19:290:19:33

-There was a shop here?

-Yes, there was a shop

0:19:330:19:35

-and a store just here.

-Really?

-Yes.

-What on earth did they sell?

0:19:350:19:39

-Everything.

-Really?

-Yes. Oh, everything.

0:19:390:19:43

Yeah, from a pair of boots to a gallon of paraffin.

0:19:430:19:46

'This is a truly wild place

0:19:470:19:50

'and people didn't choose to settle this coast.

0:19:500:19:54

'They were dumped here by their landlords in the 19th century -

0:19:540:19:58

'men, women, children, the old - and told to get on with it.'

0:19:580:20:05

There's a lot of these wee villages all round the coast of Harris

0:20:050:20:10

because they came here during the Clearances.

0:20:100:20:13

They had no choice but trying to make a living off the coast.

0:20:130:20:17

It must have been desperate

0:20:170:20:19

because there's nowhere to grow crops or anything here.

0:20:190:20:22

No, there would be nothing here.

0:20:220:20:24

It was just a struggle to survive more than anything else.

0:20:240:20:29

With no road, the struggle was hopeless.

0:20:300:20:33

Cut off, the communities eventually died.

0:20:330:20:37

The same fate may well have befallen the village of Reinigeadal,

0:20:390:20:43

where the postman's path meets the new road which opened in 1990.

0:20:430:20:48

It was a lifeline and arrived just in time

0:20:480:20:51

to secure the future of this little township.

0:20:510:20:54

Leaving Kenny, I continue my grand tour

0:20:580:21:01

towards my final destination,

0:21:010:21:04

the island of Scalpay.

0:21:040:21:06

Like Great Bernera,

0:21:090:21:10

Scalpay is connected to the Long Island by a bridge,

0:21:100:21:14

in this case, a rather fine and impressive one

0:21:140:21:17

which spans the narrow kyle.

0:21:170:21:19

Before this bridge was built, you needed a boat to get to Scalpay,

0:21:200:21:25

and a wee ferry crossed the kyle from a slipway just down there.

0:21:250:21:29

The turntable ferry was once a common sight

0:21:340:21:37

up and down the Scottish coast,

0:21:370:21:39

and provided a picturesque way of getting to island destinations,

0:21:390:21:43

but was hardly convenient.

0:21:430:21:45

Today, the bridge that replaces the ferry connects a busy little island.

0:21:470:21:52

At two miles square, Scalpay is fairly built-up,

0:21:520:21:56

with a population of around 300.

0:21:560:21:59

Although crofting has always been

0:21:590:22:01

an important part of life here on Scalpay,

0:22:010:22:05

for many years, much of the island's income

0:22:050:22:08

has been derived from the sea.

0:22:080:22:11

WOMEN SING IN GAELIC

0:22:110:22:16

During the great herring fishing boom

0:22:160:22:18

in the early years of the 20th century,

0:22:180:22:20

Scalpay was a busy, cosmopolitan place,

0:22:200:22:23

with boats, crews and fisher girls coming to an island

0:22:230:22:27

where music and song played an important part in daily life,

0:22:270:22:31

especially in the production of the cloth

0:22:310:22:34

for which the islands are famous - tweed.

0:22:340:22:37

WOMEN SING IN GAELIC

0:22:370:22:42

Morag MacLeod has kindly gathered together

0:22:470:22:50

some of the ladies of Scalpay

0:22:500:22:52

to demonstrate the ancient tradition of waulking the tweed,

0:22:520:22:56

where songs accompanied the work of treating the cloth.

0:22:560:22:59

-What's the song all about, Morag?

-It's a love song.

0:23:040:23:09

Well, you could call it a love song. It's a mixture of texts.

0:23:090:23:11

And the last verse that Chrissie sings is,

0:23:110:23:14

"I'm longing for you to come with your pigidh..."

0:23:140:23:18

Now, I'm not sure what... It's...

0:23:180:23:21

-Sounds a bit rude.

-No, no.

-WOMEN LAUGH

0:23:210:23:24

It's a thing for carrying whisky,

0:23:240:23:26

-which would be the drink for them to get betrothed.

-Oh, right.

0:23:260:23:31

Is that kind of a betrothal drink

0:23:310:23:32

-he's going to bring?

-Yes, yes.

-Right.

0:23:320:23:35

'For some reason, I feel compelled to join in,

0:23:350:23:38

'and I'm more than happy to prove my rhythmic prowess

0:23:380:23:42

'to the ladies of Scalpay.'

0:23:420:23:43

And why are we doing this? What's the point of this beating?

0:23:450:23:48

-To shrink the tweed.

-Right.

0:23:480:23:51

-It's got to go from 32in to 28.

-Really?

0:23:510:23:56

So, it needs to be beaten and waulked to tighten up the weave.

0:23:560:24:02

-And it's all about keeping up a rhythm.

-Yes.

0:24:020:24:06

I suppose that is partly why music lends itself to this activity.

0:24:060:24:11

So, Chrissie, are you going to give us a wee song?

0:24:110:24:14

A longing song?

0:24:140:24:15

THEY SING IN GAELIC

0:24:170:24:21

The waulking tradition is an ancient one,

0:24:250:24:28

and was firmly part of the female domain.

0:24:280:24:30

It gave women the opportunity to catch up, to sing,

0:24:300:24:34

tell stories and jokes,

0:24:340:24:36

all without the bothersome interference of their menfolk,

0:24:360:24:39

a communal activity that produced the fabric

0:24:390:24:42

that has become world-famous.

0:24:420:24:44

But it's not just tweed that's woven here.

0:24:450:24:48

Sheila Roderick is a Harris weaver. Her cloth of choice is linen,

0:24:480:24:54

and it's worn by dream weavers of stage and screen.

0:24:540:24:57

Now, Sheila, I'm familiar with Harris tweed,

0:24:570:25:00

made from wool, woven on Harris. We're on Scalpay.

0:25:000:25:03

This has been woven by you, but this is linen.

0:25:030:25:07

Yes, made of linen. Yes, Belgian linen.

0:25:070:25:09

And it's made on a Hattersley loom,

0:25:090:25:11

exactly the same way as Harris tweed,

0:25:110:25:13

using the same patterns, the same drafts, everything,

0:25:130:25:16

but using linen instead of wool.

0:25:160:25:19

Sheila trained as a traditional Harris tweed weaver 20 years ago,

0:25:190:25:23

but then began to experiment and extend her repertoire.

0:25:230:25:27

I decided I would use my skills on the loom

0:25:270:25:30

and I would just look for something different to weave,

0:25:300:25:33

and after a bit of discussion, I decided to go for linen.

0:25:330:25:37

Knew nothing about linen at all. Literally nothing.

0:25:370:25:40

I had to go to the library and take out a book about linen.

0:25:400:25:43

I don't think I'd even seen a piece of linen before.

0:25:430:25:45

This is the raw material that linen is woven from.

0:25:470:25:51

It's flax.

0:25:510:25:53

It starts out looking like the end of Harry Potter's broom,

0:25:530:25:57

but after being worked to pound down its woody stems,

0:25:570:26:01

it ends up as these beautiful, silk-like fibres.

0:26:010:26:04

I mean, it's just like hair. It's like a beautiful wig.

0:26:040:26:07

This is the original flaxen hair, isn't it?

0:26:070:26:09

Flaxen hair, absolutely.

0:26:090:26:10

-Flaxen-haired girl would have had hair like this.

-Mm-hm.

0:26:100:26:13

I can't believe, you know, the contrast between the two

0:26:130:26:16

because it's actually the same material...

0:26:160:26:18

-Yes, it is.

-..having gone through a process.

0:26:180:26:20

Sheila's talent with textiles has won her orders for her designs

0:26:210:26:25

from major film and television studios.

0:26:250:26:28

Her credits include Captain Corelli's Mandolin,

0:26:280:26:32

Casanova,

0:26:320:26:33

The Pirates Of The Caribbean and The Hobbit.

0:26:330:26:37

Do you have any samples that you can show me

0:26:370:26:40

-that have graced the silver screen?

-Yes, I've got one up here.

0:26:400:26:44

This is the grey one that's up here is Gandalf's robe in The Hobbit.

0:26:440:26:50

-Really?

-We did a lot of linen for that.

0:26:500:26:53

-It's a bit like the Turin Shroud, isn't it?

-Yes.

0:26:530:26:56

A hallowed piece of cloth. THEY LAUGH

0:26:560:26:58

-Maybe slightly exaggerated.

-Well, it was quite...

0:26:580:27:01

I suppose it was the biggest production

0:27:010:27:04

that we've actually been in,

0:27:040:27:05

and I did a huge amount of material for it, I have to say.

0:27:050:27:09

Do you get Hobbit fans coming here

0:27:090:27:11

-in search of a piece of the original cloth?

-Never had a Hobbit fan in.

0:27:110:27:14

-Well, you might get one or two later on now, I think.

-Maybe, yes.

0:27:140:27:19

-Can I touch it?

-Yes, you may touch it!

0:27:190:27:22

I'm going to now touch Gandalf's gown.

0:27:220:27:27

Wow, so close to stardom here on Scalpay.

0:27:290:27:33

Who would have thought?

0:27:350:27:36

Leaving Sheila and her beautiful linen,

0:27:400:27:43

I buy enough cloth for a jacket and head back outside

0:27:430:27:46

to climb Scalpay's not-very-high highest hill,

0:27:460:27:51

to get a fresh perspective of this fascinating island.

0:27:510:27:55

Wow. The views from this wee hill are truly superb.

0:27:570:28:02

Down there, you can just make out the bridge

0:28:020:28:04

connecting Scalpay to Harris.

0:28:040:28:07

And through the mist is Clisham,

0:28:070:28:09

the highest mountain in the Western Isles.

0:28:090:28:12

And down there is the famous lighthouse,

0:28:120:28:15

the first ever to be built in the Hebrides.

0:28:150:28:18

And all around are islands both great and small,

0:28:180:28:22

making this unassuming hill

0:28:220:28:25

the perfect spot to end my grand tour.

0:28:250:28:29

My next grand tour takes me north to Shetland,

0:28:310:28:35

where I'll be travelling across the islands from west to east.

0:28:350:28:39

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