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30 miles from mainland Scotland, there's a chain of low-lying islands | 0:00:04 | 0:00:08 | |
that face the full might of the Atlantic Ocean. | 0:00:08 | 0:00:11 | |
This really feels like a frontier - a battleground between the elements, | 0:00:12 | 0:00:18 | |
the sea and the land, which is seen and felt very dramatically, | 0:00:18 | 0:00:23 | |
especially in the winter months when tremendous storms lash this coast. | 0:00:23 | 0:00:29 | |
From most of Scotland, | 0:00:38 | 0:00:40 | |
the homes and villages of the 4,000 or so folk who live here, | 0:00:40 | 0:00:44 | |
are hidden below the horizon. | 0:00:44 | 0:00:47 | |
And most people spend their lives living just a few feet above | 0:00:47 | 0:00:51 | |
the level of the stormy North Atlantic. | 0:00:51 | 0:00:54 | |
This is South Uist, and thankfully, today, the sea is relatively calm. | 0:00:56 | 0:01:03 | |
It's home to about 1,800 people, | 0:01:03 | 0:01:06 | |
but here, on this beautiful vast, empty stretch of sand, | 0:01:06 | 0:01:10 | |
you wouldn't know it. | 0:01:10 | 0:01:11 | |
It's absolutely stunning! | 0:01:12 | 0:01:14 | |
A place to fill your lungs. | 0:01:14 | 0:01:17 | |
And it's almost deserted. | 0:01:17 | 0:01:18 | |
There may not be many people here but there is a lot of water, | 0:01:19 | 0:01:24 | |
not just in the sea surrounding the island, | 0:01:24 | 0:01:27 | |
but also in the spectacular patchwork | 0:01:27 | 0:01:29 | |
of fresh water lochs and pools | 0:01:29 | 0:01:31 | |
that pockmark the landscape. | 0:01:31 | 0:01:34 | |
When the first, mostly wealthy, visitors | 0:01:34 | 0:01:36 | |
made their way to the Hebrides | 0:01:36 | 0:01:38 | |
the Uists quickly established a reputation as the best place | 0:01:38 | 0:01:43 | |
for one particular pursuit. | 0:01:43 | 0:01:45 | |
FILM COMMENTARY: 'The fishing has always attracted the traveller here. | 0:01:48 | 0:01:52 | |
'For the Uists seemed to have been designed by an angler, | 0:01:52 | 0:01:54 | |
'where the fishermen can share out the pools of trout, one to a man.' | 0:01:54 | 0:01:58 | |
The unique ecology of these unspoilt islands means that they have | 0:02:02 | 0:02:06 | |
become one of the best angling destinations in the world. | 0:02:06 | 0:02:09 | |
But you've got to know where and when to cast your line, | 0:02:12 | 0:02:16 | |
so I've enlisted gamekeeper Rory MacGillivray | 0:02:16 | 0:02:19 | |
to let me in on some of the local fishing secrets. | 0:02:19 | 0:02:23 | |
So, the reason we're coming down here, Rory, I suppose, | 0:02:24 | 0:02:27 | |
is because the tide's out. | 0:02:27 | 0:02:28 | |
Yeah, we'll come down to the sea pool here, | 0:02:28 | 0:02:30 | |
it's what's left after the tide goes out. | 0:02:30 | 0:02:34 | |
And we're gonna fish along the edge there. | 0:02:34 | 0:02:36 | |
So, as the tide goes down it leaves pools which trap the fish in them. | 0:02:36 | 0:02:40 | |
-Yeah. -It's like a fish trap. -Yes, that's basically what it is. -Right. | 0:02:40 | 0:02:44 | |
We'll give it a shot, see what... | 0:02:44 | 0:02:45 | |
'And it's in these seawater pools that we hope to find our prey - | 0:02:45 | 0:02:48 | |
'the wild sea trout.' | 0:02:48 | 0:02:51 | |
'To tempt them, we're using sand eels as bait.' | 0:02:52 | 0:02:56 | |
So, as you pull through the water, see the sand eel. | 0:02:56 | 0:03:00 | |
-If I were a sea trout I'd be totally convinced by that. -Well, hopefully. | 0:03:00 | 0:03:03 | |
Well, let's cast it out and see if we're gonna be lucky. | 0:03:03 | 0:03:07 | |
'Rory has lived here all his life, | 0:03:07 | 0:03:09 | |
'and learned how to fish these pools from an early age.' | 0:03:09 | 0:03:13 | |
When I was brought up, we had a big sea pool down below the house, | 0:03:15 | 0:03:19 | |
and what we would do is | 0:03:19 | 0:03:21 | |
-we would go down for flounders. -Uh-huh. | 0:03:21 | 0:03:24 | |
We would fish, um... | 0:03:24 | 0:03:26 | |
-By using this technique? -Using this technique. -Uh-huh. -Yeah. | 0:03:26 | 0:03:30 | |
-MAN ON FILM: -'A rod, a tin of worms and a good companion. | 0:03:31 | 0:03:35 | |
'Talk and laughter. | 0:03:35 | 0:03:37 | |
'If there's a fish at the end of it, so much the better. | 0:03:37 | 0:03:40 | |
'But there's the sun and the wind and a hill stream, | 0:03:40 | 0:03:43 | |
'this is the stuff that dreams are made of.' | 0:03:43 | 0:03:46 | |
Was it entirely legal, this activity that | 0:03:49 | 0:03:52 | |
-used to go on back in the day? -Ah. | 0:03:52 | 0:03:53 | |
No, it wasn't. | 0:03:56 | 0:03:58 | |
THEY LAUGH | 0:03:58 | 0:03:59 | |
No, I mean the... We weren't allowed to fish in sea pools. | 0:03:59 | 0:04:02 | |
-We weren't allowed, no. -You weren't allowed to fish in a sea pool like this? | 0:04:02 | 0:04:05 | |
-No. We cert... We certainly weren't. -Really? | 0:04:05 | 0:04:08 | |
No. It, um, it, um... You had the gamekeepers. | 0:04:08 | 0:04:11 | |
-Uh-huh. -You had the river watchers. | 0:04:11 | 0:04:15 | |
-Uh-huh. -But there was a difference. | 0:04:15 | 0:04:18 | |
It was one for the pot | 0:04:18 | 0:04:19 | |
and that was the true sense of the word, it really was one for the pot. | 0:04:19 | 0:04:23 | |
'In many ways, Rory is the classic poacher turned gamekeeper. | 0:04:25 | 0:04:29 | |
'Now it's his job to protect the island's resources.' | 0:04:29 | 0:04:33 | |
-On you go. -I was trying my luck. | 0:04:33 | 0:04:36 | |
'And his expertise is much sought after by anglers visiting the island.' | 0:04:36 | 0:04:40 | |
Oh, no. That was really pathetic. | 0:04:43 | 0:04:45 | |
'And today, angling is more popular than ever.' | 0:04:45 | 0:04:49 | |
People are getting tired of the reservoirs, restocked... | 0:04:49 | 0:04:52 | |
-Well, I'm not surprised. -Yeah. | 0:04:52 | 0:04:54 | |
Here, you're pitting yourself against the real deal. | 0:04:54 | 0:04:56 | |
-It's a wild fish. -Right. | 0:04:56 | 0:04:58 | |
And for me, you know, coming and fishing here, | 0:04:58 | 0:05:03 | |
you can catch a lot of fish in a day, | 0:05:03 | 0:05:06 | |
but a lot of it depends on how good an angler you actually are. | 0:05:06 | 0:05:10 | |
'So far, nothing is taking my bait, | 0:05:10 | 0:05:13 | |
'and after several hours, we're down to our last sand eel.' | 0:05:13 | 0:05:19 | |
My teeth are beginning to chatter now. | 0:05:19 | 0:05:21 | |
It's not getting any warmer. | 0:05:21 | 0:05:22 | |
Come on, little fishy, come to me on my dishy. | 0:05:25 | 0:05:29 | |
'But just as I'm about to suggest heading to the chippy...' | 0:05:36 | 0:05:40 | |
-Whoa, whoa, whoa! -You've got a fish? Oh, excellent. | 0:05:40 | 0:05:43 | |
-I've got a fish. -Yes. Well done. | 0:05:43 | 0:05:45 | |
-Oh, that's amazing. Look at this! -Agh! | 0:05:45 | 0:05:48 | |
Urgh, no. No! | 0:05:49 | 0:05:50 | |
-He lost it! -No! It got away, Rory! | 0:05:50 | 0:05:54 | |
No, there's a difference - you lost it! | 0:05:54 | 0:05:56 | |
THEY LAUGH | 0:05:56 | 0:05:58 | |
It was a huge one as well, wasn't it? | 0:06:00 | 0:06:02 | |
Did you see the size of it? | 0:06:02 | 0:06:03 | |
-Oh, yeah, it was... -It was it was a monster. -A monster! | 0:06:03 | 0:06:06 | |
THEY CONTINUE LAUGHING | 0:06:06 | 0:06:08 | |
Looks like we're going hungry tonight. | 0:06:10 | 0:06:12 | |
But it's not just about catching a fish. | 0:06:12 | 0:06:15 | |
-No. -Is it? When you come to a place like this, it's beautiful. | 0:06:15 | 0:06:18 | |
It's unique. | 0:06:18 | 0:06:19 | |
-Yeah, I mean... -And you're part of something bigger. -Yeah. | 0:06:19 | 0:06:23 | |
Having caught nothing more than a chill, | 0:06:29 | 0:06:31 | |
I'm heading for my next destination in this chain of islands. | 0:06:31 | 0:06:35 | |
Benbecula is the only "Ben" in Scotland that isn't a hill. | 0:06:36 | 0:06:42 | |
Now, in Gaelic, Benbecula actually means the hill between two fords, | 0:06:42 | 0:06:47 | |
which kinda makes sense, because in the old days, | 0:06:47 | 0:06:50 | |
in order to get here you had to cross an arm of the sea. | 0:06:50 | 0:06:53 | |
And the hill itself, well, it's not a "Ben" anything, | 0:06:53 | 0:06:57 | |
it's called "Rueval" and it's over there. | 0:06:57 | 0:06:59 | |
It may rise to only 127 metres, but as I make this short climb, | 0:07:07 | 0:07:13 | |
I begin to see more of the spectacular landscape below. | 0:07:13 | 0:07:16 | |
From here, you can see for miles around. | 0:07:20 | 0:07:23 | |
Useful if you happen to be Britain's most wanted man. | 0:07:23 | 0:07:27 | |
That was the case for Bonny Prince Charlie, | 0:07:35 | 0:07:37 | |
who spent the summer of 1746 on the run. | 0:07:37 | 0:07:41 | |
He arrived on Benbecula after his uprising had been | 0:07:42 | 0:07:46 | |
crushed at the Battle of Culloden. | 0:07:46 | 0:07:48 | |
To make matters even worse, the Prince had a price on his head - | 0:07:50 | 0:07:54 | |
an unbelievable £30,000. | 0:07:54 | 0:07:57 | |
That's the equivalent, in today's money, of 50 million. | 0:07:57 | 0:08:01 | |
It was a king's ransom, well, a prince's ransom! | 0:08:01 | 0:08:04 | |
And it was very tempting. | 0:08:04 | 0:08:05 | |
By the time he reached Benbecula, he was tired, hungry and desperate. | 0:08:10 | 0:08:15 | |
But the Prince was about to be rescued by a courageous local woman, | 0:08:17 | 0:08:21 | |
who would risk her life to save him. | 0:08:21 | 0:08:23 | |
Flora MacDonald has been described as a woman with soft features, | 0:08:31 | 0:08:36 | |
gentle manners, a kind soul and elegant presence. | 0:08:36 | 0:08:40 | |
She was just 24 when she met the Prince, | 0:08:42 | 0:08:45 | |
and an audacious plan was hatched to spirit him away to safety. | 0:08:45 | 0:08:49 | |
Incredibly, the plan involved the age-old pantomime trick | 0:08:53 | 0:08:57 | |
of cross-dressing, with the Prince playing the dame. | 0:08:57 | 0:09:01 | |
Now, slipping into a frock, | 0:09:01 | 0:09:03 | |
the Bonny Prince became Bonny Betty Burke, | 0:09:03 | 0:09:06 | |
Flora's devoted maid servant. | 0:09:06 | 0:09:08 | |
And together, they sailed over the sea to Skye, | 0:09:08 | 0:09:14 | |
an event immortalised ever since on millions of shortbread tins. | 0:09:14 | 0:09:18 | |
Prince Charlie escaped to France and lived the life of an exile, | 0:09:23 | 0:09:27 | |
while Flora MacDonald became a legend. | 0:09:27 | 0:09:30 | |
FILM NARRATOR: 'A simple mound of stones | 0:09:33 | 0:09:35 | |
'marks the birthplace of Flora MacDonald. | 0:09:35 | 0:09:38 | |
'"Her name will be mentioned in history," declared Dr Johnson | 0:09:38 | 0:09:42 | |
'"and if courage and fidelity be virtues, mentioned with honour".' | 0:09:42 | 0:09:46 | |
Well, here we are at the summit of Rueval - and I have to | 0:09:53 | 0:09:57 | |
say that the view certainly repays the effort to get here. | 0:09:57 | 0:10:02 | |
You can see all the way down the island chain, | 0:10:02 | 0:10:05 | |
and all around these tiny little lochans that make up Benbecula, | 0:10:05 | 0:10:09 | |
and these flat lands of North and South Uist. | 0:10:09 | 0:10:12 | |
This really is a quite remarkable landscape. | 0:10:14 | 0:10:18 | |
There are thousands of lochans and peaty pools from shore to shore. | 0:10:18 | 0:10:22 | |
To get to my final destination, | 0:10:25 | 0:10:27 | |
I'm leaving North Uist and heading for the tiny tidal island of Vallay. | 0:10:27 | 0:10:32 | |
And to get there, | 0:10:36 | 0:10:37 | |
I need to make the 2km walk across this spectacular Strand. | 0:10:37 | 0:10:41 | |
Well, it's certainly one of the most beautiful stretches of sand | 0:10:42 | 0:10:45 | |
I've ever seen, and had the privilege to walk across. | 0:10:45 | 0:10:48 | |
'Joining me is local guide, James MacLetchie, | 0:10:49 | 0:10:53 | |
'who's been making this journey since he was in short trousers.' | 0:10:53 | 0:10:57 | |
-You grew up here? -Yeah, I grew up just in the village there. | 0:10:58 | 0:11:01 | |
My mum was the head teacher, | 0:11:01 | 0:11:02 | |
and every weekend I'd be down here playing on this beach and | 0:11:02 | 0:11:05 | |
we'd often go over to the island there as well, when the tide was out. | 0:11:05 | 0:11:08 | |
Fantastic place to play. | 0:11:08 | 0:11:10 | |
'Remarkably, at one point there were plans afoot that would have | 0:11:10 | 0:11:14 | |
'totally changed this beautiful landscape.' | 0:11:14 | 0:11:17 | |
Ah, there was a plan, when I was growing up as a child, | 0:11:17 | 0:11:20 | |
to block off this area. | 0:11:20 | 0:11:21 | |
And then they were gonna fill it in with soil | 0:11:21 | 0:11:23 | |
and make it into a bulb field from what I remember. | 0:11:23 | 0:11:26 | |
-They were gonna turn it into a Dutch polder? -More or less, yeah. | 0:11:26 | 0:11:29 | |
This would not have been what it is today. | 0:11:31 | 0:11:33 | |
This intriguing footage from 1969, | 0:11:33 | 0:11:36 | |
shows the pilot scheme. | 0:11:36 | 0:11:38 | |
And what do you think local people felt about the idea | 0:11:41 | 0:11:43 | |
of the Vallay sands being turned into a vast tulip field? | 0:11:43 | 0:11:48 | |
At that time, it was probably a very different attitude | 0:11:48 | 0:11:50 | |
to what we have today, | 0:11:50 | 0:11:51 | |
with work opportunities and whatnot, | 0:11:51 | 0:11:54 | |
but I think today would have been totally horrified. | 0:11:54 | 0:11:57 | |
And as a child, I remember all these, er, | 0:11:57 | 0:11:59 | |
white and red sticks all over the beach and I used to move them - | 0:11:59 | 0:12:02 | |
myself and one of my friends, | 0:12:02 | 0:12:03 | |
we'd move them around. But luckily for us, they... | 0:12:03 | 0:12:05 | |
-You were saboteurs? -Yes, we were. Yeah. -Bulb saboteurs! | 0:12:05 | 0:12:08 | |
Yes. We managed to escape being found out. | 0:12:08 | 0:12:11 | |
Whether Jim's small protest played any part, who can say! | 0:12:13 | 0:12:17 | |
But the company behind the tulip farm went bust | 0:12:18 | 0:12:22 | |
leaving this vast expanse of sand unspoilt. | 0:12:22 | 0:12:25 | |
'Crossing to Vallay, James takes me to another of his childhood haunts, | 0:12:29 | 0:12:33 | |
'where a fascinating character lived 100 years ago.' | 0:12:33 | 0:12:38 | |
-And here we are. -Yeah, Vallay Island. | 0:12:38 | 0:12:40 | |
Vallay! And the ruins. | 0:12:40 | 0:12:42 | |
Yeah, they're amazing when you can see them. | 0:12:42 | 0:12:44 | |
They're so dominant. | 0:12:44 | 0:12:46 | |
And then right up on the left-hand side you can see | 0:12:46 | 0:12:48 | |
Erskine Beveridge's house, built in 1902-1905. | 0:12:48 | 0:12:52 | |
Erskine Beveridge was a wealthy industrialist | 0:12:52 | 0:12:55 | |
with a passion for archaeology. | 0:12:55 | 0:12:58 | |
He fell in love with this tiny island on the edge of the Atlantic. | 0:12:58 | 0:13:03 | |
Where did he make his money? | 0:13:06 | 0:13:07 | |
In the linen manufacturers in Dunfermline, so made quite a big business out of that. | 0:13:07 | 0:13:11 | |
So when they came out here, they were really just coming to | 0:13:11 | 0:13:13 | |
look for sporting estates, as was very common in them days. | 0:13:13 | 0:13:16 | |
And then to find a piece of land like this, with a view like that. | 0:13:16 | 0:13:20 | |
This is Vallay House, or what's left of it. | 0:13:21 | 0:13:24 | |
The gaunt shell of the once opulent home | 0:13:24 | 0:13:27 | |
Beveridge built on his island retreat. | 0:13:27 | 0:13:30 | |
He took three years to build the house, £8,000 to build it. | 0:13:32 | 0:13:36 | |
But what's really beautiful about the house is there was lots... | 0:13:36 | 0:13:39 | |
there were over 365 panes of glass in it, | 0:13:39 | 0:13:41 | |
and there was little round windows | 0:13:41 | 0:13:42 | |
that used to have coloured glass in it. | 0:13:42 | 0:13:44 | |
And on the windows there was the inscription "EB" - Erskine Beveridge. | 0:13:44 | 0:13:47 | |
-Erskine Beveridge. -Yes. | 0:13:47 | 0:13:48 | |
Quite an incredible thing to build as well. | 0:13:48 | 0:13:51 | |
And if you think of the environment that we're in - | 0:13:51 | 0:13:54 | |
so grand, baronial style property. | 0:13:54 | 0:13:56 | |
'Here on Vallay, Beveridge found the perfect place to indulge his fascination with the past.' | 0:13:57 | 0:14:03 | |
He wanted to go out and explore the environment. | 0:14:04 | 0:14:06 | |
He'd dig down about three foot in the ground and, er, | 0:14:06 | 0:14:08 | |
he'd find lots of antiquities and take them up to the house. | 0:14:08 | 0:14:11 | |
He was interested in human habitation here. | 0:14:11 | 0:14:13 | |
Does it go back a long way? | 0:14:13 | 0:14:14 | |
Well, it goes back to about 8,000 years, | 0:14:14 | 0:14:16 | |
so all around this isle itself, | 0:14:16 | 0:14:17 | |
we can go back right back to the early Iron Age, | 0:14:17 | 0:14:19 | |
we can go Bronze Age as well. | 0:14:19 | 0:14:20 | |
He wrote a book called North Uist and he covered most of the island. | 0:14:20 | 0:14:23 | |
So, a lot of what we know today was actually because of him. | 0:14:23 | 0:14:27 | |
When Erskine Beveridge died in 1920, the house passed to his son, | 0:14:31 | 0:14:36 | |
George, who continued to live on Vallay. | 0:14:36 | 0:14:39 | |
But since his death in 1944, it's lain empty and neglected. | 0:14:40 | 0:14:45 | |
The house has completely fallen into rack and ruin. | 0:14:48 | 0:14:50 | |
Can you remember a time when it wasn't quite so dilapidated? | 0:14:50 | 0:14:53 | |
Well, I remember coming over here in the 1970s. | 0:14:53 | 0:14:55 | |
All the windows were intact, | 0:14:55 | 0:14:57 | |
all the staircases were intact, all the rooms. | 0:14:57 | 0:14:59 | |
-It was amazing place to come. -Really? | 0:14:59 | 0:15:01 | |
-You used to explore it as wee boy. -Yeah, we did. | 0:15:01 | 0:15:04 | |
And it was so dark in certain rooms and you'd hear little rats | 0:15:04 | 0:15:07 | |
running around, pigeons would come and hit you in the face. | 0:15:07 | 0:15:09 | |
And growing up, a huge adventure for children. Amazing place to play. | 0:15:09 | 0:15:13 | |
-Uh-huh. After it had been deserted by the owners. -Yeah. | 0:15:13 | 0:15:16 | |
It's quite sad really it's been left empty and then become desolate. | 0:15:18 | 0:15:22 |