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'In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
'His name was George Bradshaw, and his railway guides inspired the Victorians to take to the tracks. | 0:00:10 | 0:00:17 | |
'Stop by stop, he told them where to travel, what to see and where to stay. | 0:00:17 | 0:00:24 | |
'Now, 170 years later, I'm making a series of journeys across the length | 0:00:24 | 0:00:30 | |
'and breadth of the country to see what of Bradshaw's Britain remains. | 0:00:30 | 0:00:35 | |
'Using my 19th-century Bradshaw's guide, | 0:00:56 | 0:00:59 | |
'I'm now headed for the North East, the cradle of the railways, | 0:00:59 | 0:01:02 | |
'where much of their early technology was developed. | 0:01:02 | 0:01:05 | |
'Some of the first lines were built here by George Stephenson, | 0:01:05 | 0:01:09 | |
'and I'll be following them south, to see how they spread throughout the country, transforming Britain. | 0:01:09 | 0:01:15 | |
'Each step of the way, I'll be consulting my Bradshaw's guide on what to look out for. | 0:01:17 | 0:01:22 | |
'With its remarkable descriptions of Victorian towns and cities, | 0:01:22 | 0:01:26 | |
'it's helping me to grasp the ideas and inventions that shaped what we enjoy today. | 0:01:26 | 0:01:33 | |
'On this journey, I'll be visiting the birthplace of the railways...' | 0:01:33 | 0:01:36 | |
Is this really the shrine of British railway engineering? | 0:01:36 | 0:01:40 | |
I suppose it is, really. This is the first purpose-built locomotive factory in the world. | 0:01:40 | 0:01:45 | |
'..finding out about the first lifeboat...' | 0:01:45 | 0:01:48 | |
This isn't just about technology, this is really a way of thinking about human life. | 0:01:48 | 0:01:53 | |
'..and witnessing some traditional miners' sword dancing.' | 0:01:53 | 0:01:58 | |
Who's lost a hand?! | 0:02:00 | 0:02:02 | |
HE LAUGHS | 0:02:02 | 0:02:04 | |
Starting in Newcastle, this route takes me south along some | 0:02:09 | 0:02:13 | |
of the very first railway lines, through Darlington and Whitby | 0:02:13 | 0:02:17 | |
to York. | 0:02:17 | 0:02:19 | |
Then I'll cross the Pennines and pass through Sheffield and | 0:02:21 | 0:02:25 | |
rural Leicestershire, before ending up at the town of Melton Mowbray. | 0:02:25 | 0:02:28 | |
Today, I'll cover the first 37 miles as I follow the Tyne | 0:02:30 | 0:02:34 | |
to South Shields, then travel south as far as Chester-le-Street. | 0:02:34 | 0:02:39 | |
Arriving into Newcastle, there are reminders everywhere of the city's pioneering role in railway history. | 0:02:39 | 0:02:46 | |
As we cross the River Tyne, | 0:02:46 | 0:02:49 | |
Bradshaw refers to the high level bridge over there, which was built by the late R Stephenson. | 0:02:49 | 0:02:56 | |
A 1,400 foot span, 112 feet above the river. | 0:02:56 | 0:03:01 | |
When it opened in 1849, the high level bridge was one of the earliest | 0:03:04 | 0:03:09 | |
wrought iron railway bridges, and the first to carry three tracks along its length. | 0:03:09 | 0:03:15 | |
Its engineer, Robert Stephenson, worked with the architect | 0:03:15 | 0:03:19 | |
John Dobson to build Newcastle Central Station in 1850.' | 0:03:19 | 0:03:24 | |
Newcastle Station is itself a wonder of railway archaeology and architecture. | 0:03:30 | 0:03:37 | |
Stephenson used three beautiful arched iron and glass canopies | 0:03:37 | 0:03:42 | |
to create the station, and they curve along the platform. | 0:03:42 | 0:03:46 | |
And this became the model for places all along the North East railway. | 0:03:46 | 0:03:51 | |
This impressive station provided a fitting gateway to a city | 0:03:54 | 0:03:58 | |
which in Bradshaw's day had recently been substantially improved. | 0:03:58 | 0:04:03 | |
He writes "The new town is handsome and well laid out. | 0:04:03 | 0:04:07 | |
"The exchange and other buildings are built of solid, durable granite at a cost of nearly £2m." | 0:04:07 | 0:04:12 | |
Designed by architect Richard Grainger and completed around 1841, | 0:04:14 | 0:04:19 | |
these streets are at the heart of one of England's first conservation areas. | 0:04:19 | 0:04:25 | |
We're on the corner of Grainger Street and Grey Street. What do you think of these streets? | 0:04:25 | 0:04:29 | |
Grey Street's a really, really lovely street. | 0:04:29 | 0:04:32 | |
I mean, the buildings down there are just wonderful. | 0:04:32 | 0:04:35 | |
If you walk down and just look up - a lot of people never ever look up | 0:04:35 | 0:04:38 | |
when they walk around, they just look straight ahead, but if you look up, it's a wonderful place. It really is. | 0:04:38 | 0:04:43 | |
You're awfully young, but do you have any memories of Newcastle? | 0:04:43 | 0:04:46 | |
Thank you, I'm actually a grandma! | 0:04:46 | 0:04:49 | |
But that's really nice of you to say so! | 0:04:49 | 0:04:51 | |
Do you have any memories of Newcastle Gateshead in the old days? | 0:04:51 | 0:04:54 | |
Before the regeneration, it was quite depressing, but now, it's beautiful down here. | 0:04:54 | 0:04:59 | |
It's really nice. | 0:04:59 | 0:05:01 | |
These days, Newcastle's classical buildings are offset by some striking modern architecture, | 0:05:02 | 0:05:08 | |
including the award-winning Millennium Bridge. | 0:05:08 | 0:05:11 | |
George Bradshaw, as a tremendous admirer of technology, would love | 0:05:11 | 0:05:17 | |
the Millennium Bridge, which tips up, like a winking eye, to allow shipping to pass underneath it. | 0:05:17 | 0:05:23 | |
It takes just four-and-a-half minutes to open, and is the world's first and only tilting bridge. | 0:05:25 | 0:05:31 | |
The quays of the Tyne are now home | 0:05:33 | 0:05:35 | |
to a thriving arts and culture scene. | 0:05:35 | 0:05:38 | |
But in Bradshaw's time, one industry above all others helped the city to grow. | 0:05:38 | 0:05:44 | |
Bradshaw's says: "Newcastle's situation on the banks of a navigable river, and in the greatest | 0:05:44 | 0:05:51 | |
"coal district in the world, are the chief causes which have tended to raise it to wealth and importance." | 0:05:51 | 0:05:57 | |
In the 1860s, Tyneside dominated Britain's coal mining industry, | 0:05:59 | 0:06:03 | |
supplying almost a third of London's fuel. | 0:06:03 | 0:06:07 | |
The wealth generated by the collieries financed pioneering engineers working | 0:06:07 | 0:06:12 | |
on what became the century's most important technology - the railways. | 0:06:12 | 0:06:18 | |
In 1824, Robert Stephenson and his father George | 0:06:18 | 0:06:23 | |
set up their locomotive works in central Newcastle. | 0:06:23 | 0:06:27 | |
'I'm meeting Dr Michael Bailey to see what's left of their empire.' | 0:06:27 | 0:06:32 | |
-It's good to meet you. -Wonderful to see you. | 0:06:32 | 0:06:34 | |
I can't believe this place. | 0:06:34 | 0:06:36 | |
Is this really the shrine of British railway engineering? | 0:06:36 | 0:06:41 | |
Well, I suppose it is, really. | 0:06:41 | 0:06:43 | |
This is the first purpose-built locomotive factory in the world. | 0:06:43 | 0:06:47 | |
The railways were developed in this country, and we then exported our locomotives | 0:06:47 | 0:06:52 | |
to Europe, to North America, and the whole railway revolution developed from that moment on. | 0:06:52 | 0:06:58 | |
It must have become a very big works indeed. Give me an idea of its size. | 0:06:58 | 0:07:02 | |
When it was completely developed, | 0:07:02 | 0:07:05 | |
later on in the 19th century, it occupied something like six acres, | 0:07:05 | 0:07:10 | |
two-and-a-half hectares in modern speak. | 0:07:10 | 0:07:12 | |
There were about 1,200 employees. | 0:07:12 | 0:07:17 | |
So that was a very large site. | 0:07:17 | 0:07:19 | |
Looking at this building, there's very little trace of what it must've been like. | 0:07:19 | 0:07:23 | |
And yet, it's very moving, actually. | 0:07:23 | 0:07:25 | |
For anyone interested in railways, | 0:07:25 | 0:07:27 | |
this is the cradle of it all, the place where it all begins. | 0:07:27 | 0:07:30 | |
Yes, it is. And I think the people of Newcastle are extremely proud | 0:07:30 | 0:07:33 | |
of the fact that they have here, right on their doorstep, | 0:07:33 | 0:07:37 | |
the very beginnings of the railway era. | 0:07:37 | 0:07:39 | |
At this site, the Stephensons designed some of the first successful locomotives. | 0:07:40 | 0:07:46 | |
They developed all the elements of a modern railway, | 0:07:46 | 0:07:50 | |
including setting the distance between the parallel rails, which became the world standard gauge. | 0:07:50 | 0:07:57 | |
Why does this birth of railway technology happen in Newcastle of all places? | 0:07:57 | 0:08:03 | |
It comes back to the coal, of course. | 0:08:03 | 0:08:05 | |
The coal industry was so dominant in the 18th and then early 19th century, | 0:08:05 | 0:08:11 | |
that the competition between the different coal owners | 0:08:11 | 0:08:15 | |
demanded better and better ways of moving the coal | 0:08:15 | 0:08:19 | |
from the colliery sites to the shipping points for shipment | 0:08:19 | 0:08:23 | |
to Southern England or export to Europe. | 0:08:23 | 0:08:26 | |
And therefore, to allow you to be competitive, | 0:08:26 | 0:08:30 | |
you needed better railway technology to move the coal. | 0:08:30 | 0:08:34 | |
Father and son George and Robert Stephenson both started out as engineers in the coal industry, | 0:08:35 | 0:08:41 | |
and by Bradshaw's day, they'd become household names. | 0:08:41 | 0:08:46 | |
One striking thing about George Stephenson is he is a man of very humble origins, little education. | 0:08:46 | 0:08:51 | |
Was he a man with rough edges? | 0:08:51 | 0:08:53 | |
Yes, he did have rough edges. | 0:08:53 | 0:08:55 | |
He always had a bit of a chip on his shoulder, or some would say a forest on his shoulder, | 0:08:55 | 0:09:00 | |
because he didn't have education. | 0:09:00 | 0:09:02 | |
But he was self-taught. He taught himself to read and write, and that's obviously very commendable. | 0:09:02 | 0:09:07 | |
But Robert did have an education. | 0:09:07 | 0:09:09 | |
George Stephenson ensured his son Robert would have all the education that he did not have. | 0:09:09 | 0:09:16 | |
When he left school, he could really have taken | 0:09:16 | 0:09:19 | |
a position in any profession, but he chose to perpetuate his interest in engineering. | 0:09:19 | 0:09:24 | |
By 1850, he had been responsible for something like a third of all the railways built in this country. | 0:09:24 | 0:09:32 | |
These two men, hopping between mechanical engineering and civil engineering, | 0:09:32 | 0:09:36 | |
building bridges, planning railway lines, this is the stuff of genius, isn't it? | 0:09:36 | 0:09:41 | |
Well, I think it is, isn't it? | 0:09:41 | 0:09:42 | |
To be the engineers right at the beginning of the railway revolution, yes, it is, it's the stuff of genius. | 0:09:42 | 0:09:49 | |
In 1859, when Robert Stephenson died, the railway works were one of the largest employers on Tyneside. | 0:09:51 | 0:09:58 | |
But they owed their development to the region's mineral wealth, its so-called black gold. | 0:09:58 | 0:10:05 | |
Bradshaw's notes that "Coal, the true riches of Newcastle, was first worked here in the year 1260, | 0:10:06 | 0:10:14 | |
"but the produce was scanty till steam power was used in 1714." | 0:10:14 | 0:10:20 | |
He notes "the vastness of the coal fields and their enormous depth." | 0:10:20 | 0:10:25 | |
And then he says, "All geologists agree that it will take some | 0:10:25 | 0:10:28 | |
hundreds, if not thousands of years to exhaust the coal." | 0:10:28 | 0:10:33 | |
Well, I'm going to see now how that prediction stacks up today. | 0:10:33 | 0:10:37 | |
I'm heading out to the old coalfields around South Shields on the Metro, Tyneside's underground. | 0:10:39 | 0:10:45 | |
It's one of four in Britain, alongside those in London, Glasgow and Liverpool. | 0:10:45 | 0:10:49 | |
Of course, I'm used to the London underground. | 0:10:51 | 0:10:53 | |
Coming down the escalators it felt like London, | 0:10:53 | 0:10:56 | |
except the escalators are shorter than at most London stations. | 0:10:56 | 0:10:59 | |
And I think the trains are shorter, too. | 0:10:59 | 0:11:02 | |
But still, this railway has 60 stations, so it may not be London, but it's a very substantial size. | 0:11:02 | 0:11:09 | |
The Metro was Britain's first modern light rail system when it opened in 1980. | 0:11:18 | 0:11:24 | |
Designed to move people quickly around the region, its vehicles are lighter than mainline trains. | 0:11:24 | 0:11:30 | |
Its 47-and-a-half miles of track carry passengers far into the suburbs, unless, that is, | 0:11:30 | 0:11:36 | |
you happen to pick a day when they're doing engineering works. | 0:11:36 | 0:11:41 | |
Unfortunately, that's the end of my journey by train, because | 0:11:42 | 0:11:45 | |
this being a Sunday, from here, it's a replacement bus service. | 0:11:45 | 0:11:49 | |
The rail replacement bus service can be regarded as a modern curse, and I don't suppose it would have | 0:11:52 | 0:11:57 | |
happened much in Bradshaw's day, but the origin is mid-19th century, because by act of Parliament, | 0:11:57 | 0:12:04 | |
rail services were made statutory, compulsory, and if there isn't | 0:12:04 | 0:12:07 | |
a train, the rail company still has to provide a service. | 0:12:07 | 0:12:10 | |
It demonstrates how quickly people came to rely on the railways as the main form of transport. | 0:12:10 | 0:12:18 | |
I don't have anything against buses, but let's face it, they're not the same as trains. | 0:12:18 | 0:12:22 | |
I'm on my way to one of the many coal mines that were sunk into the | 0:12:25 | 0:12:28 | |
earth around Newcastle in Bradshaw's day, linked by a growing network of railway tracks. | 0:12:28 | 0:12:35 | |
My guidebook writes, "Within a circle of 8-10 miles, | 0:12:35 | 0:12:39 | |
"more than 50 important collieries are open, employing 10 to 15,000 hands." | 0:12:39 | 0:12:46 | |
One of these productive pits was Whitburn Colliery, which opened in 1879. | 0:12:48 | 0:12:54 | |
Its workers had their own village, built alongside the pit. | 0:12:54 | 0:12:57 | |
But although my Bradshaw's guide predicted a long future for | 0:12:57 | 0:13:01 | |
Northumbrian coal, arriving today, there's no sign of life. | 0:13:01 | 0:13:07 | |
It's difficult to believe that this green expanse at the cliff's edge | 0:13:07 | 0:13:13 | |
was once a village of 700 people, Marsden. | 0:13:13 | 0:13:17 | |
And now of its 9 streets, its school, | 0:13:17 | 0:13:21 | |
its miners' institute, hardly a trace remains. | 0:13:21 | 0:13:26 | |
It's all been swept away. | 0:13:26 | 0:13:30 | |
To find out what became of this once-thriving community, I'm meeting | 0:13:30 | 0:13:34 | |
lifelong resident Larry Robertson, who worked here in the 1960s. | 0:13:34 | 0:13:38 | |
So these gates were once the entrance to the colliery? | 0:13:38 | 0:13:41 | |
Yes, it's hard to believe, we had a full colliery here. | 0:13:41 | 0:13:44 | |
Full steam engines for the winders, and the office block just behind us, workshops, everything. | 0:13:44 | 0:13:51 | |
Full industrial, huge complex. | 0:13:51 | 0:13:55 | |
Even more surprising to me is it's not just the colliery that's gone but the whole village. | 0:13:55 | 0:13:59 | |
Yeah, there was a full community. | 0:13:59 | 0:14:01 | |
Most of the workers for the colliery lived just along the road, about 400 metres. | 0:14:01 | 0:14:07 | |
All disappeared. | 0:14:07 | 0:14:08 | |
Larry grew up in Marsden, and remembers what once stood here. | 0:14:08 | 0:14:14 | |
Describe the village you knew as a kid. | 0:14:14 | 0:14:16 | |
Oh, a very, very friendly little village. | 0:14:16 | 0:14:18 | |
We had North Street here, the dairy was just here. | 0:14:18 | 0:14:21 | |
We used to get the school bus there. | 0:14:21 | 0:14:24 | |
We could walk it, but we used to get the bus. | 0:14:24 | 0:14:27 | |
About 150, 170 houses and families. | 0:14:28 | 0:14:33 | |
Everybody worked at the colliery, knew each other. | 0:14:33 | 0:14:35 | |
In its heyday, Whitburn Colliery produced 1,500 tons of coal a day, | 0:14:35 | 0:14:40 | |
which travelled by train to Newcastle. | 0:14:40 | 0:14:42 | |
That would be the railway line running there. | 0:14:42 | 0:14:45 | |
That's it, the embankment there. | 0:14:45 | 0:14:46 | |
It used to run all the way to South Shields, parallel to the road. | 0:14:46 | 0:14:49 | |
We used to nickname it the Marsden rattler. | 0:14:49 | 0:14:53 | |
It used to bring the miners in from South Shields, because, obviously then, transport wasn't that good. | 0:14:53 | 0:14:59 | |
So each shift, four times a day, would go | 0:14:59 | 0:15:02 | |
backwards and forwards, well, eight times, taking people home. | 0:15:02 | 0:15:05 | |
'The miners worked on seams that extended for miles under the sea. | 0:15:05 | 0:15:10 | |
'But by Larry's day, it was becoming too costly to extract the coal. | 0:15:10 | 0:15:14 | |
'In 1968, the mine closed, and shortly after, Marsden village was pulled down.' | 0:15:14 | 0:15:20 | |
I don't really understand why the village was demolished. | 0:15:20 | 0:15:24 | |
I think it was going to cost too much to upgrade it. | 0:15:24 | 0:15:27 | |
It was... | 0:15:27 | 0:15:29 | |
Basically, we still had the outside toilets, little backyards. | 0:15:29 | 0:15:33 | |
It was the same when they knocked it down as it was when they built it. | 0:15:33 | 0:15:38 | |
I suppose, at the end, it was expense. Which was a shame. | 0:15:38 | 0:15:43 | |
A shame. | 0:15:43 | 0:15:45 | |
It was just incredible that this area supported so much life. | 0:15:45 | 0:15:50 | |
For me, as a kid, it was a wonderful life. | 0:15:50 | 0:15:52 | |
-I really enjoyed it. -You paint a fantastic picture. | 0:15:52 | 0:15:56 | |
The second half of the 20th century saw the closure | 0:15:57 | 0:16:00 | |
of the region's mines, and by the 1990s, all the collieries were gone. | 0:16:00 | 0:16:07 | |
But now it could be time to revisit Bradshaw's optimistic forecast for the coal industry. | 0:16:07 | 0:16:12 | |
I'm staying on the Whitburn Colliery site to meet mining expert Professor Paul Younger. | 0:16:12 | 0:16:18 | |
My Bradshaw's guide says that many geologists have considered how long the coal supply may last and they've | 0:16:18 | 0:16:26 | |
agreed that it's hundreds, if not thousands of years. | 0:16:26 | 0:16:29 | |
Were those geologists right? | 0:16:29 | 0:16:30 | |
Well, basically they were. | 0:16:30 | 0:16:32 | |
If you look at this part of the world, we've been mining coal | 0:16:32 | 0:16:36 | |
at industrial scale longer here than on any other part of the planet. | 0:16:36 | 0:16:40 | |
So more than 400 years of large-scale coal mining, | 0:16:40 | 0:16:43 | |
and yet still 75% of the coal is in the sub-surface waiting for us. | 0:16:43 | 0:16:49 | |
-Three-quarters left underground? -Yeah, yeah. | 0:16:49 | 0:16:51 | |
'With so much coal under the north sea, Paul's hoping to employ a new | 0:16:51 | 0:16:55 | |
'technique for extracting its energy called gasification.' | 0:16:55 | 0:17:00 | |
Instead of sending human beings underground to go through tunnels | 0:17:00 | 0:17:03 | |
and so on, it's all done with modern steered drilling technologies from surface, so you have a drilling rig, | 0:17:03 | 0:17:09 | |
you send the drilling bit down, you steer it to move through the coal seam, you inject steam and oxygen | 0:17:09 | 0:17:15 | |
and then out of another borehole, out pops gas, which has got 80% of the energy of the original solid coal. | 0:17:15 | 0:17:21 | |
'Miners wouldn't need to go underground, | 0:17:21 | 0:17:24 | |
'and it's hoped this could provide a greener source of energy.' | 0:17:24 | 0:17:27 | |
We see the coal here as our way of bridging our way to a renewable energy future. | 0:17:27 | 0:17:32 | |
Because, you know, everybody's going to immediately say, "Are you crazy, | 0:17:32 | 0:17:35 | |
"burning more coal when we've got the problems with climate change?" | 0:17:35 | 0:17:39 | |
But the beauty of the technology we're talking about is that the | 0:17:39 | 0:17:43 | |
voids we're creating in the deep sub-surface, if they're | 0:17:43 | 0:17:45 | |
below depths of 650, 700 metres, we can inject the carbon dioxide straight back into them, | 0:17:45 | 0:17:53 | |
and so we have a way of getting the energy out of the coal without | 0:17:53 | 0:17:56 | |
further damaging the atmosphere with carbon dioxide emissions. | 0:17:56 | 0:17:59 | |
'Although some fear the environmental benefits are unproven, Paul's upbeat about the future.' | 0:17:59 | 0:18:06 | |
-And so far, promising? -Very promising, yeah. | 0:18:06 | 0:18:09 | |
All of the studies we've done show that this can be done economically, it can be done safely, and with the | 0:18:09 | 0:18:14 | |
huge dividend, of course, we then get the energy out of the coal without further damaging the climate. | 0:18:14 | 0:18:19 | |
'Who knows? Perhaps this coast will support a new community of energy workers.' | 0:18:19 | 0:18:25 | |
One building survived the demolition of Marsden village, | 0:18:27 | 0:18:30 | |
the spectacular Souter Lighthouse, built in the 19th century. | 0:18:30 | 0:18:34 | |
Before I continue my journey, I want to take a look. | 0:18:36 | 0:18:40 | |
76 steps... | 0:18:40 | 0:18:44 | |
to the top... | 0:18:44 | 0:18:46 | |
of the Souter Lighthouse, I'm told, | 0:18:46 | 0:18:49 | |
but the view is magnificent. This was built in 1871, | 0:18:49 | 0:18:53 | |
and George Bradshaw would have been thrilled by the technology. | 0:18:53 | 0:18:57 | |
The first lighthouse built for an electric light with the power of 800,000 candles. | 0:18:57 | 0:19:04 | |
And the reason was clear - these were very treacherous rocks. | 0:19:04 | 0:19:08 | |
In 1860 alone, about the time that my guide book was published, 20 ships were wrecked here. | 0:19:08 | 0:19:15 | |
And this lighthouse | 0:19:15 | 0:19:17 | |
brought greater safety for seamen. | 0:19:17 | 0:19:21 | |
The profusion of lighthouses along this shore | 0:19:21 | 0:19:24 | |
underlines just how treacherous it's always been. | 0:19:24 | 0:19:30 | |
A tiny reference in my guidebook hints at the perils of these waters. | 0:19:30 | 0:19:34 | |
And my next train's taking me to South Shields to follow it up. | 0:19:34 | 0:19:39 | |
I'm taking the Metro because my Bradshaw's tells me that "at South Shields may be seen in the church | 0:19:41 | 0:19:47 | |
"a model of Greathead's first lifeboat, invented and used in 1790." | 0:19:47 | 0:19:53 | |
Now, presumably, Victorians understood that reference, | 0:19:53 | 0:19:56 | |
but it means nothing to me, and I'm intrigued to know what could have been so special about that lifeboat. | 0:19:56 | 0:20:02 | |
'I'm heading straight from the station to the church mentioned in my Bradshaw's guide. | 0:20:15 | 0:20:19 | |
'I'm hoping historian Ian Whitehead can help me find the model that it describes.' | 0:20:21 | 0:20:26 | |
-Pleased to meet you, Michael. -Very nice to see you. | 0:20:26 | 0:20:29 | |
I am looking for | 0:20:29 | 0:20:32 | |
Greathead's lifeboat, cos it's mentioned in my Bradshaw's guide. | 0:20:32 | 0:20:38 | |
Is it...is it readily visible? | 0:20:38 | 0:20:40 | |
It is readily visible. | 0:20:40 | 0:20:42 | |
Oh. Wow! | 0:20:42 | 0:20:44 | |
I didn't expect it to be there. That's absolutely fantastic. | 0:20:44 | 0:20:47 | |
We can get the boat down if you like. Tom? | 0:20:47 | 0:20:50 | |
I thought you just pressed a button or something! | 0:20:50 | 0:20:52 | |
No, unfortunately not! | 0:20:52 | 0:20:55 | |
The model that hangs from the ceiling represents what's claimed to be the first ever lifeboat, designed | 0:20:55 | 0:21:00 | |
in response to the hazardous conditions of the North Sea. | 0:21:00 | 0:21:05 | |
The original boat was made because of loss of life, really, | 0:21:05 | 0:21:08 | |
in a particular incident in 1789, where a ship ran aground, | 0:21:08 | 0:21:15 | |
and over a period of 24 hours, | 0:21:15 | 0:21:17 | |
everyone watched from the shore as the boat failed to get off the | 0:21:17 | 0:21:23 | |
Herd Sand, and then finally broke up and half the crew died. | 0:21:23 | 0:21:28 | |
The disaster was so shocking that a group of locals launched | 0:21:28 | 0:21:31 | |
a competition to design a rescue craft. | 0:21:31 | 0:21:35 | |
So who was Greathead, the man that Bradshaw attributes this boat to? | 0:21:35 | 0:21:39 | |
Well, Greathead was the man who claimed to be the inventor of the lifeboat. | 0:21:39 | 0:21:44 | |
In the competition, there were two people who put in entries. | 0:21:44 | 0:21:48 | |
One was from Greathead. | 0:21:48 | 0:21:50 | |
The other entry was from William Wouldhave, who was in fact the parish clerk of this church. | 0:21:50 | 0:21:57 | |
The committee didn't actually like either of the designs. | 0:21:57 | 0:22:00 | |
With no clear winner, Greathead was asked to build | 0:22:02 | 0:22:04 | |
a lifeboat that combined the best ideas from both men. | 0:22:04 | 0:22:08 | |
It was double ended so that it could be rowed in either direction, with a cork lining for buoyancy. | 0:22:08 | 0:22:14 | |
This isn't just about technology, this is really also about a way of thinking about human life, isn't it? | 0:22:14 | 0:22:21 | |
I mean, this is a commitment to save life which was perhaps | 0:22:21 | 0:22:24 | |
a little bit of a novelty at the end of the 18th century. | 0:22:24 | 0:22:27 | |
It is. I think if you've got no way of saving life, | 0:22:27 | 0:22:31 | |
then you have to be fatalistic and you have to say, "Well, we couldn't have saved them anyway." | 0:22:31 | 0:22:36 | |
But the development of the coal-mining industry meant that | 0:22:36 | 0:22:39 | |
people had money from the coal trade to think about building a boat like this, | 0:22:39 | 0:22:45 | |
and so it was a world first for the North East of England to have a lifeboat. | 0:22:45 | 0:22:52 | |
-So the North East can claim firsts in locomotives and in lifeboats. -Indeed. | 0:22:52 | 0:22:57 | |
To reach my final destination on this leg of the journey, | 0:23:02 | 0:23:06 | |
I need to pick up the mainline, so I'm travelling back to Newcastle | 0:23:06 | 0:23:09 | |
on the Metro along the banks of the Tyne. | 0:23:09 | 0:23:12 | |
Bradshaw's tells me that this stretch is home to some remarkable Roman ruins. | 0:23:14 | 0:23:19 | |
Arbeia Fort, built nearly 2,000 years ago | 0:23:21 | 0:23:24 | |
to guard the entrance to the Tyne, is now a major tourist attraction. | 0:23:24 | 0:23:29 | |
But ancient sites like these were often plundered. | 0:23:29 | 0:23:33 | |
Bradshaw's says, "It's probable that much of the priory at Tynemouth was | 0:23:33 | 0:23:38 | |
"built with stone from the Roman station at South Shields." | 0:23:38 | 0:23:42 | |
Thankfully, parts of Hadrian's Wall have survived, and its vestiges are | 0:23:44 | 0:23:48 | |
apparent amongst the housing estates of Newcastle. | 0:23:48 | 0:23:51 | |
Now back on the main line, | 0:23:53 | 0:23:56 | |
I'm leaving Tyne and Wear to head south into County Durham. | 0:23:56 | 0:23:59 | |
My next stop is the ex-mining town of Chester-le-Street. | 0:24:01 | 0:24:06 | |
-That's a nice tight one, isn't it? -Very tight. | 0:24:10 | 0:24:13 | |
I'm here because it's an unusual station. | 0:24:16 | 0:24:19 | |
-Welcome to Chester-le-Street. -Thank you so much. | 0:24:19 | 0:24:22 | |
-You're Alex, aren't you? -I am. Alex Nelson, yes. | 0:24:22 | 0:24:24 | |
I gather there's something special about Chester-le-Street station. | 0:24:24 | 0:24:27 | |
This is one of the few independent stations in the country and the only one on a major main line. | 0:24:27 | 0:24:32 | |
This is the East Coast main line to London, as you know. | 0:24:32 | 0:24:34 | |
I took over this station 11 years ago as a private venture to reinvigorate it. | 0:24:34 | 0:24:39 | |
So how on earth did it occur to you to buy a railway station? | 0:24:39 | 0:24:42 | |
Well, I don't strictly buy it, I rent it. | 0:24:42 | 0:24:45 | |
But I was travelling on a train one afternoon from Durham to Newcastle, and the train pulled up here about | 0:24:45 | 0:24:51 | |
2:50 in the afternoon, boarded-up, derelict, with a "to let" sign. | 0:24:51 | 0:24:56 | |
Alex renovated the station and turned it into a successful | 0:24:56 | 0:24:59 | |
private business, selling train tickets to anywhere in the country. | 0:24:59 | 0:25:03 | |
It was a completely unstaffed station when I took it on, unloved. | 0:25:03 | 0:25:06 | |
And we have five staff who work here. | 0:25:06 | 0:25:08 | |
We provide information on all trains all over the country by phone. | 0:25:08 | 0:25:11 | |
That's about 100mph. You have about six seconds to get off the track | 0:25:19 | 0:25:22 | |
if you're there, so it's just as well we're behind the yellow line. | 0:25:22 | 0:25:26 | |
Today, Chester-le-Street has just one main line passing through Alex's station. | 0:25:26 | 0:25:31 | |
In Bradshaw's day, it was at the centre of a spider's web of colliery | 0:25:31 | 0:25:35 | |
railways bringing coal to the town for export along the River Wear. | 0:25:35 | 0:25:40 | |
Coal mining has always been dangerous work, and 19th-century miners had to trust | 0:25:40 | 0:25:45 | |
each other with their lives. | 0:25:45 | 0:25:47 | |
Close-knit mining communities developed their own traditions, | 0:25:47 | 0:25:50 | |
and one, the rapper sword dance, is sustained by local resident Ricky Forster and his family. | 0:25:50 | 0:25:56 | |
Now, you're beautifully turned out for what? For rapper? | 0:25:56 | 0:26:00 | |
-Rapper sword dance, yes. -A rapper sword dance? | 0:26:00 | 0:26:03 | |
-North East tradition. -And it goes back how long? | 0:26:03 | 0:26:05 | |
1800s. | 0:26:05 | 0:26:07 | |
Well, I've got family doing it in the 1800s, carrying the dance through to the present day. | 0:26:07 | 0:26:11 | |
-Your family's been doing it all that time? -Yeah. -And what is it you're carrying here? | 0:26:11 | 0:26:16 | |
A rapper sword. | 0:26:16 | 0:26:18 | |
A rapper sword. Is that sharp? | 0:26:18 | 0:26:20 | |
No. It's blunt. | 0:26:20 | 0:26:22 | |
It does cut like a scissor. | 0:26:22 | 0:26:23 | |
HE LAUGHS | 0:26:23 | 0:26:25 | |
So what was this used for? | 0:26:25 | 0:26:27 | |
For cleaning pit ponies' backs. | 0:26:27 | 0:26:29 | |
So, will you give us a dance, please? | 0:26:29 | 0:26:32 | |
I think we can manage that. | 0:26:32 | 0:26:33 | |
JAUNTY FOLK MUSIC PLAYS | 0:26:33 | 0:26:38 | |
During the 19th century, groups of dancers travelled | 0:26:40 | 0:26:44 | |
all over the North East by train, performing at competitions in pubs, clubs and miners' galas. | 0:26:44 | 0:26:50 | |
As well as dancers, comic characters provided light relief. | 0:26:50 | 0:26:55 | |
-Tell him what to do here. -Can I? -Tell him what to do. | 0:26:55 | 0:26:58 | |
-Can I tell him what to do? -Aye, you do what she says, you do it. | 0:26:58 | 0:27:01 | |
Come on here. All right, round here. | 0:27:01 | 0:27:04 | |
You gan that... | 0:27:04 | 0:27:06 | |
You gan that way. | 0:27:06 | 0:27:08 | |
Oh, no! No... | 0:27:08 | 0:27:11 | |
Who's lost a hand? I'll put it in the handbag! | 0:27:11 | 0:27:14 | |
-All right, me bonny lads. -All right, me bonny lads. | 0:27:18 | 0:27:21 | |
That was absolutely fantastic. | 0:27:21 | 0:27:23 | |
'As I say goodbye to the rapper dancers, | 0:27:23 | 0:27:27 | |
'it's been brought home to me how this region of Britain was shaped by two staple Victorian industries. | 0:27:27 | 0:27:32 | |
'Coal and railways. | 0:27:32 | 0:27:35 | |
'History never ends. Railways have revived, and coal, | 0:27:35 | 0:27:39 | |
'so recently written off, may return, its energy harvested in a new way.' | 0:27:39 | 0:27:44 | |
In Bradshaw's day, the North East became rich | 0:27:44 | 0:27:47 | |
on the back of the railways, and they, in turn, depended on the superabundance of coal. | 0:27:47 | 0:27:53 | |
If we could master the technology and turn coal that remains underground into gas, | 0:27:53 | 0:27:59 | |
then maybe coal could supply our energy future as well. | 0:27:59 | 0:28:04 | |
'On the next leg of my journey, I'll be experiencing how tough the work was on a steam train...' | 0:28:04 | 0:28:10 | |
The heat from the boiler is intense! | 0:28:10 | 0:28:13 | |
And the coal is heavy... | 0:28:15 | 0:28:18 | |
and the locomotive... | 0:28:18 | 0:28:21 | |
is very hungry! | 0:28:21 | 0:28:22 | |
'..meeting one of the first locomotives...' | 0:28:22 | 0:28:26 | |
-It's in the most beautiful condition. Am I allowed to? -Absolutely. | 0:28:26 | 0:28:29 | |
It's quite thrilling, actually. | 0:28:29 | 0:28:32 | |
'..and sounding out the seaside town that inspired the Victorian horror story Dracula.' | 0:28:32 | 0:28:36 | |
MICHAEL SCREAMS VIOLENTLY | 0:28:36 | 0:28:39 | |
How was that? | 0:28:39 | 0:28:41 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:58 | |
E-mail [email protected] | 0:28:58 | 0:29:01 |