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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw, and his railway guides inspired the Victorians to take to the tracks. | 0:00:10 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see, and where to stay. | 0:00:17 | 0:00:24 | |
Now, 170 years later, I'm making a series of journeys across the length | 0:00:24 | 0:00:28 | |
and breadth of the country, to see what of Bradshaw's Britain remains. | 0:00:28 | 0:00:34 | |
Using my 19th century Bradshaw's guide, I'm continuing my journey | 0:00:59 | 0:01:04 | |
from the cradle of the railways, the North East of England, headed south. | 0:01:04 | 0:01:08 | |
Town and country soon became more accessible, | 0:01:08 | 0:01:11 | |
and this green and pleasant land was soon transformed for ever. | 0:01:11 | 0:01:16 | |
Along the way, I'll be stopping off at some of the sights recommended in this extraordinary book, | 0:01:19 | 0:01:25 | |
and finding out how the places it describes were changed by the railways. | 0:01:25 | 0:01:30 | |
On this leg of the journey, I'll experience how tough it was to drive a steam engine... | 0:01:32 | 0:01:37 | |
The heat from the boiler is intense, | 0:01:37 | 0:01:42 | |
and the coal is heavy. | 0:01:42 | 0:01:44 | |
And the locomotive is very hungry. | 0:01:45 | 0:01:50 | |
..Meeting one of the first locomotives... | 0:01:50 | 0:01:53 | |
It's in the most beautiful condition. Am I allowed to...? | 0:01:53 | 0:01:56 | |
-I think you are, absolutely. -Quite thrilling, actually. | 0:01:56 | 0:01:59 | |
..And sounding out Whitby, which inspired the Victorian horror story, Dracula... | 0:01:59 | 0:02:04 | |
Aaaaaaargh! | 0:02:04 | 0:02:06 | |
How was that? | 0:02:06 | 0:02:08 | |
I started this journey in Newcastle, and now I'm following | 0:02:12 | 0:02:15 | |
some of the earliest railway lines, built for freight. | 0:02:15 | 0:02:18 | |
My route through Yorkshire takes in the spa town of Harrogate | 0:02:19 | 0:02:23 | |
and the industrial cities of Leeds and Sheffield. | 0:02:23 | 0:02:27 | |
Then I'll be crossing into rural Leicestershire, ending up | 0:02:27 | 0:02:31 | |
at picturesque Melton Mowbray. | 0:02:31 | 0:02:33 | |
On this stretch, I start in Durham, | 0:02:33 | 0:02:35 | |
then cross the Yorkshire Moors | 0:02:35 | 0:02:37 | |
to Whitby, and at Grosmont, catch a Heritage line. | 0:02:37 | 0:02:41 | |
'This is Durham.' | 0:02:47 | 0:02:50 | |
-Cheers. -Thank you. 'My first stop is the historically | 0:02:50 | 0:02:53 | |
'important city of Durham, whose overwhelming cathedral is rightly praised in my Bradshaw's guide.' | 0:02:53 | 0:02:59 | |
Bradshaw's says of Durham, "from all the neighbouring points of view, its | 0:02:59 | 0:03:04 | |
"appearance is unique and striking and the public edifices exhibit a great degree of magnificence. | 0:03:04 | 0:03:10 | |
"The centre of the eminence is occupied by the cathedral and castle." | 0:03:10 | 0:03:16 | |
Victorian writers could be pretty pompous, but the point is well made. | 0:03:16 | 0:03:21 | |
The view is stunning. | 0:03:21 | 0:03:22 | |
In the Victorian era, the cathedral more than dominated the skyline. | 0:03:24 | 0:03:29 | |
It was one of the most powerful landowners in the county. | 0:03:29 | 0:03:32 | |
When the railway arrived, the Chapter, its governing body, | 0:03:32 | 0:03:36 | |
demanded huge sums of money to allow it to cross ecclesiastical land. | 0:03:36 | 0:03:41 | |
And even today, the cathedral is central to Durham's way of life. | 0:03:41 | 0:03:45 | |
-Are you a native of Durham? -I am, and a student, so... | 0:03:45 | 0:03:49 | |
-Oh, that's unusual. So you're studying in your own city? -I am. | 0:03:49 | 0:03:52 | |
Do you go to the cathedral very often? | 0:03:52 | 0:03:53 | |
It's such an impressive building and I'm graduating there in | 0:03:53 | 0:03:56 | |
January, which is going to be great for myself, personally. | 0:03:56 | 0:03:59 | |
-Isn't that lovely? -Absolutely. It's such a good setting. | 0:03:59 | 0:04:02 | |
And I think, as well, so historic. | 0:04:02 | 0:04:04 | |
The railway reached Durham in the 1840s, and in the | 0:04:04 | 0:04:09 | |
succeeding decades, the railway companies promoted the cathedral as an attraction worth the journey. | 0:04:09 | 0:04:14 | |
They appealed to a new type of Victorian tourist - the wealthy | 0:04:14 | 0:04:17 | |
middle classes, seeking to educate themselves through travel. | 0:04:17 | 0:04:23 | |
And a Bradshaw's guide made a perfect tutor. | 0:04:23 | 0:04:26 | |
It records, "This venerable building is a cross, 420 feet long, | 0:04:26 | 0:04:30 | |
"built between 1093 and 1220, | 0:04:30 | 0:04:33 | |
"chiefly Norman, with many examples of the early pointed style." | 0:04:33 | 0:04:39 | |
I love Durham Cathedral. | 0:04:39 | 0:04:41 | |
As you march up this enormous nave, | 0:04:41 | 0:04:45 | |
you're aware of this impressive, heavy, ancient architecture. | 0:04:45 | 0:04:51 | |
The great big columns and the rounded arches. | 0:04:51 | 0:04:55 | |
And it's all one. It's all of a period. | 0:04:55 | 0:04:58 | |
And yet, I'm marching towards | 0:04:58 | 0:05:01 | |
what I assume is a later, beautiful rose window. | 0:05:01 | 0:05:05 | |
And the whole place is majestic and tranquil. | 0:05:05 | 0:05:11 | |
And vast. | 0:05:11 | 0:05:13 | |
In the early 19th century, the bishops of Durham were powerful and wealthy men. | 0:05:13 | 0:05:19 | |
They were so well remunerated that a celebrated kerfuffle over | 0:05:19 | 0:05:22 | |
the pension paid to one bishop is highlighted in my Bradshaw's guide. | 0:05:22 | 0:05:27 | |
Perhaps unfairly, I put the present day Dean, Michael Sadgrove, on the spot. | 0:05:27 | 0:05:32 | |
Now, there's a curious reference in my Bradshaw. | 0:05:32 | 0:05:35 | |
It says, "In 1856, an Act of Parliament was obtained to enable the bishops of London | 0:05:35 | 0:05:40 | |
"and Durham to retire from their sees with handsome pensions." Now, what was he referring to? | 0:05:40 | 0:05:45 | |
That was the retirement of Bishop Edward Maltby. | 0:05:45 | 0:05:48 | |
He was a cause celebre, because that was unheard of. | 0:05:48 | 0:05:50 | |
You didn't retire, you simply went on until you died. | 0:05:50 | 0:05:53 | |
He was given permission to retire, | 0:05:53 | 0:05:55 | |
because the Bishop of London was also given similar permission at the same time. | 0:05:55 | 0:06:00 | |
And the pensions on which they retired were huge. | 0:06:00 | 0:06:04 | |
I think £4,500 per annum, which equates to about £350,000 a year, in today's money. | 0:06:04 | 0:06:12 | |
With the Victorian press in full cry about the bishop's pension, | 0:06:12 | 0:06:14 | |
the Prime Minister faced angry questions. | 0:06:14 | 0:06:17 | |
I looked up the parliamentary debate, actually, and it's interesting. | 0:06:17 | 0:06:22 | |
One MP gets up and says, "Why should these chaps have £4,500, when the average churchman has only £100?" | 0:06:22 | 0:06:29 | |
So it's all about disparity of income. | 0:06:29 | 0:06:31 | |
-It's got echoes of the present day. Hasn't it? -It is. | 0:06:31 | 0:06:34 | |
CHOIR SINGS | 0:06:35 | 0:06:39 | |
Before I resume my journey south, there's just time to hear the | 0:06:39 | 0:06:42 | |
Cathedral School Choir in rehearsal, led by Choir Master, James Lancelot. | 0:06:42 | 0:06:47 | |
CHORAL SINGING | 0:06:47 | 0:06:51 | |
-You must be James. Very good to meet you. That was lovely. -Welcome. | 0:07:00 | 0:07:03 | |
Thank you very much indeed. Thank you very much, everybody. | 0:07:03 | 0:07:07 | |
How long has there been a choir in this cathedral? | 0:07:07 | 0:07:09 | |
Since it was built, I think, probably. | 0:07:09 | 0:07:12 | |
-Ninth century? -And boys since 1416, at least. | 0:07:12 | 0:07:16 | |
Yes. | 0:07:16 | 0:07:18 | |
The young voices really fill the entire space, don't they? | 0:07:18 | 0:07:22 | |
They do, they do. They know a thing or two about singing, | 0:07:22 | 0:07:24 | |
and the people who built it knew a thing or two about acoustics! This is not the whole choir. | 0:07:24 | 0:07:28 | |
We've got 16 boys, ten men and we've now got 20 girls as well, since last November. | 0:07:28 | 0:07:33 | |
Now, I believe I'm talking not only to a choir master but also a bit of an aficionado of trains. | 0:07:33 | 0:07:38 | |
-Is that true? -That is true, yes. | 0:07:38 | 0:07:41 | |
Both the interest in music and trains go back to early childhood. | 0:07:41 | 0:07:44 | |
When you were this age, what did you want to be? | 0:07:44 | 0:07:47 | |
I think I wanted to be an engine driver! | 0:07:47 | 0:07:49 | |
I think it's very difficult to explain, | 0:07:49 | 0:07:52 | |
well, to really anyone under about the age of 55, just what the romance of railway travel was in those days. | 0:07:52 | 0:07:57 | |
The sheer varieties, the complexity. | 0:07:57 | 0:07:59 | |
And at its heart, of course, the steam engine, which was the nearest | 0:07:59 | 0:08:02 | |
thing to a living creature that any machine has ever been. | 0:08:02 | 0:08:05 | |
Well, I'm safely over 55, so you're OK with me! | 0:08:05 | 0:08:09 | |
I'm sorry to leave such a glorious city behind, but I must embark on the next stage of my journey. | 0:08:13 | 0:08:18 | |
'The next station is Darlington, in 15 minutes time.' | 0:08:18 | 0:08:22 | |
I'm now headed for a place that George Bradshaw would have found very exciting. | 0:08:28 | 0:08:32 | |
Towards the 22 miles of track that he says are "memorable as being the first locomotive rail in England", | 0:08:32 | 0:08:39 | |
and he might have added, "or anywhere else in the world." | 0:08:39 | 0:08:42 | |
Built between 1821 and 1825 by George Stephenson, | 0:08:42 | 0:08:47 | |
I'm headed for the highly historic Darlington to Stockton railway. | 0:08:47 | 0:08:53 | |
Darlington is considered by many to be the home of the first modern freight railway ever built. | 0:08:57 | 0:09:03 | |
'This is Darlington.' | 0:09:03 | 0:09:05 | |
WHISTLE BLOWS | 0:09:05 | 0:09:07 | |
It is indeed remarkable to think, moving to think, | 0:09:08 | 0:09:13 | |
that in the early 1820s this was where George Stephenson laid the | 0:09:13 | 0:09:18 | |
first iron tracks to take the coal from the collieries of Darlington, down to the river at Stockton. | 0:09:18 | 0:09:25 | |
Lots of people had laid tracks before, but what was to make this railway unique, a first, | 0:09:25 | 0:09:31 | |
was that it wasn't horse drawn, it wasn't driven by stationary engines. | 0:09:31 | 0:09:36 | |
This railway was going to be powered by locomotives, | 0:09:36 | 0:09:40 | |
by moving engines. | 0:09:40 | 0:09:43 | |
Are you very aware of the history of this place? | 0:09:51 | 0:09:53 | |
I know quite a bit of it. I've spent many years, I'm in my 32nd year now. | 0:09:53 | 0:09:59 | |
I started in 1978, at this station. | 0:09:59 | 0:10:03 | |
The railways here go back even longer than you do, back to 1825! | 0:10:03 | 0:10:07 | |
They certainly do. I'm glad they do, as well! | 0:10:07 | 0:10:09 | |
My 19th century Bradshaw's guide says this is the first | 0:10:09 | 0:10:11 | |
locomotive rail in England, but actually, that's to understate it. | 0:10:11 | 0:10:15 | |
It's the first locomotive rail in the world. | 0:10:15 | 0:10:17 | |
Maybe, but England always comes first, doesn't it? | 0:10:17 | 0:10:21 | |
That's a good way of putting it! Lovely to talk to you. | 0:10:21 | 0:10:24 | |
Thank you very much. | 0:10:24 | 0:10:26 | |
Close by is the resting place of some of the earliest engines, | 0:10:27 | 0:10:32 | |
where I'm meeting railway expert, Mark Allott. | 0:10:32 | 0:10:35 | |
How did it come about that there was a railway between Stockton and Darlington? | 0:10:35 | 0:10:39 | |
It was the usual thing around that period - the need of growing industry for coal. | 0:10:39 | 0:10:43 | |
And the canals weren't particularly fast at transporting things, | 0:10:43 | 0:10:46 | |
and hence the decision was made to build a railway in its place. | 0:10:46 | 0:10:50 | |
Initially, it was thought horse-drawn vehicles would ply the new line. | 0:10:50 | 0:10:54 | |
But engineer, George Stephenson, was convinced steam was the future | 0:10:54 | 0:10:59 | |
and devised a new engine called Locomotion Number One. | 0:10:59 | 0:11:02 | |
Locomotion is one of the most important locomotives, | 0:11:02 | 0:11:05 | |
the first one to haul passengers on a public railway back in 1825. | 0:11:05 | 0:11:09 | |
So it really is the grandfather of all the railways that we've got today. | 0:11:09 | 0:11:13 | |
And what we're looking at here, is this a replica of Locomotion? | 0:11:13 | 0:11:17 | |
No, it's the real engine and it's been preserved since 1841. | 0:11:17 | 0:11:20 | |
So, isn't it fascinating to think that even when that was only 16 years old, people had realised | 0:11:20 | 0:11:26 | |
-the important part that that engine had played in history? -It's in the most beautiful condition. | 0:11:26 | 0:11:30 | |
-It really is. -Am I allowed to...? | 0:11:30 | 0:11:32 | |
I think you are, absolutely! | 0:11:32 | 0:11:33 | |
Quite thrilling, actually. | 0:11:35 | 0:11:38 | |
Although the new railway was designed for freight, it soon | 0:11:38 | 0:11:42 | |
began to take passengers too, who were doubtless also thrilled, | 0:11:42 | 0:11:46 | |
even though the first train took over two hours | 0:11:46 | 0:11:48 | |
to travel just twelve miles. | 0:11:48 | 0:11:50 | |
What was it like when they began to take passengers? | 0:11:50 | 0:11:52 | |
-Did they have carriages ready for them? -Not quite. | 0:11:52 | 0:11:55 | |
What you'll see - and I'll show you, if you come this way - is that coal trucks like this | 0:11:55 | 0:11:59 | |
were some of the vehicles that were carrying the first passengers. | 0:11:59 | 0:12:02 | |
Some of them would have ridden on top to start with, and some would have been empty, with people inside. | 0:12:02 | 0:12:07 | |
How quickly did things advance? | 0:12:07 | 0:12:08 | |
Really quickly. One of the things I think is a good analogy, | 0:12:08 | 0:12:11 | |
is looking how computers have really changed very, very quickly in the last few years. | 0:12:11 | 0:12:15 | |
Or how mobile phones have shrunk. | 0:12:15 | 0:12:17 | |
So in only ten years, you went from a really fragile locomotive like that, like Locomotion, | 0:12:17 | 0:12:22 | |
through Rocket, which had all the essential components of the end of | 0:12:22 | 0:12:26 | |
steam, effectively, to locomotives like Derwent, that were operating in collieries only ten years later. | 0:12:26 | 0:12:31 | |
Look at the size of it, compared to Locomotion. | 0:12:31 | 0:12:34 | |
Size and sophistication. | 0:12:34 | 0:12:36 | |
From these small beginnings, the railways spread rapidly across Britain. | 0:12:36 | 0:12:41 | |
By the time my Bradshaw's guide was written in the 1860s, | 0:12:41 | 0:12:44 | |
the country was linked by nearly 10,000 miles of track. | 0:12:44 | 0:12:48 | |
It was a railway revolution, with the most deep-reaching industrial and social consequences. | 0:12:48 | 0:12:54 | |
I'm now quitting Darlington for Whitby, one of the towns transformed by the new railways. | 0:12:59 | 0:13:06 | |
Bradshaw, in his flowery Victorian language, says, "There are, among the watering places of England, | 0:13:11 | 0:13:17 | |
"few that have more greatly benefited than Whitby from railway communications. | 0:13:17 | 0:13:22 | |
"Or that have become better adapted for the reception of visitors." | 0:13:22 | 0:13:26 | |
He's really enthusiastic about Whitby's natural beauty, and about the quality of its hotels. | 0:13:26 | 0:13:33 | |
I'm looking forward to it. | 0:13:33 | 0:13:35 | |
'Ladies and gentlemen, we shall shortly be arriving at Whitby, where this service terminates.' | 0:13:48 | 0:13:53 | |
Train travel came to Whitby in 1847, and by the end of the century, | 0:14:01 | 0:14:06 | |
had helped turn a small fishing village into a bustling seaside resort of fashion. | 0:14:06 | 0:14:12 | |
Visitors came to admire the romantic ruins of Whitby's Abbey, | 0:14:12 | 0:14:17 | |
but I'm here to investigate its more chilling claim to fame. | 0:14:17 | 0:14:21 | |
Do you know you're in Dracula's town? | 0:14:21 | 0:14:23 | |
Oh, yes, I do, yes. | 0:14:23 | 0:14:25 | |
Do you know how Dracula arrived in Whitby? | 0:14:25 | 0:14:27 | |
No. | 0:14:27 | 0:14:28 | |
Do you know the story of Dracula? | 0:14:28 | 0:14:30 | |
Not really. I thought it was a ship. | 0:14:30 | 0:14:34 | |
Yeah, it was a ship. | 0:14:34 | 0:14:36 | |
Have you come to Whitby because of Dracula? | 0:14:36 | 0:14:38 | |
No, I haven't. No, we've just come for a girls' night out! | 0:14:38 | 0:14:42 | |
Which we had last night. | 0:14:42 | 0:14:43 | |
Was there much blood-sucking involved? | 0:14:43 | 0:14:46 | |
Well, I'm not telling! | 0:14:46 | 0:14:48 | |
All right, thank you very much. | 0:14:48 | 0:14:50 | |
-Thanks. Bye! -What weapon do you use to see off a vampire? | 0:14:50 | 0:14:53 | |
Erm...well, I don't want to brag, but I do have a lot of garlic in the kitchen, ready and waiting. | 0:14:53 | 0:15:00 | |
So I'm more than willing to take him on. | 0:15:00 | 0:15:02 | |
And what's the way of killing off a vampire? | 0:15:02 | 0:15:04 | |
A stake through the heart, I would think. | 0:15:04 | 0:15:06 | |
-Do you have any stakes in the kitchen? -Only meat... -Probably the wrong sort! | 0:15:06 | 0:15:11 | |
-Thank you very much! -No problem. | 0:15:11 | 0:15:13 | |
Bram Stoker's Dracula, published in 1897, recounts | 0:15:13 | 0:15:19 | |
how solicitor, Jonathan Harker, and other innocents fall victim to the terrifying Vampire Count. | 0:15:19 | 0:15:25 | |
Stoker used Whitby as the location for some of the book's most dramatic scenes. | 0:15:25 | 0:15:30 | |
Famously, Dracula arrived by ship from Transylvania, here in Whitby. | 0:15:31 | 0:15:38 | |
What's less well known is that Jonathan Harker writes of | 0:15:38 | 0:15:42 | |
one of his first encounters with the Count in his castle, | 0:15:42 | 0:15:47 | |
"I found the Count lying on the sofa, reading, | 0:15:47 | 0:15:51 | |
"of all things in the world, an English Bradshaw's guide." | 0:15:51 | 0:15:56 | |
It's not reassuring to know that Dracula and I share the same taste in books. | 0:15:58 | 0:16:03 | |
As the rain descends, I need no convincing that this is a perfect setting for a tale of horror. | 0:16:03 | 0:16:09 | |
Welcome to Wetby! Whitby. | 0:16:09 | 0:16:12 | |
Ideal weather for my Terror Tour with Harry Collett. | 0:16:12 | 0:16:15 | |
If I were a betting man, I would wager that you know something about Dracula, dressed like that! | 0:16:15 | 0:16:20 | |
-Yes, just a little bit. -Why do you think Bram Stoker chose Whitby for this Gothic novel? | 0:16:20 | 0:16:25 | |
He came here as a holiday. Stoker came, took residency in the Royal Crescent, | 0:16:25 | 0:16:29 | |
and for the first week of his month long holiday, | 0:16:29 | 0:16:32 | |
he stayed by himself whilst his family came up by rail from London. | 0:16:32 | 0:16:36 | |
And during that week, the Irishman started to put pen to paper to write a play. | 0:16:36 | 0:16:41 | |
The play ultimately became the novel, Dracula. | 0:16:41 | 0:16:45 | |
The Count brings terror to Whitby, after a shipwreck that reeks of the supernatural. | 0:16:45 | 0:16:51 | |
And when the ship arrived, that was a pretty frightening moment for people. Just describe its arrival. | 0:16:51 | 0:16:57 | |
Big storm, | 0:16:57 | 0:16:59 | |
pulled in, crashed onto the beach. | 0:16:59 | 0:17:01 | |
And there they found the captain, dead. | 0:17:01 | 0:17:04 | |
Lashed to steering wheel, clutching his crucifix and his rosary. | 0:17:04 | 0:17:08 | |
Onto Tate Sands, through the harbour entrance, running aground on Tate Sands. | 0:17:08 | 0:17:12 | |
And, of course, off that ship leapt a large black dog with saucer-like eyes and | 0:17:12 | 0:17:17 | |
fang-like teeth, to go and run helter skelter up the 199 church stairs and go and hide in the graveyard. | 0:17:17 | 0:17:25 | |
And who was that fearful hound? | 0:17:25 | 0:17:26 | |
Dracula himself. | 0:17:26 | 0:17:28 | |
Welcome to the Screaming Tunnel. | 0:17:32 | 0:17:34 | |
-The Screaming Tunnel? -Yes. | 0:17:34 | 0:17:36 | |
That's because it's said that if you venture in here after dark, you might meet You Know Who. | 0:17:36 | 0:17:41 | |
Well, we did say to you that this was the Screaming Tunnel, so after three, | 0:17:46 | 0:17:52 | |
I'd like you to fill your lungs and have a good long scream. | 0:17:52 | 0:17:57 | |
You must be joking, I'll get arrested for that, won't I? | 0:17:57 | 0:18:00 | |
-I doubt it. -OK, here goes. | 0:18:00 | 0:18:02 | |
Aaaaaaaaargh! | 0:18:04 | 0:18:06 | |
-How was that? -Excellent. | 0:18:07 | 0:18:09 | |
Mmm, I feel better for that! | 0:18:09 | 0:18:11 | |
Another fantastic view of Whitby, that's beautiful. | 0:18:11 | 0:18:14 | |
It is. It's one of the best views in the town, this. | 0:18:14 | 0:18:17 | |
One of the first times we meet Dracula in the novel, he is | 0:18:17 | 0:18:19 | |
reading Bradshaw' timetable, isn't he? What's he doing? | 0:18:19 | 0:18:22 | |
He's working out how to get the 50 coffins of earth, | 0:18:22 | 0:18:25 | |
which he brings with him from Transylvania into Whitby, how to get them down to the railway station | 0:18:25 | 0:18:32 | |
in Whitby to catch the 09.30 express to London, which will get him there at 5.30 the following afternoon. | 0:18:32 | 0:18:39 | |
Even to the undead, Bradshaw's railway timetables were indispensable. | 0:18:39 | 0:18:44 | |
'The last stop on my Dracula tour is also where I shall spend the night.' | 0:18:45 | 0:18:50 | |
It's pretty blowy out there! | 0:18:50 | 0:18:52 | |
'The Royal Hotel.' Bram Stoker used to write here, is that right? | 0:18:52 | 0:18:55 | |
He did indeed, yes. | 0:18:55 | 0:18:58 | |
He was in one of our reading lounges upstairs, that's now guest accommodation. | 0:18:58 | 0:19:02 | |
-And where am I staying? -You're in room 101, which is on the 1st floor, sir. Have a wonderful stay with us. | 0:19:02 | 0:19:08 | |
-And will I sleep well? -You'll sleep very well. | 0:19:08 | 0:19:11 | |
Thank you! Bye. | 0:19:11 | 0:19:12 | |
Built around 1850, the hotel is described in my | 0:19:12 | 0:19:16 | |
Bradshaw's as, "Splendid, containing warm baths and every convenience for the accommodation of visitors." | 0:19:16 | 0:19:24 | |
From this cliff top site, Stoker could plot Dracula's nocturnal flits | 0:19:24 | 0:19:29 | |
around Whitby's impressive topography. | 0:19:29 | 0:19:32 | |
Ah, the famous view! | 0:19:32 | 0:19:35 | |
And here I shall stay until midnight. | 0:19:35 | 0:19:39 | |
Unpunctured by any fang, I've woken to see what Whitby offers, other than vampires. | 0:19:47 | 0:19:53 | |
Bradshaw's says, "Whitby has long been admired for | 0:19:53 | 0:19:56 | |
"the peculiarity of its position and the grandeur of its coastal scenery. | 0:19:56 | 0:20:01 | |
"To the eastward, the cliffs rise almost 200 feet above the sea, | 0:20:01 | 0:20:07 | |
"and towards the south, present a procession of bold headlands." | 0:20:07 | 0:20:12 | |
This is clearly a place worth exploring. | 0:20:12 | 0:20:15 | |
Early railway travellers were attracted by the views, no doubt. | 0:20:19 | 0:20:23 | |
But many came determined to acquire precious souvenirs, | 0:20:23 | 0:20:26 | |
with the highest possible seal of approval. | 0:20:26 | 0:20:29 | |
One item that Victorian tourists latched onto was jet, | 0:20:29 | 0:20:33 | |
a black gemstone that could be carved into jewellery, which, after the death of her husband, | 0:20:33 | 0:20:39 | |
Prince Albert, became very popular with Her Majesty the Queen herself. | 0:20:39 | 0:20:44 | |
'Jeweller, Chris Sellors, will show me where to look for jet, | 0:20:44 | 0:20:48 | |
'a search that's continued since Bradshaw's day.' | 0:20:48 | 0:20:50 | |
Interesting journey down here! | 0:20:50 | 0:20:53 | |
Down the cliff, absolutely. | 0:20:53 | 0:20:56 | |
What is jet? | 0:20:56 | 0:20:57 | |
It's a fossilised monkey puzzle tree, actually. Araucaria. | 0:20:57 | 0:21:02 | |
180 million years ago these were laid down and, under the pressure, have turned into the black magic. | 0:21:02 | 0:21:09 | |
I think of precious gemstones as coming from the heart of Africa. | 0:21:09 | 0:21:13 | |
-Are there many in Britain? -There's only two. | 0:21:13 | 0:21:16 | |
There's obviously Blue John from Derbyshire, | 0:21:16 | 0:21:19 | |
but jet is so highly prized, and going back to Victorian days, | 0:21:19 | 0:21:24 | |
was made and used extensively in jewellery. | 0:21:24 | 0:21:28 | |
The only jet to be found in Britain is on the coast near Whitby. | 0:21:28 | 0:21:33 | |
The Victorian fashion for black jewels created | 0:21:33 | 0:21:36 | |
a huge demand for this rare stone, and jet hunters combed the shore. | 0:21:36 | 0:21:40 | |
How did the Victorians quarry it, if that's the word? | 0:21:40 | 0:21:43 | |
They weren't very eco-friendly, I'm afraid. There's evidence at certain times you can see here, | 0:21:43 | 0:21:49 | |
where they'd been drilling and they used explosives on these cliffs. | 0:21:49 | 0:21:52 | |
Where do you find it today? | 0:21:52 | 0:21:54 | |
The material today is largely beach combed. | 0:21:54 | 0:21:56 | |
There's some small seams that appear in the cliffs, but | 0:21:56 | 0:22:00 | |
we've got people collecting it all the time out on the beach. | 0:22:00 | 0:22:03 | |
Can you see any jet in the cliffs nowadays? | 0:22:03 | 0:22:06 | |
Yes, there's evidence of a few collectors that have been down here | 0:22:06 | 0:22:10 | |
and following some very thin, small seams. | 0:22:10 | 0:22:14 | |
It's actually harder to see when it's wet. | 0:22:14 | 0:22:19 | |
Back of that there, you can see a very, very thin seam. | 0:22:19 | 0:22:24 | |
It's lovely the way it glints in the bottom there. | 0:22:24 | 0:22:26 | |
Yeah. It's beautiful stuff. | 0:22:26 | 0:22:28 | |
In Bradshaw's epoch, Whitby had 200 jet workshops. | 0:22:28 | 0:22:34 | |
Only a few remain, including Chris's, established in 1860. | 0:22:34 | 0:22:40 | |
Morning. So what do you do? | 0:22:40 | 0:22:42 | |
I'm making some rings at the moment. | 0:22:42 | 0:22:44 | |
Just a matter of cutting the pieces down to size. | 0:22:44 | 0:22:47 | |
Just show me you've got ten fingers? | 0:22:49 | 0:22:51 | |
Oh, you have! | 0:22:51 | 0:22:53 | |
These are some antique pieces from our collection. | 0:22:54 | 0:22:57 | |
I'm noticing that the Victorian taste is for very big pieces? | 0:22:57 | 0:23:00 | |
They were very bold in what they did. | 0:23:00 | 0:23:02 | |
Jet was a material that enabled this to happen, because it's so light, you know, there's no weight to it at all. | 0:23:02 | 0:23:09 | |
-No, none at all. -It's interesting that jet actually found its way | 0:23:09 | 0:23:14 | |
to the Great Exhibition in London in 1851, | 0:23:14 | 0:23:17 | |
where some important orders were gained by local manufacturers. | 0:23:17 | 0:23:23 | |
Again, that's the kind of thing that helped put Whitby on the map. | 0:23:23 | 0:23:27 | |
Without the railways, that really wouldn't have been possible. | 0:23:27 | 0:23:30 | |
Chris has one last marvel to show me. | 0:23:30 | 0:23:33 | |
The largest piece of Whitby jet ever found. It's absolutely beautiful. | 0:23:33 | 0:23:38 | |
That's enormous, isn't it? | 0:23:38 | 0:23:40 | |
Looking at the edge, you see this? | 0:23:40 | 0:23:41 | |
It's total gem quality all the way through. | 0:23:41 | 0:23:45 | |
An interesting part about it is, on this side, you can see | 0:23:45 | 0:23:49 | |
all the ammonites that actually were crushed when the branch went down. | 0:23:49 | 0:23:55 | |
Covered in tiny little fossils. | 0:23:55 | 0:23:57 | |
All the way across. | 0:23:57 | 0:23:58 | |
The whole length of it. | 0:23:58 | 0:24:00 | |
I must be on my way, and I shall board the train at Grosmont, just outside Whitby. | 0:24:02 | 0:24:09 | |
By now, you may know that I'm thrilled by steam trains, | 0:24:09 | 0:24:14 | |
and so my pulse is quickening. | 0:24:14 | 0:24:18 | |
Bradshaw's says of the Grosmont to Pickering line that it | 0:24:18 | 0:24:21 | |
"passes through the most picturesque scenery. | 0:24:21 | 0:24:24 | |
"The vales of Newton and Goatland present a wild country, with bold ranges of rock on either side." | 0:24:24 | 0:24:31 | |
It was referring to what is now called the North Yorkshire Moors Railway. | 0:24:31 | 0:24:37 | |
-Hello. -You're going to drive this handsome beast, are you? | 0:24:39 | 0:24:42 | |
Yes, it's a nice handsome beast. It was built for the Southern Railway in 1934, | 0:24:42 | 0:24:47 | |
spent all its life in the south of England, and now it lives in Yorkshire. | 0:24:47 | 0:24:51 | |
They tell me that amongst the Heritage Railways in Britain, | 0:24:51 | 0:24:54 | |
the North Yorkshire Moors Railway is the most popular now? | 0:24:54 | 0:24:58 | |
Yes, we carried around 350,000 passengers last year, and we made | 0:24:58 | 0:25:03 | |
a little bit of money, but we spend it all back in on the railway. | 0:25:03 | 0:25:05 | |
It's our love, and we do it for not a lot. A lot of us do it for nothing. | 0:25:05 | 0:25:09 | |
I'm an retired railwayman, and I used to drive trains for a living. | 0:25:09 | 0:25:12 | |
But I've driven these all my life as well. | 0:25:12 | 0:25:14 | |
-Shall we get on board? -Yes. | 0:25:14 | 0:25:16 | |
Chris Cubitt has been driving steam trains here since 1969. | 0:25:16 | 0:25:21 | |
Once we've got her up and running on her feet, we'll put it across and she'll just romp up the hill. | 0:25:26 | 0:25:32 | |
Right. | 0:25:32 | 0:25:34 | |
Meanwhile, Harry is shovelling the coal in. | 0:25:34 | 0:25:36 | |
Lovely heat, isn't it? Wow! | 0:25:40 | 0:25:41 | |
-It's going to get a lot hotter than that. -It's going to hotter? | 0:25:41 | 0:25:45 | |
About 3,000 degrees. | 0:25:45 | 0:25:47 | |
3,000 degrees in there? | 0:25:47 | 0:25:48 | |
The engine talks to you, it tells you everything you want to know. | 0:25:56 | 0:26:00 | |
-It talks to you! -Yes. | 0:26:00 | 0:26:02 | |
It talks to everyone, not just me. | 0:26:02 | 0:26:04 | |
-Well, only you can hear what it's saying! -No, if you listen to the chimney, it's nice and soft. | 0:26:04 | 0:26:09 | |
If you put some more steam in, it goes harsh. | 0:26:09 | 0:26:13 | |
-CHUGGING NOISE -Yes, yes. | 0:26:13 | 0:26:15 | |
The louder it is, the more Harry has to shovel. | 0:26:15 | 0:26:18 | |
When I get the chance, It's great to do something I've never done before. | 0:26:20 | 0:26:26 | |
The heat from the boiler is intense. | 0:26:26 | 0:26:27 | |
And the coal is heavy. | 0:26:30 | 0:26:32 | |
And the locomotive... | 0:26:32 | 0:26:35 | |
is very hungry, very demanding of coal. | 0:26:35 | 0:26:39 | |
And I have a lot of admiration for Harry, | 0:26:41 | 0:26:44 | |
because it's very hard work. | 0:26:44 | 0:26:46 | |
-Hard work? -Hard work. | 0:26:50 | 0:26:53 | |
-And you better get it right to the front, as well. -Oh right! | 0:26:53 | 0:26:57 | |
I'll leave that bit to you. | 0:26:57 | 0:26:59 | |
In the thirty years after one of the first public railway lines opened | 0:27:09 | 0:27:13 | |
between Stockton and Darlington, Britain was transformed. | 0:27:13 | 0:27:18 | |
Bradshaw's readers would already take for granted | 0:27:18 | 0:27:22 | |
rail journeys behind powerful and reliable locomotives. | 0:27:22 | 0:27:25 | |
In a generation, the train had become an essential part of daily life. | 0:27:25 | 0:27:31 | |
Ever since I was a boy with a train set, | 0:27:31 | 0:27:35 | |
I've loved steam engines. | 0:27:35 | 0:27:37 | |
But now, as an adult, travelling along track | 0:27:37 | 0:27:41 | |
that was built by George Stephenson, I share Bradshaw's admiration for the pioneers of locomotion. | 0:27:41 | 0:27:48 | |
They built the future. | 0:27:48 | 0:27:51 | |
On the next leg of my journey, I'll be hearing how Victorian women reacted to the railways... | 0:27:53 | 0:27:59 | |
Women reputedly used to hide pins in their lips, so if a man actually | 0:27:59 | 0:28:04 | |
stole a kiss from them as they went through a railway tunnel in the dark, | 0:28:04 | 0:28:08 | |
obviously their lips were lacerated! | 0:28:08 | 0:28:11 | |
..Sampling the benefits of Harrogate's famous spa waters... | 0:28:11 | 0:28:15 | |
The whole point about the waters were they are a strong purge. | 0:28:15 | 0:28:19 | |
So you would NOT have breakfast, then come out and drink the waters and parade about the town. | 0:28:19 | 0:28:27 | |
It's explosive power, internally. Explosive. | 0:28:27 | 0:28:30 | |
..And meeting some Alpacas, whose fleeces made a Victorian fortune... | 0:28:30 | 0:28:35 | |
This is Holly. She likes smelling hair. | 0:28:35 | 0:28:38 | |
LAUGHTER | 0:28:38 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 | |
E-mail [email protected] | 0:28:57 | 0:29:00 |