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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw, | 0:00:10 | 0:00:12 | |
and his Railway Guide inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see, and where to stay. | 0:00:18 | 0:00:22 | |
Now, 170 years later, I'm making a series of journeys across the length and breadth of the country | 0:00:25 | 0:00:31 | |
to see what of Bradshaw's Britain remains. | 0:00:31 | 0:00:34 | |
I've embarked on another railway journey, | 0:00:55 | 0:00:58 | |
confident that my trusty Bradshaw's guide will continue to give me insights | 0:00:58 | 0:01:03 | |
into the vast areas of the British Isles that I've yet to explore. | 0:01:03 | 0:01:08 | |
In today's journey, I'll be discovering a macabre side | 0:01:08 | 0:01:10 | |
to Great Yarmouth's railway history. | 0:01:10 | 0:01:13 | |
The railway negotiates a special rate with him, | 0:01:13 | 0:01:16 | |
and they move the body at so much per ton. | 0:01:16 | 0:01:19 | |
Operating an engineering triumph that opened East Anglia to rail traffic. | 0:01:19 | 0:01:24 | |
Pull the dog in. That's it. | 0:01:24 | 0:01:25 | |
Hand at the top, and a nice snappy movement. That's it. | 0:01:25 | 0:01:28 | |
-No, you've not had your Weetabix, you see. -What, is that not in? | 0:01:28 | 0:01:31 | |
And learning how Bradshawing meant the difference | 0:01:31 | 0:01:34 | |
between death and life in the Second World War. | 0:01:34 | 0:01:37 | |
Ha! I really enjoyed it, I must say. It was very thrilling. | 0:01:37 | 0:01:41 | |
Starting on the East Coast, this journey takes me south | 0:01:42 | 0:01:46 | |
through Norfolk, Suffolk and Essex, finishing in the City of London. | 0:01:46 | 0:01:51 | |
I'll be travelling a route that, | 0:01:51 | 0:01:52 | |
in Bradshaw's day, opened up | 0:01:52 | 0:01:54 | |
inhospitable and isolated territory | 0:01:54 | 0:01:57 | |
and allowed the natural riches of the region to be exploited. | 0:01:57 | 0:02:00 | |
My stretch today begins in Great Yarmouth, | 0:02:00 | 0:02:04 | |
then takes me south through the village of Reedham, | 0:02:04 | 0:02:07 | |
and on to Beccles in Suffolk. | 0:02:07 | 0:02:09 | |
This journey takes me across East Anglia, | 0:02:18 | 0:02:21 | |
which has always seemed remote to a Londoner like me. | 0:02:21 | 0:02:25 | |
Certainly, its network of waterways made it difficult to cross | 0:02:25 | 0:02:28 | |
except by boat. | 0:02:28 | 0:02:30 | |
So railway building offered an enormous speculative opportunity | 0:02:30 | 0:02:34 | |
to Victorian investors. | 0:02:34 | 0:02:37 | |
But that railway mania brought bust as well as boom. | 0:02:37 | 0:02:41 | |
My first destination is the coastal town of Great Yarmouth. | 0:02:44 | 0:02:49 | |
-Bye-bye. -Bye, now. It's a beautiful line, isn't it? | 0:02:50 | 0:02:53 | |
-Beautiful line. Beautiful! -It's lovely, especially in the morning. | 0:02:53 | 0:02:56 | |
I have had the most delightful journey through meadows | 0:02:56 | 0:03:00 | |
grazed by sheep and cows, to this enormous station at Great Yarmouth. | 0:03:00 | 0:03:05 | |
So why did they build this branch line all the way to here? | 0:03:05 | 0:03:09 | |
Very fishy. | 0:03:09 | 0:03:10 | |
The railway reached Great Yarmouth in 1844, | 0:03:14 | 0:03:17 | |
and the line to London was completed two years later. | 0:03:17 | 0:03:20 | |
Famous for its herrings, the railways and this station enabled Great Yarmouth | 0:03:20 | 0:03:25 | |
to take full advantage of the fish stocks of the North Sea. | 0:03:25 | 0:03:29 | |
The catch could reach markets all over the country | 0:03:29 | 0:03:32 | |
and indeed abroad, and brought the town prosperity. | 0:03:32 | 0:03:36 | |
My Bradshaw's guide tells me that Great Yarmouth | 0:03:36 | 0:03:38 | |
"is situated on the east bank of the River Yare. | 0:03:38 | 0:03:41 | |
"The inhabitants are chiefly engaged in the mackerel, herring and deep-sea fisheries, | 0:03:41 | 0:03:46 | |
"which are prosecuted to a very great extent with much success." | 0:03:46 | 0:03:50 | |
Sadly, a decline in fish stocks means that today, | 0:03:50 | 0:03:55 | |
nothing remains of this once great fishing fleet. | 0:03:55 | 0:03:58 | |
To get an idea of the scale of the Great Yarmouth herring industry in its heyday, | 0:04:00 | 0:04:04 | |
I'm meeting local resident Ernie Childs. | 0:04:04 | 0:04:08 | |
So your family are fishermen? | 0:04:08 | 0:04:11 | |
Yeah, all my granddads and things like that, they were all to do with the sea. | 0:04:11 | 0:04:15 | |
The fishing was very big in Yarmouth, as the biggest port in the world, | 0:04:15 | 0:04:19 | |
you know, for catching, exporting... | 0:04:19 | 0:04:22 | |
The seas that surrounded Yarmouth just teemed with herring, | 0:04:22 | 0:04:25 | |
and we had a fleet of about 1,200. | 0:04:25 | 0:04:28 | |
-1,200? -1,200. It takes believing, doesn't it? | 0:04:28 | 0:04:32 | |
-You could walk across the river... -On boats? -On boats, yeah. | 0:04:32 | 0:04:35 | |
Each boat had ten miles of nets. | 0:04:35 | 0:04:36 | |
A colossal amount of fish that was caught, you know, each night. | 0:04:36 | 0:04:40 | |
The huge shoals of herring | 0:04:40 | 0:04:42 | |
would arrive in the waters off Great Yarmouth in the autumn. | 0:04:42 | 0:04:45 | |
At its peak, the town was landing 125,000 tons a year. | 0:04:45 | 0:04:49 | |
The railways helped the fisheries to expand to such a degree | 0:04:49 | 0:04:53 | |
that an extensive rail system was built on the quays | 0:04:53 | 0:04:56 | |
to serve the fishermen's wharf. | 0:04:56 | 0:04:58 | |
And by the late 1800s, Great Yarmouth had not one, but three railway stations. | 0:04:58 | 0:05:04 | |
There's a railway line that went straight to the wharf | 0:05:04 | 0:05:07 | |
all the way from the Vauxhall over there. | 0:05:07 | 0:05:09 | |
And that was up and down all day long, you know. That was a busy line. | 0:05:09 | 0:05:12 | |
Without the railways, you know, this town wouldn't have been as big. | 0:05:12 | 0:05:16 | |
The main freights carried were said to be | 0:05:16 | 0:05:19 | |
"salt and coal in and loose fish out." | 0:05:19 | 0:05:21 | |
And the trains carried something of greater interest than coal or fish. | 0:05:21 | 0:05:26 | |
They imported masses of Scottish girls, who gutted the herrings, | 0:05:26 | 0:05:30 | |
following the shoals of fish as they migrated down the East Coast. | 0:05:30 | 0:05:34 | |
So it wasn't just the railways taking the fish out. | 0:05:34 | 0:05:36 | |
-They were bringing the fishery workers in? -That's right, yeah. | 0:05:36 | 0:05:39 | |
But even in my day. When I... I grew up on the wharf, | 0:05:39 | 0:05:42 | |
and that was so busy, you know. The Scots girls were there, they were singing all the while, | 0:05:42 | 0:05:47 | |
and if they weren't singing, they were knitting. They were very, very quick. | 0:05:47 | 0:05:50 | |
They put a competition out once. | 0:05:50 | 0:05:52 | |
Who could gut the best, either a machine or a Scots girl. | 0:05:52 | 0:05:55 | |
And the Scots girls won. | 0:05:55 | 0:05:57 | |
They could gut a fish, one a second. | 0:05:57 | 0:05:59 | |
Now, it'd take me a bloody minute to do one. | 0:05:59 | 0:06:01 | |
Ernie paints a magnificent picture of a teeming port | 0:06:01 | 0:06:05 | |
in an era when fish and railways brought Great Yarmouth great wealth. | 0:06:05 | 0:06:10 | |
The railways declined alongside the fishing. | 0:06:11 | 0:06:14 | |
And now just one station serves the town. | 0:06:14 | 0:06:17 | |
Before I bid farewell to Yarmouth, | 0:06:22 | 0:06:24 | |
there's just one more entry in Bradshaw's that I want to investigate. | 0:06:24 | 0:06:29 | |
Its link to the railways is ghoulish. | 0:06:29 | 0:06:31 | |
My Bradshaw's guide says that "the old town | 0:06:32 | 0:06:35 | |
"contains about 150 narrow streets or passages | 0:06:35 | 0:06:38 | |
"locally called rows, | 0:06:38 | 0:06:41 | |
"in which many remains of antiquity may still be traced." | 0:06:41 | 0:06:46 | |
And talking of antiquity, I understand that this one, | 0:06:46 | 0:06:49 | |
number six, was known as "Snatch Body Row." | 0:06:49 | 0:06:53 | |
And I'm here to get a skeletal idea of why it got its name. | 0:06:53 | 0:06:58 | |
I've come to the graveyard of St Nicholas' Church | 0:06:58 | 0:07:00 | |
to pick over the bones of this story | 0:07:00 | 0:07:03 | |
with medical historian Dr Elizabeth Hurren. | 0:07:03 | 0:07:05 | |
-Hello. How nice to meet you! -Very nice to see you indeed. | 0:07:05 | 0:07:09 | |
Now, I'm using my Bradshaw's guide and I've been looking at the rows, | 0:07:09 | 0:07:13 | |
and I understand that number six was called Snatch Body Row. | 0:07:13 | 0:07:16 | |
Now, why is that? | 0:07:16 | 0:07:18 | |
Well, this parish church was notorious for providing bodies | 0:07:18 | 0:07:21 | |
to anatomists in London | 0:07:21 | 0:07:24 | |
at the end of the 18th century. | 0:07:24 | 0:07:27 | |
And there were a couple of notorious resurrectionists | 0:07:27 | 0:07:30 | |
who dug up bodies from this graveyard. | 0:07:30 | 0:07:33 | |
They would have come at night into this churchyard, | 0:07:33 | 0:07:36 | |
and they would have used a wooden shovel, and put them in a sack. | 0:07:36 | 0:07:39 | |
And, in fact, their more common name was "sackmen". | 0:07:39 | 0:07:42 | |
And then, over the shoulder, and then they would have taken the body down to London | 0:07:42 | 0:07:46 | |
and sold it to one of the leading anatomists. | 0:07:46 | 0:07:49 | |
Before the advent of the railway in Great Yarmouth, the economy was unpredictable. | 0:07:49 | 0:07:54 | |
Abject poverty, allied with developments in medical science, | 0:07:54 | 0:07:57 | |
which provoked a need for corpses for dissection, | 0:07:57 | 0:08:00 | |
gave rise to the dark crime of body snatching. | 0:08:00 | 0:08:03 | |
A fast trade route to London by sea, | 0:08:05 | 0:08:07 | |
and access to the largest parish church in England | 0:08:07 | 0:08:11 | |
made St Nicholas' a favourite place for illicit exhumation. | 0:08:11 | 0:08:16 | |
Presumably, when this illegal trade in stealing bodies is under way, | 0:08:16 | 0:08:19 | |
families must get very worried that their loved ones' corpses have been stolen. | 0:08:19 | 0:08:23 | |
The paupers typically would have had to stay awake - | 0:08:23 | 0:08:27 | |
that's where the tradition of a wake comes from - | 0:08:27 | 0:08:30 | |
for three days, to watch the body going into the ground. | 0:08:30 | 0:08:34 | |
Then they would have stayed awake, come in to the graveyard very regularly, | 0:08:34 | 0:08:38 | |
and watched to make sure that no-one had dug up or interfered with the body. | 0:08:38 | 0:08:43 | |
Once the railways arrived in 1844, prosperity surged. | 0:08:43 | 0:08:48 | |
But far from being stopped in its tracks, | 0:08:48 | 0:08:52 | |
the body trade gathered steam, | 0:08:52 | 0:08:53 | |
fuelled by the Anatomy Act of 1832, | 0:08:53 | 0:08:56 | |
which legalised the use of pauper carcasses for dissection. | 0:08:56 | 0:09:01 | |
When that happens, then you don't have to resurrect them from a graveyard like this. | 0:09:01 | 0:09:05 | |
You simply buy them down the road, | 0:09:05 | 0:09:07 | |
at Yarmouth workhouse, at the back of it. | 0:09:07 | 0:09:09 | |
Or at a local pub. | 0:09:09 | 0:09:11 | |
These were paupers, and when they died, their bodies were just made available for science? | 0:09:11 | 0:09:15 | |
-Absolutely. -So how did Bradshaw's come into it? | 0:09:15 | 0:09:18 | |
Well, Alexander Macalister, who was the Chair of Anatomy at Cambridge, | 0:09:18 | 0:09:22 | |
this was absolutely critical for him. | 0:09:22 | 0:09:25 | |
And when he arrived at Cambridge, he had a body supply problem, | 0:09:25 | 0:09:28 | |
because in the late 19th century, | 0:09:28 | 0:09:32 | |
the number of medical students quadruples. | 0:09:32 | 0:09:34 | |
And so he has to get on the train | 0:09:34 | 0:09:37 | |
with this book, and he has to start going along all the branch lines out of Cambridge, | 0:09:37 | 0:09:41 | |
and he has to get off the train and do a body deal with whoever he can. | 0:09:41 | 0:09:45 | |
And of course, he alights at Yarmouth, and realises | 0:09:45 | 0:09:48 | |
that they are very willing to make a number of deals with him. | 0:09:48 | 0:09:51 | |
And he pays up to £12 a body for each dissected pauper. | 0:09:51 | 0:09:57 | |
-Huge amount of money! -Absolutely. | 0:09:57 | 0:09:59 | |
And he transports it on the railway out of Yarmouth. | 0:09:59 | 0:10:02 | |
And the railway negotiates a special rate with him, | 0:10:02 | 0:10:05 | |
and they move the body at so much per ton. | 0:10:05 | 0:10:08 | |
And they are in the back of the carriages, in what's known as the "dead carriage". | 0:10:08 | 0:10:15 | |
The railways enabled corpses to arrive in Cambridge or London | 0:10:15 | 0:10:18 | |
in a matter of hours, as fresh as new-caught herrings. | 0:10:18 | 0:10:21 | |
I know that in the book Dracula, Count Dracula uses a Bradshaw's plan | 0:10:21 | 0:10:26 | |
moving his coffins round Britain. | 0:10:26 | 0:10:29 | |
So, I mean, there was obviously more than a grain of truth in this. | 0:10:29 | 0:10:32 | |
Macalister and this book, he was the one that everybody else copied. | 0:10:32 | 0:10:36 | |
He was the one that, as I call him, he was a travelling anatomist. | 0:10:36 | 0:10:40 | |
He got on the railway, he made the deals, and in that way, | 0:10:40 | 0:10:43 | |
he was able to revive the whole medical school at Cambridge. | 0:10:43 | 0:10:47 | |
But, of course, there was a big social cost to the poor. | 0:10:47 | 0:10:51 | |
And so, as we have always in the history of medicine, | 0:10:51 | 0:10:54 | |
we owe the poor an enormous amount, actually, for where we are today in biomedicine. | 0:10:54 | 0:10:58 | |
Astonishingly, this trade in bodies continued | 0:10:58 | 0:11:02 | |
until the turn of the 20th century. | 0:11:02 | 0:11:05 | |
But after a popular outcry over the theft of a pauper's body | 0:11:05 | 0:11:09 | |
from Great Yarmouth in 1901, | 0:11:09 | 0:11:11 | |
an extensive public enquiry | 0:11:11 | 0:11:13 | |
finally brought the secretive trade in the town to an end. | 0:11:13 | 0:11:18 | |
The "death-box" had made its last journey from Great Yarmouth station. | 0:11:18 | 0:11:23 | |
Well, now I feel nervous about getting on a train. | 0:11:23 | 0:11:27 | |
I want to be sure that at the back here, it's entirely cadaver-less. | 0:11:27 | 0:11:32 | |
But luckily, most of these passengers look pretty alive to me. | 0:11:32 | 0:11:36 | |
I love these wide plains, | 0:11:52 | 0:11:54 | |
and the big skies that you get in Norfolk. | 0:11:54 | 0:11:57 | |
And Bradshaw refers to "extensive views of this flattish country | 0:11:57 | 0:12:03 | |
"between Norwich and the sea." | 0:12:03 | 0:12:05 | |
And this low-lying land provided many challenges | 0:12:05 | 0:12:08 | |
for Victorian railway engineers. | 0:12:08 | 0:12:11 | |
And now, I'm on my way to see one of the most spectacular examples | 0:12:11 | 0:12:14 | |
of how they overcame them. | 0:12:14 | 0:12:16 | |
In Bradshaw's day, a local railway entrepreneur, | 0:12:16 | 0:12:20 | |
Sir Samuel Morton Peto, | 0:12:20 | 0:12:21 | |
had designs on the riches of East Anglia. | 0:12:21 | 0:12:24 | |
His plan required him to conquer the tough landscape. | 0:12:24 | 0:12:28 | |
Part of the solution was a piece of Victorian engineering genius, | 0:12:30 | 0:12:34 | |
the swing bridge, that allowed rights of passage for traffic | 0:12:34 | 0:12:38 | |
on both the river and the railway. | 0:12:38 | 0:12:40 | |
-Bye-bye. Nice to see you. -Thank you. | 0:12:55 | 0:12:58 | |
Reedham. | 0:12:59 | 0:13:01 | |
A name that's famous for its swing bridge. | 0:13:01 | 0:13:04 | |
Peto built the original swing bridge, | 0:13:04 | 0:13:06 | |
carrying the railway across the River Yare, in the 1840s. | 0:13:06 | 0:13:10 | |
He declared that it would "enable fresh fish from Lowestoft | 0:13:10 | 0:13:13 | |
"to arrive in Manchester in time for tea." | 0:13:13 | 0:13:15 | |
I've been granted special access to cross the bridge | 0:13:15 | 0:13:19 | |
and take a closer look. | 0:13:19 | 0:13:21 | |
This is so exciting, | 0:13:21 | 0:13:23 | |
to walk along a railway line | 0:13:23 | 0:13:25 | |
on this lovely ancient structure. | 0:13:25 | 0:13:27 | |
Always a bit nerve-wracking, of course, walking on a railway line. | 0:13:31 | 0:13:35 | |
But we have been assured that there are no trains coming. | 0:13:35 | 0:13:38 | |
Nonetheless, if you'll forgive me, I think I'll hurry along. | 0:13:38 | 0:13:40 | |
Waiting for me at the end of the swing bridge is signalman Alan English. | 0:13:41 | 0:13:46 | |
-That was so exciting, walking across the bridge. -Was it? | 0:13:46 | 0:13:49 | |
That was fabulous! I really enjoyed that! | 0:13:49 | 0:13:50 | |
-I don't often get to walk on a railway line. -Would you like to come in? | 0:13:50 | 0:13:53 | |
-I'll show you the... -After you, after you. | 0:13:53 | 0:13:56 | |
Welcome to our small abode. | 0:13:56 | 0:13:59 | |
-Ha! Charming! Is it an old, old signal box? -It was built in 1904. | 0:13:59 | 0:14:03 | |
It must have been thought a fantastic piece of engineering in those days. | 0:14:03 | 0:14:06 | |
They had to decide to do something to cross the river. | 0:14:06 | 0:14:09 | |
Not easy when the surrounding countryside was marshy | 0:14:09 | 0:14:12 | |
and intersected by navigable rivers, | 0:14:12 | 0:14:15 | |
which were then the arteries of trade. | 0:14:15 | 0:14:18 | |
A normal bridge would need an immense span to allow clearance | 0:14:18 | 0:14:21 | |
to the region's staple transport, | 0:14:21 | 0:14:24 | |
wherry boats with 40-foot-high masts. | 0:14:24 | 0:14:27 | |
Peto's swing bridge was an astonishing breakthrough. | 0:14:27 | 0:14:29 | |
It could pivot open to allow the wherrymen to ply their trade, | 0:14:29 | 0:14:32 | |
and rotate back so that trains could penetrate this watery landscape. | 0:14:32 | 0:14:37 | |
So when the original bridge was built, the waterway, of course, | 0:14:38 | 0:14:41 | |
was considered the most important means of transport? | 0:14:41 | 0:14:43 | |
Well, the waterway, when this line was built, was the only form | 0:14:43 | 0:14:46 | |
of transport for anything other than you could put in a horse and cart. | 0:14:46 | 0:14:49 | |
Yeah, so along comes the bridge, and the bridge has to, obviously, | 0:14:49 | 0:14:53 | |
it has to fit in with the traffic on the water. | 0:14:53 | 0:14:55 | |
Yes, I mean, that was a major consideration. | 0:14:55 | 0:14:57 | |
It's a new thing, no-one had seen the railways before. | 0:14:57 | 0:15:00 | |
Competition, obviously, the river users, or the wherrymen. | 0:15:00 | 0:15:04 | |
And they obviously wanted to ensure that they had free rights of passage through the bridge. | 0:15:04 | 0:15:08 | |
-Can we see how it works? -Of course you can. | 0:15:08 | 0:15:10 | |
Do you want to get your hands dirty and help me? | 0:15:10 | 0:15:12 | |
-Ha-ha! Yes, please. -OK, then. | 0:15:12 | 0:15:14 | |
The first lever I want you to pull, Michael, is number one. | 0:15:14 | 0:15:17 | |
If you'd like to use a cloth, so you don't dirty our lovely levers up. | 0:15:17 | 0:15:20 | |
Pull the dog in. That's it. | 0:15:20 | 0:15:22 | |
Hand at the top, and a nice snappy movement. That's it. | 0:15:22 | 0:15:25 | |
-No, you've not had your Weetabix, you see. -What, is that not in? | 0:15:25 | 0:15:28 | |
No, no, you see, the indicator is still showing out, so back all the way in. | 0:15:28 | 0:15:33 | |
Pull the lever towards you slightly. That's it. | 0:15:33 | 0:15:35 | |
Push it back in. | 0:15:35 | 0:15:36 | |
-Same thing again. -Right. | 0:15:36 | 0:15:39 | |
Hand at the top. | 0:15:39 | 0:15:40 | |
Hand on there, and a nice, snappy movement. | 0:15:40 | 0:15:43 | |
Yeah, well done, that's there! | 0:15:43 | 0:15:45 | |
And this is the best bit - the lever. | 0:15:49 | 0:15:52 | |
There's no cogs, there's no brakes. | 0:15:53 | 0:15:56 | |
What do I do with it? | 0:15:56 | 0:15:57 | |
-Gently, move it to the off position. -Yes. | 0:15:57 | 0:16:00 | |
Which will start the wincher downstairs. | 0:16:00 | 0:16:03 | |
But it's a centrifugal clutch, it's nice and smooth, so just move it across. | 0:16:03 | 0:16:06 | |
Move it across, gently, that's it. | 0:16:06 | 0:16:08 | |
-You see, you've now got weight on it. -Yes. | 0:16:08 | 0:16:10 | |
-Keep moving? -If you look out the window now, you're now moving. -Oh, my goodness! | 0:16:10 | 0:16:14 | |
-You see, so you're in charge now. -Do I hold it in this position? | 0:16:14 | 0:16:16 | |
-Just hold it there for a little while. -The bridge is swinging. | 0:16:16 | 0:16:20 | |
And now, I just want you to ease back a little bit on the lever. | 0:16:20 | 0:16:22 | |
-Here I go. -Wow, that will do. -You're doing it all by ear, are you? | 0:16:22 | 0:16:27 | |
All by ear, yeah. You're doing well, you're a professional. Natural! | 0:16:27 | 0:16:31 | |
She's an old lady. She'll start off nice and easy, | 0:16:31 | 0:16:33 | |
and then she'll get tired halfway through. | 0:16:33 | 0:16:35 | |
And now you've got your speed up again, just ease back a little bit again. | 0:16:45 | 0:16:49 | |
Because we must stop it in the middle, so ease back a bit. Whoa! | 0:16:49 | 0:16:53 | |
-Perfect! Do you want a job? -Ha-ha-ha-ha! | 0:16:53 | 0:16:57 | |
I feel a huge sense of relief, actually. | 0:16:57 | 0:16:59 | |
You didn't break it, so that's the... | 0:16:59 | 0:17:01 | |
Yeah, I was thinking that all the time, when you were saying, "Go a bit more." | 0:17:01 | 0:17:04 | |
It certainly builds up your respect for this bit of engineering. | 0:17:04 | 0:17:07 | |
Last year, we swung this bridge 1,300 times in a year. | 0:17:07 | 0:17:12 | |
You old swingers! | 0:17:12 | 0:17:14 | |
I'm on my way to find out more about Peto, | 0:17:30 | 0:17:35 | |
one of the railway's great creators during the Industrial Revolution. | 0:17:35 | 0:17:39 | |
A 19th-century entrepreneur and civil engineer, | 0:17:39 | 0:17:42 | |
his innovative railways and bridges provided a Steam Age link | 0:17:42 | 0:17:46 | |
between East Anglia and the rest of Britain. | 0:17:46 | 0:17:49 | |
Yet few of us know anything about him. | 0:17:49 | 0:17:52 | |
I've arrived in Peto's home village of Somerleyton, in Suffolk. | 0:17:59 | 0:18:03 | |
My Bradshaw's tells me that this is "Somerleyton Hall, | 0:18:07 | 0:18:11 | |
"the old Elizabethan seat, now the residence | 0:18:11 | 0:18:15 | |
"of Sir Samuel M Peto Baronet, | 0:18:15 | 0:18:17 | |
"who has greatly enlarged the building." | 0:18:17 | 0:18:21 | |
And what a stunning place it is! | 0:18:21 | 0:18:23 | |
What you could do with a few railway millions! | 0:18:23 | 0:18:26 | |
And what a fantastic place to spend the evening. | 0:18:26 | 0:18:30 | |
I'm staggered by the scale and opulence of Peto's home. | 0:18:32 | 0:18:35 | |
As one of the richest men of his day, | 0:18:35 | 0:18:38 | |
he could afford to employ Prince Albert's architect, | 0:18:38 | 0:18:41 | |
who took seven years to remodel the Tudor mansion. | 0:18:41 | 0:18:46 | |
Sir Samuel Morton Peto was, by all accounts, a driven man. | 0:18:47 | 0:18:52 | |
I'm hoping that local historian Adrian Vaughan can tell me more. | 0:18:52 | 0:18:56 | |
-That's the great man, is it? -Samuel Morton Peto. | 0:18:56 | 0:18:59 | |
The railways that Morton Peto was engaged in were really visionary. | 0:18:59 | 0:19:05 | |
He had, with Robert Stephenson and George Parker Bidder, | 0:19:05 | 0:19:11 | |
they were a trinity. | 0:19:11 | 0:19:13 | |
And they envisaged the trade across the Atlantic - New York, Liverpool. | 0:19:13 | 0:19:18 | |
Liverpool by rail, through to Lowestoft, | 0:19:18 | 0:19:21 | |
which was an open port, with no taxes on it. | 0:19:21 | 0:19:25 | |
And from Lowestoft, they set up a shipping line to go into Denmark, to Norway. | 0:19:25 | 0:19:31 | |
They built the railway lines in Norway and Denmark. | 0:19:31 | 0:19:34 | |
And then they had another shipping line on to Archangel, St Petersburg. | 0:19:34 | 0:19:39 | |
And Peto built the railways in Russia to connect the whole thing up. | 0:19:39 | 0:19:43 | |
Despite for many years being the largest employer of labour in the world, | 0:19:43 | 0:19:47 | |
Peto overreached himself, and in the banking collapse of 1866, he lost his fortune. | 0:19:47 | 0:19:54 | |
He had to sell the Somerleyton Estate | 0:19:54 | 0:19:57 | |
and give up his seat in Parliament, dying in obscurity in 1889. | 0:19:57 | 0:20:01 | |
But we should remember him for this house, and for the railways, | 0:20:01 | 0:20:04 | |
on which we still travel today. | 0:20:04 | 0:20:07 | |
It's been a wonderful day. | 0:20:07 | 0:20:09 | |
And it ends at a beautiful place. | 0:20:09 | 0:20:12 | |
And so I raise my glass to the memory of Sir Samuel Morton Peto. | 0:20:12 | 0:20:16 | |
Day two of my journey, and I'm taking another of the many lines | 0:20:26 | 0:20:30 | |
that sprang up across this region in Bradshaw's day. | 0:20:30 | 0:20:33 | |
Another day. | 0:20:37 | 0:20:39 | |
And I boarded the train at Somerleyton, | 0:20:39 | 0:20:43 | |
arrived at Lowestoft, | 0:20:43 | 0:20:46 | |
to change to Beccles from one colour train to another. | 0:20:46 | 0:20:50 | |
Beccles is not in my Bradshaw's guide. | 0:21:09 | 0:21:12 | |
But I'm headed there today because I believe that | 0:21:12 | 0:21:15 | |
if George Bradshaw had lived another hundred years, | 0:21:15 | 0:21:18 | |
he would have been gratified to know that the railways would provide | 0:21:18 | 0:21:22 | |
a technique that could make the difference between death and life. | 0:21:22 | 0:21:26 | |
And that technique would be forever associated | 0:21:26 | 0:21:30 | |
with the name of Bradshaw. | 0:21:30 | 0:21:33 | |
In the Second World War, | 0:21:33 | 0:21:34 | |
the railways were the arteries of Britain, | 0:21:34 | 0:21:37 | |
moving soldiers, tanks and evacuees up and down the country. | 0:21:37 | 0:21:41 | |
The railways were a highly visible target for German attacks, | 0:21:41 | 0:21:46 | |
but they were also invaluable to a special group of British heroes | 0:21:46 | 0:21:50 | |
doing an immensely important job. | 0:21:50 | 0:21:52 | |
I'm at Beccles Airfield to meet Joy Lofthouse, | 0:21:52 | 0:21:55 | |
one of the last surviving World War Two female aviators | 0:21:55 | 0:21:58 | |
of the Air Transport Auxiliary. | 0:21:58 | 0:22:02 | |
-Hello, Joy. -Hello, Michael. -How very good to see you. -Nice to see you. | 0:22:02 | 0:22:05 | |
Beccles was an airfield used in World War Two. How was it that you came into flying? | 0:22:05 | 0:22:10 | |
Well, in 1943, I saw an advertisement in The Aeroplane, | 0:22:10 | 0:22:13 | |
and I had never even been in an aeroplane before. | 0:22:13 | 0:22:16 | |
I didn't even drive a car. | 0:22:16 | 0:22:18 | |
But that seemed an exciting thing to do, | 0:22:18 | 0:22:20 | |
as a lot of my boyfriends | 0:22:20 | 0:22:21 | |
were in the Air Force. | 0:22:21 | 0:22:23 | |
The men and women of the ATA | 0:22:23 | 0:22:24 | |
were hired to free other pilots for combat. | 0:22:24 | 0:22:28 | |
Their job was to fly aircraft from the factories to the squadrons | 0:22:28 | 0:22:32 | |
for operational duties. | 0:22:32 | 0:22:34 | |
And so what kinds of aircraft were you flying? | 0:22:34 | 0:22:37 | |
Cos probably, we would still know some of the names, wouldn't we? | 0:22:37 | 0:22:40 | |
Oh, absolutely, yes. All the trading aircraft. | 0:22:40 | 0:22:42 | |
But also single-seaters - Spitfire, Hurricane, Mustang... | 0:22:42 | 0:22:46 | |
A lot of the Fleet Air Arm things - Barracudas, etc. | 0:22:46 | 0:22:50 | |
Anything with one engine. | 0:22:50 | 0:22:52 | |
-You flew all those things? -Yes, absolutely. Yes. | 0:22:52 | 0:22:54 | |
Now, forgive my ignorance, would they not be a little bit different, one from another, to fly? | 0:22:54 | 0:22:59 | |
Well, they would, but this was our Bible, the Ferry Pilot's Notes. | 0:22:59 | 0:23:04 | |
On each page, there's the particulars of every aircraft | 0:23:04 | 0:23:09 | |
in service with either the RAF or the Fleet Air Arm. | 0:23:09 | 0:23:12 | |
I assume it's just like you getting into a different make of car. Not very different. | 0:23:12 | 0:23:16 | |
Well, I don't think so. I'm simply amazed that you would just | 0:23:16 | 0:23:19 | |
jump in an aircraft, look up the proper page and off you go. | 0:23:19 | 0:23:22 | |
-That's just extraordinary! -Well, we were very young, you know. -Ha-ha-ha! | 0:23:22 | 0:23:26 | |
The railways of Britain were vital navigational aids | 0:23:26 | 0:23:30 | |
for Joy and her fellow pilots, | 0:23:30 | 0:23:31 | |
as all over the country, other key landmarks | 0:23:31 | 0:23:35 | |
had been concealed to thwart enemy bombers. | 0:23:35 | 0:23:37 | |
So how did you find your way around? | 0:23:37 | 0:23:39 | |
Because you didn't have modern navigational aids in those days, did you? | 0:23:39 | 0:23:44 | |
You drew a line on a map, | 0:23:44 | 0:23:46 | |
you set off your compass point to land through for whatever wind there was, | 0:23:46 | 0:23:50 | |
and you looked for checkpoints on the way. | 0:23:50 | 0:23:52 | |
And, of course, the railways were amongst the best things to follow. | 0:23:52 | 0:23:56 | |
No motorways in those days, no large roads to follow. | 0:23:56 | 0:23:59 | |
We called it Bradshawing, of course. | 0:23:59 | 0:24:01 | |
And that was a reference to my very own George Bradshaw. | 0:24:01 | 0:24:04 | |
-That was a reference to your Bradshaw, yes. -Yeah. | 0:24:04 | 0:24:07 | |
-And the railways were a reliable guide? -Oh, absolutely. | 0:24:07 | 0:24:11 | |
In fact, in one of the sentences in this book, we had... | 0:24:11 | 0:24:16 | |
I don't know whether you'd like to read it. | 0:24:16 | 0:24:19 | |
I think that's rather a sweet sentence. | 0:24:19 | 0:24:22 | |
"Finding a strange airfield. | 0:24:22 | 0:24:24 | |
"The golden rule is, don't look for it. | 0:24:24 | 0:24:26 | |
"Some camouflage expert has done his best to prevent your seeing it. | 0:24:26 | 0:24:30 | |
"So look instead for the landmarks which point to the airfield. | 0:24:30 | 0:24:33 | |
"Even the Air Ministry cannot camouflage them." | 0:24:33 | 0:24:36 | |
And that would refer to things like railways. They couldn't be camouflaged. | 0:24:36 | 0:24:40 | |
They couldn't do anything to the railways, no. | 0:24:40 | 0:24:42 | |
Now, tell me though, was this quite dangerous? | 0:24:42 | 0:24:44 | |
I mean, I know you weren't flying in combat, but did the ATA suffer many losses? | 0:24:44 | 0:24:49 | |
We had about 140-odd casualties, and I would say 80% of them were due to weather. | 0:24:49 | 0:24:54 | |
But we were warned, of course, | 0:24:54 | 0:24:56 | |
that...try not to be bleedin' heroes, | 0:24:56 | 0:24:58 | |
and if you get into bad weather, | 0:24:58 | 0:25:01 | |
then land and wait for it to be better. | 0:25:01 | 0:25:03 | |
And we were very, we ladies, anyway, were very cunning | 0:25:03 | 0:25:07 | |
that we knew where most of the American airfields were. | 0:25:07 | 0:25:11 | |
And if you knew you were into bad weather near an American airfield, | 0:25:11 | 0:25:14 | |
one would try and land there. | 0:25:14 | 0:25:16 | |
Because the food was good, and they would take you to the PX, | 0:25:16 | 0:25:22 | |
the equivalent of our NAAFI, and you could buy lipstick and chocolate, | 0:25:22 | 0:25:27 | |
and stockings, and things that were all rationed at home. | 0:25:27 | 0:25:31 | |
So it wasn't so unusual to get bad weather near an American airfield? | 0:25:31 | 0:25:34 | |
It wasn't too unusual to get bad weather there! | 0:25:34 | 0:25:37 | |
I don't expect my mission to lead me to a cache of lipstick or nylons. | 0:25:37 | 0:25:40 | |
But I want to get airborne to have a go at navigating. | 0:25:40 | 0:25:45 | |
Now, I'm going to a do a little Bradshawing myself this afternoon. Are you available to take me up? | 0:25:45 | 0:25:49 | |
Certainly not. I don't think you would be able to trust me now at my age. | 0:25:49 | 0:25:52 | |
I think I would trust her, | 0:25:52 | 0:25:53 | |
but instead, I put my life in pilot John Wignall's hands. | 0:25:53 | 0:25:57 | |
Apprentice Navigator Portillo reporting for duty, Sir. | 0:25:57 | 0:26:00 | |
-Well, jump aboard and we'll get flying. -Thank you. | 0:26:00 | 0:26:02 | |
John is going to fly me a few miles away, | 0:26:02 | 0:26:05 | |
and I'll attempt to navigate back to the airfield, | 0:26:05 | 0:26:08 | |
using just a basic map and the railways as my guide. | 0:26:08 | 0:26:11 | |
I reckon we're going to head down this track here, | 0:26:20 | 0:26:23 | |
and I want you | 0:26:23 | 0:26:26 | |
to keep straight on. | 0:26:26 | 0:26:28 | |
I think Reedham must be there. We hope. | 0:26:28 | 0:26:31 | |
Ha-ha-ha-ha! | 0:26:31 | 0:26:33 | |
-You're navigating. -This isn't navigating, this is Bradshawing. | 0:26:33 | 0:26:36 | |
It's very exciting. I can see the swing bridge where we were earlier. | 0:26:36 | 0:26:40 | |
Sorry, it's a long way around, | 0:26:40 | 0:26:43 | |
but I'm quite a novice at this Bradshawing business. | 0:26:43 | 0:26:45 | |
Er... Ha-ha-ha! OK... | 0:26:45 | 0:26:49 | |
Yes, I can see a railway line. | 0:26:49 | 0:26:51 | |
Please turn right, railway line ahoy! | 0:26:51 | 0:26:54 | |
It's absolutely fantastic. | 0:26:54 | 0:26:56 | |
According to my map, your airfield is going to lie | 0:26:56 | 0:27:01 | |
to the left of the railway line. | 0:27:01 | 0:27:03 | |
That worked pretty well, didn't it? | 0:27:03 | 0:27:05 | |
I really enjoyed it, I must say. It was very thrilling! | 0:27:05 | 0:27:08 | |
I've become used to travelling around Britain | 0:27:08 | 0:27:12 | |
with my trusted Bradshaw's guide. | 0:27:12 | 0:27:16 | |
But I would never have realised | 0:27:16 | 0:27:19 | |
that the same railways that George Bradshaw mapped in the 1830s, | 0:27:19 | 0:27:25 | |
just over a hundred years later | 0:27:25 | 0:27:28 | |
would prove the vital lifeline for RAF pilots in World War Two. | 0:27:28 | 0:27:33 | |
And that as those brave fliers found their way back to their airfields, | 0:27:33 | 0:27:39 | |
using the railway tracks as their guide, | 0:27:39 | 0:27:42 | |
they would call that activity Bradshawing. | 0:27:42 | 0:27:45 | |
Thank you, George. | 0:27:47 | 0:27:49 | |
On the next leg of my journey, | 0:27:49 | 0:27:52 | |
I'll be following Victorian tourists | 0:27:52 | 0:27:53 | |
to an English city that was lost like Atlantis. | 0:27:53 | 0:27:58 | |
It's not just the church ruins that go onto the beach, | 0:27:58 | 0:28:00 | |
it's also the bodies of the dead from the graveyard. | 0:28:00 | 0:28:04 | |
Meeting some gentle giants who were crucial | 0:28:04 | 0:28:06 | |
to the smooth running of the railways. | 0:28:06 | 0:28:09 | |
Face of an angel, middle like a beer barrel, | 0:28:09 | 0:28:11 | |
and a backside on it like a farmer's daughter. | 0:28:11 | 0:28:14 | |
That sums up the Suffolk horse. | 0:28:14 | 0:28:16 | |
And discovering how a 19th-century railway entrepreneur | 0:28:16 | 0:28:19 | |
started something that would grow beyond his wildest dreams. | 0:28:19 | 0:28:24 | |
I've never been this close to one of these container ships as this. | 0:28:24 | 0:28:28 | |
It's absolutely enormous! | 0:28:28 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:51 | |
E-mail [email protected] | 0:28:51 | 0:28:54 |