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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
His name was George Bradshaw, | 0:00:10 | 0:00:12 | |
and his railway guides inspired Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop, he told them where to travel, | 0:00:17 | 0:00:21 | |
what to see, and where to stay. | 0:00:21 | 0:00:24 | |
Now, 170 years later, | 0:00:25 | 0:00:27 | |
I'm making a series of journeys | 0:00:27 | 0:00:30 | |
across the length and breadth of the country to see what of Bradshaw's Britain remains. | 0:00:30 | 0:00:36 | |
Having used my Bradshaw's guide from Windsor to Winchester to Wight, | 0:00:58 | 0:01:02 | |
I'm now on the final leg of my journey to Wareham and Weymouth, | 0:01:02 | 0:01:07 | |
and the world beyond. | 0:01:07 | 0:01:09 | |
I'm voyaging into an area blessed with valuable minerals, | 0:01:09 | 0:01:14 | |
which were ripe for exploitation by Victorian industrialists. | 0:01:14 | 0:01:18 | |
On this stretch I'll be uncovering a hidden industry with Victorian roots. | 0:01:18 | 0:01:23 | |
That is an oilfield, stretching all the way past Poole, beneath Bournemouth, way under the sea. | 0:01:23 | 0:01:29 | |
Admiring a historic castle catapulted to fame by the railways. | 0:01:29 | 0:01:34 | |
Wow, that is fantastic. | 0:01:34 | 0:01:37 | |
The most romantic ruin. | 0:01:37 | 0:01:39 | |
And discovering Weymouth's role in the D-Day landings. | 0:01:39 | 0:01:43 | |
The day they left, they left from Portland harbour, | 0:01:43 | 0:01:47 | |
I went down and waved them bye bye, cos I knew them as friends. | 0:01:47 | 0:01:50 | |
I began my journey travelling lines Queen Victoria would have known, | 0:01:53 | 0:01:58 | |
as she moved between Windsor and the Isle of Wight. | 0:01:58 | 0:02:01 | |
Before crossing into the county of Dorset, | 0:02:01 | 0:02:03 | |
transformed by 19th-century tourism. | 0:02:03 | 0:02:06 | |
This final section starts on the Purbeck peninsula, | 0:02:08 | 0:02:11 | |
and takes me west via Weymouth, to the beautiful Isle of Portland. | 0:02:11 | 0:02:15 | |
The unspoilt countryside of Dorset is a joy. | 0:02:21 | 0:02:23 | |
But in Bradshaw's day, this was home to a Victorian enterprise | 0:02:23 | 0:02:28 | |
which foreshadowed a massive modern industry. | 0:02:28 | 0:02:33 | |
The Industrial Revolution was founded on power, | 0:02:33 | 0:02:36 | |
on energy, on fuel. | 0:02:36 | 0:02:38 | |
And as we approach Wareham, my Bradshaw's Guide comments that, | 0:02:38 | 0:02:41 | |
"The area is rich in shells and saurian, reptilian fossils. | 0:02:41 | 0:02:46 | |
"Beyond which are the beds of Kimmeridge Clay." | 0:02:46 | 0:02:48 | |
This Kimmeridge clay is actually a type of rock. | 0:02:52 | 0:02:56 | |
In Victorian times people round here found that they could mine it, | 0:02:56 | 0:03:00 | |
and extract oil and gas. | 0:03:00 | 0:03:02 | |
For a short while, it was used extensively in streetlamps. | 0:03:02 | 0:03:05 | |
The process was costly and dirty, and never flourished. | 0:03:05 | 0:03:09 | |
But this brief experiment offered the first hint of very much bigger things to come. | 0:03:09 | 0:03:15 | |
Another glorious day. | 0:03:17 | 0:03:19 | |
I'm leaving the train at Wareham, and heading to a place | 0:03:19 | 0:03:22 | |
which has played a major role in supplying Britain's modern energy needs. | 0:03:22 | 0:03:27 | |
Environmental scientist Suzie Baverstock knows the story. | 0:03:27 | 0:03:31 | |
-Hello, Susie. -Hello. Welcome to Rich Farm. | 0:03:31 | 0:03:33 | |
Thank you. And what is Rich Farm? | 0:03:33 | 0:03:36 | |
Rich Farm is the largest onshore oilfield in Western Europe. | 0:03:36 | 0:03:40 | |
I mean, we're just very close to Wareham, here, | 0:03:40 | 0:03:43 | |
you'd hardly suspect that it existed. | 0:03:43 | 0:03:47 | |
I know, it's well hidden away in the landscape, here. | 0:03:47 | 0:03:50 | |
A lot of care was taken to do just that, actually. | 0:03:50 | 0:03:52 | |
From ground level you'd barely know it, | 0:03:52 | 0:03:55 | |
but tucked amongst the trees here | 0:03:55 | 0:03:58 | |
on the Isle of Purbeck is a vast gathering station. | 0:03:58 | 0:04:01 | |
17,000 barrels of oil are collected each day from underground deposits. | 0:04:01 | 0:04:06 | |
That is the extent of the larger of the thee main reservoirs | 0:04:06 | 0:04:12 | |
where we extract oil today. | 0:04:12 | 0:04:15 | |
-That is an oilfield? -Yes, yes. | 0:04:15 | 0:04:16 | |
Stretching all the way past Poole, beneath Bournemouth, way under the sea. | 0:04:16 | 0:04:21 | |
What kind of distance is that? | 0:04:21 | 0:04:23 | |
It's about 20 kilometres, or 12 miles, in distance, | 0:04:23 | 0:04:27 | |
and it's about a mile down. | 0:04:27 | 0:04:29 | |
The land which gave the Victorian miners oil shale, | 0:04:29 | 0:04:34 | |
90 years later, once again rewarded lucky prospectors. | 0:04:34 | 0:04:37 | |
They suspected that below the shale oil rock | 0:04:37 | 0:04:40 | |
there might be more lucrative oil, and they were right. | 0:04:40 | 0:04:44 | |
The first successful wells were drilled in the 1950s. | 0:04:44 | 0:04:48 | |
This is one of the first of the well sites here, at Rich Farm | 0:04:50 | 0:04:54 | |
and it's actually the well site that has the discovery well on it. | 0:04:54 | 0:04:58 | |
-Where they first found the oil? -Yeah, yeah. | 0:04:58 | 0:05:01 | |
Although, in a way, it wasn't first found in the 1950s, | 0:05:01 | 0:05:06 | |
it was first found by the Victorians, wasn't it? | 0:05:06 | 0:05:09 | |
Well, they certainly were exploiting the old shale, weren't they? | 0:05:09 | 0:05:12 | |
But they weren't actually able to get, you know, | 0:05:12 | 0:05:15 | |
this stuff out of the ground... | 0:05:15 | 0:05:17 | |
Ah, that's the crude. | 0:05:17 | 0:05:18 | |
..And the lower strata, this is the crude oil. | 0:05:18 | 0:05:21 | |
Still, I think we should be generous to the Victorians | 0:05:21 | 0:05:24 | |
and say they gave us the idea. | 0:05:24 | 0:05:25 | |
They could never have predicted, could they, | 0:05:25 | 0:05:28 | |
how much energy we would demand? | 0:05:28 | 0:05:30 | |
By the 1970s, the true extent of the oilfield was becoming apparent. | 0:05:33 | 0:05:38 | |
Private sidings were built, | 0:05:38 | 0:05:40 | |
and soon the railways were being used to export the oil. | 0:05:40 | 0:05:43 | |
How busy was this in its heyday? | 0:05:47 | 0:05:50 | |
Well, in the 70s and 80s, it was quite a small oilfield, | 0:05:50 | 0:05:53 | |
and this was the only way that you could get oil to the refinery. | 0:05:53 | 0:05:58 | |
So, this was absolutely crucial to the operation of the oilfield. | 0:05:58 | 0:06:02 | |
But when the big development took place, we built a pipeline. | 0:06:02 | 0:06:07 | |
So, the oil went out by pipeline. | 0:06:07 | 0:06:09 | |
Instead of using this for oil, | 0:06:09 | 0:06:11 | |
we use this to export liquid petroleum gases by train. | 0:06:11 | 0:06:15 | |
But over all that long period, | 0:06:15 | 0:06:16 | |
we must have had over 5,000 trains go out of these sidings. | 0:06:16 | 0:06:22 | |
Absolutely enormous. | 0:06:22 | 0:06:23 | |
So, the railway was fundamental to developing this field? | 0:06:23 | 0:06:26 | |
Absolutely, yeah. | 0:06:26 | 0:06:28 | |
Today the oilfield produces 6.1 million barrels a year. | 0:06:28 | 0:06:32 | |
Sophisticated drilling technology allows oil to be brought here | 0:06:32 | 0:06:36 | |
from deposits buried deep under the sea, 11 kilometres away. | 0:06:36 | 0:06:39 | |
With barely a scar on the landscape in this area of outstanding natural beauty. | 0:06:39 | 0:06:43 | |
So, what precautions were taken with environmental matters | 0:06:43 | 0:06:48 | |
when this was built? | 0:06:48 | 0:06:50 | |
Very much a self-contained site, | 0:06:50 | 0:06:54 | |
so, everything was built in a way that you couldn't see it above the tree line. | 0:06:54 | 0:06:58 | |
So, you can see it's down at a lower level. | 0:06:58 | 0:07:01 | |
It's also been painted a dark brown colour | 0:07:01 | 0:07:04 | |
so that it's hidden amongst the trees here. | 0:07:04 | 0:07:07 | |
-It's not that it's gone rusty, it's painted that colour? -It's painted a Van Dyke Brown. -Oh, OK. | 0:07:07 | 0:07:12 | |
It's amazing to think that such a huge oilfield is so harsh to glimpse, | 0:07:12 | 0:07:17 | |
especially as this is an area that gets 2.5 million visitors a year. | 0:07:17 | 0:07:23 | |
I'm now on my way to a historic spot | 0:07:23 | 0:07:25 | |
that's been pulling in the tourists since Bradshaw's day. | 0:07:25 | 0:07:29 | |
Hello, there. | 0:07:29 | 0:07:30 | |
-Good afternoon, sir. -Just one stop for me, please. -Thank you. | 0:07:30 | 0:07:33 | |
Thank you very much. | 0:07:33 | 0:07:35 | |
For the next part of my journey | 0:07:35 | 0:07:37 | |
there's no regular public rail service, | 0:07:37 | 0:07:39 | |
so I'm forced to travel on a heritage line | 0:07:39 | 0:07:42 | |
with a steam engine, and I'm not complaining. | 0:07:42 | 0:07:45 | |
This line was built in the 1880s, | 0:07:48 | 0:07:50 | |
to link Wareham with the busy resort of Swanage on the coast. | 0:07:50 | 0:07:55 | |
After it was closed in the 1970s, all the track was lifted, | 0:07:55 | 0:08:00 | |
but enthusiasts have painstakingly rebuild it. | 0:08:00 | 0:08:03 | |
The joys of an old-fashioned carriage. | 0:08:03 | 0:08:05 | |
I'm heading a mile down the line, | 0:08:07 | 0:08:09 | |
towards the 1,000-year-old ruins of Corfe Castle, | 0:08:09 | 0:08:13 | |
and my first glimpse doesn't disappoint. | 0:08:13 | 0:08:16 | |
Wow, that is fantastic. | 0:08:17 | 0:08:21 | |
Sitting on this hill here are the most romantic ruins of a castle. | 0:08:21 | 0:08:28 | |
And this must be the best place to see them from. | 0:08:28 | 0:08:31 | |
The railway line is absolutely the place to see them. | 0:08:31 | 0:08:34 | |
I've never seen that before. | 0:08:34 | 0:08:36 | |
Sitting on its mound, sitting on its hill, fantastic. | 0:08:36 | 0:08:41 | |
With the steam engine chugging away, Bradshaw will, as ever, be my guide. | 0:08:48 | 0:08:53 | |
"The surrounding country is full of castellated remains | 0:08:53 | 0:08:57 | |
"and interesting historical associations. | 0:08:57 | 0:08:59 | |
"In the neighbouring Isle of Purbeck | 0:08:59 | 0:09:02 | |
"are the ruins of Corfe Castle, definitely worth a closer look." | 0:09:02 | 0:09:06 | |
Corfe Castle sits on a mound far above the village | 0:09:11 | 0:09:15 | |
that takes its name. | 0:09:15 | 0:09:17 | |
Victorian readers who bought Bradshaw's guide were among the first to climb to the summit. | 0:09:17 | 0:09:23 | |
Well, as I get nearer the castle, it's just as impressive. | 0:09:23 | 0:09:26 | |
Now I get a sense of scale, the keep is absolutely massive, | 0:09:26 | 0:09:31 | |
the people visiting look like little dots. | 0:09:31 | 0:09:33 | |
And on a warm day, climbing up this hill, | 0:09:33 | 0:09:35 | |
I have every sympathy with anybody who tried to invade this castle. | 0:09:35 | 0:09:41 | |
I'm meeting historian Pam White, | 0:09:42 | 0:09:44 | |
to hear how the Victorians fell in love with this picturesque relic. | 0:09:44 | 0:09:50 | |
-Hello, Pam. -Hello, Michael. | 0:09:50 | 0:09:52 | |
What wonderful ruins these are. | 0:09:52 | 0:09:56 | |
-They're just spectacular, they really are. -How old is it? | 0:09:56 | 0:09:59 | |
A bit of Saxon work here, but most of it's from 1,100, | 0:09:59 | 0:10:01 | |
so it's about 900 years old. | 0:10:01 | 0:10:05 | |
-So, just after the Norman conquest? -Yeah. | 0:10:05 | 0:10:07 | |
And it's been a ruin a while? | 0:10:07 | 0:10:09 | |
It's been a ruin since 1666, so yeah, nearly 400 years. | 0:10:09 | 0:10:13 | |
So obviously, it was more or less in this condition in Victorian times? | 0:10:13 | 0:10:17 | |
It was, the Victorians really turned it into a tourist attraction. | 0:10:17 | 0:10:22 | |
Trains started here 1885. | 0:10:22 | 0:10:24 | |
The line from Waterloo to Weymouth went in, I think, in the 1850s and then the branch line. | 0:10:24 | 0:10:30 | |
You see, I just got off the railway station at Corfe Castle, | 0:10:30 | 0:10:33 | |
-so it had its own railway station? -Yes, yes. | 0:10:33 | 0:10:36 | |
Very important, that was why the tourism took off, roads didn't come till about the 1920s, | 0:10:36 | 0:10:42 | |
when cars started to get more popular. | 0:10:42 | 0:10:44 | |
Oh, so for a while the railway was really the way to get here? | 0:10:44 | 0:10:48 | |
The only way, apart from an occasional horse and carriage. | 0:10:48 | 0:10:51 | |
In the 19th century, historical novels | 0:10:52 | 0:10:55 | |
and popular paintings fuelled a romantic view of British history. | 0:10:55 | 0:11:00 | |
And visiting tumbledown ruins became a fashionable pursuit. | 0:11:00 | 0:11:04 | |
To fire the imagination of Victorian visitors, | 0:11:04 | 0:11:07 | |
my guide book brings to life the heroic story | 0:11:07 | 0:11:10 | |
from the castle's 17th-century past. | 0:11:10 | 0:11:13 | |
My Bradshaw's guide says during the English Civil War | 0:11:13 | 0:11:16 | |
the castle became famous, "because of the gallant defence | 0:11:16 | 0:11:20 | |
"made by the wife of Chief Justice Banks on behalf of the King. | 0:11:20 | 0:11:24 | |
"She was assisted by her daughters, maids and only five soldiers. | 0:11:24 | 0:11:28 | |
"After a siege of ten weeks, | 0:11:28 | 0:11:31 | |
"the Roundheads were obliged to give up the siege. " | 0:11:31 | 0:11:33 | |
-Quite an amazing bit of history, that. -She was a fantastic woman. | 0:11:33 | 0:11:37 | |
Lady Banks was home alone | 0:11:37 | 0:11:39 | |
when the castle was besieged by Oliver Cromwell's Roundheads. | 0:11:39 | 0:11:44 | |
She held firm, | 0:11:44 | 0:11:45 | |
and her courageous defence earned her the name Brave Dame Mary. | 0:11:45 | 0:11:49 | |
But, eventually, she was foiled when the Roundheads played a dastardly trick. | 0:11:49 | 0:11:54 | |
Just outside the castle, they simply turned their coats inside out, | 0:11:54 | 0:11:58 | |
because the Cavalier soldiers in the area had blue coats, | 0:11:58 | 0:12:02 | |
Roundheads had red coats with blue linings. | 0:12:02 | 0:12:05 | |
It's a really sneaky way to get into the castle. | 0:12:05 | 0:12:08 | |
-This is the origin of the expression turncoat, isn't it? -Yes, it is. | 0:12:08 | 0:12:12 | |
-And it sounds like she was sold out for 20 pieces of silver? -Yes. | 0:12:12 | 0:12:15 | |
I can see why the Victorians were entranced by the tale, | 0:12:15 | 0:12:20 | |
which marked the end of Corfe Castle's history as a fortification. | 0:12:20 | 0:12:24 | |
So, how was it the castle came to be destroyed? | 0:12:24 | 0:12:27 | |
Cromwell didn't want it, | 0:12:27 | 0:12:28 | |
to garrison it with soldiers would have cost a lot of money, | 0:12:28 | 0:12:32 | |
so they simply blew it up with gunpowder. | 0:12:32 | 0:12:35 | |
The destruction of Corfe Castle | 0:12:35 | 0:12:37 | |
underlined the defeat of King Charles. | 0:12:37 | 0:12:41 | |
But, for the villagers, it wasn't all bad news. | 0:12:41 | 0:12:44 | |
Apparently, | 0:12:44 | 0:12:46 | |
stone taken from the ruins can still be seen in local houses. | 0:12:46 | 0:12:50 | |
I'm on the hunt for that looted booty. | 0:12:50 | 0:12:54 | |
Lovely house, lovely flowers. | 0:12:55 | 0:12:58 | |
Well, I should have watered them a lot...a lot... I beg your... | 0:12:58 | 0:13:02 | |
That's all right, I don't mind getting wet. | 0:13:02 | 0:13:04 | |
-Do you have any bits of castle in your house? -No, I don't think I do. | 0:13:04 | 0:13:08 | |
Oh, I'm on the lookout for bits of stone in houses. | 0:13:08 | 0:13:11 | |
-Michael, Michael Bond may have, I would imagine, in there. -Next house? | 0:13:11 | 0:13:16 | |
-Next house. -I'll try there. | 0:13:16 | 0:13:18 | |
Forgive me for asking, are these... these here from the castle? | 0:13:18 | 0:13:21 | |
These mullions, here? | 0:13:21 | 0:13:23 | |
Probably not, actually, no. | 0:13:23 | 0:13:25 | |
We have got something I like to think came from the castle. | 0:13:25 | 0:13:28 | |
-Quite low, isn't it? -Yes, do duck. | 0:13:28 | 0:13:31 | |
So, what are we looking for? | 0:13:31 | 0:13:33 | |
We're looking at that piece of panelling. | 0:13:33 | 0:13:36 | |
This is spectacular. And it's from the castle? | 0:13:36 | 0:13:38 | |
Well, I like to think... | 0:13:38 | 0:13:40 | |
I like to pretend so, let's put it that way. | 0:13:40 | 0:13:42 | |
The people who know about joinery | 0:13:42 | 0:13:44 | |
tell me it's from the late 16th or early 17th century. | 0:13:44 | 0:13:46 | |
It wasn't made for where it is now | 0:13:46 | 0:13:48 | |
because it doesn't fit at either end. | 0:13:48 | 0:13:50 | |
Obviously, when it was sacked it was a great quarry, | 0:13:50 | 0:13:52 | |
and everybody helped themselves to whatever they wanted. | 0:13:52 | 0:13:55 | |
One of my ancestors was a crony of Cromwell's, | 0:13:55 | 0:14:00 | |
and he took some of the beams from the Great Hall, | 0:14:00 | 0:14:03 | |
and took them away to be part of a barn on a farm that he had, | 0:14:03 | 0:14:06 | |
about three miles west of here. | 0:14:06 | 0:14:08 | |
What was he, a colonel of Cromwell's, a general? | 0:14:08 | 0:14:11 | |
No, no, he was a politician. | 0:14:11 | 0:14:14 | |
Oh, the worst sort! | 0:14:14 | 0:14:16 | |
The destruction of Corfe Castle during the English Civil War | 0:14:18 | 0:14:21 | |
seems like a tragedy, but the distribution of the stones | 0:14:21 | 0:14:25 | |
has left us with a poignant ruin and a charming village. | 0:14:25 | 0:14:29 | |
I've retraced my steps to Wareham, | 0:14:35 | 0:14:39 | |
to continue my journey towards the coast. | 0:14:39 | 0:14:41 | |
'Train is for Weymouth.' | 0:14:41 | 0:14:43 | |
I'm travelling 25 miles down the track, | 0:14:45 | 0:14:48 | |
towards the final stop on the South West Main Line from London. | 0:14:48 | 0:14:52 | |
Weymouth was one of Britain's first seaside resorts, | 0:14:55 | 0:14:58 | |
and it gets a glowing review in my 19th-century guide. | 0:14:58 | 0:15:02 | |
Weymouth, and Bradshaw's says, | 0:15:07 | 0:15:09 | |
"No place can be more salubrious than Weymouth. | 0:15:09 | 0:15:12 | |
"The town is not only frequented during the summer, | 0:15:12 | 0:15:16 | |
"but has been selected by many opulent families | 0:15:16 | 0:15:19 | |
"as a permanent residence. | 0:15:19 | 0:15:21 | |
"The beauty of its scenery and the healthfulness of its climate | 0:15:21 | 0:15:24 | |
"have contributed to raise it | 0:15:24 | 0:15:26 | |
"from the low state into which it had fallen, | 0:15:26 | 0:15:29 | |
"to one of the most flourishing towns in the kingdom. | 0:15:29 | 0:15:34 | |
"Weymouth reborn." | 0:15:34 | 0:15:36 | |
Weymouth first became popular in Georgian times, | 0:15:38 | 0:15:41 | |
and initially was accessible only for the well-to-do. | 0:15:41 | 0:15:45 | |
But after the railway arrived in 1857, | 0:15:45 | 0:15:48 | |
the town was transformed into a destination for mass tourism. | 0:15:48 | 0:15:52 | |
By the 20th century, thousands of visitors were coming here | 0:15:52 | 0:15:56 | |
for their annual hit of sun, sea and sand. | 0:15:56 | 0:16:00 | |
It's the perfect place for me to break my journey. | 0:16:01 | 0:16:04 | |
My Bradshaw's guide mentions the beautiful view | 0:16:04 | 0:16:08 | |
from the buildings along the seafront here at Weymouth, | 0:16:08 | 0:16:11 | |
and luckily, there's a hotel perfectly situated. | 0:16:11 | 0:16:14 | |
-Good evening. -Good evening. Welcome to our hotel. | 0:16:21 | 0:16:24 | |
Michael Portillo, checking in, please. | 0:16:24 | 0:16:26 | |
The Royal Hotel is one of the few Victorian buildings | 0:16:26 | 0:16:29 | |
on Weymouth's Georgian esplanade. | 0:16:29 | 0:16:32 | |
Built in the year of Queen Victoria's Diamond Jubilee, | 0:16:32 | 0:16:35 | |
it's an ideal spot to see the town through 19th-century eyes. | 0:16:35 | 0:16:39 | |
My Bradshaw's says, "From the windows of these buildings | 0:16:39 | 0:16:43 | |
"a most extensive and delightful view is obtained. | 0:16:43 | 0:16:46 | |
"Comprehending on the left a noble range of hills and cliffs, | 0:16:46 | 0:16:51 | |
"and of the sea in front, | 0:16:51 | 0:16:53 | |
"with numerous vessels, yachts, and pleasure boats." | 0:16:53 | 0:16:58 | |
When the sun finally sets on this vista, | 0:16:58 | 0:17:01 | |
I shall go to sleep in this Royal Hotel. | 0:17:01 | 0:17:04 | |
Waking to Weymouth, I can see why my Bradshaw's guide is so enthusiastic about its beauty. | 0:17:18 | 0:17:25 | |
But 80 years after my guide book was published, | 0:17:25 | 0:17:28 | |
this picturesque seaside resort was transformed beyond recognition. | 0:17:28 | 0:17:32 | |
In World War II, with German-occupied France so close across the Channel, | 0:17:32 | 0:17:37 | |
the whole of the south coast was declared a war zone. | 0:17:37 | 0:17:40 | |
Nearby Portland was an important naval base, | 0:17:40 | 0:17:43 | |
and Weymouth's railways were targeted in air raids. | 0:17:43 | 0:17:47 | |
Beach huts and donkey rides were replaced with barbed wire | 0:17:47 | 0:17:50 | |
and anti-aircraft guns. | 0:17:50 | 0:17:53 | |
For the residents, it was a dramatic change. | 0:17:53 | 0:17:56 | |
I'm meeting Ken Warren, who grew up in wartime Weymouth. | 0:17:56 | 0:18:00 | |
Hello, Ken. How very good to see you. | 0:18:00 | 0:18:03 | |
-Good to see you. -Do you remember Weymouth before the wartime? | 0:18:03 | 0:18:08 | |
No, my memory doesn't go back that far. | 0:18:08 | 0:18:10 | |
I can't remember much about it at all. | 0:18:10 | 0:18:12 | |
So, your first memory of this charming resort | 0:18:12 | 0:18:16 | |
is of barbed wire, of warfare? | 0:18:16 | 0:18:18 | |
Yes, and soldiers and guns, and bombs, and aeroplanes, | 0:18:18 | 0:18:22 | |
and shooting, and sirens... | 0:18:22 | 0:18:25 | |
It doesn't sound like the normal description of Weymouth. | 0:18:25 | 0:18:27 | |
Astonishingly, Ken remembers playing with this sort of gun as a boy. | 0:18:27 | 0:18:33 | |
I used to go to the troops and take home comics, and I used to run errands for them, | 0:18:33 | 0:18:39 | |
and they would let us have a go at the gun. | 0:18:39 | 0:18:41 | |
Me and my mate, we would turn one handle and the barrel would go up and down, | 0:18:41 | 0:18:45 | |
turn the other handle and it travels right round. | 0:18:45 | 0:18:48 | |
-How old were you? -I was about 10 years old when that happened. | 0:18:48 | 0:18:51 | |
By 1944, the Allies were planning to storm the beaches of northern France. | 0:18:51 | 0:18:58 | |
Troops massed along the south coast, | 0:18:58 | 0:19:00 | |
including over a million from the United States. | 0:19:00 | 0:19:03 | |
These exotic new arrivals made a lasting impression on the locals. | 0:19:03 | 0:19:08 | |
What's your first memory of American troops in Weymouth? | 0:19:08 | 0:19:11 | |
Smart-looking fellas in these nice uniforms, | 0:19:11 | 0:19:14 | |
and they were all smiling and happy, whereas the British troops, we'd had enough of the war. | 0:19:14 | 0:19:19 | |
Didn't want it. They came and it was so nice. | 0:19:19 | 0:19:23 | |
They had all these things that we never had, | 0:19:23 | 0:19:25 | |
and they would always shake our hands and say, "Hiya, boy." "Hiya, Mac," they used to call us. | 0:19:25 | 0:19:30 | |
What sort of things did they have? | 0:19:30 | 0:19:33 | |
Mostly it was biscuits, | 0:19:33 | 0:19:35 | |
and dried milk, and dried egg we used to take home to Mother. | 0:19:35 | 0:19:38 | |
She loved it when I used to bring that home. | 0:19:38 | 0:19:41 | |
What Ken didn't know was that the friendly GIs | 0:19:42 | 0:19:45 | |
were being secretly prepared for one of the most ambitious operations | 0:19:45 | 0:19:49 | |
of the Second World War, the D-Day landings. | 0:19:49 | 0:19:51 | |
It was kept pretty quiet, as a matter of fact. | 0:19:51 | 0:19:54 | |
We didn't know, we just thought it was an exercise. | 0:19:54 | 0:19:57 | |
We didn't know they were going, no, it was all hushed up. | 0:19:57 | 0:20:01 | |
What did you actually see? | 0:20:01 | 0:20:03 | |
Well, all these tanks rolling in the streets, | 0:20:03 | 0:20:06 | |
and all the troops marching along, and getting ready. | 0:20:06 | 0:20:09 | |
On June 6, 1944, 6,000 ships and 2,500 planes | 0:20:11 | 0:20:15 | |
delivered 160,000 Allied troops to Normandy. | 0:20:15 | 0:20:20 | |
It was to prove a turning point in the course of the war, | 0:20:20 | 0:20:24 | |
but thousands lost their lives. | 0:20:24 | 0:20:28 | |
The day they left, they left from Portland Harbour, | 0:20:28 | 0:20:31 | |
I went down and I waved them bye-bye, cos I knew them as friends. | 0:20:31 | 0:20:34 | |
I knew one of them personally, his name was Joe Royle, | 0:20:34 | 0:20:37 | |
and I often wondered what happened to him. | 0:20:37 | 0:20:39 | |
I used to do his shopping for him and my mother did his ironing, | 0:20:39 | 0:20:43 | |
and we used to have him up for tea. He was a great friend. | 0:20:43 | 0:20:46 | |
Growing up in such a dangerous environment, | 0:20:48 | 0:20:51 | |
the railway held no fear for Ken and his friends. | 0:20:51 | 0:20:55 | |
They often played nearby, | 0:20:55 | 0:20:57 | |
putting pennies on the line to be squashed by the train, | 0:20:57 | 0:21:01 | |
until Ken took things too far. | 0:21:01 | 0:21:03 | |
One day, the workmen's hut was open, | 0:21:03 | 0:21:06 | |
I had a look round and I saw some detonators. | 0:21:06 | 0:21:10 | |
Instead of pennies, I placed them on the line, along came the train | 0:21:10 | 0:21:13 | |
and run over these detonators, bang, bang, bang, puff of smoke. | 0:21:13 | 0:21:17 | |
Steel grinding, sparks everywhere. | 0:21:17 | 0:21:20 | |
And I thought, "What have I done? I've done something wrong here, there's going to be an accident. | 0:21:20 | 0:21:24 | |
"I'm going to get an awful trouble!" | 0:21:24 | 0:21:26 | |
So, I went home and I stayed indoors for three days, | 0:21:26 | 0:21:29 | |
I daren't come out, in case they associated me with this train pulling up. | 0:21:29 | 0:21:33 | |
Luckily, no disaster, it just made the train stop? | 0:21:33 | 0:21:36 | |
-Yes, it just made the train stop. -Wow. | 0:21:36 | 0:21:38 | |
That railway line that Ken feared he'd destroyed opened in 1865. | 0:21:41 | 0:21:46 | |
It linked Weymouth to the Isle of Portland, | 0:21:46 | 0:21:48 | |
my last stop on this long journey. | 0:21:48 | 0:21:51 | |
Over there is Portland. | 0:21:51 | 0:21:53 | |
Bradshaw says, "About four miles south from Weymouth | 0:21:53 | 0:21:57 | |
"is the island of Portland, | 0:21:57 | 0:21:59 | |
"which, though thus called, is in reality a peninsular. | 0:21:59 | 0:22:02 | |
"Connected with the mainland by an extremely narrow isthmus | 0:22:02 | 0:22:05 | |
"called Chesil Bank." | 0:22:05 | 0:22:07 | |
And this was once a railway track, but discontinued in the 1960s, | 0:22:07 | 0:22:13 | |
so, now, you have to hoof it. | 0:22:13 | 0:22:15 | |
Portland is at one end of the stunning 18-mile long Chesil Beach, | 0:22:18 | 0:22:22 | |
or Bank as Bradshaw calls it, | 0:22:22 | 0:22:24 | |
which stretches up the Dorset coast, west of Weymouth. | 0:22:24 | 0:22:28 | |
It's a remarkable natural phenomenon, but a dangerous one too. | 0:22:28 | 0:22:32 | |
This coastline is famous for shipwrecks, | 0:22:32 | 0:22:34 | |
and since the 18th century a lighthouse has stood on Portland Bill | 0:22:34 | 0:22:39 | |
to warn approaching sailors of the danger beneath its beauty. | 0:22:39 | 0:22:44 | |
Bradshaw comments, "This picturesque coast is unrivalled. | 0:22:44 | 0:22:49 | |
"The sea view is agreeably diversified | 0:22:49 | 0:22:52 | |
"with grand and striking objects to break the monotony | 0:22:52 | 0:22:57 | |
"that usually pervades a marine prospect." | 0:22:57 | 0:22:59 | |
I love those Bradshaw-isms! | 0:22:59 | 0:23:01 | |
There's certainly nothing monotonous about the view from Portland. | 0:23:01 | 0:23:06 | |
Portland is part of the Jurassic Coast World Heritage Site, | 0:23:08 | 0:23:12 | |
a 95-mile stretch of Dorset coastline | 0:23:12 | 0:23:15 | |
which charts how the Earth has changed | 0:23:15 | 0:23:18 | |
over 185 million years. | 0:23:18 | 0:23:21 | |
It's not only geologists who are passionate about these rocks. | 0:23:21 | 0:23:25 | |
In the 19th century, the coming of the railway | 0:23:25 | 0:23:28 | |
helped export unprecedented quantities of stone from the island's quarries. | 0:23:28 | 0:23:33 | |
As I've toured Britain's cities, | 0:23:33 | 0:23:35 | |
Bradshaw's has told me that many of our finest buildings are made of Portland stone. | 0:23:35 | 0:23:40 | |
And so I had to visit the cradle of England's most handsome rock. | 0:23:40 | 0:23:45 | |
Portland stone is a type of limestone, | 0:23:45 | 0:23:48 | |
formed around 150 million years ago on what was once the seabed. | 0:23:48 | 0:23:54 | |
It's always been highly prized as a building stone, | 0:23:54 | 0:23:56 | |
and in Victorian times was much in demand for prestigious projects, | 0:23:56 | 0:24:00 | |
from Nelson's Column to the refurbishment of Buckingham Palace. | 0:24:00 | 0:24:05 | |
For generations, it's provided jobs for quarrymen like Ralph Stone. | 0:24:05 | 0:24:09 | |
-Hello, Michael. -It's an impressive place, isn't it? | 0:24:09 | 0:24:11 | |
-Certainly is. Welcome to Portland. -When did you start as a quarryman? | 0:24:11 | 0:24:16 | |
-1959. -That's a good long stretch, isn't it? | 0:24:16 | 0:24:19 | |
50 years digging holes. | 0:24:19 | 0:24:22 | |
In the 19th century, | 0:24:23 | 0:24:24 | |
as Britain's cities developed at brake neck speed, | 0:24:24 | 0:24:27 | |
the quarries were booming. | 0:24:27 | 0:24:29 | |
My guidebook tells me 50,000 tonnes of stone were exported yearly from Portland. | 0:24:29 | 0:24:36 | |
I suppose the railways played an important part in Portland stone's development? | 0:24:36 | 0:24:40 | |
Oh, very much so. | 0:24:40 | 0:24:41 | |
The merchant railway, first of all, was first developed to take the stone down to the cast iron pier, | 0:24:41 | 0:24:47 | |
where they used to load it on the steamers, | 0:24:47 | 0:24:50 | |
or the Thames barges, and take them to London. | 0:24:50 | 0:24:53 | |
-That first railway, what was that, not a steam railway? -No, that was horse-drawn. | 0:24:53 | 0:24:57 | |
But the main railway, when that came here, that was a revelation. | 0:24:57 | 0:25:02 | |
They used to pull right into the factory, | 0:25:02 | 0:25:05 | |
so they could load them straight in the railway trucks and go wherever. | 0:25:05 | 0:25:09 | |
Removing this valuable stone without damaging it | 0:25:10 | 0:25:13 | |
has always required immense skill. | 0:25:13 | 0:25:17 | |
In the 19th and 20th century, workers relied on chisels, hammers and a few explosives. | 0:25:17 | 0:25:22 | |
It was backbreaking work. | 0:25:22 | 0:25:24 | |
In Victorian times what would the scene have been, and how would they have done it? | 0:25:25 | 0:25:30 | |
Victorian times, a lot of men, a lot of men. | 0:25:30 | 0:25:32 | |
All manpower, all manpower, | 0:25:32 | 0:25:34 | |
and the quarry used to be worked according to the natural joints in the ground | 0:25:34 | 0:25:38 | |
because, you know, it's like a giant, three-dimensional jigsaw, Portland stone is. | 0:25:38 | 0:25:42 | |
The quarrymen, through a lot of experience, took the jigsaw apart. | 0:25:42 | 0:25:46 | |
Ralph's Victorian predecessors received help from an unlikely quarter, | 0:25:46 | 0:25:53 | |
when in the mid-19th century, a prison was built on Portland. | 0:25:53 | 0:25:56 | |
What was the history of the convicts in the quarry? | 0:25:56 | 0:25:59 | |
Apparently, they were sent here for hard labour | 0:25:59 | 0:26:03 | |
before they were deported to the colonies. | 0:26:03 | 0:26:06 | |
So, it was a double whammy for them. | 0:26:06 | 0:26:08 | |
You can imagine inexperienced people being put in an environment like this with explosives. | 0:26:08 | 0:26:15 | |
There was a lot of fatalities for the convicts in the quarries. | 0:26:15 | 0:26:19 | |
I think it was one of the reasons why hard labour was stopped. | 0:26:19 | 0:26:22 | |
-Yeah, a grim history, isn't it? -A grim history. | 0:26:22 | 0:26:25 | |
Even into the 20th century, the combination of explosives | 0:26:25 | 0:26:29 | |
and heavy machinery made quarrying a dangerous occupation. | 0:26:29 | 0:26:32 | |
When I started work, went in the hut with the men, | 0:26:32 | 0:26:36 | |
took there by the manager, "That's your seat." | 0:26:36 | 0:26:39 | |
Sat down in the seat. | 0:26:39 | 0:26:40 | |
I didn't know until, like, months afterwards, | 0:26:40 | 0:26:44 | |
underneath my seat was a tin box, right, with black powder and fusing. | 0:26:44 | 0:26:48 | |
Right by the side of me, between my knees, | 0:26:48 | 0:26:50 | |
there was a great, big stove, all lit. | 0:26:50 | 0:26:53 | |
I mean, it's enough to blow everybody to kingdom come! | 0:26:53 | 0:26:56 | |
-And you're talking about the 1950s? -1950s. | 0:26:56 | 0:26:58 | |
Can you imagine what it was like in the 1850s? | 0:26:58 | 0:27:01 | |
Well, they you are, you see, yeah. | 0:27:01 | 0:27:02 | |
Recently, mines have been dug to reach deeper deposits, | 0:27:02 | 0:27:06 | |
and such techniques may supersede opencast quarries. | 0:27:06 | 0:27:11 | |
While much has changed since Bradshaw's day, as I say goodbye to Portland, | 0:27:11 | 0:27:15 | |
what strikes me is how much remains the same. | 0:27:15 | 0:27:18 | |
My route from Windsor has taken me along tracks familiar to Queen Victoria, | 0:27:18 | 0:27:23 | |
and helped me to understand how the railways transformed her life and those of her subjects, | 0:27:23 | 0:27:29 | |
and the landscapes and industries of her realm. | 0:27:29 | 0:27:33 | |
My Bradshaw's has given me insights and experiences | 0:27:33 | 0:27:37 | |
that I could not have derived from any modern guidebook. | 0:27:37 | 0:27:40 | |
It's led me, now, to the Royal Manor of Portland, | 0:27:40 | 0:27:44 | |
and one of the most beautiful views in England. | 0:27:44 | 0:27:47 | |
My next journey takes me west from the rolling Cotswolds, | 0:27:50 | 0:27:54 | |
passing through the Malvern Hills, | 0:27:54 | 0:27:57 | |
on to the railways that changed the fortunes of industrial South Wales. | 0:27:57 | 0:28:01 | |
En route, I'll be sampling a Victorian navvie's favourite brew. | 0:28:01 | 0:28:05 | |
Cheers! You can build a railway once you drink that! | 0:28:05 | 0:28:08 | |
Learning how Worcestershire farming has been transformed since Bradshaw's time. | 0:28:08 | 0:28:13 | |
This is the most unexpected sight, suddenly a riot of colour. | 0:28:13 | 0:28:17 | |
And seeing the modern face of the 19th-century steel industry. | 0:28:17 | 0:28:21 | |
Now, I can feel the heat of the furnace, | 0:28:21 | 0:28:23 | |
I can see a stream of molten iron, I can see sparks firing, and smoke, | 0:28:23 | 0:28:27 | |
and this fantastic train that's emerging. | 0:28:27 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:34 | 0:28:36 | |
E-mail [email protected] | 0:28:36 | 0:28:38 |