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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:09 | |
His name was George Bradshaw | 0:00:09 | 0:00:11 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:11 | 0:00:17 | |
Stop by stop, he told them where to travel, what to see, | 0:00:18 | 0:00:21 | |
and where to stay. | 0:00:21 | 0:00:22 | |
Now, 170 years later, I'm making a series of journeys | 0:00:25 | 0:00:28 | |
across the length and breadth of the country | 0:00:28 | 0:00:31 | |
to see what of Bradshaw's Britain remains. | 0:00:31 | 0:00:34 | |
My Bradshaw's guide has brought me through rural Norfolk | 0:00:55 | 0:00:58 | |
and Suffolk to what it describes as "the gentle hills and Dales of Essex." | 0:00:58 | 0:01:03 | |
Using my guide, I'll discover how the tentacles of the railways, | 0:01:04 | 0:01:09 | |
reaching out from London, changed the lives of those they touched. | 0:01:09 | 0:01:13 | |
On my journey today, I'll be finding out how dairy herds travelled | 0:01:16 | 0:01:21 | |
the length and breadth of Britain, first class. | 0:01:21 | 0:01:24 | |
The cow also decided to urinate on me, | 0:01:24 | 0:01:26 | |
but that's all right. | 0:01:26 | 0:01:27 | |
Discovering how gunpowder fuelled Britain's empire building. | 0:01:27 | 0:01:32 | |
That is the sound of blackpowder in the 19th century. | 0:01:32 | 0:01:35 | |
-Brilliant noise. -From the Crimea to Zululand to the Indian Mutiny. | 0:01:35 | 0:01:38 | |
And hearing of a heinous crime | 0:01:38 | 0:01:40 | |
that shook the Victorians' faith in railways. | 0:01:40 | 0:01:44 | |
What they discovered on Hackney Station | 0:01:45 | 0:01:48 | |
was an empty first-class carriage absolutely besmeared with blood. | 0:01:48 | 0:01:52 | |
This journey commenced on the east coast of Norfolk, | 0:01:54 | 0:01:57 | |
and the great Eastern Railway, has brought me through country | 0:01:57 | 0:02:01 | |
that before Bradshaw's day | 0:02:01 | 0:02:03 | |
had been remote and inaccessible. | 0:02:03 | 0:02:05 | |
The coming of the railways changed all that, | 0:02:05 | 0:02:08 | |
and opened the region to industry, tourism and business. | 0:02:08 | 0:02:12 | |
I'm beginning today's leg in the heart of rural Essex, | 0:02:12 | 0:02:16 | |
and then travelling through the teeming London boroughs | 0:02:16 | 0:02:20 | |
of Stratford and Hackney. | 0:02:20 | 0:02:22 | |
Now I'm headed for Harold Wood, | 0:02:24 | 0:02:26 | |
a place that I think of as suburban London, | 0:02:26 | 0:02:29 | |
but to my surprise, | 0:02:29 | 0:02:30 | |
it hosts an agricultural community of rolling acres. | 0:02:30 | 0:02:33 | |
In the 19th century, Essex was considered perfect arable land | 0:02:36 | 0:02:41 | |
because, as my Bradshaw's describes it, | 0:02:41 | 0:02:43 | |
the county was "the largest connected space of level | 0:02:43 | 0:02:46 | |
"ground in the whole island, with not one lofty eminence or rocky ridge." | 0:02:46 | 0:02:52 | |
But, as the rail network spread through Britain, | 0:02:52 | 0:02:55 | |
the type of agriculture changed, and Essex was no exception. | 0:02:55 | 0:03:00 | |
I've come to a farm just a stone's throw from the M25 | 0:03:00 | 0:03:03 | |
and the outskirts of London. | 0:03:03 | 0:03:06 | |
I want to discover more about the impact of the railways | 0:03:06 | 0:03:10 | |
on the rural economy. | 0:03:10 | 0:03:12 | |
Dairy farmer Duncan Padfield has kindly agreed to be my guide. | 0:03:12 | 0:03:16 | |
-Morning, Duncan. -Good morning, Michael. | 0:03:16 | 0:03:19 | |
-Welcome to our farm at Little Tawney Hall. -Lovely to see you. | 0:03:19 | 0:03:22 | |
Now, my Bradshaw's Guide gives an idea of, kind of, rural idyll, | 0:03:22 | 0:03:25 | |
here in Essex, but just after this book was written in the 1860s, | 0:03:25 | 0:03:28 | |
there was actually a lot of change in agriculture here, wasn't there? | 0:03:28 | 0:03:32 | |
There was, yes. That was the time when there was a lot | 0:03:32 | 0:03:35 | |
of arable farming going on in Essex around this area, | 0:03:35 | 0:03:38 | |
and the farmers went broke, | 0:03:38 | 0:03:39 | |
so the landlords were advertising for farmers | 0:03:39 | 0:03:42 | |
to come and take the farms from areas | 0:03:42 | 0:03:44 | |
like the West Country and Scotland, | 0:03:44 | 0:03:46 | |
and, in particular, to bring their dairy cows into the area | 0:03:46 | 0:03:48 | |
because we had the London market | 0:03:48 | 0:03:50 | |
and this was where all the people were. | 0:03:50 | 0:03:51 | |
And that was what happened to your family? | 0:03:51 | 0:03:53 | |
Your family came in from outside? | 0:03:53 | 0:03:55 | |
It was. Our family were from Somerset, | 0:03:55 | 0:03:58 | |
and they came up in about the 1880s. | 0:03:58 | 0:04:00 | |
My grandfather actually came to this farm in about 1915. | 0:04:00 | 0:04:04 | |
Now, your wife also comes from a family of incomers, doesn't she? | 0:04:04 | 0:04:08 | |
Yes, they came from Scotland, from Ayrshire, | 0:04:08 | 0:04:10 | |
and there were more of those, | 0:04:10 | 0:04:12 | |
that came from Scotland than there were of us, | 0:04:12 | 0:04:14 | |
families that came from the West Country. | 0:04:14 | 0:04:17 | |
So, do you still find, in this area, | 0:04:17 | 0:04:18 | |
a lot of people with Scottish names, West Country names? | 0:04:18 | 0:04:21 | |
Yes, if you look in the phone book, | 0:04:21 | 0:04:23 | |
there's a whole list of McCaigs, McGowans, and McTurks. | 0:04:23 | 0:04:25 | |
There's pages and pages. | 0:04:25 | 0:04:27 | |
From 1870 onwards, Essex suffered an agricultural depression. | 0:04:28 | 0:04:32 | |
Poor harvests, bad weather, | 0:04:32 | 0:04:35 | |
and cheap grain imports forced farms out of business. | 0:04:35 | 0:04:38 | |
Farmers from outside who seized the opportunity to repopulate | 0:04:38 | 0:04:42 | |
these bankrupt farms had to relocate lock, barrel, | 0:04:42 | 0:04:46 | |
and stock, having to transport their dairy herds huge distances. | 0:04:46 | 0:04:51 | |
So they came down and actually rented trains, | 0:04:51 | 0:04:54 | |
and would bring down their cows from Scotland, their horses, | 0:04:54 | 0:04:56 | |
and the family, all their belongings, | 0:04:56 | 0:04:58 | |
and everything. They would move house and come down to Essex. | 0:04:58 | 0:05:02 | |
This is an extraordinary thought for me, | 0:05:02 | 0:05:04 | |
that they would put all these cows onto the train. | 0:05:04 | 0:05:07 | |
To me, it's a whole new use for the railways. | 0:05:07 | 0:05:09 | |
Enabling entire herds to move wasn't the only benefit | 0:05:09 | 0:05:13 | |
that the railways offered to these pioneering farmers. | 0:05:13 | 0:05:16 | |
They joined them to the edge of the world's largest city. | 0:05:16 | 0:05:20 | |
During the 19th century, London had grown enormously, | 0:05:20 | 0:05:24 | |
from just one million inhabitants in 1800 | 0:05:24 | 0:05:28 | |
to an astounding 6.7 million a century later. | 0:05:28 | 0:05:32 | |
This milk-thirsty population could be supplied | 0:05:32 | 0:05:34 | |
by railway with fresh product, | 0:05:34 | 0:05:36 | |
offering a great business opportunity for ambitious farmers. | 0:05:36 | 0:05:40 | |
Indeed, the first Sainsbury's opened in Covent Garden, London, | 0:05:40 | 0:05:44 | |
in 1869, selling fresh railway milk from churns on a marble counter. | 0:05:44 | 0:05:51 | |
London market was down the road, there, | 0:05:52 | 0:05:54 | |
and with the railways there, they could put the milk onto | 0:05:54 | 0:05:58 | |
the train from Ongar, and this line here, | 0:05:58 | 0:06:00 | |
and it was into London, | 0:06:00 | 0:06:01 | |
and the milk was fresh, and there was a better price, also. | 0:06:01 | 0:06:05 | |
Cattle played an important part in Victorian life, | 0:06:05 | 0:06:08 | |
and products such as milk, cheese and butter could be highly profitable. | 0:06:08 | 0:06:12 | |
Duncan and his family currently milk a dairy herd of 150, | 0:06:13 | 0:06:19 | |
with somewhat higher productivity than his Victorian forefathers. | 0:06:19 | 0:06:22 | |
Well, I can see it's all highly mechanised, | 0:06:22 | 0:06:25 | |
wires and pipes everywhere. | 0:06:25 | 0:06:26 | |
Must be a big contrast to the Victorian scene. | 0:06:26 | 0:06:29 | |
Oh, it was. My dad used to milk 14 cows a day, | 0:06:29 | 0:06:32 | |
and he used to come in from ploughing in the fields exhausted, | 0:06:32 | 0:06:35 | |
and it was a time of rest for him to sit down under a cow | 0:06:35 | 0:06:38 | |
and milk them by hand. | 0:06:38 | 0:06:40 | |
And I think each man used to milk 14 cows a day, twice a day. | 0:06:40 | 0:06:44 | |
And my man in here, he milks 140 on his own, | 0:06:44 | 0:06:47 | |
and that's how things have progressed. | 0:06:47 | 0:06:49 | |
Cows are no longer milked by hand, | 0:06:49 | 0:06:52 | |
but Duncan's offered to let me entice out their product the modern way. | 0:06:52 | 0:06:56 | |
-Why do I feel so squeamish about this? -This is an automatic cluster. | 0:06:56 | 0:07:00 | |
There is a button on the bottom, which you will have to press, | 0:07:00 | 0:07:04 | |
which lets the vacuum get into the cluster unit, here. | 0:07:04 | 0:07:09 | |
You guide it to the bottom of the teat and it should pop on. | 0:07:09 | 0:07:12 | |
In Bradshaw's time, a cow would produce 11 litres a day, | 0:07:14 | 0:07:17 | |
but now, with good breeding and husbandry, | 0:07:17 | 0:07:20 | |
that's improved to an extraordinary 30 litres. | 0:07:20 | 0:07:23 | |
-And the milk is flowing. -The milk is flowing. | 0:07:23 | 0:07:26 | |
She's got her food, she's happy standing here, | 0:07:26 | 0:07:28 | |
and she's releasing the milk, and it's all coming into the jars. | 0:07:28 | 0:07:31 | |
And there we are, fresh milk for the supermarkets of London. | 0:07:31 | 0:07:34 | |
Absolutely, Michael. | 0:07:34 | 0:07:35 | |
I'm not sure whether I have cold hands, | 0:07:35 | 0:07:39 | |
but this lady passes her bovine judgement on my skills. | 0:07:39 | 0:07:41 | |
One of the hazards of the job. | 0:07:41 | 0:07:44 | |
It's not usually this... | 0:07:45 | 0:07:47 | |
The cow also decided to urinate on me. But that's all right. | 0:07:47 | 0:07:50 | |
As dairy herds spread across Britain, | 0:07:54 | 0:07:56 | |
railway lines and stations were built in the most rural locations | 0:07:56 | 0:08:01 | |
to serve the agricultural trade. | 0:08:01 | 0:08:03 | |
And my next stop, Blake Hall Station, | 0:08:05 | 0:08:07 | |
was used by local families, right up until the 1960s, | 0:08:07 | 0:08:10 | |
to transport milk to London on what was known as The Milk Line. | 0:08:10 | 0:08:15 | |
I'm meeting Simon Hanney, | 0:08:17 | 0:08:19 | |
manager of Epping and Ongar Railway, | 0:08:19 | 0:08:21 | |
at the now disused station. | 0:08:21 | 0:08:24 | |
-Simon, hello. What a fantastic station! -Good morning. | 0:08:24 | 0:08:27 | |
-Isn't it beautifully preserved? -Very much so, yes. | 0:08:27 | 0:08:30 | |
So, this station was originally part of the Great Eastern line? | 0:08:30 | 0:08:33 | |
Yes, it was. It was built as part of the Great Eastern Railway branch | 0:08:33 | 0:08:37 | |
to Ongar, which was opened in 1865. | 0:08:37 | 0:08:40 | |
So that's about the time of my Bradshaw's guidebook. | 0:08:40 | 0:08:42 | |
And immediately after that was when there was the big boom | 0:08:42 | 0:08:45 | |
in which the amount of milk travelling by train really took off. | 0:08:45 | 0:08:47 | |
Well, yes. The milk traffic doubled between 1894 and 1899. | 0:08:47 | 0:08:52 | |
And that led to the Great Eastern Railway company building | 0:08:52 | 0:08:54 | |
a special milk dock at Ongar to handle the trains. | 0:08:54 | 0:08:57 | |
But how far are we from London, actually? | 0:08:57 | 0:08:59 | |
We're 21 miles, at Blake Hall, here, from Liverpool Street, | 0:08:59 | 0:09:02 | |
which is where the trains used to operate into. | 0:09:02 | 0:09:04 | |
By 1949, steam locomotives ferried agricultural products, | 0:09:05 | 0:09:10 | |
and also commuters, from the last stop at Ongar | 0:09:10 | 0:09:13 | |
to Central London via Blake Hall as, amazingly, | 0:09:13 | 0:09:16 | |
this tiny rural stop became part of the London Underground network. | 0:09:16 | 0:09:21 | |
With electrification in 1957, | 0:09:22 | 0:09:25 | |
the Central Line's Tube trains ran between hedges and fields | 0:09:25 | 0:09:29 | |
direct to the capital's Liverpool Street station | 0:09:29 | 0:09:32 | |
and the West End, beyond. | 0:09:32 | 0:09:34 | |
It can't have a very busy London Underground station. | 0:09:34 | 0:09:37 | |
No, it's famed to be the least used underground station | 0:09:37 | 0:09:40 | |
on the whole network, which led to its closure in 1981, | 0:09:40 | 0:09:43 | |
with apparently only six passengers using it a day. | 0:09:43 | 0:09:47 | |
And it had a stationmaster, | 0:09:47 | 0:09:49 | |
indeed, I assume he lived in that part of the station. | 0:09:49 | 0:09:52 | |
Yes, he would, and he'd have been on the same pay | 0:09:52 | 0:09:54 | |
and conditions as stationmasters | 0:09:54 | 0:09:55 | |
down through the rest of the London Underground network, | 0:09:55 | 0:09:58 | |
which is quite amazing when you look at the station here. | 0:09:58 | 0:10:00 | |
Poet Laureate John Betjeman, an avid railway enthusiast, | 0:10:01 | 0:10:05 | |
is quoted as saying that the stationmaster's job at Blake Hall | 0:10:05 | 0:10:09 | |
was the ideal job. | 0:10:09 | 0:10:12 | |
Sadly, The Tube doesn't come to Blake Hall any more, | 0:10:12 | 0:10:15 | |
but the railway is now operating as a heritage line. | 0:10:15 | 0:10:18 | |
So, to continue my journey to Epping, | 0:10:19 | 0:10:21 | |
Simon has offered to let me ride up front. | 0:10:21 | 0:10:24 | |
I remember these magnificent diesels. They used to do all sorts of things. | 0:10:27 | 0:10:30 | |
They used to haul freight and passenger trains, didn't they? | 0:10:30 | 0:10:33 | |
Well, yes. This locomotive BR Class 37 was built in 1959 | 0:10:33 | 0:10:37 | |
and was a direct replacement for a steam engine. | 0:10:37 | 0:10:41 | |
But, we have to imagine now, we're in the Victorian era, | 0:10:41 | 0:10:43 | |
and this is a steam engine, powering along, hauling milk for Londoners. | 0:10:43 | 0:10:47 | |
And, indeed, the branch would have provided 200 churns of milk | 0:10:47 | 0:10:51 | |
a day at its height. | 0:10:51 | 0:10:54 | |
This journey has given me a strong historical sense | 0:10:55 | 0:10:58 | |
of the lifeline that the railways provided, | 0:10:58 | 0:11:01 | |
bringing much better health and nourishment to Victorian Londoners. | 0:11:01 | 0:11:05 | |
-Thank you. -Bye-bye. -Bye-bye. | 0:11:06 | 0:11:08 | |
The Heritage Line has brought me to Epping, | 0:11:09 | 0:11:12 | |
where I'm catching the Central Line Tube to London. | 0:11:12 | 0:11:16 | |
I'm a big user of the London Underground, | 0:11:25 | 0:11:27 | |
mainly passing through the tunnels under Central London, | 0:11:27 | 0:11:30 | |
but I was brought up on the outskirts of London, | 0:11:30 | 0:11:33 | |
and people tend to forget that at the extremities | 0:11:33 | 0:11:36 | |
of the Underground line, it passes through leafy green suburbs. | 0:11:36 | 0:11:40 | |
I'm headed for Stratford, and Bradshaw's says, | 0:11:46 | 0:11:48 | |
"This station forms an important junction of the lines | 0:11:48 | 0:11:52 | |
"to Cambridge, Ipswich, Tilbury, and places on the North London railway. | 0:11:52 | 0:11:58 | |
"Here, a collier dock of 600 acres is being constructed." | 0:11:58 | 0:12:02 | |
Well, Stratford is, today, | 0:12:02 | 0:12:03 | |
an even more important railway junction, and hundreds of acres | 0:12:03 | 0:12:07 | |
are again being constructed, but this time, it's nothing to do with docks. | 0:12:07 | 0:12:12 | |
Stratford was clearly a major junction in Bradshaw's day, | 0:12:17 | 0:12:20 | |
but it's now at the centre of a remarkable rail infrastructure | 0:12:20 | 0:12:24 | |
that's been built and updated for the Olympics. | 0:12:24 | 0:12:28 | |
This is Stratford. | 0:12:29 | 0:12:30 | |
Please mind the gap between the train and the platform. | 0:12:30 | 0:12:33 | |
Stratford is now the most fantastic hub. | 0:12:36 | 0:12:40 | |
You've got the Underground, the Docklands Light Railway, | 0:12:40 | 0:12:43 | |
you've got suburban railway, national railway. | 0:12:43 | 0:12:45 | |
There's even an international railway station, | 0:12:45 | 0:12:48 | |
and shortly, people are going to be coming from all over | 0:12:48 | 0:12:51 | |
the world for the greatest sporting event on Earth. | 0:12:51 | 0:12:55 | |
The coming of the railway in 1839 | 0:12:58 | 0:13:00 | |
began an explosion of industrial growth in the area. | 0:13:00 | 0:13:06 | |
It was close to London, with river and rail links. | 0:13:06 | 0:13:08 | |
Land and rates were cheap, | 0:13:08 | 0:13:11 | |
and there was a huge untapped workforce. | 0:13:11 | 0:13:14 | |
One of the biggest employers, Great Eastern Railways, | 0:13:14 | 0:13:17 | |
opened a massive locomotive and carriage works, | 0:13:17 | 0:13:20 | |
known as Rail Lands, employing 6,000 people. | 0:13:20 | 0:13:24 | |
Today, the rail links began in Bradshaw's time | 0:13:24 | 0:13:28 | |
are vital to the success of the Olympic Games. | 0:13:28 | 0:13:31 | |
I'm meeting John Armitt, | 0:13:31 | 0:13:33 | |
the Chair of the Olympic Delivery Authority. | 0:13:33 | 0:13:35 | |
John, it's the most fantastic site. My Bradshaw's guide refers | 0:13:35 | 0:13:39 | |
to 600 acres being under construction in the 1860s. | 0:13:39 | 0:13:42 | |
How many acres do you have under construction? | 0:13:42 | 0:13:46 | |
Well, believe it or not, 600 acres. | 0:13:46 | 0:13:48 | |
Do you think that's a coincidence? | 0:13:48 | 0:13:50 | |
Is it basically the same site, do you think? | 0:13:50 | 0:13:52 | |
20 years ago, this was known as the Railway Lands, | 0:13:52 | 0:13:55 | |
and so I would imagine that, yes, largely the same site. | 0:13:55 | 0:13:58 | |
So, what went on on these Railway Lands? | 0:13:58 | 0:14:02 | |
Everything from through railway lines, | 0:14:02 | 0:14:04 | |
and we've still got the North London line | 0:14:04 | 0:14:06 | |
running right through the site today, | 0:14:06 | 0:14:07 | |
and the East London line running round the periphery. | 0:14:07 | 0:14:09 | |
You had major maintenance facilities here, | 0:14:09 | 0:14:12 | |
and you also had the overnight stabling of trains | 0:14:12 | 0:14:14 | |
which weren't being used, | 0:14:14 | 0:14:17 | |
and we also had freight terminals here. | 0:14:17 | 0:14:19 | |
People like me from the West End wondered what you were doing | 0:14:19 | 0:14:22 | |
sending the Olympics to the East, but you did actually have | 0:14:22 | 0:14:24 | |
a fantastic infrastructure of railways here, didn't you? | 0:14:24 | 0:14:27 | |
Yes, I mean, Stratford, one of the best connected parts of London. | 0:14:27 | 0:14:31 | |
Three railway stations, ten railway lines, | 0:14:31 | 0:14:33 | |
Channel Tunnel high-speed rail link | 0:14:33 | 0:14:35 | |
running right through the middle of it, | 0:14:35 | 0:14:38 | |
now with the high-speed Kent services, so, yes, well connected. | 0:14:38 | 0:14:41 | |
Despite its great connections, the immense challenge facing John | 0:14:41 | 0:14:46 | |
and his team is how to get millions of visitors to the Olympic Park, | 0:14:46 | 0:14:50 | |
in and out of Stratford. | 0:14:50 | 0:14:52 | |
Come the Olympics, how many people do you expect to come here, | 0:14:53 | 0:14:56 | |
and how many of those will come by train? | 0:14:56 | 0:14:58 | |
We expect about two thirds of the people to come by rail, | 0:14:58 | 0:15:01 | |
maximum number here, on any day, at least 300,000, | 0:15:01 | 0:15:05 | |
so 200,000 people on the railway lines. | 0:15:05 | 0:15:08 | |
This visit is really pleasing to me because following Bradshaw's, | 0:15:08 | 0:15:11 | |
time and again, you're dealing with history, | 0:15:11 | 0:15:13 | |
-what the railways did in the past. -Yes. | 0:15:13 | 0:15:15 | |
But this is about what the railways have done today | 0:15:15 | 0:15:17 | |
and for the future, isn't it? | 0:15:17 | 0:15:19 | |
It is, absolutely, and the railways are central to society, | 0:15:19 | 0:15:23 | |
and to society's development, | 0:15:23 | 0:15:24 | |
and here we are seeing regeneration of part of London, | 0:15:24 | 0:15:28 | |
in part driven by the railway. | 0:15:28 | 0:15:30 | |
I'm struck that Stratford's emergence in Victorian times, | 0:15:33 | 0:15:36 | |
and its renaissance today, depend on railways. | 0:15:36 | 0:15:39 | |
I'm now heading off in search of my night's hotel, | 0:15:42 | 0:15:45 | |
and for this, I've left the crowds of London | 0:15:45 | 0:15:47 | |
and doglegged north to a large country estate in Hertfordshire. | 0:15:47 | 0:15:51 | |
To be handily placed for the morning, I've come to Waltham Cross, | 0:15:51 | 0:15:54 | |
which Bradshaw's tells me was one of the 15 crosses | 0:15:54 | 0:15:57 | |
erected by Edward I to Queen Eleanor's memory. | 0:15:57 | 0:16:01 | |
And Bradshaw's mentions "Theobalds Park, | 0:16:01 | 0:16:03 | |
"which belonged to Sir Henry Meux Baronet." | 0:16:03 | 0:16:06 | |
And now it's a hotel, and my bed for the night. | 0:16:06 | 0:16:09 | |
I've been told there's a fascinating rags-to-riches tale associated | 0:16:11 | 0:16:16 | |
with the house. | 0:16:16 | 0:16:17 | |
And manager Lisa Avril is my guide. | 0:16:17 | 0:16:21 | |
-Hello, Lisa. -Hello, how are you? -What a fabulous house, isn't it? -Yes. | 0:16:21 | 0:16:25 | |
It's beautiful. I would quite like to own it myself, actually. | 0:16:25 | 0:16:28 | |
Well, according to my Bradshaw's, it was owned by the Meux family. | 0:16:28 | 0:16:32 | |
-That's correct. -Tell me something about them. | 0:16:32 | 0:16:34 | |
Well, there were several Meuxs, actually, that lived here. | 0:16:34 | 0:16:38 | |
But, really, there was one that stood out amongst all of them, | 0:16:38 | 0:16:41 | |
and that was Valerie Susan Meux who married Henry Meux, | 0:16:41 | 0:16:45 | |
and she was the third Lady of the House. | 0:16:45 | 0:16:47 | |
What was special about her? | 0:16:47 | 0:16:49 | |
When he married her, she was actually just a bar lady, | 0:16:49 | 0:16:53 | |
and so the rest of the society shunned her. | 0:16:53 | 0:16:56 | |
She was also shunned from society | 0:16:56 | 0:16:58 | |
because she was one of the first women to be photographed in bed. | 0:16:58 | 0:17:03 | |
Really, all you could see was her face, and her beautiful hair, | 0:17:03 | 0:17:07 | |
but that was really not done in those times. | 0:17:07 | 0:17:09 | |
She just didn't care. | 0:17:09 | 0:17:10 | |
Although ostracised by polite society, | 0:17:10 | 0:17:14 | |
Lady Meux was such a beauty that the renowned artist Whistler | 0:17:14 | 0:17:19 | |
chose to paint her no fewer than three times. | 0:17:19 | 0:17:22 | |
She died in 1910 in her sixties. | 0:17:22 | 0:17:25 | |
But that wasn't the end of her story. | 0:17:25 | 0:17:28 | |
-But she comes back. -She comes back? -She does. | 0:17:28 | 0:17:31 | |
One lady, she checked out | 0:17:31 | 0:17:33 | |
because the bedclothes were flung off of her. | 0:17:33 | 0:17:36 | |
We've had another one that's heard whispering, | 0:17:36 | 0:17:39 | |
and she's also been seen coming down the central staircase | 0:17:39 | 0:17:41 | |
in a beautiful grey dress. | 0:17:41 | 0:17:43 | |
Ooh! Well, that would be all right. I don't want things flung around, | 0:17:43 | 0:17:46 | |
but I don't mind seeing her on the staircase, that's all right. | 0:17:46 | 0:17:49 | |
Well, I'd better be brave, hadn't I? | 0:17:49 | 0:17:50 | |
I think so, I think it's time. | 0:17:50 | 0:17:51 | |
-Up to Lady Meux's dressing room. -I think so. -Which way? | 0:17:51 | 0:17:54 | |
Up here. | 0:17:54 | 0:17:55 | |
If the spirit of the beauteous Lady Meux | 0:18:09 | 0:18:12 | |
wafted through my dressing room in the night, | 0:18:12 | 0:18:15 | |
or if her ghost trod these stairs, | 0:18:15 | 0:18:17 | |
I was blissfully unaware. | 0:18:17 | 0:18:19 | |
I slept soundly. | 0:18:19 | 0:18:21 | |
This morning, I have moved just | 0:18:22 | 0:18:24 | |
a couple of miles from Waltham Cross to Waltham Abbey. | 0:18:24 | 0:18:29 | |
George Bradshaw highly recommends visiting | 0:18:29 | 0:18:31 | |
the remains of the Abbey, which he describes as having | 0:18:31 | 0:18:35 | |
"a magnificence of design, and elaborate finish." | 0:18:35 | 0:18:39 | |
But I want to visit somewhere that was shrouded in mystery in Bradshaw's | 0:18:39 | 0:18:44 | |
day, despite being fundamentally important to the Victorians, | 0:18:44 | 0:18:47 | |
both in the construction of railways and the growth of the Empire. | 0:18:47 | 0:18:52 | |
I've come to this place of trees and birdsong, | 0:18:54 | 0:18:57 | |
and picturesque canals, because my Bradshaw's says | 0:18:57 | 0:19:00 | |
that in the vicinity is the Government Gunpowder Mills. | 0:19:00 | 0:19:05 | |
I'm intrigued by that single cryptic reference. | 0:19:05 | 0:19:08 | |
The Royal Gunpowder Mills have been situated on this huge site | 0:19:10 | 0:19:13 | |
at Waltham Abbey since the beginning of the 18th century. | 0:19:13 | 0:19:17 | |
Scientific advances made here ensured that British gunpowder | 0:19:17 | 0:19:21 | |
and explosives were the envy of the world. | 0:19:21 | 0:19:25 | |
From supplying gunpowder for the muskets | 0:19:25 | 0:19:27 | |
at the Battle of Waterloo | 0:19:27 | 0:19:28 | |
to explosives for the bouncing bomb | 0:19:28 | 0:19:31 | |
in the Second World War, and even dynamite for railway companies | 0:19:31 | 0:19:34 | |
to blast tunnels and cuttings through the British landscape, | 0:19:34 | 0:19:39 | |
it's played an immensely important role | 0:19:39 | 0:19:41 | |
in Britain's emergence as an international power. | 0:19:41 | 0:19:44 | |
However, it's always been dangerous work. | 0:19:44 | 0:19:47 | |
The people of London heard two deep, reverberating booms. | 0:19:49 | 0:19:52 | |
They were caused by serious explosions | 0:19:52 | 0:19:54 | |
at a gunpowder factory in Waltham Abbey. | 0:19:54 | 0:19:55 | |
Thousands of panes of glass in the neighbourhood were shattered. | 0:19:55 | 0:20:00 | |
It was reported that five men lost their lives and 30 were injured. | 0:20:00 | 0:20:03 | |
I'm meeting the mill's curator, Dr David Kenyon, | 0:20:05 | 0:20:07 | |
to be shown the secrets of this intriguing place. | 0:20:07 | 0:20:12 | |
My Bradshaw's makes just the tiniest reference to this place, | 0:20:12 | 0:20:15 | |
but, in fact, it seems to be vast. | 0:20:15 | 0:20:18 | |
It's about 170 acres in total. | 0:20:18 | 0:20:21 | |
And you'd have had little industrial processes taking place | 0:20:21 | 0:20:23 | |
throughout the wood. | 0:20:23 | 0:20:25 | |
Across the site are the remains of buildings used to make | 0:20:27 | 0:20:29 | |
explosives and gunpowder over the centuries. | 0:20:29 | 0:20:32 | |
Gunpowder was manufactured wet, but had to be dried for use. | 0:20:32 | 0:20:37 | |
This was one of the most dangerous phases of the process. | 0:20:37 | 0:20:41 | |
The building you're looking at, | 0:20:41 | 0:20:42 | |
the idea is you have this enormous blast wall in the middle, | 0:20:42 | 0:20:45 | |
and the presses on one side doing the dangerous part of the job, | 0:20:45 | 0:20:48 | |
and all the other people and equipment, and the waterwheel, and everything, | 0:20:48 | 0:20:51 | |
is on the other side of the blast wall, safe if that side explodes. | 0:20:51 | 0:20:54 | |
Railways played a vital role within the huge site. | 0:20:54 | 0:20:57 | |
Materials and components were moved between, | 0:20:57 | 0:21:00 | |
and even into the buildings, on wooden tracks, with an 18-inch gauge. | 0:21:00 | 0:21:06 | |
Initially, they used a canal system, | 0:21:07 | 0:21:09 | |
but latterly, they went on to railways, mostly, initially, | 0:21:09 | 0:21:11 | |
with wooden rails, because sparks are a major problem here. | 0:21:11 | 0:21:15 | |
Later, they went for mechanical power, | 0:21:15 | 0:21:17 | |
but it was one of the first places where | 0:21:17 | 0:21:18 | |
they used diesel electric locomotives, | 0:21:18 | 0:21:21 | |
because steam engines belch lots of sparks out, | 0:21:21 | 0:21:24 | |
and again, that would've been a risk. | 0:21:24 | 0:21:25 | |
The 19th century was pretty peaceful, on the whole, but Britain, | 0:21:25 | 0:21:28 | |
nonetheless, was in arms production throughout that period, was it? | 0:21:28 | 0:21:31 | |
The Crimean War takes place in the mid-1850s, | 0:21:31 | 0:21:33 | |
and that's followed by the Indian Mutiny as well, | 0:21:33 | 0:21:35 | |
so the Army is suddenly very busy, | 0:21:35 | 0:21:37 | |
and the demand for powder is very high. | 0:21:37 | 0:21:39 | |
The site finally closed as a research establishment in 1991, | 0:21:40 | 0:21:45 | |
bringing to an end 300 years of explosives production. | 0:21:45 | 0:21:49 | |
Today, it's reopened as a tourist attraction, | 0:21:49 | 0:21:53 | |
and in this fascinating place, David has one other surprise up his sleeve. | 0:21:53 | 0:21:58 | |
Well, Michael, this is our armoury collection. | 0:21:58 | 0:22:00 | |
Good Lord! What an extraordinary collection! | 0:22:00 | 0:22:04 | |
We have over 200 separate weapons in here. | 0:22:04 | 0:22:06 | |
And anything from the period of Bradshaw? | 0:22:06 | 0:22:08 | |
Very much so, yes. | 0:22:08 | 0:22:10 | |
What we have here is the complete blackpowder period, really, | 0:22:10 | 0:22:13 | |
starting from the English Civil War at the bottom there, | 0:22:13 | 0:22:16 | |
coming through Waterloo, right up to the Zulu War, | 0:22:16 | 0:22:19 | |
right up to about 1900 when gunpowder stops being used. | 0:22:19 | 0:22:21 | |
So, even in the 1860s, in the Bradshaw period, | 0:22:21 | 0:22:24 | |
they're using gunpowder still. | 0:22:24 | 0:22:27 | |
Very much so, and the key weapon of the 1860s is this one here, | 0:22:27 | 0:22:30 | |
which is the 1853 Enfield rifle musket. | 0:22:30 | 0:22:34 | |
Beautiful piece of work. Now, it doesn't fire any more, does it? | 0:22:34 | 0:22:38 | |
Most of the guns we have here don't, but this one can be made to shoot. | 0:22:38 | 0:22:41 | |
Pour the powder. | 0:22:41 | 0:22:43 | |
I'm intrigued to see just what a 19th-century weapon can do. | 0:22:43 | 0:22:47 | |
So, all I do now is put it to full cock. | 0:22:47 | 0:22:50 | |
-Hmm, good noise. -Good noise. -Very good noise. | 0:22:54 | 0:22:58 | |
That is the sound that Bradshaw would have heard of gunfire. | 0:22:58 | 0:23:02 | |
Yes, that is the sound of blackpowder in the 19th century. | 0:23:02 | 0:23:06 | |
-Brilliant. -From the Crimea to Zululand to the Indian Mutiny. | 0:23:06 | 0:23:09 | |
And that's just one. Imagine a battalion of 800 of those. | 0:23:09 | 0:23:12 | |
What a fascinating piece of our heritage! | 0:23:17 | 0:23:20 | |
It was said that in the 300 years of its operation, | 0:23:20 | 0:23:23 | |
there was never a challenge | 0:23:23 | 0:23:25 | |
that the Royal Gunpowder Mills could not rise to. | 0:23:25 | 0:23:29 | |
For the last leg of today's journey, I'm back on the train into London, | 0:23:30 | 0:23:34 | |
to investigate a story in Hackney | 0:23:34 | 0:23:37 | |
that greatly unnerved the Victorian public's trust in railways. | 0:23:37 | 0:23:41 | |
From the earliest days, trains were popular with commuters, | 0:23:44 | 0:23:47 | |
but the railways struggled to convince nervous passengers | 0:23:47 | 0:23:51 | |
that they were really safe. | 0:23:51 | 0:23:52 | |
Then, in 1864, about the time that my Bradshaw's guide was published, | 0:23:52 | 0:23:57 | |
a heinous event occurred in a railway carriage | 0:23:57 | 0:24:01 | |
that shook the confidence of the nation. | 0:24:01 | 0:24:04 | |
In Victorian times, crimes on trains - pickpocketing, | 0:24:05 | 0:24:09 | |
con merchants, and robbery - were recognised hazards. | 0:24:09 | 0:24:13 | |
Theft from goods sheds was also rife, and as early as 1825, | 0:24:14 | 0:24:18 | |
constables were employed by railway companies to deal with disorder. | 0:24:18 | 0:24:23 | |
But what happened in a train compartment in Hackney | 0:24:23 | 0:24:28 | |
one summer's evening | 0:24:28 | 0:24:29 | |
gripped and alarmed Victorian society. | 0:24:29 | 0:24:32 | |
I'm arriving at Hackney Wick Station to meet historian Kate Cahoon. | 0:24:34 | 0:24:40 | |
Hello, Kate. | 0:24:40 | 0:24:41 | |
-How nice to meet you. -How lovely to see you. | 0:24:41 | 0:24:43 | |
So, what was the gruesome incident that was uncovered, | 0:24:43 | 0:24:47 | |
in Hackney in 1864? | 0:24:47 | 0:24:48 | |
It was the first murder on a British railway train, | 0:24:48 | 0:24:51 | |
although at the time, they didn't know it was a murder. | 0:24:51 | 0:24:53 | |
What they discovered on Hackney Station | 0:24:53 | 0:24:55 | |
was an empty first-class carriage, absolutely besmeared with blood. | 0:24:55 | 0:25:00 | |
Bloody fingerprints on the door handles, bits of brain matter | 0:25:00 | 0:25:04 | |
sliding down the paned windows, | 0:25:04 | 0:25:06 | |
and blood all over the floor. | 0:25:06 | 0:25:08 | |
But the carriage, as I said, was empty. | 0:25:08 | 0:25:09 | |
Victorian train compartments were, in effect, closed boxes, | 0:25:09 | 0:25:14 | |
with no corridor linking one to another. | 0:25:14 | 0:25:17 | |
Doors opened only onto platforms. | 0:25:17 | 0:25:19 | |
And in between stations, there was no means to summon help. | 0:25:19 | 0:25:24 | |
And so, what had happened to the body? | 0:25:24 | 0:25:26 | |
The body was found about 20 minutes | 0:25:26 | 0:25:28 | |
after the empty bloody carriage was found at Hackney, | 0:25:28 | 0:25:31 | |
further down the tracks between Hackney Wick and Bow. | 0:25:31 | 0:25:34 | |
Was the body alive or dead? | 0:25:35 | 0:25:36 | |
Well, alive, but only just. | 0:25:36 | 0:25:38 | |
Insensible and groaning, but he never fully regained consciousness. | 0:25:38 | 0:25:42 | |
He was never able to tell anybody what had happened to him, | 0:25:42 | 0:25:45 | |
and he died 24 hours later. | 0:25:45 | 0:25:47 | |
The murder of Thomas Bricks, | 0:25:47 | 0:25:49 | |
a 69-year-old defenceless banker, | 0:25:49 | 0:25:52 | |
near his elegant suburban home in Hackney, | 0:25:52 | 0:25:55 | |
caused panic and uproar amongst terrified Victorian rail users. | 0:25:55 | 0:25:59 | |
Where was the body found? | 0:26:01 | 0:26:02 | |
The body was found just up on the embankment, up here. | 0:26:02 | 0:26:05 | |
So, just before the train was crossing | 0:26:05 | 0:26:07 | |
the canal coming in this direction. | 0:26:07 | 0:26:09 | |
This is where the old line went. | 0:26:09 | 0:26:10 | |
This is the old embankment right up here. | 0:26:10 | 0:26:12 | |
When they heard the bellows, | 0:26:12 | 0:26:14 | |
they ran out of the back of the pub, | 0:26:14 | 0:26:15 | |
scrambled up the grassy rise up onto the embankment, | 0:26:15 | 0:26:18 | |
to find the stoker and the engine driver hefting | 0:26:18 | 0:26:21 | |
a large black-suited body over the embankment and down. | 0:26:21 | 0:26:26 | |
They took him into the back of the back room of the pub, here, | 0:26:26 | 0:26:29 | |
and called the local doctors. | 0:26:29 | 0:26:31 | |
A German Taylor by the name of Franz Muller | 0:26:31 | 0:26:33 | |
was arrested, tried, and subsequently hanged | 0:26:33 | 0:26:36 | |
in front of a crowd of 50,000 people | 0:26:36 | 0:26:39 | |
on 14th November 1864. | 0:26:39 | 0:26:42 | |
The case was a watershed in railway history, | 0:26:44 | 0:26:46 | |
forcing the introduction of communication cords, | 0:26:46 | 0:26:49 | |
and eventually, | 0:26:49 | 0:26:50 | |
trains were built with corridors linking the compartments. | 0:26:50 | 0:26:53 | |
But the biggest effect was on the psyche | 0:26:53 | 0:26:57 | |
of the Victorian travelling public. | 0:26:57 | 0:27:01 | |
The fear that the murder had caused to ripple down railway trains | 0:27:01 | 0:27:04 | |
continued to ripple well into the 1860s. | 0:27:04 | 0:27:07 | |
So, people did become nervous about travelling by train. | 0:27:07 | 0:27:10 | |
Extremely nervous. Now because somebody had actually been murdered | 0:27:10 | 0:27:13 | |
on a train for the first time. | 0:27:13 | 0:27:15 | |
They were talking about personal safety, | 0:27:15 | 0:27:16 | |
one's own ordinary day could be plunged into hell. | 0:27:16 | 0:27:18 | |
I must say, you know, reading my Bradshaw's, | 0:27:18 | 0:27:21 | |
which is such an optimistic book, | 0:27:21 | 0:27:23 | |
you never get the idea that fear stalked our railway lines | 0:27:23 | 0:27:26 | |
in those days. | 0:27:26 | 0:27:27 | |
I love to think of railway history, | 0:27:35 | 0:27:38 | |
of those churns of milk heading into London, | 0:27:38 | 0:27:41 | |
and even the first railway murder, | 0:27:41 | 0:27:44 | |
here at Hackney. | 0:27:44 | 0:27:45 | |
But in the East of London, with the Olympic Park, | 0:27:45 | 0:27:48 | |
and with these shiny new modern trains, | 0:27:48 | 0:27:51 | |
I think not so much of railway's yesterdays, | 0:27:51 | 0:27:54 | |
but of railway's tomorrow. | 0:27:54 | 0:27:56 | |
On the final leg of this journey, | 0:28:00 | 0:28:02 | |
I'll be taking a ride on a secret miniature railway. | 0:28:02 | 0:28:04 | |
Wow! I'll never complain about The Tube again. | 0:28:04 | 0:28:08 | |
This is quite small, isn't it? | 0:28:08 | 0:28:10 | |
Tolling alongside the good burghers of Bow. | 0:28:10 | 0:28:12 | |
Try not to look up. You'll get dust in your eyes. | 0:28:12 | 0:28:16 | |
And confusing hapless commuters at Fenchurch Street. | 0:28:16 | 0:28:20 | |
Chalkwell, Westcliff, Southend Central, and Shoeburyness. | 0:28:20 | 0:28:25 | |
Ooh! I left out the time, at the beginning, didn't I? | 0:28:25 | 0:28:27 | |
I left out the time. | 0:28:27 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:43 | 0:28:46 | |
E-mail [email protected] | 0:28:46 | 0:28:50 |