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In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:08 | |
His name was George Bradshaw | 0:00:08 | 0:00:12 | |
and his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
Stop by stop, he told them where to travel, | 0:00:18 | 0:00:21 | |
what to see and where to stay. | 0:00:21 | 0:00:24 | |
Now, 170 years later, I'm making a series of journeys across the length and breadth of the country | 0:00:25 | 0:00:31 | |
to see what of Bradshaw's Britain remains. | 0:00:31 | 0:00:34 | |
I'm now completing my journey from north Norfolk to the heart of London. | 0:00:58 | 0:01:02 | |
My Bradshaw's enthuses that "the sight of our gigantic metropolis is | 0:01:02 | 0:01:08 | |
"the very best that could have been selected for commercial purposes, as it enabled us, | 0:01:08 | 0:01:13 | |
"by means of the Thames, to carry on a water communication with every part of the globe, | 0:01:13 | 0:01:18 | |
"and not even the development of the railway system in England | 0:01:18 | 0:01:22 | |
"has lessened this advantage." | 0:01:22 | 0:01:24 | |
And it might have added | 0:01:24 | 0:01:26 | |
that we also created the greatest financial centre that the world had ever seen. | 0:01:26 | 0:01:31 | |
On my final leg of this journey, | 0:01:32 | 0:01:35 | |
I'll be taking a ride on a secret miniature railway. | 0:01:35 | 0:01:39 | |
Wow. | 0:01:39 | 0:01:41 | |
I'll never complain about The Tube again, this is quite small, isn't it? | 0:01:41 | 0:01:44 | |
Tolling alongside the good burghers of Bow. | 0:01:44 | 0:01:47 | |
Try not to look up, you will get dust in your eyes. | 0:01:47 | 0:01:50 | |
And confusing hapless commuters at Fenchurch Street. | 0:01:50 | 0:01:55 | |
Westcliffe. | 0:01:55 | 0:01:56 | |
'Thorpe Bay and Shoeburyness.' | 0:01:56 | 0:01:59 | |
Oh, I left out the time at the beginning, didn't I? I left out the time. | 0:01:59 | 0:02:03 | |
Starting on the east coast, | 0:02:04 | 0:02:07 | |
this journey has taken me through Norfolk, Suffolk and Essex | 0:02:07 | 0:02:10 | |
on the Great Eastern Railway | 0:02:10 | 0:02:11 | |
which, in Bradshaw's day, opened up | 0:02:11 | 0:02:13 | |
difficult terrain and allowed trade to flourish. | 0:02:13 | 0:02:16 | |
Now, I am headed to the very centre of money itself, the City of London. | 0:02:16 | 0:02:21 | |
My last stretch begins in the east of the city, at Fenchurch Street, | 0:02:21 | 0:02:26 | |
and takes me along the north bank of the Thames, | 0:02:26 | 0:02:29 | |
ending on The Embankment. | 0:02:29 | 0:02:31 | |
The development of our railway system required not only engineers, | 0:02:36 | 0:02:39 | |
but also entrepreneurs, men willing to invest their own money | 0:02:39 | 0:02:44 | |
and, more importantly, to persuade others also to risk their shirts. | 0:02:44 | 0:02:50 | |
I'm arriving at Fenchurch Street, the smallest of the great London city terminals. | 0:02:52 | 0:02:58 | |
Initially constructed in 1841, to bring city workers to the financial heart of London, | 0:02:58 | 0:03:04 | |
it was the first station built inside the City of London. | 0:03:04 | 0:03:08 | |
As the numbers commuting into the city increased vastly in Victorian times, | 0:03:08 | 0:03:11 | |
it was also used by the Great Eastern Railway | 0:03:11 | 0:03:15 | |
as an overflow terminus for Liverpool Street. | 0:03:15 | 0:03:19 | |
From here, I am taking the District line underground, one stop to Monument, | 0:03:19 | 0:03:23 | |
to the heart of the financial district. | 0:03:23 | 0:03:26 | |
It is difficult to believe that | 0:03:26 | 0:03:28 | |
when the District line was first built, it used steam locomotives. | 0:03:28 | 0:03:31 | |
Imagine them belching smoke underground. | 0:03:31 | 0:03:34 | |
Ever since it was built, in 1868, it's been distributing commuters to the counting houses of the city. | 0:03:34 | 0:03:42 | |
Now, the District line carries 700,000 passengers a day. | 0:03:42 | 0:03:46 | |
I've often used the District line to travel from the political centre in the west | 0:03:53 | 0:03:56 | |
to the financial centre in the east, but whether there's more power in Westminster | 0:03:56 | 0:04:00 | |
or in the city, I leave it to you to judge. | 0:04:00 | 0:04:07 | |
'The next station is Monument.' | 0:04:07 | 0:04:09 | |
In the 1800s, the financial heartland of the city witnessed a dramatic boom and bust. | 0:04:09 | 0:04:16 | |
In the huge surge in railway construction, some made fortunes, | 0:04:16 | 0:04:20 | |
but others lost all they had in a flurry of speculation dubbed "railway mania." | 0:04:20 | 0:04:26 | |
My destination is the Royal Exchange, | 0:04:26 | 0:04:29 | |
founded back in 1565 as a centre of commerce for the city, | 0:04:29 | 0:04:33 | |
where I hope to discover more from Professor David Kynaston. | 0:04:33 | 0:04:37 | |
The magnificent Royal Exchange building which, apparently, | 0:04:37 | 0:04:40 | |
in Bradshaw's time, had been newly rebuilt. | 0:04:40 | 0:04:42 | |
Yes, that's right. | 0:04:42 | 0:04:44 | |
The old Royal Exchange was burned down in 1838 | 0:04:44 | 0:04:47 | |
and this went up six years later. | 0:04:47 | 0:04:49 | |
A very striking, handsome building | 0:04:49 | 0:04:51 | |
in the city that was still relatively small-scale, | 0:04:51 | 0:04:53 | |
no high rise, this was a major building. | 0:04:53 | 0:04:55 | |
Give me an impression of the mid-19th-century city. | 0:04:55 | 0:04:58 | |
A fantastically bustling place, vigorous place, | 0:04:58 | 0:05:01 | |
fortunes being made, fortunes being lost. | 0:05:01 | 0:05:03 | |
And of global importance? | 0:05:03 | 0:05:06 | |
Absolutely, poised by the mid-19th century, to become, arguably, | 0:05:06 | 0:05:09 | |
the world's most important financial and commercial centre | 0:05:09 | 0:05:12 | |
the world perhaps has ever seen. | 0:05:12 | 0:05:14 | |
While the Royal Exchange concentrated on trading goods, | 0:05:14 | 0:05:18 | |
the temple to speculation, the Stock Exchange, dealt in financial stocks and shares, | 0:05:18 | 0:05:23 | |
providing oxygen and fire for the railways' boom. | 0:05:23 | 0:05:28 | |
And on the Stock Exchange in the mid-19th century, | 0:05:28 | 0:05:30 | |
the most important share issues are railways. | 0:05:30 | 0:05:33 | |
Absolutely, it was astonishing, the railway mania of the 1840s. | 0:05:33 | 0:05:36 | |
Up to that point, the stock market had really grown out of British government securities. | 0:05:36 | 0:05:41 | |
1840, for the railway mania, was something quite different | 0:05:41 | 0:05:44 | |
and, of course, established a permanent railway market in the Stock Exchange. | 0:05:44 | 0:05:48 | |
No fewer than 240 Parliamentary bills to set up new railway companies and routes | 0:05:48 | 0:05:54 | |
were proposed in 1845 alone. | 0:05:54 | 0:05:58 | |
Railways were promoted as a foolproof way to make money | 0:05:58 | 0:06:00 | |
and almost everyone who could rushed in. | 0:06:00 | 0:06:04 | |
As shares in the pioneer companies soared, ever more speculators poured in their money. | 0:06:04 | 0:06:09 | |
Give me an idea of who got caught up in this...what you call mania. | 0:06:09 | 0:06:13 | |
All sorts of people, people of eminent respectability, | 0:06:13 | 0:06:16 | |
curates, widows, and so on. | 0:06:16 | 0:06:19 | |
Even the Bronte sisters got caught up a little bit in it. | 0:06:19 | 0:06:21 | |
Many railway lines were built and the public, for a time, did well out of it. | 0:06:21 | 0:06:25 | |
But also, many fraudulent railway companies were launched on an unsuspecting public. | 0:06:25 | 0:06:29 | |
Just as with the dotcom boom of the 1990s, inevitably, | 0:06:29 | 0:06:34 | |
there was a price to pay. | 0:06:34 | 0:06:35 | |
Many of the railways were never built, | 0:06:35 | 0:06:37 | |
as the impracticality of proposed routes became clear | 0:06:37 | 0:06:41 | |
and companies collapsed, taking many families' life savings with them. | 0:06:41 | 0:06:46 | |
How bad was the crash, when it came? | 0:06:47 | 0:06:50 | |
It was a pretty bad crash and it affected the big operators, | 0:06:50 | 0:06:53 | |
the big players, as well as the small people. | 0:06:53 | 0:06:56 | |
And there was a herd instinct at play, which is often so powerful in markets | 0:06:56 | 0:06:59 | |
and, arguably, in society generally. | 0:06:59 | 0:07:01 | |
And that, I think, is what happened. And left an amazing legacy. | 0:07:01 | 0:07:06 | |
I mean, money was lost, of course, through ill-advised speculation, | 0:07:06 | 0:07:09 | |
but the permanent legacy was the Victorian railway infrastructure. | 0:07:09 | 0:07:13 | |
The Victorian railway mania and subsequent boom and bust | 0:07:13 | 0:07:17 | |
were clearly disastrous for some. | 0:07:17 | 0:07:19 | |
But had there not been such investment, | 0:07:19 | 0:07:22 | |
we wouldn't have the astonishing railway system that exists today. | 0:07:22 | 0:07:26 | |
And in the heart of the city, surrounded by the huge financial institutions of our age, | 0:07:26 | 0:07:29 | |
the Stock Exchange, the Bank Of England, | 0:07:29 | 0:07:32 | |
I've often wondered, what place morality? | 0:07:32 | 0:07:36 | |
So, where better to go than to that beacon of spirituality, | 0:07:36 | 0:07:40 | |
the most famous church serving the commercial district? | 0:07:40 | 0:07:45 | |
I am now headed for what my Bradshaw's describes as | 0:07:45 | 0:07:48 | |
"one of the masterpieces of Sir Christopher Wren." | 0:07:48 | 0:07:51 | |
St Mary-le-Bow church, which is esteemed to be situated in the heart of the City of London, | 0:07:51 | 0:07:56 | |
and all persons born within the sound of its bells are vulgarly designated Cockneys. | 0:07:56 | 0:08:03 | |
Now, I was born about 15 miles away, | 0:08:03 | 0:08:07 | |
too far to hear those bells. | 0:08:07 | 0:08:10 | |
Bradshaw seems rather shocked that anyone should have the misfortune to be termed a Cockney, | 0:08:10 | 0:08:15 | |
but I wonder whether, in the 21st century, | 0:08:15 | 0:08:18 | |
anyone knows what defines a Cockney. | 0:08:18 | 0:08:21 | |
-Are you a Cockney? -I'm not a Cockney, I'm sorry. | 0:08:21 | 0:08:25 | |
Do you know what the definition of a Cockney is? | 0:08:25 | 0:08:27 | |
I believe born within a mile of the sound of Bow Bells. | 0:08:27 | 0:08:30 | |
-And do you know where Bow Bells are? -In the East End of London somewhere. | 0:08:30 | 0:08:34 | |
-Ha! -Really? -They are here. -OK. | 0:08:34 | 0:08:37 | |
I've just made a fool of myself in front of people with a camera. | 0:08:37 | 0:08:40 | |
-No, no, you didn't make a fool of yourself. -Excellent. | 0:08:40 | 0:08:42 | |
-Excuse me, sir, are you a Cockney? -Yes, Cockney, yes. | 0:08:42 | 0:08:46 | |
You are, great. So, what is the definition of a Cockney? | 0:08:46 | 0:08:50 | |
Born within the Bow Bells. | 0:08:50 | 0:08:52 | |
Yeah, within the sound of Bow Bells. | 0:08:52 | 0:08:54 | |
-I was born just up the road, City Road. -Wow. | 0:08:54 | 0:08:57 | |
-So I was in the mile, yeah. -Are you proud to be a Cockney? -Oh, yeah. | 0:08:57 | 0:09:01 | |
Are you still a kind of fraternity of Cockneys, | 0:09:01 | 0:09:04 | |
do you still kind of recognise each other? | 0:09:04 | 0:09:06 | |
Yeah, there's still a few of us about. | 0:09:06 | 0:09:08 | |
And what about the rhyming slang, as well, do you ever use that? | 0:09:08 | 0:09:12 | |
Yeah, a monkey is 500 quid, a pony is 25 quid, a cock and hen is a tenner. | 0:09:12 | 0:09:17 | |
And what about apple and stairs? | 0:09:17 | 0:09:19 | |
Apple and pears, up the stairs. Frog and toad, all sorts. | 0:09:19 | 0:09:22 | |
Is St Mary-le-Bow special for Cockneys? | 0:09:22 | 0:09:25 | |
-I don't think many people actually know where it is. -Yes. | 0:09:25 | 0:09:28 | |
Most people seem to think if you're born within the sound of Bow Bells, | 0:09:28 | 0:09:31 | |
it's literally in East London. | 0:09:31 | 0:09:33 | |
It's actually in Cheapside, so, a lot of people get a bit mixed up | 0:09:33 | 0:09:36 | |
seeing the East Enders and Cockneys, but really, it's like North London. | 0:09:36 | 0:09:39 | |
Today, St Mary-le-Bow is the parish church of the city. | 0:09:42 | 0:09:45 | |
People who work in the financial district come to worship in their lunch hour | 0:09:45 | 0:09:49 | |
and services are held during the week, and not at weekends, | 0:09:49 | 0:09:51 | |
to meet the demands of the business community. | 0:09:51 | 0:09:55 | |
The Rev George Bush is the rector. Father George. | 0:09:55 | 0:09:58 | |
Good to see you. | 0:09:58 | 0:10:00 | |
Good to be here at St Mary-le-Bow, | 0:10:00 | 0:10:02 | |
I suppose one of London's most famous churches. | 0:10:02 | 0:10:05 | |
Indeed, yes, there's been a church on this site since 1080. | 0:10:05 | 0:10:10 | |
It was built at the command of the Conqueror's Archbishop to impress, | 0:10:10 | 0:10:14 | |
probably on the Saxons who were living around, | 0:10:14 | 0:10:18 | |
that not only the King was here to stay, but the Norman church was as well. | 0:10:18 | 0:10:21 | |
And that was the church that was destroyed in the Great Fire Of London? | 0:10:21 | 0:10:24 | |
That was the church destroyed then, yes. | 0:10:24 | 0:10:26 | |
According to my Bradshaw's, | 0:10:26 | 0:10:27 | |
this church was rebuilt by Sir Christopher Wren. | 0:10:27 | 0:10:30 | |
Yes, after the fire, the tower of St Mary-le-Bow was | 0:10:30 | 0:10:35 | |
Christopher Wren's second most ambitious project, | 0:10:35 | 0:10:38 | |
and second most expensive project after St Paul's Cathedral. | 0:10:38 | 0:10:43 | |
Bow Bells are probably the most famous in the world | 0:10:43 | 0:10:46 | |
and, for hundreds of years, have been woven into the folklore of the City of London. | 0:10:46 | 0:10:51 | |
Legend has it that they called Dick Whittington back to London to become Lord Mayor. | 0:10:51 | 0:10:56 | |
They were also rung from the 14th century onwards | 0:10:56 | 0:10:59 | |
at nine each evening, | 0:10:59 | 0:11:01 | |
marking the end of an apprentice's working day. | 0:11:01 | 0:11:04 | |
Because it was in the centre of the city, that sounding of the bell | 0:11:04 | 0:11:08 | |
was then taken up at the gates and it became, as it were, | 0:11:08 | 0:11:11 | |
a sort of curfew bell and the gates were closed. | 0:11:11 | 0:11:14 | |
Not to you and me coming and going, but to traffic coming through, | 0:11:14 | 0:11:16 | |
providing a measure of quietude and a measure of peace at night. | 0:11:16 | 0:11:22 | |
What happened to the church in World War II? | 0:11:22 | 0:11:24 | |
The very last night of the Blitz, | 0:11:24 | 0:11:27 | |
which was also the worst night of the Blitz for the City of London, | 0:11:27 | 0:11:30 | |
10th May 1941, | 0:11:30 | 0:11:32 | |
the church was almost completely destroyed by incendiary devices. | 0:11:32 | 0:11:36 | |
There was nothing other than these four walls of this current building here. | 0:11:36 | 0:11:42 | |
The tower became a furnace, and after the war, the church had to be taken down in stages | 0:11:42 | 0:11:47 | |
and then it was rebuilt in concrete. | 0:11:47 | 0:11:50 | |
Although, of course, the exterior stonework of Wren was then replaced. | 0:11:50 | 0:11:54 | |
So, you see it pretty much as Wren knew it | 0:11:54 | 0:11:56 | |
but, in fact, it's built of something rather more modern. | 0:11:56 | 0:11:59 | |
Were the famous bells destroyed in World War II? | 0:11:59 | 0:12:01 | |
Yes, they came crashing to the ground. | 0:12:01 | 0:12:03 | |
I think some of the bell metal may have been rescued | 0:12:03 | 0:12:06 | |
and may be in some of the bells that are there now. | 0:12:06 | 0:12:10 | |
A recording of the bells, made in 1926, was used throughout the Second World War | 0:12:11 | 0:12:16 | |
on the BBC's World Service, | 0:12:16 | 0:12:18 | |
a sound of liberty and hope for the people of Europe. | 0:12:18 | 0:12:22 | |
After perishing in the Blitz, the 12 bells were recast at the Whitechapel Bell foundry | 0:12:22 | 0:12:28 | |
and the full peal was rung for the first time in 1961. | 0:12:28 | 0:12:32 | |
BELLS RING | 0:12:32 | 0:12:35 | |
Today, the Bells of Bow are rung frequently | 0:12:36 | 0:12:39 | |
by a group of bell ringers living in or near the city. | 0:12:39 | 0:12:43 | |
The steeple keeper is Simon Meyer. | 0:12:43 | 0:12:45 | |
-Simon, great to see you. -And you. | 0:13:08 | 0:13:11 | |
BELL TOLLS | 0:13:11 | 0:13:13 | |
Is that the great bell of Bow? | 0:13:13 | 0:13:14 | |
That was the great bell of Bow, yes, they didn't quite all stop at the end. | 0:13:14 | 0:13:18 | |
So, I mean, these bells are relatively new, aren't they? | 0:13:18 | 0:13:21 | |
-They are post-Second World War? -That's right. | 0:13:21 | 0:13:23 | |
Do they sound as good as the old ones? | 0:13:23 | 0:13:25 | |
Well, the old ones were a very special ring, by Gilletts, and they were 1933. | 0:13:25 | 0:13:31 | |
But they were lost in the war, and they were a very sad ring to lose in the war, | 0:13:31 | 0:13:35 | |
because everyone felt that they were absolutely wonderful bells. | 0:13:35 | 0:13:38 | |
These are very special as well, because they're a modern ring of bells, | 0:13:38 | 0:13:41 | |
they've got the modern tuning and also the metals that we have in the bells. | 0:13:41 | 0:13:45 | |
People understand much more about the right alloys to use. | 0:13:45 | 0:13:49 | |
So, they have got a lovely resonance | 0:13:49 | 0:13:50 | |
and they're a great voice of London. | 0:13:50 | 0:13:53 | |
Novices are rarely allowed to go near these national treasures, | 0:13:53 | 0:13:57 | |
but Simon's very kindly allowed me to participate in a Bow Peal, under his firm guidance. | 0:13:57 | 0:14:03 | |
Pull it straight back down. | 0:14:03 | 0:14:06 | |
Doesn't actually take much pulling. | 0:14:06 | 0:14:09 | |
So, no ritual humiliation. | 0:14:10 | 0:14:13 | |
Try not to look up, you'll get dust in your eyes. It doesn't help. | 0:14:13 | 0:14:17 | |
I feel, Simon, you are doing all the work. | 0:14:17 | 0:14:19 | |
Let me have a go on my own. | 0:14:19 | 0:14:21 | |
OK. | 0:14:21 | 0:14:22 | |
A bit slow that time. | 0:14:29 | 0:14:30 | |
A little bit too slow, yes. | 0:14:30 | 0:14:33 | |
Would you like to have a go with a few people ringing round you? | 0:14:33 | 0:14:35 | |
Oh, what fun, yes. | 0:14:35 | 0:14:37 | |
BELLS RING | 0:14:42 | 0:14:44 | |
-Brilliant. -Congratulations. -Gosh, that was fun. | 0:14:57 | 0:15:00 | |
This is not easy, I can tell you. | 0:15:01 | 0:15:03 | |
That is one of those really traditional English sort of folk arts, | 0:15:03 | 0:15:06 | |
but it does take time to get the skill. | 0:15:06 | 0:15:08 | |
When I came up here, I thought, "Why do these people do it?" | 0:15:08 | 0:15:10 | |
Then as soon as I joined in, I found out why you do it. | 0:15:10 | 0:15:13 | |
-It's wonderful teamwork, isn't it? -It is wonderful. -Terrific. | 0:15:13 | 0:15:17 | |
Thank you all very much indeed. | 0:15:17 | 0:15:18 | |
I find it strangely comforting to know that despite everything, | 0:15:18 | 0:15:23 | |
wars, railway mania and boom and bust, Bow Bells have consistently proclaimed | 0:15:23 | 0:15:28 | |
the church's presence in the heart of the City of London. | 0:15:28 | 0:15:32 | |
Before I find my bed for the night, I'm popping back to Fenchurch Street | 0:15:32 | 0:15:36 | |
to meet a very special person who has just come on shift. | 0:15:36 | 0:15:40 | |
One of the nice things about Fenchurch Street Station is | 0:15:43 | 0:15:47 | |
that the announcements are made by a human voice, not by an automated system. | 0:15:47 | 0:15:51 | |
And I believe that the lady who does it recently won the MBE, | 0:15:51 | 0:15:55 | |
and I'd like to put the face to the voice. | 0:15:55 | 0:15:58 | |
'Calling at Limehouse, West Ham, Barking, Upminster...' | 0:16:00 | 0:16:04 | |
Thank you very much. | 0:16:04 | 0:16:05 | |
I'm meeting Sue Gibbs, tucked away in her cubby hole just off the concourse. | 0:16:05 | 0:16:10 | |
'..East Tilbury and Stanford-le-Hope.' | 0:16:10 | 0:16:14 | |
Hello, it's Sue, isn't it? | 0:16:14 | 0:16:16 | |
-Hello, it is. -I'm Michael, how lovely to see you. -And you. | 0:16:16 | 0:16:19 | |
Do you think that passengers appreciate having a human voice? | 0:16:19 | 0:16:22 | |
I think they do, it's more personal, it's something they're used to every day. | 0:16:22 | 0:16:26 | |
Because the thing with the automated ones is that the tones are always wrong, aren't they? | 0:16:26 | 0:16:30 | |
They are always sort of leaping up and down. "The train now on platform...four!" | 0:16:30 | 0:16:33 | |
-Occasionally, yes. -But in Bradshaw's day, | 0:16:33 | 0:16:36 | |
there was no Sue and her dulcet tones. | 0:16:36 | 0:16:39 | |
No digital displays, just a simple board | 0:16:39 | 0:16:42 | |
and a bell that was rung five minutes before a train was due to depart. | 0:16:42 | 0:16:47 | |
Quite often, novice travellers were thrown into utter confusion, | 0:16:47 | 0:16:51 | |
and chaos reigned as they ran hell for leather along the platform, | 0:16:51 | 0:16:55 | |
tumbling over everything and everybody, | 0:16:55 | 0:16:57 | |
in their eagerness to catch a train which they believed was about to leave without them. | 0:16:57 | 0:17:01 | |
-Could I have a go? -Of course you could. | 0:17:01 | 0:17:04 | |
I'd find it really thrilling. | 0:17:04 | 0:17:06 | |
-I will have to put my specs on. -Of course. | 0:17:06 | 0:17:09 | |
You have to keep your finger on the press-to-talk button after you've done that. | 0:17:09 | 0:17:13 | |
There's a ding dong first. | 0:17:13 | 0:17:16 | |
The next train from platform one... | 0:17:17 | 0:17:20 | |
'is the semi-fast service to Shoeburyness, | 0:17:20 | 0:17:22 | |
'calling at West Ham, Barking, Upminster, Laindon, Basildon,' | 0:17:22 | 0:17:28 | |
Benfleet, Leigh-on-Sea, Chalkwell, Westcliff, | 0:17:28 | 0:17:31 | |
'Southend East, Thorpe Bay and Shoeburyness.' | 0:17:31 | 0:17:35 | |
Ooh, I left out the time at the beginning, didn't I? | 0:17:35 | 0:17:38 | |
-I left out the time. -No, that's fine. | 0:17:38 | 0:17:39 | |
I'm sure they'd give you a job, if you ever needed one. | 0:17:39 | 0:17:42 | |
Well, I might well, you know! | 0:17:42 | 0:17:44 | |
Hopefully, my announcements haven't befuddled the commuters too much. | 0:17:46 | 0:17:51 | |
And now, after a glorious day, | 0:17:54 | 0:17:56 | |
it's time to head for my hotel right here in the city. | 0:17:56 | 0:18:00 | |
Bradshaw's says that "the metropolis contains the largest mass of human life, arts, science, wealth, | 0:18:01 | 0:18:08 | |
"power and architectural splendour that exists." | 0:18:08 | 0:18:13 | |
Where better to find a hotel than in a wonderful former bank building in Threadneedle Street? | 0:18:13 | 0:18:19 | |
I love the thought that today, I can still walk into the building | 0:18:20 | 0:18:24 | |
that housed the London City and Midland Banks headquarters, | 0:18:24 | 0:18:28 | |
just as the Victorian railway wheelers and dealers would have done in the 19th century. | 0:18:28 | 0:18:33 | |
Manager Julian Payne is waiting to greet me | 0:18:33 | 0:18:36 | |
in this magnificent banking hall. | 0:18:36 | 0:18:39 | |
This was clearly once a bank. When does it date back to? | 0:18:39 | 0:18:42 | |
-It goes back to 1856. It used to be City Bank. -As in London City Bank? | 0:18:42 | 0:18:48 | |
As in Bank of the City Of London. | 0:18:48 | 0:18:50 | |
And that's replicated in the glass dome which we have up here. CB. | 0:18:50 | 0:18:54 | |
And it is a 120 hand-painted glass panel dome. | 0:18:54 | 0:19:00 | |
What a great survivor, isn't it? | 0:19:00 | 0:19:02 | |
It is, well, it survived two world wars. So, still here. | 0:19:02 | 0:19:05 | |
That's amazing. | 0:19:06 | 0:19:08 | |
Any other signs around the hotel that it was a bank? | 0:19:08 | 0:19:11 | |
-Yes, if you'd like to follow me in the bar, I can show you something else. -Thank you. | 0:19:11 | 0:19:16 | |
This was the original banking counter, which is now the bar counter. | 0:19:18 | 0:19:22 | |
This was in the main lobby. Beautiful. | 0:19:22 | 0:19:24 | |
I can completely imagine that. | 0:19:24 | 0:19:26 | |
A fine old carved bank counter. I love all the ironwork on your window. What's the story of that? | 0:19:26 | 0:19:31 | |
That was an outstanding creditor to the bank. | 0:19:31 | 0:19:34 | |
He went into administration | 0:19:34 | 0:19:36 | |
and then, to pay off his debts, he donated the cast iron to the bank. | 0:19:36 | 0:19:41 | |
So, we have prepared something very special for you. | 0:19:41 | 0:19:43 | |
I hear you might be partial to a spot of whisky. | 0:19:43 | 0:19:46 | |
So Brian, our head barman, has concocted the Bradshaw cocktail. Enjoy. | 0:19:46 | 0:19:52 | |
-The Bradshaw? -The Bradshaw. | 0:19:52 | 0:19:54 | |
A cocktail named after George. Cheers, Julian, thank you very much indeed. | 0:19:54 | 0:19:59 | |
Most welcome. | 0:19:59 | 0:20:03 | |
-How is it? -Wow! | 0:20:03 | 0:20:05 | |
What a fabulous view. | 0:20:14 | 0:20:16 | |
Christopher Wren's gracious masterpiece, St Paul's, | 0:20:16 | 0:20:19 | |
and closer by, my own personal alarm clock. | 0:20:19 | 0:20:21 | |
BELL RINGS | 0:20:21 | 0:20:24 | |
Woken punctually, I'm catching the Central line to Liverpool Street Station, | 0:20:36 | 0:20:40 | |
the magnificent Victorian terminus for the Great Eastern Railway. | 0:20:40 | 0:20:45 | |
Now, I am going to visit a London railway which, as a Londoner, | 0:20:50 | 0:20:52 | |
I've never travelled on. | 0:20:52 | 0:20:55 | |
I've never even seen a photograph of it. It's that mysterious. | 0:20:55 | 0:21:00 | |
In addition to the tube and subterranean mainline services, | 0:21:01 | 0:21:05 | |
London is home to another railway whose existence few even know of. | 0:21:05 | 0:21:10 | |
Deep under the hustle and bustle of London's streets, a unique electric train system | 0:21:10 | 0:21:14 | |
winds inbetween the underground network. | 0:21:14 | 0:21:19 | |
The rail mail, | 0:21:19 | 0:21:20 | |
a secret system of tunnels, railway lines and platforms, | 0:21:20 | 0:21:23 | |
was built by the Post Office for one very special reason, | 0:21:23 | 0:21:26 | |
to deliver the capital's post. | 0:21:26 | 0:21:29 | |
I've been granted access to this private world, | 0:21:29 | 0:21:33 | |
deep in the bowels of the Earth. | 0:21:33 | 0:21:35 | |
It's just like a miniature Tube line, isn't it? | 0:21:35 | 0:21:37 | |
Narrow gauge, but obviously electrified. | 0:21:37 | 0:21:41 | |
It's always a very special moment for me, I must say, walking along an electric railway line. | 0:21:41 | 0:21:45 | |
'Curator of the British Postal Museum and Archive, Chris Taft is my guide.' | 0:21:45 | 0:21:50 | |
What's the history of underground railways and the Post Office? | 0:21:50 | 0:21:53 | |
The origin of the underground railway and the Post Office connection | 0:21:53 | 0:21:56 | |
goes back to the 1860s, to 1861, in fact. | 0:21:56 | 0:21:59 | |
They trialled the idea of using airpower to push, | 0:21:59 | 0:22:02 | |
like a giant peashooter, pushing these cars and rails through tunnels | 0:22:02 | 0:22:05 | |
to move mail between stations. | 0:22:05 | 0:22:07 | |
It did the job they wanted it to do, | 0:22:07 | 0:22:10 | |
it was able to move the mail underground. | 0:22:10 | 0:22:12 | |
It bewilders me that the Victorians devised | 0:22:12 | 0:22:14 | |
such an advanced technology. | 0:22:14 | 0:22:17 | |
Literally to blow and suck trains of post and parcels | 0:22:17 | 0:22:20 | |
through tunnels at a speed of 30 mph. | 0:22:20 | 0:22:24 | |
Despite that astonishing triumph of Victorian engineering, | 0:22:24 | 0:22:28 | |
the Post Office was never enthusiastic and the scheme folded. | 0:22:28 | 0:22:32 | |
But two events coincided which forced the Royal Mail to think again. | 0:22:32 | 0:22:36 | |
The growth in Britain's postal traffic, | 0:22:36 | 0:22:39 | |
a staggering 5.9 billion items annually by the eve of the First World War. | 0:22:39 | 0:22:45 | |
And a need to avoid London's congested streets, where vehicles were moving at just 10mph. | 0:22:45 | 0:22:51 | |
So, work started again, | 0:22:51 | 0:22:53 | |
on a railway system 21 metres below the surface, which opened in 1928. | 0:22:53 | 0:22:58 | |
It ran from East London, from the Eastern District Office, through | 0:23:00 | 0:23:03 | |
to an office and railway station at Paddington in West London. | 0:23:03 | 0:23:06 | |
So 6.5 miles, and there's something like 22 miles of track. | 0:23:06 | 0:23:09 | |
Presumably, it carried a lot of mail? | 0:23:09 | 0:23:12 | |
It did, at its peak, it was operating 22 hours a day, operating every day. | 0:23:12 | 0:23:16 | |
It operated continually throughout the Second World War as well. | 0:23:16 | 0:23:19 | |
So the volumes of mail were huge that were being transported by the network. | 0:23:19 | 0:23:23 | |
Amazingly, this system ran until 2003, | 0:23:23 | 0:23:25 | |
carrying 30,000 mailbags per day at its peak. | 0:23:25 | 0:23:30 | |
It took 26 minutes to travel seven miles under the streets of London, | 0:23:30 | 0:23:34 | |
stopping for a minute at each station. | 0:23:34 | 0:23:37 | |
OK, Michael, I'm going to introduce you to Ray, | 0:23:37 | 0:23:40 | |
one of the engineers. | 0:23:40 | 0:23:42 | |
-Hello. -Hello, Ray. At last, we come across a train. | 0:23:42 | 0:23:46 | |
Yes, this is one of our 1930s trains. | 0:23:46 | 0:23:47 | |
There are two trains coupled together here. | 0:23:47 | 0:23:50 | |
These can hold four containers of mail, | 0:23:50 | 0:23:52 | |
and there are two DC motors on either end. | 0:23:52 | 0:23:54 | |
Where was the driver? | 0:23:54 | 0:23:56 | |
There was no driver, it was fully automatic, controlled by relays in a room under the platform. | 0:23:56 | 0:24:01 | |
That absolutely amazes me, | 0:24:01 | 0:24:03 | |
that a system introduced in the 1920s had driverless trains. | 0:24:03 | 0:24:06 | |
Very advanced. | 0:24:06 | 0:24:08 | |
It was, it was the first automatic mail railway. | 0:24:08 | 0:24:11 | |
-When did it close? -It closed in 2003. | 0:24:11 | 0:24:14 | |
Now, that's remarkable, isn't it? | 0:24:14 | 0:24:15 | |
I expect many people don't know this railway exists | 0:24:15 | 0:24:18 | |
and certainly would be surprised to know it was operating until 2003. | 0:24:18 | 0:24:21 | |
It's really quite a secret railway, isn't it? | 0:24:21 | 0:24:24 | |
Yes, it was sort of called, amongst our own people, | 0:24:24 | 0:24:27 | |
one of the best kept secrets of the Royal Mail. | 0:24:27 | 0:24:29 | |
Indeed, I think London's best kept secret, probably. | 0:24:29 | 0:24:31 | |
Many people know about The Tube itself, the classic Tube, | 0:24:31 | 0:24:35 | |
and other railway lines, but not this one. | 0:24:35 | 0:24:37 | |
The advent of the Internet and e-mail sounded the death knell for the mail rail, | 0:24:37 | 0:24:43 | |
as far fewer items are now sent by traditional post. | 0:24:43 | 0:24:47 | |
Now all the mail in London is transported by road. | 0:24:47 | 0:24:51 | |
The majority of the system no longer works, but I have the unique chance to experience, | 0:24:51 | 0:24:56 | |
just for one moment, what it was like to be a parcel on the mail rail. | 0:24:56 | 0:25:01 | |
Wow! I'll never complain about The Tube again. | 0:25:04 | 0:25:08 | |
This is quite small, isn't it? | 0:25:08 | 0:25:11 | |
I keep thinking it's a waste not to use this line. | 0:25:27 | 0:25:30 | |
That it ought to be brought back into service. But, let's face it, | 0:25:30 | 0:25:33 | |
with these dimensions, it's not going to catch on with passengers, is it? | 0:25:33 | 0:25:38 | |
I'm coming to the end of this journey on the Great Eastern Railway | 0:25:47 | 0:25:51 | |
having passed through, and indeed under the City of London, | 0:25:51 | 0:25:54 | |
my last destination is very significant to Bradshaw's, | 0:25:54 | 0:25:58 | |
but not because of a reference in the guide book. | 0:25:58 | 0:26:01 | |
The answer to that riddle lies underneath Cleopatra's Needle, | 0:26:01 | 0:26:06 | |
on the north bank of the Thames. | 0:26:06 | 0:26:09 | |
John Graves, of the Maritime Museum, will reveal all. | 0:26:09 | 0:26:13 | |
I suppose most Londoners don't give it a look, | 0:26:14 | 0:26:17 | |
but it is actually extremely ancient, isn't it? | 0:26:17 | 0:26:19 | |
It's very old, 2400 BC. And although it is called Cleopatra's Needle, | 0:26:19 | 0:26:26 | |
it has nothing to do with Cleopatra at all. | 0:26:26 | 0:26:29 | |
The Obelisk was already 1,000 years old by the time Cleopatra was Queen of Egypt. | 0:26:29 | 0:26:34 | |
I understand when they erected it, they put a time capsule in the base. | 0:26:34 | 0:26:37 | |
I thought that was a 20th-century idea, I didn't realise they did it in the 19th century. | 0:26:37 | 0:26:41 | |
What did they choose to put inside it? | 0:26:41 | 0:26:43 | |
Well, as you can see from that huge plinth up there, | 0:26:43 | 0:26:46 | |
it's a big time capsule | 0:26:46 | 0:26:49 | |
and it includes a set of 12 photographs of the most attractive ladies in England. | 0:26:49 | 0:26:55 | |
There is also a photograph of Queen Victoria and, | 0:26:55 | 0:26:59 | |
of course, there's a copy of Bradshaw's railway guide. | 0:26:59 | 0:27:04 | |
And so nice for me to know that George Bradshaw resides, | 0:27:04 | 0:27:07 | |
in eternity, with the 12 most beautiful women of the age. | 0:27:07 | 0:27:10 | |
A 19th-century guide book has brought me through Norfolk, Suffolk and Essex | 0:27:15 | 0:27:20 | |
to my home city of London and one of my favourite monuments, Cleopatra's Needle. | 0:27:20 | 0:27:26 | |
Here, I find, buried in the plinth, | 0:27:26 | 0:27:28 | |
a copy of Bradshaw's railway guide, because the railways made 19th-century Britain | 0:27:28 | 0:27:34 | |
and they were synonymous with a single name, | 0:27:34 | 0:27:37 | |
the man who compiled the timetables, George Bradshaw. | 0:27:37 | 0:27:42 | |
My next journey starts in Royal Windsor, | 0:27:45 | 0:27:48 | |
then takes me south-west, exploring the beautiful rural counties of Hampshire and Dorset, | 0:27:48 | 0:27:53 | |
on my way to the dramatic Jurassic Coast. | 0:27:53 | 0:27:57 | |
What a view, what a day. | 0:27:57 | 0:27:59 | |
Along the way, I'll be testing a Victorian invention that revolutionised the mail. | 0:27:59 | 0:28:04 | |
Learning why Victorian tourists loved the Isle of Wight. | 0:28:07 | 0:28:10 | |
I have this amazing plunge down to the beach. Whoa! | 0:28:10 | 0:28:16 | |
You have to have a head for heights here. | 0:28:16 | 0:28:18 | |
And admiring a castle catapulted to fame by the railways. | 0:28:18 | 0:28:23 | |
Wow, that is fantastic. | 0:28:23 | 0:28:26 | |
The most romantic ruin. | 0:28:26 | 0:28:30 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:47 | |
E-mail [email protected] | 0:28:47 | 0:28:49 |