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'In 1840, one man transformed travel in Britain. | 0:00:05 | 0:00:10 | |
'His name was George Bradshaw. | 0:00:10 | 0:00:12 | |
'And his railway guides inspired the Victorians to take to the tracks. | 0:00:12 | 0:00:17 | |
'Stop by stop, he told them where to travel, | 0:00:18 | 0:00:21 | |
'what to see and where to stay. | 0:00:21 | 0:00:24 | |
'Now, 170 years later, | 0:00:24 | 0:00:27 | |
'I'm making a series of journeys across the length | 0:00:27 | 0:00:30 | |
'and breadth of the country to see what of Bradshaw's Britain remains.' | 0:00:30 | 0:00:34 | |
Using my Bradshaw's Guide, | 0:00:54 | 0:00:57 | |
I get a good idea of how the railways speeded up communication | 0:00:57 | 0:01:02 | |
in a way that both excited and bewildered the Victorians. | 0:01:02 | 0:01:06 | |
We who live in an age of information technology | 0:01:06 | 0:01:09 | |
can understand just what it was like. | 0:01:09 | 0:01:12 | |
'I'm following that Victorian superhighway through | 0:01:13 | 0:01:17 | |
'the south of England to discover how the Industrial Revolution | 0:01:17 | 0:01:20 | |
'was carried deep into the countryside. | 0:01:20 | 0:01:23 | |
'Today, I'll be tasting a Victorian superfood.' | 0:01:23 | 0:01:27 | |
You've got a basket of the stuff. That lovely, tangy, mustardy taste. | 0:01:27 | 0:01:31 | |
'Discovering an industrial process unchanged since Bradshaw's day.' | 0:01:31 | 0:01:36 | |
So, all of that is happening | 0:01:36 | 0:01:38 | |
-by a process that started with the waterwheel? -Yes. -Brilliant. | 0:01:38 | 0:01:42 | |
'And experiencing life as a 19th-Century train driver.' | 0:01:42 | 0:01:46 | |
-I love that rhythm of the steam engine. -The engine is talking to you. -Absolutely. | 0:01:46 | 0:01:50 | |
'So far, I've explored the royal county of Berkshire. | 0:01:52 | 0:01:56 | |
'And now I'm heading south | 0:01:56 | 0:01:58 | |
'towards some of the Victorians' favourite holiday spots, | 0:01:58 | 0:02:01 | |
'and my final destination, the Jurassic isle of Portland. | 0:02:01 | 0:02:05 | |
'This stretch starts in Reading | 0:02:05 | 0:02:07 | |
'and takes me across the county border | 0:02:07 | 0:02:10 | |
'to explore the railway's impact on rural Hampshire. | 0:02:10 | 0:02:13 | |
'Finishing up in the market town of Alresford. | 0:02:13 | 0:02:16 | |
'To reach my first stop, | 0:02:18 | 0:02:20 | |
'I'm travelling on the Great Western Railway, | 0:02:20 | 0:02:23 | |
'famously built by Isambard Kingdom Brunel.' | 0:02:23 | 0:02:26 | |
As a frequent traveller from Paddington to places west, | 0:02:28 | 0:02:31 | |
I'm often frustrated that nearly every train stops at Reading. | 0:02:31 | 0:02:35 | |
I ask myself, "Why Reading?" | 0:02:35 | 0:02:37 | |
Well, today, I have an opportunity to find out. | 0:02:37 | 0:02:40 | |
I'm going to alight at Reading. | 0:02:40 | 0:02:42 | |
'The Great Western Main Line was the first railway | 0:02:45 | 0:02:49 | |
'to reach Reading in 1840. | 0:02:49 | 0:02:51 | |
'It was quickly joined by other lines. | 0:02:51 | 0:02:54 | |
'And by the time my guidebook was written, Reading was well on the way | 0:02:54 | 0:02:58 | |
'to becoming the busy junction town that it is today. | 0:02:58 | 0:03:01 | |
'Millions of people pass through this station every year. | 0:03:01 | 0:03:06 | |
'But at one time, these rails were famous for a particular cargo.' | 0:03:06 | 0:03:10 | |
So, Reading. And my Bradshaw's Guide says that this is the home | 0:03:13 | 0:03:17 | |
of the manufactory of Huntley and Palmers biscuits. | 0:03:17 | 0:03:21 | |
I remember those from childhood times. Wasn't there a rhyme, | 0:03:21 | 0:03:24 | |
"Huntley and Palmers make them like biscuits used to be"? | 0:03:24 | 0:03:29 | |
So now I'm off to see what remains of that manufactory. | 0:03:29 | 0:03:33 | |
'Reading station today holds few clues to the town's industrial past. | 0:03:35 | 0:03:40 | |
'But for over a century, arriving here, | 0:03:40 | 0:03:42 | |
'you knew you'd come to the biscuit town. | 0:03:42 | 0:03:45 | |
'Thanks to the railways, Reading was home to the biggest | 0:03:45 | 0:03:49 | |
'and best-known biscuit manufacturer in the world. | 0:03:49 | 0:03:52 | |
'In the town centre, there are rows of red-brick terraces | 0:03:52 | 0:03:55 | |
'built for the factory workers. | 0:03:55 | 0:03:57 | |
'But are today's residents in touch with their biscuit heritage?' | 0:03:57 | 0:04:02 | |
Good morning. So, how do you like living here? | 0:04:02 | 0:04:05 | |
I've lived here all my life and I love it. | 0:04:05 | 0:04:07 | |
Did you have any connection with the biscuit world? | 0:04:07 | 0:04:10 | |
My husband worked for the associated deliveries, | 0:04:10 | 0:04:13 | |
but my father-in-law worked for Huntley and Palmers. | 0:04:13 | 0:04:16 | |
Did your family tell you anything about working there? | 0:04:16 | 0:04:19 | |
No. But when you left school, girls went to work at Huntley and Palmers. | 0:04:19 | 0:04:22 | |
As a child, I went to Huntley and Palmers | 0:04:22 | 0:04:25 | |
to see the conveyor belts working with the school and everything. | 0:04:25 | 0:04:28 | |
-But it didn't fall to you to work for the biscuit company? -No. | 0:04:28 | 0:04:32 | |
-Morning, sir. -Morning, sir. | 0:04:32 | 0:04:35 | |
I wondered what you could tell me about the history of these houses. | 0:04:35 | 0:04:38 | |
I think they were initially built | 0:04:38 | 0:04:40 | |
for the workers of the biscuit factory. | 0:04:40 | 0:04:43 | |
Reading is sometimes called The Biscuit Town. | 0:04:43 | 0:04:45 | |
-Does it still keep that name? -Um, I don't think so. | 0:04:45 | 0:04:49 | |
It's been such a long time since the biscuit factory closed. | 0:04:49 | 0:04:52 | |
The football team used to be called The Biscuit Men years ago, | 0:04:52 | 0:04:55 | |
but now they're called The Royals, the Royal County of Berkshire, | 0:04:55 | 0:04:58 | |
so I don't think many people now, um... | 0:04:58 | 0:05:01 | |
regard it as The Biscuit Town. | 0:05:01 | 0:05:03 | |
-The biscuit connection has gone soggy. -It has indeed. | 0:05:03 | 0:05:06 | |
-Thank you again. -Nice to have met you. | 0:05:06 | 0:05:08 | |
'In its heyday, the biscuit factory | 0:05:09 | 0:05:11 | |
'covered an area of 30 acres in the heart of Reading. | 0:05:11 | 0:05:15 | |
'But extraordinarily, today, all that remains | 0:05:15 | 0:05:18 | |
'is the old recreation building, now converted into flats. | 0:05:18 | 0:05:22 | |
'I'm meeting curator Brendan Carr at the town museum | 0:05:22 | 0:05:26 | |
'to hear the story of one of Britain's first global brands.' | 0:05:26 | 0:05:30 | |
Good to see you. Is this either Huntley or Palmer? | 0:05:30 | 0:05:35 | |
This is George Palmer MP. | 0:05:35 | 0:05:38 | |
A very important figure in Reading's history. | 0:05:38 | 0:05:41 | |
Biscuits are fundamental to Reading, aren't they? | 0:05:41 | 0:05:44 | |
Essential to the town's development in fact, yeah. | 0:05:44 | 0:05:47 | |
'George Palmer joined forces with Thomas Huntley in 1841 | 0:05:47 | 0:05:52 | |
'and set about transforming the family firm. | 0:05:52 | 0:05:56 | |
'He built a state-of-the-art factory | 0:05:56 | 0:05:58 | |
'alongside the Great Western Main Line | 0:05:58 | 0:06:01 | |
'and quickly realised the railway itself | 0:06:01 | 0:06:03 | |
'could be a goldmine for the canny entrepreneur.' | 0:06:03 | 0:06:07 | |
In the very early days of the railways, | 0:06:07 | 0:06:09 | |
there wasn't any catering carriages. | 0:06:09 | 0:06:12 | |
Huntley and Palmers cottoned onto that straightaway | 0:06:12 | 0:06:15 | |
and realised it was an opportunity | 0:06:15 | 0:06:17 | |
to market their biscuit factory in Reading | 0:06:17 | 0:06:20 | |
by handing out samples of their biscuits | 0:06:20 | 0:06:24 | |
to the first-class passengers and saying, | 0:06:24 | 0:06:27 | |
"On your left-hand side as you go through Reading, | 0:06:27 | 0:06:29 | |
"you'll see the big biscuit factory." | 0:06:29 | 0:06:32 | |
So they were pioneers in all sorts of ways. | 0:06:32 | 0:06:35 | |
'Before long, the factory was running its own locomotives | 0:06:35 | 0:06:39 | |
'along private railway sidings to the main lines. | 0:06:39 | 0:06:43 | |
'Exporting mass-produced biscuits across the country. | 0:06:43 | 0:06:46 | |
'To keep them fresh in transit, | 0:06:46 | 0:06:48 | |
'the firm had the brainwave of using specially-designed tins. | 0:06:48 | 0:06:52 | |
'The forerunners of our modern biscuit tins.' | 0:06:52 | 0:06:55 | |
This is the average kind of tin you would find. | 0:06:55 | 0:06:58 | |
You'd go into the grocer's shop, and this... | 0:06:58 | 0:07:01 | |
-You can see through it. -Yes. This contained the digestives. | 0:07:01 | 0:07:04 | |
-Did these fit nicely on the railway? -Well, in fact, they did. | 0:07:04 | 0:07:07 | |
They were specially shaped slightly off-square | 0:07:07 | 0:07:11 | |
so that they could fit neatly into, um, the carriages | 0:07:11 | 0:07:14 | |
and use as much space as possible. | 0:07:14 | 0:07:16 | |
They're not quite a square. | 0:07:16 | 0:07:18 | |
'This clever packaging and the growing railway network | 0:07:18 | 0:07:23 | |
'meant biscuits could be exported further and faster than ever before. | 0:07:23 | 0:07:26 | |
'And they soon became a symbol of empire.' | 0:07:26 | 0:07:31 | |
How far afield did Huntley and Palmers' biscuits go? | 0:07:31 | 0:07:33 | |
Well, it's extraordinary. | 0:07:33 | 0:07:35 | |
There's a story that when the first Western travellers reached Tibet, | 0:07:35 | 0:07:40 | |
they were greeted with Huntley and Palmer biscuits. | 0:07:40 | 0:07:43 | |
-What? -It was extraordinary. | 0:07:43 | 0:07:45 | |
But what we do know is they did reach as far as the South Pole. | 0:07:45 | 0:07:48 | |
This is a letter from Captain Scott | 0:07:48 | 0:07:52 | |
to the Huntley and Palmer biscuit factory, | 0:07:52 | 0:07:55 | |
acknowledging receipt of the supply of biscuits, | 0:07:55 | 0:07:59 | |
bemoaning the fact that some of the biscuits had broken. | 0:07:59 | 0:08:02 | |
"We find on opening the tins of Antarctic and Emergency Biscuits | 0:08:02 | 0:08:08 | |
"that the biscuits are considerably broken." | 0:08:08 | 0:08:11 | |
Absolutely amazing, isn't it? | 0:08:11 | 0:08:13 | |
Really quite moving to, er, to have these artefacts here. | 0:08:14 | 0:08:18 | |
'At the start of the 20th Century, | 0:08:20 | 0:08:22 | |
'the biscuit factory employed 5,000 people. | 0:08:22 | 0:08:24 | |
'But by the 1970s, the need to modernise | 0:08:24 | 0:08:28 | |
'meant that production was moved to Liverpool. | 0:08:28 | 0:08:30 | |
'The Reading factory produced its last biscuit in 1976. | 0:08:30 | 0:08:37 | |
'But Brendon's baked me a Victorian recipe | 0:08:37 | 0:08:39 | |
'to give me a taste of Reading's past.' | 0:08:39 | 0:08:42 | |
This is exactly the sort of biscuit | 0:08:42 | 0:08:45 | |
that George Bradshaw would have known, I expect. | 0:08:45 | 0:08:48 | |
-Yes. Try one of those. -Thank you very much. | 0:08:48 | 0:08:51 | |
So, baked to an 1860s recipe. | 0:08:51 | 0:08:54 | |
-The long Jamaica. -The long Jamaica. | 0:08:54 | 0:08:57 | |
It's very plain and lacking in sugar | 0:08:59 | 0:09:01 | |
-compared with the modern biscuit, isn't it? -That's right. | 0:09:01 | 0:09:04 | |
It's very nice, actually. I like that. | 0:09:04 | 0:09:07 | |
But it doesn't have that manufactured sweet taste | 0:09:07 | 0:09:10 | |
-that a modern biscuit has. -That's it. | 0:09:10 | 0:09:12 | |
Different Victorian palate. | 0:09:12 | 0:09:13 | |
'I like to imagine Victorian passengers | 0:09:15 | 0:09:17 | |
'nibbling one of those | 0:09:17 | 0:09:19 | |
'as they thumbed the pages of their Bradshaw's Guide. | 0:09:19 | 0:09:23 | |
'And now it's time for me to catch my next train.' | 0:09:23 | 0:09:26 | |
I'm back at Reading station, a place well known to Queen Victoria, | 0:09:28 | 0:09:31 | |
who gave her royal patronage to Huntley and Palmers. | 0:09:31 | 0:09:34 | |
I'm glad I got off at Reading. | 0:09:34 | 0:09:37 | |
I now know that through its railways, | 0:09:37 | 0:09:39 | |
this town exported biscuits, | 0:09:39 | 0:09:42 | |
and, just as importantly, tins, to the world. | 0:09:42 | 0:09:45 | |
'I'm now leaving the bustle of Reading behind | 0:09:54 | 0:09:58 | |
'and heading south towards a much more rural landscape. | 0:09:58 | 0:10:02 | |
'To get to my next destination, I have to change trains | 0:10:07 | 0:10:10 | |
'at Basingstoke and take a line through stunning countryside.' | 0:10:10 | 0:10:14 | |
Next station stop on this service, Micheldever. | 0:10:14 | 0:10:17 | |
I've crossed the border into Hampshire | 0:10:17 | 0:10:19 | |
and my Bradshaw's Guide is enthusiastic. | 0:10:19 | 0:10:23 | |
"The circus of Hampshire is beautifully varied | 0:10:23 | 0:10:25 | |
"with gently-rising hills, | 0:10:25 | 0:10:27 | |
"fruitful valleys and extensive woodlands." | 0:10:27 | 0:10:30 | |
And as I glimpse it through the trees, so it appears to be. | 0:10:30 | 0:10:35 | |
'In Bradshaw's day, this landscape was being transformed | 0:10:39 | 0:10:43 | |
'as new railways lines radiated out from London, | 0:10:43 | 0:10:45 | |
'and isolated villages | 0:10:45 | 0:10:47 | |
'were suddenly within easy reach of the capital. | 0:10:47 | 0:10:51 | |
'I'm leaving the train at the tiny station of Micheldever. | 0:10:54 | 0:10:57 | |
'It only gets a passing reference in my Bradshaw's Guide, | 0:10:57 | 0:11:01 | |
'but thanks to its position on the Southampton to London line, | 0:11:01 | 0:11:05 | |
'this stop played a starring role in British transport history.' | 0:11:05 | 0:11:09 | |
George Bradshaw began by mapping the canals | 0:11:09 | 0:11:12 | |
which were supplanted by the railways. | 0:11:12 | 0:11:15 | |
I've come to Micheldever to look at a technology | 0:11:15 | 0:11:18 | |
which would eventually lead to the closure | 0:11:18 | 0:11:20 | |
of vast amounts of that Victorian rail network. | 0:11:20 | 0:11:25 | |
'Throughout the 19th Century, the railways continued to spread. | 0:11:27 | 0:11:32 | |
'But before they'd reached their zenith, | 0:11:32 | 0:11:34 | |
'the first motorcars had started to appear on Britain's roads. | 0:11:34 | 0:11:38 | |
What an unbelievable machine! | 0:11:40 | 0:11:42 | |
'I'm meeting vintage car enthusiast Chris Loader to see how Micheldever station | 0:11:42 | 0:11:47 | |
'sped the arrival of this new threat to the rails.' | 0:11:47 | 0:11:50 | |
-This is the most beautiful thing. What is it? -It's a Peugeot. | 0:11:50 | 0:11:53 | |
It was owned by Sir David Salomon of Broomhill in Tunbridge Wells. | 0:11:53 | 0:11:57 | |
-What age? -1898. | 0:11:57 | 0:11:59 | |
-And it's on the road, clearly. -It's on the road, yes. | 0:11:59 | 0:12:02 | |
What is the significance of Micheldever in motoring history? | 0:12:02 | 0:12:05 | |
The first car journey made in a petrol-driven car | 0:12:05 | 0:12:08 | |
was taken from this station. | 0:12:08 | 0:12:11 | |
'In 1895, a motoring pioneer called Evelyn Ellis | 0:12:11 | 0:12:14 | |
'had a custom-built automobile imported from France | 0:12:14 | 0:12:18 | |
'and delivered by rail from Southampton to Micheldever station. | 0:12:18 | 0:12:23 | |
'The trip he took in his new horseless carriage | 0:12:23 | 0:12:25 | |
'changed travel forever.' | 0:12:25 | 0:12:28 | |
-So, 1895 is the first recorded car journey in this country? -Yes. | 0:12:28 | 0:12:33 | |
-Where did he travel to? -He travelled to his home in Datchet, | 0:12:33 | 0:12:36 | |
which is just next to Windsor. | 0:12:36 | 0:12:38 | |
So a total distance of about 56 miles. | 0:12:38 | 0:12:42 | |
-Remember, no tarmac. -No. | 0:12:42 | 0:12:45 | |
-And people must have been astonished as he went along his way. -Yep. | 0:12:45 | 0:12:49 | |
-And can we take a ride in it today? -I'd love to drive you. | 0:12:49 | 0:12:52 | |
'According to the records, | 0:12:52 | 0:12:54 | |
'Evelyn Ellis rolled out of this station at 9:26am on 5th July 1895...' | 0:12:54 | 0:13:01 | |
Here we go. | 0:13:01 | 0:13:03 | |
'..and took over eight hours to reach his final destination. | 0:13:03 | 0:13:09 | |
'Chris is taking me out in his vintage vehicle, | 0:13:09 | 0:13:13 | |
'built just three years later, | 0:13:13 | 0:13:15 | |
'to give me a flavour of that groundbreaking journey.' | 0:13:15 | 0:13:18 | |
You can imagine, if he had broken down in any shape or form, | 0:13:18 | 0:13:22 | |
no AA, no RAC to come and pick him up. | 0:13:22 | 0:13:25 | |
No petrol stations. | 0:13:25 | 0:13:27 | |
I believe in order to get petrol, you had to go to a chemist. | 0:13:27 | 0:13:32 | |
So imagine us on that first journey, we'd be passing horses or bicycles. | 0:13:32 | 0:13:37 | |
People would be stopping, I imagine, in their tracks, | 0:13:37 | 0:13:40 | |
-to have a look at us. -Yeah. | 0:13:40 | 0:13:41 | |
And I believe on that actual trip, | 0:13:41 | 0:13:44 | |
there were 133 horses which they passed, | 0:13:44 | 0:13:47 | |
which is about three horses per mile. | 0:13:47 | 0:13:50 | |
Out of that, there were only a few horses | 0:13:50 | 0:13:52 | |
which were a bit sort of terrified by it, which wasn't bad, really. | 0:13:52 | 0:13:57 | |
No. So the horses took the arrival of their rival quite calmly. | 0:13:57 | 0:14:02 | |
Yes. I don't think there were much problems at all, really. | 0:14:02 | 0:14:05 | |
'Evelyn Ellis' experimental trip was such a success | 0:14:09 | 0:14:13 | |
'that by the end of the year, 20 automobiles | 0:14:13 | 0:14:16 | |
'had already been brought into the country.' | 0:14:16 | 0:14:19 | |
Have you ever thought of the paradox that Evelyn Ellis' car | 0:14:19 | 0:14:22 | |
was delivered to Micheldever station by train? | 0:14:22 | 0:14:26 | |
I think they were known in those days as road locomotives. | 0:14:26 | 0:14:30 | |
And, of course, as people bought more and more of them, | 0:14:30 | 0:14:33 | |
that would see off many of the railway lines. | 0:14:33 | 0:14:36 | |
If one person had a car, they all wanted them. | 0:14:36 | 0:14:38 | |
Chris, look at this. Now we are in the open, it's absolutely glorious. | 0:14:43 | 0:14:48 | |
We're in a 19th-Century horseless carriage. | 0:14:48 | 0:14:52 | |
I think this is bliss, don't you? | 0:14:52 | 0:14:54 | |
'It's easy to see how this new and exciting mode of travel | 0:14:55 | 0:14:59 | |
'captured the imagination of those motoring pioneers. | 0:14:59 | 0:15:03 | |
'But in Bradshaw's day, the train was still king. | 0:15:03 | 0:15:06 | |
'My guidebook doesn't say much about Whitchurch, my next stop, | 0:15:06 | 0:15:09 | |
'but it, too, was touched by the Industrial Revolution. | 0:15:09 | 0:15:13 | |
'To my surprise, this sleepy Hampshire town | 0:15:13 | 0:15:15 | |
'on the London to Salisbury line | 0:15:15 | 0:15:17 | |
'is home to a Victorian silk mill that's still in full working order.' | 0:15:17 | 0:15:22 | |
-Stephen. It's a wonderful place! -Well, welcome. | 0:15:22 | 0:15:26 | |
This is clearly your waterwheel. Is that ancient? | 0:15:26 | 0:15:29 | |
That's a later wheel that dates to the 1890s. | 0:15:29 | 0:15:33 | |
-This mill's always been powered by water. -Back to what time? | 0:15:33 | 0:15:36 | |
-Back to 1817. -1817. | 0:15:36 | 0:15:39 | |
-Yes. -And this is still operating the mill, is it? -Yes. | 0:15:39 | 0:15:42 | |
-This is Britain's oldest working silk mill in its original building. -Fantastic. | 0:15:42 | 0:15:46 | |
'Mid-19th-Century Britain had a flourishing silk industry | 0:15:48 | 0:15:51 | |
'which, at its peak, employed 130,000 people. | 0:15:51 | 0:15:54 | |
'The first water-powered mills were set up in the Midlands, | 0:15:54 | 0:15:58 | |
'but as they proved successful, imitators followed their lead. | 0:15:58 | 0:16:02 | |
'By the 1830s, there were silk mills like this | 0:16:02 | 0:16:05 | |
'in 20 counties in Britain. | 0:16:05 | 0:16:08 | |
'The fast-flowing River Test made Whitchurch a perfect spot.' | 0:16:08 | 0:16:11 | |
This is a fantastic sight. I mean, this hugely powerful wheel | 0:16:12 | 0:16:16 | |
transferring its power through this axle | 0:16:16 | 0:16:19 | |
-and then causing these wheels to turn in a horizontal plain. -Yes. | 0:16:19 | 0:16:24 | |
-And then that's transferring the power up here. -Yes. | 0:16:24 | 0:16:28 | |
How does all this relate to silk? | 0:16:28 | 0:16:30 | |
HE LAUGHS | 0:16:30 | 0:16:32 | |
Well, it looks very course, doesn't it, actually? | 0:16:32 | 0:16:35 | |
And this is the amazing thing about silk. | 0:16:35 | 0:16:37 | |
The machinery is really very industrial. | 0:16:37 | 0:16:41 | |
It gives you a sense of the Industrial Revolution. | 0:16:41 | 0:16:43 | |
You're dealing with something incredibly fine. The contrasts are extraordinary. | 0:16:43 | 0:16:47 | |
So the wheel I saw turning the other side | 0:16:51 | 0:16:53 | |
now transfers the power through this leather band. | 0:16:53 | 0:16:56 | |
That's right. To the shaft here. | 0:16:56 | 0:16:59 | |
And that, in turn, delivers it to a shaft. | 0:16:59 | 0:17:01 | |
-It's like following a thread of cotton through a building, isn't it? -Yes, it is. | 0:17:01 | 0:17:05 | |
-And that goes all the way...? -Yes. | 0:17:05 | 0:17:08 | |
Absolutely fantastic imagination. Ah! | 0:17:08 | 0:17:11 | |
-And now all of these things are spinning, too? -Yes. | 0:17:11 | 0:17:14 | |
So all of that is happening by a process | 0:17:14 | 0:17:17 | |
that started with the waterwheel. | 0:17:17 | 0:17:19 | |
-Yes. -It's brilliant. Brilliantly effective. | 0:17:19 | 0:17:23 | |
'The railways connected provincial mills like this with new markets | 0:17:23 | 0:17:27 | |
'and brought skilled workers from the capital to join the local workforce.' | 0:17:27 | 0:17:32 | |
And when you look back at the Census, it's very clear | 0:17:32 | 0:17:35 | |
that there were cousins, sisters and brothers all working here. | 0:17:35 | 0:17:38 | |
How many people? | 0:17:38 | 0:17:40 | |
At one time, there were 100 people here. | 0:17:40 | 0:17:43 | |
And their age ranges were enormous. | 0:17:43 | 0:17:45 | |
-From 13 up to 90. -13. | 0:17:45 | 0:17:48 | |
-Of course, in those days, children could work in factories. -Yes. | 0:17:48 | 0:17:53 | |
'The late 19th Century saw the industry decline, due to cheaper foreign imports. | 0:17:54 | 0:17:58 | |
'But Whitchurch Mill survived. | 0:17:58 | 0:18:01 | |
'The machinery is unchanged since Bradshaw's day | 0:18:01 | 0:18:05 | |
'and is still making Victorian textiles for everything | 0:18:05 | 0:18:09 | |
'from costume dramas to historic buildings.' | 0:18:09 | 0:18:12 | |
This isn't just here as a museum, | 0:18:12 | 0:18:14 | |
-you are still producing silks. -We are, indeed. | 0:18:14 | 0:18:16 | |
So very often, you are having to recreate something | 0:18:16 | 0:18:19 | |
-that was done in Victorian times. -Yes. | 0:18:19 | 0:18:22 | |
And we might only receive a small fragment of the original fabric, | 0:18:22 | 0:18:26 | |
because it's so precious, | 0:18:26 | 0:18:28 | |
and have to work out how it was all set up, | 0:18:28 | 0:18:30 | |
the type of yarn used, and the colours used to create it. | 0:18:30 | 0:18:34 | |
-There's detective work involved. -In fact, some years ago, | 0:18:34 | 0:18:37 | |
-we reproduced fabrics in Queen Victoria's railway carriage. -Really? | 0:18:37 | 0:18:41 | |
-Yes. -Obviously, I find that very thrilling, | 0:18:41 | 0:18:45 | |
-and George Bradshaw would, too. -Yes. | 0:18:45 | 0:18:48 | |
'It's remarkable to think in Bradshaw's time, | 0:18:50 | 0:18:52 | |
'even this peaceful corner of the country was a hive of industry. | 0:18:52 | 0:18:56 | |
'Day two of this leg of my journey | 0:19:07 | 0:19:09 | |
'and I'm on another of the many lines that connected this region | 0:19:09 | 0:19:13 | |
'with the capital in Bradshaw's era. | 0:19:13 | 0:19:15 | |
'My route passes through the rolling chalk hills of the Hampshire Downs. | 0:19:15 | 0:19:19 | |
'This pretty countryside became a major source of wealth | 0:19:19 | 0:19:23 | |
'when it was used to grow one of the Victorians' favourite foods. | 0:19:23 | 0:19:28 | |
'I'm leaving the train at Alton to find out more.' | 0:19:29 | 0:19:32 | |
Alton. What a delightful station. | 0:19:39 | 0:19:43 | |
It's painted in the old green and cream colours, it's really old fashioned. | 0:19:43 | 0:19:47 | |
It really takes you back. | 0:19:47 | 0:19:49 | |
'In the 19th Century, this whole area was famous for a single crop - | 0:19:54 | 0:19:58 | |
'watercress. | 0:19:58 | 0:20:00 | |
'This aquatic plant has always grown well, | 0:20:00 | 0:20:02 | |
'thanks to Hampshire's mineral-rich springs. | 0:20:02 | 0:20:05 | |
'It was the arrival of the railways in the 1860s | 0:20:05 | 0:20:07 | |
'that transformed this into the outstanding watercress area in Britain. | 0:20:07 | 0:20:12 | |
'I've come to meet farmer Tom Aymery on Manor Farm in nearby Alresford.' | 0:20:14 | 0:20:19 | |
It is a fantastic site, all these watercress beds. | 0:20:19 | 0:20:22 | |
It is quite unique. There's not many places in the country | 0:20:22 | 0:20:25 | |
that have such a large array of watercress beds in one location. | 0:20:25 | 0:20:29 | |
And farmed like this, how far does this go back? | 0:20:29 | 0:20:31 | |
A long way. Watercress beds like this | 0:20:31 | 0:20:33 | |
have been really farmed for around about 120-150 years. | 0:20:33 | 0:20:36 | |
-So, that makes them Victorian? -It does, indeed, yes. | 0:20:36 | 0:20:40 | |
It was that sort of development in the Victorian era | 0:20:40 | 0:20:42 | |
that really set the standards | 0:20:42 | 0:20:44 | |
for how watercress has been grown, and is still grown today. | 0:20:44 | 0:20:47 | |
'In the 19th Century, Britain's industrial cities were growing fast. | 0:20:47 | 0:20:52 | |
'Urban workers needed fresh vegetables from the countryside, | 0:20:52 | 0:20:56 | |
'and watercress was cheap to grow. | 0:20:56 | 0:20:58 | |
'Demand soon skyrocketed.' | 0:20:58 | 0:21:01 | |
Pre-Victorian period, watercress would have been grown | 0:21:01 | 0:21:04 | |
in lots of locations in small volumes. | 0:21:04 | 0:21:06 | |
And what was happening was with London developing and obviously | 0:21:06 | 0:21:09 | |
losing the area that you could grow watercress, | 0:21:09 | 0:21:12 | |
they started looking for locations | 0:21:12 | 0:21:14 | |
that naturally had a lot of spring water. | 0:21:14 | 0:21:17 | |
And that may be down in Dorset, where we have farms, and also around here. | 0:21:17 | 0:21:21 | |
'This was the ideal location for industrial-scale watercress production. | 0:21:21 | 0:21:26 | |
'But first, the growers had to solve a major problem.' | 0:21:26 | 0:21:31 | |
It was very important. It had to be transported fresh and quickly. | 0:21:31 | 0:21:35 | |
It's one of those products that's naturally quite perishable. | 0:21:35 | 0:21:38 | |
-So they had to move it fast. -By railway, I assume? -Absolutely. | 0:21:38 | 0:21:42 | |
The watercress was harvested on these farms, | 0:21:42 | 0:21:45 | |
placed into what we call wicker flats, | 0:21:45 | 0:21:47 | |
then sent up to London or whichever city or town it would be, | 0:21:47 | 0:21:52 | |
then made into bunches and sold. | 0:21:52 | 0:21:54 | |
'In the 19th Century, it was thought that watercress | 0:21:54 | 0:21:57 | |
'could cure everything from hiccups to freckles. | 0:21:57 | 0:22:00 | |
'And thanks to the trains, | 0:22:00 | 0:22:02 | |
'city dwellers now had an abundant supply of this superfood | 0:22:02 | 0:22:05 | |
'delivered to their doorstep.' | 0:22:05 | 0:22:07 | |
-Victorians believed it to be very healthy. Were they right? -They were indeed. | 0:22:07 | 0:22:12 | |
The benefits are derived from the spring water. | 0:22:12 | 0:22:14 | |
That water contains a lot of vitamins and minerals | 0:22:14 | 0:22:17 | |
high in calcium, for instance. | 0:22:17 | 0:22:19 | |
And that calcium is then taken up by the crop. | 0:22:19 | 0:22:22 | |
So it's full of Vitamin C, calcium, | 0:22:22 | 0:22:25 | |
but other minerals that are very important. | 0:22:25 | 0:22:28 | |
So it was a very easy source of nutrition. | 0:22:28 | 0:22:32 | |
How were people taking it? Were they buying it in little baskets? | 0:22:32 | 0:22:35 | |
Were they having it in sandwiches? How did they eat it? | 0:22:35 | 0:22:39 | |
The Earl of Sandwich mentioned watercress in his early sandwiches, | 0:22:39 | 0:22:43 | |
which is very convenient, | 0:22:43 | 0:22:44 | |
but they were actually eating it in sort of a cone, which was a bunch. | 0:22:44 | 0:22:48 | |
'Watercress continued to thrive through the two World Wars. | 0:22:48 | 0:22:53 | |
'But by the end of the 20th Century, it had fallen out of favour. | 0:22:53 | 0:22:58 | |
'Now, though, it's back in the spotlight, | 0:22:58 | 0:23:01 | |
'thanks to its health benefits.' | 0:23:01 | 0:23:04 | |
-You've got a basket of the stuff here. -I have. | 0:23:07 | 0:23:10 | |
I hope not all for me, but may I try some? | 0:23:10 | 0:23:13 | |
Of course. It was picked this morning. | 0:23:13 | 0:23:15 | |
Is there a method? | 0:23:15 | 0:23:17 | |
-No, there isn't. As much as you can fit, really. -OK. | 0:23:17 | 0:23:20 | |
Hm. Do you know, it takes me back to childhood. | 0:23:21 | 0:23:26 | |
I confess, I don't eat it much these days, but... | 0:23:26 | 0:23:29 | |
Mm! That lovely tangy, mustardy taste. | 0:23:29 | 0:23:31 | |
-That's right. -Mm! That's brilliant stuff. | 0:23:31 | 0:23:35 | |
'At its peak, it's estimated that growers sold many hundreds | 0:23:37 | 0:23:42 | |
'of tonnes of watercress per week. | 0:23:42 | 0:23:44 | |
'For the railway workers, transporting it | 0:23:44 | 0:23:46 | |
'meant braving all weathers | 0:23:46 | 0:23:49 | |
'and pushing their locomotives to the limit.' | 0:23:49 | 0:23:51 | |
Having seen those beautiful acres of watercress beds, | 0:23:51 | 0:23:54 | |
it's now time to see how the crop was moved | 0:23:54 | 0:23:57 | |
to the markets of Britain | 0:23:57 | 0:23:58 | |
on what was inevitably known as The Watercress Line. | 0:23:58 | 0:24:02 | |
'I've come to Alresford at the start of the Mid Hants Railway, | 0:24:03 | 0:24:06 | |
'which opened in 1865, | 0:24:06 | 0:24:09 | |
'carving a path through the rolling Hampshire Downs. | 0:24:09 | 0:24:12 | |
'It was closed down in 1973, | 0:24:12 | 0:24:14 | |
'but just a few years later, it was reopened as a heritage line.' | 0:24:14 | 0:24:20 | |
Ah! I love this! The old British Railway sign. | 0:24:20 | 0:24:24 | |
The lion and the wheel and the crown. | 0:24:24 | 0:24:26 | |
-Hello. -Ah. Hello, Michael. -How lovely to see you. | 0:24:26 | 0:24:29 | |
Nice to meet you. Welcome to The Watercress Line. | 0:24:29 | 0:24:31 | |
-I'm really looking forward to this. -We've got some uniform for you. | 0:24:31 | 0:24:35 | |
Put that on, then come back and join us. | 0:24:35 | 0:24:37 | |
I'll see you in a moment. | 0:24:37 | 0:24:39 | |
You wait here. | 0:24:39 | 0:24:42 | |
'I've been given the chance to ride on the footplate | 0:24:42 | 0:24:46 | |
'of one of the railway's magnificent steam engines.' | 0:24:46 | 0:24:49 | |
Dressed for the part. | 0:24:49 | 0:24:50 | |
-Do I pass muster? -You're ready. Please come aboard. -Thank you. | 0:24:55 | 0:24:58 | |
WHISTLE TOOTS | 0:24:58 | 0:24:59 | |
'Volunteer driver Chris Yates knows how tough it was | 0:24:59 | 0:25:02 | |
'to drive a train on The Watercress Line.' | 0:25:02 | 0:25:06 | |
What's this bit of line like? | 0:25:08 | 0:25:10 | |
Um, it could be hard work. Especially for the firemen | 0:25:10 | 0:25:13 | |
-who had to shovel the coal to produce the steam. -Hard work, why? | 0:25:13 | 0:25:17 | |
Because we've got a long hill to go up. | 0:25:17 | 0:25:19 | |
For about four miles, it climbs about 400 foot. | 0:25:19 | 0:25:23 | |
Quite demanding for a steam engine. | 0:25:23 | 0:25:26 | |
Absolutely. And with the heavy train behind you, | 0:25:26 | 0:25:29 | |
obviously, you'll need the steam to do that. | 0:25:29 | 0:25:32 | |
'At its peak, 16 steam trains a day braved this challenging route.' | 0:25:32 | 0:25:37 | |
Michael, we're now on one of the steepest parts of the line. | 0:25:37 | 0:25:40 | |
-You can probably see how steep it is. -Very steep. | 0:25:40 | 0:25:43 | |
The engine's labouring a little bit with the weight of the train. | 0:25:43 | 0:25:47 | |
But if you'd like to have a go, please feel free. | 0:25:47 | 0:25:50 | |
What do I do? | 0:25:50 | 0:25:52 | |
We've got the regulator here. | 0:25:52 | 0:25:54 | |
-That emits steam. -Does that need any movement? | 0:25:54 | 0:25:57 | |
That moves up. | 0:25:57 | 0:25:59 | |
So if you get underneath it and lift it up. Give it a...a yank. | 0:25:59 | 0:26:05 | |
Bit more, bit more, bit more, bit more. | 0:26:05 | 0:26:09 | |
That's it. | 0:26:09 | 0:26:11 | |
-You can probably hear the beat of the engine. -Yes. | 0:26:13 | 0:26:18 | |
If you'd like to wind that slightly anticlockwise, | 0:26:18 | 0:26:21 | |
and what we're doing, we're reducing the amount of steam | 0:26:21 | 0:26:24 | |
that's going into the cylinders and making use of the expanisve properties. | 0:26:24 | 0:26:28 | |
-Is it moving OK at the moment? -It's moving perfectly. | 0:26:28 | 0:26:30 | |
We're moving up the hill quite fast. | 0:26:30 | 0:26:33 | |
I find it a real responsibility driving this thing. | 0:26:39 | 0:26:43 | |
It's so big and heavy. | 0:26:43 | 0:26:45 | |
And the thing about it is you can make it go faster or slower, | 0:26:45 | 0:26:49 | |
but you can't steer it. | 0:26:49 | 0:26:52 | |
'Although it's hard work, driving a locomotive is a boyhood dream.' | 0:26:54 | 0:26:59 | |
-I love that rhythm of a steam engine. -Absolutely. | 0:26:59 | 0:27:02 | |
I've so often heard it, but today, I can feel it. | 0:27:02 | 0:27:05 | |
You feel it all through your body. | 0:27:05 | 0:27:06 | |
-The engine's talking to you. -Absolutely. | 0:27:06 | 0:27:09 | |
'Travelling with my Bradshaw's Guide, | 0:27:19 | 0:27:22 | |
'I've seen how the railways helped to send | 0:27:22 | 0:27:25 | |
'the effects of the Industrial Revolution | 0:27:25 | 0:27:28 | |
'rippling through the British countryside.' | 0:27:28 | 0:27:30 | |
On my journeys, I've often thought about the social | 0:27:32 | 0:27:36 | |
and industrial impact of the railways in Victorian Britain. | 0:27:36 | 0:27:40 | |
But having driven this monster, | 0:27:40 | 0:27:43 | |
I'm thinking about the visual impact on the landscape | 0:27:43 | 0:27:46 | |
as this green and pleasant land | 0:27:46 | 0:27:49 | |
was criss-crossed by engines belching fire and steam. | 0:27:49 | 0:27:54 | |
'On the next part of my journey, | 0:27:58 | 0:28:00 | |
'I'll be learning how Victorian engineering made its mark on music.' | 0:28:00 | 0:28:04 | |
-I'm now going to press a pedal. -HE PLAYS A NOTE | 0:28:04 | 0:28:08 | |
Amazing feeling of power, that. | 0:28:08 | 0:28:09 | |
'Going behind the scenes at a 19th-Century railway works.' | 0:28:09 | 0:28:13 | |
Now, Barry, that is what I call a locomotive. That is fantastic. | 0:28:13 | 0:28:17 | |
'And discovering a landscape that wowed tourists in Bradshaw's day.' | 0:28:17 | 0:28:21 | |
I have this...amazing plunge down to the beach. Whoa! | 0:28:21 | 0:28:27 | |
You have to have a head for heights here. | 0:28:27 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:44 | 0:28:47 | |
E-mail [email protected] | 0:28:47 | 0:28:51 |